UPC · Release
Handel Edition
George Frideric Handel
5028421950501
30 tracksReleased 2015-08-01
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5028421950501 is the Universal Product Code (UPC barcode) for the release “Handel Edition” by George Frideric Handel, released 2015-08-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC. Tracks include NLY330902423, NLY330902424, NLY330902425.
Format
502GS1 prefix
8421Company prefix
95050Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
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Credit Chain
UPCHandel Edition
ISRC30 recordings
ISWC3 works
IPI1 songwriter
Track List (30)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 46-1 | Messiah: Part II. Chorus "Surely he hath borne our grieves" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-2 | Messiah: Part II. Chorus "And with his stripes we are healed" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-3 | Messiah: Part II. Chorus "All we like sheep" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-4 | Messiah: Part II. Recitative "All they that see Him" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-5 | Messiah: Part II. Chorus "He trusted in God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-6 | Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-7 | Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-8 | Messiah: Part II. Recitative "He was cut off out of the land" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-9 | Messiah: Part II. Aria "But thou didst not leave" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-10 | Messiah: Part II. Chorus "Lift up your heads" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-11 | Messiah: Part II. Recitative "Unto which of the angels" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-12 | Messiah: Part II. Chorus "Let all the angels of God worship Him" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-13 | Messiah: Part II. Aria "Thou art gone up on high" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-14 | Messiah: Part II. Chorus "The Lord gave the word" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-15 | Messiah: Part II. Aria "How beautiful are the feet" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-16 | Messiah: Part II. Chorus "Their sound is gone out" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-17 | Messiah: Part II. "Why do the nations?" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-18 | Messiah: Part II. Chorus "Let us break their bonds asunder" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-19 | Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-20 | Messiah: Part II. Aria "Thou shalt break them" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-21 | Messiah: Part II. Chorus "Hallelujah!" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-22 | Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-23 | Messiah: Part III. Chorus "Since by man came death" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-24 | Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-25 | Messiah: Part III. Aria "The trumpet shall sound" (bass) | Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-26 | Messiah: Part III. Recitative "Then shall be brought to pass" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-27 | Messiah: Part III. Duet "O death, where is thy sting" (alto & tenor) | John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-28 | Messiah: Part III. Chorus "But thanks be to God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-29 | Messiah: Part III. Aria "If God be for us" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-30 | Messiah: Part III. Chorus "Worthy is the Lamb...Amen" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
Messiah: Part II. Chorus "Surely he hath borne our grieves"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "And with his stripes we are healed"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "All we like sheep"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Recitative "All they that see Him" (tenor)
John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "He trusted in God"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor)
John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor)
John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Recitative "He was cut off out of the land" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Aria "But thou didst not leave" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "Lift up your heads"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Recitative "Unto which of the angels" (tenor)
John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "Let all the angels of God worship Him"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Aria "Thou art gone up on high" (alto)
Hilary Summers, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "The Lord gave the word"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Aria "How beautiful are the feet" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "Their sound is gone out"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. "Why do the nations?" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "Let us break their bonds asunder"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor)
John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Aria "Thou shalt break them" (tenor)
John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "Hallelujah!"
The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part III. Chorus "Since by man came death"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part III. Aria "The trumpet shall sound" (bass)
Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part III. Recitative "Then shall be brought to pass" (alto)
Hilary Summers, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part III. Duet "O death, where is thy sting" (alto & tenor)
John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part III. Chorus "But thanks be to God"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part III. Aria "If God be for us" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part III. Chorus "Worthy is the Lamb...Amen"
The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury
—
Additional database matches (127)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Oboe Concerto no. 3 in G minor, HWV 287: 1. Grave | Anthony Camden, City of London Sinfonia, Nicholas Ward | T9298377987 |
| Oboe Concerto no. 3 in G minor, HWV 287: 2. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Oboe Concerto no. 3 in G minor: Sarabande | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | T2103395236 |
| Oboe Concerto no. 3 in G minor, HWV 287: 4. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | T3186765282 |
| Oboe Concerto no. 2 in B-flat, HWV 302a: 1. Vivace | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Oboe Concerto no. 2 in B-flat, HWV 302a: 2. Fuga: Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Oboe Concerto no. 2 in B-flat, HWV 302a: 3. Andante | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Oboe Concerto no. 2 in B-flat, HWV 302a: 4. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Oboe Concerto no. 1 in B-flat, HWV 301: 1. Adagio | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Oboe Concerto no. 1 in B-flat, HWV 301: 2. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Oboe Concerto no. 1 in B-flat, HWV 301: 3. Siciliana | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Oboe Concerto no. 1 in B-flat, HWV 301: 4. Vivace | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Air and Rondo: Air in G minor | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Air and Rondo: Rondo in G minor | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Suite in G minor: 1. Overture | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — |
| Suite in G minor: 2. Gavote | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — |
| Suite in G minor: 3. Bourrée I | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — |
| Suite in G minor: 4. Bourrée II | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — |
| Suite in G minor: 5. Bourrée I (rept) | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — |
| Suite in G minor: 6. Sarabande | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — |
| Suite in G minor: 7. Rigaudon | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — |
| Suite in G minor: 8. Passacaille | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — |
| Suite in G minor: Passepied | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — |
| Overture to “Otho” in B-flat major: 1. Maestoso | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — |
| Overture to “Otho” in B-flat major: 2. Allegro | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — |
| Overture to “Otho” in B-flat major: 3. Gavotta | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — |
| Oboe Concerto no. 3 in G minor, HWV 287: 1. Grave | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Oboe Concerto no. 3 in G minor, HWV 287: 2. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Air and Rondo: Rondo in G minor | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Suite in G minor: 7. Rigaudon | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — |
| Messiah: Part I. Sinfonia | The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Comfort ye my people" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "And the glory, the glory of the Lord" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Thus said the Lord" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "But who may abide" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "And He shall purify" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Behold, a virgin" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "O thou that tellest" (alto) | The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "The people that walked in darkness" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "For unto us a Child is born" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Pifa (Pastoral Symphony) | The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "There were shepherds" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "And the angels said unto them" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "Glory to God in the highest" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "His yoke is easy" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Behold the Lamb of God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "He was despised" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Sinfonia | The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Comfort ye my people" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "And the glory, the glory of the Lord" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Thus said the Lord" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "But who may abide" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "And He shall purify" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Behold, a virgin" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "O thou that tellest" (alto) | The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "The people that walked in darkness" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "For unto us a Child is born" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Pifa (Pastoral Symphony) | The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "There were shepherds" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "And the angels said unto them" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "Glory to God in the highest" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "His yoke is easy" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Behold the Lamb of God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "He was despised" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Surely he hath borne our grieves" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "And with his stripes we are healed" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "All we like sheep" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "All they that see Him" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "He trusted in God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "He was cut off out of the land" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "But thou didst not leave" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Lift up your heads" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "Unto which of the angels" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Let all the angels of God worship Him" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Thou art gone up on high" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "The Lord gave the word" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "How beautiful are the feet" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Their sound is gone out" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. "Why do the nations?" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Let us break their bonds asunder" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Thou shalt break them" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Hallelujah!" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "Since by man came death" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "The trumpet shall sound" (bass) | Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Recitative "Then shall be brought to pass" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Duet "O death, where is thy sting" (alto & tenor) | John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "But thanks be to God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "If God be for us" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "Worthy is the Lamb...Amen" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Concerto in G minor, HWV 289: Larghetto e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in G minor, HWV 289: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in G minor, HWV 289: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in G minor, HWV 289: Andante | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in B flat major, HWV 290: A tempo ordinario e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in B flat major, HWV 290: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in B flat major, HWV 290: Adagio e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in B flat major, HWV 290: Allegro ma non presto | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in G minor, HWV 291: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in G minor, HWV 291: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in G minor, HWV 291: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in G minor, HWV 291: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in F major, HWV 292: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in F major, HWV 292: Andante | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in F major, HWV 292: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in F major, HWV 292: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Larghetto | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Organo ad libitum (Fuga, HWV 609) | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Larghetto | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
| Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — |
Anthony Camden, City of London Sinfonia, Nicholas Ward
Oboe Concerto no. 3 in G minor, HWV 287: 2. Allegro
Anthony Camden, City of London Sinfonia, Nicholas Ward
—
Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward
Anthony Camden, City of London Sinfonia, Nicholas Ward
Oboe Concerto no. 2 in B-flat, HWV 302a: 1. Vivace
Anthony Camden, City of London Sinfonia, Nicholas Ward
—
Oboe Concerto no. 2 in B-flat, HWV 302a: 2. Fuga: Allegro
Anthony Camden, City of London Sinfonia, Nicholas Ward
—
Oboe Concerto no. 2 in B-flat, HWV 302a: 3. Andante
Anthony Camden, City of London Sinfonia, Nicholas Ward
—
Oboe Concerto no. 2 in B-flat, HWV 302a: 4. Allegro
Anthony Camden, City of London Sinfonia, Nicholas Ward
—
Oboe Concerto no. 1 in B-flat, HWV 301: 1. Adagio
Anthony Camden, City of London Sinfonia, Nicholas Ward
—
Oboe Concerto no. 1 in B-flat, HWV 301: 2. Allegro
Anthony Camden, City of London Sinfonia, Nicholas Ward
—
Oboe Concerto no. 1 in B-flat, HWV 301: 3. Siciliana
Anthony Camden, City of London Sinfonia, Nicholas Ward
—
Oboe Concerto no. 1 in B-flat, HWV 301: 4. Vivace
Anthony Camden, City of London Sinfonia, Nicholas Ward
—
Air and Rondo: Air in G minor
Anthony Camden, City of London Sinfonia, Nicholas Ward
—
Air and Rondo: Rondo in G minor
Anthony Camden, City of London Sinfonia, Nicholas Ward
—
Suite in G minor: 1. Overture
Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward
—
Suite in G minor: 2. Gavote
Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward
—
Suite in G minor: 3. Bourrée I
Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward
—
Suite in G minor: 4. Bourrée II
Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward
—
Suite in G minor: 5. Bourrée I (rept)
Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward
—
Suite in G minor: 6. Sarabande
Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward
—
Suite in G minor: 7. Rigaudon
Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward
—
Suite in G minor: 8. Passacaille
Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward
—
Suite in G minor: Passepied
Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward
—
Overture to “Otho” in B-flat major: 1. Maestoso
Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward
—
Overture to “Otho” in B-flat major: 2. Allegro
Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward
—
Overture to “Otho” in B-flat major: 3. Gavotta
Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward
—
Oboe Concerto no. 3 in G minor, HWV 287: 1. Grave
Anthony Camden, City of London Sinfonia, Nicholas Ward
—
Oboe Concerto no. 3 in G minor, HWV 287: 2. Allegro
Anthony Camden, City of London Sinfonia, Nicholas Ward
—
Air and Rondo: Rondo in G minor
Anthony Camden, City of London Sinfonia, Nicholas Ward
—
Suite in G minor: 7. Rigaudon
Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward
—
Messiah: Part I. Sinfonia
The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Recitative "Comfort ye my people" (tenor)
John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor)
John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Chorus "And the glory, the glory of the Lord"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Recitative "Thus said the Lord" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Aria "But who may abide" (alto)
Hilary Summers, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Chorus "And He shall purify"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Recitative "Behold, a virgin" (alto)
Hilary Summers, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Aria "O thou that tellest" (alto)
The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Aria "The people that walked in darkness" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Chorus "For unto us a Child is born"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Pifa (Pastoral Symphony)
The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Recitative "There were shepherds" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Recitative "And the angels said unto them" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Chorus "Glory to God in the highest"
The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto)
Hilary Summers, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano)
Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Chorus "His yoke is easy"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "Behold the Lamb of God"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Aria "He was despised" (alto)
Hilary Summers, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Sinfonia
The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Recitative "Comfort ye my people" (tenor)
John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor)
John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Chorus "And the glory, the glory of the Lord"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Recitative "Thus said the Lord" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Aria "But who may abide" (alto)
Hilary Summers, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Chorus "And He shall purify"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Recitative "Behold, a virgin" (alto)
Hilary Summers, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Aria "O thou that tellest" (alto)
The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Aria "The people that walked in darkness" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Chorus "For unto us a Child is born"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Pifa (Pastoral Symphony)
The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Recitative "There were shepherds" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Recitative "And the angels said unto them" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Chorus "Glory to God in the highest"
The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto)
Hilary Summers, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano)
Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part I. Chorus "His yoke is easy"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "Behold the Lamb of God"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Aria "He was despised" (alto)
Hilary Summers, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "Surely he hath borne our grieves"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "And with his stripes we are healed"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "All we like sheep"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Recitative "All they that see Him" (tenor)
John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "He trusted in God"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor)
John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor)
John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Recitative "He was cut off out of the land" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Aria "But thou didst not leave" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "Lift up your heads"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Recitative "Unto which of the angels" (tenor)
John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "Let all the angels of God worship Him"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Aria "Thou art gone up on high" (alto)
Hilary Summers, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "The Lord gave the word"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Aria "How beautiful are the feet" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "Their sound is gone out"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. "Why do the nations?" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "Let us break their bonds asunder"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor)
John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Aria "Thou shalt break them" (tenor)
John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part II. Chorus "Hallelujah!"
The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part III. Chorus "Since by man came death"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part III. Aria "The trumpet shall sound" (bass)
Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part III. Recitative "Then shall be brought to pass" (alto)
Hilary Summers, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part III. Duet "O death, where is thy sting" (alto & tenor)
John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part III. Chorus "But thanks be to God"
The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part III. Aria "If God be for us" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
—
Messiah: Part III. Chorus "Worthy is the Lamb...Amen"
The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury
—
Concerto in G minor, HWV 289: Larghetto e staccato
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in G minor, HWV 289: Allegro
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in G minor, HWV 289: Adagio
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in G minor, HWV 289: Andante
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in B flat major, HWV 290: A tempo ordinario e staccato
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in B flat major, HWV 290: Allegro
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in B flat major, HWV 290: Adagio e staccato
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in B flat major, HWV 290: Allegro ma non presto
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in G minor, HWV 291: Adagio
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in G minor, HWV 291: Allegro
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in G minor, HWV 291: Adagio
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in G minor, HWV 291: Allegro
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in F major, HWV 292: Allegro
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in F major, HWV 292: Andante
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in F major, HWV 292: Adagio
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in F major, HWV 292: Allegro
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Larghetto
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Allegro
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Organo ad libitum (Fuga, HWV 609)
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Larghetto
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Allegro
Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt
—
What other identifiers does this connect to?
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Creative Contributors (ISNI)
00000000266912770000000039326455000000004474765X0000000046311438000000005548214000000000554904230000000055495793000000005938075800000000630955620000000063108191
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000000006656793200000000666269980000000071450835000000007368918800000000783928180000000078397213000000007844008200000000784999570000000079940193000000008137322000000000814130260000000081607971000000008166938X0000000081680095000000008177300500000000818671400000000081888718000000008188968100000000833558000000000083544396000000008389652700000000839961570000000086056590000000009082849300000000928297990000000098233291000000009848500X0000000106535880000000010674956300000001077584020000000108602573000000010863439900000001086941480000000108694252000000010875387300000001087701200000000109062054000000010916102800000001092188800000000109442735
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