UPC · Release
Big Purcell Box
Henry Purcell
099923092629
219 tracksReleased 2015-04-07
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099923092629 is the Universal Product Code (UPC barcode) for the release “Big Purcell Box” by Henry Purcell, released 2015-04-07. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 219 tracks, each with its own ISRC. Tracks include USKO11500219, USKO11500220, USKO11500221.
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UPCBig Purcell Box
ISRC219 recordings
ISWC2 works
Track List (219)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Fairy Queen, Z. 629, Suite I: I. Air | Wiener Solisten, Wilfried Böttcher | — | |
| 2 | The Fairy Queen, Z. 629, Suite I: II. Rondeau | Wiener Solisten, Wilfried Böttcher | — | |
| 3 | The Fairy Queen, Z. 629, Suite I: III. Dance for the Fairies | Wiener Solisten, Wilfried Böttcher | — | |
| 4 | The Fairy Queen, Z. 629, Suite I: IV. Hornpipe | Wiener Solisten, Wilfried Böttcher | — | |
| 5 | The Fairy Queen, Z. 629, Suite I: V. Jig | Wiener Solisten, Wilfried Böttcher | — | |
| 6 | The Fairy Queen, Z. 629, Suite II: I. Prelude | Wiener Solisten, Wilfried Böttcher | — | |
| 7 | The Fairy Queen, Z. 629, Suite II: II. Mondey’s Dance | Wiener Solisten, Wilfried Böttcher | — | |
| 8 | The Fairy Queen, Z. 629, Suite II: III. Air | Wiener Solisten, Wilfried Böttcher | — | |
| 9 | The Fairy Queen, Z. 629, Suite II: IV. Chaconne | Wiener Solisten, Wilfried Böttcher | — | |
| 10 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Symphony (Largo-Allegro-Adagio) | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London | — | |
| 11 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Come Ye Sons of Art | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London | — | |
| 12 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Sound the Trumpet | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London | — | |
| 13 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Come Ye Sons of Art (reprise) | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London | — | |
| 14 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Strike the Viol | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London | — | |
| 15 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: the Day that Such a Blessing | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London | — | |
| 16 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Bid the Virtues | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London | — | |
| 17 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z, 323: These are the Sacred Charms | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London | — | |
| 18 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: See Nature Rejoicing | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London | — | |
| 19 | The Fantasias for Viol, Three-Voice Fantasia No. 1, in D Minor, Z. 732 | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 20 | The Fantasias for Viol, Three-Voice Fantasia No. 2, in F Major, Z. 733 | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 21 | The Fantasias for Viol, Three-Voice Fantasia No. 3, in G Minor, Z. 734 | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 22 | The Fantasias for Viol, Four-Voice Fantasia No. 5, in D Minor, Z. 739 | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 23 | The Fantasias for Viol, Four-Voice Fantasia No. 6, in a Minor, Z. 740 | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 24 | The Fantasias for Viol, Four-Voice Fantasia No. 1, in G Minor, Z. 735 | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 25 | The Fantasias for Viol, Four-Voice Fantasia No. 7, in E Minor, Z. 741 | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26 | The Fantasias for Viol, Four-Voice Fantasia No. 2, in B-flat Major, Z. 736 | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 27 | The Fantasias for Viol, Four-Voice Fantasia No. 8, in G Major, Z. 742 | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 28 | The Fantasias for Viol, Four-Voice Fantasia No. 3, in F Major, Z. 737 | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29 | The Fantasias for Viol, Four-Voice Fantasia No. 4, in C Minor, Z. 738 | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 30 | The Fantasias for Viol, Four-Voice Fantasia No. 9, in D Minor, Z. 743 | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 31 | The Fantasias for Viol, Fantasia upon One note, 5 Voices in F Major, Z. 744 | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 32 | The Fantasias for Viol, in Nomine of 7 Part, Z. 747 | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 33 | The Fantasias for Viol, in Nomine of 6 Parts, Z. 746 | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 34 | Rejoice in the Lord Alway (The Bell Anthem), Z. 49 | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London | — | |
| 35 | Musick's Handmaid, Lessons 1-6: i. Song Tune in C Major, Z. T694 | George Malcolm | — | |
| 36 | Musick's Handmaid, Lessons 1-6: ii. Con Spirito, Z.647 | George Malcolm | — | |
| 37 | Musick's Handmaid, Lessons 1-6: iii. March in C Major, Z648 | George Malcolm | — | |
| 38 | Musick's Handmaid, Lessons 1-6: iv. New Minuet in D Minor, Z.T689 | George Malcolm | — | |
| 39 | Musick's Handmaid, Lessons 1-6: v. Minuet in a Minor, Z.649 | George Malcolm | — | |
| 40 | Musick's Handmaid, Lessons 1-6: vi. Minuet in a Minor, Z.650 | George Malcolm | — | |
| 41 | Musick's Handmaid, Lessons 7-12: i. a New Scotch Tune in G Major, Z. 655 | George Malcolm | — | |
| 42 | Musick's Handmaid, Lessons 7-12: ii. a New Ground in E Minor, Z. T682 | George Malcolm | — | |
| 43 | Musick's Handmaid, Lessons 7-12: iii. a New Irish Tune, Z. 646 | George Malcolm | — | |
| 44 | Musick's Handmaid, Lessons 7-12: iv. Rigadoon in C Major, Z. 653 | George Malcolm | — | |
| 45 | Musick's Handmaid, Lessons 7-12: v. Sefauchi's Farewell in D Minor, Z. 656 | George Malcolm | — | |
| 46 | Musick's Handmaid, Lessons 7-12: vi. Minuet in D Minor, Z. T688 | George Malcolm | — | |
| 47 | My Beloved Spake, Z. 28: Symphony | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London | — | |
| 48 | My Beloved Spake, Z. 28: My Beloved Spake | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London | — | |
| 49 | My Beloved Spake, Z. 28: For, Lo, the Winter is Past | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London | — | |
| 50 | My Beloved Spake, Z. 28: the Time of Singing | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London | — | |
| 51 | My Beloved Spake, Z. 28: and the Voice of the Turtle | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London | — | |
| 52 | My Beloved Spake, Z. 28: the Fig Tree | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London | — | |
| 53 | My Beloved Spake, Z. 28: Arise | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London | — | |
| 54 | My Beloved Spake, Z. 28: My Beloved is Mine | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London | — | |
| 55 | Harpsichord Suite No. 6 in D Major: I. Prelude | George Malcolm | — | |
| 56 | Harpsichord Suite No. 6 in D Major: II. Allemande | George Malcolm | — | |
| 57 | Harpsichord Suite No. 6 in D Major: III. Hornpipe | George Malcolm | — | |
| 58 | The Masque in Dioclesian, Z. 627: Call the Nymphs and the Fauns | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 59 | The Masque in Dioclesian, Z. 627: Let the Graces and Pleasures Repair | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 60 | The Masque in Dioclesian, Z. 627: Come, come away | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 61 | The Masque in Dioclesian, Z. 627: Behold O mighty’st of gods | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 62 | The Masque in Dioclesian, Z. 627: Paspe (Passepied) | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 63 | The Masque in Dioclesian, Z. 627: Oh the Sweet Delights of love | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 64 | The Masque in Dioclesian, Z. 627: Let monarchs fight for power and fame | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 65 | The Masque in Dioclesian, Z. 627: Make room for the great God | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 66 | The Masque in Dioclesian, Z. 627: I’m here with my jolly crew | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 67 | The Masque in Dioclesian, Z. 627: Dance of the Bacchanals | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 68 | The Masque in Dioclesian, Z. 627: Still I’m wishing, still desiring | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 69 | The Masque in Dioclesian, Z. 627: Can Drusilla give me no more? | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 70 | The Masque in Dioclesian, Z. 627: Canaries | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 71 | The Masque in Dioclesian, Z. 627: Tell me why, my charming fair | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 72 | The Masque in Dioclesian, Z. 627: Dance | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 73 | The Masque in Dioclesian, Z. 627: All our days and nights | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 74 | The Masque in Dioclesian, Z. 627: Dance | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 75 | The Masque in Dioclesian, Z. 627: Triumph Victorious Love | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 76 | The Masque in Dioclesian, Z. 627: Incidental Music in the play, First Music | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 77 | The Masque in Dioclesian, Z. 627: Incidental Music in the play, First Act Tune or Hornpipe | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 78 | The Masque in Dioclesian, Z. 627: Instrumental Interlude | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 79 | The Masque in Dioclesian, Z. 627: Incidental Music in the play, Dance of the Furies | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 80 | The Masque in Dioclesian, Z. 627: Incidental Music in the play, Second Act Tune | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 81 | The Masque in Dioclesian, Z. 627: Incidental Music in the play, the Chair Dance | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 82 | 82 the Masque in Dioclesian, Z. 627: Incidental Music in the play, Third Act Tune | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 83 | The Masque in Dioclesian, Z. 627: Instrumental Interlude | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 84 | The Masque in Dioclesian, Z. 627: Incidental Music in the play, Butterfly Dance | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 85 | The Masque in Dioclesian, Z. 627: Country Dance | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan | — | |
| 86 | Chaconne in G Minor, Z. 730 | Wiener Kammerorchester, Franz Litschauer | T9295531225 | |
| 87 | Fantasia in G minor, Z.735 | Wiener Kammerorchester, Franz Litschauer | — | |
| 88 | Fantasia in B-flat major, Z.736 | Wiener Kammerorchester, Franz Litschauer | — | |
| 89 | Fantasia in F major, Z.737 | Wiener Kammerorchester, Franz Litschauer | — | |
| 90 | Fantasia in C minor, Z.738 | Wiener Kammerorchester, Franz Litschauer | — | |
| 91 | Fantasia on One Note, Z.745 | Wiener Kammerorchester, Franz Litschauer | — | |
| 92 | Fantasia in D minor, Z.739 | Wiener Kammerorchester, Franz Litschauer | — | |
| 93 | Fantasia in a minor, Z.740 | Wiener Kammerorchester, Franz Litschauer | — | |
| 94 | Fantasia in E minor, Z.741 | Wiener Kammerorchester, Franz Litschauer | — | |
| 95 | Fantasia in G major, Z.742 | Wiener Kammerorchester, Franz Litschauer | — | |
| 96 | Fantasia in D minor, Z.743 | Wiener Kammerorchester, Franz Litschauer | — | |
| 97 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Symphony (Overture) | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett | — | |
| 98 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hail Bright Cecilia | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett | — | |
| 99 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hark, Each Tree | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett | — | |
| 100 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Tis Nature's Voice | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett | — | |
| 101 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Soul of the World | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett | — | |
| 102 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Thou Tun'st This World | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett | — | |
| 103 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): With That Sublime Celestial Lay | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett | — | |
| 104 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Wond'rous Machine | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett | — | |
| 105 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): the Airy Violin | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett | — | |
| 106 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): in Vain the Am'rous Flute | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett | — | |
| 107 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): the Fife and All the Harmony of War | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett | — | |
| 108 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Let These Among Themselves Contest | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett | — | |
| 109 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hail! Bright Cecilia | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett | — | |
| 110 | Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): I. Symphony, Maestoso-Vivace | Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan, Kalmar Chamber Orchestra of London | — | |
| 111 | Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): II. Welcome to All the Pleasures, Z. 339 | Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan, Kalmar Chamber Orchestra of London | — | |
| 112 | Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): III. Here the Deities Approve | Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan, Kalmar Chamber Orchestra of London | — | |
| 113 | Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): IV. While Joys Celestial | Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan, Kalmar Chamber Orchestra of London | — | |
| 114 | Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): V. Then Lift Up Your Voices | Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan, Kalmar Chamber Orchestra of London | — | |
| 115 | Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VI. Adagio (harpsichord solo) | Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan, Kalmar Chamber Orchestra of London | — | |
| 116 | Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VII. Beauty Thou Scene of Love | Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan, Kalmar Chamber Orchestra of London | — | |
| 117 | Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VIII. in a Consort of Voices | Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan, Kalmar Chamber Orchestra of London | — | |
| 118 | Abdelazer or the Moor’s Revenge Suite, Z.570: I. Overture | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 119 | Abdelazer or the Moor’s Revenge Suite, Z.570: II. Rondeau | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 120 | Abdelazer or the Moor’s Revenge Suite, Z.570: III. Air | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 121 | Abdelazer or the Moor’s Revenge Suite, Z.570: IV. Air | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 122 | Abdelazer or the Moor’s Revenge Suite, Z.570: V. Minuet | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 123 | Abdelazer or the Moor’s Revenge Suite, Z.570: VI. Air | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 124 | Abdelazer or the Moor’s Revenge Suite, Z.570: VII. Jig | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 125 | Abdelazer Or the Moor’S Revenge Suite, Z.570: VIII. Hornpipe | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 126 | Abdelazer or the Moor’s Revenge Suite, Z.570: IX. Air | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 127 | The Married Beau, or the Curious Impertinent, Z. 603: I. Overture | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 128 | The Married Beau, or the Curious Impertinent, Z. 603: II. Hornpipe | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 129 | The Married Beau, or the Curious Impertinent, Z. 603: III. Slow Air | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 130 | The Married Beau, or the Curious Impertinent, Z. 603: IV. Trumpet Air | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 131 | The Married Beau, or the Curious Impertinent, Z. 603: V. Jig | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 132 | The Married Beau, or the Curious Impertinent, Z. 603: VI. Hornpipe | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 133 | The Married Beau, or the Curious Impertinent, Z. 603: VII. March | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 134 | The Married Beau, Or the Curious Impertinent, Z. 603: VIII. Hornpipe on a Ground | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 135 | The Gordian Knot Untied, Z. 597: I. Overture | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 136 | The Gordian Knot Untied, Z. 597: II. Air | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 137 | The Gordian Knot Untied, Z. 597: III. Rondeau Minuet | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 138 | The Gordian Knot Untied, Z. 597: IV. Air | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 139 | The Gordian Knot Untied, Z. 597: V. Jig | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 140 | The Gordian Knot Untied, Z. 597: VI. Chaconne | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 141 | The Gordian Knot Untied, Z. 597: VII. Air | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 142 | The Gordian Knot Untied, Z. 597: VIII. Minuet | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 143 | The Virtuous Wife, or Good Luck at Last, Z. 611: I. Overture | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 144 | The Virtuous Wife, or Good Luck at Last, Z. 611: II. Slow Air | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 145 | The Virtuous Wife, or Good Luck at Last, Z. 611: III. Hornpipe | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 146 | The Virtuous Wife, or Good Luck at Last, Z. 611: IV. Minuets I and II | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 147 | The Virtuous Wife, or Good Luck at Last, Z. 611: V. Allegro | Hartford Symphony Orchestra, Fritz Mahler | — | |
| 148 | Fantasia upon a Ground for 3 Violins for Three Violins and Continuo, Z. 731 | Sir Neville Marriner, Peter Gibbs, Desmond Dupré, George Malcolm | — | |
| 149 | Oedipus (1692), Z. 583 “Music for a While” | Alfred Deller, Walter Bergman | — | |
| 150 | I Love and I Must, Z. 382 | Alfred Deller, April Cantelo, George Malcolm | — | |
| 151 | The Comical History of Don Quixote, Z. 578 – Part I: Let the Dreadful Engines | Alfred Deller, Maurice Bevan, George Malcolm | — | |
| 152 | The Fairy Queen – Epithalalmium “Thrice Happy Lovers” | Alfred Deller, Walter Bergmann | — | |
| 153 | “If Music Be the Food of Love", 1st Version, Z 379A | Alfred Deller, Walter Bergmann | — | |
| 154 | The Blessed Virgin’s Expostulation “Tell Me, Some Pitying Angel", Z. 186 | Alfred Deller, April Cantelo, Walter Bergmann | — | |
| 155 | Not All My Torments, Z. 400 | Alfred Deller, Walter Bergmann | — | |
| 156 | Upon a Quiet Conscience “Close Thine Eyes and Sleep Secure", Z. 184 | Alfred Deller, Maurice Bevan, April Cantelo, George Malcolm | — | |
| 157 | King Arthur, Z. 628 – Venus’s Song “Fairest Isle, all isles excelling" | Alfred Deller, Walter Bergmann | — | |
| 158 | Pausanias, Z. 585 “Sweeter than Roses" | Alfred Deller, Walter Bergmann | — | |
| 159 | The Fatal Hour Comes on Apace, Z. 421 | Alfred Deller, Walter Bergmann | — | |
| 160 | Ode on Queen Mary’s Birthday, Z. 321 “Crown the Altar” | Alfred Deller, Walter Bergmann | — | |
| 161 | The Indian Queen, Z. 630 “I Attempt from Love's Sickness to Fly" | Alfred Deller, Walter Bergmann | — | |
| 162 | Bonduca, Z. 574 – Bonduca’s Song: “O Lead Me to Some Peaceful Gloom” | Alfred Deller, Walter Bergmann | — | |
| 163 | Dioclesian, Z. 627 “What Shall I Do to Show How Much I Love Her?" | Alfred Deller, Walter Bergmann | — | |
| 164 | The Comical History of Don Quixote, Z. 578 “From Rosy Bowrs" | Alfred Deller, Walter Bergmann | — | |
| 165 | Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: I. Allegro | Granville Jones, Peter Gibbs, Desmond Dupré, George Malcolm | — | |
| 166 | Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: II. Adagio | Granville Jones, Peter Gibbs, Desmond Dupré, George Malcolm | — | |
| 167 | Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: III. Canzona Allegro | Granville Jones, Peter Gibbs, Desmond Dupré, George Malcolm | — | |
| 168 | Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: IV. Grave | Granville Jones, Peter Gibbs, Desmond Dupré, George Malcolm | — | |
| 169 | Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: V. Allegro | Granville Jones, Peter Gibbs, Desmond Dupré, George Malcolm | — | |
| 170 | Sonata in G Minor for Violin and Continuo, Z. 780: I. Adagio - Moderato | Sir Neville Marriner, George Malcolm | — | |
| 171 | Sonata in G Minor for Violin and Continuo, Z. 780: II. Adagio con espressione | Sir Neville Marriner, George Malcolm | — | |
| 172 | Sonata in G Minor for Violin and Continuo, Z. 780: III. Vivace | Sir Neville Marriner, George Malcolm | — | |
| 173 | The Fairy Queen, Z. 629, Act II: “Prelude & Song: One charming night” (Secrecy) | Alfred Deller, Gustav Leonhardt, Leonhardt-Consort | — | |
| 174 | The Fairy Queen, Z. 629, Act II: “Song: I am come to lock all fast” (Mystery) | Alfred Deller, Gustav Leonhardt, Leonhardt-Consort | — | |
| 175 | Cantate "If Ever I More Riches Did Desire" Z. 544: Song (4vv, 2 Violin) "Here Let My Life" | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — | |
| 176 | Welcome to All the Pleasures, Z 339: Here the Deities Approve | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — | |
| 177 | The Prophetess or the History of Dioclesian, Z. 627: Song "Since From My Dear Astrea's Sight" | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — | |
| 178 | The Fairy Queen, Z. 629: The Plaint (O Let Me Weep) | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | T3087240782 | |
| 179 | Dido and Aeneas, Z. 626: Overture | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 180 | Dido and Aeneas, Z. 626, Act. 1: I. Shake the cloud off your brow | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 181 | Dido and Aeneas, Z. 626, Act 1: II. Ah Belinda, I am press’d | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 182 | Dido and Aeneas, Z. 626, Act 1: III. Grief increase, I am press’d with torment | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 183 | Dido and Aeneas, Z. 626, Act 1: IV. When monarchs unite, how happy their state | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 184 | Dido and Aeneas, Z. 626, Act 1: V. Whence could so much virtue spring | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 185 | Dido and Aeneas, Z. 626, Act 1: VI. Fear no danger to ensue | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 186 | Dido and Aeneas, Z. 626, Act 1: VII. See, your royal guest appears | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 187 | Dido and Aeneas, Z. 626, Act 1: VIII. Cupid Only Throws the Dart | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 188 | Dido and Aeneas, Z. 626, Act 1: IX. If not for mine, for empire’s sake | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 189 | Dido and Aeneas, Z. 626, Act 1: X. Pursue thy conquest, Love | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 190 | Dido and Aeneas, Z. 626, Act 1: XI. to the hills and vales | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 191 | Dido and Aeneas, Z. 626, Act 1: XII. the Triumphing Dance | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 192 | Dido and Aeneas, Z. 626, Act 2: I. Prelude for the witches | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 193 | Dido and Aeneas, Z. 626, Act 2: II. Wayward sisters, you that fright | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 194 | Dido and Aeneas, Z. 626, Act 2: III. Harm’s our delight and mischief all our skill | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 195 | Dido and Aeneas, Z. 626, Act 2: VI. the Queen of Carthage, whom we hate | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 196 | Dido and Aeneas, Z. 626, Act 2: V. Ha, Ha, Ha | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 197 | Dido and Aeneas, Z. 626, Act 2: VI. Ruin’d ere we this perform | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 198 | Dido and Aeneas, Z. 626, Act 2: VII. Ha, Ha, Ha | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 199 | Dido and Aeneas, Z. 626, Act 2: VIII. But Ere We This Perform | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 200 | Dido and Aeneas, Z. 626, Act 2: IX. in our deep-vaulted cell | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 201 | Dido and Aeneas, Z. 626, Act 2: X. Echo Dance of Furies | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 202 | Dido and Aeneas, Z. 626, Act 2: XI. Ritornello | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 203 | Dido and Aeneas, Z. 626, Act 2: XII. Thanks to these lonesome vales | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 204 | Dido and Aeneas, Z. 626, Act 2: XIII. Off She Visits This Lov’D Mountain | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 205 | Dido and Aeneas, Z. 626, Act 2: XIV. Behold, upon my bending spear | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 206 | Dido and Aeneas, Z. 626, Act 2: XV. Haste, hast to town | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 207 | Dido and Aeneas, Z. 626, Act 2: XVI. Stay, Prince, and hear great love’s command | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 208 | Dido and Aeneas, Z. 626, Act 3: I. Prelude for the sailors | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 209 | Dido and Aeneas, Z. 626, Act 3: II. Come away, fellow sailors | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 210 | Dido and Aeneas, Z. 626, Act 3: III. the Sailors Dance | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 211 | Dido and Aeneas, Z. 626, Act 3: IV. See the flags and streamers curling | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 212 | Dido and Aeneas, Z. 626, Act 3: V. Our next motion | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 213 | Dido and Aeneas, Z. 626, Act 3: VI. Destruction’s our delight | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 214 | Dido and Aeneas, Z. 626, Act 3: VII. the Witches Brew | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 215 | Dido and Aeneas, Z. 626, Act 3: VIII. Your Counsel All is Urg’D in Vain | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 216 | Dido and Aeneas, Z. 626, Act 3: IX. Great minds against themselves | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 217 | Dido and Aeneas, Z. 626, Act 3: X. Thy hand, Belinda, darkness shades me | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 218 | Dido and Aeneas, Z. 626, Act 3: XI. When I am laid in earth | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — | |
| 219 | Dido and Aeneas, Z. 626, Act 3: XII. With drooping wings ye Cupids come | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller | — |
The Fairy Queen, Z. 629, Suite I: I. Air
Wiener Solisten, Wilfried Böttcher
—
The Fairy Queen, Z. 629, Suite I: II. Rondeau
Wiener Solisten, Wilfried Böttcher
—
The Fairy Queen, Z. 629, Suite I: III. Dance for the Fairies
Wiener Solisten, Wilfried Böttcher
—
The Fairy Queen, Z. 629, Suite I: IV. Hornpipe
Wiener Solisten, Wilfried Böttcher
—
The Fairy Queen, Z. 629, Suite I: V. Jig
Wiener Solisten, Wilfried Böttcher
—
The Fairy Queen, Z. 629, Suite II: I. Prelude
Wiener Solisten, Wilfried Böttcher
—
The Fairy Queen, Z. 629, Suite II: II. Mondey’s Dance
Wiener Solisten, Wilfried Böttcher
—
The Fairy Queen, Z. 629, Suite II: III. Air
Wiener Solisten, Wilfried Böttcher
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The Fairy Queen, Z. 629, Suite II: IV. Chaconne
Wiener Solisten, Wilfried Böttcher
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Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Symphony (Largo-Allegro-Adagio)
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London
—
Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Come Ye Sons of Art
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London
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Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Sound the Trumpet
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London
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Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Come Ye Sons of Art (reprise)
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London
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Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Strike the Viol
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London
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Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: the Day that Such a Blessing
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London
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Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Bid the Virtues
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London
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Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z, 323: These are the Sacred Charms
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London
—
Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: See Nature Rejoicing
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London
—
The Fantasias for Viol, Three-Voice Fantasia No. 1, in D Minor, Z. 732
Concentus Musicus Wien, Nikolaus Harnoncourt
—
The Fantasias for Viol, Three-Voice Fantasia No. 2, in F Major, Z. 733
Concentus Musicus Wien, Nikolaus Harnoncourt
—
The Fantasias for Viol, Three-Voice Fantasia No. 3, in G Minor, Z. 734
Concentus Musicus Wien, Nikolaus Harnoncourt
—
The Fantasias for Viol, Four-Voice Fantasia No. 5, in D Minor, Z. 739
Concentus Musicus Wien, Nikolaus Harnoncourt
—
The Fantasias for Viol, Four-Voice Fantasia No. 6, in a Minor, Z. 740
Concentus Musicus Wien, Nikolaus Harnoncourt
—
The Fantasias for Viol, Four-Voice Fantasia No. 1, in G Minor, Z. 735
Concentus Musicus Wien, Nikolaus Harnoncourt
—
The Fantasias for Viol, Four-Voice Fantasia No. 7, in E Minor, Z. 741
Concentus Musicus Wien, Nikolaus Harnoncourt
—
The Fantasias for Viol, Four-Voice Fantasia No. 2, in B-flat Major, Z. 736
Concentus Musicus Wien, Nikolaus Harnoncourt
—
The Fantasias for Viol, Four-Voice Fantasia No. 8, in G Major, Z. 742
Concentus Musicus Wien, Nikolaus Harnoncourt
—
The Fantasias for Viol, Four-Voice Fantasia No. 3, in F Major, Z. 737
Concentus Musicus Wien, Nikolaus Harnoncourt
—
The Fantasias for Viol, Four-Voice Fantasia No. 4, in C Minor, Z. 738
Concentus Musicus Wien, Nikolaus Harnoncourt
—
The Fantasias for Viol, Four-Voice Fantasia No. 9, in D Minor, Z. 743
Concentus Musicus Wien, Nikolaus Harnoncourt
—
The Fantasias for Viol, Fantasia upon One note, 5 Voices in F Major, Z. 744
Concentus Musicus Wien, Nikolaus Harnoncourt
—
The Fantasias for Viol, in Nomine of 7 Part, Z. 747
Concentus Musicus Wien, Nikolaus Harnoncourt
—
The Fantasias for Viol, in Nomine of 6 Parts, Z. 746
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Rejoice in the Lord Alway (The Bell Anthem), Z. 49
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London
—
Musick's Handmaid, Lessons 1-6: i. Song Tune in C Major, Z. T694
George Malcolm
—
Musick's Handmaid, Lessons 1-6: ii. Con Spirito, Z.647
George Malcolm
—
Musick's Handmaid, Lessons 1-6: iii. March in C Major, Z648
George Malcolm
—
Musick's Handmaid, Lessons 1-6: iv. New Minuet in D Minor, Z.T689
George Malcolm
—
Musick's Handmaid, Lessons 1-6: v. Minuet in a Minor, Z.649
George Malcolm
—
Musick's Handmaid, Lessons 1-6: vi. Minuet in a Minor, Z.650
George Malcolm
—
Musick's Handmaid, Lessons 7-12: i. a New Scotch Tune in G Major, Z. 655
George Malcolm
—
Musick's Handmaid, Lessons 7-12: ii. a New Ground in E Minor, Z. T682
George Malcolm
—
Musick's Handmaid, Lessons 7-12: iii. a New Irish Tune, Z. 646
George Malcolm
—
Musick's Handmaid, Lessons 7-12: iv. Rigadoon in C Major, Z. 653
George Malcolm
—
Musick's Handmaid, Lessons 7-12: v. Sefauchi's Farewell in D Minor, Z. 656
George Malcolm
—
Musick's Handmaid, Lessons 7-12: vi. Minuet in D Minor, Z. T688
George Malcolm
—
My Beloved Spake, Z. 28: Symphony
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London
—
My Beloved Spake, Z. 28: My Beloved Spake
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London
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My Beloved Spake, Z. 28: For, Lo, the Winter is Past
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London
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My Beloved Spake, Z. 28: the Time of Singing
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London
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My Beloved Spake, Z. 28: and the Voice of the Turtle
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London
—
My Beloved Spake, Z. 28: the Fig Tree
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London
—
My Beloved Spake, Z. 28: Arise
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London
—
My Beloved Spake, Z. 28: My Beloved is Mine
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Kalmar Chamber Orchestra of London
—
Harpsichord Suite No. 6 in D Major: I. Prelude
George Malcolm
—
Harpsichord Suite No. 6 in D Major: II. Allemande
George Malcolm
—
Harpsichord Suite No. 6 in D Major: III. Hornpipe
George Malcolm
—
The Masque in Dioclesian, Z. 627: Call the Nymphs and the Fauns
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
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The Masque in Dioclesian, Z. 627: Let the Graces and Pleasures Repair
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Come, come away
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Behold O mighty’st of gods
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Paspe (Passepied)
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Oh the Sweet Delights of love
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Let monarchs fight for power and fame
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Make room for the great God
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: I’m here with my jolly crew
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Dance of the Bacchanals
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Still I’m wishing, still desiring
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Can Drusilla give me no more?
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Canaries
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Tell me why, my charming fair
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Dance
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: All our days and nights
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Dance
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Triumph Victorious Love
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Incidental Music in the play, First Music
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Incidental Music in the play, First Act Tune or Hornpipe
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Instrumental Interlude
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Incidental Music in the play, Dance of the Furies
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
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The Masque in Dioclesian, Z. 627: Incidental Music in the play, Second Act Tune
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Incidental Music in the play, the Chair Dance
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
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82 the Masque in Dioclesian, Z. 627: Incidental Music in the play, Third Act Tune
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Instrumental Interlude
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Incidental Music in the play, Butterfly Dance
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
The Masque in Dioclesian, Z. 627: Country Dance
Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley, Maurice Bevan
—
Fantasia in G minor, Z.735
Wiener Kammerorchester, Franz Litschauer
—
Fantasia in B-flat major, Z.736
Wiener Kammerorchester, Franz Litschauer
—
Fantasia in F major, Z.737
Wiener Kammerorchester, Franz Litschauer
—
Fantasia in C minor, Z.738
Wiener Kammerorchester, Franz Litschauer
—
Fantasia on One Note, Z.745
Wiener Kammerorchester, Franz Litschauer
—
Fantasia in D minor, Z.739
Wiener Kammerorchester, Franz Litschauer
—
Fantasia in a minor, Z.740
Wiener Kammerorchester, Franz Litschauer
—
Fantasia in E minor, Z.741
Wiener Kammerorchester, Franz Litschauer
—
Fantasia in G major, Z.742
Wiener Kammerorchester, Franz Litschauer
—
Fantasia in D minor, Z.743
Wiener Kammerorchester, Franz Litschauer
—
Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Symphony (Overture)
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett
—
Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hail Bright Cecilia
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett
—
Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hark, Each Tree
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett
—
Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Tis Nature's Voice
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett
—
Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Soul of the World
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett
—
Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Thou Tun'st This World
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett
—
Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): With That Sublime Celestial Lay
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett
—
Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Wond'rous Machine
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett
—
Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): the Airy Violin
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett
—
Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): in Vain the Am'rous Flute
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett
—
Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): the Fife and All the Harmony of War
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett
—
Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Let These Among Themselves Contest
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett
—
Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hail! Bright Cecilia
April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers, Sir Michael Tippett
—
Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): I. Symphony, Maestoso-Vivace
Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan, Kalmar Chamber Orchestra of London
—
Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): II. Welcome to All the Pleasures, Z. 339
Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan, Kalmar Chamber Orchestra of London
—
Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): III. Here the Deities Approve
Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan, Kalmar Chamber Orchestra of London
—
Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): IV. While Joys Celestial
Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan, Kalmar Chamber Orchestra of London
—
Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): V. Then Lift Up Your Voices
Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan, Kalmar Chamber Orchestra of London
—
Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VI. Adagio (harpsichord solo)
Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan, Kalmar Chamber Orchestra of London
—
Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VII. Beauty Thou Scene of Love
Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan, Kalmar Chamber Orchestra of London
—
Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VIII. in a Consort of Voices
Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan, Kalmar Chamber Orchestra of London
—
Abdelazer or the Moor’s Revenge Suite, Z.570: I. Overture
Hartford Symphony Orchestra, Fritz Mahler
—
Abdelazer or the Moor’s Revenge Suite, Z.570: II. Rondeau
Hartford Symphony Orchestra, Fritz Mahler
—
Abdelazer or the Moor’s Revenge Suite, Z.570: III. Air
Hartford Symphony Orchestra, Fritz Mahler
—
Abdelazer or the Moor’s Revenge Suite, Z.570: IV. Air
Hartford Symphony Orchestra, Fritz Mahler
—
Abdelazer or the Moor’s Revenge Suite, Z.570: V. Minuet
Hartford Symphony Orchestra, Fritz Mahler
—
Abdelazer or the Moor’s Revenge Suite, Z.570: VI. Air
Hartford Symphony Orchestra, Fritz Mahler
—
Abdelazer or the Moor’s Revenge Suite, Z.570: VII. Jig
Hartford Symphony Orchestra, Fritz Mahler
—
Abdelazer Or the Moor’S Revenge Suite, Z.570: VIII. Hornpipe
Hartford Symphony Orchestra, Fritz Mahler
—
Abdelazer or the Moor’s Revenge Suite, Z.570: IX. Air
Hartford Symphony Orchestra, Fritz Mahler
—
The Married Beau, or the Curious Impertinent, Z. 603: I. Overture
Hartford Symphony Orchestra, Fritz Mahler
—
The Married Beau, or the Curious Impertinent, Z. 603: II. Hornpipe
Hartford Symphony Orchestra, Fritz Mahler
—
The Married Beau, or the Curious Impertinent, Z. 603: III. Slow Air
Hartford Symphony Orchestra, Fritz Mahler
—
The Married Beau, or the Curious Impertinent, Z. 603: IV. Trumpet Air
Hartford Symphony Orchestra, Fritz Mahler
—
The Married Beau, or the Curious Impertinent, Z. 603: V. Jig
Hartford Symphony Orchestra, Fritz Mahler
—
The Married Beau, or the Curious Impertinent, Z. 603: VI. Hornpipe
Hartford Symphony Orchestra, Fritz Mahler
—
The Married Beau, or the Curious Impertinent, Z. 603: VII. March
Hartford Symphony Orchestra, Fritz Mahler
—
The Married Beau, Or the Curious Impertinent, Z. 603: VIII. Hornpipe on a Ground
Hartford Symphony Orchestra, Fritz Mahler
—
The Gordian Knot Untied, Z. 597: I. Overture
Hartford Symphony Orchestra, Fritz Mahler
—
The Gordian Knot Untied, Z. 597: II. Air
Hartford Symphony Orchestra, Fritz Mahler
—
The Gordian Knot Untied, Z. 597: III. Rondeau Minuet
Hartford Symphony Orchestra, Fritz Mahler
—
The Gordian Knot Untied, Z. 597: IV. Air
Hartford Symphony Orchestra, Fritz Mahler
—
The Gordian Knot Untied, Z. 597: V. Jig
Hartford Symphony Orchestra, Fritz Mahler
—
The Gordian Knot Untied, Z. 597: VI. Chaconne
Hartford Symphony Orchestra, Fritz Mahler
—
The Gordian Knot Untied, Z. 597: VII. Air
Hartford Symphony Orchestra, Fritz Mahler
—
The Gordian Knot Untied, Z. 597: VIII. Minuet
Hartford Symphony Orchestra, Fritz Mahler
—
The Virtuous Wife, or Good Luck at Last, Z. 611: I. Overture
Hartford Symphony Orchestra, Fritz Mahler
—
The Virtuous Wife, or Good Luck at Last, Z. 611: II. Slow Air
Hartford Symphony Orchestra, Fritz Mahler
—
The Virtuous Wife, or Good Luck at Last, Z. 611: III. Hornpipe
Hartford Symphony Orchestra, Fritz Mahler
—
The Virtuous Wife, or Good Luck at Last, Z. 611: IV. Minuets I and II
Hartford Symphony Orchestra, Fritz Mahler
—
The Virtuous Wife, or Good Luck at Last, Z. 611: V. Allegro
Hartford Symphony Orchestra, Fritz Mahler
—
Fantasia upon a Ground for 3 Violins for Three Violins and Continuo, Z. 731
Sir Neville Marriner, Peter Gibbs, Desmond Dupré, George Malcolm
—
Oedipus (1692), Z. 583 “Music for a While”
Alfred Deller, Walter Bergman
—
I Love and I Must, Z. 382
Alfred Deller, April Cantelo, George Malcolm
—
The Comical History of Don Quixote, Z. 578 – Part I: Let the Dreadful Engines
Alfred Deller, Maurice Bevan, George Malcolm
—
The Fairy Queen – Epithalalmium “Thrice Happy Lovers”
Alfred Deller, Walter Bergmann
—
“If Music Be the Food of Love", 1st Version, Z 379A
Alfred Deller, Walter Bergmann
—
The Blessed Virgin’s Expostulation “Tell Me, Some Pitying Angel", Z. 186
Alfred Deller, April Cantelo, Walter Bergmann
—
Not All My Torments, Z. 400
Alfred Deller, Walter Bergmann
—
Upon a Quiet Conscience “Close Thine Eyes and Sleep Secure", Z. 184
Alfred Deller, Maurice Bevan, April Cantelo, George Malcolm
—
King Arthur, Z. 628 – Venus’s Song “Fairest Isle, all isles excelling"
Alfred Deller, Walter Bergmann
—
Pausanias, Z. 585 “Sweeter than Roses"
Alfred Deller, Walter Bergmann
—
The Fatal Hour Comes on Apace, Z. 421
Alfred Deller, Walter Bergmann
—
Ode on Queen Mary’s Birthday, Z. 321 “Crown the Altar”
Alfred Deller, Walter Bergmann
—
The Indian Queen, Z. 630 “I Attempt from Love's Sickness to Fly"
Alfred Deller, Walter Bergmann
—
Bonduca, Z. 574 – Bonduca’s Song: “O Lead Me to Some Peaceful Gloom”
Alfred Deller, Walter Bergmann
—
Dioclesian, Z. 627 “What Shall I Do to Show How Much I Love Her?"
Alfred Deller, Walter Bergmann
—
The Comical History of Don Quixote, Z. 578 “From Rosy Bowrs"
Alfred Deller, Walter Bergmann
—
Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: I. Allegro
Granville Jones, Peter Gibbs, Desmond Dupré, George Malcolm
—
Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: II. Adagio
Granville Jones, Peter Gibbs, Desmond Dupré, George Malcolm
—
Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: III. Canzona Allegro
Granville Jones, Peter Gibbs, Desmond Dupré, George Malcolm
—
Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: IV. Grave
Granville Jones, Peter Gibbs, Desmond Dupré, George Malcolm
—
Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: V. Allegro
Granville Jones, Peter Gibbs, Desmond Dupré, George Malcolm
—
Sonata in G Minor for Violin and Continuo, Z. 780: I. Adagio - Moderato
Sir Neville Marriner, George Malcolm
—
Sonata in G Minor for Violin and Continuo, Z. 780: II. Adagio con espressione
Sir Neville Marriner, George Malcolm
—
Sonata in G Minor for Violin and Continuo, Z. 780: III. Vivace
Sir Neville Marriner, George Malcolm
—
The Fairy Queen, Z. 629, Act II: “Prelude & Song: One charming night” (Secrecy)
Alfred Deller, Gustav Leonhardt, Leonhardt-Consort
—
The Fairy Queen, Z. 629, Act II: “Song: I am come to lock all fast” (Mystery)
Alfred Deller, Gustav Leonhardt, Leonhardt-Consort
—
Cantate "If Ever I More Riches Did Desire" Z. 544: Song (4vv, 2 Violin) "Here Let My Life"
Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt
—
Welcome to All the Pleasures, Z 339: Here the Deities Approve
Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt
—
The Prophetess or the History of Dioclesian, Z. 627: Song "Since From My Dear Astrea's Sight"
Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt
—
Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt
Dido and Aeneas, Z. 626: Overture
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act. 1: I. Shake the cloud off your brow
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 1: II. Ah Belinda, I am press’d
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 1: III. Grief increase, I am press’d with torment
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 1: IV. When monarchs unite, how happy their state
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 1: V. Whence could so much virtue spring
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 1: VI. Fear no danger to ensue
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 1: VII. See, your royal guest appears
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 1: VIII. Cupid Only Throws the Dart
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 1: IX. If not for mine, for empire’s sake
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 1: X. Pursue thy conquest, Love
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 1: XI. to the hills and vales
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 1: XII. the Triumphing Dance
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 2: I. Prelude for the witches
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 2: II. Wayward sisters, you that fright
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 2: III. Harm’s our delight and mischief all our skill
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 2: VI. the Queen of Carthage, whom we hate
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 2: V. Ha, Ha, Ha
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 2: VI. Ruin’d ere we this perform
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 2: VII. Ha, Ha, Ha
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 2: VIII. But Ere We This Perform
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 2: IX. in our deep-vaulted cell
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 2: X. Echo Dance of Furies
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 2: XI. Ritornello
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 2: XII. Thanks to these lonesome vales
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 2: XIII. Off She Visits This Lov’D Mountain
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 2: XIV. Behold, upon my bending spear
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 2: XV. Haste, hast to town
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 2: XVI. Stay, Prince, and hear great love’s command
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 3: I. Prelude for the sailors
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 3: II. Come away, fellow sailors
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 3: III. the Sailors Dance
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 3: IV. See the flags and streamers curling
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 3: V. Our next motion
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 3: VI. Destruction’s our delight
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 3: VII. the Witches Brew
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 3: VIII. Your Counsel All is Urg’D in Vain
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 3: IX. Great minds against themselves
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 3: X. Thy hand, Belinda, darkness shades me
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 3: XI. When I am laid in earth
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
—
Dido and Aeneas, Z. 626, Act 3: XII. With drooping wings ye Cupids come
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
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Additional database matches (9)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Fairy Queen, Z. 629, Act II: “Prelude & Song: One charming night” (Secrecy) | Alfred Deller, Gustav Leonhardt, Leonhardt-Consort | — |
| The Fairy Queen, Z. 629, Act II: “Song: I am come to lock all fast” (Mystery) | Alfred Deller, Gustav Leonhardt, Leonhardt-Consort | — |
| The Fairy Queen, Z. 629: The Plaint (O Let Me Weep) | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — |
| The Fairy Queen, Z. 629, Act II: “Prelude & Song: One charming night” (Secrecy) | Alfred Deller, Gustav Leonhardt, Leonhardt-Consort | — |
| The Fairy Queen, Z. 629, Act II: “Song: I am come to lock all fast” (Mystery) | Alfred Deller, Gustav Leonhardt, Leonhardt-Consort | — |
| Cantate "If Ever I More Riches Did Desire" Z. 544: Song (4vv, 2 Violin) "Here Let My Life" | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — |
| Welcome to All the Pleasures, Z 339: Here the Deities Approve | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — |
| The Prophetess or the History of Dioclesian, Z. 627: Song "Since From My Dear Astrea's Sight" | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — |
| The Fairy Queen, Z. 629: The Plaint (O Let Me Weep) | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — |
The Fairy Queen, Z. 629, Act II: “Prelude & Song: One charming night” (Secrecy)
Alfred Deller, Gustav Leonhardt, Leonhardt-Consort
—
The Fairy Queen, Z. 629, Act II: “Song: I am come to lock all fast” (Mystery)
Alfred Deller, Gustav Leonhardt, Leonhardt-Consort
—
The Fairy Queen, Z. 629: The Plaint (O Let Me Weep)
Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt
—
The Fairy Queen, Z. 629, Act II: “Prelude & Song: One charming night” (Secrecy)
Alfred Deller, Gustav Leonhardt, Leonhardt-Consort
—
The Fairy Queen, Z. 629, Act II: “Song: I am come to lock all fast” (Mystery)
Alfred Deller, Gustav Leonhardt, Leonhardt-Consort
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Cantate "If Ever I More Riches Did Desire" Z. 544: Song (4vv, 2 Violin) "Here Let My Life"
Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt
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Welcome to All the Pleasures, Z 339: Here the Deities Approve
Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt
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The Prophetess or the History of Dioclesian, Z. 627: Song "Since From My Dear Astrea's Sight"
Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt
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The Fairy Queen, Z. 629: The Plaint (O Let Me Weep)
Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt
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What is UPC 099923092629?
099923092629 is a Universal Product Code (UPC) assigned to Big Purcell Box by Henry Purcell. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 219 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm