UPC · Release
Best Classics 100
Various Artists
4988006829381
100 tracksReleased 2005-04-13
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4988006829381 is the Universal Product Code (UPC barcode) for the release “Best Classics 100” by Various Artists, released 2005-04-13. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC8300121, GBAYC7900176, GBAYC8800390.
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UPCBest Classics 100
ISRC98 recordings
ISWC71 works
IPI5 songwriters
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia) | Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner | T-011.777.630-3 | |
| 2 | Violin Concerto in E major “The Four Seasons: Spring”, op. 8 no. 1: I. Allegro | Yehudi Menuhin, Paul Crocker, Camerata Lysy Gstaad, Alberto Lysy | — | |
| 3 | Toccata & Fugue in D minor, BWV 565: Toccata | Wayne Marshall | — | |
| 4 | Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.662.096-6 | |
| 5 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Philharmonia Orchestra, Kurt Sanderling | — | |
| 6 | 1812 Overture, op. 49 (excerpt) | Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 7 | Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy | James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti | — | |
| 8 | Piano Concerto in A minor, Op. 16: Allegro molto moderato (Opening) | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-902.781.050-0 | |
| 9 | Karelia Suite, op. 11: III. Alla marcia | Hallé Orchestra, Sir John Barbirolli | — | |
| 10 | The Planets, op. 32: Jupiter, the Bringer of Jolity (conclusion) | Philharmonia Orchestra, Sir Simon Rattle | T-300.816.249-6 | |
| 11 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — | |
| 12 | Finlandia, op. 26 | Hallé Orchestra, Sir John Barbirolli | T-910.256.702-2 | |
| 13 | Aida: “Gloria all’Egitto” | Douglas Robinson, Chorus of the Royal Opera House, Covent Garden, New Philharmonia Orchestra, Riccardo Muti | T-900.065.376-9 | |
| 14 | Montagues and Capulets | The Philadelphia Orchestra, Riccardo Muti | — | |
| 15 | Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | — | |
| 16 | Pomp and Circumstance March no. 1, op. 39 no. 1 "Land of Hope and Glory" (excerpt: Conclusion) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T-917.603.184-8 | |
| 17 | Piano Concerto no. 3 in D minor: I. Allegro (Opening) | Mikhail Rudy, St. Petersburg Philharmonic Orchestra, Mariss Jansons | — | |
| 18 | Symphony No. 3 in C Minor 'Organ' Op. 78 - Maestoso-Allegro (Conclusion) | [unknown] | — | |
| 2-1 | Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 2-2 | Orfeo ed Euridice: Dance of the Blessed Spirits | Philharmonia Orchestra, Riccardo Muti | — | |
| 2-3 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-4 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 2-5 | Aria From the Goldberg Variations | Julia Thornton | T-902.128.688-4 | |
| 2-6 | Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-7 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — | |
| 2-8 | Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T-911.534.020-0 | |
| 2-9 | Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — | |
| 2-10 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Stephen Hough, Hallé Orchestra, Bryden Thomson | T-010.194.871-3 | |
| 2-11 | Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo | Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 2-12 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | T-312.542.566-9 | |
| 2-13 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 | |
| 2-14 | Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041.489.061-1 | |
| 2-15 | The Lark Ascending: conclusion | Nigel Kennedy, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-16 | Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 2-17 | Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | T-902.858.745-3 | |
| 3-1 | Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | T-071.725.425-5 | |
| 3-2 | Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922.610.201-8 | |
| 3-3 | Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-305.625.671-0 | |
| 3-4 | Carmen : « La Fleur que tu m'avais jetée » (Flower Song) | Maria Callas, Orchestre de l’Opéra national de Paris, Georges Prêtre | — | |
| 3-5 | Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — | |
| 3-6 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 3-7 | La Bohème: Atto I. "Che gelida manina!" (Rodolfo) | Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | T-915.091.975-8 | |
| 3-8 | Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) | Angela Gheorghiu, London Symphony Orchestra, Antonio Pappano | T-901.222.501-3 | |
| 3-9 | Chants d’Auvergne: Baïlèro | Victoria de los Ángeles, Orchestre des Concerts Lamoureux, Jean-Pierre Jacquillat | T-004.013.305-8 | |
| 3-10 | Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” (Butterfly, Pinkerton) | Carlo Bergonzi, Renata Scotto, Orchestra del Teatro dell’Opera di Roma, John Barbirolli | — | |
| 3-11 | Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — | |
| 3-12 | Die lustige Witwe: Akt II. »Nun lasst uns aber wie daheim« | [unknown] | — | |
| 3-13 | Serse (Xerxes), HWV 40: “Ombra mai fu” | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 3-14 | Ellens Gesang III ("Ave Maria"), D. 839 (op. 52/6) | Dame Janet Baker, Gerald Moore | — | |
| 3-15 | Cantique de Noel for voice & orchestra, "O Holy Night" | Roberto Alagna, Chœur du Capitole de Toulouse, Petits chanteurs à la croix potencée, Orchestre national du Capitole de Toulouse, Michel Plasson | T-050.205.526-6 | |
| 3-16 | Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | — | |
| 4-1 | Le nozze di Figaro (Overture) | Royal Philharmonic Orchestra, Sir Colin Davis | T-902.359.447-0 | |
| 4-2 | Cantata “Herz und Mund und Tat und Leben” (Jesu, Joy of Man's Desiring) | Celia Nicklin, Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | T-905.387.081-8 | |
| 4-3 | ピアノ協奏曲 第５番「皇帝」第１楽章（抜粋） | — | ||
| 4-4 | Suite in D major: Prince of Denmark's March "Trumpet Voluntary" | Maurice André, Jane Parker-Smith | T-071.156.658-3 | |
| 4-5 | 「審判」（オラトリオ「生と死」より） | — | ||
| 4-6 | La scala di seta: Overture | [unknown] | T-305.157.600-8 | |
| 4-7 | Keyboard Suite no. 4 in D minor, HWV 437: III. Sarabande | Academy of St Martin in the Fields, Alexander Briger | — | |
| 4-8 | Waltz of the Flowers (The Nutcracker) | [unknown] | — | |
| 4-9 | Lieutenant Kijé, op. 60: IV. Troika | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 4-10 | Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — | |
| 4-11 | Clair de lune (from Suite bergamasque) | Dame Moura Lympany | T-304.252.843-4 | |
| 4-12 | Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — | |
| 4-13 | Cavatina (From the Film Deerhunter) | Manuel Barrueco, Steve Morse | T-011.221.528-7 | |
| 4-14 | Piano Concerto no. 1 in E minor, op. 11 | Garrick Ohlsson, Polish National Symphony Orchestra, Jerzy Maksymiuk | T-308.381.369-4 | |
| 4-15 | My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | T-042.107.751-1 | |
| 4-16 | Time To Say Goodbye (“Con te partiro”) | David Abel | T-801.894.990-2 | |
| 4-17 | On the Beautiful Blue Danube, Waltz, op. 314 (extract) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-1 | Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T-921.418.457-3 | |
| 5-2 | Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 5-3 | Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | T-061.409.365-0 | |
| 5-4 | Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — | |
| 5-5 | Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 | |
| 5-6 | Scheherazade: The Story of the Kalender Prince (Opening) | The Philadelphia Orchestra, Riccardo Muti | — | |
| 5-7 | Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-8 | Polovtsian Dances (Prince Igor) (orch. Rimsky-Korsakov & Glazounov) (Beginning) | Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 5-9 | Adagio of Spartacus and Phrygia (Spartacus) (Extract) | Royal Philharmonic Orchestra, Yuri Temirkanov | — | |
| 5-10 | Romeo & Juliet: Fantasy Overture (Excerpt) | Oslo Philharmonic Orchestra, Mariss Jansons | T-010.194.825-7 | |
| 5-11 | Symphony No. 7 in a Op. 92 II Allegretto (Extract) | Philharmonia Orchestra, Kurt Sanderling | T-314.638.300-4 | |
| 5-12 | Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | — | |
| 5-13 | Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | T-070.248.886-5 | |
| 5-14 | The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — | |
| 5-15 | Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract) | Philadelphia Orchestra, Riccardo Muti | — | |
| 6-1 | Zadok the Priest (Coronation Anthem) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T-900.138.712-8 | |
| 6-2 | Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter" | South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 6-3 | Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — | |
| 6-4 | Deutsche Messe (DB72 - Sanctus) | [unknown] | T-910.405.802-8 | |
| 6-5 | Panis Angelicus | Hallé Choir, Hallé Orchestra, Maurice Handford | T-900.016.711-3 | |
| 6-6 | L'enfance du Christ, oratorio pour soprano, 2 tenors, bariton, 3 basses, chorus & orchestre, Op. 25, H. 130 "Trilogie sacrée": L'adieu des bergers | Chœur René Duclos, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 6-7 | Messe solennelle de Sainte Cécile : 5. Sanctus | Chœur René Duclos, Franz Crass, Heinz Hoppe, Pilar Lorengar, Orchestre de la Société des Concerts du Conservatoire, Jean-Claude Hartemann | — | |
| 6-8 | In Paradisum (Requiem) | Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury | T-924.489.944-3 | |
| 6-9 | Vesperae solennes de confessore | Manfred Ackermann, Bavarian Radio Chorus, Wolfgang Isenhardt, Edda Moser, Thomas Schulze, Stuttgarter Hymnus-Chorknaben, Bavarian Radio Symphony Orchestra, Eugen Jochum, Gerhard Wilhelm | T-900.135.371-5 | |
| 6-10 | Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11 | The Monks and Choirboys of Downside Abbey | — | |
| 6-11 | Messa da Requiem: II. Sequenza. Ingemisco (Tenor) | Luciano Pavarotti, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti | T-900.148.959-4 | |
| 6-12 | Ave verum corpus (K. 618) | Roy Goodman, Choir of King’s College, Cambridge, Rogers Covey-Crump, Lynne Dawson, Paul Hillier, David James, Stephen Layton, Cambridge Classical Players, Stephen Cleobury | T-302.211.431-0 | |
| 6-13 | Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | — | |
| 6-14 | The Creation: The heavens are telling | Choir of King’s College, Cambridge, Heather Harper, John Shirley-Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks | T-070.165.305-5 | |
| 6-15 | Requiem, op. 48: IV. Pie Jesu | Victoria de los Ángeles, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-315.824.737-7 | |
| 6-16 | Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 6-17 | Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | T-071.518.061-2 |
Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner
Violin Concerto in E major “The Four Seasons: Spring”, op. 8 no. 1: I. Allegro
Yehudi Menuhin, Paul Crocker, Camerata Lysy Gstaad, Alberto Lysy
—
Toccata & Fugue in D minor, BWV 565: Toccata
Wayne Marshall
—
Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Philharmonia Orchestra, Kurt Sanderling
—
1812 Overture, op. 49 (excerpt)
Oslo Philharmonic Orchestra, Mariss Jansons
—
Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy
James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti
—
Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
Karelia Suite, op. 11: III. Alla marcia
Hallé Orchestra, Sir John Barbirolli
—
Philharmonia Orchestra, Sir Simon Rattle
Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening)
Horacio Gutiérrez, London Symphony Orchestra, André Previn
—
Douglas Robinson, Chorus of the Royal Opera House, Covent Garden, New Philharmonia Orchestra, Riccardo Muti
Montagues and Capulets
The Philadelphia Orchestra, Riccardo Muti
—
Radetzky March, op. 228
Wiener Johann Strauss Orchester, Willi Boskovsky
—
Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis
Piano Concerto no. 3 in D minor: I. Allegro (Opening)
Mikhail Rudy, St. Petersburg Philharmonic Orchestra, Mariss Jansons
—
Symphony No. 3 in C Minor 'Organ' Op. 78 - Maestoso-Allegro (Conclusion)
[unknown]
—
Academy of St Martin in the Fields, Sir Neville Marriner
Orfeo ed Euridice: Dance of the Blessed Spirits
Philharmonia Orchestra, Riccardo Muti
—
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
Clarinet Concerto in A major, K. 622: II. Adagio
Sabine Meyer, Staatskapelle Dresden, Hans Vonk
—
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
—
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
—
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
—
Stephen Hough, Hallé Orchestra, Bryden Thomson
Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo
Oslo Philharmonic Orchestra, Mariss Jansons
—
Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind
London Symphony Orchestra, Sir Adrian Boult
Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle
The Lark Ascending: conclusion
Nigel Kennedy, City of Birmingham Symphony Orchestra, Simon Rattle
—
Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion)
New Philharmonia Orchestra, Sir John Barbirolli
—
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Carmen : « La Fleur que tu m'avais jetée » (Flower Song)
Maria Callas, Orchestre de l’Opéra national de Paris, Georges Prêtre
—
Orfeo ed Euridice: “Che farò senza Euridice?”
Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong
Angela Gheorghiu, London Symphony Orchestra, Antonio Pappano
Victoria de los Ángeles, Orchestre des Concerts Lamoureux, Jean-Pierre Jacquillat
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” (Butterfly, Pinkerton)
Carlo Bergonzi, Renata Scotto, Orchestra del Teatro dell’Opera di Roma, John Barbirolli
—
Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves)
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
—
Die lustige Witwe: Akt II. »Nun lasst uns aber wie daheim«
[unknown]
—
Serse (Xerxes), HWV 40: “Ombra mai fu”
Richard Lewis, Hallé Orchestra, Sir John Barbirolli
—
Ellens Gesang III ("Ave Maria"), D. 839 (op. 52/6)
Dame Janet Baker, Gerald Moore
—
Roberto Alagna, Chœur du Capitole de Toulouse, Petits chanteurs à la croix potencée, Orchestre national du Capitole de Toulouse, Michel Plasson
Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus)
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
—
Celia Nicklin, Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner
ピアノ協奏曲 第５番「皇帝」第１楽章（抜粋）
—
Maurice André, Jane Parker-Smith
「審判」（オラトリオ「生と死」より）
—
Keyboard Suite no. 4 in D minor, HWV 437: III. Sarabande
Academy of St Martin in the Fields, Alexander Briger
—
Waltz of the Flowers (The Nutcracker)
[unknown]
—
Lieutenant Kijé, op. 60: IV. Troika
London Philharmonic Orchestra, Klaus Tennstedt
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
—
Garrick Ohlsson, Polish National Symphony Orchestra, Jerzy Maksymiuk
On the Beautiful Blue Danube, Waltz, op. 314 (extract)
Berliner Philharmoniker, Herbert von Karajan
—
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Academy of St Martin in the Fields, Sir Neville Marriner
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
Scheherazade: The Story of the Kalender Prince (Opening)
The Philadelphia Orchestra, Riccardo Muti
—
Thais: Méditation
Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan
—
Polovtsian Dances (Prince Igor) (orch. Rimsky-Korsakov & Glazounov) (Beginning)
Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham
—
Adagio of Spartacus and Phrygia (Spartacus) (Extract)
Royal Philharmonic Orchestra, Yuri Temirkanov
—
Oslo Philharmonic Orchestra, Mariss Jansons
Philharmonia Orchestra, Kurt Sanderling
Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto
Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra
—
Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr
The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes
London Symphony Orchestra, André Previn
—
Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract)
Philadelphia Orchestra, Riccardo Muti
—
Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis
Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter"
South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein
—
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
L'enfance du Christ, oratorio pour soprano, 2 tenors, bariton, 3 basses, chorus & orchestre, Op. 25, H. 130 "Trilogie sacrée": L'adieu des bergers
Chœur René Duclos, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
—
Messe solennelle de Sainte Cécile : 5. Sanctus
Chœur René Duclos, Franz Crass, Heinz Hoppe, Pilar Lorengar, Orchestre de la Société des Concerts du Conservatoire, Jean-Claude Hartemann
—
Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury
Manfred Ackermann, Bavarian Radio Chorus, Wolfgang Isenhardt, Edda Moser, Thomas Schulze, Stuttgarter Hymnus-Chorknaben, Bavarian Radio Symphony Orchestra, Eugen Jochum, Gerhard Wilhelm
Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11
The Monks and Choirboys of Downside Abbey
—
Luciano Pavarotti, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti
Roy Goodman, Choir of King’s College, Cambridge, Rogers Covey-Crump, Lynne Dawson, Paul Hillier, David James, Stephen Layton, Cambridge Classical Players, Stephen Cleobury
Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth
Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras
—
Choir of King’s College, Cambridge, Heather Harper, John Shirley-Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks
Victoria de los Ángeles, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
Additional database matches (42)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messe solennelle de Sainte Cécile : 5. Sanctus | Chœur René Duclos, Franz Crass, Heinz Hoppe, Pilar Lorengar, Orchestre de la Société des Concerts du Conservatoire, Jean-Claude Hartemann | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Karelia Suite, op. 11: III. Alla marcia | Hallé Orchestra, Sir John Barbirolli | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-306.705.438-6 |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Carmen : « La Fleur que tu m'avais jetée » (Flower Song) | Maria Callas, Orchestre de l’Opéra national de Paris, Georges Prêtre | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T-005.001.197-6 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| On the Beautiful Blue Danube, Waltz, op. 314 (extract) | Berliner Philharmoniker, Herbert von Karajan | T-035.024.359-2 |
| The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | T-900.160.317-4 |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | T-928.635.488-9 |
| Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | — |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | T-900.798.623-4 |
| The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — |
| Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | — |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.422.062-8 |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | — |
| Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | — |
| Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931.280.185-7 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
Messe solennelle de Sainte Cécile : 5. Sanctus
Chœur René Duclos, Franz Crass, Heinz Hoppe, Pilar Lorengar, Orchestre de la Société des Concerts du Conservatoire, Jean-Claude Hartemann
—
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
—
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
—
Karelia Suite, op. 11: III. Alla marcia
Hallé Orchestra, Sir John Barbirolli
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan
Thais: Méditation
Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan
—
Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood
Academy of St Martin in the Fields, Sir Neville Marriner
—
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
Carmen : « La Fleur que tu m'avais jetée » (Flower Song)
Maria Callas, Orchestre de l’Opéra national de Paris, Georges Prêtre
—
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
Academy of St Martin in the Fields, Sir Neville Marriner
Academy of St Martin in the Fields, Sir Neville Marriner
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Berliner Philharmoniker, Herbert von Karajan
The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes
London Symphony Orchestra, André Previn
—
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
—
London Symphony Orchestra, André Previn
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
Radetzky March, op. 228
Wiener Johann Strauss Orchester, Willi Boskovsky
—
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
—
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes
London Symphony Orchestra, André Previn
—
Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto
Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra
—
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
—
Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro)
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Academy of St Martin in the Fields, Sir Neville Marriner
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
—
Messiah, HWV 56: No. 44. Hallelujah
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
—
Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth
Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras
—
Orfeo ed Euridice: “Che farò senza Euridice?”
Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti
—
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
Academy of St Martin in the Fields, Sir Neville Marriner
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.115.427-1T-010.115.427-1T-011.221.528-7T-011.221.528-7T-042.107.751-1T-042.107.751-1T-042.107.756-6T-050.205.526-6T-050.205.526-6T-070.000.199-5
+61 more
T-070.000.199-5T-070.249.713-9T-801.894.990-2T-801.894.990-2T-900.017.894-9T-901.134.571-4T-902.858.745-3T-902.858.745-3T-905.387.081-8T-905.387.081-8T-914.248.874-2T-914.248.874-2T-915.711.225-9T-924.489.944-3T-924.489.944-3T-004.013.305-8T-005.001.197-6T-010.194.825-7T-010.194.871-3T-011.777.630-3T-035.024.359-2T-041.489.061-1T-041.662.096-6T-061.409.365-0T-070.165.305-5T-070.248.886-5T-071.156.658-3T-071.422.062-8T-071.518.061-2T-071.541.764-3T-071.725.425-5T-300.816.249-6T-302.211.431-0T-304.252.843-4T-305.157.600-8T-305.625.671-0T-306.705.438-6T-308.381.369-4T-312.542.566-9T-314.638.300-4T-315.824.737-7T-900.016.711-3T-900.065.376-9T-900.135.371-5T-900.138.712-8T-900.148.959-4T-900.160.317-4T-900.798.623-4T-901.222.501-3T-902.128.688-4T-902.359.447-0T-902.781.050-0T-910.256.702-2T-910.405.802-8T-911.534.020-0T-915.091.975-8T-917.603.184-8T-921.418.457-3T-922.610.201-8T-928.635.488-9T-931.280.185-7
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000002812295900000000551299450000000055142912000000005514342100000000551744630000000055175298000000005928437900000000595129170000000060671181000000006097350X
+40 more
0000000063086009000000006308670300000000630905930000000063090702000000007248167600000000782310020000000078380331000000007838612700000000784154420000000080289086000000008106277200000000810631930000000081554304000000008169243200000000817730050000000081856054000000008365519200000000838358630000000083981094000000008411814500000000841631220000000106559727000000010658144900000001066174480000000107886340000000010860660300000001086173530000000108694084000000010869414800000001088546230000000108935378000000010896423200000001089642750000000109064295000000010911085300000001091274790000000109127524000000010914411300000001091781960000000109287288
Identifier Graph
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What is UPC 4988006829381?
4988006829381 is a Universal Product Code (UPC) assigned to Best Classics 100 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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