UPC · Release
George Frideric Handel
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5028421950501 is the Universal Product Code (UPC barcode) for the release “Handel Edition” by George Frideric Handel, released 2015-08-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 1000 tracks, each with its own ISRC. Tracks include NLY331601185, NLY331601186, NLY331601187.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite No. 1 in F major, HWV 348 "Water Music" : 1. Overture largo allegro | — | ||
| 2 | Suite No. 1 in F major, HWV 348 "Water Music" : 2. Adagio e staccato | — | ||
| 3 | Suite No. 1 in F major, HWV 348 "Water Music" : 3. Without tempo | — | ||
| 4 | Suite No. 1 in F major, HWV 348 "Water Music" : 4. Andante | — | ||
| 5 | Suite No. 1 in F major, HWV 348 "Water Music" : 5. Da capo | — | ||
| 6 | Suite No. 1 in F major, HWV 348 "Water Music" : 6. Without tempo | — | ||
| 7 | Suite No. 1 in F major, HWV 348 "Water Music" : 7. Air | — | ||
| 8 | Suite No. 1 in F major, HWV 348 "Water Music" : 8. Minuet | — | ||
| 9 | Suite No. 1 in F major, HWV 348 "Water Music" : 9. Bourrée | — | ||
| 10 | Suite No. 1 in F major, HWV 348 "Water Music" : 10. Hornpipe | — | ||
| 11 | Suite No. 1 in F major, HWV 348 "Water Music" : 11. Without tempo | — | ||
| 12 | Suite No. 2 in D major, HWV 349 "Water Music" : 1. Without tempo | — | ||
| 13 | Suite No. 2 in D major, HWV 349 "Water Music" : 2. Alla hornpipe | — | ||
| 14 | Suite No. 2 in D major, HWV 349 "Water Music" : 3. Minuet | — | ||
| 15 | Suite No. 2 in D major, HWV 349 "Water Music" : 4. Lentement | — | ||
| 16 | Suite No. 2 in D major, HWV 349 "Water Music" : 5. Bourrée | — | ||
| 17 | Suite No. 3 in G major, HWV 350 "Water Music" : 1. Without tempo | — | ||
| 18 | Suite No. 3 in G major, HWV 350 "Water Music" : 2. Rigaudon | — | ||
| 19 | Suite No. 3 in G major, HWV 350 "Water Music" : 3. Without tempo | — | ||
| 20 | Suite No. 3 in G major, HWV 350 "Water Music" : 4. Da capo | — | ||
| 21 | Suite No. 3 in G major, HWV 350 "Water Music" : 5. Menuet | — | ||
| 22 | Suite No. 3 in G major, HWV 350 "Water Music" : 6. Without tempo | — | ||
| 23 | Suite No. 3 in G major, HWV 350 "Water Music" : 7. Without tempo | — | ||
| 24 | Suite No. 3 in G major, HWV 350 "Water Music" : 8. Without tempo | — | ||
| 2-1 | Music for the Royal Fireworks, HWV 351: 1. Overture | — | ||
| 2-2 | Music for the Royal Fireworks, HWV 351: 2. Bourrée | — | ||
| 2-3 | Music for the Royal Fireworks, HWV 351: 3. La Paix | — | ||
| 2-4 | Music for the Royal Fireworks, HWV 351: 4. La Réjouisannce | — | ||
| 2-5 | Music for the Royal Fireworks, HWV 351: 5. Menuet I | — | ||
| 2-6 | Music for the Royal Fireworks, HWV 351: 6. Menuet II | — | ||
| 2-7 | Sinfonia in B-flat major, HWV 339: 1. Allegro | — | ||
| 2-8 | Sinfonia in B-flat major, HWV 339: 2. Adagio | — | ||
| 2-9 | Sinfonia in B-flat major, HWV 339: 3. Allegro | — | ||
| 2-10 | Sinfonia in B-flat major, HWV 347: 1. Pomposo | — | ||
| 2-11 | Sinfonia in B-flat major, HWV 347: 2. Air lentement | — | ||
| 2-12 | Sinfonia in B-flat major, HWV 347: 3. Air: A tempo ordinario | — | ||
| 3-1 | Concerto grosso in B-flat, Op. 3 No. 1 HWV 312: 1. Allegro | — | ||
| 3-2 | Concerto grosso in B-flat, Op. 3 No. 1 HWV 312: 2. Largo | — | ||
| 3-3 | Concerto grosso in B-flat, Op. 3 No. 1 HWV 312: 3. Allegro | — | ||
| 3-4 | Concerto grosso in B-flat, Op. 3 No. 2 HWV 313: 1. Vivace, Grave | — | ||
| 3-5 | Concerto grosso in B-flat, Op. 3 No. 2 HWV 313: 2. Largo | — | ||
| 3-6 | Concerto grosso in B-flat, Op. 3 No. 2 HWV 313: 3. Allegro | — | ||
| 3-7 | Concerto grosso in B-flat, Op. 3 No. 2 HWV 313: 4. [Menuet] | — | ||
| 3-8 | Concerto grosso in B-flat, Op. 3 No. 2 HWV 313: 5. [Gavotte] | — | ||
| 3-9 | Concerto grosso in G major, Op. 3 No. 3 HWV 314: 1. Largo e staccato | — | ||
| 3-10 | Concerto grosso in G major, Op. 3 No. 3 HWV 314: 2. Allegro | — | ||
| 3-11 | Concerto grosso in G major, Op. 3 No. 3 HWV 314: 3. Adagio; 4. Allegro | — | ||
| 3-12 | Concerto grosso in F major, Op. 3 No. 4b: 1. Allegro, lentement | — | ||
| 3-13 | Concerto grosso in F major, Op. 3 No. 4b: 2. Andante | — | ||
| 3-14 | Concerto grosso in F major, Op. 3 No. 4b: 3. Allegro | — | ||
| 3-15 | Concerto grosso in F major, Op. 3 No. 4b: 4. Minuetto | — | ||
| 3-16 | Concerto grosso in D minor, Op. 3, No. 5, HWV 316: 1. Larghetto | — | ||
| 3-17 | Concerto grosso in D minor, Op. 3, No. 5, HWV 316: 2. Fuga | — | ||
| 3-18 | Concerto grosso in D minor, Op. 3, No. 5, HWV 316: 3. Adagio | — | ||
| 3-19 | Concerto grosso in D minor, Op. 3, No. 5, HWV 316: 4. Allegro ma non troppo | — | ||
| 3-20 | Concerto grosso in D minor, Op. 3, No. 5, HWV 316: 5. Allegro | — | ||
| 3-21 | Concerto grosso in D major, Op. 3 No. 6 HWV 317: 1. Vivace | — | ||
| 3-22 | Concerto grosso in D major, Op. 3 No. 6 HWV 317: 2. Adagio | — | ||
| 3-23 | Concerto grosso in D major, Op. 3 No. 6 HWV 317: 3. Allegro | — | ||
| 3-24 | Concerto grosso in F major, Op. 3 No. 4a (Corelli): 1. Adagio - allegro | — | ||
| 3-25 | Concerto grosso in F major, Op. 3 No. 4a (Corelli): 2. Adagio | — | ||
| 3-26 | Concerto grosso in F major, Op. 3 No. 4a (Corelli): 3. Vivace | — | ||
| 3-27 | Concerto grosso in F major, Op. 3 No. 4a (Corelli): 4. Giga (Allegro) | — | ||
| 4-1 | Concerto grosso in G major, Op. 6 No. 1, HWV 319 | — | ||
| 4-2 | Concerto grosso in F major, Op. 6 No. 2, HWV 320 | — | ||
| 4-3 | Concerto grosso in E minor, Op. 6 No. 3, HWV 321 | — | ||
| 4-4 | Concerto grosso in A minor, Op. 6 No. 4, HWV 322 | — | ||
| 5-1 | Concerto grosso in D major, Op. 6 No. 5, HWV 323 | — | ||
| 5-2 | Concerto grosso in G minor, Op. 6 No. 6, HWV 324 | — | ||
| 5-3 | Concerto grosso in B-flat major, Op. 6 No. 7, HWV 325 | — | ||
| 5-4 | Concerto grosso in C minor, Op. 6 No. 8, HWV 326 | — | ||
| 6-1 | Concerto grosso in F, Op. 6 No. 9, HWV 327 | — | ||
| 6-2 | Concerto grosso in D minor, Op. 6 No. 10, HWV 328 | — | ||
| 6-3 | Concerto grosso in A, Op. 6 No. 11, HWV 329 | — | ||
| 6-4 | Concerto grosso in B minor, Op. 6 No. 12, HWV 330 | — | ||
| 7-1 | Concerto a due cori für Oboen, Fagotte, Streicher und Basso continuo in B-Dur, HWV 332: 1. Overture | — | ||
| 7-2 | Concerto a due cori für Oboen, Fagotte, Streicher und Basso continuo in B-Dur, HWV 332: 2. Allegro ma non troppo | — | ||
| 7-3 | Concerto a due cori für Oboen, Fagotte, Streicher und Basso continuo in B-Dur, HWV 332: 3. Allegro | — | ||
| 7-4 | Concerto a due cori für Oboen, Fagotte, Streicher und Basso continuo in B-Dur, HWV 332: 4. Largo | — | ||
| 7-5 | Concerto a due cori für Oboen, Fagotte, Streicher und Basso continuo in B-Dur, HWV 332: 5. A tempo ordinario | — | ||
| 7-6 | Concerto a due cori für Oboen, Fagotte, Streicher und Basso continuo in B-Dur, HWV 332: 6. Alla breve moderato | — | ||
| 7-7 | Concerto a due cori für Oboen, Fagotte, Streicher und Basso continuo in B-Dur, HWV 332: 7. Minuet | — | ||
| 7-8 | Concerto a due cori für Hörner, Oboen, Fagotte, Streicher und Basso continuo in F-Dur, HWV 333: 1. Pomposo | — | ||
| 7-9 | Concerto a due cori für Hörner, Oboen, Fagotte, Streicher und Basso continuo in F-Dur, HWV 333: 2. Allegro | — | ||
| 7-10 | Concerto a due cori für Hörner, Oboen, Fagotte, Streicher und Basso continuo in F-Dur, HWV 333: 3. A tempo giusto | — | ||
| 7-11 | Concerto a due cori für Hörner, Oboen, Fagotte, Streicher und Basso continuo in F-Dur, HWV 333: 4. Largo | — | ||
| 7-12 | Concerto a due cori für Hörner, Oboen, Fagotte, Streicher und Basso continuo in F-Dur, HWV 333: 5. Allegro ma non troppo | — | ||
| 7-13 | Concerto a due cori für Hörner, Oboen, Fagotte, Streicher und Basso continuo in F-Dur, HWV 333: 6. A tempo ordinario | — | ||
| 7-14 | Concerto a due cori für 2 Hörner, 2 Oboen, Streicher und Basso continuo in F-Dur, HWV 334: 1. Overture | — | ||
| 7-15 | Concerto a due cori für 2 Hörner, 2 Oboen, Streicher und Basso continuo in F-Dur, HWV 334: 2. Allegro | — | ||
| 7-16 | Concerto a due cori für 2 Hörner, 2 Oboen, Streicher und Basso continuo in F-Dur, HWV 334: 3. Allegro ma non troppo | — | ||
| 7-17 | Concerto a due cori für 2 Hörner, 2 Oboen, Streicher und Basso continuo in F-Dur, HWV 334: 4. Adagio | — | ||
| 7-18 | Concerto a due cori für 2 Hörner, 2 Oboen, Streicher und Basso continuo in F-Dur, HWV 334: 5. Andante Larghetto | — | ||
| 7-19 | Concerto a due cori für 2 Hörner, 2 Oboen, Streicher und Basso continuo in F-Dur, HWV 334: 6. Allegro | — | ||
| 8-1 | Concerto in G minor, HWV 289: Larghetto e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-2 | Concerto in G minor, HWV 289: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-3 | Concerto in G minor, HWV 289: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-4 | Concerto in G minor, HWV 289: Andante | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-5 | Concerto in B flat major, HWV 290: A tempo ordinario e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-6 | Concerto in B flat major, HWV 290: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-7 | Concerto in B flat major, HWV 290: Adagio e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-8 | Concerto in B flat major, HWV 290: Allegro ma non presto | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-9 | Concerto in G minor, HWV 291: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-10 | Concerto in G minor, HWV 291: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-11 | Concerto in G minor, HWV 291: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-12 | Concerto in G minor, HWV 291: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-13 | Concerto in F major, HWV 292: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-14 | Concerto in F major, HWV 292: Andante | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-15 | Concerto in F major, HWV 292: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-16 | Concerto in F major, HWV 292: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 9-1 | Organ Concerto No. 5 in F, Op. 4 No. 5, HWV 293: 1. Larghetto | — | ||
| 9-2 | Organ Concerto No. 5 in F, Op. 4 No. 5, HWV 293: 2. Allegro | — | ||
| 9-3 | Organ Concerto No. 5 in F, Op. 4 No. 5, HWV 293: 3. Alla siciliana | — | ||
| 9-4 | Organ Concerto No. 5 in F, Op. 4 No. 5, HWV 293: 4. Presto | — | ||
| 9-5 | Harp Concerto in B-flat, Op. 4 No. 6, HWV 294: 1. Andante, Allegro | — | ||
| 9-6 | Harp Concerto in B-flat, Op. 4 No. 6, HWV 294: 2. Larghetto | — | ||
| 9-7 | Harp Concerto in B-flat, Op. 4 No. 6, HWV 294: 3. Allegro moderato | — | ||
| 9-8 | Organ Concerto No. 6 in B-flat, Op. 4 No. 6, HWV 294: 1. Andante, Allegro | — | ||
| 9-9 | Organ Concerto No. 6 in B-flat, Op. 4 No. 6, HWV 294: 2. Larghetto | — | ||
| 9-10 | Organ Concerto No. 6 in B-flat, Op. 4 No. 6, HWV 294: 3. Allegro moderato | — | ||
| 9-11 | Organ Concerto No. 7 in B-flat, Op. 7 No. 1, HWV 306: 1. Andante; 2. Andante | — | ||
| 9-12 | Organ Concerto No. 7 in B-flat, Op. 7 No. 1, HWV 306: 2. Largo e piano | — | ||
| 9-13 | Organ Concerto No. 7 in B-flat, Op. 7 No. 1, HWV 306: 3. Allegro | — | ||
| 9-14 | Organ Concerto No. 7 in B-flat, Op. 7 No. 1, HWV 306: 4. Organo ad libitum | — | ||
| 9-15 | Organ Concerto No. 7 in B-flat, Op. 7 No. 1, HWV 306: 5. Allegro | — | ||
| 10-1 | Organ Concerto No. 8 in A, Op. 7 No. 2, HWV 307: 1. Overture | — | ||
| 10-2 | Organ Concerto No. 8 in A, Op. 7 No. 2, HWV 307: 2. A tempo ordinario | — | ||
| 10-3 | Organ Concerto No. 8 in A, Op. 7 No. 2, HWV 307: 3. Organo ad libitum | — | ||
| 10-4 | Organ Concerto No. 8 in A, Op. 7 No. 2, HWV 307: 4. Allegro | — | ||
| 10-5 | Organ Concerto No. 9 in B-flat, Op. 7 No. 3, HWV 308: 1. Allegro | — | ||
| 10-6 | Organ Concerto No. 9 in B-flat, Op. 7 No. 3, HWV 308: 2. Organo ad libitum | — | ||
| 10-7 | Organ Concerto No. 9 in B-flat, Op. 7 No. 3, HWV 308: 3. Spiritoso | — | ||
| 10-8 | Organ Concerto No. 9 in B-flat, Op. 7 No. 3, HWV 308: 4. Menuet 1 | — | ||
| 10-9 | Organ Concerto No. 9 in B-flat, Op. 7 No. 3, HWV 308: 5. Menuet 2 | — | ||
| 10-10 | Organ Concerto No. 10 in D minor, Op. 7 No. 4, HWV 309: 1. Adagio | — | ||
| 10-11 | Organ Concerto No. 10 in D minor, Op. 7 No. 4, HWV 309: 2. Allegro | — | ||
| 10-12 | Organ Concerto No. 10 in D minor, Op. 7 No. 4, HWV 309: 3. Organo ad libitum | — | ||
| 10-13 | Organ Concerto No. 10 in D minor, Op. 7 No. 4, HWV 309: 4. Allegro | — | ||
| 10-14 | Organ Concerto No. 11 in G minor, Op. 7 No. 5, HWV 310: 1. Staccato ma non troppo allegro | — | ||
| 10-15 | Organ Concerto No. 11 in G minor, Op. 7 No. 5, HWV 310: 2. Andante larghetto e staccato (Organo ad libitum) | — | ||
| 10-16 | Organ Concerto No. 11 in G minor, Op. 7 No. 5, HWV 310: 3. Menuet | — | ||
| 10-17 | Organ Concerto No. 11 in G minor, Op. 7 No. 5, HWV 310: 4. Gavotte | — | ||
| 11-1 | Organ Concerto No. 12 in B-flat, Op. 7 No. 6, HWV 311: 1. Pomposo | — | ||
| 11-2 | Organ Concerto No. 12 in B-flat, Op. 7 No. 6, HWV 311: 2. Lentement (Organo ad libitum) | — | ||
| 11-3 | Organ Concerto No. 12 in B-flat, Op. 7 No. 6, HWV 311: 3. Air | — | ||
| 11-4 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Larghetto | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 11-5 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 11-6 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Organo ad libitum (Fuga, HWV 609) | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 11-7 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Larghetto | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 11-8 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 11-9 | Organ Concerto No. 14 in A, HWV 296a: 1. Largo e staccato | — | ||
| 11-10 | Organ Concerto No. 14 in A, HWV 296a: 2. Organo ad libitum | — | ||
| 11-11 | Organ Concerto No. 14 in A, HWV 296a: 3. Andante | — | ||
| 11-12 | Organ Concerto No. 14 in A, HWV 296a: 4. Grave, Organo ad libitum | — | ||
| 11-13 | Organ Concerto No. 14 in A, HWV 296a: 5. Allegro | — | ||
| 11-14 | Organ Concerto No. 15 in D minor, HWV 304: 1. Andante | — | ||
| 11-15 | Organ Concerto No. 15 in D minor, HWV 304: 2. Grave | — | ||
| 11-16 | Organ Concerto No. 15 in D minor, HWV 304: 3. Organo ad libitum, Fuga | — | ||
| 11-17 | Organ Concerto No. 15 in D minor, HWV 304: 4. Allegro | — | ||
| 12-1 | Orgelkonzert No. 16 F-Dur, HWV 305a: 1. Overture | — | ||
| 12-2 | Orgelkonzert No. 16 F-Dur, HWV 305a: 2. Allegro | — | ||
| 12-3 | Orgelkonzert No. 16 F-Dur, HWV 305a: 3. Organo ad libitum | — | ||
| 12-4 | Orgelkonzert No. 16 F-Dur, HWV 305a: 4. Allegro ma non troppo | — | ||
| 12-5 | Orgelkonzert No. 16 F-Dur, HWV 305a: 5. Adagio | — | ||
| 12-6 | Orgelkonzert No. 16 F-Dur, HWV 305a: 6. Andante | — | ||
| 12-7 | Orgelkonzert No. 16 F-Dur, HWV 305a: 7. Allegro | — | ||
| 12-8 | Orgelkonzert No. 16 F-Dur, HWV 305a: 8. March | — | ||
| 12-9 | Fugue G-Moll HWV 605 | — | ||
| 12-10 | Fugue B-Dur HWV 607 | — | ||
| 12-11 | Fugue B-Moll HWV 608 | — | ||
| 12-12 | Fugue C-Moll HWV 610 | — | ||
| 13-1 | Oboe Concerto no. 3 in G minor, HWV 287: 1. Grave | Anthony Camden, City of London Sinfonia, Nicholas Ward | T-929.837.798-7 | |
| 13-2 | Oboe Concerto no. 3 in G minor, HWV 287: 2. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-3 | Oboe Concerto no. 3 in G minor: Sarabande | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | T-210.339.523-6 | |
| 13-4 | Oboe Concerto no. 3 in G minor, HWV 287: 4. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | T-318.676.528-2 | |
| 13-5 | Oboe Concerto no. 2 in B-flat, HWV 302a: 1. Vivace | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-6 | Oboe Concerto no. 2 in B-flat, HWV 302a: 2. Fuga: Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-7 | Oboe Concerto no. 2 in B-flat, HWV 302a: 3. Andante | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-8 | Oboe Concerto no. 2 in B-flat, HWV 302a: 4. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-9 | Oboe Concerto no. 1 in B-flat, HWV 301: 1. Adagio | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-10 | Oboe Concerto no. 1 in B-flat, HWV 301: 2. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-11 | Oboe Concerto no. 1 in B-flat, HWV 301: 3. Siciliana | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-12 | Oboe Concerto no. 1 in B-flat, HWV 301: 4. Vivace | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-13 | Air and Rondo: Air in G minor | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-14 | Air and Rondo: Rondo in G minor | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-15 | Suite in G minor: 1. Overture | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-16 | Suite in G minor: 2. Gavote | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-17 | Suite in G minor: 3. Bourrée I | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-18 | Suite in G minor: 4. Bourrée II | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-19 | Suite in G minor: 5. Bourrée I (rept) | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-20 | Suite in G minor: 6. Sarabande | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-21 | Suite in G minor: 7. Rigaudon | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-22 | Suite in G minor: 8. Passacaille | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-23 | Suite in G minor: Passepied | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-24 | Overture to “Otho” in B-flat major: 1. Maestoso | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-25 | Overture to “Otho” in B-flat major: 2. Allegro | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-26 | Overture to “Otho” in B-flat major: 3. Gavotta | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 14-1 | Flute Sonata in E minor, Op. 1 No. 1a, HWV 379 | — | ||
| 14-2 | Flute Sonata in A minor, HWV 374, "Halle Sonata No. 1" | — | ||
| 14-3 | Flute Sonata in E minor, HWV 375, "Halle Sonata No. 2" | — | ||
| 14-4 | Flute Sonata in B minor, HWV 376, "Halle No. 3" | — | ||
| 14-5 | Flute Sonata in D, HWV 378 | — | ||
| 14-6 | Flute Sonata in G, Op. 1 No. 5, HWV 363b | — | ||
| 14-7 | Flute Sonata in B minor, Op. 1 No. 9, HWV 367b | — | ||
| 14-8 | Flute Sonata in E minor, Op. 1 No. 1b, HWV 359b | — | ||
| 15-1 | Violin Sonata in A, Op. 1 No. 3, HWV 361 | — | ||
| 15-2 | Violin Sonata in G minor, HWV 364a | — | ||
| 15-3 | Oboe Sonata in B-flat major, HWV 357 | — | ||
| 15-4 | Violin Sonata in D minor, HWV 359a | — | ||
| 15-5 | Oboe Sonata in C minor, Op. 1 No. 8, HWV 366 | — | ||
| 15-6 | Andante in A minor, HWV 412 | — | ||
| 15-7 | Allegro in C minor, HWV 408 | — | ||
| 15-8 | Oboe Sonata in F, HWV 363a | — | ||
| 15-9 | Violin Sonata in D, Op. 1 No. 13, HWV 371 | — | ||
| 16-1 | Trio Sonata in B minor, Op. 2 No. 1, HWV 386b | — | ||
| 16-2 | Trio Sonata in G minor, Op. 2 No. 2, HWV 387 | — | ||
| 16-3 | Trio Sonata in B-flat, Op. 2 No. 3, HWV 388 | — | ||
| 16-4 | Trio Sonata in F, Op. 2 No. 4, HWV 389 | — | ||
| 16-5 | Trio Sonata in G minor, Op. 2 No. 5, HWV 390 | — | ||
| 16-6 | Trio Sonata in G minor, Op. 2 No. 6, HWV 391 | — | ||
| 17-1 | Trio Sonata in A, Op. 5 No. 1, HWV 396 | — | ||
| 17-2 | Trio Sonata in D, Op. 5 No. 2, HWV 397 | — | ||
| 17-3 | Trio Sonata in E minor, Op. 5 No. 3, HWV 398 | — | ||
| 17-4 | Trio Sonata in G, Op. 5 No. 4, HWV 399 | — | ||
| 17-5 | Trio Sonata in G minor, Op. 5 No. 5, HWV 400 | — | ||
| 17-6 | Trio Sonata in F, Op. 5 No. 6, HWV 401 | — | ||
| 17-7 | Trio Sonata in B-flat, Op. 5 No. 7, HWV 402 | — | ||
| 18-1 | Sinfonia in B-flat For 2 Violins & Basso Continuo, HWV 339 | — | ||
| 18-2 | Trio Sonata in F, Op. 2 No. 3, HWV 392 | — | ||
| 18-3 | Trio Sonata in C minor, Op. 2 No. 1a, HWV 386a | — | ||
| 18-4 | Trio Sonata in G minor, Op. 2 No. 8, HWV 393 | — | ||
| 18-5 | Trio Sonata in C, HWV 403 | — | ||
| 18-6 | Trio Sonata in E, Op. 2 No. 9, HWV 394 | — | ||
| 19-1 | Sonata in C Op. 1 No. 7 HWV 365: 1. Larghetto | — | ||
| 19-2 | Sonata in C Op. 1 No. 7 HWV 365: 2. Allegro | — | ||
| 19-3 | Sonata in C Op. 1 No. 7 HWV 365: 3. Larghetto | — | ||
| 19-4 | Sonata in C Op. 1 No. 7 HWV 365: 4. A tempo di gavotta | — | ||
| 19-5 | Sonata in C Op. 1 No. 7 HWV 365: 5. Allegro | — | ||
| 19-6 | Sonata in B minor Op. 1 No. 9 HWV 367a: 1. Largo | — | ||
| 19-7 | Sonata in B minor Op. 1 No. 9 HWV 367a: 2. Vivace | — | ||
| 19-8 | Sonata in B minor Op. 1 No. 9 HWV 367a: 3. Furioso | — | ||
| 19-9 | Sonata in B minor Op. 1 No. 9 HWV 367a: 4. Adagio | — | ||
| 19-10 | Sonata in B minor Op. 1 No. 9 HWV 367a: 5. Alla breve | — | ||
| 19-11 | Sonata in B minor Op. 1 No. 9 HWV 367a: 6. Andante | — | ||
| 19-12 | Sonata in B minor Op. 1 No. 9 HWV 367a: 7. A tempo di menuet | — | ||
| 19-13 | Sonata in G minor, Op. 1 No. 2 HWV 360: 1. Larghetto | — | ||
| 19-14 | Sonata in G minor, Op. 1 No. 2 HWV 360: 2. Andante | — | ||
| 19-15 | Sonata in G minor, Op. 1 No. 2 HWV 360: 3. Adagio | — | ||
| 19-16 | Sonata in G minor, Op. 1 No. 2 HWV 360: 4. Presto | — | ||
| 19-17 | Sonata in B flat HVW 377: 1. Allegro | — | ||
| 19-18 | Sonata in B flat HVW 377: 2. Adagio | — | ||
| 19-19 | Sonata in B flat HVW 377: 3. Allegro | — | ||
| 19-20 | Sonata in A minor Op. 1 No. 4 HWV 362: 1. Larghetto | — | ||
| 19-21 | Sonata in A minor Op. 1 No. 4 HWV 362: 2. Allegro | — | ||
| 19-22 | Sonata in A minor Op. 1 No. 4 HWV 362: 3. Adagio | — | ||
| 19-23 | Sonata in A minor Op. 1 No. 4 HWV 362: 4. Allegro | — | ||
| 19-24 | Sonata in D Op. 1 No. 11 HWV 369: 1. Grave | — | ||
| 19-25 | Sonata in D Op. 1 No. 11 HWV 369: 2. Allegro | — | ||
| 19-26 | Sonata in D Op. 1 No. 11 HWV 369: 3. Alla siciliana | — | ||
| 19-27 | Sonata in D Op. 1 No. 11 HWV 369: 4. Allegro | — | ||
| 19-28 | Sonata in F HWV 358: 1. Allegro | — | ||
| 19-29 | Sonata in F HWV 358: 2. Adagio | — | ||
| 19-30 | Sonata in F HWV 358: 3. Allegro | — | ||
| 20-1 | Suite No. 1 in A major HWV 426: 1. Prelude | — | ||
| 20-2 | Suite No. 1 in A major HWV 426: 2. Allemande | — | ||
| 20-3 | Suite No. 1 in A major HWV 426: 3. Courante | — | ||
| 20-4 | Suite No. 1 in A major HWV 426: 4. Gigue | — | ||
| 20-5 | Suite No. 2 in F major HWV 427: 1. Adagio | — | ||
| 20-6 | Suite No. 2 in F major HWV 427: 2. Adagio | — | ||
| 20-7 | Suite No. 2 in F major HWV 427: 3. Adagio | — | ||
| 20-8 | Suite No. 2 in F major HWV 427: 4. Allegro | — | ||
| 20-9 | Suite No. 3 in D minor HWV 428: 1. Prelude; Presto | — | ||
| 20-10 | Suite No. 3 in D minor HWV 428: 2. Allegro | — | ||
| 20-11 | Suite No. 3 in D minor HWV 428: 3. Allemande | — | ||
| 20-12 | Suite No. 3 in D minor HWV 428: 4. Courante | — | ||
| 20-13 | Suite No. 3 in D minor HWV 428: 5. Air | — | ||
| 20-14 | Suite No. 3 in D minor HWV 428: 6. Presto | — | ||
| 20-15 | Suite No. 4 in E minor HWV 429: 1. Allegro | — | ||
| 20-16 | Suite No. 4 in E minor HWV 429: 2. Allemande | — | ||
| 20-17 | Suite No. 4 in E minor HWV 429: 3. Courante | — | ||
| 20-18 | Suite No. 4 in E minor HWV 429: 4. Sarabande | — | ||
| 20-19 | Suite No. 4 in E minor HWV 429: 5. Gigue | — | ||
| 21-1 | Suite für Cembalo Nr. 5 E-Dur HWV 430: 1. Prélude | — | ||
| 21-2 | Suite für Cembalo Nr. 5 E-Dur HWV 430: 2. Allemande | — | ||
| 21-3 | Suite für Cembalo Nr. 5 E-Dur HWV 430: 3. Courante | — | ||
| 21-4 | Suite für Cembalo Nr. 5 E-Dur HWV 430: 4. Air | — | ||
| 21-5 | Suite für Cembalo Nr. 6 fis-Moll HWV 431: 1. Prélude | — | ||
| 21-6 | Suite für Cembalo Nr. 6 fis-Moll HWV 431: 2. Largo | — | ||
| 21-7 | Suite für Cembalo Nr. 6 fis-Moll HWV 431: 3. Allegro | — | ||
| 21-8 | Suite für Cembalo Nr. 6 fis-Moll HWV 431: 4. Gigue. Presto | — | ||
| 21-9 | Suite für Cembalo Nr. 7 g-Moll HWV 432: 1. Ouverture. Largo; Presto; Lentement | — | ||
| 21-10 | Suite für Cembalo Nr. 7 g-Moll HWV 432: 2. Andante | — | ||
| 21-11 | Suite für Cembalo Nr. 7 g-Moll HWV 432: 3. Allegro | — | ||
| 21-12 | Suite für Cembalo Nr. 7 g-Moll HWV 432: 4. Sarabande | — | ||
| 21-13 | Suite für Cembalo Nr. 7 g-Moll HWV 432: 5. Gigue | — | ||
| 21-14 | Suite für Cembalo Nr. 7 g-Moll HWV 432: 6. Passacaille | — | ||
| 21-15 | Suite für Cembalo Nr. 8 f-Moll HWV 433: 1. Prélude. Adagio | — | ||
| 21-16 | Suite für Cembalo Nr. 8 f-Moll HWV 433: 2. Allegro | — | ||
| 21-17 | Suite für Cembalo Nr. 8 f-Moll HWV 433: 3. Allemande | — | ||
| 21-18 | Suite für Cembalo Nr. 8 f-Moll HWV 433: 4. Courante | — | ||
| 21-19 | Suite für Cembalo Nr. 8 f-Moll HWV 433: 5. Gigue | — | ||
| 22-1 | Suite No. 1 in B-flat, HWV 434: 1. Prélude | — | ||
| 22-2 | Suite No. 1 in B-flat, HWV 434: 2. Sonata | — | ||
| 22-3 | Suite No. 1 in B-flat, HWV 434: 3. Aria con variazioni | — | ||
| 22-4 | Suite No. 1 in B-flat, HWV 434: 4. Minuet | — | ||
| 22-5 | Chaconne in G, HWV 435 | — | ||
| 22-6 | Suite No. 2 in D minor, HWV 436: 1. Allemande | — | ||
| 22-7 | Suite No. 2 in D minor, HWV 436: 2. Allegro | — | ||
| 22-8 | Suite No. 2 in D minor, HWV 436: 3. Air: Lentement | — | ||
| 22-9 | Suite No. 2 in D minor, HWV 436: 4. Gigue: Presto | — | ||
| 22-10 | Suite No. 2 in D minor, HWV 436: 5. Menuetto | — | ||
| 22-11 | Suite No. 3 in D minor, HWV 437: 1. Allmand | — | ||
| 22-12 | Suite No. 3 in D minor, HWV 437: 2. Corrant | — | ||
| 22-13 | Suite No. 3 in D minor, HWV 437: 3. Saraband | — | ||
| 22-14 | Suite No. 3 in D minor, HWV 437: 4. Jigg | — | ||
| 22-15 | Suite No. 4 in E minor, HWV 438: 1. Allmand | — | ||
| 22-16 | Suite No. 4 in E minor, HWV 438: 2. Saraband | — | ||
| 22-17 | Suite No. 4 in E minor, HWV 438: 3. Jigg | — | ||
| 23-1 | Suite No. 6 in G minor HWV 439: 1. Allmand | — | ||
| 23-2 | Suite No. 6 in G minor HWV 439: 2. Corrant | — | ||
| 23-3 | Suite No. 6 in G minor HWV 439: 3. Jigg | — | ||
| 23-4 | Suite No. 7 in B flat major HWV 440: 1. Allmand | — | ||
| 23-5 | Suite No. 7 in B flat major HWV 440: 2. Corrant | — | ||
| 23-6 | Suite No. 7 in B flat major HWV 440: 3. Saraband | — | ||
| 23-7 | Suite No. 7 in B flat major HWV 440: 4. Jigg | — | ||
| 23-8 | Suite No. 8 in G minor HWV 441: 1. Allemand | — | ||
| 23-9 | Suite No. 8 in G minor HWV 441: 2. Allegro | — | ||
| 23-10 | Suite No. 8 in G minor HWV 441: 3. Corante | — | ||
| 23-11 | Suite No. 8 in G minor HWV 441: 4. Aria: Presto | — | ||
| 23-12 | Suite No. 8 in G minor HWV 441: 5. Menuetto | — | ||
| 23-13 | Suite No. 8 in G minor HWV 441: 6. Gavotta | — | ||
| 23-14 | Suite No. 8 in G minor HWV 441: 7. Gigue | — | ||
| 23-15 | Preludia: Allegro | — | ||
| 23-16 | Vo' far guerra. from Rinaldo | — | ||
| 24-1 | Suite in C HWV 443: 1. Praeludium | — | ||
| 24-2 | Suite in C HWV 443: 2. Allemande | — | ||
| 24-3 | Suite in C HWV 443: 3. Corrante | — | ||
| 24-4 | Suite in C HWV 443: 4. Sarabande - Double | — | ||
| 24-5 | Suite in C HWV 443: 5. Gigue | — | ||
| 24-6 | Suite in C HWV 443: 6. Chaconne | — | ||
| 24-7 | Partitia in G HWV 450: 1. Preludio | — | ||
| 24-8 | Partitia in G HWV 450: 2. Allemande | — | ||
| 24-9 | Partitia in G HWV 450: 3. Courante | — | ||
| 24-10 | Partitia in G HWV 450: 4. Sarabande | — | ||
| 24-11 | Partitia in G HWV 450: 5. Gigue | — | ||
| 24-12 | Partitia in G HWV 450: 6. Menuet | — | ||
| 24-13 | Prelude in D minor HWV 563 | — | ||
| 24-14 | Prelude and Capriccio in G HWV 571 : 1. Prelude | — | ||
| 24-15 | Prelude and Capriccio in G HWV 571 : 2. Capriccio | — | ||
| 24-16 | Suite in G minor HWV 453: 1. Overture: Grave - Allegro | — | ||
| 24-17 | Suite in G minor HWV 453: 2. Entree | — | ||
| 24-18 | Suite in G minor HWV 453: 3. Chaconne | — | ||
| 24-19 | Preludio in D minor HWV 564 | — | ||
| 24-20 | Allegro in C HWV 473 | — | ||
| 24-21 | Chaconne in F MWV 485 | — | ||
| 24-22 | Suite in D minor HWV 448: 1. Overture: Grave-Allegro-Adagio-Allegro | — | ||
| 24-23 | Suite in D minor HWV 448: 2. Allemande | — | ||
| 24-24 | Suite in D minor HWV 448: 3. Courante | — | ||
| 24-25 | Suite in D minor HWV 448: 4. Sarabande I & II | — | ||
| 24-26 | Suite in D minor HWV 448: 5. Chaconne | — | ||
| 25-1 | Suite in D major, HWV 449: 1. Prelude | — | ||
| 25-2 | Suite in D major, HWV 449: 2. Allemande | — | ||
| 25-3 | Suite in D major, HWV 449: 3. Courante | — | ||
| 25-4 | Suite in D major, HWV 449: 4. Sarabande | — | ||
| 25-5 | Suite in D major, HWV 449: 5. Aria | — | ||
| 25-6 | Suite in D major, HWV 449: 6. Gigue | — | ||
| 25-7 | Suite in D major, HWV 449: 7. Menuet | — | ||
| 25-8 | Sonatina in D major, HWV 581 | — | ||
| 25-9 | Allemande in A major, HWV 478 | — | ||
| 25-10 | Fuga in F major, HWV 611 | — | ||
| 25-11 | Chaconne in G major, HWV 486 | — | ||
| 25-12 | Partita in C major, HWV 444: 1. Prelude | — | ||
| 25-13 | Partita in C major, HWV 444: 2. Allemande | — | ||
| 25-14 | Partita in C major, HWV 444: 3. Courante | — | ||
| 25-15 | Partita in C major, HWV 444: 4. Gavotte | — | ||
| 25-16 | Partita in C major, HWV 444: 5. Menuet | — | ||
| 25-17 | Suite in C major, HWV 445: 1. Prelude | — | ||
| 25-18 | Suite in C major, HWV 445: 2. Allemande | — | ||
| 25-19 | Suite in C major, HWV 445: 3. Courante | — | ||
| 25-20 | Prelude and Allegro in A major, HWV 576: 1. Prelude | — | ||
| 25-21 | Prelude and Allegro in A major, HWV 576: 2. Allegro | — | ||
| 25-22 | Air in G major, HWV 467 | — | ||
| 25-23 | Toccata in G major, HWV 586 | — | ||
| 25-24 | Sonatina in G major, HWV 583 | — | ||
| 25-25 | Sonata in G major, HWV 580 | — | ||
| 25-26 | Concerto in G major, HWV 487: 1. Allegro | — | ||
| 25-27 | Concerto in G major, HWV 487: 2. Andante | — | ||
| 25-28 | Air in B-Flat major, HWV 471 | — | ||
| 25-29 | Preludium in F major, HWV 567 | — | ||
| 25-30 | Preludium in F major, HWV 568 | — | ||
| 25-31 | Prelude in G major, HWV 573 | — | ||
| 25-32 | Prelude in E major, HWV 566 | — | ||
| 25-33 | Air in G major, HWV 466 | — | ||
| 25-34 | Air in B-Flat major, HWV 470 | — | ||
| 25-35 | Impertinence in G major, HWV 494 | — | ||
| 25-36 | Air in F major, HWV 465 | — | ||
| 25-37 | Allegro in D major, HWV 475 | — | ||
| 25-38 | Courante in B major, HWV 489 | — | ||
| 26-1 | Prelude and Chaconne in G major, HWV 442: 1. Prelude | — | ||
| 26-2 | Prelude and Chaconne in G major, HWV 442: 2. Chaconne | — | ||
| 26-3 | Fugue No. 1 in G major, HWV 605 | — | ||
| 26-4 | Fugue No. 2 in G major, HWV 606 | — | ||
| 26-5 | Fugue No. 3 in B-Flat major, HWV 607 | — | ||
| 26-6 | Fugue No. 4 in B major, HWV 608 | — | ||
| 26-7 | Fugue No. 5 in A major, HWV 609 | — | ||
| 26-8 | Fugue No. 6 in C major, HWV 610 | — | ||
| 26-9 | Sonata in C major, HWV 577 | — | ||
| 26-10 | Capriccio in F major, HWV 481 | — | ||
| 26-11 | Prelude and Allegro in G major, HWV 574 | — | ||
| 26-12 | Fantasia in C major, HWV 490 | — | ||
| 26-13 | Suite in D major, HWV 447: 1. Allemande | — | ||
| 26-14 | Suite in D major, HWV 447: 2. Courante | — | ||
| 26-15 | Suite in D major, HWV 447: 3. Sarabande | — | ||
| 26-16 | Suite in D major, HWV 447: 4. Gigue | — | ||
| 26-17 | Suite in G major, HWV 452: 1. Allemande | — | ||
| 26-18 | Suite in G major, HWV 452: 2. Courante | — | ||
| 26-19 | Suite in G major, HWV 452: 3. Sarabande | — | ||
| 26-20 | Suite in G major, HWV 452: 4. Gigue | — | ||
| 26-21 | Capriccio in G major, HWV 483 | — | ||
| 27-1 | Suite in C major, HWV 446: 1. Allemande | — | ||
| 27-2 | Suite in C major, HWV 446: 2. Courante | — | ||
| 27-3 | Suite in C major, HWV 446: 3. Sarabande | — | ||
| 27-4 | Suite in C major, HWV 446: 4. Chaconne | — | ||
| 27-5 | Allemande in A major, HWV 477 | — | ||
| 27-6 | Allemande in F major, HWV 476 | — | ||
| 27-7 | Gigue in F major, HWV 492 | — | ||
| 27-8 | Prelude in D major, HWV 562 | — | ||
| 27-9 | Sonatina in G major, HWV 582 | — | ||
| 27-10 | Sonatina in B-Flat major, HWV 585 | — | ||
| 27-11 | Prelude in F-Sharp major, HWV 570 | — | ||
| 27-12 | Air in A major, HWV 468 | — | ||
| 27-13 | Sonata in C major, HWV 578: 1. Allegro | — | ||
| 27-14 | Sonata in C major, HWV 578: 2. Trio: Larghetto | — | ||
| 27-15 | Sonata in C major, HWV 578: 3. Gavotte: Non troppo presto | — | ||
| 27-16 | Prelude in A major, HWV 575 | — | ||
| 27-17 | Lesson in A major, HWV 496 | — | ||
| 27-18 | Partita in A major, HWV 454: 1. Allemande | — | ||
| 27-19 | Partita in A major, HWV 454: 2. Courante | — | ||
| 27-20 | Partita in A major, HWV 454: 3. Sarabande | — | ||
| 27-21 | Partita in A major, HWV 454: 4. Gigue | — | ||
| 27-22 | Prelude in G major, HWV 572 | — | ||
| 27-23 | Sonata in G major, HWV 579 | — | ||
| 28-1 | Occasional Oratorio HWV 62: Overture (arr. William Thomas Best): 1. Andante maestoso - Allegro | — | ||
| 28-2 | Occasional Oratorio HWV 62: Overture (arr. William Thomas Best): 2. Largo | — | ||
| 28-3 | Occasional Oratorio HWV 62: Overture (arr. William Thomas Best): 3. March | — | ||
| 28-4 | Suite No. 1 in B-flat, HWV 434: 1. Prelude | — | ||
| 28-5 | Suite No. 1 in B-flat, HWV 434: 2. Allegro moderato | — | ||
| 28-6 | Suite No. 1 in B-flat, HWV 434: 3. Air - Five variations | — | ||
| 28-7 | Serse, HWV 40 | — | ||
| 28-8 | Saul, HWV 53: Symphony, Act I (arr. William Thomas Best): 1. Allegro | — | ||
| 28-9 | Saul, HWV 53: Symphony, Act I (arr. William Thomas Best): 2. Andante | — | ||
| 28-10 | Saul, HWV 53: Symphony, Act I (arr. William Thomas Best): 3. Allegro | — | ||
| 28-11 | Saul, HWV 53: Symphony, Act I (arr. William Thomas Best): 4. Larghetto | — | ||
| 28-12 | Saul, HWV 53: Symphony, Act II (arr. Alexandre Guilmant): 1. Largo | — | ||
| 28-13 | Saul, HWV 53: Symphony, Act II (arr. Alexandre Guilmant): 2. Allegro | — | ||
| 28-14 | Messiah, HWV 56 (arr. Francis Cunningham Woods): I know that my redeemer liveth | — | ||
| 28-15 | Messiah, HWV 56 (arr. Théodore Dubois): "Hallelujah" chorus | — | ||
| 28-16 | Prelude and Fugue in F minor HWV 433 (arr. Alexandre Guilmant): 1. Prelude | — | ||
| 28-17 | Prelude and Fugue in F minor HWV 433 (arr. Alexandre Guilmant): 2. Fugue | — | ||
| 28-18 | Zadok the Priest, HWV 258 (Arr. William Thomas Best) | — | ||
| 28-19 | Judas Maccabaeus, HWV 63 (arr. Alexandre Guilmant): Paraphrase on "See the conqur'ing hero comes" | — | ||
| 28-20 | Messiah, HWV 56 (arr. Alexandre Guilmant): Marche religieuse on "Lift up your heads" | — | ||
| 29-1 | Kunft'ger Zeiten eitler Kummer, HWV 202 | — | ||
| 29-2 | Das zitternde Glänzen der spielenden Wellen, HWV 203 | — | ||
| 29-3 | Süßer Blumen Ambraflocken, HWV 204 | — | ||
| 29-4 | Süße Stille, sanfte Quelle, HWV 205 | — | ||
| 29-5 | Singe, Seele, Gott zum Preise, HWV 206 | — | ||
| 29-6 | Meine Seele hört im Sehen, HWV 207 | — | ||
| 29-7 | Die ihr aus dunklen Grüften, HWV 208 | — | ||
| 29-8 | In der angenehmen Büschen, HWV 209 | — | ||
| 29-9 | Flammende Rose, Zierde der Erden, HWV 210 | — | ||
| 30-1 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 1. Introduzione | — | ||
| 30-2 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 2. Recitativo. "Da quel giorno fatale" | — | ||
| 30-3 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 3. Aria. "Un pensiero voli in ciel" | — | ||
| 30-4 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 4. Recitativo. "Ma fermati pensier" | — | ||
| 30-5 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 5. Aria. "Per te lasciai la luce" | — | ||
| 30-6 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 6. Recitativo. "Non ti bastava ingrato" | — | ||
| 30-7 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 7. Aria. "Lascia omai le brune vele" | — | ||
| 30-8 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 8. Recitativo. "Ma siamo giunti in Lete" | — | ||
| 30-9 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 9. Entrée | — | ||
| 30-10 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 10. Minuet e arietta. "In queste amene piagge serene" | — | ||
| 30-11 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 11. Recitativo. "Sì disse Clori" | — | ||
| 30-12 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 12. Minuet | — | ||
| 30-13 | Ditemi, o piante HWV 107: 1. Recitativo. "Ditemi, o piante" | — | ||
| 30-14 | Ditemi, o piante HWV 107: 2. Aria. "Il candore tolse al giglio" | — | ||
| 30-15 | Ditemi, o piante HWV 107: 3. Recitativo. "Ma la beltà del volto" | — | ||
| 30-16 | Ditemi, o piante HWV 107: 4. Aria. "Per formar sì vaga e bella pastorella" | — | ||
| 30-17 | Care selve, aure grate HWV 88: 1. Recitativo. "Care selve, aure grate" | — | ||
| 30-18 | Care selve, aure grate HWV 88: 2. Aria. "Ridite a Clori" | — | ||
| 30-19 | Care selve, aure grate HWV 88: 3. Recitativo. "Se cangiarsi potesse" | — | ||
| 30-20 | Care selve, aure grate HWV 88: 4. Aria. "Non ha forza nel mio petto" | — | ||
| 30-21 | Allor ch'io dissi addio HWV 80: 1. Recitativo. "Allor ch'io dissi addio" | — | ||
| 30-22 | Allor ch'io dissi addio HWV 80: 2. Aria. "Son qual cerva ferita che fugge" | — | ||
| 30-23 | Allor ch'io dissi addio HWV 80: 3. Recitativo. "Anzi se nacque il mio amoroso desio" | — | ||
| 30-24 | Allor ch'io dissi addio HWV 80: 4. Aria. "Il dolce foco mio" | — | ||
| 31-1 | Un'alma innamorata HWV 173: 1. Recitativo. Un'alma innamorata | — | ||
| 31-2 | Un'alma innamorata HWV 173: 2. Aria. Quel povero core | — | ||
| 31-3 | Un'alma innamorata HWV 173: 3. Recitativo. E pur benché egli veda | — | ||
| 31-4 | Un'alma innamorata HWV 173: 4. Aria. Io godo, rido e spero | — | ||
| 31-5 | Un'alma innamorata HWV 173: 5. Recitativo. In quanto a me | — | ||
| 31-6 | Un'alma innamorata HWV 173: 6. Aria. Ben impari Come s'ama | — | ||
| 31-7 | O lucenti, o sereni occhi HWV 144: 1. Recitativo. O lucenti, o sereni occhi | — | ||
| 31-8 | O lucenti, o sereni occhi HWV 144: 2. Aria. Per voi languisco e moro | — | ||
| 31-9 | O lucenti, o sereni occhi HWV 144: 3. Recitativo. Messaggiero verace | — | ||
| 31-10 | O lucenti, o sereni occhi HWV 144: 4. Aria. In voi, pupille ardenti | — | ||
| 31-11 | O lucenti, o sereni occhi HWV 144: 5. Recitativo. Del bell'idolo mio | — | ||
| 31-12 | O lucenti, o sereni occhi HWV 144: 6. Aria. Formidabil gondoliero | — | ||
| 31-13 | O lucenti, o sereni occhi HWV 144: 7. Recitativo. Ma se non la rinvengo | — | ||
| 31-14 | O lucenti, o sereni occhi HWV 144: 8. Aria. Piangerò | — | ||
| 31-15 | O lucenti, o sereni occhi HWV 144: 9. Recitativo. Fra quell'orride soglie | — | ||
| 31-16 | O lucenti, o sereni occhi HWV 144: 10. Aria. Su rendetemi colei | — | ||
| 31-17 | Aure soavi e liete HWV 84: 1. Recitativo. Aure soavi e liete | — | ||
| 31-18 | Aure soavi e liete HWV 84: 2. Aria. Care luci | — | ||
| 31-19 | Aure soavi e liete HWV 84: 3. Recitativo. Pietà, Clori, pietà | — | ||
| 31-20 | Aure soavi e liete HWV 84: 4. Aria. Un'aura flebile | — | ||
| 31-21 | Tra le fiamme (il consiglio) HWV 170: 1. Aria. Tra le fiamme | — | ||
| 31-22 | Tra le fiamme (il consiglio) HWV 170: 2. Recitativo. Dedalo già | — | ||
| 31-23 | Tra le fiamme (il consiglio) HWV 170: 3. Aria. Pien di nuovo e bel diletto | — | ||
| 31-24 | Tra le fiamme (il consiglio) HWV 170: 4. Recitativo. Sì, sì, purtroppo è vero | — | ||
| 31-25 | Tra le fiamme (il consiglio) HWV 170: 5. Aria. Voli per l'aria | — | ||
| 31-26 | Tra le fiamme (il consiglio) HWV 170: 6. Recitativo. L'uomo che nacque per salire al cielo | — | ||
| 31-27 | Tra le fiamme (il consiglio) HWV 170: 7. Aria. Tra le fiamme | — | ||
| 32-1 | Arresta il passo (Aminta e Fillide) HWV 83: 1. Ouverture & Recitativo. Arresta il passo (Aminta) | — | ||
| 32-2 | Arresta il passo (Aminta e Fillide) HWV 83: 2. Aria. Fermati, non fuggir! (Aminta) | — | ||
| 32-3 | Arresta il passo (Aminta e Fillide) HWV 83: 3. Recitativo. Questa sol volta almeno (Aminta, Fillide) | — | ||
| 32-4 | Arresta il passo (Aminta e Fillide) HWV 83: 4. Aria. Fiamma bella (Fillide) | — | ||
| 32-5 | Arresta il passo (Aminta e Fillide) HWV 83: 5. Recitativo. Credi a miei detti (Fillide, Aminta) | — | ||
| 32-6 | Arresta il passo (Aminta e Fillide) HWV 83: 6. Aria. Forse che un giorno (Aminta) | — | ||
| 32-7 | Arresta il passo (Aminta e Fillide) HWV 83: 7. Recitativo. Invano, in van presumi (Fillide, Aminta) | — | ||
| 32-8 | Arresta il passo (Aminta e Fillide) HWV 83: 8. Aria. Fu Scherzo, fu gioco (Fillide) | — | ||
| 32-9 | Arresta il passo (Aminta e Fillide) HWV 83: 9. Recitativo. Libero piè fugga dal laccio (Fillide, Aminta) | — | ||
| 32-10 | Arresta il passo (Aminta e Fillide) HWV 83: 10. Aria. Se vago rio (Aminta) | — | ||
| 32-11 | Arresta il passo (Aminta e Fillide) HWV 83: 11. Recitativo. D'un incognito foco (Fillide) | — | ||
| 32-12 | Arresta il passo (Aminta e Fillide) HWV 83: 12. Aria. Sento che il Dio bambin (Fillide) | — | ||
| 32-13 | Arresta il passo (Aminta e Fillide) HWV 83: 13. Recitativo. Felicissimo punto (Aminta) | — | ||
| 32-14 | Arresta il passo (Aminta e Fillide) HWV 83: 14. Aria. Al dispetto di sorte crudele (Aminta) | — | ||
| 32-15 | Arresta il passo (Aminta e Fillide) HWV 83: 15. Recitativo. Vincesti Aminta (Fillide) | — | ||
| 32-16 | Arresta il passo (Aminta e Fillide) HWV 83: 16. Aria. È un foco, quel d'amore (Fillide) | — | ||
| 32-17 | Arresta il passo (Aminta e Fillide) HWV 83: 17. Recitativo. Gloria bella di Aminta (Aminta, Fillide) | — | ||
| 32-18 | Arresta il passo (Aminta e Fillide) HWV 83: 18. Duo. Per abbatter il rigore (Aminta, Fillide) | — | ||
| 33-1 | Clori, mia bella Clori HWV 92: 1. Recitativo. Clori, mia bella Clori | — | ||
| 33-2 | Clori, mia bella Clori HWV 92: 2. Aria. Chiari lumi | — | ||
| 33-3 | Clori, mia bella Clori HWV 92: 3. Recitativo. Temo ma pure io spero | — | ||
| 33-4 | Clori, mia bella Clori HWV 92: 4. Aria. Ne' gigli e nelle rose | — | ||
| 33-5 | Clori, mia bella Clori HWV 92: 5. Recitativo. Non è però che non molesta e grave | — | ||
| 33-6 | Clori, mia bella Clori HWV 92: 6. Aria. Mie pupille | — | ||
| 33-7 | Clori, mia bella Clori HWV 92: 7. Recitativo. Tu nobil alma | — | ||
| 33-8 | Clori, mia bella Clori HWV 92: 8. Aria. Di gelosia il timore | — | ||
| 33-9 | Sans y penser (Cantate française) HWV 155: 1. Chanson. Sans y penser (Silvie) | — | ||
| 33-10 | Sans y penser (Cantate française) HWV 155: 2. Récitatif. S'il ne falloit que bien aimer pour attendrir (Tirsis) | — | ||
| 33-11 | Sans y penser (Cantate française) HWV 155: 3. Air. Petite fleur brunette (Tirsis) | — | ||
| 33-12 | Sans y penser (Cantate française) HWV 155: 4. Récitatif. Vous, qui m'aviez procuré une amour éternelle (Tirsis) | — | ||
| 33-13 | Sans y penser (Cantate française) HWV 155: 5. Air. Nos plaisirs seront peudurables (Silvie) | — | ||
| 33-14 | Sans y penser (Cantate française) HWV 155: 6. Récitatif. Vous ne sauriez flatter ma peine (Silvie) | — | ||
| 33-15 | Sans y penser (Cantate française) HWV 155: 7. Air. Non, non, je ne puis plus souffrir (Tirsis) | — | ||
| 33-16 | Clori, vezzosa Clori HWV 95: 1. Recitativo. Clori, vezzosa Clori | — | ||
| 33-17 | Clori, vezzosa Clori HWV 95: 2. Aria. Il bosco, il prato, il rio | — | ||
| 33-18 | Clori, vezzosa Clori HWV 95: 3. Recitativo. Se l'usignol canoro | — | ||
| 33-19 | Clori, vezzosa Clori HWV 95: 4. Aria. Non è possibile o Clori amabile | — | ||
| 33-20 | Nel dolce dell'oblio (Pensierei notturni di Filli) HWV 134: 1. Recitativo. Nel dolce dell'oblio | — | ||
| 33-21 | Nel dolce dell'oblio (Pensierei notturni di Filli) HWV 134: 2. Aria. Giacché il sonno a lei dipinge | — | ||
| 33-22 | Nel dolce dell'oblio (Pensierei notturni di Filli) HWV 134: 3. Recitativo. Così fida ella vive | — | ||
| 33-23 | Nel dolce dell'oblio (Pensierei notturni di Filli) HWV 134: 4. Aria. Ha l'inganno il suo diletto | — | ||
| 33-24 | Lungi n'andò Fileno HWV 128: 1. Recitativo. Lungi, lungi n'andò Fileno | — | ||
| 33-25 | Lungi n'andò Fileno HWV 128: 2. Aria. Si piangete, o mie pupille | — | ||
| 33-26 | Lungi n'andò Fileno HWV 128: 3. Recitativo. Ahi! M'inganno, infelice | — | ||
| 33-27 | Lungi n'andò Fileno HWV 128: 4. Aria. Dunque se il tanto piangere | — | ||
| 34-1 | Mira Lilla gentile (I): 1. Recitativo. Mira Lilla gentile | — | ||
| 34-2 | Mira Lilla gentile (I): 2. Aria. Non dar più pena o cara | — | ||
| 34-3 | Mira Lilla gentile (I): 3. Recitativo. Ferma deh ferma o bella | — | ||
| 34-4 | Mira Lilla gentile (I): 4. Aria. Consolati mio core | — | ||
| 34-5 | Mira Lilla gentile (I): 5. Recitativo. Sogno o son desto | — | ||
| 34-6 | Mira Lilla gentile (I): 6. Aria. Benché infida tu mi fuggi | — | ||
| 34-7 | La caduta di Icaro: 1. Sinfonia | — | ||
| 34-8 | La caduta di Icaro: 2. Aria. Tra le fiamme tu scherzi per gioco | — | ||
| 34-9 | La caduta di Icaro: 3. Recitativo. Dedalo già le fortunate penne | — | ||
| 34-10 | La caduta di Icaro: 4. Aria. Pien di nuovo e bel diletto | — | ||
| 34-11 | La caduta di Icaro: 5. Recitativo. Si sì, purtroppo è vero | — | ||
| 34-12 | La caduta di Icaro: 6. Aria. Impenni l'ali chi può volare | — | ||
| 34-13 | La caduta di Icaro: 7. Recitativo. L'uomo che nacque per salire al Cielo | — | ||
| 34-14 | La caduta di Icaro: 8. Aria. Tra le fiamme tu scherzi per gioco (Reprise) | — | ||
| 34-15 | Mira Lilla gentile (II): 1. Recitativo. Mira Lilla gentile | — | ||
| 34-16 | Mira Lilla gentile (II): 2. Aria. Non dar più pena o cara | — | ||
| 34-17 | Mira Lilla gentile (II): 3. Recitativo. Ferma deh ferma o bella | — | ||
| 34-18 | Mira Lilla gentile (II): 4. Aria. Consolati mio core | — | ||
| 34-19 | Mira Lilla gentile (II): 5. Recitativo. Sogno o son desto | — | ||
| 34-20 | Mira Lilla gentile (II): 6. Aria. Benché infida tu mi fuggi | — | ||
| 34-21 | Tra le fiamme (Il consiglio) HWV 170: 1. Aria. Tra le fiamme tu scherzi per gioco | — | ||
| 34-22 | Tra le fiamme (Il consiglio) HWV 170: 2. Recitativo. Dedalo già le fortunate penne | — | ||
| 34-23 | Tra le fiamme (Il consiglio) HWV 170: 3. Aria. Pien di nuovo e bel diletto | — | ||
| 34-24 | Tra le fiamme (Il consiglio) HWV 170: 4. Recitativo. Si sì, purtroppo è vero | — | ||
| 34-25 | Tra le fiamme (Il consiglio) HWV 170: 5. Aria. Voli nell'aria chi può volare | — | ||
| 34-26 | Tra le fiamme (Il consiglio) HWV 170: 6. Recitativo. L'uomo che nacque per salire al Cielo | — | ||
| 34-27 | Tra le fiamme (Il consiglio) HWV 170: 7. Aria. Tra le fiamme tu scherzi per gioco (Reprise) | — | ||
| 35-1 | Sonata in B | — | ||
| 35-2 | Quel fior che all'alba ride HWV 154 | — | ||
| 35-3 | Preludio in D Minor | — | ||
| 35-4 | Và, speme infida HWV 199 | — | ||
| 35-5 | Prelude | — | ||
| 35-6 | Amor, gioje mi porge HWV 180 | — | ||
| 35-7 | Entrée | — | ||
| 35-8 | Caro autor di mia doglia HWV 182a | — | ||
| 35-9 | Toccata | — | ||
| 35-10 | Ahi, nelle sorti umane HWV 179 | — | ||
| 35-11 | Prelude | — | ||
| 35-12 | Nò, di voi non vo' fidarmi HWV 189 | — | ||
| 36-1 | The Alchemist (incidental music) HWV 43: 1. Overture | — | ||
| 36-2 | The Alchemist (incidental music) HWV 43: 2. Air | — | ||
| 36-3 | The Alchemist (incidental music) HWV 43: 3. Minuet | — | ||
| 36-4 | The Alchemist (incidental music) HWV 43: 4. Sarabande | — | ||
| 36-5 | The Alchemist (incidental music) HWV 43: 5. Bourrée | — | ||
| 36-6 | The Alchemist (incidental music) HWV 43: 6. Air | — | ||
| 36-7 | The Alchemist (incidental music) HWV 43: 7. Minuet | — | ||
| 36-8 | The Alchemist (incidental music) HWV 43: 8. (Air) | — | ||
| 36-9 | The Alchemist (incidental music) HWV 43: 9. Gigue | — | ||
| 36-10 | Apollo e Dafne (La terra è liberata) HWV 122: 1. Recitative: La terra e liberata! | — | ||
| 36-11 | Apollo e Dafne (La terra è liberata) HWV 122: 2. Aria: Pende il ben dell'universo | — | ||
| 36-12 | Apollo e Dafne (La terra è liberata) HWV 122: 3. Recitative: Ch'il superbetto Amore | — | ||
| 36-13 | Apollo e Dafne (La terra è liberata) HWV 122: 4. Aria: Spezza l'arco e getta l'armi | — | ||
| 36-14 | Apollo e Dafne (La terra è liberata) HWV 122: 5. Aria: Felicissima quest'alma | — | ||
| 36-15 | Apollo e Dafne (La terra è liberata) HWV 122: 6. Recitative: Che voce! Che belta! | — | ||
| 36-16 | Apollo e Dafne (La terra è liberata) HWV 122: 7. Aria: Ardi, adori, e preghi in vano | — | ||
| 36-17 | Apollo e Dafne (La terra è liberata) HWV 122: 8. Recitative: Che crudel! | — | ||
| 36-18 | Apollo e Dafne (La terra è liberata) HWV 122: 9. Duet: Una guerra ho dentro il seno | — | ||
| 36-19 | Apollo e Dafne (La terra è liberata) HWV 122: 10. Recitative: Placati al fin, o cara | — | ||
| 36-20 | Apollo e Dafne (La terra è liberata) HWV 122: 11. Aria: Come rosa in su la spina | — | ||
| 36-21 | Apollo e Dafne (La terra è liberata) HWV 122: 12. Recitative: Ah! ch'un Dio non dovrebbe | — | ||
| 36-22 | Apollo e Dafne (La terra è liberata) HWV 122: 13. Aria: Come in ciel benigna stella | — | ||
| 36-23 | Apollo e Dafne (La terra è liberata) HWV 122: 14. Recitative: Odi la mia ragion! | — | ||
| 36-24 | Apollo e Dafne (La terra è liberata) HWV 122: 15. Duet: Deh! lascia addolcire quell'aspro rigor | — | ||
| 36-25 | Apollo e Dafne (La terra è liberata) HWV 122: 16. Recitativo: Sempre t'adorero! | — | ||
| 36-26 | Apollo e Dafne (La terra è liberata) HWV 122: 17. Aria: Mie piante correte | — | ||
| 36-27 | Apollo e Dafne (La terra è liberata) HWV 122: 18. Aria: Cara pianta, co'miei pianti | — | ||
| 37-1 | Aci, Galatea e Polifemo HWV 72: 1. Duetto: Sorge il dì (Aci, Galatea) | — | ||
| 37-2 | Aci, Galatea e Polifemo HWV 72: 2. Recitativo: Vanti, o cara, il ruscello (Aci, Galatea) | — | ||
| 37-3 | Aci, Galatea e Polifemo HWV 72: 3. Aria: Sforzano a piangere con più dolor (Galatea) | — | ||
| 37-4 | Aci, Galatea e Polifemo HWV 72: 4. Recitativo: E qual nuova sventura (Aci, Galatea) | — | ||
| 37-5 | Aci, Galatea e Polifemo HWV 72: 5. Aria: Che non può la gelosia (Aci) | — | ||
| 37-6 | Aci, Galatea e Polifemo HWV 72: 6. Accompagnato: Ma qual orrido suono (Galatea, Aci) | — | ||
| 37-7 | Aci, Galatea e Polifemo HWV 72: 7. Recitativo: Ahi, che dall'ombre eterne (Galatea, Aci) | — | ||
| 37-8 | Aci, Galatea e Polifemo HWV 72: 8. Aria: Sibilar l'angui d'aletto (Polifemo) | — | ||
| 37-9 | Aci, Galatea e Polifemo HWV 72: 9. Recitativo: Deh lascia, o Polifemo (Galatea, Polifemo) | — | ||
| 37-10 | Aci, Galatea e Polifemo HWV 72: 10. Aria: Benché tuoni e l'etra avvampi (Galatea) | — | ||
| 37-11 | Aci, Galatea e Polifemo HWV 72: 11. Recitativo: Cadrai depressa e vinta (Polifemo, Galatea) | — | ||
| 37-12 | Aci, Galatea e Polifemo HWV 72: 12. Aria: Non sempre, no, crudele (Polifemo) | — | ||
| 37-13 | Aci, Galatea e Polifemo HWV 72: 13. Recitativo: Folle, quanto mi rido (Galatea, Polifemo, Aci) | — | ||
| 37-14 | Aci, Galatea e Polifemo HWV 72: 14. Aria: Dell'aquila l'artigli (Aci) | — | ||
| 37-15 | Aci, Galatea e Polifemo HWV 72: 15. Recitativo: Meglio spiega i tuoi sensi (Polifemo, Aci) | — | ||
| 37-16 | Aci, Galatea e Polifemo HWV 72: 16. Aria: Precipitoso nel mar che freme (Polifemo) | — | ||
| 37-17 | Aci, Galatea e Polifemo HWV 72: 17. Recitativo: Si, t'intendo, inumano (Galatea) | — | ||
| 37-18 | Aci, Galatea e Polifemo HWV 72: 18. Aria: S'agita in mezzo all'onde (Galatea) | — | ||
| 37-19 | Aci, Galatea e Polifemo HWV 72: 19. Recitativo: So che le cinosure (Polifemo, Aci) | — | ||
| 37-20 | Aci, Galatea e Polifemo HWV 72: 20. Terzetto: Proverà lo sdegno mio (Polifemo, Galatea, Aci) | — | ||
| 38-1 | Aci, Galatea e Polifemo HWV 72: 21. Recitativo: Ingrata, se mi nieghi (Polifemo, Galatea, Aci) | — | ||
| 38-2 | Aci, Galatea e Polifemo HWV 72: 22. Aria: Fra l'ombre e gl'orrori (Polifemo) | — | ||
| 38-3 | Aci, Galatea e Polifemo HWV 72: 23. Recitativo: Ma che? non andrà inulta (Polifemo, Aci) | — | ||
| 38-4 | Aci, Galatea e Polifemo HWV 72: 24. Aria: Qui l'augel da pianta in pianta (Aci) | — | ||
| 38-5 | Aci, Galatea e Polifemo HWV 72: 25. Recitativo: Giunsi al fin, mio tesoro (Galatea, Aci) | — | ||
| 38-6 | Aci, Galatea e Polifemo HWV 72: 26. Aria: Se m'ami, o caro (Galatea) | — | ||
| 38-7 | Aci, Galatea e Polifemo HWV 72: 27. Recitativo: Qui sull'alto del monte (Polifemo, Aci, Galatea) | — | ||
| 38-8 | Aci, Galatea e Polifemo HWV 72: 28. Terzetto: Dolce amico amplesso (Aci, Galatea, Polifemo) | — | ||
| 38-9 | Aci, Galatea e Polifemo HWV 72: 29. Recitativo: Or poiché sordi sono (Polifemo, Aci) | — | ||
| 38-10 | Aci, Galatea e Polifemo HWV 72: 30. Aria: Verso già l'alma col sangue (Aci) | — | ||
| 38-11 | Aci, Galatea e Polifemo HWV 72: 31. Recitativo: Misera, e dove sono? (Galatea) | — | ||
| 38-12 | Aci, Galatea e Polifemo HWV 72: 32. Aria: Impara, ingrata, impara (Polifemo) | — | ||
| 38-13 | Aci, Galatea e Polifemo HWV 72: 33. Recitativo: Ah, tiranno inumano! (Galatea, Polifemo) | — | ||
| 38-14 | Aci, Galatea e Polifemo HWV 72: 34. Aria: Del mar fra l'onde (Galatea) | — | ||
| 38-15 | Aci, Galatea e Polifemo HWV 72: 35. Recitativo: Ferma, ma già nel mare (Polifemo) | — | ||
| 38-16 | Aci, Galatea e Polifemo HWV 72: 36. Accompagnato: Vissi fedel, mia vita (Polifemo) | — | ||
| 38-17 | Aci, Galatea e Polifemo HWV 72: 37. Recitativo: Ed io, che tanto ascolto (Polifemo) | — | ||
| 38-18 | Aci, Galatea e Polifemo HWV 72: 38. Terzetto: Chi ben ama ha per oggetti (Aci, Galatea, Polifemo) | — | ||
| 39-1 | Alexander's Feast HWV 75: 1. Overture | — | ||
| 39-2 | Alexander's Feast HWV 75: 2. Recitative (Tenor): Twas at the royal feast | — | ||
| 39-3 | Alexander's Feast HWV 75: 3. Air (Tenor) and Chorus: Happy, happy, happy pair | — | ||
| 39-4 | Alexander's Feast HWV 75: 4. Recitative (Tenor): Timotheus, plac'd on high | — | ||
| 39-5 | Alexander's Feast HWV 75: 5. Accompanied Recitative (Soprano): The song began from Jove | — | ||
| 39-6 | Alexander's Feast HWV 75: 6. Chorus: The list'ning crowd | — | ||
| 39-7 | Alexander's Feast HWV 75: 7. Air (Soprano): With ravish'd ears | — | ||
| 39-8 | Alexander's Feast HWV 75: 8. Recitative (Tenor): The praise of Bacchus then the sweet musician sung | — | ||
| 39-9 | Alexander's Feast HWV 75: 9. Air (Bass and Chorus): Bacchus, ever loving and fair | — | ||
| 39-10 | Alexander's Feast HWV 75: 10. Recitative (Tenor): Sooth'd with the sound, the king grew vain | — | ||
| 39-11 | Alexander's Feast HWV 75: 11. Accompanied Recitative (Soprano): He chose a mournful muse | — | ||
| 39-12 | Alexander's Feast HWV 75: 12. Air (Soprano): He sung Darius, great and good | — | ||
| 39-13 | Alexander's Feast HWV 75: 13. Accompanied Recitative (Soprano): With downcast looks the joyless victor sate | — | ||
| 39-14 | Alexander's Feast HWV 75: 14. Chorus: Behold Darius great and good | — | ||
| 39-15 | Alexander's Feast HWV 75: 15. Recitative (Tenor): The mighty master smil'd to see | — | ||
| 39-16 | Alexander's Feast HWV 75: 16. Air (Soprano): Softly, sweet in Lydian measures | — | ||
| 39-17 | Alexander's Feast HWV 75: 17. Air (Tenor): War, he sung, is toil and trouble | — | ||
| 39-18 | Alexander's Feast HWV 75: 18. Chorus: The many rend the skies with loud applause | — | ||
| 39-19 | Alexander's Feast HWV 75: 19. Air (Soprano): The prince, unable to conceal his pain | — | ||
| 40-1 | Alexander's Feast HWV 75: 20. Accompanied Recitative (Tenor): Now strike the golden lyre again | — | ||
| 40-2 | Alexander's Feast HWV 75: 21. Air (Bass): Revenge, revenge, Timotheus cries | — | ||
| 40-3 | Alexander's Feast HWV 75: 22. Accompanied Recitative (Tenor): Give the vengeance due | — | ||
| 40-4 | Alexander's Feast HWV 75: 23. Air (Tenor): The Princes applaud | — | ||
| 40-5 | Alexander's Feast HWV 75: 24. Air (Soprano): Thais led the way | — | ||
| 40-6 | Alexander's Feast HWV 75: 25. Accompanied Recitative (Tenor): Thus long ago | — | ||
| 40-7 | Alexander's Feast HWV 75: 26. Recitative (Tenor and Bass): Let old Timotheus yield the prize | — | ||
| 40-8 | Alexander's Feast HWV 75: 27. Chorus and Soloists (Countertenor): Let old Timotheus yield the prize | — | ||
| 40-9 | Ode for the Birthday of Queen Anne HWV 74: 1. Largo (Countertenor): Eternal source of light divine! | — | ||
| 40-10 | Ode for the Birthday of Queen Anne HWV 74: 2. Andante (Soprano): Let the winged race with joy | — | ||
| 40-11 | Ode for the Birthday of Queen Anne HWV 74: 3. Andante (Countertenor): Let flocks and herds their fear forget | — | ||
| 40-12 | Ode for the Birthday of Queen Anne HWV 74: 4. Countertenor and Bass: Let rolling streams their gladness show | — | ||
| 40-13 | Ode for the Birthday of Queen Anne HWV 74: 5. Andante (Sopranos): Kind health descends on downy wings | — | ||
| 40-14 | Ode for the Birthday of Queen Anne HWV 74: 6. Allegro (Bass): Let envy then conceal her head | — | ||
| 40-15 | Ode for the Birthday of Queen Anne HWV 74: 7. Allegro (Countertenor and Double Chorus): United Nations shall combine | — | ||
| 41-1 | Zadok the Priest, HWV 258 | — | ||
| 41-2 | My Heart is Inditing, HWV 260: 1. My heart is inditing | — | ||
| 41-3 | My Heart is Inditing, HWV 260: 2. King's daughters were among thy honourable women | — | ||
| 41-4 | My Heart is Inditing, HWV 260: 3. Upon thy right hand | — | ||
| 41-5 | My Heart is Inditing, HWV 260: 4. Kings shall be thy nursing fathers | — | ||
| 41-6 | Let Thy Hand be Strengthened, HWV 261: 1. Let thy hand be strengthened | — | ||
| 41-7 | Let Thy Hand be Strengthened, HWV 261: 2. Let justice and judgement | — | ||
| 41-8 | Let Thy Hand be Strengthened, HWV 261: 3. Alleluia! | — | ||
| 41-9 | The King Shall Rejoice, HWV 259: 1. The King shall rejoice | — | ||
| 41-10 | The King Shall Rejoice, HWV 259: 2. Exceedingly glad shall he be | — | ||
| 41-11 | The King Shall Rejoice, HWV 259: 3. Glory and great worship hast thou laid upon him | — | ||
| 41-12 | Organ Concerto No. 1 in B-Flat Major, Op. 7, HWV 306: 1. Andante | — | ||
| 41-13 | Organ Concerto No. 1 in B-Flat Major, Op. 7, HWV 306: 2. Andante | — | ||
| 41-14 | Organ Concerto No. 1 in B-Flat Major, Op. 7, HWV 306: 3. Adagio | — | ||
| 41-15 | Organ Concerto No. 1 in B-Flat Major, Op. 7, HWV 306: 4. Largo e piano | — | ||
| 41-16 | Organ Concerto No. 1 in B-Flat Major, Op. 7, HWV 306: 5. Fuga ex B | — | ||
| 41-17 | Organ Concerto No. 1 in B-Flat Major, Op. 7, HWV 306: 6. Larghetto | — | ||
| 41-18 | Organ Concerto No. 1 in B-Flat Major, Op. 7, HWV 306: 7. Bourrée | — | ||
| 42-1 | Te Deum in D HWV 283 "Dettingen": 1. Chor: Herr, Gott! Dir sei lob! | — | ||
| 42-2 | Te Deum in D HWV 283 "Dettingen": 2. Chor: Alle Welt verehret dich | — | ||
| 42-3 | Te Deum in D HWV 283 "Dettingen": 3. Chor: Dir singt der Engel reiner Chor | — | ||
| 42-4 | Te Deum in D HWV 283 "Dettingen": 4. Chor: Vor dir Cherubim und Seraphim | — | ||
| 42-5 | Te Deum in D HWV 283 "Dettingen": 5. Chor: Der hochgelobte Gott der Apostel | — | ||
| 42-6 | Te Deum in D HWV 283 "Dettingen": 6. Baßsolo und Chor: Du bist der Ehrenkönig o Christ | — | ||
| 42-7 | Te Deum in D HWV 283 "Dettingen": 7. Arie: Als du auf dich genommen | — | ||
| 42-8 | Te Deum in D HWV 283 "Dettingen": 8. Chor: Als du siegreich zerbrachst den Stachel des Todes | — | ||
| 42-9 | Te Deum in D HWV 283 "Dettingen": 9. Chor: Du sitzest zur Rechten des Herrn | — | ||
| 42-10 | Te Deum in D HWV 283 "Dettingen": 10. Chor: Nimm uns auf in deiner Heil´gen Zahl | — | ||
| 42-11 | Te Deum in D HWV 283 "Dettingen": 11. Chor: Tag für Tag sei Lob dir | — | ||
| 42-12 | Te Deum in D HWV 283 "Dettingen": 12. Arioso: Bewahr, o Herr, du treuer Gott | — | ||
| 42-13 | Te Deum in D HWV 283 "Dettingen": 13. Chor: Herr, auf dich steht mein Hoffen | — | ||
| 43-1 | Friedensode HWV 74: 1. O Ew'ger Quell von Licht und Glut | — | ||
| 43-2 | Friedensode HWV 74: 2. Am Tag, Der uns den Frieden bringt | — | ||
| 43-3 | Friedensode HWV 74: 3. Ihr holden Sänger in der Luft | — | ||
| 43-4 | Friedensode HWV 74: 4. Seid, Hirt und Herde, ohne Furcht | — | ||
| 43-5 | Friedensode HWV 74: 5. Der Woge Lauf ist froh erregt | — | ||
| 43-6 | Friedensode HWV 74: 6. Gesundheit, komm auch du herbei | — | ||
| 43-7 | Friedensode HWV 74: 7. Am Tag, der uns den Frieden bringt 2 | — | ||
| 43-8 | Friedensode HWV 74: 8. O Mißgunst, hier verbirg dein Haupt | — | ||
| 43-9 | Friedensode HWV 74: 9. Vereinter Völker stimm' erschallt | — | ||
| 43-10 | Te Deum in D HWV 278 "Utrecht": 1. Wir dreisen dich - Dir singen Engelscharen laut - Zu dir Cherubim | — | ||
| 43-11 | Te Deum in D HWV 278 "Utrecht": 2. Der hocherhabene Chor der Apostel - Du bist der Herr | — | ||
| 43-12 | Te Deum in D HWV 278 "Utrecht": 3. Als du nahmst auf dich - Du sitzt zur Rechten des Herrn | — | ||
| 43-13 | Te Deum in D HWV 278 "Utrecht": 4. Und wir glauben, daß du kommst | — | ||
| 43-14 | Te Deum in D HWV 278 "Utrecht": 5. Tag für Tag | — | ||
| 43-15 | Te Deum in D HWV 278 "Utrecht": 6. Verleih uns Herr | — | ||
| 43-16 | Te Deum in D HWV 278 "Utrecht": 7. O Herr, auf dich | — | ||
| 44-1 | Ode for St. Cecilia's Day HWV 76: 1. Overture | — | ||
| 44-2 | Ode for St. Cecilia's Day HWV 76: 2. Accompagnato - From harmony | — | ||
| 44-3 | Ode for St. Cecilia's Day HWV 76: 3. Chorus - From harmony | — | ||
| 44-4 | Ode for St. Cecilia's Day HWV 76: 4. Air - What passion cannot music raise and quell | — | ||
| 44-5 | Ode for St. Cecilia's Day HWV 76: 5. Air - The trumpet's loud clangour | — | ||
| 44-6 | Ode for St. Cecilia's Day HWV 76: 6. March | — | ||
| 44-7 | Ode for St. Cecilia's Day HWV 76: 7. Air - The soft complaining flute | — | ||
| 44-8 | Ode for St. Cecilia's Day HWV 76: 8. Air - Sharp violins proclaim | — | ||
| 44-9 | Ode for St. Cecilia's Day HWV 76: 9. Air - But oh! What art can teach | — | ||
| 44-10 | Ode for St. Cecilia's Day HWV 76: 10. Air - Orpheus could lead the savage race | — | ||
| 44-11 | Ode for St. Cecilia's Day HWV 76: 11. Accompagnato - But bright Cecilia raised the wonder higher | — | ||
| 44-12 | Ode for St. Cecilia's Day HWV 76: 12. Chorus with Soprano Solo - As from the pow'r of sacred lays | — | ||
| 45-1 | Messiah: Part I. Sinfonia | The Brandenburg Consort, Stephen Cleobury | — | |
| 45-2 | Messiah: Part I. Recitative "Comfort ye my people" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-3 | Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-4 | Messiah: Part I. Chorus "And the glory, the glory of the Lord" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-5 | Messiah: Part I. Recitative "Thus said the Lord" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-6 | Messiah: Part I. Aria "But who may abide" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-7 | Messiah: Part I. Chorus "And He shall purify" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-8 | Messiah: Part I. Recitative "Behold, a virgin" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-9 | Messiah: Part I. Aria "O thou that tellest" (alto) | The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-10 | Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-11 | Messiah: Part I. Aria "The people that walked in darkness" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-12 | Messiah: Part I. Chorus "For unto us a Child is born" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-13 | Messiah: Part I. Pifa (Pastoral Symphony) | The Brandenburg Consort, Stephen Cleobury | — | |
| 45-14 | Messiah: Part I. Recitative "There were shepherds" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-15 | Messiah: Part I. Recitative "And the angels said unto them" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-16 | Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-17 | Messiah: Part I. Chorus "Glory to God in the highest" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-18 | Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-19 | Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-20 | Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-21 | Messiah: Part I. Chorus "His yoke is easy" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-22 | Messiah: Part II. Chorus "Behold the Lamb of God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-23 | Messiah: Part II. Aria "He was despised" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-1 | Messiah: Part II. Chorus "Surely he hath borne our grieves" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-2 | Messiah: Part II. Chorus "And with his stripes we are healed" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-3 | Messiah: Part II. Chorus "All we like sheep" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-4 | Messiah: Part II. Recitative "All they that see Him" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-5 | Messiah: Part II. Chorus "He trusted in God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-6 | Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-7 | Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-8 | Messiah: Part II. Recitative "He was cut off out of the land" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-9 | Messiah: Part II. Aria "But thou didst not leave" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-10 | Messiah: Part II. Chorus "Lift up your heads" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-11 | Messiah: Part II. Recitative "Unto which of the angels" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-12 | Messiah: Part II. Chorus "Let all the angels of God worship Him" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-13 | Messiah: Part II. Aria "Thou art gone up on high" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-14 | Messiah: Part II. Chorus "The Lord gave the word" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-15 | Messiah: Part II. Aria "How beautiful are the feet" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-16 | Messiah: Part II. Chorus "Their sound is gone out" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-17 | Messiah: Part II. "Why do the nations?" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-18 | Messiah: Part II. Chorus "Let us break their bonds asunder" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-19 | Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-20 | Messiah: Part II. Aria "Thou shalt break them" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-21 | Messiah: Part II. Chorus "Hallelujah!" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-22 | Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-23 | Messiah: Part III. Chorus "Since by man came death" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-24 | Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-25 | Messiah: Part III. Aria "The trumpet shall sound" (bass) | Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-26 | Messiah: Part III. Recitative "Then shall be brought to pass" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-27 | Messiah: Part III. Duet "O death, where is thy sting" (alto & tenor) | John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-28 | Messiah: Part III. Chorus "But thanks be to God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-29 | Messiah: Part III. Aria "If God be for us" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-30 | Messiah: Part III. Chorus "Worthy is the Lamb...Amen" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 47-1 | La Resurrezione, HWV 47: 1. Part I : Sonata | — | ||
| 47-2 | La Resurrezione, HWV 47: 2. Part I : Aria: Disserratevi, oh porte d’Averno! | — | ||
| 47-3 | La Resurrezione, HWV 47: 3. Part I : Accompagnato: Qual insolita luce | — | ||
| 47-4 | La Resurrezione, HWV 47: 4. Part I : Aria: Caddi, è ver | — | ||
| 47-5 | La Resurrezione, HWV 47: 5. Part I : Accompagnato: Mà, che veggio | — | ||
| 47-6 | La Resurrezione, HWV 47: 6. Part I : Recitativo: Chi sei? Chi è questo Re | — | ||
| 47-7 | La Resurrezione, HWV 47: 7. Part I : Aria: D’amor fù consiglio | — | ||
| 47-8 | La Resurrezione, HWV 47: 8. Part I : Recitativo: E ben, questo tuo Nume | — | ||
| 47-9 | La Resurrezione, HWV 47: 9. Part I : Aria: O voi dell’Erebo | — | ||
| 47-10 | La Resurrezione, HWV 47: 10. Part I : Accompagnato: Notte, notte funesta | — | ||
| 47-11 | La Resurrezione, HWV 47: 11. Part I : Aria: Ferma l’ali | — | ||
| 47-12 | La Resurrezione, HWV 47: 12. Part I : Recitativo: Concedi, o Maddalena | — | ||
| 47-13 | La Resurrezione, HWV 47: 13. Part I : Aria: Piangete, sì, piangete | — | ||
| 47-14 | La Resurrezione, HWV 47: 14. Part I : Recitativo: Ahi dolce mio Signore | — | ||
| 47-15 | La Resurrezione, HWV 47: 15. Part I : Duetto: Dolci chiodi, amate spine | — | ||
| 47-16 | La Resurrezione, HWV 47: 16. Part I : Recitativo: O Cleofe, o Maddalena | — | ||
| 47-17 | La Resurrezione, HWV 47: 17. Part I : Aria: Quando è parto dell’affetto | — | ||
| 47-18 | La Resurrezione, HWV 47: 18. Part I : Recitativo: Mà dinne, e sarà vero | — | ||
| 47-19 | La Resurrezione, HWV 47: 19. Part I : Aria: Naufragando và per l’onde | — | ||
| 47-20 | La Resurrezione, HWV 47: 20. Part I : Recitativo: Itene pure, o fide amiche donne | — | ||
| 47-21 | La Resurrezione, HWV 47: 21. Part I : Aria: Così la tortorella | — | ||
| 47-22 | La Resurrezione, HWV 47: 22. Part I : Recitativo: Se Maria dunque spera | — | ||
| 47-23 | La Resurrezione, HWV 47: 23. Part I : Aria: Hò un non sò che nel cor | — | ||
| 47-24 | La Resurrezione, HWV 47: 24. Part I : Recitativo: Uscite pur, uscite | — | ||
| 47-25 | La Resurrezione, HWV 47: 25. Part I : Choro: Il Nume vincitor | — | ||
| 48-1 | La Resurrezione, HWV 47: 26. Part II : Sinfonia | — | ||
| 48-2 | La Resurrezione, HWV 47: 27. Part II : Recitativo: Di quai nuovi portenti | — | ||
| 48-3 | La Resurrezione, HWV 47: 28. Part II : Aria: Ecco il sol | — | ||
| 48-4 | La Resurrezione, HWV 47: 29. Part II : Recitativo: Mà dove Maria dimora | — | ||
| 48-5 | La Resurrezione, HWV 47: 30. Part II : Aria: Risorga il mondo | — | ||
| 48-6 | La Resurrezione, HWV 47: 31. Part II : Accompagnato: Di rabbia indarno freme | — | ||
| 48-7 | La Resurrezione, HWV 47: 32. Part II : Recitativo: Misero! hò pure udito? | — | ||
| 48-8 | La Resurrezione, HWV 47: 33. Part II : Aria: Per celare il nuovo scorno | — | ||
| 48-9 | La Resurrezione, HWV 47: 34. Part II : Recitativo: Oh come cieco | — | ||
| 48-10 | La Resurrezione, HWV 47: 35. Part II : Duetto: Impedirlo saprò | — | ||
| 48-11 | La Resurrezione, HWV 47: 36. Part II : Recitativo: Amica, troppo tardo fù il nostro piè | — | ||
| 48-12 | La Resurrezione, HWV 47: 37. Part II : Recitativo: Per me già di morire | — | ||
| 48-13 | La Resurrezione, HWV 47: 38. Part II : Recitativo: Ahi, abborrito nome | — | ||
| 48-14 | La Resurrezione, HWV 47: 39. Part II : Aria: Vedo il ciel | — | ||
| 48-15 | La Resurrezione, HWV 47: 40. Part II : Recitativo: Cleofe, siam giunte al luogo | — | ||
| 48-16 | La Resurrezione, HWV 47: 41. Part II : Aria: Se per colpa di donna infelice | — | ||
| 48-17 | La Resurrezione, HWV 47: 42. Part II : Recitativo: Mio Giesù, mio Signore | — | ||
| 48-18 | La Resurrezione, HWV 47: 43. Part II : Aria: Del cielo dolente | — | ||
| 48-19 | La Resurrezione, HWV 47: 44. Part II : Recitativo: Sì, sì, cerchiamo pure | — | ||
| 48-20 | La Resurrezione, HWV 47: 45. Part II : Aria: Augelletti, ruscelletti | — | ||
| 48-21 | La Resurrezione, HWV 47: 46. Part II : Recitativo: Dove si frettolosi | — | ||
| 48-22 | La Resurrezione, HWV 47: 47. Part II : Aria: Caro figlio | — | ||
| 48-23 | La Resurrezione, HWV 47: 48. Part II : Recitativo: Cleofe, Giovanni, udite | — | ||
| 48-24 | La Resurrezione, HWV 47: 49. Part II : Aria: Se impassibile, immortale | — | ||
| 48-25 | La Resurrezione, HWV 47: 50. Part II : Recitativo: Sì, sì, col Redentore | — | ||
| 48-26 | La Resurrezione, HWV 47: 51. Part II : Choro: Diasi lode in cielo | — | ||
| 49-1 | Jephtha HWV 70: 1. Overture | — | ||
| 49-2 | Jephtha HWV 70: 2. Menuet | — | ||
| 49-3 | Jephtha HWV 70: 3. Act 1: Accompagnato: It must be so | — | ||
| 49-4 | Jephtha HWV 70: 4. Act 1: Air: Pour forth no more | — | ||
| 49-5 | Jephtha HWV 70: 5. Act 1: Chorus: No more to Ammon's god and king | — | ||
| 49-6 | Jephtha HWV 70: 6. Act 1: Recitative: But Jeptha comes | — | ||
| 49-7 | Jephtha HWV 70: 7. Act 1: Air: Virtue my soul shall still embrace | — | ||
| 49-8 | Jephtha HWV 70: 8. Act 1: Recitative: 'Twill be a painful separation | — | ||
| 49-9 | Jephtha HWV 70: 9. Act 1: Air: In gentle murmurs will I mourn | — | ||
| 49-10 | Jephtha HWV 70: 10. Act 1: Recitative: Happy this embassy | — | ||
| 49-11 | Jephtha HWV 70: 11. Act 1: Air: Dull delay, in piercing anguish | — | ||
| 49-12 | Jephtha HWV 70: 12. Act 1: Recitative: Ill suits the voice of love | — | ||
| 49-13 | Jephtha HWV 70: 13. Act 1: Air: Take the heart you fondly gave | — | ||
| 49-14 | Jephtha HWV 70: 14. Act 1: Recitative: I go, my soul | — | ||
| 49-15 | Jephtha HWV 70: 15. Act 1: Duet: These labours past, how happy we | — | ||
| 49-16 | Jephtha HWV 70: 16. Act 1: Recitative: What mean these doubtful fancies | — | ||
| 49-17 | Jephtha HWV 70: 17. Act 1: Accompagnato: If, Lord, sustained | — | ||
| 49-18 | Jephtha HWV 70: 18. Act 1: Chorus: O God, behold our sore distress | — | ||
| 49-19 | Jephtha HWV 70: 19. Act 1: Recitative: Some dire event | — | ||
| 49-20 | Jephtha HWV 70: 20. Act 1: Air: Scenes of horror, scenes of woe | — | ||
| 49-21 | Jephtha HWV 70: 21. Act 1: Recitative: Say, my dear mother | — | ||
| 49-22 | Jephtha HWV 70: 22. Act 1: Air: The smiling dawn of happy days | — | ||
| 49-23 | Jephtha HWV 70: 23. Act 1: Recitative: Such, Jeptha, was the haughty king's reply | — | ||
| 49-24 | Jephtha HWV 70: 24. Act 1: Chorus: When his loud voice in thunder spoke | — | ||
| 50-1 | Jephtha HWV 70: 25. Act 2: Recitative: Glad tidings of great joy | — | ||
| 50-2 | Jephtha HWV 70: 26. Act 2: Chorus: Cherub and Seraphim, unbodied forms | — | ||
| 50-3 | Jephtha HWV 70: 27. Act 2: Air: Up the dreadful steep ascending | — | ||
| 50-4 | Jephtha HWV 70: 28. Act 2: Recitative: Tis well. Haste, haste, ye maidens | — | ||
| 50-5 | Jephtha HWV 70: 29. Act 2: Air: Tune the soft melodious lute | — | ||
| 50-6 | Jephtha HWV 70: 30. Act 2: Recitative: Heav'n smiles once more | — | ||
| 50-7 | Jephtha HWV 70: 31. Act 2: Air: His mighty arm | — | ||
| 50-8 | Jephtha HWV 70: 32. Act 2: Chorus: In glory high | — | ||
| 50-9 | Jephtha HWV 70: 33. Act 2: Symphony | — | ||
| 50-10 | Jephtha HWV 70: 34. Act 2: Hail, glorious conqueror! | — | ||
| 50-11 | Jephtha HWV 70: 35. Act 2: Air and Chorus: Welcome, as the cheerful light ... Welcome thou, whose deeds conspire | — | ||
| 50-12 | Jephtha HWV 70: 36. Act 2: Recitative: Horror! Confusion! | — | ||
| 50-13 | Jephtha HWV 70: 37. Act 2: Air: Open thy marble jaws, O tomb | — | ||
| 50-14 | Jephtha HWV 70: 38. Act 2: Recitative: Why is my brother thus afflicted? | — | ||
| 50-15 | Jephtha HWV 70: 39. Act 2: Accompagnato and Arioso: First perish thou - Let other creatures | — | ||
| 50-16 | Jephtha HWV 70: 40. Act 2: Recitative: If such thy cruel purpose | — | ||
| 50-17 | Jephtha HWV 70: 41. Act 2: Air: On me let blind mistaken zeal | — | ||
| 50-18 | Jephtha HWV 70: 42. Act 2: Quartet: O spare your daughter! | — | ||
| 50-19 | Jephtha HWV 70: 43. Act 2: Recitative: Such news flies swift | — | ||
| 50-20 | Jephtha HWV 70: 44. Act 2: Accompagnato: For joys so vast | — | ||
| 50-21 | Jephtha HWV 70: 45. Act 2: Air: Happy they! | — | ||
| 50-22 | Jephtha HWV 70: 46. Act 2: Accompagnato: Deeper and deeper still | — | ||
| 50-23 | Jephtha HWV 70: 47. Act 2: Chorus: How dark, O Lord, are thy decrees! | — | ||
| 51-1 | Jephtha HWV 70: 48. Act 3: Arioso: Hide thou thy hated beams | — | ||
| 51-2 | Jephtha HWV 70: 49. Act 3: Accompagnato: A father, off'ring up | — | ||
| 51-3 | Jephtha HWV 70: 50. Act 3: Air: Waft her, angels | — | ||
| 51-4 | Jephtha HWV 70: 51. Act 3: Accompagnato: Ye sacred priests | — | ||
| 51-5 | Jephtha HWV 70: 52. Act 3: Air: Farewell, ye limpid springs | — | ||
| 51-6 | Jephtha HWV 70: 53. Act 3: Chorus: Doubtful fear and reverend awe | — | ||
| 51-7 | Jephtha HWV 70: 54. Act 3: Symphony | — | ||
| 51-8 | Jephtha HWV 70: 55. Act 3: Recitative: Rise, Jephtha | — | ||
| 51-9 | Jephtha HWV 70: 56. Act 3: Air: Happy, Iphis, shalt thou live | — | ||
| 51-10 | Jephtha HWV 70: 57. Act 3: Arioso: For ever blessed be | — | ||
| 51-11 | Jephtha HWV 70: 58. Act 3: Chorus: Theme sublime | — | ||
| 51-12 | Jephtha HWV 70: 59. Act 3: Recitative: Let me congratulate | — | ||
| 51-13 | Jephtha HWV 70: 60. Act 3: Air: Laud her, all ye virgin train | — | ||
| 51-14 | Jephtha HWV 70: 61. Act 3: Recitative: O let me fold thee | — | ||
| 51-15 | Jephtha HWV 70: 62. Act 3: Air: Sweet as sight to the blind | — | ||
| 51-16 | Jephtha HWV 70: 63. Act 3: Recitative: With transport, Iphis | — | ||
| 51-17 | Jephtha HWV 70: 64. Act 3: Recitative: My faithful Hamor | — | ||
| 51-18 | Jephtha HWV 70: 65. Act 3: Quintet: All that is in Hamor mine | — | ||
| 51-19 | Jephtha HWV 70: 66. Act 3: Chorus: Ye house of Gilead | — | ||
| 52-1 | Israel In Egypt, HWV 54: 1. Part 1: Symphony | — | ||
| 52-2 | Israel In Egypt, HWV 54: 2. Part 1: Chorus: The sons of Israel do mourn | — | ||
| 52-3 | Israel In Egypt, HWV 54: 3. Part 1: How is the mighty fall'n! | — | ||
| 52-4 | Israel In Egypt, HWV 54: 4. Part 1: Chorus: He put on righteousness | — | ||
| 52-5 | Israel In Egypt, HWV 54: 5. Part 1: Chorus (Soli): When the ear heard him | — | ||
| 52-6 | Israel In Egypt, HWV 54: 6. Part 1: Chorus: How is the mighty fall'n! | — | ||
| 52-7 | Israel In Egypt, HWV 54: 7. Part 1: Chorus: The righteous shall be had in everlasting remembrance | — | ||
| 52-8 | Israel In Egypt, HWV 54: 8. Part 1: Chorus: Their bodies are buried in peace | — | ||
| 52-9 | Israel In Egypt, HWV 54: 9. Part 1: Chorus: The people will tell of their wisdom | — | ||
| 52-10 | Israel In Egypt, HWV 54: 10. Part 1: Chorus (Soli): They shall receive a glorious kingdom | — | ||
| 52-11 | Israel In Egypt, HWV 54: 11. Part 1: Chorus: The merciful goodness of the Lord | — | ||
| 52-12 | Israel In Egypt, HWV 54: 12. Part 2: Solo and Chorus: And the children of Israel sighed | — | ||
| 52-13 | Israel In Egypt, HWV 54: 13. Part 2: Chorus: They loathed to drink of the river | — | ||
| 52-14 | Israel In Egypt, HWV 54: 14. Part 2: Air: Their land brought forth frogs | — | ||
| 52-15 | Israel In Egypt, HWV 54: 15. Part 2: Chorus: He spake the word | — | ||
| 52-16 | Israel In Egypt, HWV 54: 16. Part 2: Chorus: He gave them hailstones for rain | — | ||
| 52-17 | Israel In Egypt, HWV 54: 17. Part 2: Chorus: He sent a thick darkness over all the land | — | ||
| 52-18 | Israel In Egypt, HWV 54: 18. Part 2: Chorus: He smote all the first-born of Egypt | — | ||
| 52-19 | Israel In Egypt, HWV 54: 19. Part 2: Chorus: But as for his people | — | ||
| 52-20 | Israel In Egypt, HWV 54: 20. Part 2: Chorus: He rebuked the Red Sea | — | ||
| 52-21 | Israel In Egypt, HWV 54: 21. Part 2: Chorus: And Israel saw that great work | — | ||
| 53-1 | Israel In Egypt, HWV 54: 22. Part 3: Chorus: Moses and the children of Israel | — | ||
| 53-2 | Israel In Egypt, HWV 54: 23. Part 3: Duet: The Lord is my strength | — | ||
| 53-3 | Israel In Egypt, HWV 54: 24. Part 3: Chorus: He is my God | — | ||
| 53-4 | Israel In Egypt, HWV 54: 25. Part 3: Duet: The Lord is a man of war | — | ||
| 53-5 | Israel In Egypt, HWV 54: 26. Part 3: Chorus: The depths have covered them | — | ||
| 53-6 | Israel In Egypt, HWV 54: 27. Part 3: Chorus: Thy right hand, O Lord | — | ||
| 53-7 | Israel In Egypt, HWV 54: 28. Part 3: Chorus: And with the blast of thy nostrils | — | ||
| 53-8 | Israel In Egypt, HWV 54: 29. Part 3: Air: The enemy said | — | ||
| 53-9 | Israel In Egypt, HWV 54: 30. Part 3: Air: Thou didst blow with the wind | — | ||
| 53-10 | Israel In Egypt, HWV 54: 31. Part 3: Chorus: Who is like unto thee, O Lord, among the gods | — | ||
| 53-11 | Israel In Egypt, HWV 54: 32. Part 3: Duet: Thou in thy mercy | — | ||
| 53-12 | Israel In Egypt, HWV 54: 33. Part 3: Chorus: The people shall hear | — | ||
| 53-13 | Israel In Egypt, HWV 54: 34. Part 3: Air: Thou shalt bring them in | — | ||
| 53-14 | Israel In Egypt, HWV 54: 35. Part 3: Chorus: The Lord shall reign forever and ever | — | ||
| 53-15 | Israel In Egypt, HWV 54: 36. Part 3: Solo and Chorus: Sing ye to the Lord | — | ||
| 54-1 | Judas Maccabaeus, HWV 63: 1. Overture | — | ||
| 54-2 | Judas Maccabaeus, HWV 63: 2. Act 1: Chorus: Mourn ye afflicted children | — | ||
| 54-3 | Judas Maccabaeus, HWV 63: 3. Act 1: Recitative: Well may your sorrows | — | ||
| 54-4 | Judas Maccabaeus, HWV 63: 4. Act 1: Chorus: For Zion, lamentation make | — | ||
| 54-5 | Judas Maccabaeus, HWV 63: 5. Act 1: Recitative: Not in vain is all this storm | — | ||
| 54-6 | Judas Maccabaeus, HWV 63: 6. Act 1: Air: Pious orgies | — | ||
| 54-7 | Judas Maccabaeus, HWV 63: 7. Act 1: Chorus: O Father, whose almighty power | — | ||
| 54-8 | Judas Maccabaeus, HWV 63: 8. Act 1: Accompanied recitative: I feel the Deity within | — | ||
| 54-9 | Judas Maccabaeus, HWV 63: 9. Act 1: Air: Arm, arm, ye brave | — | ||
| 54-10 | Judas Maccabaeus, HWV 63: 10. Act 1: Chorus: We come in bright array | — | ||
| 54-11 | Judas Maccabaeus, HWV 63: 11. Act 1: Recitative: 'Tis well, my friends | — | ||
| 54-12 | Judas Maccabaeus, HWV 63: 12. Act 1: Air: Call forth thy powers | — | ||
| 54-13 | Judas Maccabaeus, HWV 63: 13. Act 1: Air: Come, ever-smiling liberty | — | ||
| 54-14 | Judas Maccabaeus, HWV 63: 14. Act 1: Chorus: Lead on, lead on | — | ||
| 54-15 | Judas Maccabaeus, HWV 63: 15. Act 1: Recitative: So willed my father | — | ||
| 54-16 | Judas Maccabaeus, HWV 63: 16. Act 1: Chorus: Disdainful of danger | — | ||
| 54-17 | Judas Maccabaeus, HWV 63: 17. Act 1: Recitative: Ambition | — | ||
| 54-18 | Judas Maccabaeus, HWV 63: 18. Act 1: Air: No unhallowed desire | — | ||
| 54-19 | Judas Maccabaeus, HWV 63: 19. Act 1: Recitative: Haste we, my brethren | — | ||
| 54-20 | Judas Maccabaeus, HWV 63: 20. Act 1: Chorus: Hear us, O Lord | — | ||
| 54-21 | Judas Maccabaeus, HWV 63: 21. Act 2: Chorus: Fallen is the foe | — | ||
| 54-22 | Judas Maccabaeus, HWV 63: 22. Act 2: Duet and Chorus: Zion now her head shall rise | — | ||
| 54-23 | Judas Maccabaeus, HWV 63: 23. Act 2: Recitative: Oh, let eternal honours | — | ||
| 54-24 | Judas Maccabaeus, HWV 63: 24. Act 2: Air: From almighty kings | — | ||
| 54-25 | Judas Maccabaeus, HWV 63: 25. Act 2: Duet and Chorus: Hail, hail, Judea | — | ||
| 54-26 | Judas Maccabaeus, HWV 63: 26. Act 2: Recitative: Thanks to my brethren | — | ||
| 54-27 | Judas Maccabaeus, HWV 63: 27. Act 2: Air: How vain is man | — | ||
| 55-1 | Judas Maccabaeus, HWV 63: 28. Act 2: Recitative: O Judas, O my brethren! | — | ||
| 55-2 | Judas Maccabaeus, HWV 63: 29. Act 2: Air and Chorus: Ah! Wretched, wretched Israel! | — | ||
| 55-3 | Judas Maccabaeus, HWV 63: 30. Act 2: Recitative: Be comforted, nor think these plagues are sent | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Oboe Concerto no. 3 in G minor, HWV 287: 1. Grave | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Oboe Concerto no. 3 in G minor, HWV 287: 2. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Air and Rondo: Rondo in G minor | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Suite in G minor: 7. Rigaudon | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — |
| Messiah: Part I. Sinfonia | The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Comfort ye my people" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "And the glory, the glory of the Lord" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Thus said the Lord" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "But who may abide" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "And He shall purify" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Behold, a virgin" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "O thou that tellest" (alto) | The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "The people that walked in darkness" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "For unto us a Child is born" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Pifa (Pastoral Symphony) | The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "There were shepherds" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "And the angels said unto them" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "Glory to God in the highest" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "His yoke is easy" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Behold the Lamb of God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "He was despised" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Surely he hath borne our grieves" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "And with his stripes we are healed" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "All we like sheep" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "All they that see Him" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "He trusted in God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "He was cut off out of the land" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "But thou didst not leave" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Lift up your heads" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "Unto which of the angels" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Let all the angels of God worship Him" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Thou art gone up on high" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "The Lord gave the word" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "How beautiful are the feet" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Their sound is gone out" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. "Why do the nations?" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Let us break their bonds asunder" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Thou shalt break them" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Hallelujah!" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "Since by man came death" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "The trumpet shall sound" (bass) | Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Recitative "Then shall be brought to pass" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Duet "O death, where is thy sting" (alto & tenor) | John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "But thanks be to God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "If God be for us" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "Worthy is the Lamb...Amen" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5028421950501 is a Universal Product Code (UPC) assigned to Handel Edition by George Frideric Handel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 1000 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5028421950501 is the Universal Product Code (UPC barcode) for the release “Handel Edition” by George Frideric Handel, released 2015-08-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 1000 tracks, each with its own ISRC. Tracks include NLY331601185, NLY331601186, NLY331601187.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite No. 1 in F major, HWV 348 "Water Music" : 1. Overture largo allegro | — | ||
| 2 | Suite No. 1 in F major, HWV 348 "Water Music" : 2. Adagio e staccato | — | ||
| 3 | Suite No. 1 in F major, HWV 348 "Water Music" : 3. Without tempo | — | ||
| 4 | Suite No. 1 in F major, HWV 348 "Water Music" : 4. Andante | — | ||
| 5 | Suite No. 1 in F major, HWV 348 "Water Music" : 5. Da capo | — | ||
| 6 | Suite No. 1 in F major, HWV 348 "Water Music" : 6. Without tempo | — | ||
| 7 | Suite No. 1 in F major, HWV 348 "Water Music" : 7. Air | — | ||
| 8 | Suite No. 1 in F major, HWV 348 "Water Music" : 8. Minuet | — | ||
| 9 | Suite No. 1 in F major, HWV 348 "Water Music" : 9. Bourrée | — | ||
| 10 | Suite No. 1 in F major, HWV 348 "Water Music" : 10. Hornpipe | — | ||
| 11 | Suite No. 1 in F major, HWV 348 "Water Music" : 11. Without tempo | — | ||
| 12 | Suite No. 2 in D major, HWV 349 "Water Music" : 1. Without tempo | — | ||
| 13 | Suite No. 2 in D major, HWV 349 "Water Music" : 2. Alla hornpipe | — | ||
| 14 | Suite No. 2 in D major, HWV 349 "Water Music" : 3. Minuet | — | ||
| 15 | Suite No. 2 in D major, HWV 349 "Water Music" : 4. Lentement | — | ||
| 16 | Suite No. 2 in D major, HWV 349 "Water Music" : 5. Bourrée | — | ||
| 17 | Suite No. 3 in G major, HWV 350 "Water Music" : 1. Without tempo | — | ||
| 18 | Suite No. 3 in G major, HWV 350 "Water Music" : 2. Rigaudon | — | ||
| 19 | Suite No. 3 in G major, HWV 350 "Water Music" : 3. Without tempo | — | ||
| 20 | Suite No. 3 in G major, HWV 350 "Water Music" : 4. Da capo | — | ||
| 21 | Suite No. 3 in G major, HWV 350 "Water Music" : 5. Menuet | — | ||
| 22 | Suite No. 3 in G major, HWV 350 "Water Music" : 6. Without tempo | — | ||
| 23 | Suite No. 3 in G major, HWV 350 "Water Music" : 7. Without tempo | — | ||
| 24 | Suite No. 3 in G major, HWV 350 "Water Music" : 8. Without tempo | — | ||
| 2-1 | Music for the Royal Fireworks, HWV 351: 1. Overture | — | ||
| 2-2 | Music for the Royal Fireworks, HWV 351: 2. Bourrée | — | ||
| 2-3 | Music for the Royal Fireworks, HWV 351: 3. La Paix | — | ||
| 2-4 | Music for the Royal Fireworks, HWV 351: 4. La Réjouisannce | — | ||
| 2-5 | Music for the Royal Fireworks, HWV 351: 5. Menuet I | — | ||
| 2-6 | Music for the Royal Fireworks, HWV 351: 6. Menuet II | — | ||
| 2-7 | Sinfonia in B-flat major, HWV 339: 1. Allegro | — | ||
| 2-8 | Sinfonia in B-flat major, HWV 339: 2. Adagio | — | ||
| 2-9 | Sinfonia in B-flat major, HWV 339: 3. Allegro | — | ||
| 2-10 | Sinfonia in B-flat major, HWV 347: 1. Pomposo | — | ||
| 2-11 | Sinfonia in B-flat major, HWV 347: 2. Air lentement | — | ||
| 2-12 | Sinfonia in B-flat major, HWV 347: 3. Air: A tempo ordinario | — | ||
| 3-1 | Concerto grosso in B-flat, Op. 3 No. 1 HWV 312: 1. Allegro | — | ||
| 3-2 | Concerto grosso in B-flat, Op. 3 No. 1 HWV 312: 2. Largo | — | ||
| 3-3 | Concerto grosso in B-flat, Op. 3 No. 1 HWV 312: 3. Allegro | — | ||
| 3-4 | Concerto grosso in B-flat, Op. 3 No. 2 HWV 313: 1. Vivace, Grave | — | ||
| 3-5 | Concerto grosso in B-flat, Op. 3 No. 2 HWV 313: 2. Largo | — | ||
| 3-6 | Concerto grosso in B-flat, Op. 3 No. 2 HWV 313: 3. Allegro | — | ||
| 3-7 | Concerto grosso in B-flat, Op. 3 No. 2 HWV 313: 4. [Menuet] | — | ||
| 3-8 | Concerto grosso in B-flat, Op. 3 No. 2 HWV 313: 5. [Gavotte] | — | ||
| 3-9 | Concerto grosso in G major, Op. 3 No. 3 HWV 314: 1. Largo e staccato | — | ||
| 3-10 | Concerto grosso in G major, Op. 3 No. 3 HWV 314: 2. Allegro | — | ||
| 3-11 | Concerto grosso in G major, Op. 3 No. 3 HWV 314: 3. Adagio; 4. Allegro | — | ||
| 3-12 | Concerto grosso in F major, Op. 3 No. 4b: 1. Allegro, lentement | — | ||
| 3-13 | Concerto grosso in F major, Op. 3 No. 4b: 2. Andante | — | ||
| 3-14 | Concerto grosso in F major, Op. 3 No. 4b: 3. Allegro | — | ||
| 3-15 | Concerto grosso in F major, Op. 3 No. 4b: 4. Minuetto | — | ||
| 3-16 | Concerto grosso in D minor, Op. 3, No. 5, HWV 316: 1. Larghetto | — | ||
| 3-17 | Concerto grosso in D minor, Op. 3, No. 5, HWV 316: 2. Fuga | — | ||
| 3-18 | Concerto grosso in D minor, Op. 3, No. 5, HWV 316: 3. Adagio | — | ||
| 3-19 | Concerto grosso in D minor, Op. 3, No. 5, HWV 316: 4. Allegro ma non troppo | — | ||
| 3-20 | Concerto grosso in D minor, Op. 3, No. 5, HWV 316: 5. Allegro | — | ||
| 3-21 | Concerto grosso in D major, Op. 3 No. 6 HWV 317: 1. Vivace | — | ||
| 3-22 | Concerto grosso in D major, Op. 3 No. 6 HWV 317: 2. Adagio | — | ||
| 3-23 | Concerto grosso in D major, Op. 3 No. 6 HWV 317: 3. Allegro | — | ||
| 3-24 | Concerto grosso in F major, Op. 3 No. 4a (Corelli): 1. Adagio - allegro | — | ||
| 3-25 | Concerto grosso in F major, Op. 3 No. 4a (Corelli): 2. Adagio | — | ||
| 3-26 | Concerto grosso in F major, Op. 3 No. 4a (Corelli): 3. Vivace | — | ||
| 3-27 | Concerto grosso in F major, Op. 3 No. 4a (Corelli): 4. Giga (Allegro) | — | ||
| 4-1 | Concerto grosso in G major, Op. 6 No. 1, HWV 319 | — | ||
| 4-2 | Concerto grosso in F major, Op. 6 No. 2, HWV 320 | — | ||
| 4-3 | Concerto grosso in E minor, Op. 6 No. 3, HWV 321 | — | ||
| 4-4 | Concerto grosso in A minor, Op. 6 No. 4, HWV 322 | — | ||
| 5-1 | Concerto grosso in D major, Op. 6 No. 5, HWV 323 | — | ||
| 5-2 | Concerto grosso in G minor, Op. 6 No. 6, HWV 324 | — | ||
| 5-3 | Concerto grosso in B-flat major, Op. 6 No. 7, HWV 325 | — | ||
| 5-4 | Concerto grosso in C minor, Op. 6 No. 8, HWV 326 | — | ||
| 6-1 | Concerto grosso in F, Op. 6 No. 9, HWV 327 | — | ||
| 6-2 | Concerto grosso in D minor, Op. 6 No. 10, HWV 328 | — | ||
| 6-3 | Concerto grosso in A, Op. 6 No. 11, HWV 329 | — | ||
| 6-4 | Concerto grosso in B minor, Op. 6 No. 12, HWV 330 | — | ||
| 7-1 | Concerto a due cori für Oboen, Fagotte, Streicher und Basso continuo in B-Dur, HWV 332: 1. Overture | — | ||
| 7-2 | Concerto a due cori für Oboen, Fagotte, Streicher und Basso continuo in B-Dur, HWV 332: 2. Allegro ma non troppo | — | ||
| 7-3 | Concerto a due cori für Oboen, Fagotte, Streicher und Basso continuo in B-Dur, HWV 332: 3. Allegro | — | ||
| 7-4 | Concerto a due cori für Oboen, Fagotte, Streicher und Basso continuo in B-Dur, HWV 332: 4. Largo | — | ||
| 7-5 | Concerto a due cori für Oboen, Fagotte, Streicher und Basso continuo in B-Dur, HWV 332: 5. A tempo ordinario | — | ||
| 7-6 | Concerto a due cori für Oboen, Fagotte, Streicher und Basso continuo in B-Dur, HWV 332: 6. Alla breve moderato | — | ||
| 7-7 | Concerto a due cori für Oboen, Fagotte, Streicher und Basso continuo in B-Dur, HWV 332: 7. Minuet | — | ||
| 7-8 | Concerto a due cori für Hörner, Oboen, Fagotte, Streicher und Basso continuo in F-Dur, HWV 333: 1. Pomposo | — | ||
| 7-9 | Concerto a due cori für Hörner, Oboen, Fagotte, Streicher und Basso continuo in F-Dur, HWV 333: 2. Allegro | — | ||
| 7-10 | Concerto a due cori für Hörner, Oboen, Fagotte, Streicher und Basso continuo in F-Dur, HWV 333: 3. A tempo giusto | — | ||
| 7-11 | Concerto a due cori für Hörner, Oboen, Fagotte, Streicher und Basso continuo in F-Dur, HWV 333: 4. Largo | — | ||
| 7-12 | Concerto a due cori für Hörner, Oboen, Fagotte, Streicher und Basso continuo in F-Dur, HWV 333: 5. Allegro ma non troppo | — | ||
| 7-13 | Concerto a due cori für Hörner, Oboen, Fagotte, Streicher und Basso continuo in F-Dur, HWV 333: 6. A tempo ordinario | — | ||
| 7-14 | Concerto a due cori für 2 Hörner, 2 Oboen, Streicher und Basso continuo in F-Dur, HWV 334: 1. Overture | — | ||
| 7-15 | Concerto a due cori für 2 Hörner, 2 Oboen, Streicher und Basso continuo in F-Dur, HWV 334: 2. Allegro | — | ||
| 7-16 | Concerto a due cori für 2 Hörner, 2 Oboen, Streicher und Basso continuo in F-Dur, HWV 334: 3. Allegro ma non troppo | — | ||
| 7-17 | Concerto a due cori für 2 Hörner, 2 Oboen, Streicher und Basso continuo in F-Dur, HWV 334: 4. Adagio | — | ||
| 7-18 | Concerto a due cori für 2 Hörner, 2 Oboen, Streicher und Basso continuo in F-Dur, HWV 334: 5. Andante Larghetto | — | ||
| 7-19 | Concerto a due cori für 2 Hörner, 2 Oboen, Streicher und Basso continuo in F-Dur, HWV 334: 6. Allegro | — | ||
| 8-1 | Concerto in G minor, HWV 289: Larghetto e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-2 | Concerto in G minor, HWV 289: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-3 | Concerto in G minor, HWV 289: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-4 | Concerto in G minor, HWV 289: Andante | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-5 | Concerto in B flat major, HWV 290: A tempo ordinario e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-6 | Concerto in B flat major, HWV 290: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-7 | Concerto in B flat major, HWV 290: Adagio e staccato | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-8 | Concerto in B flat major, HWV 290: Allegro ma non presto | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-9 | Concerto in G minor, HWV 291: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-10 | Concerto in G minor, HWV 291: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-11 | Concerto in G minor, HWV 291: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-12 | Concerto in G minor, HWV 291: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-13 | Concerto in F major, HWV 292: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-14 | Concerto in F major, HWV 292: Andante | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-15 | Concerto in F major, HWV 292: Adagio | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 8-16 | Concerto in F major, HWV 292: Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 9-1 | Organ Concerto No. 5 in F, Op. 4 No. 5, HWV 293: 1. Larghetto | — | ||
| 9-2 | Organ Concerto No. 5 in F, Op. 4 No. 5, HWV 293: 2. Allegro | — | ||
| 9-3 | Organ Concerto No. 5 in F, Op. 4 No. 5, HWV 293: 3. Alla siciliana | — | ||
| 9-4 | Organ Concerto No. 5 in F, Op. 4 No. 5, HWV 293: 4. Presto | — | ||
| 9-5 | Harp Concerto in B-flat, Op. 4 No. 6, HWV 294: 1. Andante, Allegro | — | ||
| 9-6 | Harp Concerto in B-flat, Op. 4 No. 6, HWV 294: 2. Larghetto | — | ||
| 9-7 | Harp Concerto in B-flat, Op. 4 No. 6, HWV 294: 3. Allegro moderato | — | ||
| 9-8 | Organ Concerto No. 6 in B-flat, Op. 4 No. 6, HWV 294: 1. Andante, Allegro | — | ||
| 9-9 | Organ Concerto No. 6 in B-flat, Op. 4 No. 6, HWV 294: 2. Larghetto | — | ||
| 9-10 | Organ Concerto No. 6 in B-flat, Op. 4 No. 6, HWV 294: 3. Allegro moderato | — | ||
| 9-11 | Organ Concerto No. 7 in B-flat, Op. 7 No. 1, HWV 306: 1. Andante; 2. Andante | — | ||
| 9-12 | Organ Concerto No. 7 in B-flat, Op. 7 No. 1, HWV 306: 2. Largo e piano | — | ||
| 9-13 | Organ Concerto No. 7 in B-flat, Op. 7 No. 1, HWV 306: 3. Allegro | — | ||
| 9-14 | Organ Concerto No. 7 in B-flat, Op. 7 No. 1, HWV 306: 4. Organo ad libitum | — | ||
| 9-15 | Organ Concerto No. 7 in B-flat, Op. 7 No. 1, HWV 306: 5. Allegro | — | ||
| 10-1 | Organ Concerto No. 8 in A, Op. 7 No. 2, HWV 307: 1. Overture | — | ||
| 10-2 | Organ Concerto No. 8 in A, Op. 7 No. 2, HWV 307: 2. A tempo ordinario | — | ||
| 10-3 | Organ Concerto No. 8 in A, Op. 7 No. 2, HWV 307: 3. Organo ad libitum | — | ||
| 10-4 | Organ Concerto No. 8 in A, Op. 7 No. 2, HWV 307: 4. Allegro | — | ||
| 10-5 | Organ Concerto No. 9 in B-flat, Op. 7 No. 3, HWV 308: 1. Allegro | — | ||
| 10-6 | Organ Concerto No. 9 in B-flat, Op. 7 No. 3, HWV 308: 2. Organo ad libitum | — | ||
| 10-7 | Organ Concerto No. 9 in B-flat, Op. 7 No. 3, HWV 308: 3. Spiritoso | — | ||
| 10-8 | Organ Concerto No. 9 in B-flat, Op. 7 No. 3, HWV 308: 4. Menuet 1 | — | ||
| 10-9 | Organ Concerto No. 9 in B-flat, Op. 7 No. 3, HWV 308: 5. Menuet 2 | — | ||
| 10-10 | Organ Concerto No. 10 in D minor, Op. 7 No. 4, HWV 309: 1. Adagio | — | ||
| 10-11 | Organ Concerto No. 10 in D minor, Op. 7 No. 4, HWV 309: 2. Allegro | — | ||
| 10-12 | Organ Concerto No. 10 in D minor, Op. 7 No. 4, HWV 309: 3. Organo ad libitum | — | ||
| 10-13 | Organ Concerto No. 10 in D minor, Op. 7 No. 4, HWV 309: 4. Allegro | — | ||
| 10-14 | Organ Concerto No. 11 in G minor, Op. 7 No. 5, HWV 310: 1. Staccato ma non troppo allegro | — | ||
| 10-15 | Organ Concerto No. 11 in G minor, Op. 7 No. 5, HWV 310: 2. Andante larghetto e staccato (Organo ad libitum) | — | ||
| 10-16 | Organ Concerto No. 11 in G minor, Op. 7 No. 5, HWV 310: 3. Menuet | — | ||
| 10-17 | Organ Concerto No. 11 in G minor, Op. 7 No. 5, HWV 310: 4. Gavotte | — | ||
| 11-1 | Organ Concerto No. 12 in B-flat, Op. 7 No. 6, HWV 311: 1. Pomposo | — | ||
| 11-2 | Organ Concerto No. 12 in B-flat, Op. 7 No. 6, HWV 311: 2. Lentement (Organo ad libitum) | — | ||
| 11-3 | Organ Concerto No. 12 in B-flat, Op. 7 No. 6, HWV 311: 3. Air | — | ||
| 11-4 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Larghetto | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 11-5 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 11-6 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Organo ad libitum (Fuga, HWV 609) | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 11-7 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Larghetto | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 11-8 | Concerto in F major, HWV 295 "The Cuckoo and the Nightingale": Allegro | Christian Schmitt, Stuttgarter Kammerorchester, Nicol Matt | — | |
| 11-9 | Organ Concerto No. 14 in A, HWV 296a: 1. Largo e staccato | — | ||
| 11-10 | Organ Concerto No. 14 in A, HWV 296a: 2. Organo ad libitum | — | ||
| 11-11 | Organ Concerto No. 14 in A, HWV 296a: 3. Andante | — | ||
| 11-12 | Organ Concerto No. 14 in A, HWV 296a: 4. Grave, Organo ad libitum | — | ||
| 11-13 | Organ Concerto No. 14 in A, HWV 296a: 5. Allegro | — | ||
| 11-14 | Organ Concerto No. 15 in D minor, HWV 304: 1. Andante | — | ||
| 11-15 | Organ Concerto No. 15 in D minor, HWV 304: 2. Grave | — | ||
| 11-16 | Organ Concerto No. 15 in D minor, HWV 304: 3. Organo ad libitum, Fuga | — | ||
| 11-17 | Organ Concerto No. 15 in D minor, HWV 304: 4. Allegro | — | ||
| 12-1 | Orgelkonzert No. 16 F-Dur, HWV 305a: 1. Overture | — | ||
| 12-2 | Orgelkonzert No. 16 F-Dur, HWV 305a: 2. Allegro | — | ||
| 12-3 | Orgelkonzert No. 16 F-Dur, HWV 305a: 3. Organo ad libitum | — | ||
| 12-4 | Orgelkonzert No. 16 F-Dur, HWV 305a: 4. Allegro ma non troppo | — | ||
| 12-5 | Orgelkonzert No. 16 F-Dur, HWV 305a: 5. Adagio | — | ||
| 12-6 | Orgelkonzert No. 16 F-Dur, HWV 305a: 6. Andante | — | ||
| 12-7 | Orgelkonzert No. 16 F-Dur, HWV 305a: 7. Allegro | — | ||
| 12-8 | Orgelkonzert No. 16 F-Dur, HWV 305a: 8. March | — | ||
| 12-9 | Fugue G-Moll HWV 605 | — | ||
| 12-10 | Fugue B-Dur HWV 607 | — | ||
| 12-11 | Fugue B-Moll HWV 608 | — | ||
| 12-12 | Fugue C-Moll HWV 610 | — | ||
| 13-1 | Oboe Concerto no. 3 in G minor, HWV 287: 1. Grave | Anthony Camden, City of London Sinfonia, Nicholas Ward | T-929.837.798-7 | |
| 13-2 | Oboe Concerto no. 3 in G minor, HWV 287: 2. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-3 | Oboe Concerto no. 3 in G minor: Sarabande | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | T-210.339.523-6 | |
| 13-4 | Oboe Concerto no. 3 in G minor, HWV 287: 4. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | T-318.676.528-2 | |
| 13-5 | Oboe Concerto no. 2 in B-flat, HWV 302a: 1. Vivace | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-6 | Oboe Concerto no. 2 in B-flat, HWV 302a: 2. Fuga: Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-7 | Oboe Concerto no. 2 in B-flat, HWV 302a: 3. Andante | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-8 | Oboe Concerto no. 2 in B-flat, HWV 302a: 4. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-9 | Oboe Concerto no. 1 in B-flat, HWV 301: 1. Adagio | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-10 | Oboe Concerto no. 1 in B-flat, HWV 301: 2. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-11 | Oboe Concerto no. 1 in B-flat, HWV 301: 3. Siciliana | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-12 | Oboe Concerto no. 1 in B-flat, HWV 301: 4. Vivace | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-13 | Air and Rondo: Air in G minor | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-14 | Air and Rondo: Rondo in G minor | Anthony Camden, City of London Sinfonia, Nicholas Ward | — | |
| 13-15 | Suite in G minor: 1. Overture | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-16 | Suite in G minor: 2. Gavote | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-17 | Suite in G minor: 3. Bourrée I | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-18 | Suite in G minor: 4. Bourrée II | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-19 | Suite in G minor: 5. Bourrée I (rept) | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-20 | Suite in G minor: 6. Sarabande | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-21 | Suite in G minor: 7. Rigaudon | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-22 | Suite in G minor: 8. Passacaille | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-23 | Suite in G minor: Passepied | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-24 | Overture to “Otho” in B-flat major: 1. Maestoso | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-25 | Overture to “Otho” in B-flat major: 2. Allegro | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 13-26 | Overture to “Otho” in B-flat major: 3. Gavotta | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — | |
| 14-1 | Flute Sonata in E minor, Op. 1 No. 1a, HWV 379 | — | ||
| 14-2 | Flute Sonata in A minor, HWV 374, "Halle Sonata No. 1" | — | ||
| 14-3 | Flute Sonata in E minor, HWV 375, "Halle Sonata No. 2" | — | ||
| 14-4 | Flute Sonata in B minor, HWV 376, "Halle No. 3" | — | ||
| 14-5 | Flute Sonata in D, HWV 378 | — | ||
| 14-6 | Flute Sonata in G, Op. 1 No. 5, HWV 363b | — | ||
| 14-7 | Flute Sonata in B minor, Op. 1 No. 9, HWV 367b | — | ||
| 14-8 | Flute Sonata in E minor, Op. 1 No. 1b, HWV 359b | — | ||
| 15-1 | Violin Sonata in A, Op. 1 No. 3, HWV 361 | — | ||
| 15-2 | Violin Sonata in G minor, HWV 364a | — | ||
| 15-3 | Oboe Sonata in B-flat major, HWV 357 | — | ||
| 15-4 | Violin Sonata in D minor, HWV 359a | — | ||
| 15-5 | Oboe Sonata in C minor, Op. 1 No. 8, HWV 366 | — | ||
| 15-6 | Andante in A minor, HWV 412 | — | ||
| 15-7 | Allegro in C minor, HWV 408 | — | ||
| 15-8 | Oboe Sonata in F, HWV 363a | — | ||
| 15-9 | Violin Sonata in D, Op. 1 No. 13, HWV 371 | — | ||
| 16-1 | Trio Sonata in B minor, Op. 2 No. 1, HWV 386b | — | ||
| 16-2 | Trio Sonata in G minor, Op. 2 No. 2, HWV 387 | — | ||
| 16-3 | Trio Sonata in B-flat, Op. 2 No. 3, HWV 388 | — | ||
| 16-4 | Trio Sonata in F, Op. 2 No. 4, HWV 389 | — | ||
| 16-5 | Trio Sonata in G minor, Op. 2 No. 5, HWV 390 | — | ||
| 16-6 | Trio Sonata in G minor, Op. 2 No. 6, HWV 391 | — | ||
| 17-1 | Trio Sonata in A, Op. 5 No. 1, HWV 396 | — | ||
| 17-2 | Trio Sonata in D, Op. 5 No. 2, HWV 397 | — | ||
| 17-3 | Trio Sonata in E minor, Op. 5 No. 3, HWV 398 | — | ||
| 17-4 | Trio Sonata in G, Op. 5 No. 4, HWV 399 | — | ||
| 17-5 | Trio Sonata in G minor, Op. 5 No. 5, HWV 400 | — | ||
| 17-6 | Trio Sonata in F, Op. 5 No. 6, HWV 401 | — | ||
| 17-7 | Trio Sonata in B-flat, Op. 5 No. 7, HWV 402 | — | ||
| 18-1 | Sinfonia in B-flat For 2 Violins & Basso Continuo, HWV 339 | — | ||
| 18-2 | Trio Sonata in F, Op. 2 No. 3, HWV 392 | — | ||
| 18-3 | Trio Sonata in C minor, Op. 2 No. 1a, HWV 386a | — | ||
| 18-4 | Trio Sonata in G minor, Op. 2 No. 8, HWV 393 | — | ||
| 18-5 | Trio Sonata in C, HWV 403 | — | ||
| 18-6 | Trio Sonata in E, Op. 2 No. 9, HWV 394 | — | ||
| 19-1 | Sonata in C Op. 1 No. 7 HWV 365: 1. Larghetto | — | ||
| 19-2 | Sonata in C Op. 1 No. 7 HWV 365: 2. Allegro | — | ||
| 19-3 | Sonata in C Op. 1 No. 7 HWV 365: 3. Larghetto | — | ||
| 19-4 | Sonata in C Op. 1 No. 7 HWV 365: 4. A tempo di gavotta | — | ||
| 19-5 | Sonata in C Op. 1 No. 7 HWV 365: 5. Allegro | — | ||
| 19-6 | Sonata in B minor Op. 1 No. 9 HWV 367a: 1. Largo | — | ||
| 19-7 | Sonata in B minor Op. 1 No. 9 HWV 367a: 2. Vivace | — | ||
| 19-8 | Sonata in B minor Op. 1 No. 9 HWV 367a: 3. Furioso | — | ||
| 19-9 | Sonata in B minor Op. 1 No. 9 HWV 367a: 4. Adagio | — | ||
| 19-10 | Sonata in B minor Op. 1 No. 9 HWV 367a: 5. Alla breve | — | ||
| 19-11 | Sonata in B minor Op. 1 No. 9 HWV 367a: 6. Andante | — | ||
| 19-12 | Sonata in B minor Op. 1 No. 9 HWV 367a: 7. A tempo di menuet | — | ||
| 19-13 | Sonata in G minor, Op. 1 No. 2 HWV 360: 1. Larghetto | — | ||
| 19-14 | Sonata in G minor, Op. 1 No. 2 HWV 360: 2. Andante | — | ||
| 19-15 | Sonata in G minor, Op. 1 No. 2 HWV 360: 3. Adagio | — | ||
| 19-16 | Sonata in G minor, Op. 1 No. 2 HWV 360: 4. Presto | — | ||
| 19-17 | Sonata in B flat HVW 377: 1. Allegro | — | ||
| 19-18 | Sonata in B flat HVW 377: 2. Adagio | — | ||
| 19-19 | Sonata in B flat HVW 377: 3. Allegro | — | ||
| 19-20 | Sonata in A minor Op. 1 No. 4 HWV 362: 1. Larghetto | — | ||
| 19-21 | Sonata in A minor Op. 1 No. 4 HWV 362: 2. Allegro | — | ||
| 19-22 | Sonata in A minor Op. 1 No. 4 HWV 362: 3. Adagio | — | ||
| 19-23 | Sonata in A minor Op. 1 No. 4 HWV 362: 4. Allegro | — | ||
| 19-24 | Sonata in D Op. 1 No. 11 HWV 369: 1. Grave | — | ||
| 19-25 | Sonata in D Op. 1 No. 11 HWV 369: 2. Allegro | — | ||
| 19-26 | Sonata in D Op. 1 No. 11 HWV 369: 3. Alla siciliana | — | ||
| 19-27 | Sonata in D Op. 1 No. 11 HWV 369: 4. Allegro | — | ||
| 19-28 | Sonata in F HWV 358: 1. Allegro | — | ||
| 19-29 | Sonata in F HWV 358: 2. Adagio | — | ||
| 19-30 | Sonata in F HWV 358: 3. Allegro | — | ||
| 20-1 | Suite No. 1 in A major HWV 426: 1. Prelude | — | ||
| 20-2 | Suite No. 1 in A major HWV 426: 2. Allemande | — | ||
| 20-3 | Suite No. 1 in A major HWV 426: 3. Courante | — | ||
| 20-4 | Suite No. 1 in A major HWV 426: 4. Gigue | — | ||
| 20-5 | Suite No. 2 in F major HWV 427: 1. Adagio | — | ||
| 20-6 | Suite No. 2 in F major HWV 427: 2. Adagio | — | ||
| 20-7 | Suite No. 2 in F major HWV 427: 3. Adagio | — | ||
| 20-8 | Suite No. 2 in F major HWV 427: 4. Allegro | — | ||
| 20-9 | Suite No. 3 in D minor HWV 428: 1. Prelude; Presto | — | ||
| 20-10 | Suite No. 3 in D minor HWV 428: 2. Allegro | — | ||
| 20-11 | Suite No. 3 in D minor HWV 428: 3. Allemande | — | ||
| 20-12 | Suite No. 3 in D minor HWV 428: 4. Courante | — | ||
| 20-13 | Suite No. 3 in D minor HWV 428: 5. Air | — | ||
| 20-14 | Suite No. 3 in D minor HWV 428: 6. Presto | — | ||
| 20-15 | Suite No. 4 in E minor HWV 429: 1. Allegro | — | ||
| 20-16 | Suite No. 4 in E minor HWV 429: 2. Allemande | — | ||
| 20-17 | Suite No. 4 in E minor HWV 429: 3. Courante | — | ||
| 20-18 | Suite No. 4 in E minor HWV 429: 4. Sarabande | — | ||
| 20-19 | Suite No. 4 in E minor HWV 429: 5. Gigue | — | ||
| 21-1 | Suite für Cembalo Nr. 5 E-Dur HWV 430: 1. Prélude | — | ||
| 21-2 | Suite für Cembalo Nr. 5 E-Dur HWV 430: 2. Allemande | — | ||
| 21-3 | Suite für Cembalo Nr. 5 E-Dur HWV 430: 3. Courante | — | ||
| 21-4 | Suite für Cembalo Nr. 5 E-Dur HWV 430: 4. Air | — | ||
| 21-5 | Suite für Cembalo Nr. 6 fis-Moll HWV 431: 1. Prélude | — | ||
| 21-6 | Suite für Cembalo Nr. 6 fis-Moll HWV 431: 2. Largo | — | ||
| 21-7 | Suite für Cembalo Nr. 6 fis-Moll HWV 431: 3. Allegro | — | ||
| 21-8 | Suite für Cembalo Nr. 6 fis-Moll HWV 431: 4. Gigue. Presto | — | ||
| 21-9 | Suite für Cembalo Nr. 7 g-Moll HWV 432: 1. Ouverture. Largo; Presto; Lentement | — | ||
| 21-10 | Suite für Cembalo Nr. 7 g-Moll HWV 432: 2. Andante | — | ||
| 21-11 | Suite für Cembalo Nr. 7 g-Moll HWV 432: 3. Allegro | — | ||
| 21-12 | Suite für Cembalo Nr. 7 g-Moll HWV 432: 4. Sarabande | — | ||
| 21-13 | Suite für Cembalo Nr. 7 g-Moll HWV 432: 5. Gigue | — | ||
| 21-14 | Suite für Cembalo Nr. 7 g-Moll HWV 432: 6. Passacaille | — | ||
| 21-15 | Suite für Cembalo Nr. 8 f-Moll HWV 433: 1. Prélude. Adagio | — | ||
| 21-16 | Suite für Cembalo Nr. 8 f-Moll HWV 433: 2. Allegro | — | ||
| 21-17 | Suite für Cembalo Nr. 8 f-Moll HWV 433: 3. Allemande | — | ||
| 21-18 | Suite für Cembalo Nr. 8 f-Moll HWV 433: 4. Courante | — | ||
| 21-19 | Suite für Cembalo Nr. 8 f-Moll HWV 433: 5. Gigue | — | ||
| 22-1 | Suite No. 1 in B-flat, HWV 434: 1. Prélude | — | ||
| 22-2 | Suite No. 1 in B-flat, HWV 434: 2. Sonata | — | ||
| 22-3 | Suite No. 1 in B-flat, HWV 434: 3. Aria con variazioni | — | ||
| 22-4 | Suite No. 1 in B-flat, HWV 434: 4. Minuet | — | ||
| 22-5 | Chaconne in G, HWV 435 | — | ||
| 22-6 | Suite No. 2 in D minor, HWV 436: 1. Allemande | — | ||
| 22-7 | Suite No. 2 in D minor, HWV 436: 2. Allegro | — | ||
| 22-8 | Suite No. 2 in D minor, HWV 436: 3. Air: Lentement | — | ||
| 22-9 | Suite No. 2 in D minor, HWV 436: 4. Gigue: Presto | — | ||
| 22-10 | Suite No. 2 in D minor, HWV 436: 5. Menuetto | — | ||
| 22-11 | Suite No. 3 in D minor, HWV 437: 1. Allmand | — | ||
| 22-12 | Suite No. 3 in D minor, HWV 437: 2. Corrant | — | ||
| 22-13 | Suite No. 3 in D minor, HWV 437: 3. Saraband | — | ||
| 22-14 | Suite No. 3 in D minor, HWV 437: 4. Jigg | — | ||
| 22-15 | Suite No. 4 in E minor, HWV 438: 1. Allmand | — | ||
| 22-16 | Suite No. 4 in E minor, HWV 438: 2. Saraband | — | ||
| 22-17 | Suite No. 4 in E minor, HWV 438: 3. Jigg | — | ||
| 23-1 | Suite No. 6 in G minor HWV 439: 1. Allmand | — | ||
| 23-2 | Suite No. 6 in G minor HWV 439: 2. Corrant | — | ||
| 23-3 | Suite No. 6 in G minor HWV 439: 3. Jigg | — | ||
| 23-4 | Suite No. 7 in B flat major HWV 440: 1. Allmand | — | ||
| 23-5 | Suite No. 7 in B flat major HWV 440: 2. Corrant | — | ||
| 23-6 | Suite No. 7 in B flat major HWV 440: 3. Saraband | — | ||
| 23-7 | Suite No. 7 in B flat major HWV 440: 4. Jigg | — | ||
| 23-8 | Suite No. 8 in G minor HWV 441: 1. Allemand | — | ||
| 23-9 | Suite No. 8 in G minor HWV 441: 2. Allegro | — | ||
| 23-10 | Suite No. 8 in G minor HWV 441: 3. Corante | — | ||
| 23-11 | Suite No. 8 in G minor HWV 441: 4. Aria: Presto | — | ||
| 23-12 | Suite No. 8 in G minor HWV 441: 5. Menuetto | — | ||
| 23-13 | Suite No. 8 in G minor HWV 441: 6. Gavotta | — | ||
| 23-14 | Suite No. 8 in G minor HWV 441: 7. Gigue | — | ||
| 23-15 | Preludia: Allegro | — | ||
| 23-16 | Vo' far guerra. from Rinaldo | — | ||
| 24-1 | Suite in C HWV 443: 1. Praeludium | — | ||
| 24-2 | Suite in C HWV 443: 2. Allemande | — | ||
| 24-3 | Suite in C HWV 443: 3. Corrante | — | ||
| 24-4 | Suite in C HWV 443: 4. Sarabande - Double | — | ||
| 24-5 | Suite in C HWV 443: 5. Gigue | — | ||
| 24-6 | Suite in C HWV 443: 6. Chaconne | — | ||
| 24-7 | Partitia in G HWV 450: 1. Preludio | — | ||
| 24-8 | Partitia in G HWV 450: 2. Allemande | — | ||
| 24-9 | Partitia in G HWV 450: 3. Courante | — | ||
| 24-10 | Partitia in G HWV 450: 4. Sarabande | — | ||
| 24-11 | Partitia in G HWV 450: 5. Gigue | — | ||
| 24-12 | Partitia in G HWV 450: 6. Menuet | — | ||
| 24-13 | Prelude in D minor HWV 563 | — | ||
| 24-14 | Prelude and Capriccio in G HWV 571 : 1. Prelude | — | ||
| 24-15 | Prelude and Capriccio in G HWV 571 : 2. Capriccio | — | ||
| 24-16 | Suite in G minor HWV 453: 1. Overture: Grave - Allegro | — | ||
| 24-17 | Suite in G minor HWV 453: 2. Entree | — | ||
| 24-18 | Suite in G minor HWV 453: 3. Chaconne | — | ||
| 24-19 | Preludio in D minor HWV 564 | — | ||
| 24-20 | Allegro in C HWV 473 | — | ||
| 24-21 | Chaconne in F MWV 485 | — | ||
| 24-22 | Suite in D minor HWV 448: 1. Overture: Grave-Allegro-Adagio-Allegro | — | ||
| 24-23 | Suite in D minor HWV 448: 2. Allemande | — | ||
| 24-24 | Suite in D minor HWV 448: 3. Courante | — | ||
| 24-25 | Suite in D minor HWV 448: 4. Sarabande I & II | — | ||
| 24-26 | Suite in D minor HWV 448: 5. Chaconne | — | ||
| 25-1 | Suite in D major, HWV 449: 1. Prelude | — | ||
| 25-2 | Suite in D major, HWV 449: 2. Allemande | — | ||
| 25-3 | Suite in D major, HWV 449: 3. Courante | — | ||
| 25-4 | Suite in D major, HWV 449: 4. Sarabande | — | ||
| 25-5 | Suite in D major, HWV 449: 5. Aria | — | ||
| 25-6 | Suite in D major, HWV 449: 6. Gigue | — | ||
| 25-7 | Suite in D major, HWV 449: 7. Menuet | — | ||
| 25-8 | Sonatina in D major, HWV 581 | — | ||
| 25-9 | Allemande in A major, HWV 478 | — | ||
| 25-10 | Fuga in F major, HWV 611 | — | ||
| 25-11 | Chaconne in G major, HWV 486 | — | ||
| 25-12 | Partita in C major, HWV 444: 1. Prelude | — | ||
| 25-13 | Partita in C major, HWV 444: 2. Allemande | — | ||
| 25-14 | Partita in C major, HWV 444: 3. Courante | — | ||
| 25-15 | Partita in C major, HWV 444: 4. Gavotte | — | ||
| 25-16 | Partita in C major, HWV 444: 5. Menuet | — | ||
| 25-17 | Suite in C major, HWV 445: 1. Prelude | — | ||
| 25-18 | Suite in C major, HWV 445: 2. Allemande | — | ||
| 25-19 | Suite in C major, HWV 445: 3. Courante | — | ||
| 25-20 | Prelude and Allegro in A major, HWV 576: 1. Prelude | — | ||
| 25-21 | Prelude and Allegro in A major, HWV 576: 2. Allegro | — | ||
| 25-22 | Air in G major, HWV 467 | — | ||
| 25-23 | Toccata in G major, HWV 586 | — | ||
| 25-24 | Sonatina in G major, HWV 583 | — | ||
| 25-25 | Sonata in G major, HWV 580 | — | ||
| 25-26 | Concerto in G major, HWV 487: 1. Allegro | — | ||
| 25-27 | Concerto in G major, HWV 487: 2. Andante | — | ||
| 25-28 | Air in B-Flat major, HWV 471 | — | ||
| 25-29 | Preludium in F major, HWV 567 | — | ||
| 25-30 | Preludium in F major, HWV 568 | — | ||
| 25-31 | Prelude in G major, HWV 573 | — | ||
| 25-32 | Prelude in E major, HWV 566 | — | ||
| 25-33 | Air in G major, HWV 466 | — | ||
| 25-34 | Air in B-Flat major, HWV 470 | — | ||
| 25-35 | Impertinence in G major, HWV 494 | — | ||
| 25-36 | Air in F major, HWV 465 | — | ||
| 25-37 | Allegro in D major, HWV 475 | — | ||
| 25-38 | Courante in B major, HWV 489 | — | ||
| 26-1 | Prelude and Chaconne in G major, HWV 442: 1. Prelude | — | ||
| 26-2 | Prelude and Chaconne in G major, HWV 442: 2. Chaconne | — | ||
| 26-3 | Fugue No. 1 in G major, HWV 605 | — | ||
| 26-4 | Fugue No. 2 in G major, HWV 606 | — | ||
| 26-5 | Fugue No. 3 in B-Flat major, HWV 607 | — | ||
| 26-6 | Fugue No. 4 in B major, HWV 608 | — | ||
| 26-7 | Fugue No. 5 in A major, HWV 609 | — | ||
| 26-8 | Fugue No. 6 in C major, HWV 610 | — | ||
| 26-9 | Sonata in C major, HWV 577 | — | ||
| 26-10 | Capriccio in F major, HWV 481 | — | ||
| 26-11 | Prelude and Allegro in G major, HWV 574 | — | ||
| 26-12 | Fantasia in C major, HWV 490 | — | ||
| 26-13 | Suite in D major, HWV 447: 1. Allemande | — | ||
| 26-14 | Suite in D major, HWV 447: 2. Courante | — | ||
| 26-15 | Suite in D major, HWV 447: 3. Sarabande | — | ||
| 26-16 | Suite in D major, HWV 447: 4. Gigue | — | ||
| 26-17 | Suite in G major, HWV 452: 1. Allemande | — | ||
| 26-18 | Suite in G major, HWV 452: 2. Courante | — | ||
| 26-19 | Suite in G major, HWV 452: 3. Sarabande | — | ||
| 26-20 | Suite in G major, HWV 452: 4. Gigue | — | ||
| 26-21 | Capriccio in G major, HWV 483 | — | ||
| 27-1 | Suite in C major, HWV 446: 1. Allemande | — | ||
| 27-2 | Suite in C major, HWV 446: 2. Courante | — | ||
| 27-3 | Suite in C major, HWV 446: 3. Sarabande | — | ||
| 27-4 | Suite in C major, HWV 446: 4. Chaconne | — | ||
| 27-5 | Allemande in A major, HWV 477 | — | ||
| 27-6 | Allemande in F major, HWV 476 | — | ||
| 27-7 | Gigue in F major, HWV 492 | — | ||
| 27-8 | Prelude in D major, HWV 562 | — | ||
| 27-9 | Sonatina in G major, HWV 582 | — | ||
| 27-10 | Sonatina in B-Flat major, HWV 585 | — | ||
| 27-11 | Prelude in F-Sharp major, HWV 570 | — | ||
| 27-12 | Air in A major, HWV 468 | — | ||
| 27-13 | Sonata in C major, HWV 578: 1. Allegro | — | ||
| 27-14 | Sonata in C major, HWV 578: 2. Trio: Larghetto | — | ||
| 27-15 | Sonata in C major, HWV 578: 3. Gavotte: Non troppo presto | — | ||
| 27-16 | Prelude in A major, HWV 575 | — | ||
| 27-17 | Lesson in A major, HWV 496 | — | ||
| 27-18 | Partita in A major, HWV 454: 1. Allemande | — | ||
| 27-19 | Partita in A major, HWV 454: 2. Courante | — | ||
| 27-20 | Partita in A major, HWV 454: 3. Sarabande | — | ||
| 27-21 | Partita in A major, HWV 454: 4. Gigue | — | ||
| 27-22 | Prelude in G major, HWV 572 | — | ||
| 27-23 | Sonata in G major, HWV 579 | — | ||
| 28-1 | Occasional Oratorio HWV 62: Overture (arr. William Thomas Best): 1. Andante maestoso - Allegro | — | ||
| 28-2 | Occasional Oratorio HWV 62: Overture (arr. William Thomas Best): 2. Largo | — | ||
| 28-3 | Occasional Oratorio HWV 62: Overture (arr. William Thomas Best): 3. March | — | ||
| 28-4 | Suite No. 1 in B-flat, HWV 434: 1. Prelude | — | ||
| 28-5 | Suite No. 1 in B-flat, HWV 434: 2. Allegro moderato | — | ||
| 28-6 | Suite No. 1 in B-flat, HWV 434: 3. Air - Five variations | — | ||
| 28-7 | Serse, HWV 40 | — | ||
| 28-8 | Saul, HWV 53: Symphony, Act I (arr. William Thomas Best): 1. Allegro | — | ||
| 28-9 | Saul, HWV 53: Symphony, Act I (arr. William Thomas Best): 2. Andante | — | ||
| 28-10 | Saul, HWV 53: Symphony, Act I (arr. William Thomas Best): 3. Allegro | — | ||
| 28-11 | Saul, HWV 53: Symphony, Act I (arr. William Thomas Best): 4. Larghetto | — | ||
| 28-12 | Saul, HWV 53: Symphony, Act II (arr. Alexandre Guilmant): 1. Largo | — | ||
| 28-13 | Saul, HWV 53: Symphony, Act II (arr. Alexandre Guilmant): 2. Allegro | — | ||
| 28-14 | Messiah, HWV 56 (arr. Francis Cunningham Woods): I know that my redeemer liveth | — | ||
| 28-15 | Messiah, HWV 56 (arr. Théodore Dubois): "Hallelujah" chorus | — | ||
| 28-16 | Prelude and Fugue in F minor HWV 433 (arr. Alexandre Guilmant): 1. Prelude | — | ||
| 28-17 | Prelude and Fugue in F minor HWV 433 (arr. Alexandre Guilmant): 2. Fugue | — | ||
| 28-18 | Zadok the Priest, HWV 258 (Arr. William Thomas Best) | — | ||
| 28-19 | Judas Maccabaeus, HWV 63 (arr. Alexandre Guilmant): Paraphrase on "See the conqur'ing hero comes" | — | ||
| 28-20 | Messiah, HWV 56 (arr. Alexandre Guilmant): Marche religieuse on "Lift up your heads" | — | ||
| 29-1 | Kunft'ger Zeiten eitler Kummer, HWV 202 | — | ||
| 29-2 | Das zitternde Glänzen der spielenden Wellen, HWV 203 | — | ||
| 29-3 | Süßer Blumen Ambraflocken, HWV 204 | — | ||
| 29-4 | Süße Stille, sanfte Quelle, HWV 205 | — | ||
| 29-5 | Singe, Seele, Gott zum Preise, HWV 206 | — | ||
| 29-6 | Meine Seele hört im Sehen, HWV 207 | — | ||
| 29-7 | Die ihr aus dunklen Grüften, HWV 208 | — | ||
| 29-8 | In der angenehmen Büschen, HWV 209 | — | ||
| 29-9 | Flammende Rose, Zierde der Erden, HWV 210 | — | ||
| 30-1 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 1. Introduzione | — | ||
| 30-2 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 2. Recitativo. "Da quel giorno fatale" | — | ||
| 30-3 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 3. Aria. "Un pensiero voli in ciel" | — | ||
| 30-4 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 4. Recitativo. "Ma fermati pensier" | — | ||
| 30-5 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 5. Aria. "Per te lasciai la luce" | — | ||
| 30-6 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 6. Recitativo. "Non ti bastava ingrato" | — | ||
| 30-7 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 7. Aria. "Lascia omai le brune vele" | — | ||
| 30-8 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 8. Recitativo. "Ma siamo giunti in Lete" | — | ||
| 30-9 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 9. Entrée | — | ||
| 30-10 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 10. Minuet e arietta. "In queste amene piagge serene" | — | ||
| 30-11 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 11. Recitativo. "Sì disse Clori" | — | ||
| 30-12 | Da quel giorno fatale (Il delirio amoroso) HWV 99: 12. Minuet | — | ||
| 30-13 | Ditemi, o piante HWV 107: 1. Recitativo. "Ditemi, o piante" | — | ||
| 30-14 | Ditemi, o piante HWV 107: 2. Aria. "Il candore tolse al giglio" | — | ||
| 30-15 | Ditemi, o piante HWV 107: 3. Recitativo. "Ma la beltà del volto" | — | ||
| 30-16 | Ditemi, o piante HWV 107: 4. Aria. "Per formar sì vaga e bella pastorella" | — | ||
| 30-17 | Care selve, aure grate HWV 88: 1. Recitativo. "Care selve, aure grate" | — | ||
| 30-18 | Care selve, aure grate HWV 88: 2. Aria. "Ridite a Clori" | — | ||
| 30-19 | Care selve, aure grate HWV 88: 3. Recitativo. "Se cangiarsi potesse" | — | ||
| 30-20 | Care selve, aure grate HWV 88: 4. Aria. "Non ha forza nel mio petto" | — | ||
| 30-21 | Allor ch'io dissi addio HWV 80: 1. Recitativo. "Allor ch'io dissi addio" | — | ||
| 30-22 | Allor ch'io dissi addio HWV 80: 2. Aria. "Son qual cerva ferita che fugge" | — | ||
| 30-23 | Allor ch'io dissi addio HWV 80: 3. Recitativo. "Anzi se nacque il mio amoroso desio" | — | ||
| 30-24 | Allor ch'io dissi addio HWV 80: 4. Aria. "Il dolce foco mio" | — | ||
| 31-1 | Un'alma innamorata HWV 173: 1. Recitativo. Un'alma innamorata | — | ||
| 31-2 | Un'alma innamorata HWV 173: 2. Aria. Quel povero core | — | ||
| 31-3 | Un'alma innamorata HWV 173: 3. Recitativo. E pur benché egli veda | — | ||
| 31-4 | Un'alma innamorata HWV 173: 4. Aria. Io godo, rido e spero | — | ||
| 31-5 | Un'alma innamorata HWV 173: 5. Recitativo. In quanto a me | — | ||
| 31-6 | Un'alma innamorata HWV 173: 6. Aria. Ben impari Come s'ama | — | ||
| 31-7 | O lucenti, o sereni occhi HWV 144: 1. Recitativo. O lucenti, o sereni occhi | — | ||
| 31-8 | O lucenti, o sereni occhi HWV 144: 2. Aria. Per voi languisco e moro | — | ||
| 31-9 | O lucenti, o sereni occhi HWV 144: 3. Recitativo. Messaggiero verace | — | ||
| 31-10 | O lucenti, o sereni occhi HWV 144: 4. Aria. In voi, pupille ardenti | — | ||
| 31-11 | O lucenti, o sereni occhi HWV 144: 5. Recitativo. Del bell'idolo mio | — | ||
| 31-12 | O lucenti, o sereni occhi HWV 144: 6. Aria. Formidabil gondoliero | — | ||
| 31-13 | O lucenti, o sereni occhi HWV 144: 7. Recitativo. Ma se non la rinvengo | — | ||
| 31-14 | O lucenti, o sereni occhi HWV 144: 8. Aria. Piangerò | — | ||
| 31-15 | O lucenti, o sereni occhi HWV 144: 9. Recitativo. Fra quell'orride soglie | — | ||
| 31-16 | O lucenti, o sereni occhi HWV 144: 10. Aria. Su rendetemi colei | — | ||
| 31-17 | Aure soavi e liete HWV 84: 1. Recitativo. Aure soavi e liete | — | ||
| 31-18 | Aure soavi e liete HWV 84: 2. Aria. Care luci | — | ||
| 31-19 | Aure soavi e liete HWV 84: 3. Recitativo. Pietà, Clori, pietà | — | ||
| 31-20 | Aure soavi e liete HWV 84: 4. Aria. Un'aura flebile | — | ||
| 31-21 | Tra le fiamme (il consiglio) HWV 170: 1. Aria. Tra le fiamme | — | ||
| 31-22 | Tra le fiamme (il consiglio) HWV 170: 2. Recitativo. Dedalo già | — | ||
| 31-23 | Tra le fiamme (il consiglio) HWV 170: 3. Aria. Pien di nuovo e bel diletto | — | ||
| 31-24 | Tra le fiamme (il consiglio) HWV 170: 4. Recitativo. Sì, sì, purtroppo è vero | — | ||
| 31-25 | Tra le fiamme (il consiglio) HWV 170: 5. Aria. Voli per l'aria | — | ||
| 31-26 | Tra le fiamme (il consiglio) HWV 170: 6. Recitativo. L'uomo che nacque per salire al cielo | — | ||
| 31-27 | Tra le fiamme (il consiglio) HWV 170: 7. Aria. Tra le fiamme | — | ||
| 32-1 | Arresta il passo (Aminta e Fillide) HWV 83: 1. Ouverture & Recitativo. Arresta il passo (Aminta) | — | ||
| 32-2 | Arresta il passo (Aminta e Fillide) HWV 83: 2. Aria. Fermati, non fuggir! (Aminta) | — | ||
| 32-3 | Arresta il passo (Aminta e Fillide) HWV 83: 3. Recitativo. Questa sol volta almeno (Aminta, Fillide) | — | ||
| 32-4 | Arresta il passo (Aminta e Fillide) HWV 83: 4. Aria. Fiamma bella (Fillide) | — | ||
| 32-5 | Arresta il passo (Aminta e Fillide) HWV 83: 5. Recitativo. Credi a miei detti (Fillide, Aminta) | — | ||
| 32-6 | Arresta il passo (Aminta e Fillide) HWV 83: 6. Aria. Forse che un giorno (Aminta) | — | ||
| 32-7 | Arresta il passo (Aminta e Fillide) HWV 83: 7. Recitativo. Invano, in van presumi (Fillide, Aminta) | — | ||
| 32-8 | Arresta il passo (Aminta e Fillide) HWV 83: 8. Aria. Fu Scherzo, fu gioco (Fillide) | — | ||
| 32-9 | Arresta il passo (Aminta e Fillide) HWV 83: 9. Recitativo. Libero piè fugga dal laccio (Fillide, Aminta) | — | ||
| 32-10 | Arresta il passo (Aminta e Fillide) HWV 83: 10. Aria. Se vago rio (Aminta) | — | ||
| 32-11 | Arresta il passo (Aminta e Fillide) HWV 83: 11. Recitativo. D'un incognito foco (Fillide) | — | ||
| 32-12 | Arresta il passo (Aminta e Fillide) HWV 83: 12. Aria. Sento che il Dio bambin (Fillide) | — | ||
| 32-13 | Arresta il passo (Aminta e Fillide) HWV 83: 13. Recitativo. Felicissimo punto (Aminta) | — | ||
| 32-14 | Arresta il passo (Aminta e Fillide) HWV 83: 14. Aria. Al dispetto di sorte crudele (Aminta) | — | ||
| 32-15 | Arresta il passo (Aminta e Fillide) HWV 83: 15. Recitativo. Vincesti Aminta (Fillide) | — | ||
| 32-16 | Arresta il passo (Aminta e Fillide) HWV 83: 16. Aria. È un foco, quel d'amore (Fillide) | — | ||
| 32-17 | Arresta il passo (Aminta e Fillide) HWV 83: 17. Recitativo. Gloria bella di Aminta (Aminta, Fillide) | — | ||
| 32-18 | Arresta il passo (Aminta e Fillide) HWV 83: 18. Duo. Per abbatter il rigore (Aminta, Fillide) | — | ||
| 33-1 | Clori, mia bella Clori HWV 92: 1. Recitativo. Clori, mia bella Clori | — | ||
| 33-2 | Clori, mia bella Clori HWV 92: 2. Aria. Chiari lumi | — | ||
| 33-3 | Clori, mia bella Clori HWV 92: 3. Recitativo. Temo ma pure io spero | — | ||
| 33-4 | Clori, mia bella Clori HWV 92: 4. Aria. Ne' gigli e nelle rose | — | ||
| 33-5 | Clori, mia bella Clori HWV 92: 5. Recitativo. Non è però che non molesta e grave | — | ||
| 33-6 | Clori, mia bella Clori HWV 92: 6. Aria. Mie pupille | — | ||
| 33-7 | Clori, mia bella Clori HWV 92: 7. Recitativo. Tu nobil alma | — | ||
| 33-8 | Clori, mia bella Clori HWV 92: 8. Aria. Di gelosia il timore | — | ||
| 33-9 | Sans y penser (Cantate française) HWV 155: 1. Chanson. Sans y penser (Silvie) | — | ||
| 33-10 | Sans y penser (Cantate française) HWV 155: 2. Récitatif. S'il ne falloit que bien aimer pour attendrir (Tirsis) | — | ||
| 33-11 | Sans y penser (Cantate française) HWV 155: 3. Air. Petite fleur brunette (Tirsis) | — | ||
| 33-12 | Sans y penser (Cantate française) HWV 155: 4. Récitatif. Vous, qui m'aviez procuré une amour éternelle (Tirsis) | — | ||
| 33-13 | Sans y penser (Cantate française) HWV 155: 5. Air. Nos plaisirs seront peudurables (Silvie) | — | ||
| 33-14 | Sans y penser (Cantate française) HWV 155: 6. Récitatif. Vous ne sauriez flatter ma peine (Silvie) | — | ||
| 33-15 | Sans y penser (Cantate française) HWV 155: 7. Air. Non, non, je ne puis plus souffrir (Tirsis) | — | ||
| 33-16 | Clori, vezzosa Clori HWV 95: 1. Recitativo. Clori, vezzosa Clori | — | ||
| 33-17 | Clori, vezzosa Clori HWV 95: 2. Aria. Il bosco, il prato, il rio | — | ||
| 33-18 | Clori, vezzosa Clori HWV 95: 3. Recitativo. Se l'usignol canoro | — | ||
| 33-19 | Clori, vezzosa Clori HWV 95: 4. Aria. Non è possibile o Clori amabile | — | ||
| 33-20 | Nel dolce dell'oblio (Pensierei notturni di Filli) HWV 134: 1. Recitativo. Nel dolce dell'oblio | — | ||
| 33-21 | Nel dolce dell'oblio (Pensierei notturni di Filli) HWV 134: 2. Aria. Giacché il sonno a lei dipinge | — | ||
| 33-22 | Nel dolce dell'oblio (Pensierei notturni di Filli) HWV 134: 3. Recitativo. Così fida ella vive | — | ||
| 33-23 | Nel dolce dell'oblio (Pensierei notturni di Filli) HWV 134: 4. Aria. Ha l'inganno il suo diletto | — | ||
| 33-24 | Lungi n'andò Fileno HWV 128: 1. Recitativo. Lungi, lungi n'andò Fileno | — | ||
| 33-25 | Lungi n'andò Fileno HWV 128: 2. Aria. Si piangete, o mie pupille | — | ||
| 33-26 | Lungi n'andò Fileno HWV 128: 3. Recitativo. Ahi! M'inganno, infelice | — | ||
| 33-27 | Lungi n'andò Fileno HWV 128: 4. Aria. Dunque se il tanto piangere | — | ||
| 34-1 | Mira Lilla gentile (I): 1. Recitativo. Mira Lilla gentile | — | ||
| 34-2 | Mira Lilla gentile (I): 2. Aria. Non dar più pena o cara | — | ||
| 34-3 | Mira Lilla gentile (I): 3. Recitativo. Ferma deh ferma o bella | — | ||
| 34-4 | Mira Lilla gentile (I): 4. Aria. Consolati mio core | — | ||
| 34-5 | Mira Lilla gentile (I): 5. Recitativo. Sogno o son desto | — | ||
| 34-6 | Mira Lilla gentile (I): 6. Aria. Benché infida tu mi fuggi | — | ||
| 34-7 | La caduta di Icaro: 1. Sinfonia | — | ||
| 34-8 | La caduta di Icaro: 2. Aria. Tra le fiamme tu scherzi per gioco | — | ||
| 34-9 | La caduta di Icaro: 3. Recitativo. Dedalo già le fortunate penne | — | ||
| 34-10 | La caduta di Icaro: 4. Aria. Pien di nuovo e bel diletto | — | ||
| 34-11 | La caduta di Icaro: 5. Recitativo. Si sì, purtroppo è vero | — | ||
| 34-12 | La caduta di Icaro: 6. Aria. Impenni l'ali chi può volare | — | ||
| 34-13 | La caduta di Icaro: 7. Recitativo. L'uomo che nacque per salire al Cielo | — | ||
| 34-14 | La caduta di Icaro: 8. Aria. Tra le fiamme tu scherzi per gioco (Reprise) | — | ||
| 34-15 | Mira Lilla gentile (II): 1. Recitativo. Mira Lilla gentile | — | ||
| 34-16 | Mira Lilla gentile (II): 2. Aria. Non dar più pena o cara | — | ||
| 34-17 | Mira Lilla gentile (II): 3. Recitativo. Ferma deh ferma o bella | — | ||
| 34-18 | Mira Lilla gentile (II): 4. Aria. Consolati mio core | — | ||
| 34-19 | Mira Lilla gentile (II): 5. Recitativo. Sogno o son desto | — | ||
| 34-20 | Mira Lilla gentile (II): 6. Aria. Benché infida tu mi fuggi | — | ||
| 34-21 | Tra le fiamme (Il consiglio) HWV 170: 1. Aria. Tra le fiamme tu scherzi per gioco | — | ||
| 34-22 | Tra le fiamme (Il consiglio) HWV 170: 2. Recitativo. Dedalo già le fortunate penne | — | ||
| 34-23 | Tra le fiamme (Il consiglio) HWV 170: 3. Aria. Pien di nuovo e bel diletto | — | ||
| 34-24 | Tra le fiamme (Il consiglio) HWV 170: 4. Recitativo. Si sì, purtroppo è vero | — | ||
| 34-25 | Tra le fiamme (Il consiglio) HWV 170: 5. Aria. Voli nell'aria chi può volare | — | ||
| 34-26 | Tra le fiamme (Il consiglio) HWV 170: 6. Recitativo. L'uomo che nacque per salire al Cielo | — | ||
| 34-27 | Tra le fiamme (Il consiglio) HWV 170: 7. Aria. Tra le fiamme tu scherzi per gioco (Reprise) | — | ||
| 35-1 | Sonata in B | — | ||
| 35-2 | Quel fior che all'alba ride HWV 154 | — | ||
| 35-3 | Preludio in D Minor | — | ||
| 35-4 | Và, speme infida HWV 199 | — | ||
| 35-5 | Prelude | — | ||
| 35-6 | Amor, gioje mi porge HWV 180 | — | ||
| 35-7 | Entrée | — | ||
| 35-8 | Caro autor di mia doglia HWV 182a | — | ||
| 35-9 | Toccata | — | ||
| 35-10 | Ahi, nelle sorti umane HWV 179 | — | ||
| 35-11 | Prelude | — | ||
| 35-12 | Nò, di voi non vo' fidarmi HWV 189 | — | ||
| 36-1 | The Alchemist (incidental music) HWV 43: 1. Overture | — | ||
| 36-2 | The Alchemist (incidental music) HWV 43: 2. Air | — | ||
| 36-3 | The Alchemist (incidental music) HWV 43: 3. Minuet | — | ||
| 36-4 | The Alchemist (incidental music) HWV 43: 4. Sarabande | — | ||
| 36-5 | The Alchemist (incidental music) HWV 43: 5. Bourrée | — | ||
| 36-6 | The Alchemist (incidental music) HWV 43: 6. Air | — | ||
| 36-7 | The Alchemist (incidental music) HWV 43: 7. Minuet | — | ||
| 36-8 | The Alchemist (incidental music) HWV 43: 8. (Air) | — | ||
| 36-9 | The Alchemist (incidental music) HWV 43: 9. Gigue | — | ||
| 36-10 | Apollo e Dafne (La terra è liberata) HWV 122: 1. Recitative: La terra e liberata! | — | ||
| 36-11 | Apollo e Dafne (La terra è liberata) HWV 122: 2. Aria: Pende il ben dell'universo | — | ||
| 36-12 | Apollo e Dafne (La terra è liberata) HWV 122: 3. Recitative: Ch'il superbetto Amore | — | ||
| 36-13 | Apollo e Dafne (La terra è liberata) HWV 122: 4. Aria: Spezza l'arco e getta l'armi | — | ||
| 36-14 | Apollo e Dafne (La terra è liberata) HWV 122: 5. Aria: Felicissima quest'alma | — | ||
| 36-15 | Apollo e Dafne (La terra è liberata) HWV 122: 6. Recitative: Che voce! Che belta! | — | ||
| 36-16 | Apollo e Dafne (La terra è liberata) HWV 122: 7. Aria: Ardi, adori, e preghi in vano | — | ||
| 36-17 | Apollo e Dafne (La terra è liberata) HWV 122: 8. Recitative: Che crudel! | — | ||
| 36-18 | Apollo e Dafne (La terra è liberata) HWV 122: 9. Duet: Una guerra ho dentro il seno | — | ||
| 36-19 | Apollo e Dafne (La terra è liberata) HWV 122: 10. Recitative: Placati al fin, o cara | — | ||
| 36-20 | Apollo e Dafne (La terra è liberata) HWV 122: 11. Aria: Come rosa in su la spina | — | ||
| 36-21 | Apollo e Dafne (La terra è liberata) HWV 122: 12. Recitative: Ah! ch'un Dio non dovrebbe | — | ||
| 36-22 | Apollo e Dafne (La terra è liberata) HWV 122: 13. Aria: Come in ciel benigna stella | — | ||
| 36-23 | Apollo e Dafne (La terra è liberata) HWV 122: 14. Recitative: Odi la mia ragion! | — | ||
| 36-24 | Apollo e Dafne (La terra è liberata) HWV 122: 15. Duet: Deh! lascia addolcire quell'aspro rigor | — | ||
| 36-25 | Apollo e Dafne (La terra è liberata) HWV 122: 16. Recitativo: Sempre t'adorero! | — | ||
| 36-26 | Apollo e Dafne (La terra è liberata) HWV 122: 17. Aria: Mie piante correte | — | ||
| 36-27 | Apollo e Dafne (La terra è liberata) HWV 122: 18. Aria: Cara pianta, co'miei pianti | — | ||
| 37-1 | Aci, Galatea e Polifemo HWV 72: 1. Duetto: Sorge il dì (Aci, Galatea) | — | ||
| 37-2 | Aci, Galatea e Polifemo HWV 72: 2. Recitativo: Vanti, o cara, il ruscello (Aci, Galatea) | — | ||
| 37-3 | Aci, Galatea e Polifemo HWV 72: 3. Aria: Sforzano a piangere con più dolor (Galatea) | — | ||
| 37-4 | Aci, Galatea e Polifemo HWV 72: 4. Recitativo: E qual nuova sventura (Aci, Galatea) | — | ||
| 37-5 | Aci, Galatea e Polifemo HWV 72: 5. Aria: Che non può la gelosia (Aci) | — | ||
| 37-6 | Aci, Galatea e Polifemo HWV 72: 6. Accompagnato: Ma qual orrido suono (Galatea, Aci) | — | ||
| 37-7 | Aci, Galatea e Polifemo HWV 72: 7. Recitativo: Ahi, che dall'ombre eterne (Galatea, Aci) | — | ||
| 37-8 | Aci, Galatea e Polifemo HWV 72: 8. Aria: Sibilar l'angui d'aletto (Polifemo) | — | ||
| 37-9 | Aci, Galatea e Polifemo HWV 72: 9. Recitativo: Deh lascia, o Polifemo (Galatea, Polifemo) | — | ||
| 37-10 | Aci, Galatea e Polifemo HWV 72: 10. Aria: Benché tuoni e l'etra avvampi (Galatea) | — | ||
| 37-11 | Aci, Galatea e Polifemo HWV 72: 11. Recitativo: Cadrai depressa e vinta (Polifemo, Galatea) | — | ||
| 37-12 | Aci, Galatea e Polifemo HWV 72: 12. Aria: Non sempre, no, crudele (Polifemo) | — | ||
| 37-13 | Aci, Galatea e Polifemo HWV 72: 13. Recitativo: Folle, quanto mi rido (Galatea, Polifemo, Aci) | — | ||
| 37-14 | Aci, Galatea e Polifemo HWV 72: 14. Aria: Dell'aquila l'artigli (Aci) | — | ||
| 37-15 | Aci, Galatea e Polifemo HWV 72: 15. Recitativo: Meglio spiega i tuoi sensi (Polifemo, Aci) | — | ||
| 37-16 | Aci, Galatea e Polifemo HWV 72: 16. Aria: Precipitoso nel mar che freme (Polifemo) | — | ||
| 37-17 | Aci, Galatea e Polifemo HWV 72: 17. Recitativo: Si, t'intendo, inumano (Galatea) | — | ||
| 37-18 | Aci, Galatea e Polifemo HWV 72: 18. Aria: S'agita in mezzo all'onde (Galatea) | — | ||
| 37-19 | Aci, Galatea e Polifemo HWV 72: 19. Recitativo: So che le cinosure (Polifemo, Aci) | — | ||
| 37-20 | Aci, Galatea e Polifemo HWV 72: 20. Terzetto: Proverà lo sdegno mio (Polifemo, Galatea, Aci) | — | ||
| 38-1 | Aci, Galatea e Polifemo HWV 72: 21. Recitativo: Ingrata, se mi nieghi (Polifemo, Galatea, Aci) | — | ||
| 38-2 | Aci, Galatea e Polifemo HWV 72: 22. Aria: Fra l'ombre e gl'orrori (Polifemo) | — | ||
| 38-3 | Aci, Galatea e Polifemo HWV 72: 23. Recitativo: Ma che? non andrà inulta (Polifemo, Aci) | — | ||
| 38-4 | Aci, Galatea e Polifemo HWV 72: 24. Aria: Qui l'augel da pianta in pianta (Aci) | — | ||
| 38-5 | Aci, Galatea e Polifemo HWV 72: 25. Recitativo: Giunsi al fin, mio tesoro (Galatea, Aci) | — | ||
| 38-6 | Aci, Galatea e Polifemo HWV 72: 26. Aria: Se m'ami, o caro (Galatea) | — | ||
| 38-7 | Aci, Galatea e Polifemo HWV 72: 27. Recitativo: Qui sull'alto del monte (Polifemo, Aci, Galatea) | — | ||
| 38-8 | Aci, Galatea e Polifemo HWV 72: 28. Terzetto: Dolce amico amplesso (Aci, Galatea, Polifemo) | — | ||
| 38-9 | Aci, Galatea e Polifemo HWV 72: 29. Recitativo: Or poiché sordi sono (Polifemo, Aci) | — | ||
| 38-10 | Aci, Galatea e Polifemo HWV 72: 30. Aria: Verso già l'alma col sangue (Aci) | — | ||
| 38-11 | Aci, Galatea e Polifemo HWV 72: 31. Recitativo: Misera, e dove sono? (Galatea) | — | ||
| 38-12 | Aci, Galatea e Polifemo HWV 72: 32. Aria: Impara, ingrata, impara (Polifemo) | — | ||
| 38-13 | Aci, Galatea e Polifemo HWV 72: 33. Recitativo: Ah, tiranno inumano! (Galatea, Polifemo) | — | ||
| 38-14 | Aci, Galatea e Polifemo HWV 72: 34. Aria: Del mar fra l'onde (Galatea) | — | ||
| 38-15 | Aci, Galatea e Polifemo HWV 72: 35. Recitativo: Ferma, ma già nel mare (Polifemo) | — | ||
| 38-16 | Aci, Galatea e Polifemo HWV 72: 36. Accompagnato: Vissi fedel, mia vita (Polifemo) | — | ||
| 38-17 | Aci, Galatea e Polifemo HWV 72: 37. Recitativo: Ed io, che tanto ascolto (Polifemo) | — | ||
| 38-18 | Aci, Galatea e Polifemo HWV 72: 38. Terzetto: Chi ben ama ha per oggetti (Aci, Galatea, Polifemo) | — | ||
| 39-1 | Alexander's Feast HWV 75: 1. Overture | — | ||
| 39-2 | Alexander's Feast HWV 75: 2. Recitative (Tenor): Twas at the royal feast | — | ||
| 39-3 | Alexander's Feast HWV 75: 3. Air (Tenor) and Chorus: Happy, happy, happy pair | — | ||
| 39-4 | Alexander's Feast HWV 75: 4. Recitative (Tenor): Timotheus, plac'd on high | — | ||
| 39-5 | Alexander's Feast HWV 75: 5. Accompanied Recitative (Soprano): The song began from Jove | — | ||
| 39-6 | Alexander's Feast HWV 75: 6. Chorus: The list'ning crowd | — | ||
| 39-7 | Alexander's Feast HWV 75: 7. Air (Soprano): With ravish'd ears | — | ||
| 39-8 | Alexander's Feast HWV 75: 8. Recitative (Tenor): The praise of Bacchus then the sweet musician sung | — | ||
| 39-9 | Alexander's Feast HWV 75: 9. Air (Bass and Chorus): Bacchus, ever loving and fair | — | ||
| 39-10 | Alexander's Feast HWV 75: 10. Recitative (Tenor): Sooth'd with the sound, the king grew vain | — | ||
| 39-11 | Alexander's Feast HWV 75: 11. Accompanied Recitative (Soprano): He chose a mournful muse | — | ||
| 39-12 | Alexander's Feast HWV 75: 12. Air (Soprano): He sung Darius, great and good | — | ||
| 39-13 | Alexander's Feast HWV 75: 13. Accompanied Recitative (Soprano): With downcast looks the joyless victor sate | — | ||
| 39-14 | Alexander's Feast HWV 75: 14. Chorus: Behold Darius great and good | — | ||
| 39-15 | Alexander's Feast HWV 75: 15. Recitative (Tenor): The mighty master smil'd to see | — | ||
| 39-16 | Alexander's Feast HWV 75: 16. Air (Soprano): Softly, sweet in Lydian measures | — | ||
| 39-17 | Alexander's Feast HWV 75: 17. Air (Tenor): War, he sung, is toil and trouble | — | ||
| 39-18 | Alexander's Feast HWV 75: 18. Chorus: The many rend the skies with loud applause | — | ||
| 39-19 | Alexander's Feast HWV 75: 19. Air (Soprano): The prince, unable to conceal his pain | — | ||
| 40-1 | Alexander's Feast HWV 75: 20. Accompanied Recitative (Tenor): Now strike the golden lyre again | — | ||
| 40-2 | Alexander's Feast HWV 75: 21. Air (Bass): Revenge, revenge, Timotheus cries | — | ||
| 40-3 | Alexander's Feast HWV 75: 22. Accompanied Recitative (Tenor): Give the vengeance due | — | ||
| 40-4 | Alexander's Feast HWV 75: 23. Air (Tenor): The Princes applaud | — | ||
| 40-5 | Alexander's Feast HWV 75: 24. Air (Soprano): Thais led the way | — | ||
| 40-6 | Alexander's Feast HWV 75: 25. Accompanied Recitative (Tenor): Thus long ago | — | ||
| 40-7 | Alexander's Feast HWV 75: 26. Recitative (Tenor and Bass): Let old Timotheus yield the prize | — | ||
| 40-8 | Alexander's Feast HWV 75: 27. Chorus and Soloists (Countertenor): Let old Timotheus yield the prize | — | ||
| 40-9 | Ode for the Birthday of Queen Anne HWV 74: 1. Largo (Countertenor): Eternal source of light divine! | — | ||
| 40-10 | Ode for the Birthday of Queen Anne HWV 74: 2. Andante (Soprano): Let the winged race with joy | — | ||
| 40-11 | Ode for the Birthday of Queen Anne HWV 74: 3. Andante (Countertenor): Let flocks and herds their fear forget | — | ||
| 40-12 | Ode for the Birthday of Queen Anne HWV 74: 4. Countertenor and Bass: Let rolling streams their gladness show | — | ||
| 40-13 | Ode for the Birthday of Queen Anne HWV 74: 5. Andante (Sopranos): Kind health descends on downy wings | — | ||
| 40-14 | Ode for the Birthday of Queen Anne HWV 74: 6. Allegro (Bass): Let envy then conceal her head | — | ||
| 40-15 | Ode for the Birthday of Queen Anne HWV 74: 7. Allegro (Countertenor and Double Chorus): United Nations shall combine | — | ||
| 41-1 | Zadok the Priest, HWV 258 | — | ||
| 41-2 | My Heart is Inditing, HWV 260: 1. My heart is inditing | — | ||
| 41-3 | My Heart is Inditing, HWV 260: 2. King's daughters were among thy honourable women | — | ||
| 41-4 | My Heart is Inditing, HWV 260: 3. Upon thy right hand | — | ||
| 41-5 | My Heart is Inditing, HWV 260: 4. Kings shall be thy nursing fathers | — | ||
| 41-6 | Let Thy Hand be Strengthened, HWV 261: 1. Let thy hand be strengthened | — | ||
| 41-7 | Let Thy Hand be Strengthened, HWV 261: 2. Let justice and judgement | — | ||
| 41-8 | Let Thy Hand be Strengthened, HWV 261: 3. Alleluia! | — | ||
| 41-9 | The King Shall Rejoice, HWV 259: 1. The King shall rejoice | — | ||
| 41-10 | The King Shall Rejoice, HWV 259: 2. Exceedingly glad shall he be | — | ||
| 41-11 | The King Shall Rejoice, HWV 259: 3. Glory and great worship hast thou laid upon him | — | ||
| 41-12 | Organ Concerto No. 1 in B-Flat Major, Op. 7, HWV 306: 1. Andante | — | ||
| 41-13 | Organ Concerto No. 1 in B-Flat Major, Op. 7, HWV 306: 2. Andante | — | ||
| 41-14 | Organ Concerto No. 1 in B-Flat Major, Op. 7, HWV 306: 3. Adagio | — | ||
| 41-15 | Organ Concerto No. 1 in B-Flat Major, Op. 7, HWV 306: 4. Largo e piano | — | ||
| 41-16 | Organ Concerto No. 1 in B-Flat Major, Op. 7, HWV 306: 5. Fuga ex B | — | ||
| 41-17 | Organ Concerto No. 1 in B-Flat Major, Op. 7, HWV 306: 6. Larghetto | — | ||
| 41-18 | Organ Concerto No. 1 in B-Flat Major, Op. 7, HWV 306: 7. Bourrée | — | ||
| 42-1 | Te Deum in D HWV 283 "Dettingen": 1. Chor: Herr, Gott! Dir sei lob! | — | ||
| 42-2 | Te Deum in D HWV 283 "Dettingen": 2. Chor: Alle Welt verehret dich | — | ||
| 42-3 | Te Deum in D HWV 283 "Dettingen": 3. Chor: Dir singt der Engel reiner Chor | — | ||
| 42-4 | Te Deum in D HWV 283 "Dettingen": 4. Chor: Vor dir Cherubim und Seraphim | — | ||
| 42-5 | Te Deum in D HWV 283 "Dettingen": 5. Chor: Der hochgelobte Gott der Apostel | — | ||
| 42-6 | Te Deum in D HWV 283 "Dettingen": 6. Baßsolo und Chor: Du bist der Ehrenkönig o Christ | — | ||
| 42-7 | Te Deum in D HWV 283 "Dettingen": 7. Arie: Als du auf dich genommen | — | ||
| 42-8 | Te Deum in D HWV 283 "Dettingen": 8. Chor: Als du siegreich zerbrachst den Stachel des Todes | — | ||
| 42-9 | Te Deum in D HWV 283 "Dettingen": 9. Chor: Du sitzest zur Rechten des Herrn | — | ||
| 42-10 | Te Deum in D HWV 283 "Dettingen": 10. Chor: Nimm uns auf in deiner Heil´gen Zahl | — | ||
| 42-11 | Te Deum in D HWV 283 "Dettingen": 11. Chor: Tag für Tag sei Lob dir | — | ||
| 42-12 | Te Deum in D HWV 283 "Dettingen": 12. Arioso: Bewahr, o Herr, du treuer Gott | — | ||
| 42-13 | Te Deum in D HWV 283 "Dettingen": 13. Chor: Herr, auf dich steht mein Hoffen | — | ||
| 43-1 | Friedensode HWV 74: 1. O Ew'ger Quell von Licht und Glut | — | ||
| 43-2 | Friedensode HWV 74: 2. Am Tag, Der uns den Frieden bringt | — | ||
| 43-3 | Friedensode HWV 74: 3. Ihr holden Sänger in der Luft | — | ||
| 43-4 | Friedensode HWV 74: 4. Seid, Hirt und Herde, ohne Furcht | — | ||
| 43-5 | Friedensode HWV 74: 5. Der Woge Lauf ist froh erregt | — | ||
| 43-6 | Friedensode HWV 74: 6. Gesundheit, komm auch du herbei | — | ||
| 43-7 | Friedensode HWV 74: 7. Am Tag, der uns den Frieden bringt 2 | — | ||
| 43-8 | Friedensode HWV 74: 8. O Mißgunst, hier verbirg dein Haupt | — | ||
| 43-9 | Friedensode HWV 74: 9. Vereinter Völker stimm' erschallt | — | ||
| 43-10 | Te Deum in D HWV 278 "Utrecht": 1. Wir dreisen dich - Dir singen Engelscharen laut - Zu dir Cherubim | — | ||
| 43-11 | Te Deum in D HWV 278 "Utrecht": 2. Der hocherhabene Chor der Apostel - Du bist der Herr | — | ||
| 43-12 | Te Deum in D HWV 278 "Utrecht": 3. Als du nahmst auf dich - Du sitzt zur Rechten des Herrn | — | ||
| 43-13 | Te Deum in D HWV 278 "Utrecht": 4. Und wir glauben, daß du kommst | — | ||
| 43-14 | Te Deum in D HWV 278 "Utrecht": 5. Tag für Tag | — | ||
| 43-15 | Te Deum in D HWV 278 "Utrecht": 6. Verleih uns Herr | — | ||
| 43-16 | Te Deum in D HWV 278 "Utrecht": 7. O Herr, auf dich | — | ||
| 44-1 | Ode for St. Cecilia's Day HWV 76: 1. Overture | — | ||
| 44-2 | Ode for St. Cecilia's Day HWV 76: 2. Accompagnato - From harmony | — | ||
| 44-3 | Ode for St. Cecilia's Day HWV 76: 3. Chorus - From harmony | — | ||
| 44-4 | Ode for St. Cecilia's Day HWV 76: 4. Air - What passion cannot music raise and quell | — | ||
| 44-5 | Ode for St. Cecilia's Day HWV 76: 5. Air - The trumpet's loud clangour | — | ||
| 44-6 | Ode for St. Cecilia's Day HWV 76: 6. March | — | ||
| 44-7 | Ode for St. Cecilia's Day HWV 76: 7. Air - The soft complaining flute | — | ||
| 44-8 | Ode for St. Cecilia's Day HWV 76: 8. Air - Sharp violins proclaim | — | ||
| 44-9 | Ode for St. Cecilia's Day HWV 76: 9. Air - But oh! What art can teach | — | ||
| 44-10 | Ode for St. Cecilia's Day HWV 76: 10. Air - Orpheus could lead the savage race | — | ||
| 44-11 | Ode for St. Cecilia's Day HWV 76: 11. Accompagnato - But bright Cecilia raised the wonder higher | — | ||
| 44-12 | Ode for St. Cecilia's Day HWV 76: 12. Chorus with Soprano Solo - As from the pow'r of sacred lays | — | ||
| 45-1 | Messiah: Part I. Sinfonia | The Brandenburg Consort, Stephen Cleobury | — | |
| 45-2 | Messiah: Part I. Recitative "Comfort ye my people" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-3 | Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-4 | Messiah: Part I. Chorus "And the glory, the glory of the Lord" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-5 | Messiah: Part I. Recitative "Thus said the Lord" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-6 | Messiah: Part I. Aria "But who may abide" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-7 | Messiah: Part I. Chorus "And He shall purify" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-8 | Messiah: Part I. Recitative "Behold, a virgin" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-9 | Messiah: Part I. Aria "O thou that tellest" (alto) | The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-10 | Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-11 | Messiah: Part I. Aria "The people that walked in darkness" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-12 | Messiah: Part I. Chorus "For unto us a Child is born" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-13 | Messiah: Part I. Pifa (Pastoral Symphony) | The Brandenburg Consort, Stephen Cleobury | — | |
| 45-14 | Messiah: Part I. Recitative "There were shepherds" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-15 | Messiah: Part I. Recitative "And the angels said unto them" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-16 | Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-17 | Messiah: Part I. Chorus "Glory to God in the highest" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-18 | Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-19 | Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-20 | Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-21 | Messiah: Part I. Chorus "His yoke is easy" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-22 | Messiah: Part II. Chorus "Behold the Lamb of God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 45-23 | Messiah: Part II. Aria "He was despised" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-1 | Messiah: Part II. Chorus "Surely he hath borne our grieves" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-2 | Messiah: Part II. Chorus "And with his stripes we are healed" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-3 | Messiah: Part II. Chorus "All we like sheep" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-4 | Messiah: Part II. Recitative "All they that see Him" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-5 | Messiah: Part II. Chorus "He trusted in God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-6 | Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-7 | Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-8 | Messiah: Part II. Recitative "He was cut off out of the land" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-9 | Messiah: Part II. Aria "But thou didst not leave" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-10 | Messiah: Part II. Chorus "Lift up your heads" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-11 | Messiah: Part II. Recitative "Unto which of the angels" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-12 | Messiah: Part II. Chorus "Let all the angels of God worship Him" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-13 | Messiah: Part II. Aria "Thou art gone up on high" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-14 | Messiah: Part II. Chorus "The Lord gave the word" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-15 | Messiah: Part II. Aria "How beautiful are the feet" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-16 | Messiah: Part II. Chorus "Their sound is gone out" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-17 | Messiah: Part II. "Why do the nations?" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-18 | Messiah: Part II. Chorus "Let us break their bonds asunder" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-19 | Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-20 | Messiah: Part II. Aria "Thou shalt break them" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-21 | Messiah: Part II. Chorus "Hallelujah!" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-22 | Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-23 | Messiah: Part III. Chorus "Since by man came death" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-24 | Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-25 | Messiah: Part III. Aria "The trumpet shall sound" (bass) | Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-26 | Messiah: Part III. Recitative "Then shall be brought to pass" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-27 | Messiah: Part III. Duet "O death, where is thy sting" (alto & tenor) | John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-28 | Messiah: Part III. Chorus "But thanks be to God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-29 | Messiah: Part III. Aria "If God be for us" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 46-30 | Messiah: Part III. Chorus "Worthy is the Lamb...Amen" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 47-1 | La Resurrezione, HWV 47: 1. Part I : Sonata | — | ||
| 47-2 | La Resurrezione, HWV 47: 2. Part I : Aria: Disserratevi, oh porte d’Averno! | — | ||
| 47-3 | La Resurrezione, HWV 47: 3. Part I : Accompagnato: Qual insolita luce | — | ||
| 47-4 | La Resurrezione, HWV 47: 4. Part I : Aria: Caddi, è ver | — | ||
| 47-5 | La Resurrezione, HWV 47: 5. Part I : Accompagnato: Mà, che veggio | — | ||
| 47-6 | La Resurrezione, HWV 47: 6. Part I : Recitativo: Chi sei? Chi è questo Re | — | ||
| 47-7 | La Resurrezione, HWV 47: 7. Part I : Aria: D’amor fù consiglio | — | ||
| 47-8 | La Resurrezione, HWV 47: 8. Part I : Recitativo: E ben, questo tuo Nume | — | ||
| 47-9 | La Resurrezione, HWV 47: 9. Part I : Aria: O voi dell’Erebo | — | ||
| 47-10 | La Resurrezione, HWV 47: 10. Part I : Accompagnato: Notte, notte funesta | — | ||
| 47-11 | La Resurrezione, HWV 47: 11. Part I : Aria: Ferma l’ali | — | ||
| 47-12 | La Resurrezione, HWV 47: 12. Part I : Recitativo: Concedi, o Maddalena | — | ||
| 47-13 | La Resurrezione, HWV 47: 13. Part I : Aria: Piangete, sì, piangete | — | ||
| 47-14 | La Resurrezione, HWV 47: 14. Part I : Recitativo: Ahi dolce mio Signore | — | ||
| 47-15 | La Resurrezione, HWV 47: 15. Part I : Duetto: Dolci chiodi, amate spine | — | ||
| 47-16 | La Resurrezione, HWV 47: 16. Part I : Recitativo: O Cleofe, o Maddalena | — | ||
| 47-17 | La Resurrezione, HWV 47: 17. Part I : Aria: Quando è parto dell’affetto | — | ||
| 47-18 | La Resurrezione, HWV 47: 18. Part I : Recitativo: Mà dinne, e sarà vero | — | ||
| 47-19 | La Resurrezione, HWV 47: 19. Part I : Aria: Naufragando và per l’onde | — | ||
| 47-20 | La Resurrezione, HWV 47: 20. Part I : Recitativo: Itene pure, o fide amiche donne | — | ||
| 47-21 | La Resurrezione, HWV 47: 21. Part I : Aria: Così la tortorella | — | ||
| 47-22 | La Resurrezione, HWV 47: 22. Part I : Recitativo: Se Maria dunque spera | — | ||
| 47-23 | La Resurrezione, HWV 47: 23. Part I : Aria: Hò un non sò che nel cor | — | ||
| 47-24 | La Resurrezione, HWV 47: 24. Part I : Recitativo: Uscite pur, uscite | — | ||
| 47-25 | La Resurrezione, HWV 47: 25. Part I : Choro: Il Nume vincitor | — | ||
| 48-1 | La Resurrezione, HWV 47: 26. Part II : Sinfonia | — | ||
| 48-2 | La Resurrezione, HWV 47: 27. Part II : Recitativo: Di quai nuovi portenti | — | ||
| 48-3 | La Resurrezione, HWV 47: 28. Part II : Aria: Ecco il sol | — | ||
| 48-4 | La Resurrezione, HWV 47: 29. Part II : Recitativo: Mà dove Maria dimora | — | ||
| 48-5 | La Resurrezione, HWV 47: 30. Part II : Aria: Risorga il mondo | — | ||
| 48-6 | La Resurrezione, HWV 47: 31. Part II : Accompagnato: Di rabbia indarno freme | — | ||
| 48-7 | La Resurrezione, HWV 47: 32. Part II : Recitativo: Misero! hò pure udito? | — | ||
| 48-8 | La Resurrezione, HWV 47: 33. Part II : Aria: Per celare il nuovo scorno | — | ||
| 48-9 | La Resurrezione, HWV 47: 34. Part II : Recitativo: Oh come cieco | — | ||
| 48-10 | La Resurrezione, HWV 47: 35. Part II : Duetto: Impedirlo saprò | — | ||
| 48-11 | La Resurrezione, HWV 47: 36. Part II : Recitativo: Amica, troppo tardo fù il nostro piè | — | ||
| 48-12 | La Resurrezione, HWV 47: 37. Part II : Recitativo: Per me già di morire | — | ||
| 48-13 | La Resurrezione, HWV 47: 38. Part II : Recitativo: Ahi, abborrito nome | — | ||
| 48-14 | La Resurrezione, HWV 47: 39. Part II : Aria: Vedo il ciel | — | ||
| 48-15 | La Resurrezione, HWV 47: 40. Part II : Recitativo: Cleofe, siam giunte al luogo | — | ||
| 48-16 | La Resurrezione, HWV 47: 41. Part II : Aria: Se per colpa di donna infelice | — | ||
| 48-17 | La Resurrezione, HWV 47: 42. Part II : Recitativo: Mio Giesù, mio Signore | — | ||
| 48-18 | La Resurrezione, HWV 47: 43. Part II : Aria: Del cielo dolente | — | ||
| 48-19 | La Resurrezione, HWV 47: 44. Part II : Recitativo: Sì, sì, cerchiamo pure | — | ||
| 48-20 | La Resurrezione, HWV 47: 45. Part II : Aria: Augelletti, ruscelletti | — | ||
| 48-21 | La Resurrezione, HWV 47: 46. Part II : Recitativo: Dove si frettolosi | — | ||
| 48-22 | La Resurrezione, HWV 47: 47. Part II : Aria: Caro figlio | — | ||
| 48-23 | La Resurrezione, HWV 47: 48. Part II : Recitativo: Cleofe, Giovanni, udite | — | ||
| 48-24 | La Resurrezione, HWV 47: 49. Part II : Aria: Se impassibile, immortale | — | ||
| 48-25 | La Resurrezione, HWV 47: 50. Part II : Recitativo: Sì, sì, col Redentore | — | ||
| 48-26 | La Resurrezione, HWV 47: 51. Part II : Choro: Diasi lode in cielo | — | ||
| 49-1 | Jephtha HWV 70: 1. Overture | — | ||
| 49-2 | Jephtha HWV 70: 2. Menuet | — | ||
| 49-3 | Jephtha HWV 70: 3. Act 1: Accompagnato: It must be so | — | ||
| 49-4 | Jephtha HWV 70: 4. Act 1: Air: Pour forth no more | — | ||
| 49-5 | Jephtha HWV 70: 5. Act 1: Chorus: No more to Ammon's god and king | — | ||
| 49-6 | Jephtha HWV 70: 6. Act 1: Recitative: But Jeptha comes | — | ||
| 49-7 | Jephtha HWV 70: 7. Act 1: Air: Virtue my soul shall still embrace | — | ||
| 49-8 | Jephtha HWV 70: 8. Act 1: Recitative: 'Twill be a painful separation | — | ||
| 49-9 | Jephtha HWV 70: 9. Act 1: Air: In gentle murmurs will I mourn | — | ||
| 49-10 | Jephtha HWV 70: 10. Act 1: Recitative: Happy this embassy | — | ||
| 49-11 | Jephtha HWV 70: 11. Act 1: Air: Dull delay, in piercing anguish | — | ||
| 49-12 | Jephtha HWV 70: 12. Act 1: Recitative: Ill suits the voice of love | — | ||
| 49-13 | Jephtha HWV 70: 13. Act 1: Air: Take the heart you fondly gave | — | ||
| 49-14 | Jephtha HWV 70: 14. Act 1: Recitative: I go, my soul | — | ||
| 49-15 | Jephtha HWV 70: 15. Act 1: Duet: These labours past, how happy we | — | ||
| 49-16 | Jephtha HWV 70: 16. Act 1: Recitative: What mean these doubtful fancies | — | ||
| 49-17 | Jephtha HWV 70: 17. Act 1: Accompagnato: If, Lord, sustained | — | ||
| 49-18 | Jephtha HWV 70: 18. Act 1: Chorus: O God, behold our sore distress | — | ||
| 49-19 | Jephtha HWV 70: 19. Act 1: Recitative: Some dire event | — | ||
| 49-20 | Jephtha HWV 70: 20. Act 1: Air: Scenes of horror, scenes of woe | — | ||
| 49-21 | Jephtha HWV 70: 21. Act 1: Recitative: Say, my dear mother | — | ||
| 49-22 | Jephtha HWV 70: 22. Act 1: Air: The smiling dawn of happy days | — | ||
| 49-23 | Jephtha HWV 70: 23. Act 1: Recitative: Such, Jeptha, was the haughty king's reply | — | ||
| 49-24 | Jephtha HWV 70: 24. Act 1: Chorus: When his loud voice in thunder spoke | — | ||
| 50-1 | Jephtha HWV 70: 25. Act 2: Recitative: Glad tidings of great joy | — | ||
| 50-2 | Jephtha HWV 70: 26. Act 2: Chorus: Cherub and Seraphim, unbodied forms | — | ||
| 50-3 | Jephtha HWV 70: 27. Act 2: Air: Up the dreadful steep ascending | — | ||
| 50-4 | Jephtha HWV 70: 28. Act 2: Recitative: Tis well. Haste, haste, ye maidens | — | ||
| 50-5 | Jephtha HWV 70: 29. Act 2: Air: Tune the soft melodious lute | — | ||
| 50-6 | Jephtha HWV 70: 30. Act 2: Recitative: Heav'n smiles once more | — | ||
| 50-7 | Jephtha HWV 70: 31. Act 2: Air: His mighty arm | — | ||
| 50-8 | Jephtha HWV 70: 32. Act 2: Chorus: In glory high | — | ||
| 50-9 | Jephtha HWV 70: 33. Act 2: Symphony | — | ||
| 50-10 | Jephtha HWV 70: 34. Act 2: Hail, glorious conqueror! | — | ||
| 50-11 | Jephtha HWV 70: 35. Act 2: Air and Chorus: Welcome, as the cheerful light ... Welcome thou, whose deeds conspire | — | ||
| 50-12 | Jephtha HWV 70: 36. Act 2: Recitative: Horror! Confusion! | — | ||
| 50-13 | Jephtha HWV 70: 37. Act 2: Air: Open thy marble jaws, O tomb | — | ||
| 50-14 | Jephtha HWV 70: 38. Act 2: Recitative: Why is my brother thus afflicted? | — | ||
| 50-15 | Jephtha HWV 70: 39. Act 2: Accompagnato and Arioso: First perish thou - Let other creatures | — | ||
| 50-16 | Jephtha HWV 70: 40. Act 2: Recitative: If such thy cruel purpose | — | ||
| 50-17 | Jephtha HWV 70: 41. Act 2: Air: On me let blind mistaken zeal | — | ||
| 50-18 | Jephtha HWV 70: 42. Act 2: Quartet: O spare your daughter! | — | ||
| 50-19 | Jephtha HWV 70: 43. Act 2: Recitative: Such news flies swift | — | ||
| 50-20 | Jephtha HWV 70: 44. Act 2: Accompagnato: For joys so vast | — | ||
| 50-21 | Jephtha HWV 70: 45. Act 2: Air: Happy they! | — | ||
| 50-22 | Jephtha HWV 70: 46. Act 2: Accompagnato: Deeper and deeper still | — | ||
| 50-23 | Jephtha HWV 70: 47. Act 2: Chorus: How dark, O Lord, are thy decrees! | — | ||
| 51-1 | Jephtha HWV 70: 48. Act 3: Arioso: Hide thou thy hated beams | — | ||
| 51-2 | Jephtha HWV 70: 49. Act 3: Accompagnato: A father, off'ring up | — | ||
| 51-3 | Jephtha HWV 70: 50. Act 3: Air: Waft her, angels | — | ||
| 51-4 | Jephtha HWV 70: 51. Act 3: Accompagnato: Ye sacred priests | — | ||
| 51-5 | Jephtha HWV 70: 52. Act 3: Air: Farewell, ye limpid springs | — | ||
| 51-6 | Jephtha HWV 70: 53. Act 3: Chorus: Doubtful fear and reverend awe | — | ||
| 51-7 | Jephtha HWV 70: 54. Act 3: Symphony | — | ||
| 51-8 | Jephtha HWV 70: 55. Act 3: Recitative: Rise, Jephtha | — | ||
| 51-9 | Jephtha HWV 70: 56. Act 3: Air: Happy, Iphis, shalt thou live | — | ||
| 51-10 | Jephtha HWV 70: 57. Act 3: Arioso: For ever blessed be | — | ||
| 51-11 | Jephtha HWV 70: 58. Act 3: Chorus: Theme sublime | — | ||
| 51-12 | Jephtha HWV 70: 59. Act 3: Recitative: Let me congratulate | — | ||
| 51-13 | Jephtha HWV 70: 60. Act 3: Air: Laud her, all ye virgin train | — | ||
| 51-14 | Jephtha HWV 70: 61. Act 3: Recitative: O let me fold thee | — | ||
| 51-15 | Jephtha HWV 70: 62. Act 3: Air: Sweet as sight to the blind | — | ||
| 51-16 | Jephtha HWV 70: 63. Act 3: Recitative: With transport, Iphis | — | ||
| 51-17 | Jephtha HWV 70: 64. Act 3: Recitative: My faithful Hamor | — | ||
| 51-18 | Jephtha HWV 70: 65. Act 3: Quintet: All that is in Hamor mine | — | ||
| 51-19 | Jephtha HWV 70: 66. Act 3: Chorus: Ye house of Gilead | — | ||
| 52-1 | Israel In Egypt, HWV 54: 1. Part 1: Symphony | — | ||
| 52-2 | Israel In Egypt, HWV 54: 2. Part 1: Chorus: The sons of Israel do mourn | — | ||
| 52-3 | Israel In Egypt, HWV 54: 3. Part 1: How is the mighty fall'n! | — | ||
| 52-4 | Israel In Egypt, HWV 54: 4. Part 1: Chorus: He put on righteousness | — | ||
| 52-5 | Israel In Egypt, HWV 54: 5. Part 1: Chorus (Soli): When the ear heard him | — | ||
| 52-6 | Israel In Egypt, HWV 54: 6. Part 1: Chorus: How is the mighty fall'n! | — | ||
| 52-7 | Israel In Egypt, HWV 54: 7. Part 1: Chorus: The righteous shall be had in everlasting remembrance | — | ||
| 52-8 | Israel In Egypt, HWV 54: 8. Part 1: Chorus: Their bodies are buried in peace | — | ||
| 52-9 | Israel In Egypt, HWV 54: 9. Part 1: Chorus: The people will tell of their wisdom | — | ||
| 52-10 | Israel In Egypt, HWV 54: 10. Part 1: Chorus (Soli): They shall receive a glorious kingdom | — | ||
| 52-11 | Israel In Egypt, HWV 54: 11. Part 1: Chorus: The merciful goodness of the Lord | — | ||
| 52-12 | Israel In Egypt, HWV 54: 12. Part 2: Solo and Chorus: And the children of Israel sighed | — | ||
| 52-13 | Israel In Egypt, HWV 54: 13. Part 2: Chorus: They loathed to drink of the river | — | ||
| 52-14 | Israel In Egypt, HWV 54: 14. Part 2: Air: Their land brought forth frogs | — | ||
| 52-15 | Israel In Egypt, HWV 54: 15. Part 2: Chorus: He spake the word | — | ||
| 52-16 | Israel In Egypt, HWV 54: 16. Part 2: Chorus: He gave them hailstones for rain | — | ||
| 52-17 | Israel In Egypt, HWV 54: 17. Part 2: Chorus: He sent a thick darkness over all the land | — | ||
| 52-18 | Israel In Egypt, HWV 54: 18. Part 2: Chorus: He smote all the first-born of Egypt | — | ||
| 52-19 | Israel In Egypt, HWV 54: 19. Part 2: Chorus: But as for his people | — | ||
| 52-20 | Israel In Egypt, HWV 54: 20. Part 2: Chorus: He rebuked the Red Sea | — | ||
| 52-21 | Israel In Egypt, HWV 54: 21. Part 2: Chorus: And Israel saw that great work | — | ||
| 53-1 | Israel In Egypt, HWV 54: 22. Part 3: Chorus: Moses and the children of Israel | — | ||
| 53-2 | Israel In Egypt, HWV 54: 23. Part 3: Duet: The Lord is my strength | — | ||
| 53-3 | Israel In Egypt, HWV 54: 24. Part 3: Chorus: He is my God | — | ||
| 53-4 | Israel In Egypt, HWV 54: 25. Part 3: Duet: The Lord is a man of war | — | ||
| 53-5 | Israel In Egypt, HWV 54: 26. Part 3: Chorus: The depths have covered them | — | ||
| 53-6 | Israel In Egypt, HWV 54: 27. Part 3: Chorus: Thy right hand, O Lord | — | ||
| 53-7 | Israel In Egypt, HWV 54: 28. Part 3: Chorus: And with the blast of thy nostrils | — | ||
| 53-8 | Israel In Egypt, HWV 54: 29. Part 3: Air: The enemy said | — | ||
| 53-9 | Israel In Egypt, HWV 54: 30. Part 3: Air: Thou didst blow with the wind | — | ||
| 53-10 | Israel In Egypt, HWV 54: 31. Part 3: Chorus: Who is like unto thee, O Lord, among the gods | — | ||
| 53-11 | Israel In Egypt, HWV 54: 32. Part 3: Duet: Thou in thy mercy | — | ||
| 53-12 | Israel In Egypt, HWV 54: 33. Part 3: Chorus: The people shall hear | — | ||
| 53-13 | Israel In Egypt, HWV 54: 34. Part 3: Air: Thou shalt bring them in | — | ||
| 53-14 | Israel In Egypt, HWV 54: 35. Part 3: Chorus: The Lord shall reign forever and ever | — | ||
| 53-15 | Israel In Egypt, HWV 54: 36. Part 3: Solo and Chorus: Sing ye to the Lord | — | ||
| 54-1 | Judas Maccabaeus, HWV 63: 1. Overture | — | ||
| 54-2 | Judas Maccabaeus, HWV 63: 2. Act 1: Chorus: Mourn ye afflicted children | — | ||
| 54-3 | Judas Maccabaeus, HWV 63: 3. Act 1: Recitative: Well may your sorrows | — | ||
| 54-4 | Judas Maccabaeus, HWV 63: 4. Act 1: Chorus: For Zion, lamentation make | — | ||
| 54-5 | Judas Maccabaeus, HWV 63: 5. Act 1: Recitative: Not in vain is all this storm | — | ||
| 54-6 | Judas Maccabaeus, HWV 63: 6. Act 1: Air: Pious orgies | — | ||
| 54-7 | Judas Maccabaeus, HWV 63: 7. Act 1: Chorus: O Father, whose almighty power | — | ||
| 54-8 | Judas Maccabaeus, HWV 63: 8. Act 1: Accompanied recitative: I feel the Deity within | — | ||
| 54-9 | Judas Maccabaeus, HWV 63: 9. Act 1: Air: Arm, arm, ye brave | — | ||
| 54-10 | Judas Maccabaeus, HWV 63: 10. Act 1: Chorus: We come in bright array | — | ||
| 54-11 | Judas Maccabaeus, HWV 63: 11. Act 1: Recitative: 'Tis well, my friends | — | ||
| 54-12 | Judas Maccabaeus, HWV 63: 12. Act 1: Air: Call forth thy powers | — | ||
| 54-13 | Judas Maccabaeus, HWV 63: 13. Act 1: Air: Come, ever-smiling liberty | — | ||
| 54-14 | Judas Maccabaeus, HWV 63: 14. Act 1: Chorus: Lead on, lead on | — | ||
| 54-15 | Judas Maccabaeus, HWV 63: 15. Act 1: Recitative: So willed my father | — | ||
| 54-16 | Judas Maccabaeus, HWV 63: 16. Act 1: Chorus: Disdainful of danger | — | ||
| 54-17 | Judas Maccabaeus, HWV 63: 17. Act 1: Recitative: Ambition | — | ||
| 54-18 | Judas Maccabaeus, HWV 63: 18. Act 1: Air: No unhallowed desire | — | ||
| 54-19 | Judas Maccabaeus, HWV 63: 19. Act 1: Recitative: Haste we, my brethren | — | ||
| 54-20 | Judas Maccabaeus, HWV 63: 20. Act 1: Chorus: Hear us, O Lord | — | ||
| 54-21 | Judas Maccabaeus, HWV 63: 21. Act 2: Chorus: Fallen is the foe | — | ||
| 54-22 | Judas Maccabaeus, HWV 63: 22. Act 2: Duet and Chorus: Zion now her head shall rise | — | ||
| 54-23 | Judas Maccabaeus, HWV 63: 23. Act 2: Recitative: Oh, let eternal honours | — | ||
| 54-24 | Judas Maccabaeus, HWV 63: 24. Act 2: Air: From almighty kings | — | ||
| 54-25 | Judas Maccabaeus, HWV 63: 25. Act 2: Duet and Chorus: Hail, hail, Judea | — | ||
| 54-26 | Judas Maccabaeus, HWV 63: 26. Act 2: Recitative: Thanks to my brethren | — | ||
| 54-27 | Judas Maccabaeus, HWV 63: 27. Act 2: Air: How vain is man | — | ||
| 55-1 | Judas Maccabaeus, HWV 63: 28. Act 2: Recitative: O Judas, O my brethren! | — | ||
| 55-2 | Judas Maccabaeus, HWV 63: 29. Act 2: Air and Chorus: Ah! Wretched, wretched Israel! | — | ||
| 55-3 | Judas Maccabaeus, HWV 63: 30. Act 2: Recitative: Be comforted, nor think these plagues are sent | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Oboe Concerto no. 3 in G minor, HWV 287: 1. Grave | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Oboe Concerto no. 3 in G minor, HWV 287: 2. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Air and Rondo: Rondo in G minor | Anthony Camden, City of London Sinfonia, Nicholas Ward | — |
| Suite in G minor: 7. Rigaudon | Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | — |
| Messiah: Part I. Sinfonia | The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Comfort ye my people" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "And the glory, the glory of the Lord" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Thus said the Lord" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "But who may abide" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "And He shall purify" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Behold, a virgin" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "O thou that tellest" (alto) | The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "The people that walked in darkness" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "For unto us a Child is born" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Pifa (Pastoral Symphony) | The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "There were shepherds" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "And the angels said unto them" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "Glory to God in the highest" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "His yoke is easy" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Behold the Lamb of God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "He was despised" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Surely he hath borne our grieves" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "And with his stripes we are healed" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "All we like sheep" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "All they that see Him" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "He trusted in God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "He was cut off out of the land" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "But thou didst not leave" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Lift up your heads" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "Unto which of the angels" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Let all the angels of God worship Him" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Thou art gone up on high" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "The Lord gave the word" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "How beautiful are the feet" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Their sound is gone out" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. "Why do the nations?" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Let us break their bonds asunder" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Thou shalt break them" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Hallelujah!" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "Since by man came death" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "The trumpet shall sound" (bass) | Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Recitative "Then shall be brought to pass" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Duet "O death, where is thy sting" (alto & tenor) | John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "But thanks be to God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "If God be for us" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "Worthy is the Lamb...Amen" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
