UPC · Album
Various Artists
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4988006829381 is the Universal Product Code (UPC barcode) for the release “Best Classics 100” by Various Artists, released 2005-04-13. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include DEA346300762, DEA348801333, DEA348802248.
Credit Chain
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Messe solennelle de Sainte Cécile : 5. Sanctus | Chœur René Duclos, Franz Crass, Heinz Hoppe, Pilar Lorengar, Orchestre de la Société des Concerts du Conservatoire, Jean-Claude Hartemann | DEA346300762 |
| Deutsche Messe (DB72 - Sanctus) | [unknown] | DEA348801333 |
| Messe solennelle de Sainte Cécile : 5. Sanctus | Chœur René Duclos, Franz Crass, Heinz Hoppe, Pilar Lorengar, Orchestre de la Société des Concerts du Conservatoire, Jean-Claude Hartemann | DEA348802248 |
| Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | DEA349000917 |
| Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter" | South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein | DEA349801363 |
| Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | FRZ116001280 |
| Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | FRZ118701170 |
| Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | FRZ118801780 |
| Cantique de Noel for voice & orchestra, "O Holy Night" | Roberto Alagna, Chœur du Capitole de Toulouse, Petits chanteurs à la croix potencée, Orchestre national du Capitole de Toulouse, Michel Plasson | FRZ119601610 |
| Symphony No. 3 in C Minor 'Organ' Op. 78 - Maestoso-Allegro (Conclusion) | [unknown] | FRZ119700040 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | FRZ201500215 |
| Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11 | The Monks and Choirboys of Downside Abbey | GBAAA9710450 |
| Finlandia, op. 26 | Hallé Orchestra, Sir John Barbirolli | GBAYC0000001 |
| Karelia Suite, op. 11: III. Alla marcia | Hallé Orchestra, Sir John Barbirolli | GBAYC0000005 |
| Die lustige Witwe: Akt II. »Nun lasst uns aber wie daheim« | [unknown] | GBAYC0001010 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC0200318 |
| Keyboard Suite no. 4 in D minor, HWV 437: III. Sarabande | Academy of St Martin in the Fields, Alexander Briger | GBAYC0201575 |
| Carmen : « La Fleur que tu m'avais jetée » (Flower Song) | Maria Callas, Orchestre de l’Opéra national de Paris, Georges Prêtre | GBAYC0202614 |
| Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” (Butterfly, Pinkerton) | Carlo Bergonzi, Renata Scotto, Orchestra del Teatro dell’Opera di Roma, John Barbirolli | GBAYC0203635 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | GBAYC0702145 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | GBAYC1103979 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC1105038 |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | GBAYC1401718 |
| The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | GBAYC1600613 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | GBAYC1600725 |
| Karelia Suite, op. 11: III. Alla marcia | Hallé Orchestra, Sir John Barbirolli | GBAYC2000027 |
| Finlandia, op. 26 | Hallé Orchestra, Sir John Barbirolli | GBAYC2000054 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | GBAYC2000143 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC2302025 |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC2302039 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC6000151 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | GBAYC6200050 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC7000097 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300004 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300006 |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300010 |
| Violin Concerto in E major “The Four Seasons: Spring”, op. 8 no. 1: I. Allegro | Yehudi Menuhin, Paul Crocker, Camerata Lysy Gstaad, Alberto Lysy | GBAYC7900176 |
| The Planets, op. 32: Jupiter, the Bringer of Jolity (conclusion) | Philharmonia Orchestra, Sir Simon Rattle | GBAYC8000341 |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | GBAYC8100156 |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | GBAYC8100371 |
| Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | GBAYC8100412 |
| Montagues and Capulets | The Philadelphia Orchestra, Riccardo Muti | GBAYC8100501 |
| La scala di seta: Overture | [unknown] | GBAYC8100505 |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8200044 |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8200240 |
| Scheherazade: The Story of the Kalender Prince (Opening) | The Philadelphia Orchestra, Riccardo Muti | GBAYC8200748 |
| Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia) | Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner | GBAYC8300121 |
| Lieutenant Kijé, op. 60: IV. Troika | London Philharmonic Orchestra, Klaus Tennstedt | GBAYC8300160 |
| Cantata “Herz und Mund und Tat und Leben” (Jesu, Joy of Man's Desiring) | Celia Nicklin, Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8300191 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | GBAYC8300202 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | GBAYC8500289 |
| Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | GBAYC8500291 |
| Carmen : « La Fleur que tu m'avais jetée » (Flower Song) | Maria Callas, Orchestre de l’Opéra national de Paris, Georges Prêtre | GBAYC8500370 |
| Adagio of Spartacus and Phrygia (Spartacus) (Extract) | Royal Philharmonic Orchestra, Yuri Temirkanov | GBAYC8500390 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | GBAYC8500496 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | GBAYC8500764 |
| Finlandia, op. 26 | Hallé Orchestra, Sir John Barbirolli | GBAYC8500776 |
| On the Beautiful Blue Danube, Waltz, op. 314 (extract) | Berliner Philharmoniker, Herbert von Karajan | GBAYC8501495 |
| Vesperae solennes de confessore | Manfred Ackermann, Bavarian Radio Chorus, Wolfgang Isenhardt, Edda Moser, Thomas Schulze, Stuttgarter Hymnus-Chorknaben, Bavarian Radio Symphony Orchestra, Eugen Jochum, Gerhard Wilhelm | GBAYC8600226 |
| Aida: “Gloria all’Egitto” | Douglas Robinson, Chorus of the Royal Opera House, Covent Garden, New Philharmonia Orchestra, Riccardo Muti | GBAYC8600707 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8600822 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8601138 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | GBAYC8601142 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC8601144 |
| Waltz of the Flowers (The Nutcracker) | [unknown] | GBAYC8601643 |
| Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | GBAYC8602668 |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | GBAYC8700211 |
| Messa da Requiem: II. Sequenza. Ingemisco (Tenor) | Luciano Pavarotti, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti | GBAYC8700839 |
| Romeo & Juliet: Fantasy Overture (Excerpt) | Oslo Philharmonic Orchestra, Mariss Jansons | GBAYC8700940 |
| Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | GBAYC8700951 |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | GBAYC8700997 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC8700999 |
| On the Beautiful Blue Danube, Waltz, op. 314 (extract) | Berliner Philharmoniker, Herbert von Karajan | GBAYC8701431 |
| Polovtsian Dances (Prince Igor) (orch. Rimsky-Korsakov & Glazounov) (Beginning) | Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | GBAYC8701433 |
| The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | GBAYC8701458 |
| Suite in D major: Prince of Denmark's March "Trumpet Voluntary" | Maurice André, Jane Parker-Smith | GBAYC8701652 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | GBAYC8701817 |
| 1812 Overture, op. 49 (excerpt) | Oslo Philharmonic Orchestra, Mariss Jansons | GBAYC8701825 |
| Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract) | Philadelphia Orchestra, Riccardo Muti | GBAYC8702014 |
| Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | GBAYC8703057 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | GBAYC8703086 |
| Toccata & Fugue in D minor, BWV 565: Toccata | Wayne Marshall | GBAYC8800390 |
| Clair de lune (from Suite bergamasque) | Dame Moura Lympany | GBAYC8800857 |
| Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo | Oslo Philharmonic Orchestra, Mariss Jansons | GBAYC8800875 |
| Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy | James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti | GBAYC8800960 |
| Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8802143 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | GBAYC8802461 |
| Piano Concerto no. 1 in E minor, op. 11 | Garrick Ohlsson, Polish National Symphony Orchestra, Jerzy Maksymiuk | GBAYC8803512 |
| Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | GBAYC8805327 |
| Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8805740 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | GBAYC8805764 |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8900791 |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8900865 |
| Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | GBAYC8901056 |
| Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | GBAYC8901875 |
| Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | GBAYC8904088 |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | GBAYC9000967 |
| Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYC9001093 |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | GBAYC9001591 |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | GBAYC9002476 |
| Le nozze di Figaro (Overture) | Royal Philharmonic Orchestra, Sir Colin Davis | GBAYC9002519 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYC9100157 |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | GBAYC9101134 |
| Piano Concerto no. 3 in D minor: I. Allegro (Opening) | Mikhail Rudy, St. Petersburg Philharmonic Orchestra, Mariss Jansons | GBAYC9201046 |
| The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | GBAYC9202902 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9203528 |
| Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | GBAYC9400241 |
| L'enfance du Christ, oratorio pour soprano, 2 tenors, bariton, 3 basses, chorus & orchestre, Op. 25, H. 130 "Trilogie sacrée": L'adieu des bergers | Chœur René Duclos, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | GBAYC9400284 |
| Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | GBAYC9400647 |
| Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | GBAYC9402536 |
| La Bohème: Atto I. "Che gelida manina!" (Rodolfo) | Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | GBAYC9500402 |
| Ellens Gesang III ("Ave Maria"), D. 839 (op. 52/6) | Dame Janet Baker, Gerald Moore | GBAYC9603491 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | GBAYC9700043 |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC9701116 |
| Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | GBAYC9701764 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC9702225 |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702775 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702776 |
| Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) | Angela Gheorghiu, London Symphony Orchestra, Antonio Pappano | GBAYC9702826 |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | GBAYC9703129 |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | GBAYC9703282 |
| Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | GBAYC9703283 |
| Orfeo ed Euridice: Dance of the Blessed Spirits | Philharmonia Orchestra, Riccardo Muti | GBAYC9704887 |
| Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | GBAYC9704900 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC9705918 |
| My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | GBAYC9801147 |
| Chants d’Auvergne: Baïlèro | Victoria de los Ángeles, Orchestre des Concerts Lamoureux, Jean-Pierre Jacquillat | GBAYC9801174 |
| Requiem, op. 48: IV. Pie Jesu | Victoria de los Ángeles, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | GBAYC9803752 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | GBAYC9902424 |
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Philharmonia Orchestra, Kurt Sanderling | GBAYD8100171 |
| Symphony No. 7 in a Op. 92 II Allegretto (Extract) | Philharmonia Orchestra, Kurt Sanderling | GBAYD8100214 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | GBAYD8300335 |
| Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYD8400086 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYD8400195 |
| Piano Concerto in A minor, Op. 16: Allegro molto moderato (Opening) | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | GBAYD8400197 |
| Ave verum corpus (K. 618) | Roy Goodman, Choir of King’s College, Cambridge, Rogers Covey-Crump, Lynne Dawson, Paul Hillier, David James, Stephen Layton, Cambridge Classical Players, Stephen Cleobury | GBAYD8700061 |
| Piano Concerto no. 21 in C major, K. 467: II. Andante | Stephen Hough, Hallé Orchestra, Bryden Thomson | GBAYD8700529 |
| The Creation: The heavens are telling | Choir of King’s College, Cambridge, Heather Harper, John Shirley-Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks | GBAYD8800083 |
| Panis Angelicus | Hallé Choir, Hallé Orchestra, Maurice Handford | GBAYD8800084 |
| In Paradisum (Requiem) | Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury | GBAYD8800085 |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | GBAYD8900646 |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | GBAYD8900809 |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | GBAYD9100155 |
| Serse (Xerxes), HWV 40: “Ombra mai fu” | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | GBAYD9100645 |
| Pomp and Circumstance March no. 1, op. 39 no. 1 "Land of Hope and Glory" (excerpt: Conclusion) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | GBAYD9600140 |
| Zadok the Priest (Coronation Anthem) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | GBAYD9600267 |
| The Lark Ascending: conclusion | Nigel Kennedy, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYD9700357 |
| Time To Say Goodbye (“Con te partiro”) | David Abel | GBAYD9800299 |
| Aria From the Goldberg Variations | Julia Thornton | GBAYE0300932 |
| Cavatina (From the Film Deerhunter) | Manuel Barrueco, Steve Morse | USAR20101069 |
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4988006829381 is a Universal Product Code (UPC) assigned to Best Classics 100 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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