UPC · Release
Handel
Last verified:
The UPC for “The Masterworks” by Handel is 5028421923901. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. Label: Brilliant Classics. This release contains 774 tracks, each with its own ISRC. Tracks include NLY330902400, NLY330902401, NLY330902402.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Jephtha: Ouverture | — | ||
| 2 | Jephtha: Menuet | — | ||
| 3 | Jephtha: Act I. Accompagnato “It must be so” (Zebul) | — | ||
| 4 | Jephtha: Act I. Air “Pour forth no more” (Zebul) | — | ||
| 5 | Jephtha: Act I. Chorus “No more to Ammon’s god and king” | — | ||
| 6 | Jephtha: Act I. Recitative “But Jephtha comes” (Zebul, Jephtha) | — | ||
| 7 | Jephtha: Act I. Air “Virtue my soul shall still embrace” (Jephtha) | — | ||
| 8 | Jephtha: Act I. Recitative “Twill be a painful separation” (Storge) | — | ||
| 9 | Jephtha: Act I. Air “In gentle murmurs will I mourn” (Storge) | — | ||
| 10 | Jephtha: Act I. Recitative “Happy this embassy” (Hamor) | — | ||
| 11 | Jephtha: Act I. Air “Dull delay, in piercing anguish” (Hamor) | — | ||
| 12 | Jephtha: Act I. Recitative “Ill suits the voice of love” (Iphis) | — | ||
| 13 | Jephtha: Act I. Air “Take the heart you fondly gave” (Iphis) | — | ||
| 14 | Jephtha: Act I. Recitative “I go, my soul” (Hamor) | — | ||
| 15 | Jephtha: Act I. Duet “These labours past, how happy we” (Iphis, Hamor) | — | ||
| 16 | Jephtha: Act I. Recitative “What mean these doubtful fancies” (Jephtha) | — | ||
| 17 | Jephtha: Act I. Accompagnato “If, Lord, sustained” (Jephtha) | — | ||
| 18 | Jephtha: Act I. Chorus “O God, behold our sore distress” | — | ||
| 19 | Jephtha: Act I. Recitative “Some dire event” (Storge) | — | ||
| 20 | Jephtha: Act I. Air “Scenes of horror, scenes of woe” (Storge) | — | ||
| 21 | Jephtha: Act I. Recitative “Say, my dear mother” (Iphis, Storge) | — | ||
| 22 | Jephtha: Act I. Air “The smiling dawn of happy days” (Iphis) | — | ||
| 23 | Jephtha: Act I. Recitative “Such, Jephtja, was the haughty king’s reply” (Zebul, Jephtha) | — | ||
| 24 | Jephtha: Act I. Chorus “When his loud voice in thunder spoke” | — | ||
| 2-1 | Jephtha: Act II. Recitative “Glad things of great joy” (Hamor) | — | ||
| 2-2 | Jephtha: Act II. Chorus “Cherub and Seraphim” | — | ||
| 2-3 | Jephtha: Act II. Air “Up the dreadful steep ascending” (Hamor) | — | ||
| 2-4 | Jephtha: Act II. Recitative “Tis well, haste, haste, ye maidens” (Iphis) | — | ||
| 2-5 | Jephtha: Act II: Air “Tune the soft melodious lute” (Iphis) | — | ||
| 2-6 | Jephtha: Act II. Recitative “Heav’n smiles once more” (Jephtha) | — | ||
| 2-7 | Jephtha: Act II. Air “His mighty arm” (Jephtha) | — | ||
| 2-8 | Jephtha: Act II. Chorus “In glory high” | — | ||
| 2-9 | Jephtha: Act II. Symphony | — | ||
| 2-10 | Jephtha: Act II. Recitative “Hail, glorious conqueror!” (Iphis) | — | ||
| 2-11 | Jephtha: Act II. Air And Chorus “Welcome, as the cheerful light” (Iphis) | — | ||
| 2-12 | Jephtha: Act II. Recitative “Horror! confusion!” (Jephtha) | — | ||
| 2-13 | Jephtha: Act II. Air “Open thy marble jaws, O tomb” (Jephtha) | — | ||
| 2-14 | Jephtha: Act II. Recitative “Why is my brother thus afflicted?” (Zebul, Jephtha) | — | ||
| 2-15 | Jephtha: Act II. Accompagnato and Arioso “First perish thou” (Storge) | — | ||
| 2-16 | Jephtha: Act II. Recitative “If such thy cruel purpose” (Hamor) | — | ||
| 2-17 | Jephtha: Act II. Air “On me let blind mistake zeal” (Hamor) | — | ||
| 2-18 | Jephtha: Act II. Quartet “O spare your daughter!” (Storge, Hamor, Jephtha, Zebul) | — | ||
| 2-19 | Jephtha: Act II. Recitative “Such news flies swift” (Iphis) | — | ||
| 2-20 | Jephtha: Act II. Accompagnato “For joys so vast” (Iphis) | — | ||
| 2-21 | Jephtha: Act II. Air “Happy they!” (Iphis) | — | ||
| 2-22 | Jephtha: Act II. Accompagnato “Deeper and deeper still” (Jephtha) | — | ||
| 2-23 | Jephtha: Act II. Chorus “How dark, O Lord, are thy decrees!” | — | ||
| 3-1 | Jephtha: Act III. Arioso “Hide thou thy hated beams” (Jephtha) | — | ||
| 3-2 | Jephtha: Act III. Accompagnato “A father, Off’ring up” (Jephtha) | — | ||
| 3-3 | Jephtha: Act III. Air “Waft her, angels” (Jephtha) | — | ||
| 3-4 | Jephtha: Act III. Accompagnato “Ye sacred priests” (Iphis) | — | ||
| 3-5 | Jephtha: Act III. Air “Farewell, ye limpid springs” (Iphis) | — | ||
| 3-6 | Jephtha: Act III. Chorus “Doubtful fear and reverend awe” (Preists) | — | ||
| 3-7 | Jephtha: Act III. Symphony | — | ||
| 3-8 | Jephtha: Act III. Recitative “Rise, Jephtha” (Angel) | — | ||
| 3-9 | Jephtha: Act III. Air “Happy, Iphis, shalt thou live” (Angel) | — | ||
| 3-10 | Jephtha: Act III. Arioso “For ever blessed be” (Jephtha) | — | ||
| 3-11 | Jephtha: Act III. Chorus “Theme Sublime” | — | ||
| 3-12 | Jephtha: Act III. Recitative “Let me congratulate” (Zebul) | — | ||
| 3-13 | Jephtha: Act III. Air “Laud her, all ye virgin train” (Zebul) | — | ||
| 3-14 | Jephtha: Act III. Recitative “O let me fold thee” (Storge) | — | ||
| 3-15 | Jephtha: Act III. Air “Sweet as sight to the blind” (Storge) | — | ||
| 3-16 | Jephtha: Act III. Recitative “With transport, Iphis” (Hamor) | — | ||
| 3-17 | Jephtha: Act III. Recitative “My faithful Hamor” (Iphis) | — | ||
| 3-18 | Jephtha: Act III. Quintet “All that is in Hamor mine” | — | ||
| 3-19 | Jephtha: Act III. Chorus “Ye house of Gilead” | — | ||
| 4-1 | Belsazar: Ouverture | — | ||
| 4-2 | Belsazar: Act I. Recitativo “Ach, unstet eitles Los” (Nitocris) | — | ||
| 4-3 | Belsazar: Act I. Aria “Du, Gott der Höh’” (Nitocris) | — | ||
| 4-4 | Belsazar: Act I. Recitativo “Das Schicksal Babylons” (Nitocris, Daniel) | — | ||
| 4-5 | Belsazar: Act I. Aria “Wehlage nicht im eitlem Schmerz” (Daniel) | — | ||
| 4-6 | Belsazar: Act I. Choir “Da seht, wie Persiens junger Held” | — | ||
| 4-7 | Belsazar: Act I. Recitativo “Uns gilt ihr Hohn” (Gobrias, Cyrus) | — | ||
| 4-8 | Belsazar: Act I. Aria “Gebeugt von unheilbarem Schmerz” (Gobrias) | — | ||
| 4-9 | Belsazar: Act I. Aria “Still’ der eitlen Tränen Flut” (Cyrus) | — | ||
| 4-10 | Belsazar: Act I. Recitativo “Ermanne dich” (Cyrus, Gobrias) | — | ||
| 4-11 | Belsazar: Act I. Aria “O schau den Wüstling” (Gobrias) | — | ||
| 4-12 | Belsazar: Act I. Recitativo “Befremdet’s dich denn so” (Cyrus) | — | ||
| 4-13 | Belsazar: Act I. Aria “Du Gott! Der, mir nur fern bekannt” (Cyrus) | — | ||
| 4-14 | Belsazar: Act I. Recitativo “Freunde, habt Zuversicht” (Cyrus) | — | ||
| 4-15 | Belsazar: Act I. Choir “Die Reiche stehn in Gottes Rat” | — | ||
| 4-16 | Belsazar: Act I. Aria “O Heil’ges Buch” (Daniel) | — | ||
| 4-17 | Belsazar: Act I. Choir “Singt, Himmel singt” | — | ||
| 5-1 | Belsazar: Act I. Aria “Ein freudig Fest” (Belsazar) | — | ||
| 5-2 | Belsazar: Act I. Recitativo “Für euch, o Freunde” (Belsazar, Nitocris) | — | ||
| 5-3 | Belsazar: Act I. Aria “Das falbe Laub” (Nitocris) | — | ||
| 5-4 | Belsazar: Act I. Recitativo “Dies ist die Sitte” (Belsazar) | — | ||
| 5-5 | Belsazar: Act I. Choir of the Jews “Verwirf’, o Herr” | — | ||
| 5-6 | Belsazar: Act I. Recitativo “Sie reden wahr” (Nitocris) | — | ||
| 5-7 | Belsazar: Act I. “O meines Lebens Lust” (Nitocris, Belsazar (duet)) | — | ||
| 5-8 | Belsazar: Act I. Choir of the Jews “Allmählich steigt Jehovas Zorn” | — | ||
| 5-9 | Belsazar: Act II. Choir “Seht, wie schnell der Euphrat flieht” | — | ||
| 5-10 | Belsazar: Act II. Recitativo “Ihr seht es, Freunde” (Cyrus) | — | ||
| 5-11 | Belsazar: Act II. Aria “Erstarrt, so nah den Feind zu seh’n” (Cyrus) | — | ||
| 5-12 | Belsazar: Act II. Choir “Voran, voran” | — | ||
| 5-13 | Belsazar: Act II. Choir “Ihr schützenden Götter” | — | ||
| 5-14 | Belsazar: Act II. Aria “Kränzet den Becher rings im Kreis” (Belsazar) | — | ||
| 5-15 | Belsazar: Act II. Choir “Helft unserm Herrn” | — | ||
| 5-16 | Belsazar: Act II. Recitativo “Ruft meine Weisen” (Belsazar) | — | ||
| 5-17 | Belsazar: Act II. Sinfonia | — | ||
| 5-18 | Belsazar: Act II. Recitativo & Choir “Ihr Weisen” | — | ||
| 5-19 | Belsazar: Act II. Choir “Missgeschick” | — | ||
| 6-1 | Belsazar: Act II. Recitativo “O Herr, nicht verzage” (Nitocris) | — | ||
| 6-2 | Belsazar: Act II. Aria & Recitativo “Nein! Du behalte deinen Prunk” (Daniel) | — | ||
| 6-3 | Belsazar: Act II. Recitativo “O du allzu strenger Spruch” (Nitocris) | — | ||
| 6-4 | Belsazar: Act II. Aria “O blick’ auf deiner Mutter Gram” (Nitocris) | — | ||
| 6-5 | Belsazar: Act II. Aria “O Gott des Heils” (Cyrus) | — | ||
| 6-6 | Belsazar: Act II. Recitativo “Du Gobrias” (Cyrus) | — | ||
| 6-7 | Belsazar: Act II. Choir “O tapfrer Fürst” | — | ||
| 6-8 | Belsazar: Act III. Aria “Vorahnend hofft und bangt” (Nitocris) | — | ||
| 6-9 | Belsazar: Act III. Recitativo “Gern hofft’ich noch” (Nitocris, Daniel) | — | ||
| 6-10 | Belsazar: Act III. Aria “Lässt denn der Löwe die Natur” (Daniel) | — | ||
| 6-11 | Belsazar: Act III. Recitativo “Ich hoff’ auf’s neu” (Nitocris, Arioch, messenger) | — | ||
| 6-12 | Belsazar: Act III. Choir of the Jews “Baal sank dahin” | — | ||
| 6-13 | Belsazar: Act III. Aria “Ich danke, Sesach” (Belsazar) | — | ||
| 6-14 | Belsazar: Act III. War’s music | — | ||
| 6-15 | Belsazar: Act III. Aria “Den ew’gen Mächten sei der der erste Dank” (Gobrias) | — | ||
| 6-16 | Belsazar: Act III. Recitativo “Suche nun eilig” (Cyrus) | — | ||
| 6-17 | Belsazar: Act III. Aria “Zerstör’nder Krieg, hier ist dein Ziel” (Cyrus) | — | ||
| 6-18 | Belsazar: Act III. “O Held, gebeugt siehst du mich nah’n” (Nitocris, Cyrus (duet)) | — | ||
| 6-19 | Belsazar: Act III. Recitativo “Sprich, ehrwürdiger Seher” (Cyrus, Daniel) | — | ||
| 6-20 | Belsazar: Act III. “Kündet überall den Heiden” (Soloist & Choir) | — | ||
| 6-21 | Belsazar: Act III. Recitativo “Ja, ich bau’deine Stadt dir” (Cyrus) | — | ||
| 6-22 | Belsazar: Act III. “Sei von mir gepriesen” (Soloist & Choir) | — | ||
| 7-1 | Messiah: Part I. Sinfonia | The Brandenburg Consort, Stephen Cleobury | — | |
| 7-2 | Messiah: Part I. Recitative "Comfort ye my people" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-3 | Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-4 | Messiah: Part I. Chorus "And the glory, the glory of the Lord" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-5 | Messiah: Part I. Recitative "Thus said the Lord" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-6 | Messiah: Part I. Aria "But who may abide" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-7 | Messiah: Part I. Chorus "And He shall purify" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-8 | Messiah: Part I. Recitative "Behold, a virgin" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-9 | Messiah: Part I. Aria "O thou that tellest" (alto) | The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-10 | Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-11 | Messiah: Part I. Aria "The people that walked in darkness" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-12 | Messiah: Part I. Chorus "For unto us a Child is born" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-13 | Messiah: Part I. Pifa (Pastoral Symphony) | The Brandenburg Consort, Stephen Cleobury | — | |
| 7-14 | Messiah: Part I. Recitative "There were shepherds" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-15 | Messiah: Part I. Recitative "And the angels said unto them" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-16 | Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-17 | Messiah: Part I. Chorus "Glory to God in the highest" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-18 | Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-19 | Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-20 | Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-21 | Messiah: Part I. Chorus "His yoke is easy" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-22 | Messiah: Part II. Chorus "Behold the Lamb of God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-23 | Messiah: Part II. Aria "He was despised" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-1 | Messiah: Part II. Chorus "Surely he hath borne our grieves" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-2 | Messiah: Part II. Chorus "And with his stripes we are healed" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-3 | Messiah: Part II. Chorus "All we like sheep" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-4 | Messiah: Part II. Recitative "All they that see Him" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-5 | Messiah: Part II. Chorus "He trusted in God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-6 | Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-7 | Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-8 | Messiah: Part II. Recitative "He was cut off out of the land" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-9 | Messiah: Part II. Aria "But thou didst not leave" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-10 | Messiah: Part II. Chorus "Lift up your heads" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-11 | Messiah: Part II. Recitative "Unto which of the angels" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-12 | Messiah: Part II. Chorus "Let all the angels of God worship Him" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-13 | Messiah: Part II. Aria "Thou art gone up on high" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-14 | Messiah: Part II. Chorus "The Lord gave the word" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-15 | Messiah: Part II. Aria "How beautiful are the feet" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-16 | Messiah: Part II. Chorus "Their sound is gone out" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-17 | Messiah: Part II. "Why do the nations?" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-18 | Messiah: Part II. Chorus "Let us break their bonds asunder" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-19 | Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-20 | Messiah: Part II. Aria "Thou shalt break them" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-21 | Messiah: Part II. Chorus "Hallelujah!" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-22 | Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-23 | Messiah: Part III. Chorus "Since by man came death" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-24 | Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-25 | Messiah: Part III. Aria "The trumpet shall sound" (bass) | Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-26 | Messiah: Part III. Recitative "Then shall be brought to pass" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-27 | Messiah: Part III. Duet "O death, where is thy sting" (alto & tenor) | John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-28 | Messiah: Part III. Chorus "But thanks be to God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-29 | Messiah: Part III. Aria "If God be for us" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-30 | Messiah: Part III. Chorus "Worthy is the Lamb...Amen" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 9-1 | Brockes Passion: Sinfonia | — | ||
| 9-2 | Brockes Passion: “Mich vom Stricke meiner Sünden” (soprano, alto, coro) | — | ||
| 9-3 | Brockes Passion: Recitativo “Als Jesus nun zu Tische sasse” (evangelist) | — | ||
| 9-4 | Brockes Passion: Accompagnato “Das ist mein Leib” (Jesus) | — | ||
| 9-5 | Brockes Passion: “Der Gott, dem alle Himmelskreise” (Tochter Zion) | — | ||
| 9-6 | Brockes Passion: Recitativo “Und bald hernach” (evangelist) | — | ||
| 9-7 | Brockes Passion: Accompagnato “Das ist mein Blut” (Jesus) | — | ||
| 9-8 | Brockes Passion: Aria “Gott selbst der Brunnquell” (Tochter Zion) | — | ||
| 9-9 | Brockes Passion: Coro “Ach, wie hungert mein Gemüte” | — | ||
| 9-10 | Brockes Passion: Recitativo “Drauf sagten sie dem Höchsten Dank” (evangelist, Jesus) | — | ||
| 9-11 | Brockes Passion: Coro “Wir wollen alle eh’erblassen” | — | ||
| 9-12 | Brockes Passion: Recitativo “Es ist gewiss” (Jesus) | — | ||
| 9-13 | Brockes Passion: Aria “Weil ich den Hirten schlaagen werde” (Jesus) | — | ||
| 9-14 | Brockes Passion: Recitativo “Aufs wenigste will ich” (Petrus, Jesus) | — | ||
| 9-15 | Brockes Passion: Aria “Mein Vater, mein Vater!” (Jesus) | — | ||
| 9-16 | Brockes Passion: Recitativo “Mich drückt der Sünden” (Jesus) | — | ||
| 9-17 | Brockes Passion: “Ist ’s möglich” (Jesus) | — | ||
| 9-18 | Brockes Passion: Arioso “Sünden, schaut mich Furcht” (Tochter Zion) | — | ||
| 9-19 | Brockes Passion: Recitativo “Die Pein vermehrte sich” (evangelist) | — | ||
| 9-20 | Brockes Passion: Aria “Brich, mein Herz” (Tochter Zion) | — | ||
| 9-21 | Brockes Passion: Recitativo “Ein Engel aber kam” (evangelist) | — | ||
| 9-22 | Brockes Passion: Arioso “Erwachet doch!” (Jesus, Petrus, Johannes, Jacobus) | — | ||
| 9-23 | Brockes Passion: Recitativo “Und eh’die Rede” (evangelist) | — | ||
| 9-24 | Brockes Passion: Coro “Greift zu, schlagt tot” | — | ||
| 9-25 | Brockes Passion: Recitativo “Und der Verräter” (evangelist, Judas) | — | ||
| 9-26 | Brockes Passion: Coro “Er soll uns nicht entlaufen” | — | ||
| 9-27 | Brockes Passion: Recitativo “Nimm, Rabbi, diesen Kuss” (Judas, Jesus) | — | ||
| 9-28 | Brockes Passion: Aria “Gift und Glut” (Petrus) | — | ||
| 9-29 | Brockes Passion: Recitativo “Steck nur das Schwert” (Jesus) | — | ||
| 9-30 | Brockes Passion: Coro “O weh, sie binden ihn” | — | ||
| 9-31 | Brockes Passion: Recitativo “Wo flieht ihr hin?” (Petrus) | — | ||
| 9-32 | Brockes Passion: Aria “Nehmt mich mit” (Petrus) | — | ||
| 9-33 | Brockes Passion: Recitativo “Und Jesus ward” (Caiphas, Jesus, Kriegsknecht) | — | ||
| 9-34 | Brockes Passion: Aria “Was Bärentatzen, Löwenklauen” (Tochter Zion) | — | ||
| 9-35 | Brockes Passion: Recitativo “Dies sahe Petrus an” (Magd 1, Petrus, Magd 2, Magd 3) | — | ||
| 9-36 | Brockes Passion: Arioso “Ich will versinken” (Petrus) | — | ||
| 9-37 | Brockes Passion: Recitativo “Drauf krähete der Hahn” (evangelist, Petrus) | — | ||
| 10-1 | Brockes Passion: Aria “Heul, du Fluch!” (Petrus) | — | ||
| 10-2 | Brockes Passion: Recitativo “Doch wie, will ich” (Petrus) | — | ||
| 10-3 | Brockes Passion: Aria “Schau, ich fall’in strenger Busse” (Petrus) | — | ||
| 10-4 | Brockes Passion: Coro “Ach, Gott und Herr” | — | ||
| 10-5 | Brockes Passion: Recitativo “Als Jesus nun” (Evangelist, Caiphas, Jesus) | — | ||
| 10-6 | Brockes Passion: Coro “Er hat den Tod verdient” | — | ||
| 10-7 | Brockes Passion: Aria “Erwäg, erwäg” (tenor) | — | ||
| 10-8 | Brockes Passion: Recitativo “Die Nacht war kaum vorbei” (Evangelist, Tochter Zion) | — | ||
| 10-9 | Brockes Passion: Aria “Meine Laster sind die Stricke” (Tochter Zion) | — | ||
| 10-10 | Brockes Passion: Recitativo “Oh, was hab’ich, verfluchter Mensch” (Judas) | — | ||
| 10-11 | Brockes Passion: Aria “Lasst diese Tat nicht ungerochen” (Judas) | — | ||
| 10-12 | Brockes Passion: Recitativo “Unsäglich ist mein Schmerz” (Judas) | — | ||
| 10-13 | Brockes Passion: Aria “Die ihr Gottes Gnad’versäumet” (Tochter Zion) | — | ||
| 10-14 | Brockes Passion: Recitativo “Wie nun Pilatus Jesum fragt” (Evangelist, Jesus) | — | ||
| 10-15 | Brockes Passion: Coro “Bestrafe diesen Übeltäter” | — | ||
| 10-16 | Brockes Passion: Recitativo “Hast du denn kein Gehör?” (Pilatus, Evangelist) | — | ||
| 10-17 | Brockes Passion: Duetto “Sprichst du denn” (Tochter Zion, Jesus) | — | ||
| 10-18 | Brockes Passion: Recitativo “Pilatus wunderte sich sehr” (Evangelist) | — | ||
| 10-19 | Brockes Passion: Coro “Nein, diesen nicht” | — | ||
| 10-20 | Brockes Passion: Recitativo “Was fang’ich denn” (Pilatus) | — | ||
| 10-21 | Brockes Passion: Coro “Weg, weg, weg!” | — | ||
| 10-22 | Brockes Passion: Recitativo “Was hat er denn getan?” (Pilatus) | — | ||
| 10-23 | Brockes Passion: Coro “Weg, weg, weg!” | — | ||
| 10-24 | Brockes Passion: Recitativo “Wie er nun sah” (Evangelist) | — | ||
| 10-25 | Brockes Passion: Arioso “Besinne dich, Pilatus” (Tochter Zion) | — | ||
| 10-26 | Brockes Passion: Recitativo “Drauf zerreten die Kriegsknechte” (Evangelist) | — | ||
| 10-27 | Brockes Passion: Arioso “Ich seh’an einen Stein gebunden” (Gläubige Seele) | — | ||
| 10-28 | Brockes Passion: Recitativo “Drum, Seele, schau” (Gläubige Seele) | — | ||
| 10-29 | Brockes Passion: Aria “Dem Himmel gleicht” (Gläubige Seele) | — | ||
| 10-30 | Brockes Passion: Recitativo “Wie nun das Blut” (Evangelist) | — | ||
| 10-31 | Brockes Passion: Aria “Die Rosen krönen” (Tochter Zion) | — | ||
| 10-32 | Brockes Passion: Recitativo “Verwegner Dorn” (Tochter Zion) | — | ||
| 10-33 | Brockes Passion: Aria “Lass doch diese herbe Schmerzen” (Tochter Zion) | — | ||
| 10-34 | Brockes Passion: Recitativo “Der zarten Schläfen” (Tochter Zion) | — | ||
| 10-35 | Brockes Passion: Aria “Jesu! Jesu” (Tochter Zion) | — | ||
| 10-36 | Brockes Passion: Recitativo “Drauf beugten sie aus Spott” (Evangelist) | — | ||
| 10-37 | Brockes Passion: Coro “Ein jeder sei ihm untertänig!” | — | ||
| 10-38 | Brockes Passion: Recitativo “Ja, scheuten sich nicht” (Evangelist) | — | ||
| 10-39 | Brockes Passion: Aria “Schäumest du, du Schaum der Welt” (Tochter Zion) | — | ||
| 10-40 | Brockes Passion: Recitativo “Worauf sie mit dem Rohr” (Evangelist) | — | ||
| 10-41 | Brockes Passion: Aria “Bestürzter Sünder” (Tochter Zion) | — | ||
| 10-42 | Brockes Passion: Aria “Heil der Welt” (Tochter Zion) | — | ||
| 11-1 | Brockes Passion: Recitativo “Wie man ihm nun genug” (evangelist) | — | ||
| 11-2 | Brockes Passion: “Eilt, ihr angefochten Seelen!” (Coro, Tochter Zion) | — | ||
| 11-3 | Brockes Passion: Recitativo “Ach Gott, ach Gott!” (Maria) | — | ||
| 11-4 | Brockes Passion: Duet “Soll mein Kind” (Maria, Jesus) | — | ||
| 11-5 | Brockes Passion: Recitativo “Und er trug selbst sein Kreuz” (evangelist, Tochter Zion) | — | ||
| 11-6 | Brockes Passion: Aria “Es scheint, da den zerkerbten Rücken” (tenor) | — | ||
| 11-7 | Brockes Passion: Recitativo “Wie sie nun an die Stätte” (evangelist) | — | ||
| 11-8 | Brockes Passion: Aria “Heir erstarrt mein Herz” (Gläubige Seele) | — | ||
| 11-9 | Brockes Passion: Recitativo “O Anblick, o entsetzliches Gesicht!” (Gläubige Seele) | — | ||
| 11-10 | Brockes Passion: Coro “O Menschenkind” | — | ||
| 11-11 | Brockes Passion: Recitativo “Sobald er nun gekreuzigt war” (evangelist) | — | ||
| 11-12 | Brockes Passion: Coro “Pfui, pfui, pfui!” | — | ||
| 11-13 | Brockes Passion: Recitativo “Und eine dicke Finsternis” (evangelist) | — | ||
| 11-14 | Brockes Passion: Aria “Was Wunder, dass der Sonnen Pracht” (Gläubige Seele) | — | ||
| 11-15 | Brockes Passion: Recitativo “Dies war zur neunten Stund’” (evangelist) | — | ||
| 11-16 | Brockes Passion: Arioso “Mein Heiland” (Gläubige Seele) | — | ||
| 11-17 | Brockes Passion: Recitativo “Drauf lief ein Dienstknecht hin” (evangelist) | — | ||
| 11-18 | Brockes Passion: Terzetto “O Donnerwort!” | — | ||
| 11-19 | Brockes Passion: Recitativo “O selig wer dies glaubt” (Gläubige Seele, evangelist) | — | ||
| 11-20 | Brockes Passion: Aria “Sind meiner Seelen tiefe Wunden” (Tochter Zion, Gläubige Seele) | — | ||
| 11-21 | Brockes Passion: Recitativo “O Grossmut!” (Tochter Zion, evangelist) | — | ||
| 11-22 | Brockes Passion: Aria “Brich, brüllender Abgrund” (Gläubige Seele) | — | ||
| 11-23 | Brockes Passion: Recitativo “Ja, ja, es brüllet schon” (Gläubige Seele, Hauptmann) | — | ||
| 11-24 | Brockes Passion: Aria “Wie kommt’s, dass da der Himmel weint” (Gläubige Seele) | — | ||
| 11-25 | Brockes Passion: Accompagnato “Bei Jesus’ Tod und Leiden” (Gläubige Seele) | — | ||
| 11-26 | Brockes Passion: Coro “Mein’ Sünd’mich werden kränken” | — | ||
| 11-27 | Brockes Passion: Aria “Wisch ab der Tränen scharfe Lauge” (Tochter Zion) | — | ||
| 11-28 | Brockes Passion: Coro “Ich bin ein Glied” | — | ||
| 12-1 | Johannes Passion: Sinfonia / Recitativo “Da nahm Pilatus Jesum” (evangelist) | — | ||
| 12-2 | Johannes Passion: Aria “Boheit ohne Zahl” (soprano) | — | ||
| 12-3 | Johannes Passion: Recitativo “Und die Kriegsknechte” (evangelist) / Coro “Sei gegrüsset” | — | ||
| 12-4 | Johannes Passion: Recitativo “Und gaben ihm Backenstreiche” (evangelist) / Arioso “Sehet, ich führe ihn heraus” (Pilatus) | — | ||
| 12-5 | Johannes Passion: Recitativo “Also ging Jesus heraus” (evangelist) | — | ||
| 12-6 | Johannes Passion: Duetto “Schauet, mein Jesus ist Rosen zu gleichen” (soprano I, soprano II) | — | ||
| 12-7 | Johannes Passion: Recitativo “Und er spricht zu ihnen” (evangelist) / Arioso “Sehet, welch ein Mensch” (Pilatus) | — | ||
| 12-8 | Johannes Passion: Recitativo “Da ihn Hohenpriester” (evangelist) / Coro “Kreuzige, kreuzige!” | — | ||
| 12-9 | Johannes Passion: Recitativo “Pilatus spricht zu ihnen” (evangelist) / Arioso “Nehmet ihr ihn hin” (Pilatus) | — | ||
| 12-10 | Johannes Passion: Recitativo “Die Juden antworteten ihm” (evangelist) / Coro “Wir haben ein Gesetze” | — | ||
| 12-11 | Johannes Passion: Recitativo “Da Pilatus das Wort höret” (Pilatus, evangelist) / Arioso “Redest du nicht mit mir?” (Pilatus) | — | ||
| 12-12 | Johannes Passion: Recitativo “Jesus antwortet” (evangelist) / Aria “Du hättest kein Maht über mir” (Jesus) / Recitativo “Von dem an trachtet Pilatus” (evangelist) | — | ||
| 12-13 | Johannes Passion: Aria “Durch dien Gefängnis” (soprano) | — | ||
| 12-14 | Johannes Passion: Recitativo “Die Juden aber schrieen” (evangelist) / Coro “Lässest du diesen los” | — | ||
| 12-15 | Johannes Passion: Recitativo “Da Pilatus das Wort höret” (evangelist) / Arioso “Sehet, das ist euer König!” (Pilatus) | — | ||
| 12-16 | Johannes Passion: Recitativo “Sie schrieen alle” (evangelist) / Coro “Weg, weg mit dem” | — | ||
| 12-17 | Johannes Passion: Aria “Erschüttere mit Krachen” (basso) | — | ||
| 12-18 | Johannes Passion: Recitativo “Spricht Pilatus zu ihnen” (evangelist) / Arioso “Soll ich euren König kreuzigen?” (Pilatus) | — | ||
| 12-19 | Johannes Passion: Recitativo “Die Hohenpriester antworteten” (evangelist) / Coro “Wir haben keinen König” | — | ||
| 12-20 | Johannes Passion: Recitativo “Da überantwortet er ihn” (evangelist) | — | ||
| 12-21 | Johannes Passion: Aria “Getrost, mein Herz” (alto) | — | ||
| 12-22 | Johannes Passion: Recitativo “Pilatus aber schrieb eine Überschrift” (evangelist) / Coro “Schreib’nicht "Der Juden König” “ / Recitativo "Pilatus antwortet” (evangelist) / Arioso “Was ich geschrieben habe” (Pilatus) | — | ||
| 12-23 | Johannes Passion: Recitativo “Die Kriegsknechte aber” (evangelist) | — | ||
| 12-24 | Johannes Passion: Aria “Du musst den Rock verlieren” (tenore) | — | ||
| 12-25 | Johannes Passion: Recitativo “Der Rock aber war ungenäht” (evangelist) / Coro “Lasset uns den nicht zerteilen” | — | ||
| 12-26 | Johannes Passion: Recitativo “Aus dass erfüllet würde Schrift” (evangelist) / Accompagnato “Sie haben meine Kleider unter sich erteilet” (evangelist) / Recitativo “Solches taten die Kriegsknechte” (evangelist) | — | ||
| 12-27 | Johannes Passion: Duetto “Welche sind des Heilands Erben?” (tenore I, tenore II) | — | ||
| 12-28 | Johannes Passion: Recitativo “Es stund aber bei dem Kreuz” (evangelist) / Arioso “Weib, siehe, das ist dein Sohn” (Jesus) / Recitativo “Darnach spricht er zu dem Jünger” (evangelist) / Arioso “Siehe, das ist deine Mutter” (Jesus) | — | ||
| 12-29 | Johannes Passion: Recitativo “Und von Stund an” (evangelist) / Arioso “Mich Dürstet!” (Jesus) | — | ||
| 12-30 | Johannes Passion: Aria “Jesu, wonach dürstet dich” (soprano) | — | ||
| 12-31 | Johannes Passion: Recitativo “Da stund ein Gefäss voll Essig” (evangelist) / Arioso “Es ist vollbracht!” (Jesus) | — | ||
| 12-32 | Johannes Passion: Aria “O grosses Werk” (basso) / Recitativo “Und neigte das Haupt und verschied” (evangelist) | — | ||
| 12-33 | Johannes Passion: Aria “Bebet, ihr Berge” (soprano) | — | ||
| 12-34 | Johannes Passion: Recitativo “Die Juden aber” (evangelist) | — | ||
| 12-35 | Johannes Passion: Duetto “War das Wasser denn zu schlecht” (soprano, basso) | — | ||
| 12-36 | Johannes Passion: Recitativo “Und der es gesehen hat” (evangelist) | — | ||
| 12-37 | Johannes Passion: Duetto “Ich gehe mit in’s Grab” (soprano, basso) | — | ||
| 12-38 | Johannes Passion: Recitativo “Es war aber an der Stätte” (evangelist) | — | ||
| 12-39 | Johannes Passion: Coro “Schlafe wohl nach deinen Leiden” | — | ||
| 13-1 | Acis & Galatea: Act I. Sinfonia | — | ||
| 13-2 | Acis & Galatea: Act I. Choir “Oh, the pleasure” | — | ||
| 13-3 | Acis & Galatea: Act I. Recitative “Ye verdant plains” | — | ||
| 13-4 | Acis & Galatea: Act I. Aria “Hush, ye pretty” (Galatea) | — | ||
| 13-5 | Acis & Galatea: Act I. Aria “Where shall I seek” (Acis) | — | ||
| 13-6 | Acis & Galatea: Act I. Recitative “Stay, shepherd, stay” | — | ||
| 13-7 | Acis & Galatea: Act I. Aria “Shepherd, what” (Damon) | — | ||
| 13-8 | Acis & Galatea: Act I. Recitative: “Lo, here my love” | — | ||
| 13-9 | Acis & Galatea: Act I. Aria “Love in her eyes” (Acis) | — | ||
| 13-10 | Acis & Galatea: Act I. Recitative “O didst thou know” | — | ||
| 13-11 | Acis & Galatea: Act I. Aria “As when the dove” (Galatea) | — | ||
| 13-12 | Acis & Galatea: Act I. Duet & Choir “Happy we” | — | ||
| 14-1 | Acis & Galatea: Act II. Choir “Wretched lovers” | — | ||
| 14-2 | Acis & Galatea: Act II. Recitativo accompagnato “I rage” | — | ||
| 14-3 | Acis & Galatea: Act II. Aria “O ruddier” (Polyphemus) | — | ||
| 14-4 | Acis & Galatea: Act II. Recitative “Whither, fairest” | — | ||
| 14-5 | Acis & Galatea: Act II. Aria “Cease to beauty” (Polyphemus) | — | ||
| 14-6 | Acis & Galatea: Act II. Aria “Would you gain” (Damon) | — | ||
| 14-7 | Acis & Galatea: Act II. Recitative “His hideous love” | — | ||
| 14-8 | Acis & Galatea: Act II. Aria “Love sounds th’alarm” (Acis) | — | ||
| 14-9 | Acis & Galatea: Act II. Aria “Consider” (Damon) | — | ||
| 14-10 | Acis & Galatea: Act II. Recitative “Cease, o cease” | — | ||
| 14-11 | Acis & Galatea: Act II. Trio “The flocks shall leave” | — | ||
| 14-12 | Acis & Galatea: Act II. Recitative “Help, Galatea” | — | ||
| 14-13 | Acis & Galatea: Act II. Choir “Mourn, all ye muses” | — | ||
| 14-14 | Acis & Galatea: Act II. “Must I my Acis” (Galatea, choir) | — | ||
| 14-15 | Acis & Galatea: Act II. Recitative “Tis done” | — | ||
| 14-16 | Acis & Galatea: Act II. Aria “Heart, the seat” (Galatea) | — | ||
| 14-17 | Acis & Galatea: Act II. Choir “Galatea, dry thy tears” | — | ||
| 15-1 | Imeneo: Overture | — | ||
| 15-2 | Imeneo: Act I, Scene I. Arioso “La mia bella” (Tirinto) – Recitative “Tirinto!” (Argenio) – Recitativo “Dal di ch’io la perdei” (Tirinto) – Aria “Se potessero” (Tirinto) | — | ||
| 15-3 | Imeneo: Act I, Scene II. Recitativo “Cerere omnipotente” (Argenio) – Choir “Vien Imeneo fra voi” – Recitativo “Valoroso Imeneo!” (Tirinto) – Aria “Di ciceca notte allor” (Imeneo) | — | ||
| 15-4 | Imeneo: Act I, Scene III‐IV. Recitativo “Rosmene, alfin dovresti” (Imeneo) – Aria “Ingrata mai no fui” (Rosmene) – Aria “Mi chiederesti meno” (Tirinto) | — | ||
| 15-5 | Imeneo: Act I, Scene V‐VI. Recitativo “Se non era il tuo braccio” (Clomiri) – Aria “v’e un infelice” (Clomiri) – Recitativo “Paventar non degg’io che non” (Imeneo) – Aria “Esser mia dovra” (Imeneo) – Choir “Vien Imemeo fra voi…” | — | ||
| 15-6 | Imeneo: Act II, Scene I. Arioso “Deh, m’aiutate, o Dei!” (Rosmene) – Recitativo “Vogliono i tuoi maggiori” (Argenio) – Aria “Su l’arena di barbara scene” (Argenio) | — | ||
| 16-1 | Imeneo: Act II, Scene II‐III. Recitativo “La mia mente or confusa vorria” (Rosmene) – Aria “Semplicetta, la saetta” (Rosmene) – Recitativo “Tirinto, era poc’anzi” (Clomiri) – Aria “Sorge nell’alma mia” (Imeneo) | — | ||
| 16-2 | Imeneo: Act II, Scene IV‐V. Recitativo “Imeneo, lieto in viso tutto” (Clomiri) – Aria “E si vaga del tuo bene” (Clomiri) – Recitativo “Sembra un fanciullo, Amore” (Imeneo) – Aria “Chi scherza colle rose” (Imeneo) | — | ||
| 16-3 | Imeneo: Act II, Scene VI. Recitativo “Udisti gia” (Argenio) – Trio “Consolami, mio bene” (Imeneo, Rosmene, Tirinto) – Choir “E troppa bel trofeo” | — | ||
| 16-4 | Imeneo: Act III, Scene I‐II. Recitativo “Alfin decidi!” (Tirinto, Imeneo) – Aria “In mezzo a voi dui” (Rosmene) – Recitativo “Se tua sara Rosmene” (Imeneo) – Aria “Pieno il core di timore” (Tirinto) | — | ||
| 16-5 | Imeneo: Act III, Scene III‐VI. Recitativo “Sarei lieta ancor io se Rosmene” (Clomiri) / Aria “Se ricordar ten vuoi” (Clomiri) / Aria “D’amor nei primi istanti” (Imeneo) / Recitativo “Perdonami, Clomiri, d’altro amore” (Imeneo) / Arioso “Se la mia pace a me” (Imeneo) / Recitativo “Sentimi, er pieta!” (Tirinto) / Arioso “Se la mia pace…” (Tirinto) / Recitativo “E questo il di per definir la lite?” (Rosmene) / Duetto “Se la mia pace…” (Tirinto, Imeneo) / Recitativo “La vita?” (Rosmene) | — | ||
| 16-6 | Imeneo: Recitativo accompagnato “Miratela! Che arriva cinta di” / Recitativo “Misera!” (Imeneo) / Arioso “Al voler del tua fortuna” (Rosmene) / Recitativo “Paelai da stolta” (Rosmene) / Duetto “Per le porte del tormento” (Rosmene, Tirinto) / Choir “Se consulta il suo dover” | — | ||
| 17-1 | Faramondo: Overture | — | ||
| 17-2 | Faramondo: Act I. Recitative accompagnato “Popolo, figlio” | — | ||
| 17-3 | Faramondo: Act I. Choir “Pera, pera” | — | ||
| 17-4 | Faramondo: Act I. “Chiede l’ombra” | — | ||
| 17-5 | Faramondo: Act I. Aria “Viva, si” (Gustavo) | — | ||
| 17-6 | Faramondo: Act I. Recitativo “Siam pur fuori” | — | ||
| 17-7 | Faramondo: Act I. Aria “Conoscero” (Clotilde) | — | ||
| 17-8 | Faramondo: Act I. Recitativo & Aria “Perdoni…chi ben” (Adolfo) | — | ||
| 17-9 | Faramondo: Act I. Recitativo “A me dunque” | — | ||
| 17-10 | Faramondo: Act I. Aria “Vanne” (Rosimonda) | — | ||
| 17-11 | Faramondo: Act I. Recitativo “Faramondo infelice” | — | ||
| 17-12 | Faramondo: Act I. Aria “Rival si tono” (Faramondo) | — | ||
| 17-13 | Faramondo: Act I. Recitativo & Aria “Va voglio” (Gernando) | — | ||
| 17-14 | Faramondo: Act I. Recitativo “Sino ad ora” | — | ||
| 17-15 | Faramondo: Act I. Arioso “Si, tornero” (Faramondo) | — | ||
| 17-16 | Faramondo: Act I. Recitativo & Aria “Quel…sento” (Rosimonda) | — | ||
| 17-17 | Faramondo: Act I. Recitativo “Si, Clotilde” | — | ||
| 17-18 | Faramondo: Act I. Aria “Vado a recar” (Gustavo) | — | ||
| 17-19 | Faramondo: Act I. Recitativo “Dalla cittade” | — | ||
| 17-20 | Faramondo: Act I. Aria “Mi parto lieta” (Clotilde) | — | ||
| 17-21 | Faramondo: Act I. Recitativo “Fra quest’ombre” | — | ||
| 17-22 | Faramondo: Act I. Aria “Se ben” (Faramondo) | — | ||
| 18-1 | Concerto grosso op. 6 no. 4: Larghetto | — | ||
| 18-2 | Concerto grosso op. 6 no. 4: Allegro | — | ||
| 18-3 | Faramondo: Act II. Sinfonia | — | ||
| 18-4 | Faramondo: Act II. Recitativo “Gia udisti” | — | ||
| 18-5 | Faramondo: Act II. Aria “Si, l’intendesti” (Rosimonda) | — | ||
| 18-6 | Faramondo: Act II. Recitativo & Aria “Si sdegna” (Gernando) | — | ||
| 18-7 | Faramondo: Act II. Recitativo “Misero” | — | ||
| 18-8 | Faramondo: Act II. Aria “Poi che pria” (Faramondo) | — | ||
| 18-9 | Faramondo: Act II. Aria “Combattuta” (Clotilde) | — | ||
| 18-10 | Faramondo: Act II. Recitativo “Faramondo in catene” | — | ||
| 18-11 | Faramondo: Act II. Aria “Se a piedi” (Adolfo) | — | ||
| 18-12 | Faramondo: Act II. Recitativo “Signor, umil” | — | ||
| 18-13 | Faramondo: Act II. Aria “Sol la brama” (Gustavo) | — | ||
| 18-14 | Faramondo: Act II. Recitativo “Tentai d’aver” | — | ||
| 18-15 | Faramondo: Act II. Aria “Nella terra” (Gernando) | — | ||
| 18-16 | Faramondo: Act II. Recitativo “Childerico” | — | ||
| 18-17 | Faramondo: Act II. Duetto “Vado e vivo” | — | ||
| 19-1 | Concerto grosso op. 6 no. 4: Largo | — | ||
| 19-2 | Concerto grosso op. 6 no. 4: Allegro | — | ||
| 19-3 | Faramondo: Act III. Sinfonia | — | ||
| 19-4 | Faramondo: Act III. Recitativo “Mi tradiscono” | — | ||
| 19-5 | Faramondo: Act III. Duetto “Caro, cara” | — | ||
| 19-6 | Faramondo: Act III. Recitativo “Gia nel campo” | — | ||
| 19-7 | Faramondo: Act III. Aria “Cosi suole” (Gernando) | — | ||
| 19-8 | Faramondo: Act III. Recitativo “Ritorna pur” | — | ||
| 19-9 | Faramondo: Act III. Aria “Voglio che sia” (Faramondo) | — | ||
| 19-10 | Faramondo: Act III. Recitativo “D’un oltraggiato” | — | ||
| 19-11 | Faramondo: Act III. Aria “Se ria procella” (Adolfo) | — | ||
| 19-12 | Faramondo: Act III. Recitativo “Non isdegnar” | — | ||
| 19-13 | Faramondo: Act III. Aria “Sappi, crudel” (Rosimonda) | — | ||
| 19-14 | Faramondo: Act III. Recitativo “Clotilde, il tuo dolor” | — | ||
| 19-15 | Faramondo: Act III. Aria “Un’aura placida” (Clotilde) | — | ||
| 19-16 | Faramondo: Act III. Recitativo “Reggi il mio brando” | — | ||
| 19-17 | Faramondo: Act III. Aria & Choir “Virtu che rende” | — | ||
| 20-1 | Rinaldo, HWV 7: Act I. Overture | — | ||
| 20-2 | Rinaldo, HWV 7: Act I. “Delle nostre fatiche” (Goffredo) | — | ||
| 20-3 | Rinaldo, HWV 7: Act I. “Sovre balze scoscese” (Goffredo) | — | ||
| 20-4 | Rinaldo, HWV 7: Act I. “Signor, gia dal tuo senno” (Rinaldo) | — | ||
| 20-5 | Rinaldo, HWV 7: Act I. “Combatti da forte” (Almirena) | — | ||
| 20-6 | Rinaldo, HWV 7: Act I. “Questi saggi consigli” (Goffredo) | — | ||
| 20-7 | Rinaldo, HWV 7: Act I. “Ogni indulgio” (Rinaldo) | — | ||
| 20-8 | Rinaldo, HWV 7: Act I. “Signor, che delle stelle” (Araldo) | — | ||
| 20-9 | Rinaldo, HWV 7: Act I. “Sibilar gl’angui d’Aletto” (Argante) | — | ||
| 20-10 | Rinaldo, HWV 7: Act I. “Goffredo, se t’amse” (Argante) | — | ||
| 20-11 | Rinaldo, HWV 7: Act I. “Furie terribili” (Armida) | — | ||
| 20-12 | Rinaldo, HWV 7: Act I. “Come a tempo giungesti” (Argante) | — | ||
| 20-13 | Rinaldo, HWV 7: Act I. “Molto voglio, molto spero” (Armida) | — | ||
| 20-14 | Rinaldo, HWV 7: Act I. “Augelletti” (Almirena) | — | ||
| 20-15 | Rinaldo, HWV 7: Act I. “Scherzano sul tuo volto” (Almirena, Rinaldo) | — | ||
| 20-16 | Rinaldo, HWV 7: Act I. “Al valor del mio brando” (Armida) | — | ||
| 20-17 | Rinaldo, HWV 7: Act I. Sinfonia | — | ||
| 20-18 | Rinaldo, HWV 7: Act I. “Che insolito stupore” (Goffredo) | — | ||
| 20-19 | Rinaldo, HWV 7: Act I. “Cor ingrato” (Rinaldo) | — | ||
| 20-20 | Rinaldo, HWV 7: Act I. “Un mio giusto dolor” (Goffredo) | — | ||
| 20-21 | Rinaldo, HWV 7: Act I. “Venti, turbine” (Rinaldo) | — | ||
| 21-1 | Rinaldo, HWV 7: Act II. “Siam prossimi al porto” (Goffredo) | — | ||
| 21-2 | Rinaldo, HWV 7: Act II. “Per raccor d’Almirena” (Sirena) | — | ||
| 21-3 | Rinaldo, HWV 7: Act II. “Il vostro maggio” (Sirena) | — | ||
| 21-4 | Rinaldo, HWV 7: Act II. “Qual incognita forza” (Rinaldo) | — | ||
| 21-5 | Rinaldo, HWV 7: Act II. “Il tricerbero umilato” (Rinaldo) | — | ||
| 21-6 | Rinaldo, HWV 7: Act II. “Armida dispietata” (Almirena) | — | ||
| 21-7 | Rinaldo, HWV 7: Act II. “Lascia ch’io pianga” (Almirena) | — | ||
| 21-8 | Rinaldo, HWV 7: Act II. “Basta che sol tu chieda” (Argante) | — | ||
| 21-9 | Rinaldo, HWV 7: Act II. “Cingetemi d’alloro” (Armida) | — | ||
| 21-10 | Rinaldo, HWV 7: Act II. “Fermati! No, crudel!” (Armida, Rinaldo) | — | ||
| 21-11 | Rinaldo, HWV 7: Act II. “Ah! Rinaldo crudel” (Almirena) | — | ||
| 21-12 | Rinaldo, HWV 7: Act II. “Cara sposa” (Rinaldo) | — | ||
| 21-13 | Rinaldo, HWV 7: Act II. “Dunque lacci d’un volto” (Armida) | — | ||
| 21-14 | Rinaldo, HWV 7: Act II. “Ah! Crudel!” (Almirena) | — | ||
| 21-15 | Rinaldo, HWV 7: Act II. “Anima mia, ti rasserena” (Argante) | — | ||
| 21-16 | Rinaldo, HWV 7: Act II. “Vo’ far guerra” (Armida) | — | ||
| 21-17 | Rinaldo, HWV 7: Act III. Sinfonia | — | ||
| 21-18 | Rinaldo, HWV 7: Act III. “Tu a cul vien concesso” (Goffredo) | — | ||
| 21-19 | Rinaldo, HWV 7: Act III. “Andate o forti” (Mago) | — | ||
| 21-20 | Rinaldo, HWV 7: Act III. “Orrori menzogneri” (Rinaldo) | — | ||
| 21-21 | Rinaldo, HWV 7: Act III. “Bel piacere” (Almirena) | — | ||
| 21-22 | Rinaldo, HWV 7: Act III. Marcia | — | ||
| 21-23 | Rinaldo, HWV 7: Act III. “Cara, perdon ti chiedo” (Argante) | — | ||
| 21-24 | Rinaldo, HWV 7: Act III. “Al trionfo del nostro furore” (Armida, Argante) | — | ||
| 21-25 | Rinaldo, HWV 7: Act III. Marcia | — | ||
| 21-26 | Rinaldo, HWV 7: Act III. “Or la tromba” (Rinaldo) | — | ||
| 21-27 | Rinaldo, HWV 7: Act III. Battaglia | — | ||
| 21-28 | Rinaldo, HWV 7: Act III. “Ecco il superbo” (Rinaldo) | — | ||
| 21-29 | Rinaldo, HWV 7: Act III. “Vinto e sol” (Tutti) | — | ||
| 22-1 | Anthem, “Zadok the Priest” | — | ||
| 22-2 | Anthem, “My Heart Is Inditing”: “My heart is inditing” | — | ||
| 22-3 | Anthem, “My Heart Is Inditing”: “King’s daughters were among thy honourable women” | — | ||
| 22-4 | Anthem, “My Heart Is Inditing”: “Upon thy right hand” | — | ||
| 22-5 | Anthem, “My Heart Is Inditing”: “Kings shall be thy nursing fathers” | — | ||
| 22-6 | Anthem, “Let Thy Hand Be Strengthened”: “Let thy hand be strengthened” | — | ||
| 22-7 | Anthem, “Let Thy Hand Be Strengthened”: “Let justice and judgement” | — | ||
| 22-8 | Anthem, “Let Thy Hand Be Strengthened”: “Allelujah!” | — | ||
| 22-9 | Anthem, “The King Shall Rejoice”: “The King shall rejoice” | — | ||
| 22-10 | Anthem, “The King Shall Rejoice”: “Exceedingly glad shall he be” | — | ||
| 22-11 | Anthem, “The King Shall Rejoice”: “Glory and great worship hast Thou laid upon him” | — | ||
| 22-12 | Concerto for organ no. 1 in B‐flat major, op. 7: I. Andante | — | ||
| 22-13 | Concerto for organ no. 1 in B‐flat major, op. 7: II. Andante | — | ||
| 22-14 | Concerto for organ no. 1 in B‐flat major, op. 7: III. Adagio | — | ||
| 22-15 | Concerto for organ no. 1 in B‐flat major, op. 7: IV. Largo e piano | — | ||
| 22-16 | Concerto for organ no. 1 in B‐flat major, op. 7: V. Fuga ex B | — | ||
| 22-17 | Concerto for organ no. 1 in B‐flat major, op. 7: VI. Larghetto | — | ||
| 22-18 | Concerto for organ no. 1 in B‐flat major, op. 7: VII. Bourrée | — | ||
| 23-1 | Cantata, HWV 99 “Delirio amoroso”: Introduzione | — | ||
| 23-2 | Cantata, HWV 99 “Delirio amoroso”: Recitativo “Da quel giorno fatale” | — | ||
| 23-3 | Cantata, HWV 99 “Delirio amoroso”: Aria “un pensiero voli in ciel” | — | ||
| 23-4 | Cantata, HWV 99 “Delirio amoroso”: Recitativo “Ma fermati pensier” | — | ||
| 23-5 | Cantata, HWV 99 “Delirio amoroso”: Aria “Per te lasciai la luce” | — | ||
| 23-6 | Cantata, HWV 99 “Delirio amoroso”: Recitativo “Non ti bastava ingrato” | — | ||
| 23-7 | Cantata, HWV 99 “Delirio amoroso”: Aria “Lascia omai le brune vele” | — | ||
| 23-8 | Cantata, HWV 99 “Delirio amoroso”: Recitativo “Ma siamo giunti in Lete” | — | ||
| 23-9 | Cantata, HWV 99 “Delirio amoroso”: Entrée | — | ||
| 23-10 | Cantata, HWV 99 “Delirio amoroso”: Minuet – Aria: In questa amene – recitativo – minuet da capo | — | ||
| 23-11 | Cantata, HWV 97 “Crudel tiranno Amor”: Aria “Crudel tiranno Amor” | — | ||
| 23-12 | Cantata, HWV 97 “Crudel tiranno Amor”: Recitativo “Ma tu mandi al mio core” | — | ||
| 23-13 | Cantata, HWV 97 “Crudel tiranno Amor”: Aria “O dolce mia speranza” | — | ||
| 23-14 | Cantata, HWV 97 “Crudel tiranno Amor”: Recitativo “Senza te, dolce spene” | — | ||
| 23-15 | Cantata, HWV 97 “Crudel tiranno Amor”: Aria “O cara spene” | — | ||
| 23-16 | Cantata, HWV 110 “Agrippina condotta a morire”: Recitativo “Dunque sara pur vero” | — | ||
| 23-17 | Cantata, HWV 110 “Agrippina condotta a morire”: Aria “Orrida, oscura, l’etra si renda” | — | ||
| 23-18 | Cantata, HWV 110 “Agrippina condotta a morire”: Recitativo “Ma pria che d’empia morte” | — | ||
| 23-19 | Cantata, HWV 110 “Agrippina condotta a morire”: Aria “Renda cenere il tiranno” | — | ||
| 23-20 | Cantata, HWV 110 “Agrippina condotta a morire”: Recitativo “Si, si, del gran tiranno” | — | ||
| 23-21 | Cantata, HWV 110 “Agrippina condotta a morire”: Arioso e recitativo | — | ||
| 23-22 | Cantata, HWV 110 “Agrippina condotta a morire”: Aria “Se infelice al mondo vissi” | — | ||
| 23-23 | Cantata, HWV 110 “Agrippina condotta a morire”: Recitativo “Trema l’ingrao figlio” | — | ||
| 23-24 | Cantata, HWV 110 “Agrippina condotta a morire”: Aria “Su lacerate il seno” | — | ||
| 23-25 | Cantata, HWV 110 “Agrippina condotta a morire”: Recitativo “Ecco a morte gia corro” | — | ||
| 24-1 | Cantata, HWV 142 “Notte placida e cheta”: Recitativo “Notte placida e cheta” | — | ||
| 24-2 | Cantata, HWV 142 “Notte placida e cheta”: Aria “Zeffiretti, deh venite” | — | ||
| 24-3 | Cantata, HWV 142 “Notte placida e cheta”: Recitativo “Momento fortunato” | — | ||
| 24-4 | Cantata, HWV 142 “Notte placida e cheta”: Aria “Per un istante” | — | ||
| 24-5 | Cantata, HWV 142 “Notte placida e cheta”: Accompagnato “Ma gia sento” | — | ||
| 24-6 | Cantata, HWV 142 “Notte placida e cheta”: Aria “Luci belle, vaghe stelle” | — | ||
| 24-7 | Cantata, HWV 142 “Notte placida e cheta”: Accompagnato “Oh delizie d’amor” | — | ||
| 24-8 | Cantata, HWV 142 “Notte placida e cheta”: Aria “Che non si da” | — | ||
| 24-9 | Cantata, HWV 150 “Ero e Leandro”: Recitativo “Qual ti riveggio, oh Dio” | — | ||
| 24-10 | Cantata, HWV 150 “Ero e Leandro”: Aria “Empio mare” | — | ||
| 24-11 | Cantata, HWV 150 “Ero e Leandro”: Recitativo “Amore, che ascoso” | — | ||
| 24-12 | Cantata, HWV 150 “Ero e Leandro”: Aria “Se la morte non vorra” | — | ||
| 24-13 | Cantata, HWV 150 “Ero e Leandro”: Recitativo “Questi dalla mia fronte” | — | ||
| 24-14 | Cantata, HWV 150 “Ero e Leandro”: Aria “Si muora” | — | ||
| 24-15 | Cantata, HWV 150 “Ero e Leandro”: Recitativo “Ecco, gelide labbra” | — | ||
| 24-16 | Cantata, HWV 82 “Il duello amoroso”: Sonata | — | ||
| 24-17 | Cantata, HWV 82 “Il duello amoroso”: Recitativo “Amarilli vezzosa” (Daliso) | — | ||
| 24-18 | Cantata, HWV 82 “Il duello amoroso”: Aria “Pietoso sguardo” (Daliso) | — | ||
| 24-19 | Cantata, HWV 82 “Il duello amoroso”: Recitativo “Dunque tanto s’avanza” (Amarilli) | — | ||
| 24-20 | Cantata, HWV 82 “Il duello amoroso”: Aria “Piacer che non si dona” (Amarilli) | — | ||
| 24-21 | Cantata, HWV 82 “Il duello amoroso”: Recitativo “Si, si crudel” (Daliso, Amarilli) | — | ||
| 24-22 | Cantata, HWV 82 “Il duello amoroso”: Aria “Quel nocchiero” (Amarilli) | — | ||
| 24-23 | Cantata, HWV 82 “Il duello amoroso”: Recitativo “Amarilli, Amarilli” (Daliso) | — | ||
| 24-24 | Cantata, HWV 82 “Il duello amoroso”: Aria “E vanita d’un cor” (Daliso) | — | ||
| 24-25 | Cantata, HWV 82 “Il duello amoroso”: Recitativo “Or su gia che ostinato” (Amarilli, Daliso) | — | ||
| 24-26 | Cantata, HWV 82 “Il duello amoroso”: Arioso “Si, si lasciami, ingrata” (Daliso) | — | ||
| 24-27 | Cantata, HWV 82 “Il duello amoroso”: Arioso “Su, su, restati in prace” (Amarilli) | — | ||
| 24-28 | Cantata, HWV 82 “Il duello amoroso”: Duetto “Si, si / Su, su”: ritornello (Daliso, Amarilli) | — | ||
| 25-1 | Aria: “Künft’ger Zeiten eitler Kummer” | — | ||
| 25-2 | Aria: “Das zitternde Glänzen der spielenden Wellen” | — | ||
| 25-3 | Aria: “Süsser Blumen Ambraflocken” | — | ||
| 25-4 | Aria: “Süsse Stille, sanfte Quelle” | — | ||
| 25-5 | Aria: “Singe, Seele, Gott zum Preise” | — | ||
| 25-6 | Aria: “Meine Seele hört im Sehen” | — | ||
| 25-7 | Aria: “Die ihr aus dunkeln Grüften” | — | ||
| 25-8 | Aria: “In den angenehmen Büschen” | — | ||
| 25-9 | Aria: “Flammende Rose, Zierde der Erden” | — | ||
| 26-1 | Music for the Royal Fireworks: I. Ouverture (allegro‐lentement‐allegro) | — | ||
| 26-2 | Music for the Royal Fireworks: II. Bourrée | — | ||
| 26-3 | Music for the Royal Fireworks: III. La Paix (Largo alla Siciliana) | — | ||
| 26-4 | Music for the Royal Fireworks: IV. La Réjouissance | — | ||
| 26-5 | Music for the Royal Fireworks: V. Menuet | — | ||
| 26-6 | Water Music Suite no. 1 in F major: I. Ouverture (largo‐allegro) | — | ||
| 26-7 | Water Music Suite no. 1 in F major: II. Adagio e staccato | — | ||
| 26-8 | Water Music Suite no. 1 in F major: III. Allegro | — | ||
| 26-9 | Water Music Suite no. 1 in F major: IV. Andante | — | ||
| 26-10 | Water Music Suite no. 1 in F major: V. Allegro | — | ||
| 26-11 | Water Music Suite no. 1 in F major: VI. Passepied | — | ||
| 26-12 | Water Music Suite no. 1 in F major: VII. Air | — | ||
| 26-13 | Water Music Suite no. 1 in F major: VIII. Menuet | — | ||
| 26-14 | Water Music Suite no. 1 in F major: IX. Bourrée | — | ||
| 26-15 | Water Music Suite no. 1 in F major: X. Hornpipe | — | ||
| 26-16 | Water Music Suite no. 1 in F major: XI. Allegro | — | ||
| 26-17 | Water Music Suite no. 2 in D major: I. Allegro | — | ||
| 26-18 | Water Music Suite no. 2 in D major: II. Alla hornpipe | — | ||
| 26-19 | Water Music Suite no. 2 in D major: III. Menuet | — | ||
| 26-20 | Water Music Suite no. 2 in D major: IV. Lentement | — | ||
| 26-21 | Water Music Suite no. 2 in D major: V. Bourrée | — | ||
| 26-22 | Water Music Suite no. 3 in G major: I. (without tempo indication) | — | ||
| 26-23 | Water Music Suite no. 3 in G major: II. Rigaudon | — | ||
| 26-24 | Water Music Suite no. 3 in G major: III. Menuet | — | ||
| 26-25 | Water Music Suite no. 3 in G major: IV. Bourrée | — | ||
| 27-1 | Concerto grosso, op. 3, no. 1 in B‐flat major, HWV 312 : I. Allegro | — | ||
| 27-2 | Concerto grosso, op. 3, no. 1 in B‐flat major, HWV 312 : II. Largo | — | ||
| 27-3 | Concerto grosso, op. 3, no. 1 in B‐flat major, HWV 312 : III. Allegro | — | ||
| 27-4 | Concerto grosso, op. 3, no. 2 in B‐flat major, HWV 313 : I. Vivace | — | ||
| 27-5 | Concerto grosso, op. 3, no. 2 in B‐flat major, HWV 313: II. Largo | — | ||
| 27-6 | Concerto grosso, op. 3, no. 2 in B‐flat major, HWV 313: III. Allegro | — | ||
| 27-7 | Concerto grosso, op. 3, no. 2 in B‐flat major, HWV 313: IV. Minuet | — | ||
| 27-8 | Concerto grosso, op. 3, no. 2 in B‐flat major, HWV 313: V. Gavotte | — | ||
| 27-9 | Concerto grosso, op. 3, no. 3 in G major, HWV 314: I. Largo e staccato‐allegro | — | ||
| 27-10 | Concerto grosso, op. 3, no. 3 in G major, HWV 314: II. Adagio | — | ||
| 27-11 | Concerto grosso, op. 3, no. 3 in G major, HWV 314: III. Allegro | — | ||
| 27-12 | Concerto grosso, op. 3, no. 4 in F major, HWV 315: I. Andante‐allegro | — | ||
| 27-13 | Concerto grosso, op. 3, no. 4 in F major, HWV 315: II. Andante | — | ||
| 27-14 | Concerto grosso, op. 3, no. 4 in F major, HWV 315: III. Allegro | — | ||
| 27-15 | Concerto grosso, op. 3, no. 4 in F major, HWV 315: IV. Allegro | — | ||
| 27-16 | Concerto grosso, op. 3, no. 5 in D minor, HWV 316: I. Andante | — | ||
| 27-17 | Concerto grosso, op. 3, no. 5 in D minor, HWV 316: II. Fuga‐allegro | — | ||
| 27-18 | Concerto grosso, op. 3, no. 5 in D minor, HWV 316: III. Adagio | — | ||
| 27-19 | Concerto grosso, op. 3, no. 5 in D minor, HWV 316: IV. Allegro ma non troppo | — | ||
| 27-20 | Concerto grosso, op. 3, no. 5 in D minor, HWV 316: V. Allegro | — | ||
| 27-21 | Concerto grosso, op. 3, no. 6 in D major, HWV 317: I. Vivace | — | ||
| 27-22 | Concerto grosso, op. 3, no. 6 in D major, HWV 317: II. Allegro | — | ||
| 28-1 | Concerto grosso, op. 6, no. 1 in G major: I. A tempo giusto | — | ||
| 28-2 | Concerto grosso, op. 6, no. 1 in G major: II. Allegro | — | ||
| 28-3 | Concerto grosso, op. 6, no. 1 in G major: III. Adagio | — | ||
| 28-4 | Concerto grosso, op. 6, no. 1 in G major: IV. Allegro | — | ||
| 28-5 | Concerto grosso, op. 6, no. 1 in G major: V. Allegro | — | ||
| 28-6 | Concerto grosso, op. 6, no. 2 in F major: I. Andante larghetto | — | ||
| 28-7 | Concerto grosso, op. 6, no. 2 in F major: II. Allegro | — | ||
| 28-8 | Concerto grosso, op. 6, no. 2 in F major: III. Largo | — | ||
| 28-9 | Concerto grosso, op. 6, no. 2 in F major: IV. Allegro ma non troppo | — | ||
| 28-10 | Concerto grosso, op. 6, no. 3 in E major: I. Larghetto | — | ||
| 28-11 | Concerto grosso, op. 6, no. 3 in E major: II. Andante | — | ||
| 28-12 | Concerto grosso, op. 6, no. 3 in E major: III. Allegro | — | ||
| 28-13 | Concerto grosso, op. 6, no. 3 in E major: IV. Polonaise, andante | — | ||
| 28-14 | Concerto grosso, op. 6, no. 3 in E major: V. Allegro ma non troppo | — | ||
| 28-15 | Concerto grosso, op. 6, no. 4 in A minor: I. Larghetto affettuoso | — | ||
| 28-16 | Concerto grosso, op. 6, no. 4 in A minor: II. Allegro | — | ||
| 28-17 | Concerto grosso, op. 6, no. 4 in A minor: III. Largo e piano | — | ||
| 28-18 | Concerto grosso, op. 6, no. 4 in A minor: IV. Allegro | — | ||
| 29-1 | Concerto grosso, op. 6, no. 5 in, D major: I. Larghetto e staccato | — | ||
| 29-2 | Concerto grosso, op. 6, no. 5 in, D major: II. Allegro | — | ||
| 29-3 | Concerto grosso, op. 6, no. 5 in, D major: III. Presto | — | ||
| 29-4 | Concerto grosso, op. 6, no. 5 in, D major: IV. Largo | — | ||
| 29-5 | Concerto grosso, op. 6, no. 5 in, D major: V. Allegro | — | ||
| 29-6 | Concerto grosso, op. 6, no. 5 in, D major: VI. Menuet, un poco larghetto | — | ||
| 29-7 | Concerto grosso, op. 6, no. 6 in G minor: I. Largo affettuoso | — | ||
| 29-8 | Concerto grosso, op. 6, no. 6 in G minor: II. A tempo giusto | — | ||
| 29-9 | Concerto grosso, op. 6, no. 6 in G minor: III. Musette, larghetto | — | ||
| 29-10 | Concerto grosso, op. 6, no. 6 in G minor: IV. Allegro | — | ||
| 29-11 | Concerto grosso, op. 6, no. 6 in G minor: V. Allegro | — | ||
| 29-12 | Concerto grosso, op. 6, no. 7 in B‐flat major: I. Largo | — | ||
| 29-13 | Concerto grosso, op. 6, no. 7 in B‐flat major: II. Allegro | — | ||
| 29-14 | Concerto grosso, op. 6, no. 7 in B‐flat major: III. Largo e piano | — | ||
| 29-15 | Concerto grosso, op. 6, no. 7 in B‐flat major: IV. Andante | — | ||
| 29-16 | Concerto grosso, op. 6, no. 7 in B‐flat major: V. Hornpipe | — | ||
| 29-17 | Concerto grosso, op. 6, no. 8 in C minor: I. Allemande, andante | — | ||
| 29-18 | Concerto grosso, op. 6, no. 8 in C minor: II. Grave | — | ||
| 29-19 | Concerto grosso, op. 6, no. 8 in C minor: III. Andante‐allegro | — | ||
| 29-20 | Concerto grosso, op. 6, no. 8 in C minor: IV. Adagio | — | ||
| 29-21 | Concerto grosso, op. 6, no. 8 in C minor: V. Siciliana, andante | — | ||
| 29-22 | Concerto grosso, op. 6, no. 8 in C minor: VI. Allegro | — | ||
| 30-1 | Concerto grosso, op. 6, no. 9 in F major: I. Largo | — | ||
| 30-2 | Concerto grosso, op. 6, no. 9 in F major: II. Allegro | — | ||
| 30-3 | Concerto grosso, op. 6, no. 9 in F major: III. Larghetto | — | ||
| 30-4 | Concerto grosso, op. 6, no. 9 in F major: IV. Allegro | — | ||
| 30-5 | Concerto grosso, op. 6, no. 9 in F major: V. Menuet | — | ||
| 30-6 | Concerto grosso, op. 6, no. 9 in F major: VI. Gigue | — | ||
| 30-7 | Concerto grosso, op. 6, no. 10 in D minor: I. Overture | — | ||
| 30-8 | Concerto grosso, op. 6, no. 10 in D minor: II. Allegro‐lento | — | ||
| 30-9 | Concerto grosso, op. 6, no. 10 in D minor: III. Air, lento | — | ||
| 30-10 | Concerto grosso, op. 6, no. 10 in D minor: IV. Allegro | — | ||
| 30-11 | Concerto grosso, op. 6, no. 10 in D minor: V. Allegro | — | ||
| 30-12 | Concerto grosso, op. 6, no. 10 in D minor: VI. Allegro moderato | — | ||
| 30-13 | Concerto grosso, op. 6, no. 11 in A major: I. Andante larghetto e staccato | — | ||
| 30-14 | Concerto grosso, op. 6, no. 11 in A major: II. Allegro | — | ||
| 30-15 | Concerto grosso, op. 6, no. 11 in A major: III. Largo e staccato | — | ||
| 30-16 | Concerto grosso, op. 6, no. 11 in A major: IV. Andante | — | ||
| 30-17 | Concerto grosso, op. 6, no. 11 in A major: V. Allegro | — | ||
| 30-18 | Concerto grosso, op. 6, no. 12 in B minor: I. Largo | — | ||
| 30-19 | Concerto grosso, op. 6, no. 12 in B minor: II. Allegro | — | ||
| 30-20 | Concerto grosso, op. 6, no. 12 in B minor: III. Aria: Larghetto e piano | — | ||
| 30-21 | Concerto grosso, op. 6, no. 12 in B minor: IV. Largo | — | ||
| 30-22 | Concerto grosso, op. 6, no. 12 in B minor: V. Allegro | — | ||
| 31-1 | Concerto a due chori in B‐flat major, HWV 332: I. Ouvertüre | — | ||
| 31-2 | Concerto a due chori in B‐flat major, HWV 332: II. Allegro ma non troppo | — | ||
| 31-3 | Concerto a due chori in B‐flat major, HWV 332: III. Allegro | — | ||
| 31-4 | Concerto a due chori in B‐flat major, HWV 332: IV. Largo | — | ||
| 31-5 | Concerto a due chori in B‐flat major, HWV 332: V. A tempo ordinario | — | ||
| 31-6 | Concerto a due chori in B‐flat major, HWV 332: VI. Alla breve moderato | — | ||
| 31-7 | Concerto a due chori in B‐flat major, HWV 332: VII. Minuet | — | ||
| 31-8 | Concerto a due chori in F major, HWV 333: I. Pomposo | — | ||
| 31-9 | Concerto a due chori in F major, HWV 333: II. Allegro | — | ||
| 31-10 | Concerto a due chori in F major, HWV 333: III. A tempo giusto | — | ||
| 31-11 | Concerto a due chori in F major, HWV 333: IV. Largo | — | ||
| 31-12 | Concerto a due chori in F major, HWV 333: V. Allegro ma non troppo | — | ||
| 31-13 | Concerto a due chori in F major, HWV 333: VI. A tempo ordinario | — | ||
| 31-14 | Concerto a due chori in F major, HWV 334: I. Ouvertüre | — | ||
| 31-15 | Concerto a due chori in F major, HWV 334: II. Allegro | — | ||
| 31-16 | Concerto a due chori in F major, HWV 334: III. Allegro ma non troppo | — | ||
| 31-17 | Concerto a due chori in F major, HWV 334: IV. Adagio | — | ||
| 31-18 | Concerto a due chori in F major, HWV 334: V. Andante Larghetto | — | ||
| 31-19 | Concerto a due chori in F major, HWV 334: VI. Allegro | — | ||
| 32-1 | Concerto for organ no. 1 in G minor, op. 4: I. Larghetto e staccato | — | ||
| 32-2 | Concerto for organ no. 1 in G minor, op. 4: II. Allegro | — | ||
| 32-3 | Concerto for organ no. 1 in G minor, op. 4: III. Adagio | — | ||
| 32-4 | Concerto for organ no. 1 in G minor, op. 4: IV. Andante | — | ||
| 32-5 | Concerto for organ no. 2 in B‐flat major, op. 4: I. A tempo ordinario e staccato | — | ||
| 32-6 | Concerto for organ no. 2 in B‐flat major, op. 4: II. Allegro | — | ||
| 32-7 | Concerto for organ no. 2 in B‐flat major, op. 4: III. Adagio e staccato | — | ||
| 32-8 | Concerto for organ no. 2 in B‐flat major, op. 4: IV. Allegro ma non troppo | — | ||
| 32-9 | Concerto for organ no. 3 in G minor, op. 4: I. Adagio | — | ||
| 32-10 | Concerto for organ no. 3 in G minor, op. 4: II. Allegro | — | ||
| 32-11 | Concerto for organ no. 3 in G minor, op. 4: III. Adagio | — | ||
| 32-12 | Concerto for organ no. 3 in G minor, op. 4: IV. Allegro | — | ||
| 32-13 | Concerto for organ no. 4 in F major, op. 4: I. Allegro | — | ||
| 32-14 | Concerto for organ no. 4 in F major, op. 4: II. Andante | — | ||
| 32-15 | Concerto for organ no. 4 in F major, op. 4: III. Adagio | — | ||
| 32-16 | Concerto for organ no. 4 in F major, op. 4: IV. Allegro | — | ||
| 32-17 | Concerto for organ no. 5 in F major, op. 4: I. Larghetto | — | ||
| 32-18 | Concerto for organ no. 5 in F major, op. 4: II. Allegro | — | ||
| 32-19 | Concerto for organ no. 5 in F major, op. 4: III. Alla Sicilliana | — | ||
| 32-20 | Concerto for organ no. 5 in F major, op. 4: IV. Presto | — | ||
| 32-21 | Concerto for organ no. 6 in B‐flat major, op. 4: I. Andante – allegro | — | ||
| 32-22 | Concerto for organ no. 6 in B‐flat major, op. 4: II. Larghetto | — | ||
| 32-23 | Concerto for organ no. 6 in B‐flat major, op. 4: III. Allegro moderato | — | ||
| 33-1 | Concerto for organ no. 1 in B‐flat major, op. 7: I. Andante | — | ||
| 33-2 | Concerto for organ no. 1 in B‐flat major, op. 7: II. Andante | — | ||
| 33-3 | Concerto for organ no. 1 in B‐flat major, op. 7: III. Largo e piano | — | ||
| 33-4 | Concerto for organ no. 1 in B‐flat major, op. 7: IV. Allegro | — | ||
| 33-5 | Concerto for organ no. 1 in B‐flat major, op. 7: V. Organo ad libitum | — | ||
| 33-6 | Concerto for organ no. 1 in B‐flat major, op. 7: VI. Allegro | — | ||
| 33-7 | Concerto for organ no. 2 in A major, op. 7: I. Ouverture | — | ||
| 33-8 | Concerto for organ no. 2 in A major, op. 7: II. A tempo ordinario | — | ||
| 33-9 | Concerto for organ no. 2 in A major, op. 7: III. Organo ad libitum | — | ||
| 33-10 | Concerto for organ no. 2 in A major, op. 7: IV. Allegro | — | ||
| 33-11 | Concerto for organ no. 3 in B‐flat major, op. 7: I. Allegro | — | ||
| 33-12 | Concerto for organ no. 3 in B‐flat major, op. 7: II. Organo ad libitum | — | ||
| 33-13 | Concerto for organ no. 3 in B‐flat major, op. 7: III. Spiritoso | — | ||
| 33-14 | Concerto for organ no. 3 in B‐flat major, op. 7: IV. Menuet | — | ||
| 34-1 | Concerto for organ no. 4 in D minor, op. 7: I. Adagio | — | ||
| 34-2 | Concerto for organ no. 4 in D minor, op. 7: II. Allegro | — | ||
| 34-3 | Concerto for organ no. 4 in D minor, op. 7: III. Organo ad libitum | — | ||
| 34-4 | Concerto for organ no. 4 in D minor, op. 7: IV. Allegro | — | ||
| 34-5 | Concerto for organ no. 5 in G minor, op. 7: I. Allegro ma non troppo e staccato | — | ||
| 34-6 | Concerto for organ no. 5 in G minor, op. 7: II. Andante – larghetto e staccato | — | ||
| 34-7 | Concerto for organ no. 5 in G minor, op. 7: III. Menuet | — | ||
| 34-8 | Concerto for organ no. 5 in G minor, op. 7: IV. Gavotte | — | ||
| 34-9 | Concerto for organ no. 6 in B‐flat major, op. 7: I. Pomposo | — | ||
| 34-10 | Concerto for organ no. 6 in B‐flat major, op. 7: II. Organo ad libitum | — | ||
| 34-11 | Concerto for organ no. 6 in B‐flat major, op. 7: III. A tempo ordinario | — | ||
| 34-12 | Concerto for organ in F minor, “Cuckoo and Nightingale”: I. Larghetto | — | ||
| 34-13 | Concerto for organ in F minor, “Cuckoo and Nightingale”: II. Allegro | — | ||
| 34-14 | Concerto for organ in F minor, “Cuckoo and Nightingale”: III. Larghetto | — | ||
| 34-15 | Concerto for organ in F minor, “Cuckoo and Nightingale”: IV. Allegro | — | ||
| 35-1 | Sonata for flute no. 1a in E minor, op. 1: Larghetto (adagio) – andante – largo – allegro – presto | — | ||
| 35-2 | Hallenser sonata no. 1 for flute in A minor: Adagio – allegro – adagio – allegro | — | ||
| 35-3 | Hallenser sonata no. 2 for flute in E minor: Adagio – allegro – grave – minuet | — | ||
| 35-4 | Hallenser sonata no. 3 for flute in B minor: Adagio – allegro – largo – allegro | — | ||
| 35-5 | Sonata for flute in D major, HWV 378: Adagio – allegro – adagio – allegro | — | ||
| 35-6 | Sonata for flute no. 5 in G major, op. 1: Adagio – allegro – adagio – boree – menuetto | — | ||
| 35-7 | Sonata for flute no. 9 in B minor, op. 1: Largo – vivace – presto – adagio – alla breve – andante – a tempo di minuet | — | ||
| 35-8 | Sonata for flute no. 1b in E minor: Grave – allegro – adagio – allegro | — | ||
| 36-1 | Sonata for violin in A major: Andante – allegro – adagio – allegro | — | ||
| 36-2 | Sonata for violin in G minor: Larghetto – allegro – adagio – allegro | — | ||
| 36-3 | Sonata for oboe in B‐flat major: Andante – grave – allegro | — | ||
| 36-4 | Sonata for violin in D minor: Grave – allegro – adagio – allegro | — | ||
| 36-5 | Sonata for oboe in C minor: Largo – allegro – bourrée angloise – allegro | — | ||
| 36-6 | Movement for violin in A minor | — | ||
| 36-7 | Movement for violin in C minor: (Allegro) | — | ||
| 36-8 | Sonata for oboe in F major: Adagio – allegro – adagio – bourrée angloise – menuetto | — | ||
| 36-9 | Sonata for violin in D major: Affettuoso – allegro – larghetto – allegro | — | ||
| 37-1 | Trio sonata no. 1 in B minor, op. 2, HWV 386b: Andante – Allegro – Largo – Allegro | — | ||
| 37-2 | Trio sonata no. 2 for 2 violins & basso continuo in G minor: Andante – allegro – largo – allegro | — | ||
| 37-3 | Trio sonata no. 3 for 2 violins & basso continuo in B‐flat major: Andante – allegro – larghetto – allegro | — | ||
| 37-4 | Trio sonata no. 4 for recorder, violin, & basso continuo in F major: Larghetto – allegro – adagio – allegro (adagio) – allegro | — | ||
| 37-5 | Trio sonata no. 5 for 2 violins & basso continuo in G minor: Larghetto – allegro – adagio – allegro | — | ||
| 37-6 | Trio sonata no. 6 for 2 violins & basso continuo in G minor: Andante – allegro – arioso – allegro | — | ||
| 38-1 | Trio sonata no. 1 in A major, op. 5: Andante – allegro – larghetto – allegro – gavotte (allegro) | — | ||
| 38-2 | Trio sonata no. 2 in D major, op 5: Adagio – allegro – musette (andante, allegro, andante) – marche – gavotte (allegro) | — | ||
| 38-3 | Trio sonata no. 3 in E minor, op. 5: Andante larghetto – allegro – sarabande (largo assai) – allemande (andante allegro) – rondeau – gavotte (allegro) | — | ||
| 38-4 | Trio sonata no. 4 in G major, op. 5: Allegro – A tempo ordinario (allegro non presto) – passacaille – gigue (presto) – minuetto (allegro moderato) | — | ||
| 38-5 | Trio sonata no. 5 in G minor, op. 5: Largo – come alla breve – larghetto – a tempo giusto – air (andante) – bouree | — | ||
| 38-6 | Trio sonata no. 6 in F major, op. 5: Largo – allegro, adagio – adagio – allegro – andante variatio | — | ||
| 38-7 | Trio sonata no. 7 in B‐flat major, op. 5: Larghetto – allegro ma non presto – adagio, allegro – gavotte (allegro) – menuet (andante allegro) | — | ||
| 39-1 | Sinfonia for 2 violins and basso continuo in B‐flat major: Allegro – adagio – allegro | — | ||
| 39-2 | Trio sonata for 2 violins and basso continuo in F major: Andante – allegro – adagio – allegro | — | ||
| 39-3 | Trio sonata for 2 violins and basso continuo no. 1a in C minor, op. 2: Andante – allegro – andante – allegro | — | ||
| 39-4 | Trio sonata for 2 violins and basso continuo in G minor: Andante – allegro – largo – allegro | — | ||
| 39-5 | Trio sonata for 2 violins and basso continuo in C major: Allegro – andante larghetto – allegro – allegro | — | ||
| 39-6 | Trio sonata for 2 violins and basso continuo in E major: Adagio – allegro – adagio – allegro | — | ||
| 40-1 | Sonata for recorder in G major: Allegro – adagio – allegro | — | ||
| 40-2 | Sonata for recorder in G minor: Larghetto – andante – adagio – presto | — | ||
| 40-3 | Sonata for recorder in A minor: Larghetto – allegro – adagio – allegro | — | ||
| 40-4 | Sonata for recorder in C major: Larghetto – allegro – larghetto – a tempo di gavotta – allegro | — | ||
| 40-5 | Sonata for recorder in F major: Larghetto – allegro – alla siciliana – allegro | — | ||
| 40-6 | Sonata for recorder in B‐flat major: Allegro – adagio – allegro | — | ||
| 40-7 | Sonata for recorder in D minor: Largo – vivace – presto – adagio – alla breve – andante – a tempo di minuet | — | ||
| 40-8 | Trio sonata for recorder in F major: Allegro – grave – allegro | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5028421923901 is a Universal Product Code (UPC) assigned to The Masterworks by Handel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 774 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messiah: Part I. Sinfonia | The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Comfort ye my people" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "And the glory, the glory of the Lord" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Thus said the Lord" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "But who may abide" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "And He shall purify" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Behold, a virgin" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "O thou that tellest" (alto) | The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "The people that walked in darkness" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "For unto us a Child is born" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Pifa (Pastoral Symphony) | The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "There were shepherds" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "And the angels said unto them" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "Glory to God in the highest" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "His yoke is easy" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Behold the Lamb of God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "He was despised" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Surely he hath borne our grieves" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "And with his stripes we are healed" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "All we like sheep" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "All they that see Him" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "He trusted in God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "He was cut off out of the land" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "But thou didst not leave" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Lift up your heads" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "Unto which of the angels" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Let all the angels of God worship Him" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Thou art gone up on high" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "The Lord gave the word" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "How beautiful are the feet" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Their sound is gone out" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. "Why do the nations?" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Let us break their bonds asunder" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Thou shalt break them" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Hallelujah!" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "Since by man came death" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
The UPC for “The Masterworks” by Handel is 5028421923901. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. Label: Brilliant Classics. This release contains 774 tracks, each with its own ISRC. Tracks include NLY330902400, NLY330902401, NLY330902402.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Jephtha: Ouverture | — | ||
| 2 | Jephtha: Menuet | — | ||
| 3 | Jephtha: Act I. Accompagnato “It must be so” (Zebul) | — | ||
| 4 | Jephtha: Act I. Air “Pour forth no more” (Zebul) | — | ||
| 5 | Jephtha: Act I. Chorus “No more to Ammon’s god and king” | — | ||
| 6 | Jephtha: Act I. Recitative “But Jephtha comes” (Zebul, Jephtha) | — | ||
| 7 | Jephtha: Act I. Air “Virtue my soul shall still embrace” (Jephtha) | — | ||
| 8 | Jephtha: Act I. Recitative “Twill be a painful separation” (Storge) | — | ||
| 9 | Jephtha: Act I. Air “In gentle murmurs will I mourn” (Storge) | — | ||
| 10 | Jephtha: Act I. Recitative “Happy this embassy” (Hamor) | — | ||
| 11 | Jephtha: Act I. Air “Dull delay, in piercing anguish” (Hamor) | — | ||
| 12 | Jephtha: Act I. Recitative “Ill suits the voice of love” (Iphis) | — | ||
| 13 | Jephtha: Act I. Air “Take the heart you fondly gave” (Iphis) | — | ||
| 14 | Jephtha: Act I. Recitative “I go, my soul” (Hamor) | — | ||
| 15 | Jephtha: Act I. Duet “These labours past, how happy we” (Iphis, Hamor) | — | ||
| 16 | Jephtha: Act I. Recitative “What mean these doubtful fancies” (Jephtha) | — | ||
| 17 | Jephtha: Act I. Accompagnato “If, Lord, sustained” (Jephtha) | — | ||
| 18 | Jephtha: Act I. Chorus “O God, behold our sore distress” | — | ||
| 19 | Jephtha: Act I. Recitative “Some dire event” (Storge) | — | ||
| 20 | Jephtha: Act I. Air “Scenes of horror, scenes of woe” (Storge) | — | ||
| 21 | Jephtha: Act I. Recitative “Say, my dear mother” (Iphis, Storge) | — | ||
| 22 | Jephtha: Act I. Air “The smiling dawn of happy days” (Iphis) | — | ||
| 23 | Jephtha: Act I. Recitative “Such, Jephtja, was the haughty king’s reply” (Zebul, Jephtha) | — | ||
| 24 | Jephtha: Act I. Chorus “When his loud voice in thunder spoke” | — | ||
| 2-1 | Jephtha: Act II. Recitative “Glad things of great joy” (Hamor) | — | ||
| 2-2 | Jephtha: Act II. Chorus “Cherub and Seraphim” | — | ||
| 2-3 | Jephtha: Act II. Air “Up the dreadful steep ascending” (Hamor) | — | ||
| 2-4 | Jephtha: Act II. Recitative “Tis well, haste, haste, ye maidens” (Iphis) | — | ||
| 2-5 | Jephtha: Act II: Air “Tune the soft melodious lute” (Iphis) | — | ||
| 2-6 | Jephtha: Act II. Recitative “Heav’n smiles once more” (Jephtha) | — | ||
| 2-7 | Jephtha: Act II. Air “His mighty arm” (Jephtha) | — | ||
| 2-8 | Jephtha: Act II. Chorus “In glory high” | — | ||
| 2-9 | Jephtha: Act II. Symphony | — | ||
| 2-10 | Jephtha: Act II. Recitative “Hail, glorious conqueror!” (Iphis) | — | ||
| 2-11 | Jephtha: Act II. Air And Chorus “Welcome, as the cheerful light” (Iphis) | — | ||
| 2-12 | Jephtha: Act II. Recitative “Horror! confusion!” (Jephtha) | — | ||
| 2-13 | Jephtha: Act II. Air “Open thy marble jaws, O tomb” (Jephtha) | — | ||
| 2-14 | Jephtha: Act II. Recitative “Why is my brother thus afflicted?” (Zebul, Jephtha) | — | ||
| 2-15 | Jephtha: Act II. Accompagnato and Arioso “First perish thou” (Storge) | — | ||
| 2-16 | Jephtha: Act II. Recitative “If such thy cruel purpose” (Hamor) | — | ||
| 2-17 | Jephtha: Act II. Air “On me let blind mistake zeal” (Hamor) | — | ||
| 2-18 | Jephtha: Act II. Quartet “O spare your daughter!” (Storge, Hamor, Jephtha, Zebul) | — | ||
| 2-19 | Jephtha: Act II. Recitative “Such news flies swift” (Iphis) | — | ||
| 2-20 | Jephtha: Act II. Accompagnato “For joys so vast” (Iphis) | — | ||
| 2-21 | Jephtha: Act II. Air “Happy they!” (Iphis) | — | ||
| 2-22 | Jephtha: Act II. Accompagnato “Deeper and deeper still” (Jephtha) | — | ||
| 2-23 | Jephtha: Act II. Chorus “How dark, O Lord, are thy decrees!” | — | ||
| 3-1 | Jephtha: Act III. Arioso “Hide thou thy hated beams” (Jephtha) | — | ||
| 3-2 | Jephtha: Act III. Accompagnato “A father, Off’ring up” (Jephtha) | — | ||
| 3-3 | Jephtha: Act III. Air “Waft her, angels” (Jephtha) | — | ||
| 3-4 | Jephtha: Act III. Accompagnato “Ye sacred priests” (Iphis) | — | ||
| 3-5 | Jephtha: Act III. Air “Farewell, ye limpid springs” (Iphis) | — | ||
| 3-6 | Jephtha: Act III. Chorus “Doubtful fear and reverend awe” (Preists) | — | ||
| 3-7 | Jephtha: Act III. Symphony | — | ||
| 3-8 | Jephtha: Act III. Recitative “Rise, Jephtha” (Angel) | — | ||
| 3-9 | Jephtha: Act III. Air “Happy, Iphis, shalt thou live” (Angel) | — | ||
| 3-10 | Jephtha: Act III. Arioso “For ever blessed be” (Jephtha) | — | ||
| 3-11 | Jephtha: Act III. Chorus “Theme Sublime” | — | ||
| 3-12 | Jephtha: Act III. Recitative “Let me congratulate” (Zebul) | — | ||
| 3-13 | Jephtha: Act III. Air “Laud her, all ye virgin train” (Zebul) | — | ||
| 3-14 | Jephtha: Act III. Recitative “O let me fold thee” (Storge) | — | ||
| 3-15 | Jephtha: Act III. Air “Sweet as sight to the blind” (Storge) | — | ||
| 3-16 | Jephtha: Act III. Recitative “With transport, Iphis” (Hamor) | — | ||
| 3-17 | Jephtha: Act III. Recitative “My faithful Hamor” (Iphis) | — | ||
| 3-18 | Jephtha: Act III. Quintet “All that is in Hamor mine” | — | ||
| 3-19 | Jephtha: Act III. Chorus “Ye house of Gilead” | — | ||
| 4-1 | Belsazar: Ouverture | — | ||
| 4-2 | Belsazar: Act I. Recitativo “Ach, unstet eitles Los” (Nitocris) | — | ||
| 4-3 | Belsazar: Act I. Aria “Du, Gott der Höh’” (Nitocris) | — | ||
| 4-4 | Belsazar: Act I. Recitativo “Das Schicksal Babylons” (Nitocris, Daniel) | — | ||
| 4-5 | Belsazar: Act I. Aria “Wehlage nicht im eitlem Schmerz” (Daniel) | — | ||
| 4-6 | Belsazar: Act I. Choir “Da seht, wie Persiens junger Held” | — | ||
| 4-7 | Belsazar: Act I. Recitativo “Uns gilt ihr Hohn” (Gobrias, Cyrus) | — | ||
| 4-8 | Belsazar: Act I. Aria “Gebeugt von unheilbarem Schmerz” (Gobrias) | — | ||
| 4-9 | Belsazar: Act I. Aria “Still’ der eitlen Tränen Flut” (Cyrus) | — | ||
| 4-10 | Belsazar: Act I. Recitativo “Ermanne dich” (Cyrus, Gobrias) | — | ||
| 4-11 | Belsazar: Act I. Aria “O schau den Wüstling” (Gobrias) | — | ||
| 4-12 | Belsazar: Act I. Recitativo “Befremdet’s dich denn so” (Cyrus) | — | ||
| 4-13 | Belsazar: Act I. Aria “Du Gott! Der, mir nur fern bekannt” (Cyrus) | — | ||
| 4-14 | Belsazar: Act I. Recitativo “Freunde, habt Zuversicht” (Cyrus) | — | ||
| 4-15 | Belsazar: Act I. Choir “Die Reiche stehn in Gottes Rat” | — | ||
| 4-16 | Belsazar: Act I. Aria “O Heil’ges Buch” (Daniel) | — | ||
| 4-17 | Belsazar: Act I. Choir “Singt, Himmel singt” | — | ||
| 5-1 | Belsazar: Act I. Aria “Ein freudig Fest” (Belsazar) | — | ||
| 5-2 | Belsazar: Act I. Recitativo “Für euch, o Freunde” (Belsazar, Nitocris) | — | ||
| 5-3 | Belsazar: Act I. Aria “Das falbe Laub” (Nitocris) | — | ||
| 5-4 | Belsazar: Act I. Recitativo “Dies ist die Sitte” (Belsazar) | — | ||
| 5-5 | Belsazar: Act I. Choir of the Jews “Verwirf’, o Herr” | — | ||
| 5-6 | Belsazar: Act I. Recitativo “Sie reden wahr” (Nitocris) | — | ||
| 5-7 | Belsazar: Act I. “O meines Lebens Lust” (Nitocris, Belsazar (duet)) | — | ||
| 5-8 | Belsazar: Act I. Choir of the Jews “Allmählich steigt Jehovas Zorn” | — | ||
| 5-9 | Belsazar: Act II. Choir “Seht, wie schnell der Euphrat flieht” | — | ||
| 5-10 | Belsazar: Act II. Recitativo “Ihr seht es, Freunde” (Cyrus) | — | ||
| 5-11 | Belsazar: Act II. Aria “Erstarrt, so nah den Feind zu seh’n” (Cyrus) | — | ||
| 5-12 | Belsazar: Act II. Choir “Voran, voran” | — | ||
| 5-13 | Belsazar: Act II. Choir “Ihr schützenden Götter” | — | ||
| 5-14 | Belsazar: Act II. Aria “Kränzet den Becher rings im Kreis” (Belsazar) | — | ||
| 5-15 | Belsazar: Act II. Choir “Helft unserm Herrn” | — | ||
| 5-16 | Belsazar: Act II. Recitativo “Ruft meine Weisen” (Belsazar) | — | ||
| 5-17 | Belsazar: Act II. Sinfonia | — | ||
| 5-18 | Belsazar: Act II. Recitativo & Choir “Ihr Weisen” | — | ||
| 5-19 | Belsazar: Act II. Choir “Missgeschick” | — | ||
| 6-1 | Belsazar: Act II. Recitativo “O Herr, nicht verzage” (Nitocris) | — | ||
| 6-2 | Belsazar: Act II. Aria & Recitativo “Nein! Du behalte deinen Prunk” (Daniel) | — | ||
| 6-3 | Belsazar: Act II. Recitativo “O du allzu strenger Spruch” (Nitocris) | — | ||
| 6-4 | Belsazar: Act II. Aria “O blick’ auf deiner Mutter Gram” (Nitocris) | — | ||
| 6-5 | Belsazar: Act II. Aria “O Gott des Heils” (Cyrus) | — | ||
| 6-6 | Belsazar: Act II. Recitativo “Du Gobrias” (Cyrus) | — | ||
| 6-7 | Belsazar: Act II. Choir “O tapfrer Fürst” | — | ||
| 6-8 | Belsazar: Act III. Aria “Vorahnend hofft und bangt” (Nitocris) | — | ||
| 6-9 | Belsazar: Act III. Recitativo “Gern hofft’ich noch” (Nitocris, Daniel) | — | ||
| 6-10 | Belsazar: Act III. Aria “Lässt denn der Löwe die Natur” (Daniel) | — | ||
| 6-11 | Belsazar: Act III. Recitativo “Ich hoff’ auf’s neu” (Nitocris, Arioch, messenger) | — | ||
| 6-12 | Belsazar: Act III. Choir of the Jews “Baal sank dahin” | — | ||
| 6-13 | Belsazar: Act III. Aria “Ich danke, Sesach” (Belsazar) | — | ||
| 6-14 | Belsazar: Act III. War’s music | — | ||
| 6-15 | Belsazar: Act III. Aria “Den ew’gen Mächten sei der der erste Dank” (Gobrias) | — | ||
| 6-16 | Belsazar: Act III. Recitativo “Suche nun eilig” (Cyrus) | — | ||
| 6-17 | Belsazar: Act III. Aria “Zerstör’nder Krieg, hier ist dein Ziel” (Cyrus) | — | ||
| 6-18 | Belsazar: Act III. “O Held, gebeugt siehst du mich nah’n” (Nitocris, Cyrus (duet)) | — | ||
| 6-19 | Belsazar: Act III. Recitativo “Sprich, ehrwürdiger Seher” (Cyrus, Daniel) | — | ||
| 6-20 | Belsazar: Act III. “Kündet überall den Heiden” (Soloist & Choir) | — | ||
| 6-21 | Belsazar: Act III. Recitativo “Ja, ich bau’deine Stadt dir” (Cyrus) | — | ||
| 6-22 | Belsazar: Act III. “Sei von mir gepriesen” (Soloist & Choir) | — | ||
| 7-1 | Messiah: Part I. Sinfonia | The Brandenburg Consort, Stephen Cleobury | — | |
| 7-2 | Messiah: Part I. Recitative "Comfort ye my people" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-3 | Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-4 | Messiah: Part I. Chorus "And the glory, the glory of the Lord" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-5 | Messiah: Part I. Recitative "Thus said the Lord" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-6 | Messiah: Part I. Aria "But who may abide" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-7 | Messiah: Part I. Chorus "And He shall purify" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-8 | Messiah: Part I. Recitative "Behold, a virgin" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-9 | Messiah: Part I. Aria "O thou that tellest" (alto) | The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-10 | Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-11 | Messiah: Part I. Aria "The people that walked in darkness" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-12 | Messiah: Part I. Chorus "For unto us a Child is born" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-13 | Messiah: Part I. Pifa (Pastoral Symphony) | The Brandenburg Consort, Stephen Cleobury | — | |
| 7-14 | Messiah: Part I. Recitative "There were shepherds" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-15 | Messiah: Part I. Recitative "And the angels said unto them" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-16 | Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-17 | Messiah: Part I. Chorus "Glory to God in the highest" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-18 | Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-19 | Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-20 | Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-21 | Messiah: Part I. Chorus "His yoke is easy" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-22 | Messiah: Part II. Chorus "Behold the Lamb of God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-23 | Messiah: Part II. Aria "He was despised" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-1 | Messiah: Part II. Chorus "Surely he hath borne our grieves" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-2 | Messiah: Part II. Chorus "And with his stripes we are healed" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-3 | Messiah: Part II. Chorus "All we like sheep" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-4 | Messiah: Part II. Recitative "All they that see Him" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-5 | Messiah: Part II. Chorus "He trusted in God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-6 | Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-7 | Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-8 | Messiah: Part II. Recitative "He was cut off out of the land" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-9 | Messiah: Part II. Aria "But thou didst not leave" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-10 | Messiah: Part II. Chorus "Lift up your heads" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-11 | Messiah: Part II. Recitative "Unto which of the angels" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-12 | Messiah: Part II. Chorus "Let all the angels of God worship Him" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-13 | Messiah: Part II. Aria "Thou art gone up on high" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-14 | Messiah: Part II. Chorus "The Lord gave the word" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-15 | Messiah: Part II. Aria "How beautiful are the feet" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-16 | Messiah: Part II. Chorus "Their sound is gone out" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-17 | Messiah: Part II. "Why do the nations?" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-18 | Messiah: Part II. Chorus "Let us break their bonds asunder" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-19 | Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-20 | Messiah: Part II. Aria "Thou shalt break them" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-21 | Messiah: Part II. Chorus "Hallelujah!" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-22 | Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-23 | Messiah: Part III. Chorus "Since by man came death" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-24 | Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-25 | Messiah: Part III. Aria "The trumpet shall sound" (bass) | Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-26 | Messiah: Part III. Recitative "Then shall be brought to pass" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-27 | Messiah: Part III. Duet "O death, where is thy sting" (alto & tenor) | John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-28 | Messiah: Part III. Chorus "But thanks be to God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-29 | Messiah: Part III. Aria "If God be for us" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 8-30 | Messiah: Part III. Chorus "Worthy is the Lamb...Amen" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 9-1 | Brockes Passion: Sinfonia | — | ||
| 9-2 | Brockes Passion: “Mich vom Stricke meiner Sünden” (soprano, alto, coro) | — | ||
| 9-3 | Brockes Passion: Recitativo “Als Jesus nun zu Tische sasse” (evangelist) | — | ||
| 9-4 | Brockes Passion: Accompagnato “Das ist mein Leib” (Jesus) | — | ||
| 9-5 | Brockes Passion: “Der Gott, dem alle Himmelskreise” (Tochter Zion) | — | ||
| 9-6 | Brockes Passion: Recitativo “Und bald hernach” (evangelist) | — | ||
| 9-7 | Brockes Passion: Accompagnato “Das ist mein Blut” (Jesus) | — | ||
| 9-8 | Brockes Passion: Aria “Gott selbst der Brunnquell” (Tochter Zion) | — | ||
| 9-9 | Brockes Passion: Coro “Ach, wie hungert mein Gemüte” | — | ||
| 9-10 | Brockes Passion: Recitativo “Drauf sagten sie dem Höchsten Dank” (evangelist, Jesus) | — | ||
| 9-11 | Brockes Passion: Coro “Wir wollen alle eh’erblassen” | — | ||
| 9-12 | Brockes Passion: Recitativo “Es ist gewiss” (Jesus) | — | ||
| 9-13 | Brockes Passion: Aria “Weil ich den Hirten schlaagen werde” (Jesus) | — | ||
| 9-14 | Brockes Passion: Recitativo “Aufs wenigste will ich” (Petrus, Jesus) | — | ||
| 9-15 | Brockes Passion: Aria “Mein Vater, mein Vater!” (Jesus) | — | ||
| 9-16 | Brockes Passion: Recitativo “Mich drückt der Sünden” (Jesus) | — | ||
| 9-17 | Brockes Passion: “Ist ’s möglich” (Jesus) | — | ||
| 9-18 | Brockes Passion: Arioso “Sünden, schaut mich Furcht” (Tochter Zion) | — | ||
| 9-19 | Brockes Passion: Recitativo “Die Pein vermehrte sich” (evangelist) | — | ||
| 9-20 | Brockes Passion: Aria “Brich, mein Herz” (Tochter Zion) | — | ||
| 9-21 | Brockes Passion: Recitativo “Ein Engel aber kam” (evangelist) | — | ||
| 9-22 | Brockes Passion: Arioso “Erwachet doch!” (Jesus, Petrus, Johannes, Jacobus) | — | ||
| 9-23 | Brockes Passion: Recitativo “Und eh’die Rede” (evangelist) | — | ||
| 9-24 | Brockes Passion: Coro “Greift zu, schlagt tot” | — | ||
| 9-25 | Brockes Passion: Recitativo “Und der Verräter” (evangelist, Judas) | — | ||
| 9-26 | Brockes Passion: Coro “Er soll uns nicht entlaufen” | — | ||
| 9-27 | Brockes Passion: Recitativo “Nimm, Rabbi, diesen Kuss” (Judas, Jesus) | — | ||
| 9-28 | Brockes Passion: Aria “Gift und Glut” (Petrus) | — | ||
| 9-29 | Brockes Passion: Recitativo “Steck nur das Schwert” (Jesus) | — | ||
| 9-30 | Brockes Passion: Coro “O weh, sie binden ihn” | — | ||
| 9-31 | Brockes Passion: Recitativo “Wo flieht ihr hin?” (Petrus) | — | ||
| 9-32 | Brockes Passion: Aria “Nehmt mich mit” (Petrus) | — | ||
| 9-33 | Brockes Passion: Recitativo “Und Jesus ward” (Caiphas, Jesus, Kriegsknecht) | — | ||
| 9-34 | Brockes Passion: Aria “Was Bärentatzen, Löwenklauen” (Tochter Zion) | — | ||
| 9-35 | Brockes Passion: Recitativo “Dies sahe Petrus an” (Magd 1, Petrus, Magd 2, Magd 3) | — | ||
| 9-36 | Brockes Passion: Arioso “Ich will versinken” (Petrus) | — | ||
| 9-37 | Brockes Passion: Recitativo “Drauf krähete der Hahn” (evangelist, Petrus) | — | ||
| 10-1 | Brockes Passion: Aria “Heul, du Fluch!” (Petrus) | — | ||
| 10-2 | Brockes Passion: Recitativo “Doch wie, will ich” (Petrus) | — | ||
| 10-3 | Brockes Passion: Aria “Schau, ich fall’in strenger Busse” (Petrus) | — | ||
| 10-4 | Brockes Passion: Coro “Ach, Gott und Herr” | — | ||
| 10-5 | Brockes Passion: Recitativo “Als Jesus nun” (Evangelist, Caiphas, Jesus) | — | ||
| 10-6 | Brockes Passion: Coro “Er hat den Tod verdient” | — | ||
| 10-7 | Brockes Passion: Aria “Erwäg, erwäg” (tenor) | — | ||
| 10-8 | Brockes Passion: Recitativo “Die Nacht war kaum vorbei” (Evangelist, Tochter Zion) | — | ||
| 10-9 | Brockes Passion: Aria “Meine Laster sind die Stricke” (Tochter Zion) | — | ||
| 10-10 | Brockes Passion: Recitativo “Oh, was hab’ich, verfluchter Mensch” (Judas) | — | ||
| 10-11 | Brockes Passion: Aria “Lasst diese Tat nicht ungerochen” (Judas) | — | ||
| 10-12 | Brockes Passion: Recitativo “Unsäglich ist mein Schmerz” (Judas) | — | ||
| 10-13 | Brockes Passion: Aria “Die ihr Gottes Gnad’versäumet” (Tochter Zion) | — | ||
| 10-14 | Brockes Passion: Recitativo “Wie nun Pilatus Jesum fragt” (Evangelist, Jesus) | — | ||
| 10-15 | Brockes Passion: Coro “Bestrafe diesen Übeltäter” | — | ||
| 10-16 | Brockes Passion: Recitativo “Hast du denn kein Gehör?” (Pilatus, Evangelist) | — | ||
| 10-17 | Brockes Passion: Duetto “Sprichst du denn” (Tochter Zion, Jesus) | — | ||
| 10-18 | Brockes Passion: Recitativo “Pilatus wunderte sich sehr” (Evangelist) | — | ||
| 10-19 | Brockes Passion: Coro “Nein, diesen nicht” | — | ||
| 10-20 | Brockes Passion: Recitativo “Was fang’ich denn” (Pilatus) | — | ||
| 10-21 | Brockes Passion: Coro “Weg, weg, weg!” | — | ||
| 10-22 | Brockes Passion: Recitativo “Was hat er denn getan?” (Pilatus) | — | ||
| 10-23 | Brockes Passion: Coro “Weg, weg, weg!” | — | ||
| 10-24 | Brockes Passion: Recitativo “Wie er nun sah” (Evangelist) | — | ||
| 10-25 | Brockes Passion: Arioso “Besinne dich, Pilatus” (Tochter Zion) | — | ||
| 10-26 | Brockes Passion: Recitativo “Drauf zerreten die Kriegsknechte” (Evangelist) | — | ||
| 10-27 | Brockes Passion: Arioso “Ich seh’an einen Stein gebunden” (Gläubige Seele) | — | ||
| 10-28 | Brockes Passion: Recitativo “Drum, Seele, schau” (Gläubige Seele) | — | ||
| 10-29 | Brockes Passion: Aria “Dem Himmel gleicht” (Gläubige Seele) | — | ||
| 10-30 | Brockes Passion: Recitativo “Wie nun das Blut” (Evangelist) | — | ||
| 10-31 | Brockes Passion: Aria “Die Rosen krönen” (Tochter Zion) | — | ||
| 10-32 | Brockes Passion: Recitativo “Verwegner Dorn” (Tochter Zion) | — | ||
| 10-33 | Brockes Passion: Aria “Lass doch diese herbe Schmerzen” (Tochter Zion) | — | ||
| 10-34 | Brockes Passion: Recitativo “Der zarten Schläfen” (Tochter Zion) | — | ||
| 10-35 | Brockes Passion: Aria “Jesu! Jesu” (Tochter Zion) | — | ||
| 10-36 | Brockes Passion: Recitativo “Drauf beugten sie aus Spott” (Evangelist) | — | ||
| 10-37 | Brockes Passion: Coro “Ein jeder sei ihm untertänig!” | — | ||
| 10-38 | Brockes Passion: Recitativo “Ja, scheuten sich nicht” (Evangelist) | — | ||
| 10-39 | Brockes Passion: Aria “Schäumest du, du Schaum der Welt” (Tochter Zion) | — | ||
| 10-40 | Brockes Passion: Recitativo “Worauf sie mit dem Rohr” (Evangelist) | — | ||
| 10-41 | Brockes Passion: Aria “Bestürzter Sünder” (Tochter Zion) | — | ||
| 10-42 | Brockes Passion: Aria “Heil der Welt” (Tochter Zion) | — | ||
| 11-1 | Brockes Passion: Recitativo “Wie man ihm nun genug” (evangelist) | — | ||
| 11-2 | Brockes Passion: “Eilt, ihr angefochten Seelen!” (Coro, Tochter Zion) | — | ||
| 11-3 | Brockes Passion: Recitativo “Ach Gott, ach Gott!” (Maria) | — | ||
| 11-4 | Brockes Passion: Duet “Soll mein Kind” (Maria, Jesus) | — | ||
| 11-5 | Brockes Passion: Recitativo “Und er trug selbst sein Kreuz” (evangelist, Tochter Zion) | — | ||
| 11-6 | Brockes Passion: Aria “Es scheint, da den zerkerbten Rücken” (tenor) | — | ||
| 11-7 | Brockes Passion: Recitativo “Wie sie nun an die Stätte” (evangelist) | — | ||
| 11-8 | Brockes Passion: Aria “Heir erstarrt mein Herz” (Gläubige Seele) | — | ||
| 11-9 | Brockes Passion: Recitativo “O Anblick, o entsetzliches Gesicht!” (Gläubige Seele) | — | ||
| 11-10 | Brockes Passion: Coro “O Menschenkind” | — | ||
| 11-11 | Brockes Passion: Recitativo “Sobald er nun gekreuzigt war” (evangelist) | — | ||
| 11-12 | Brockes Passion: Coro “Pfui, pfui, pfui!” | — | ||
| 11-13 | Brockes Passion: Recitativo “Und eine dicke Finsternis” (evangelist) | — | ||
| 11-14 | Brockes Passion: Aria “Was Wunder, dass der Sonnen Pracht” (Gläubige Seele) | — | ||
| 11-15 | Brockes Passion: Recitativo “Dies war zur neunten Stund’” (evangelist) | — | ||
| 11-16 | Brockes Passion: Arioso “Mein Heiland” (Gläubige Seele) | — | ||
| 11-17 | Brockes Passion: Recitativo “Drauf lief ein Dienstknecht hin” (evangelist) | — | ||
| 11-18 | Brockes Passion: Terzetto “O Donnerwort!” | — | ||
| 11-19 | Brockes Passion: Recitativo “O selig wer dies glaubt” (Gläubige Seele, evangelist) | — | ||
| 11-20 | Brockes Passion: Aria “Sind meiner Seelen tiefe Wunden” (Tochter Zion, Gläubige Seele) | — | ||
| 11-21 | Brockes Passion: Recitativo “O Grossmut!” (Tochter Zion, evangelist) | — | ||
| 11-22 | Brockes Passion: Aria “Brich, brüllender Abgrund” (Gläubige Seele) | — | ||
| 11-23 | Brockes Passion: Recitativo “Ja, ja, es brüllet schon” (Gläubige Seele, Hauptmann) | — | ||
| 11-24 | Brockes Passion: Aria “Wie kommt’s, dass da der Himmel weint” (Gläubige Seele) | — | ||
| 11-25 | Brockes Passion: Accompagnato “Bei Jesus’ Tod und Leiden” (Gläubige Seele) | — | ||
| 11-26 | Brockes Passion: Coro “Mein’ Sünd’mich werden kränken” | — | ||
| 11-27 | Brockes Passion: Aria “Wisch ab der Tränen scharfe Lauge” (Tochter Zion) | — | ||
| 11-28 | Brockes Passion: Coro “Ich bin ein Glied” | — | ||
| 12-1 | Johannes Passion: Sinfonia / Recitativo “Da nahm Pilatus Jesum” (evangelist) | — | ||
| 12-2 | Johannes Passion: Aria “Boheit ohne Zahl” (soprano) | — | ||
| 12-3 | Johannes Passion: Recitativo “Und die Kriegsknechte” (evangelist) / Coro “Sei gegrüsset” | — | ||
| 12-4 | Johannes Passion: Recitativo “Und gaben ihm Backenstreiche” (evangelist) / Arioso “Sehet, ich führe ihn heraus” (Pilatus) | — | ||
| 12-5 | Johannes Passion: Recitativo “Also ging Jesus heraus” (evangelist) | — | ||
| 12-6 | Johannes Passion: Duetto “Schauet, mein Jesus ist Rosen zu gleichen” (soprano I, soprano II) | — | ||
| 12-7 | Johannes Passion: Recitativo “Und er spricht zu ihnen” (evangelist) / Arioso “Sehet, welch ein Mensch” (Pilatus) | — | ||
| 12-8 | Johannes Passion: Recitativo “Da ihn Hohenpriester” (evangelist) / Coro “Kreuzige, kreuzige!” | — | ||
| 12-9 | Johannes Passion: Recitativo “Pilatus spricht zu ihnen” (evangelist) / Arioso “Nehmet ihr ihn hin” (Pilatus) | — | ||
| 12-10 | Johannes Passion: Recitativo “Die Juden antworteten ihm” (evangelist) / Coro “Wir haben ein Gesetze” | — | ||
| 12-11 | Johannes Passion: Recitativo “Da Pilatus das Wort höret” (Pilatus, evangelist) / Arioso “Redest du nicht mit mir?” (Pilatus) | — | ||
| 12-12 | Johannes Passion: Recitativo “Jesus antwortet” (evangelist) / Aria “Du hättest kein Maht über mir” (Jesus) / Recitativo “Von dem an trachtet Pilatus” (evangelist) | — | ||
| 12-13 | Johannes Passion: Aria “Durch dien Gefängnis” (soprano) | — | ||
| 12-14 | Johannes Passion: Recitativo “Die Juden aber schrieen” (evangelist) / Coro “Lässest du diesen los” | — | ||
| 12-15 | Johannes Passion: Recitativo “Da Pilatus das Wort höret” (evangelist) / Arioso “Sehet, das ist euer König!” (Pilatus) | — | ||
| 12-16 | Johannes Passion: Recitativo “Sie schrieen alle” (evangelist) / Coro “Weg, weg mit dem” | — | ||
| 12-17 | Johannes Passion: Aria “Erschüttere mit Krachen” (basso) | — | ||
| 12-18 | Johannes Passion: Recitativo “Spricht Pilatus zu ihnen” (evangelist) / Arioso “Soll ich euren König kreuzigen?” (Pilatus) | — | ||
| 12-19 | Johannes Passion: Recitativo “Die Hohenpriester antworteten” (evangelist) / Coro “Wir haben keinen König” | — | ||
| 12-20 | Johannes Passion: Recitativo “Da überantwortet er ihn” (evangelist) | — | ||
| 12-21 | Johannes Passion: Aria “Getrost, mein Herz” (alto) | — | ||
| 12-22 | Johannes Passion: Recitativo “Pilatus aber schrieb eine Überschrift” (evangelist) / Coro “Schreib’nicht "Der Juden König” “ / Recitativo "Pilatus antwortet” (evangelist) / Arioso “Was ich geschrieben habe” (Pilatus) | — | ||
| 12-23 | Johannes Passion: Recitativo “Die Kriegsknechte aber” (evangelist) | — | ||
| 12-24 | Johannes Passion: Aria “Du musst den Rock verlieren” (tenore) | — | ||
| 12-25 | Johannes Passion: Recitativo “Der Rock aber war ungenäht” (evangelist) / Coro “Lasset uns den nicht zerteilen” | — | ||
| 12-26 | Johannes Passion: Recitativo “Aus dass erfüllet würde Schrift” (evangelist) / Accompagnato “Sie haben meine Kleider unter sich erteilet” (evangelist) / Recitativo “Solches taten die Kriegsknechte” (evangelist) | — | ||
| 12-27 | Johannes Passion: Duetto “Welche sind des Heilands Erben?” (tenore I, tenore II) | — | ||
| 12-28 | Johannes Passion: Recitativo “Es stund aber bei dem Kreuz” (evangelist) / Arioso “Weib, siehe, das ist dein Sohn” (Jesus) / Recitativo “Darnach spricht er zu dem Jünger” (evangelist) / Arioso “Siehe, das ist deine Mutter” (Jesus) | — | ||
| 12-29 | Johannes Passion: Recitativo “Und von Stund an” (evangelist) / Arioso “Mich Dürstet!” (Jesus) | — | ||
| 12-30 | Johannes Passion: Aria “Jesu, wonach dürstet dich” (soprano) | — | ||
| 12-31 | Johannes Passion: Recitativo “Da stund ein Gefäss voll Essig” (evangelist) / Arioso “Es ist vollbracht!” (Jesus) | — | ||
| 12-32 | Johannes Passion: Aria “O grosses Werk” (basso) / Recitativo “Und neigte das Haupt und verschied” (evangelist) | — | ||
| 12-33 | Johannes Passion: Aria “Bebet, ihr Berge” (soprano) | — | ||
| 12-34 | Johannes Passion: Recitativo “Die Juden aber” (evangelist) | — | ||
| 12-35 | Johannes Passion: Duetto “War das Wasser denn zu schlecht” (soprano, basso) | — | ||
| 12-36 | Johannes Passion: Recitativo “Und der es gesehen hat” (evangelist) | — | ||
| 12-37 | Johannes Passion: Duetto “Ich gehe mit in’s Grab” (soprano, basso) | — | ||
| 12-38 | Johannes Passion: Recitativo “Es war aber an der Stätte” (evangelist) | — | ||
| 12-39 | Johannes Passion: Coro “Schlafe wohl nach deinen Leiden” | — | ||
| 13-1 | Acis & Galatea: Act I. Sinfonia | — | ||
| 13-2 | Acis & Galatea: Act I. Choir “Oh, the pleasure” | — | ||
| 13-3 | Acis & Galatea: Act I. Recitative “Ye verdant plains” | — | ||
| 13-4 | Acis & Galatea: Act I. Aria “Hush, ye pretty” (Galatea) | — | ||
| 13-5 | Acis & Galatea: Act I. Aria “Where shall I seek” (Acis) | — | ||
| 13-6 | Acis & Galatea: Act I. Recitative “Stay, shepherd, stay” | — | ||
| 13-7 | Acis & Galatea: Act I. Aria “Shepherd, what” (Damon) | — | ||
| 13-8 | Acis & Galatea: Act I. Recitative: “Lo, here my love” | — | ||
| 13-9 | Acis & Galatea: Act I. Aria “Love in her eyes” (Acis) | — | ||
| 13-10 | Acis & Galatea: Act I. Recitative “O didst thou know” | — | ||
| 13-11 | Acis & Galatea: Act I. Aria “As when the dove” (Galatea) | — | ||
| 13-12 | Acis & Galatea: Act I. Duet & Choir “Happy we” | — | ||
| 14-1 | Acis & Galatea: Act II. Choir “Wretched lovers” | — | ||
| 14-2 | Acis & Galatea: Act II. Recitativo accompagnato “I rage” | — | ||
| 14-3 | Acis & Galatea: Act II. Aria “O ruddier” (Polyphemus) | — | ||
| 14-4 | Acis & Galatea: Act II. Recitative “Whither, fairest” | — | ||
| 14-5 | Acis & Galatea: Act II. Aria “Cease to beauty” (Polyphemus) | — | ||
| 14-6 | Acis & Galatea: Act II. Aria “Would you gain” (Damon) | — | ||
| 14-7 | Acis & Galatea: Act II. Recitative “His hideous love” | — | ||
| 14-8 | Acis & Galatea: Act II. Aria “Love sounds th’alarm” (Acis) | — | ||
| 14-9 | Acis & Galatea: Act II. Aria “Consider” (Damon) | — | ||
| 14-10 | Acis & Galatea: Act II. Recitative “Cease, o cease” | — | ||
| 14-11 | Acis & Galatea: Act II. Trio “The flocks shall leave” | — | ||
| 14-12 | Acis & Galatea: Act II. Recitative “Help, Galatea” | — | ||
| 14-13 | Acis & Galatea: Act II. Choir “Mourn, all ye muses” | — | ||
| 14-14 | Acis & Galatea: Act II. “Must I my Acis” (Galatea, choir) | — | ||
| 14-15 | Acis & Galatea: Act II. Recitative “Tis done” | — | ||
| 14-16 | Acis & Galatea: Act II. Aria “Heart, the seat” (Galatea) | — | ||
| 14-17 | Acis & Galatea: Act II. Choir “Galatea, dry thy tears” | — | ||
| 15-1 | Imeneo: Overture | — | ||
| 15-2 | Imeneo: Act I, Scene I. Arioso “La mia bella” (Tirinto) – Recitative “Tirinto!” (Argenio) – Recitativo “Dal di ch’io la perdei” (Tirinto) – Aria “Se potessero” (Tirinto) | — | ||
| 15-3 | Imeneo: Act I, Scene II. Recitativo “Cerere omnipotente” (Argenio) – Choir “Vien Imeneo fra voi” – Recitativo “Valoroso Imeneo!” (Tirinto) – Aria “Di ciceca notte allor” (Imeneo) | — | ||
| 15-4 | Imeneo: Act I, Scene III‐IV. Recitativo “Rosmene, alfin dovresti” (Imeneo) – Aria “Ingrata mai no fui” (Rosmene) – Aria “Mi chiederesti meno” (Tirinto) | — | ||
| 15-5 | Imeneo: Act I, Scene V‐VI. Recitativo “Se non era il tuo braccio” (Clomiri) – Aria “v’e un infelice” (Clomiri) – Recitativo “Paventar non degg’io che non” (Imeneo) – Aria “Esser mia dovra” (Imeneo) – Choir “Vien Imemeo fra voi…” | — | ||
| 15-6 | Imeneo: Act II, Scene I. Arioso “Deh, m’aiutate, o Dei!” (Rosmene) – Recitativo “Vogliono i tuoi maggiori” (Argenio) – Aria “Su l’arena di barbara scene” (Argenio) | — | ||
| 16-1 | Imeneo: Act II, Scene II‐III. Recitativo “La mia mente or confusa vorria” (Rosmene) – Aria “Semplicetta, la saetta” (Rosmene) – Recitativo “Tirinto, era poc’anzi” (Clomiri) – Aria “Sorge nell’alma mia” (Imeneo) | — | ||
| 16-2 | Imeneo: Act II, Scene IV‐V. Recitativo “Imeneo, lieto in viso tutto” (Clomiri) – Aria “E si vaga del tuo bene” (Clomiri) – Recitativo “Sembra un fanciullo, Amore” (Imeneo) – Aria “Chi scherza colle rose” (Imeneo) | — | ||
| 16-3 | Imeneo: Act II, Scene VI. Recitativo “Udisti gia” (Argenio) – Trio “Consolami, mio bene” (Imeneo, Rosmene, Tirinto) – Choir “E troppa bel trofeo” | — | ||
| 16-4 | Imeneo: Act III, Scene I‐II. Recitativo “Alfin decidi!” (Tirinto, Imeneo) – Aria “In mezzo a voi dui” (Rosmene) – Recitativo “Se tua sara Rosmene” (Imeneo) – Aria “Pieno il core di timore” (Tirinto) | — | ||
| 16-5 | Imeneo: Act III, Scene III‐VI. Recitativo “Sarei lieta ancor io se Rosmene” (Clomiri) / Aria “Se ricordar ten vuoi” (Clomiri) / Aria “D’amor nei primi istanti” (Imeneo) / Recitativo “Perdonami, Clomiri, d’altro amore” (Imeneo) / Arioso “Se la mia pace a me” (Imeneo) / Recitativo “Sentimi, er pieta!” (Tirinto) / Arioso “Se la mia pace…” (Tirinto) / Recitativo “E questo il di per definir la lite?” (Rosmene) / Duetto “Se la mia pace…” (Tirinto, Imeneo) / Recitativo “La vita?” (Rosmene) | — | ||
| 16-6 | Imeneo: Recitativo accompagnato “Miratela! Che arriva cinta di” / Recitativo “Misera!” (Imeneo) / Arioso “Al voler del tua fortuna” (Rosmene) / Recitativo “Paelai da stolta” (Rosmene) / Duetto “Per le porte del tormento” (Rosmene, Tirinto) / Choir “Se consulta il suo dover” | — | ||
| 17-1 | Faramondo: Overture | — | ||
| 17-2 | Faramondo: Act I. Recitative accompagnato “Popolo, figlio” | — | ||
| 17-3 | Faramondo: Act I. Choir “Pera, pera” | — | ||
| 17-4 | Faramondo: Act I. “Chiede l’ombra” | — | ||
| 17-5 | Faramondo: Act I. Aria “Viva, si” (Gustavo) | — | ||
| 17-6 | Faramondo: Act I. Recitativo “Siam pur fuori” | — | ||
| 17-7 | Faramondo: Act I. Aria “Conoscero” (Clotilde) | — | ||
| 17-8 | Faramondo: Act I. Recitativo & Aria “Perdoni…chi ben” (Adolfo) | — | ||
| 17-9 | Faramondo: Act I. Recitativo “A me dunque” | — | ||
| 17-10 | Faramondo: Act I. Aria “Vanne” (Rosimonda) | — | ||
| 17-11 | Faramondo: Act I. Recitativo “Faramondo infelice” | — | ||
| 17-12 | Faramondo: Act I. Aria “Rival si tono” (Faramondo) | — | ||
| 17-13 | Faramondo: Act I. Recitativo & Aria “Va voglio” (Gernando) | — | ||
| 17-14 | Faramondo: Act I. Recitativo “Sino ad ora” | — | ||
| 17-15 | Faramondo: Act I. Arioso “Si, tornero” (Faramondo) | — | ||
| 17-16 | Faramondo: Act I. Recitativo & Aria “Quel…sento” (Rosimonda) | — | ||
| 17-17 | Faramondo: Act I. Recitativo “Si, Clotilde” | — | ||
| 17-18 | Faramondo: Act I. Aria “Vado a recar” (Gustavo) | — | ||
| 17-19 | Faramondo: Act I. Recitativo “Dalla cittade” | — | ||
| 17-20 | Faramondo: Act I. Aria “Mi parto lieta” (Clotilde) | — | ||
| 17-21 | Faramondo: Act I. Recitativo “Fra quest’ombre” | — | ||
| 17-22 | Faramondo: Act I. Aria “Se ben” (Faramondo) | — | ||
| 18-1 | Concerto grosso op. 6 no. 4: Larghetto | — | ||
| 18-2 | Concerto grosso op. 6 no. 4: Allegro | — | ||
| 18-3 | Faramondo: Act II. Sinfonia | — | ||
| 18-4 | Faramondo: Act II. Recitativo “Gia udisti” | — | ||
| 18-5 | Faramondo: Act II. Aria “Si, l’intendesti” (Rosimonda) | — | ||
| 18-6 | Faramondo: Act II. Recitativo & Aria “Si sdegna” (Gernando) | — | ||
| 18-7 | Faramondo: Act II. Recitativo “Misero” | — | ||
| 18-8 | Faramondo: Act II. Aria “Poi che pria” (Faramondo) | — | ||
| 18-9 | Faramondo: Act II. Aria “Combattuta” (Clotilde) | — | ||
| 18-10 | Faramondo: Act II. Recitativo “Faramondo in catene” | — | ||
| 18-11 | Faramondo: Act II. Aria “Se a piedi” (Adolfo) | — | ||
| 18-12 | Faramondo: Act II. Recitativo “Signor, umil” | — | ||
| 18-13 | Faramondo: Act II. Aria “Sol la brama” (Gustavo) | — | ||
| 18-14 | Faramondo: Act II. Recitativo “Tentai d’aver” | — | ||
| 18-15 | Faramondo: Act II. Aria “Nella terra” (Gernando) | — | ||
| 18-16 | Faramondo: Act II. Recitativo “Childerico” | — | ||
| 18-17 | Faramondo: Act II. Duetto “Vado e vivo” | — | ||
| 19-1 | Concerto grosso op. 6 no. 4: Largo | — | ||
| 19-2 | Concerto grosso op. 6 no. 4: Allegro | — | ||
| 19-3 | Faramondo: Act III. Sinfonia | — | ||
| 19-4 | Faramondo: Act III. Recitativo “Mi tradiscono” | — | ||
| 19-5 | Faramondo: Act III. Duetto “Caro, cara” | — | ||
| 19-6 | Faramondo: Act III. Recitativo “Gia nel campo” | — | ||
| 19-7 | Faramondo: Act III. Aria “Cosi suole” (Gernando) | — | ||
| 19-8 | Faramondo: Act III. Recitativo “Ritorna pur” | — | ||
| 19-9 | Faramondo: Act III. Aria “Voglio che sia” (Faramondo) | — | ||
| 19-10 | Faramondo: Act III. Recitativo “D’un oltraggiato” | — | ||
| 19-11 | Faramondo: Act III. Aria “Se ria procella” (Adolfo) | — | ||
| 19-12 | Faramondo: Act III. Recitativo “Non isdegnar” | — | ||
| 19-13 | Faramondo: Act III. Aria “Sappi, crudel” (Rosimonda) | — | ||
| 19-14 | Faramondo: Act III. Recitativo “Clotilde, il tuo dolor” | — | ||
| 19-15 | Faramondo: Act III. Aria “Un’aura placida” (Clotilde) | — | ||
| 19-16 | Faramondo: Act III. Recitativo “Reggi il mio brando” | — | ||
| 19-17 | Faramondo: Act III. Aria & Choir “Virtu che rende” | — | ||
| 20-1 | Rinaldo, HWV 7: Act I. Overture | — | ||
| 20-2 | Rinaldo, HWV 7: Act I. “Delle nostre fatiche” (Goffredo) | — | ||
| 20-3 | Rinaldo, HWV 7: Act I. “Sovre balze scoscese” (Goffredo) | — | ||
| 20-4 | Rinaldo, HWV 7: Act I. “Signor, gia dal tuo senno” (Rinaldo) | — | ||
| 20-5 | Rinaldo, HWV 7: Act I. “Combatti da forte” (Almirena) | — | ||
| 20-6 | Rinaldo, HWV 7: Act I. “Questi saggi consigli” (Goffredo) | — | ||
| 20-7 | Rinaldo, HWV 7: Act I. “Ogni indulgio” (Rinaldo) | — | ||
| 20-8 | Rinaldo, HWV 7: Act I. “Signor, che delle stelle” (Araldo) | — | ||
| 20-9 | Rinaldo, HWV 7: Act I. “Sibilar gl’angui d’Aletto” (Argante) | — | ||
| 20-10 | Rinaldo, HWV 7: Act I. “Goffredo, se t’amse” (Argante) | — | ||
| 20-11 | Rinaldo, HWV 7: Act I. “Furie terribili” (Armida) | — | ||
| 20-12 | Rinaldo, HWV 7: Act I. “Come a tempo giungesti” (Argante) | — | ||
| 20-13 | Rinaldo, HWV 7: Act I. “Molto voglio, molto spero” (Armida) | — | ||
| 20-14 | Rinaldo, HWV 7: Act I. “Augelletti” (Almirena) | — | ||
| 20-15 | Rinaldo, HWV 7: Act I. “Scherzano sul tuo volto” (Almirena, Rinaldo) | — | ||
| 20-16 | Rinaldo, HWV 7: Act I. “Al valor del mio brando” (Armida) | — | ||
| 20-17 | Rinaldo, HWV 7: Act I. Sinfonia | — | ||
| 20-18 | Rinaldo, HWV 7: Act I. “Che insolito stupore” (Goffredo) | — | ||
| 20-19 | Rinaldo, HWV 7: Act I. “Cor ingrato” (Rinaldo) | — | ||
| 20-20 | Rinaldo, HWV 7: Act I. “Un mio giusto dolor” (Goffredo) | — | ||
| 20-21 | Rinaldo, HWV 7: Act I. “Venti, turbine” (Rinaldo) | — | ||
| 21-1 | Rinaldo, HWV 7: Act II. “Siam prossimi al porto” (Goffredo) | — | ||
| 21-2 | Rinaldo, HWV 7: Act II. “Per raccor d’Almirena” (Sirena) | — | ||
| 21-3 | Rinaldo, HWV 7: Act II. “Il vostro maggio” (Sirena) | — | ||
| 21-4 | Rinaldo, HWV 7: Act II. “Qual incognita forza” (Rinaldo) | — | ||
| 21-5 | Rinaldo, HWV 7: Act II. “Il tricerbero umilato” (Rinaldo) | — | ||
| 21-6 | Rinaldo, HWV 7: Act II. “Armida dispietata” (Almirena) | — | ||
| 21-7 | Rinaldo, HWV 7: Act II. “Lascia ch’io pianga” (Almirena) | — | ||
| 21-8 | Rinaldo, HWV 7: Act II. “Basta che sol tu chieda” (Argante) | — | ||
| 21-9 | Rinaldo, HWV 7: Act II. “Cingetemi d’alloro” (Armida) | — | ||
| 21-10 | Rinaldo, HWV 7: Act II. “Fermati! No, crudel!” (Armida, Rinaldo) | — | ||
| 21-11 | Rinaldo, HWV 7: Act II. “Ah! Rinaldo crudel” (Almirena) | — | ||
| 21-12 | Rinaldo, HWV 7: Act II. “Cara sposa” (Rinaldo) | — | ||
| 21-13 | Rinaldo, HWV 7: Act II. “Dunque lacci d’un volto” (Armida) | — | ||
| 21-14 | Rinaldo, HWV 7: Act II. “Ah! Crudel!” (Almirena) | — | ||
| 21-15 | Rinaldo, HWV 7: Act II. “Anima mia, ti rasserena” (Argante) | — | ||
| 21-16 | Rinaldo, HWV 7: Act II. “Vo’ far guerra” (Armida) | — | ||
| 21-17 | Rinaldo, HWV 7: Act III. Sinfonia | — | ||
| 21-18 | Rinaldo, HWV 7: Act III. “Tu a cul vien concesso” (Goffredo) | — | ||
| 21-19 | Rinaldo, HWV 7: Act III. “Andate o forti” (Mago) | — | ||
| 21-20 | Rinaldo, HWV 7: Act III. “Orrori menzogneri” (Rinaldo) | — | ||
| 21-21 | Rinaldo, HWV 7: Act III. “Bel piacere” (Almirena) | — | ||
| 21-22 | Rinaldo, HWV 7: Act III. Marcia | — | ||
| 21-23 | Rinaldo, HWV 7: Act III. “Cara, perdon ti chiedo” (Argante) | — | ||
| 21-24 | Rinaldo, HWV 7: Act III. “Al trionfo del nostro furore” (Armida, Argante) | — | ||
| 21-25 | Rinaldo, HWV 7: Act III. Marcia | — | ||
| 21-26 | Rinaldo, HWV 7: Act III. “Or la tromba” (Rinaldo) | — | ||
| 21-27 | Rinaldo, HWV 7: Act III. Battaglia | — | ||
| 21-28 | Rinaldo, HWV 7: Act III. “Ecco il superbo” (Rinaldo) | — | ||
| 21-29 | Rinaldo, HWV 7: Act III. “Vinto e sol” (Tutti) | — | ||
| 22-1 | Anthem, “Zadok the Priest” | — | ||
| 22-2 | Anthem, “My Heart Is Inditing”: “My heart is inditing” | — | ||
| 22-3 | Anthem, “My Heart Is Inditing”: “King’s daughters were among thy honourable women” | — | ||
| 22-4 | Anthem, “My Heart Is Inditing”: “Upon thy right hand” | — | ||
| 22-5 | Anthem, “My Heart Is Inditing”: “Kings shall be thy nursing fathers” | — | ||
| 22-6 | Anthem, “Let Thy Hand Be Strengthened”: “Let thy hand be strengthened” | — | ||
| 22-7 | Anthem, “Let Thy Hand Be Strengthened”: “Let justice and judgement” | — | ||
| 22-8 | Anthem, “Let Thy Hand Be Strengthened”: “Allelujah!” | — | ||
| 22-9 | Anthem, “The King Shall Rejoice”: “The King shall rejoice” | — | ||
| 22-10 | Anthem, “The King Shall Rejoice”: “Exceedingly glad shall he be” | — | ||
| 22-11 | Anthem, “The King Shall Rejoice”: “Glory and great worship hast Thou laid upon him” | — | ||
| 22-12 | Concerto for organ no. 1 in B‐flat major, op. 7: I. Andante | — | ||
| 22-13 | Concerto for organ no. 1 in B‐flat major, op. 7: II. Andante | — | ||
| 22-14 | Concerto for organ no. 1 in B‐flat major, op. 7: III. Adagio | — | ||
| 22-15 | Concerto for organ no. 1 in B‐flat major, op. 7: IV. Largo e piano | — | ||
| 22-16 | Concerto for organ no. 1 in B‐flat major, op. 7: V. Fuga ex B | — | ||
| 22-17 | Concerto for organ no. 1 in B‐flat major, op. 7: VI. Larghetto | — | ||
| 22-18 | Concerto for organ no. 1 in B‐flat major, op. 7: VII. Bourrée | — | ||
| 23-1 | Cantata, HWV 99 “Delirio amoroso”: Introduzione | — | ||
| 23-2 | Cantata, HWV 99 “Delirio amoroso”: Recitativo “Da quel giorno fatale” | — | ||
| 23-3 | Cantata, HWV 99 “Delirio amoroso”: Aria “un pensiero voli in ciel” | — | ||
| 23-4 | Cantata, HWV 99 “Delirio amoroso”: Recitativo “Ma fermati pensier” | — | ||
| 23-5 | Cantata, HWV 99 “Delirio amoroso”: Aria “Per te lasciai la luce” | — | ||
| 23-6 | Cantata, HWV 99 “Delirio amoroso”: Recitativo “Non ti bastava ingrato” | — | ||
| 23-7 | Cantata, HWV 99 “Delirio amoroso”: Aria “Lascia omai le brune vele” | — | ||
| 23-8 | Cantata, HWV 99 “Delirio amoroso”: Recitativo “Ma siamo giunti in Lete” | — | ||
| 23-9 | Cantata, HWV 99 “Delirio amoroso”: Entrée | — | ||
| 23-10 | Cantata, HWV 99 “Delirio amoroso”: Minuet – Aria: In questa amene – recitativo – minuet da capo | — | ||
| 23-11 | Cantata, HWV 97 “Crudel tiranno Amor”: Aria “Crudel tiranno Amor” | — | ||
| 23-12 | Cantata, HWV 97 “Crudel tiranno Amor”: Recitativo “Ma tu mandi al mio core” | — | ||
| 23-13 | Cantata, HWV 97 “Crudel tiranno Amor”: Aria “O dolce mia speranza” | — | ||
| 23-14 | Cantata, HWV 97 “Crudel tiranno Amor”: Recitativo “Senza te, dolce spene” | — | ||
| 23-15 | Cantata, HWV 97 “Crudel tiranno Amor”: Aria “O cara spene” | — | ||
| 23-16 | Cantata, HWV 110 “Agrippina condotta a morire”: Recitativo “Dunque sara pur vero” | — | ||
| 23-17 | Cantata, HWV 110 “Agrippina condotta a morire”: Aria “Orrida, oscura, l’etra si renda” | — | ||
| 23-18 | Cantata, HWV 110 “Agrippina condotta a morire”: Recitativo “Ma pria che d’empia morte” | — | ||
| 23-19 | Cantata, HWV 110 “Agrippina condotta a morire”: Aria “Renda cenere il tiranno” | — | ||
| 23-20 | Cantata, HWV 110 “Agrippina condotta a morire”: Recitativo “Si, si, del gran tiranno” | — | ||
| 23-21 | Cantata, HWV 110 “Agrippina condotta a morire”: Arioso e recitativo | — | ||
| 23-22 | Cantata, HWV 110 “Agrippina condotta a morire”: Aria “Se infelice al mondo vissi” | — | ||
| 23-23 | Cantata, HWV 110 “Agrippina condotta a morire”: Recitativo “Trema l’ingrao figlio” | — | ||
| 23-24 | Cantata, HWV 110 “Agrippina condotta a morire”: Aria “Su lacerate il seno” | — | ||
| 23-25 | Cantata, HWV 110 “Agrippina condotta a morire”: Recitativo “Ecco a morte gia corro” | — | ||
| 24-1 | Cantata, HWV 142 “Notte placida e cheta”: Recitativo “Notte placida e cheta” | — | ||
| 24-2 | Cantata, HWV 142 “Notte placida e cheta”: Aria “Zeffiretti, deh venite” | — | ||
| 24-3 | Cantata, HWV 142 “Notte placida e cheta”: Recitativo “Momento fortunato” | — | ||
| 24-4 | Cantata, HWV 142 “Notte placida e cheta”: Aria “Per un istante” | — | ||
| 24-5 | Cantata, HWV 142 “Notte placida e cheta”: Accompagnato “Ma gia sento” | — | ||
| 24-6 | Cantata, HWV 142 “Notte placida e cheta”: Aria “Luci belle, vaghe stelle” | — | ||
| 24-7 | Cantata, HWV 142 “Notte placida e cheta”: Accompagnato “Oh delizie d’amor” | — | ||
| 24-8 | Cantata, HWV 142 “Notte placida e cheta”: Aria “Che non si da” | — | ||
| 24-9 | Cantata, HWV 150 “Ero e Leandro”: Recitativo “Qual ti riveggio, oh Dio” | — | ||
| 24-10 | Cantata, HWV 150 “Ero e Leandro”: Aria “Empio mare” | — | ||
| 24-11 | Cantata, HWV 150 “Ero e Leandro”: Recitativo “Amore, che ascoso” | — | ||
| 24-12 | Cantata, HWV 150 “Ero e Leandro”: Aria “Se la morte non vorra” | — | ||
| 24-13 | Cantata, HWV 150 “Ero e Leandro”: Recitativo “Questi dalla mia fronte” | — | ||
| 24-14 | Cantata, HWV 150 “Ero e Leandro”: Aria “Si muora” | — | ||
| 24-15 | Cantata, HWV 150 “Ero e Leandro”: Recitativo “Ecco, gelide labbra” | — | ||
| 24-16 | Cantata, HWV 82 “Il duello amoroso”: Sonata | — | ||
| 24-17 | Cantata, HWV 82 “Il duello amoroso”: Recitativo “Amarilli vezzosa” (Daliso) | — | ||
| 24-18 | Cantata, HWV 82 “Il duello amoroso”: Aria “Pietoso sguardo” (Daliso) | — | ||
| 24-19 | Cantata, HWV 82 “Il duello amoroso”: Recitativo “Dunque tanto s’avanza” (Amarilli) | — | ||
| 24-20 | Cantata, HWV 82 “Il duello amoroso”: Aria “Piacer che non si dona” (Amarilli) | — | ||
| 24-21 | Cantata, HWV 82 “Il duello amoroso”: Recitativo “Si, si crudel” (Daliso, Amarilli) | — | ||
| 24-22 | Cantata, HWV 82 “Il duello amoroso”: Aria “Quel nocchiero” (Amarilli) | — | ||
| 24-23 | Cantata, HWV 82 “Il duello amoroso”: Recitativo “Amarilli, Amarilli” (Daliso) | — | ||
| 24-24 | Cantata, HWV 82 “Il duello amoroso”: Aria “E vanita d’un cor” (Daliso) | — | ||
| 24-25 | Cantata, HWV 82 “Il duello amoroso”: Recitativo “Or su gia che ostinato” (Amarilli, Daliso) | — | ||
| 24-26 | Cantata, HWV 82 “Il duello amoroso”: Arioso “Si, si lasciami, ingrata” (Daliso) | — | ||
| 24-27 | Cantata, HWV 82 “Il duello amoroso”: Arioso “Su, su, restati in prace” (Amarilli) | — | ||
| 24-28 | Cantata, HWV 82 “Il duello amoroso”: Duetto “Si, si / Su, su”: ritornello (Daliso, Amarilli) | — | ||
| 25-1 | Aria: “Künft’ger Zeiten eitler Kummer” | — | ||
| 25-2 | Aria: “Das zitternde Glänzen der spielenden Wellen” | — | ||
| 25-3 | Aria: “Süsser Blumen Ambraflocken” | — | ||
| 25-4 | Aria: “Süsse Stille, sanfte Quelle” | — | ||
| 25-5 | Aria: “Singe, Seele, Gott zum Preise” | — | ||
| 25-6 | Aria: “Meine Seele hört im Sehen” | — | ||
| 25-7 | Aria: “Die ihr aus dunkeln Grüften” | — | ||
| 25-8 | Aria: “In den angenehmen Büschen” | — | ||
| 25-9 | Aria: “Flammende Rose, Zierde der Erden” | — | ||
| 26-1 | Music for the Royal Fireworks: I. Ouverture (allegro‐lentement‐allegro) | — | ||
| 26-2 | Music for the Royal Fireworks: II. Bourrée | — | ||
| 26-3 | Music for the Royal Fireworks: III. La Paix (Largo alla Siciliana) | — | ||
| 26-4 | Music for the Royal Fireworks: IV. La Réjouissance | — | ||
| 26-5 | Music for the Royal Fireworks: V. Menuet | — | ||
| 26-6 | Water Music Suite no. 1 in F major: I. Ouverture (largo‐allegro) | — | ||
| 26-7 | Water Music Suite no. 1 in F major: II. Adagio e staccato | — | ||
| 26-8 | Water Music Suite no. 1 in F major: III. Allegro | — | ||
| 26-9 | Water Music Suite no. 1 in F major: IV. Andante | — | ||
| 26-10 | Water Music Suite no. 1 in F major: V. Allegro | — | ||
| 26-11 | Water Music Suite no. 1 in F major: VI. Passepied | — | ||
| 26-12 | Water Music Suite no. 1 in F major: VII. Air | — | ||
| 26-13 | Water Music Suite no. 1 in F major: VIII. Menuet | — | ||
| 26-14 | Water Music Suite no. 1 in F major: IX. Bourrée | — | ||
| 26-15 | Water Music Suite no. 1 in F major: X. Hornpipe | — | ||
| 26-16 | Water Music Suite no. 1 in F major: XI. Allegro | — | ||
| 26-17 | Water Music Suite no. 2 in D major: I. Allegro | — | ||
| 26-18 | Water Music Suite no. 2 in D major: II. Alla hornpipe | — | ||
| 26-19 | Water Music Suite no. 2 in D major: III. Menuet | — | ||
| 26-20 | Water Music Suite no. 2 in D major: IV. Lentement | — | ||
| 26-21 | Water Music Suite no. 2 in D major: V. Bourrée | — | ||
| 26-22 | Water Music Suite no. 3 in G major: I. (without tempo indication) | — | ||
| 26-23 | Water Music Suite no. 3 in G major: II. Rigaudon | — | ||
| 26-24 | Water Music Suite no. 3 in G major: III. Menuet | — | ||
| 26-25 | Water Music Suite no. 3 in G major: IV. Bourrée | — | ||
| 27-1 | Concerto grosso, op. 3, no. 1 in B‐flat major, HWV 312 : I. Allegro | — | ||
| 27-2 | Concerto grosso, op. 3, no. 1 in B‐flat major, HWV 312 : II. Largo | — | ||
| 27-3 | Concerto grosso, op. 3, no. 1 in B‐flat major, HWV 312 : III. Allegro | — | ||
| 27-4 | Concerto grosso, op. 3, no. 2 in B‐flat major, HWV 313 : I. Vivace | — | ||
| 27-5 | Concerto grosso, op. 3, no. 2 in B‐flat major, HWV 313: II. Largo | — | ||
| 27-6 | Concerto grosso, op. 3, no. 2 in B‐flat major, HWV 313: III. Allegro | — | ||
| 27-7 | Concerto grosso, op. 3, no. 2 in B‐flat major, HWV 313: IV. Minuet | — | ||
| 27-8 | Concerto grosso, op. 3, no. 2 in B‐flat major, HWV 313: V. Gavotte | — | ||
| 27-9 | Concerto grosso, op. 3, no. 3 in G major, HWV 314: I. Largo e staccato‐allegro | — | ||
| 27-10 | Concerto grosso, op. 3, no. 3 in G major, HWV 314: II. Adagio | — | ||
| 27-11 | Concerto grosso, op. 3, no. 3 in G major, HWV 314: III. Allegro | — | ||
| 27-12 | Concerto grosso, op. 3, no. 4 in F major, HWV 315: I. Andante‐allegro | — | ||
| 27-13 | Concerto grosso, op. 3, no. 4 in F major, HWV 315: II. Andante | — | ||
| 27-14 | Concerto grosso, op. 3, no. 4 in F major, HWV 315: III. Allegro | — | ||
| 27-15 | Concerto grosso, op. 3, no. 4 in F major, HWV 315: IV. Allegro | — | ||
| 27-16 | Concerto grosso, op. 3, no. 5 in D minor, HWV 316: I. Andante | — | ||
| 27-17 | Concerto grosso, op. 3, no. 5 in D minor, HWV 316: II. Fuga‐allegro | — | ||
| 27-18 | Concerto grosso, op. 3, no. 5 in D minor, HWV 316: III. Adagio | — | ||
| 27-19 | Concerto grosso, op. 3, no. 5 in D minor, HWV 316: IV. Allegro ma non troppo | — | ||
| 27-20 | Concerto grosso, op. 3, no. 5 in D minor, HWV 316: V. Allegro | — | ||
| 27-21 | Concerto grosso, op. 3, no. 6 in D major, HWV 317: I. Vivace | — | ||
| 27-22 | Concerto grosso, op. 3, no. 6 in D major, HWV 317: II. Allegro | — | ||
| 28-1 | Concerto grosso, op. 6, no. 1 in G major: I. A tempo giusto | — | ||
| 28-2 | Concerto grosso, op. 6, no. 1 in G major: II. Allegro | — | ||
| 28-3 | Concerto grosso, op. 6, no. 1 in G major: III. Adagio | — | ||
| 28-4 | Concerto grosso, op. 6, no. 1 in G major: IV. Allegro | — | ||
| 28-5 | Concerto grosso, op. 6, no. 1 in G major: V. Allegro | — | ||
| 28-6 | Concerto grosso, op. 6, no. 2 in F major: I. Andante larghetto | — | ||
| 28-7 | Concerto grosso, op. 6, no. 2 in F major: II. Allegro | — | ||
| 28-8 | Concerto grosso, op. 6, no. 2 in F major: III. Largo | — | ||
| 28-9 | Concerto grosso, op. 6, no. 2 in F major: IV. Allegro ma non troppo | — | ||
| 28-10 | Concerto grosso, op. 6, no. 3 in E major: I. Larghetto | — | ||
| 28-11 | Concerto grosso, op. 6, no. 3 in E major: II. Andante | — | ||
| 28-12 | Concerto grosso, op. 6, no. 3 in E major: III. Allegro | — | ||
| 28-13 | Concerto grosso, op. 6, no. 3 in E major: IV. Polonaise, andante | — | ||
| 28-14 | Concerto grosso, op. 6, no. 3 in E major: V. Allegro ma non troppo | — | ||
| 28-15 | Concerto grosso, op. 6, no. 4 in A minor: I. Larghetto affettuoso | — | ||
| 28-16 | Concerto grosso, op. 6, no. 4 in A minor: II. Allegro | — | ||
| 28-17 | Concerto grosso, op. 6, no. 4 in A minor: III. Largo e piano | — | ||
| 28-18 | Concerto grosso, op. 6, no. 4 in A minor: IV. Allegro | — | ||
| 29-1 | Concerto grosso, op. 6, no. 5 in, D major: I. Larghetto e staccato | — | ||
| 29-2 | Concerto grosso, op. 6, no. 5 in, D major: II. Allegro | — | ||
| 29-3 | Concerto grosso, op. 6, no. 5 in, D major: III. Presto | — | ||
| 29-4 | Concerto grosso, op. 6, no. 5 in, D major: IV. Largo | — | ||
| 29-5 | Concerto grosso, op. 6, no. 5 in, D major: V. Allegro | — | ||
| 29-6 | Concerto grosso, op. 6, no. 5 in, D major: VI. Menuet, un poco larghetto | — | ||
| 29-7 | Concerto grosso, op. 6, no. 6 in G minor: I. Largo affettuoso | — | ||
| 29-8 | Concerto grosso, op. 6, no. 6 in G minor: II. A tempo giusto | — | ||
| 29-9 | Concerto grosso, op. 6, no. 6 in G minor: III. Musette, larghetto | — | ||
| 29-10 | Concerto grosso, op. 6, no. 6 in G minor: IV. Allegro | — | ||
| 29-11 | Concerto grosso, op. 6, no. 6 in G minor: V. Allegro | — | ||
| 29-12 | Concerto grosso, op. 6, no. 7 in B‐flat major: I. Largo | — | ||
| 29-13 | Concerto grosso, op. 6, no. 7 in B‐flat major: II. Allegro | — | ||
| 29-14 | Concerto grosso, op. 6, no. 7 in B‐flat major: III. Largo e piano | — | ||
| 29-15 | Concerto grosso, op. 6, no. 7 in B‐flat major: IV. Andante | — | ||
| 29-16 | Concerto grosso, op. 6, no. 7 in B‐flat major: V. Hornpipe | — | ||
| 29-17 | Concerto grosso, op. 6, no. 8 in C minor: I. Allemande, andante | — | ||
| 29-18 | Concerto grosso, op. 6, no. 8 in C minor: II. Grave | — | ||
| 29-19 | Concerto grosso, op. 6, no. 8 in C minor: III. Andante‐allegro | — | ||
| 29-20 | Concerto grosso, op. 6, no. 8 in C minor: IV. Adagio | — | ||
| 29-21 | Concerto grosso, op. 6, no. 8 in C minor: V. Siciliana, andante | — | ||
| 29-22 | Concerto grosso, op. 6, no. 8 in C minor: VI. Allegro | — | ||
| 30-1 | Concerto grosso, op. 6, no. 9 in F major: I. Largo | — | ||
| 30-2 | Concerto grosso, op. 6, no. 9 in F major: II. Allegro | — | ||
| 30-3 | Concerto grosso, op. 6, no. 9 in F major: III. Larghetto | — | ||
| 30-4 | Concerto grosso, op. 6, no. 9 in F major: IV. Allegro | — | ||
| 30-5 | Concerto grosso, op. 6, no. 9 in F major: V. Menuet | — | ||
| 30-6 | Concerto grosso, op. 6, no. 9 in F major: VI. Gigue | — | ||
| 30-7 | Concerto grosso, op. 6, no. 10 in D minor: I. Overture | — | ||
| 30-8 | Concerto grosso, op. 6, no. 10 in D minor: II. Allegro‐lento | — | ||
| 30-9 | Concerto grosso, op. 6, no. 10 in D minor: III. Air, lento | — | ||
| 30-10 | Concerto grosso, op. 6, no. 10 in D minor: IV. Allegro | — | ||
| 30-11 | Concerto grosso, op. 6, no. 10 in D minor: V. Allegro | — | ||
| 30-12 | Concerto grosso, op. 6, no. 10 in D minor: VI. Allegro moderato | — | ||
| 30-13 | Concerto grosso, op. 6, no. 11 in A major: I. Andante larghetto e staccato | — | ||
| 30-14 | Concerto grosso, op. 6, no. 11 in A major: II. Allegro | — | ||
| 30-15 | Concerto grosso, op. 6, no. 11 in A major: III. Largo e staccato | — | ||
| 30-16 | Concerto grosso, op. 6, no. 11 in A major: IV. Andante | — | ||
| 30-17 | Concerto grosso, op. 6, no. 11 in A major: V. Allegro | — | ||
| 30-18 | Concerto grosso, op. 6, no. 12 in B minor: I. Largo | — | ||
| 30-19 | Concerto grosso, op. 6, no. 12 in B minor: II. Allegro | — | ||
| 30-20 | Concerto grosso, op. 6, no. 12 in B minor: III. Aria: Larghetto e piano | — | ||
| 30-21 | Concerto grosso, op. 6, no. 12 in B minor: IV. Largo | — | ||
| 30-22 | Concerto grosso, op. 6, no. 12 in B minor: V. Allegro | — | ||
| 31-1 | Concerto a due chori in B‐flat major, HWV 332: I. Ouvertüre | — | ||
| 31-2 | Concerto a due chori in B‐flat major, HWV 332: II. Allegro ma non troppo | — | ||
| 31-3 | Concerto a due chori in B‐flat major, HWV 332: III. Allegro | — | ||
| 31-4 | Concerto a due chori in B‐flat major, HWV 332: IV. Largo | — | ||
| 31-5 | Concerto a due chori in B‐flat major, HWV 332: V. A tempo ordinario | — | ||
| 31-6 | Concerto a due chori in B‐flat major, HWV 332: VI. Alla breve moderato | — | ||
| 31-7 | Concerto a due chori in B‐flat major, HWV 332: VII. Minuet | — | ||
| 31-8 | Concerto a due chori in F major, HWV 333: I. Pomposo | — | ||
| 31-9 | Concerto a due chori in F major, HWV 333: II. Allegro | — | ||
| 31-10 | Concerto a due chori in F major, HWV 333: III. A tempo giusto | — | ||
| 31-11 | Concerto a due chori in F major, HWV 333: IV. Largo | — | ||
| 31-12 | Concerto a due chori in F major, HWV 333: V. Allegro ma non troppo | — | ||
| 31-13 | Concerto a due chori in F major, HWV 333: VI. A tempo ordinario | — | ||
| 31-14 | Concerto a due chori in F major, HWV 334: I. Ouvertüre | — | ||
| 31-15 | Concerto a due chori in F major, HWV 334: II. Allegro | — | ||
| 31-16 | Concerto a due chori in F major, HWV 334: III. Allegro ma non troppo | — | ||
| 31-17 | Concerto a due chori in F major, HWV 334: IV. Adagio | — | ||
| 31-18 | Concerto a due chori in F major, HWV 334: V. Andante Larghetto | — | ||
| 31-19 | Concerto a due chori in F major, HWV 334: VI. Allegro | — | ||
| 32-1 | Concerto for organ no. 1 in G minor, op. 4: I. Larghetto e staccato | — | ||
| 32-2 | Concerto for organ no. 1 in G minor, op. 4: II. Allegro | — | ||
| 32-3 | Concerto for organ no. 1 in G minor, op. 4: III. Adagio | — | ||
| 32-4 | Concerto for organ no. 1 in G minor, op. 4: IV. Andante | — | ||
| 32-5 | Concerto for organ no. 2 in B‐flat major, op. 4: I. A tempo ordinario e staccato | — | ||
| 32-6 | Concerto for organ no. 2 in B‐flat major, op. 4: II. Allegro | — | ||
| 32-7 | Concerto for organ no. 2 in B‐flat major, op. 4: III. Adagio e staccato | — | ||
| 32-8 | Concerto for organ no. 2 in B‐flat major, op. 4: IV. Allegro ma non troppo | — | ||
| 32-9 | Concerto for organ no. 3 in G minor, op. 4: I. Adagio | — | ||
| 32-10 | Concerto for organ no. 3 in G minor, op. 4: II. Allegro | — | ||
| 32-11 | Concerto for organ no. 3 in G minor, op. 4: III. Adagio | — | ||
| 32-12 | Concerto for organ no. 3 in G minor, op. 4: IV. Allegro | — | ||
| 32-13 | Concerto for organ no. 4 in F major, op. 4: I. Allegro | — | ||
| 32-14 | Concerto for organ no. 4 in F major, op. 4: II. Andante | — | ||
| 32-15 | Concerto for organ no. 4 in F major, op. 4: III. Adagio | — | ||
| 32-16 | Concerto for organ no. 4 in F major, op. 4: IV. Allegro | — | ||
| 32-17 | Concerto for organ no. 5 in F major, op. 4: I. Larghetto | — | ||
| 32-18 | Concerto for organ no. 5 in F major, op. 4: II. Allegro | — | ||
| 32-19 | Concerto for organ no. 5 in F major, op. 4: III. Alla Sicilliana | — | ||
| 32-20 | Concerto for organ no. 5 in F major, op. 4: IV. Presto | — | ||
| 32-21 | Concerto for organ no. 6 in B‐flat major, op. 4: I. Andante – allegro | — | ||
| 32-22 | Concerto for organ no. 6 in B‐flat major, op. 4: II. Larghetto | — | ||
| 32-23 | Concerto for organ no. 6 in B‐flat major, op. 4: III. Allegro moderato | — | ||
| 33-1 | Concerto for organ no. 1 in B‐flat major, op. 7: I. Andante | — | ||
| 33-2 | Concerto for organ no. 1 in B‐flat major, op. 7: II. Andante | — | ||
| 33-3 | Concerto for organ no. 1 in B‐flat major, op. 7: III. Largo e piano | — | ||
| 33-4 | Concerto for organ no. 1 in B‐flat major, op. 7: IV. Allegro | — | ||
| 33-5 | Concerto for organ no. 1 in B‐flat major, op. 7: V. Organo ad libitum | — | ||
| 33-6 | Concerto for organ no. 1 in B‐flat major, op. 7: VI. Allegro | — | ||
| 33-7 | Concerto for organ no. 2 in A major, op. 7: I. Ouverture | — | ||
| 33-8 | Concerto for organ no. 2 in A major, op. 7: II. A tempo ordinario | — | ||
| 33-9 | Concerto for organ no. 2 in A major, op. 7: III. Organo ad libitum | — | ||
| 33-10 | Concerto for organ no. 2 in A major, op. 7: IV. Allegro | — | ||
| 33-11 | Concerto for organ no. 3 in B‐flat major, op. 7: I. Allegro | — | ||
| 33-12 | Concerto for organ no. 3 in B‐flat major, op. 7: II. Organo ad libitum | — | ||
| 33-13 | Concerto for organ no. 3 in B‐flat major, op. 7: III. Spiritoso | — | ||
| 33-14 | Concerto for organ no. 3 in B‐flat major, op. 7: IV. Menuet | — | ||
| 34-1 | Concerto for organ no. 4 in D minor, op. 7: I. Adagio | — | ||
| 34-2 | Concerto for organ no. 4 in D minor, op. 7: II. Allegro | — | ||
| 34-3 | Concerto for organ no. 4 in D minor, op. 7: III. Organo ad libitum | — | ||
| 34-4 | Concerto for organ no. 4 in D minor, op. 7: IV. Allegro | — | ||
| 34-5 | Concerto for organ no. 5 in G minor, op. 7: I. Allegro ma non troppo e staccato | — | ||
| 34-6 | Concerto for organ no. 5 in G minor, op. 7: II. Andante – larghetto e staccato | — | ||
| 34-7 | Concerto for organ no. 5 in G minor, op. 7: III. Menuet | — | ||
| 34-8 | Concerto for organ no. 5 in G minor, op. 7: IV. Gavotte | — | ||
| 34-9 | Concerto for organ no. 6 in B‐flat major, op. 7: I. Pomposo | — | ||
| 34-10 | Concerto for organ no. 6 in B‐flat major, op. 7: II. Organo ad libitum | — | ||
| 34-11 | Concerto for organ no. 6 in B‐flat major, op. 7: III. A tempo ordinario | — | ||
| 34-12 | Concerto for organ in F minor, “Cuckoo and Nightingale”: I. Larghetto | — | ||
| 34-13 | Concerto for organ in F minor, “Cuckoo and Nightingale”: II. Allegro | — | ||
| 34-14 | Concerto for organ in F minor, “Cuckoo and Nightingale”: III. Larghetto | — | ||
| 34-15 | Concerto for organ in F minor, “Cuckoo and Nightingale”: IV. Allegro | — | ||
| 35-1 | Sonata for flute no. 1a in E minor, op. 1: Larghetto (adagio) – andante – largo – allegro – presto | — | ||
| 35-2 | Hallenser sonata no. 1 for flute in A minor: Adagio – allegro – adagio – allegro | — | ||
| 35-3 | Hallenser sonata no. 2 for flute in E minor: Adagio – allegro – grave – minuet | — | ||
| 35-4 | Hallenser sonata no. 3 for flute in B minor: Adagio – allegro – largo – allegro | — | ||
| 35-5 | Sonata for flute in D major, HWV 378: Adagio – allegro – adagio – allegro | — | ||
| 35-6 | Sonata for flute no. 5 in G major, op. 1: Adagio – allegro – adagio – boree – menuetto | — | ||
| 35-7 | Sonata for flute no. 9 in B minor, op. 1: Largo – vivace – presto – adagio – alla breve – andante – a tempo di minuet | — | ||
| 35-8 | Sonata for flute no. 1b in E minor: Grave – allegro – adagio – allegro | — | ||
| 36-1 | Sonata for violin in A major: Andante – allegro – adagio – allegro | — | ||
| 36-2 | Sonata for violin in G minor: Larghetto – allegro – adagio – allegro | — | ||
| 36-3 | Sonata for oboe in B‐flat major: Andante – grave – allegro | — | ||
| 36-4 | Sonata for violin in D minor: Grave – allegro – adagio – allegro | — | ||
| 36-5 | Sonata for oboe in C minor: Largo – allegro – bourrée angloise – allegro | — | ||
| 36-6 | Movement for violin in A minor | — | ||
| 36-7 | Movement for violin in C minor: (Allegro) | — | ||
| 36-8 | Sonata for oboe in F major: Adagio – allegro – adagio – bourrée angloise – menuetto | — | ||
| 36-9 | Sonata for violin in D major: Affettuoso – allegro – larghetto – allegro | — | ||
| 37-1 | Trio sonata no. 1 in B minor, op. 2, HWV 386b: Andante – Allegro – Largo – Allegro | — | ||
| 37-2 | Trio sonata no. 2 for 2 violins & basso continuo in G minor: Andante – allegro – largo – allegro | — | ||
| 37-3 | Trio sonata no. 3 for 2 violins & basso continuo in B‐flat major: Andante – allegro – larghetto – allegro | — | ||
| 37-4 | Trio sonata no. 4 for recorder, violin, & basso continuo in F major: Larghetto – allegro – adagio – allegro (adagio) – allegro | — | ||
| 37-5 | Trio sonata no. 5 for 2 violins & basso continuo in G minor: Larghetto – allegro – adagio – allegro | — | ||
| 37-6 | Trio sonata no. 6 for 2 violins & basso continuo in G minor: Andante – allegro – arioso – allegro | — | ||
| 38-1 | Trio sonata no. 1 in A major, op. 5: Andante – allegro – larghetto – allegro – gavotte (allegro) | — | ||
| 38-2 | Trio sonata no. 2 in D major, op 5: Adagio – allegro – musette (andante, allegro, andante) – marche – gavotte (allegro) | — | ||
| 38-3 | Trio sonata no. 3 in E minor, op. 5: Andante larghetto – allegro – sarabande (largo assai) – allemande (andante allegro) – rondeau – gavotte (allegro) | — | ||
| 38-4 | Trio sonata no. 4 in G major, op. 5: Allegro – A tempo ordinario (allegro non presto) – passacaille – gigue (presto) – minuetto (allegro moderato) | — | ||
| 38-5 | Trio sonata no. 5 in G minor, op. 5: Largo – come alla breve – larghetto – a tempo giusto – air (andante) – bouree | — | ||
| 38-6 | Trio sonata no. 6 in F major, op. 5: Largo – allegro, adagio – adagio – allegro – andante variatio | — | ||
| 38-7 | Trio sonata no. 7 in B‐flat major, op. 5: Larghetto – allegro ma non presto – adagio, allegro – gavotte (allegro) – menuet (andante allegro) | — | ||
| 39-1 | Sinfonia for 2 violins and basso continuo in B‐flat major: Allegro – adagio – allegro | — | ||
| 39-2 | Trio sonata for 2 violins and basso continuo in F major: Andante – allegro – adagio – allegro | — | ||
| 39-3 | Trio sonata for 2 violins and basso continuo no. 1a in C minor, op. 2: Andante – allegro – andante – allegro | — | ||
| 39-4 | Trio sonata for 2 violins and basso continuo in G minor: Andante – allegro – largo – allegro | — | ||
| 39-5 | Trio sonata for 2 violins and basso continuo in C major: Allegro – andante larghetto – allegro – allegro | — | ||
| 39-6 | Trio sonata for 2 violins and basso continuo in E major: Adagio – allegro – adagio – allegro | — | ||
| 40-1 | Sonata for recorder in G major: Allegro – adagio – allegro | — | ||
| 40-2 | Sonata for recorder in G minor: Larghetto – andante – adagio – presto | — | ||
| 40-3 | Sonata for recorder in A minor: Larghetto – allegro – adagio – allegro | — | ||
| 40-4 | Sonata for recorder in C major: Larghetto – allegro – larghetto – a tempo di gavotta – allegro | — | ||
| 40-5 | Sonata for recorder in F major: Larghetto – allegro – alla siciliana – allegro | — | ||
| 40-6 | Sonata for recorder in B‐flat major: Allegro – adagio – allegro | — | ||
| 40-7 | Sonata for recorder in D minor: Largo – vivace – presto – adagio – alla breve – andante – a tempo di minuet | — | ||
| 40-8 | Trio sonata for recorder in F major: Allegro – grave – allegro | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messiah: Part I. Sinfonia | The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Comfort ye my people" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "And the glory, the glory of the Lord" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Thus said the Lord" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "But who may abide" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "And He shall purify" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Behold, a virgin" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "O thou that tellest" (alto) | The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "The people that walked in darkness" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "For unto us a Child is born" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Pifa (Pastoral Symphony) | The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "There were shepherds" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "And the angels said unto them" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "Glory to God in the highest" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "His yoke is easy" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Behold the Lamb of God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "He was despised" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Surely he hath borne our grieves" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "And with his stripes we are healed" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "All we like sheep" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "All they that see Him" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "He trusted in God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "He was cut off out of the land" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "But thou didst not leave" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Lift up your heads" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "Unto which of the angels" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Let all the angels of God worship Him" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Thou art gone up on high" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "The Lord gave the word" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "How beautiful are the feet" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Their sound is gone out" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. "Why do the nations?" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Let us break their bonds asunder" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Thou shalt break them" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Hallelujah!" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "Since by man came death" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
