UPC · Release
Sir Neville Marriner
Last verified:
5054197762765 is the Universal Product Code (UPC barcode) for the release “The Complete Warner Classics Recordings” by Sir Neville Marriner, released 2024-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 988 tracks, each with its own ISRC. Tracks include GBAYC9002456, GBAYC9002457, GBAYC9002458.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Te Deum à 8, H. 146: Prélude / Après le Prélude | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2 | Te Deum à 8, H. 146: Te Deum | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3 | Te Deum à 8, H. 146: Te aeternum Patrem | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4 | Te Deum à 8, H. 146: Pleni sunt coeli et terra | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5 | Te Deum à 8, H. 146: Te per orbem terrarum sancta confitetur Ecclesia | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6 | Te Deum à 8, H. 146: Tu devicto | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7 | Te Deum à 8, H. 146: Judex crederis esse venturus | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8 | Te Deum à 8, H. 146: Te ergo quaesumus | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9 | Te Deum à 8, H. 146: Aeterna fac cum Sanctis tuis | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 10 | Te Deum à 8, H. 146: Dignare, Domine | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 11 | Te Deum à 8, H. 146: Fiat misericordia | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12 | Te Deum à 8, H. 146: In te Domine speravi | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13 | Magnificat à 8, H. 74: Sinfonia | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14 | Magnificat à 8, H. 74: Magnificat | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15 | Magnificat à 8, H. 74: Quia fecit mihi magna | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16 | Magnificat à 8, H. 74: Et misericordia | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17 | Magnificat à 8, H. 74: Fecit potentiam | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18 | Magnificat à 8, H. 74: Esurientes | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19 | Magnificat à 8, H. 74: Suscepit Israel | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 20 | Magnificat à 8, H. 74: Sicut locutus est | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 21 | Magnificat à 8, H. 74: Gloria | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-1 | Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 1, Aria. "Weichet nur, betrübte Schatten" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-2 | Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 2, Rezitativ. "Die Welt wird wieder neu" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-3 | Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 3, Aria. "Phoebus eilt mit schnellen Pferden" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-4 | Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 4, Rezitativ. "Drum sucht auch Amor sein Vergnügen" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-5 | Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 5, Aria. "Wenn die Frühlingslufte streichen" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-6 | Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 6, Rezitativ. "Und dieses ist das Glücke" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-7 | Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 7, Aria. "Sich üben im Lieben, in Scherzen sich herzen" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-8 | Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 8, Rezitativ. "So sei das Band der keuschen Liebe" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-9 | Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 9, Aria und Gavotte. "Sehet in Zufriedenheit" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-10 | Cantata “Non sa che sia dolore”, BWV 209: No. 1 Sinfonia | — | ||
| 2-11 | Cantata “Non sa che sia dolore”, BWV 209: No. 2 Recitative. “Non sa che sia dolore” | — | ||
| 2-12 | Cantata “Non sa che sia dolore”, BWV 209: No. 3 Aria. “Parti pur, e con dolore” | — | ||
| 2-13 | Cantata “Non sa che sia dolore”, BWV 209: No. 4 Recitative. “Tuo saver al tempo e l'eta contrasta” | — | ||
| 2-14 | Cantata “Non sa che sia dolore”, BWV 209: No. 5 Aria. “Ricetti gramezza e pavento” | — | ||
| 3-1 | Magnificat, BWV 243: I. Magnificat | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-922.042.217-3 | |
| 3-2 | Magnificat, BWV 243: II. Et exultavit spiritus meus | Ann Murray, Academy of St Martin in the Fields, Sir Neville Marriner | T-314.639.877-4 | |
| 3-3 | Magnificat, BWV 243: III. Quia respexit humilitate | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-4 | Magnificat, BWV 243: IV. Omnes generationes | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-5 | Magnificat, BWV 243: V. Quia fecit mihi magna | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-6 | Magnificat, BWV 243: VI. Et misericordia eius | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-7 | Magnificat, BWV 243: VII. Fecit potentiam | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-8 | Magnificat, BWV 243: VIII. Deposuit potentes | Uwe Heilmann, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-9 | Magnificat in D Major, BWV 243: IX. Aria. "Esurientes implevit bonis" | Jean Rigby, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-10 | Magnificat, BWV 243: X. Suscepit Israel | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-11 | Magnificat, BWV 243: XI. Sicut locutus est | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-12 | Magnificat, BWV 243: XII. Gloria Patri | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-13 | Gloria in D major, RV 589: I. Gloria in excelsis Deo | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-905.452.179-8 | |
| 3-14 | Gloria, RV 589: II. Et in terra pax hominibus | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-15 | Gloria, RV 589: III. Laudamus te | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-16 | Gloria, RV 589: IV. Gratias agimus tibi | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-17 | Gloria, RV 589: V. Propter magnam gloriam | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-18 | Gloria, RV 589: VI. Domine Deus | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-19 | Gloria, RV 589: VII. Domine Fili Unigenite | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-20 | Gloria, RV 589: VIII. Domine Deus, Agnus Dei | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-21 | Gloria, RV 589: IX. Qui tollis peccata mundi | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-22 | Gloria, RV 589: X. Qui sedes ad dexteram | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-23 | Gloria, RV 589: XI. Quoniam tu solus Sanctus | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-24 | Gloria in D major, RV 589: XII. Cum Sancto Spiritu | Academy of St Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-1 | Christmas Oratorio: "Bereite dich, Zion" | Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-2 | Cantata "Singet dem Herrn ein neues Lied", BWV 190: No. 3, Aria, "Lobe, Zion, deinen Gott" (Alto) | Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 4-3 | Cantata "Gelobet sei der Herr, mein Gott", BWV 129: No. 4, Aria, "Gelobet sei der Herr, mein Gott, der ewig lebet" (Alto) | Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 4-4 | Cantata "O ewiges Feuer, o Ursprung der Liebe", BWV 34: No. 3, Aria, "Wohl euch, ihr auserwählten Seelen" (Alto) | Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 4-5 | Johannes-Passion, BWV 245, Pt. 2: No. 30, Aria, "Es ist vollbracht!" (Alto) | Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | T-915.681.108-4 | |
| 4-6 | Bist du bei mir | Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 4-7 | Cantata "Bleib bei uns, denn es will Abend werden", BWV 6: No. 2, Aria, "Hochgelobter Gottessohn" (Alto) | Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 4-8 | Cantata "Komm, du süsse Todesstunde", BWV 161: No. 1, Aria, "Komm, du süsse Todesstunde" (Alto) | Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 4-9 | Oster-Oratorium, BWV 249: No. 9, Aria, "Saget, saget mir geschwinde" (Alto) | Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 4-10 | Cantata "Lobet Gott in seinen Reichen", BWV 11: No. 4, Aria, "Ach, bleibe doch, mein liebstes Leben" (Alto) | Janet Baker, Nicholas Kraemer, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 4-11 | Magnificat in D Major, BWV 243: No. 2, Aria, "Et exultavit spiritus meus" (Second Soprano) | Janet Baker, Nicholas Kraemer, Academy of St. Martin in the Fields, Sir Neville Marriner | T-314.639.877-4 | |
| 5-1 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. (Allegro) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-2 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-3 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-4 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto - Polonaise | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-5 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. (Allegro) | Academy of St Martin in the Fields, Sir Neville Marriner | T-801.411.105-9 | |
| 5-6 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-7 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Mark Bennett, Philip Pickett, Celia Nicklin, Kenneth Sillito, George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-8 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | T-801.411.105-9 | |
| 5-9 | Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-10 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-11 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-12 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | Academy of St Martin in the Fields, Sir Neville Marriner | T-318.849.428-8 | |
| 5-13 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-1 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-2 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-3 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | William Bennett, Iona Brown, George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-4 | Brandenburg Concerto no. 6 in D major, BWV 1051: I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | T-801.411.105-9 | |
| 6-5 | Brandenburg Concerto no. 6 in D major, BWV 1051: II. Adagio ma non tanto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-6 | Brandenburg Concerto no. 6 in D major, BWV 1051: III. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-7 | Orchestral Suite no. 1 in C major, BWV 1066: I. Ouverture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-8 | Orchestral Suite no. 1 in C major, BWV 1066: II. Courante | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-9 | Orchestral Suite no. 1 in C major, BWV 1066: III. Gavotte I & II | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-10 | Orchestral Suite no. 1 in C major, BWV 1066: IV. Forlane | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-11 | Orchestral Suite no. 1 in C major, BWV 1066: V. Menuet I & II | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-12 | Orchestral Suite no. 1 in C major, BWV 1066: VI. Bourrée I & II | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-13 | Orchestral Suite no. 1 in C major, BWV 1066: VII. Passepied I & II | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-1 | Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-2 | Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-3 | Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-4 | Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée 1 & 2 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-5 | Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-6 | Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet | William Bennett, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-7 | Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie | William Bennett, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-8 | Orchestral Suite no. 3 in D major, BWV 1068: I. Ouverture | — | ||
| 7-9 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 7-10 | Orchestral Suite no. 3 in D major, BWV 1068: III. Gavotte 1 & 2 | Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-11 | Orchestral Suite no. 3 in D major, BWV 1068: IV. Bourrée | Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-12 | Orchestral Suite no. 3 in D major, BWV 1068: V. Gigue | Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-13 | Orchestral Suite no. 4 in D major, BWV 1069: I. Ouverture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-14 | Orchestral Suite no. 4 in D major, BWV 1069: II. Bourrée 1 & 2 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-15 | Orchestral Suite no. 4 in D major, BWV 1069: III. Gavotte | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-16 | Orchestral Suite no. 4 in D major, BWV 1069: IV. Menuet 1 & 2 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-17 | Orchestral Suite no. 4 in D major, BWV 1069: V. Rejouissance | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-1 | Piano Concerto no. 1 in D minor, BWV 1052: I. Allegro | Andred Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-2 | Piano Concerto no. 1 in D minor, BWV 1052: II. Adagio | Andred Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-3 | Piano Concerto no. 1 in D minor, BWV 1052: III. Allegro | Andred Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-4 | Concerto in E major, BWV 1053: I. (Without Tempo Indication) | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.207.924-3 | |
| 8-5 | Concerto in E major, BWV 1053: II. Siciliano | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-6 | Concerto in E major, BWV 1053: III. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-7 | Concerto in D major, BWV 1054: I. Allegro | John Constable, Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | T-801.411.105-9 | |
| 8-8 | Concerto in D major, BWV 1054: II. Adagio e piano sempre | John Constable, Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-9 | Concerto in D major, BWV 1054: III. Allegro | John Constable, Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-1 | Concerto in A major, BWV 1055: I. Allegro | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-2 | Concerto in A major, BWV 1055: II. Larghetto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-3 | Concerto in A major, BWV 1055: III. Allegro ma non tanto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-4 | Keyboard Concerto in F minor BWV 1056: (Allegro) | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-5 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-6 | Keyboard Concerto in F minor BWV 1056: Presto | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-7 | Concerto in F major, BWV 1057: I. Allegro | John Constable, Andrei Gavrilov, Susan Milan, Lenore Smith, Academy of St Martin in the Fields, Sir Neville Marriner | T-801.411.105-9 | |
| 9-8 | Concerto in F major, BWV 1057: II. Andante | John Constable, Andrei Gavrilov, Susan Milan, Lenore Smith, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-9 | Concerto in F major, BWV 1057: III. Allegro assai | John Constable, Andrei Gavrilov, Susan Milan, Lenore Smith, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-10 | Concerto in G minor, BWV 1058: I. Allegro | John Constable, Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-11 | Concerto in G minor, BWV 1058: II. Andante | John Constable, Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-12 | Concerto in G minor, BWV 1058: III. Allegro assai | John Constable, Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 10-1 | Messiah, HWV 56: First Part. No. 1 Sinfonia | Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 10-2 | Messiah, HWV 56: First Part. No. 2 “Tröste dich, tröste dich, mein Volk” (Tenor) / No. 3 “Alle Tale macht hoch erhaben” (Tenor) | — | ||
| 10-3 | Messiah, HWV 56: First Part. No. 4 Chorus. “Denn die Herrlichkeit Gottes, des Herrn” | — | ||
| 10-4 | Messiah, HWV 56: First Part. No. 5 “So spricht der Herr” (Bass) | — | ||
| 10-5 | Messiah, HWV 56: First Part. No. 6 “Doch wer wird ertragen den Tag seiner Ankunft” (Alto) | Brigitte Fassbaender, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 10-6 | Messiah, HWV 56: First Part. No. 7 Chorus. “Und er wird reinigen und läutern seine Kinder” | — | ||
| 10-7 | Messiah, HWV 56: First Part. Recitative. “Denn sich', eine Jungfrau wird empfangen” (Alto) | — | ||
| 10-8 | Messiah, HWV 56: First Part. No. 8 Aria & Chorus. “O du, der Wonne verkünder in Zion” (Alto, Chorus) | — | ||
| 10-9 | Messiah, HWV 56: First Part. No. 9 “Blicke auf, Dunkel bedecket die Welt” (Bass) | — | ||
| 10-10 | Messiah, HWV 56: First Part. No. 10 “Das Volk, das da wandelt im Dunkel” (Bass) | — | ||
| 10-11 | Messiah, HWV 56: First Part. No. 11 Chorus. “Denn es ist uns ein Kind geboren” | — | ||
| 10-12 | Messiah, HWV 56: First Part. No. 12 Pifa/Pastoral Symphony | — | ||
| 10-13 | Messiah, HWV 56: First Part. “Es waren Hirten beisammen” (Soprano) / No. 13 “Und siche, der Engel des Herrn trat zu ihnen” (Soprano) 1.03 / “Und der Engel sprach zu ihnen” (Soprano) | — | ||
| 10-14 | Messiah, HWV 56: First Part. No. 14 “Und alsbald war da bei dem Engel” (Soprano) | — | ||
| 10-15 | Messiah, HWV 56: First Part. No. 15 Chorus. “Ehre sei Gott in der Höhe” | — | ||
| 10-16 | Messiah, HWV 56: First Part. No. 16 “Wohlan, frohlocke, du Tochter Zion” (Soprano) | — | ||
| 10-17 | Messiah, HWV 56: First Part. “Dann wird sich auftun das Auge des Blinden” (Alto) | — | ||
| 10-18 | Messiah, HWV 56: First Part. No. 17 “Er weidet seine Herde” (Alto, Soprano) | — | ||
| 10-19 | Messiah, HWV 56: First Part. No. 18 Chorus. “Sein Joch ist sanft” | Südfunk-Chor Stuttgart, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 10-20 | Messiah, HWV 56: Second Part. No. 19 Chorus. “Seht an das Gotteslamm” | — | ||
| 10-21 | Messiah, HWV 56: Second Part. No. 20 “Er ward verschmähet und verachtet” (Alto) | Brigitte Fassbaender, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 11-1 | Messiah, HWV 56: Second Part. No. 21 Chorus. “Wahrlich, wahrlich er litt uns're Qual” | — | ||
| 11-2 | Messiah, HWV 56: Second Part. No. 22 Chorus. “Durch seine Wunden sind wir geheilt” | — | ||
| 11-3 | Messiah, HWV 56: Second Part. No. 23 Chorus. “Der Herde gleich, so irrten wir zerstreut” | — | ||
| 11-4 | Messiah, HWV 56: Second Part. No. 24 “Alle die, die ihn sehen” (Tenor) | — | ||
| 11-5 | Messiah, HWV 56: Second Part. No. 25 Chorus. “Er traute auf Gott” | — | ||
| 11-6 | Messiah, HWV 56: Second Part. No. 26 “Diese Schmach zerbrach ihm das Herz” (Tenor) | — | ||
| 11-7 | Messiah, HWV 56: Second Part. No. 27 “Schau hin und sich” (Tenor) | — | ||
| 11-8 | Messiah, HWV 56: Second Part. No. 28 “Er ist dahin, aus dem Land der Lebendigen” (Tenor) | — | ||
| 11-9 | Messiah, HWV 56: Second Part. No. 29 “Doch du ließest ihn dem Tode nicht” (Tenor) | — | ||
| 11-10 | Messiah, HWV 56: Second Part. No. 30 Chorus. “Hoch tut euch auf” | — | ||
| 11-11 | Messiah, HWV 56: Second Part. “Denn zu welchem der Engel hat jemals er gasgt” (Tenor) | — | ||
| 11-12 | Messiah, HWV 56: Second Part. No. 31 Chorus. “Lasst alle Engel des Herrn preisen ihn” | — | ||
| 11-13 | Messiah, HWV 56: Second Part. No. 32 “Du fuhrst zum Himmel auf” (Bass) | Robert Holl, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 11-14 | Messiah, HWV 56: Second Part. No. 33 Chorus. “Der Herr gab das Wort” | — | ||
| 11-15 | Messiah, HWV 56: Second Part. No. 34 “Wie lieblich ist der Boten Schritt” (Soprano) | — | ||
| 11-16 | Messiah, HWV 56: Second Part. No. 35 “Ihr Schall gehet aus in jedes Land” (Tenor) | — | ||
| 11-17 | Messiah, HWV 56: Second Part. No. 36 “Warum denn rasen und toben die Heiden im Zorne” (Bass) | — | ||
| 11-18 | Messiah, HWV 56: Second Part. No. 37 Chorus. “Auf, zerreißet ihre Bande” | — | ||
| 11-19 | Messiah, HWV 56: Second Part. “Der da thronet im Himmel” (Tenor) | — | ||
| 11-20 | Messiah, HWV 56: Second Part. No. 38 “Du zerschläget sie mit dem eisernen Zepter” (Tenor) | Robert Gambill, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 11-21 | Messiah, HWV 56: Second Part. No. 39 Chorus. “Hallelujah!” | Südfunk-Chor Stuttgart, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 11-22 | Messiah, HWV 56: Third Part. No. 40 “Ich weié, dass mein Erlöser lebet” (Soprano) | — | ||
| 11-23 | Messiah, HWV 56: Third Part. No. 41 Chorus. “Kam durch einen Tod” | — | ||
| 11-24 | Messiah, HWV 56: Third Part. No. 42 “Vernehmt, ich kind' ein Geheimnis an” (Bass) | — | ||
| 11-25 | Messiah, HWV 56: Third Part. No. 43 “Die Tromba erschallt” (Bass) | — | ||
| 11-26 | Messiah, HWV 56: Third Part. “Dann wird erfüllt das Wort” (Alto) | — | ||
| 11-27 | Messiah, HWV 56: Third Part. No. 44 “O Tod, wo ist dein Stachel?” (Alto, Tenor) / No. 45 Chorus. “Drum Dank sei dir, Gott” | Brigitte Fassbaender, Robert Gambill, Südfunk-Chor Stuttgart, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 11-28 | Messiah, HWV 56: Third Part. No. 46 “Ist Gott mit uns, wer sollte uns schaden?” (Soprano) | — | ||
| 11-29 | Messiah, HWV 56: Third Part. No. 47 Chorus. “Würdig ist das Lamm” | Südfunk-Chor Stuttgart, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 12-1 | Acis and Galatea, HWV 49: Act I. Recitative. “Oh! Didst thou know the pains” - Aria. “As when the dove” (Galatea) | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-2 | Giulio Cesare in Egitto, HWV 17: Act 3, Scene 1. Recitative. “E pur così in un giorno” - Aria. “Piangerò la sorte mia” (Cleopatra) | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-3 | Joshua, HWV 64: Act 3. Aria. “Oh! had I Jubal's lyre” (Achsah) | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-4 | L'Allegro, il Penseroso ed il Moderato, HWV 55: Pt. I. Recitative and Aria. “First, and chief, on golden wing” - “Sweet bird” | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-5 | Messiah, HWV 56: Pt. 1, Scene 5. Aria. “Rejoice Greatly, O Daughter of Zion” | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-6 | Solomon, HWV 67: Act 3. Aria. “Ev'ry sight these eyes behold” (Queen of Sheba) | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-7 | Solomon, HWV 67: Act 3. Recitative. “May peace in Salem ever dwell” - Aria. “Will the sun forget to streak” (Queen of Sheba) | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-8 | Alcina, HWV 34: Act 2, Scene 8. Aria. “Ah! mio cor!” (Alcina) | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-9 | Alcina, HWV 34: Act 1, Scene 14. Aria. “Tornami a vagheggiar” (Morgana) | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-1 | Water Music, Suite no. 1 in F major, HWV 348: I. Ouverture (Largo - Allegro) | — | ||
| 13-2 | Water Music, Suite no. 1 in F major, HWV 348: II. Adagio e staccato | — | ||
| 13-3 | Water Music, Suite no. 1 in F major, HWV 348: III. (Allegro) | — | ||
| 13-4 | Water Music, Suite no. 1 in F major, HWV 348: IV. Andante | — | ||
| 13-5 | Water Music, Suite no. 1 in F major, HWV 348: III. (Allegro) da capo | — | ||
| 13-6 | Water Music, Suite no. 1 in F major, HWV 348: V. (Tempo di Minuetto) | — | ||
| 13-7 | Water Music, Suite no. 1 in F major, HWV 348: VI. Air | — | ||
| 13-8 | Water Music, Suite no. 1 in F major, HWV 348: VII. Minuet | — | ||
| 13-9 | Water Music, Suite no. 1 in F major, HWV 348: VIII. Bourrée | — | ||
| 13-10 | Water Music, Suite no. 1 in F major, HWV 348: IX. Hornpipe | — | ||
| 13-11 | Water Music, Suite no. 1 in F major, HWV 348: X. (Allegro moderato) | — | ||
| 13-12 | Water Music, Suite no. 2 in D major: XI. (Andante allegro) | Academy of St. Martin-in-the-Fields, Neville Marriner | T-306.036.936-6 | |
| 13-13 | Water Music, Suite no. 2 in D major: XII. Alla hornpipe | Academy of St. Martin-in-the-Fields, Neville Marriner | — | |
| 13-14 | Water Music, Suite no. 2 in D major: XIII. Minuet | Academy of St. Martin-in-the-Fields, Neville Marriner | — | |
| 13-15 | Water Music, Suite no. 2 in D major: XIV. Lentement | Academy of St. Martin-in-the-Fields, Neville Marriner | — | |
| 13-16 | Water Music, Suite no. 2 in D major: XV. Bourrée | Academy of St. Martin-in-the-Fields, Neville Marriner | — | |
| 13-17 | Water Music, Suite no. 3 in G major, HWV 350: XVI. (Menuet) | — | ||
| 13-18 | Water Music, Suite no. 3 in G major, HWV 350: XVII. Rigaudon / XVIII. (Rigaudon) / XVII. Rigaudon da capo | — | ||
| 13-19 | Water Music, Suite no. 3 in G major, HWV 350: XIX. Menuet / XX. (Menuet) / XIX. Menuet da capo | — | ||
| 13-20 | Water Music, Suite no. 3 in G major, HWV 350: XXII. (Cantabile) / XXI. (Affettuoso) / XXII. (Cantabile) da capo | — | ||
| 14-1 | Ouvertüre zu "Agrippina" | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-2 | Concerto a due cori no. 1 in B-flat major, HWV 332: I. Overture | George Frideric Handel | — | |
| 14-3 | Concerto a due cori no. 1 in B-flat major, HWV 332: I. Allegro ma non troppo | George Frideric Handel | — | |
| 14-4 | Concerto a due cori no. 1 in B-flat major, HWV 332: II. Allegro | George Frideric Handel | — | |
| 14-5 | Concerto a due cori no. 1 in B-flat major, HWV 332: III. Lento | George Frideric Handel | — | |
| 14-6 | Concerto a due cori no. 1 in B-flat major, HWV 332: IV. A tempo ordinario | George Frideric Handel | — | |
| 14-7 | Concerto a due cori no. 1 in B-flat major, HWV 332: V. Alla breve moderato | George Frideric Handel | — | |
| 14-8 | Concerto a due cori no. 1 in B-flat major, HWV 332: VI. Minuetto | George Frideric Handel | — | |
| 14-9 | Arianna in Creta, HWV 32: Overture | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 14-10 | Concerto a due cori no. 3 in F major, HWV 334: I. Overture: Grave | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-11 | Concerto a due cori no. 3 in F major, HWV 334: II. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-12 | Concerto a due cori no. 3 in F major, HWV 334: III. Allegro ma non troppo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-13 | Concerto a due cori no. 3 in F major, HWV 334: IV. Adagio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-14 | Concerto a due cori no. 3 in F major, HWV 334: V. Andante larghetto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-15 | Concerto a due cori no. 3 in F major, HWV 334: VI. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15-1 | Cantata “Jauchzet Gott in allen Landen”, BWV 51: No. 1 Aria. “Jauchzet Gott in allen Landen” | — | ||
| 15-2 | Cantata “Jauchzet Gott in allen Landen”, BWV 51: No. 2 Recitative. “Wir beten zu dem Tempel an” | — | ||
| 15-3 | Cantata “Jauchzet Gott in allen Landen”, BWV 51: No. 3 Aria. “Höchster, mache deine Güte” | — | ||
| 15-4 | Cantata “Jauchzet Gott in allen Landen”, BWV 51: No. 4 Choral. “Sei Lob und Preis mir Ehren” | — | ||
| 15-5 | Cantata “Jauchzet Gott in allen Landen”, BWV 51: “Alleluia” | — | ||
| 15-6 | Concerto a cinque in F major for trumpet and oboe, op. 9 no. 3: I. Allegro | — | ||
| 15-7 | Concerto a cinque in F major for trumpet and oboe, op. 9 no. 3: II. Adagio (non troppo) | — | ||
| 15-8 | Concerto a cinque in F major for trumpet and oboe, op. 9 no. 3: III. Allegro | — | ||
| 15-9 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Sinfonia | — | ||
| 15-10 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Recitative. “Su le sponde del Tebro” | — | ||
| 15-11 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Sinfonia | — | ||
| 15-12 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Aria. “Contentatevi” | — | ||
| 15-13 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Recitative. “Mesto, stanco e spirante” | — | ||
| 15-14 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Largo “Infelice miei lumi” | — | ||
| 15-15 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Aria. “Dite almeno” | — | ||
| 15-16 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Ritornello | — | ||
| 15-17 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Recitative. “All'aura, al cielo” | — | ||
| 15-18 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Aria. “Tralascia pur di piangere” | — | ||
| 15-19 | Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): I. Allegro | Maurice André, Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15-20 | Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): II. Largo | Maurice André, Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15-21 | Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): III. Allegro | Maurice André, Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-1 | Trumpet Concerto in D major: I. Allegro moderato | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-2 | Trumpet Concerto in D major: II. Andante | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-3 | Trumpet Concerto in D major: III. Allegro grazioso | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-4 | Concerto in B-Flat: Grave | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-5 | Trumpet Concerto in B-flat major: II. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-6 | Concerto in B-Flat: Andante | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-7 | Concerto in B-Flat: Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-8 | Timon of Athens, Z. 632: Overture. I. Grave - Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-9 | Timon of Athens, Z. 632: Overture. II. Adagio | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-10 | Timon of Athens, Z. 632: Overture. III. March | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-11 | Trumpet Sonata in D major, Z. 850: I. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | T-921.082.870-9 | |
| 16-12 | Trumpet Sonata in D major, Z. 850: II. Adagio | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-13 | Trumpet Sonata in D major, Z. 850: III. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-14 | Trumpet Concerto in D major, TWV 51:D7: I. Adagio | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | T-921.189.587-3 | |
| 16-15 | Trumpet Concerto in D major, TWV 51:D7: II. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-16 | Trumpet Concerto in D major, TWV 51:D7: III. Grave | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-17 | Trumpet Concerto in D major, TWV 51:D7: IV. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-18 | Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): I. Grave | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-19 | Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): II. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-20 | Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): III. Sarabande. Largo | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-21 | Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): IV. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-1 | Concerto for trumpet and strings in D major, HauH 5.3 (originally oboe): I. Allegro | — | ||
| 17-2 | Concerto for trumpet and strings in D major, HauH 5.3 (originally oboe): II. Grave | — | ||
| 17-3 | Concerto for trumpet and strings in D major, HauH 5.3 (originally oboe): III. Allegro | — | ||
| 17-4 | Concerto for trumpet, strings and continuo in C minor, TWV 51:c1 (originally oboe): I. Adagio | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | T-921.189.587-3 | |
| 17-5 | Concerto for trumpet, strings and continuo in C minor, TWV 51:c1 (originally oboe): II. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-6 | Concerto for trumpet, strings and continuo in C minor, TWV 51:c1 (originally oboe): III. Adagio | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-7 | Concerto for trumpet, strings and continuo in C minor, TWV 51:c1 (originally oboe): IV. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-8 | Concerto for two trumpets, strings and continuo in C major, RV 537: I. Allegro | Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner | T-312.958.407-8 | |
| 17-9 | Concerto for two trumpets, strings and continuo in C major, RV 537: II. Largo | Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner | T-312.958.407-8 | |
| 17-10 | Concerto for two trumpets, strings and continuo in C major, RV 537: III. Allegro | Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-11 | Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): I. Allegro | Maurice André, Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-12 | Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): II. Largo | Maurice André, Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-13 | Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): III. Allegro | Maurice André, Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-14 | Concerto for trumpet, two oboes, strings and continuo in D major, TWV 53:D2: I. Allegro | — | ||
| 17-15 | Concerto for trumpet, two oboes, strings and continuo in D major, TWV 53:D2: II. Grave | — | ||
| 17-16 | Concerto for trumpet, two oboes, strings and continuo in D major, TWV 53:D2: III. Aria (Andante) | — | ||
| 17-17 | Concerto for trumpet, two oboes, strings and continuo in D major, TWV 53:D2: IV. Vivace | — | ||
| 18-1 | Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: I. Ouverture | David Munrow, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-2 | Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: II. Les plaisirs | David Munrow, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-3 | Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: III. Air à l'italienne | David Munrow, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-4 | Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: IV. Menuets I & II | David Munrow, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-5 | Ouverture-Suite for Flute and Strings in A minor, TWV 55:a2: V. Réjouissance. Viste | David Munrow, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-6 | Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: VI. Passepieds I & II | David Munrow, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-7 | Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: VII. Polonaise | David Munrow, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-8 | Concerto for descant recorder, strings and continuo in F major: I. Allegro | — | ||
| 18-9 | Concerto for descant recorder, strings and continuo in F major: II. (Siciliano) | — | ||
| 18-10 | Concerto for descant recorder, strings and continuo in F major: III. Allegro assai | — | ||
| 18-11 | Concerto for treble recorder, strings and continuo in B-flat major, HWV 294 (Reconstructed from op. 4 no. 6 by Christopher Hogwood): I. Andante - Allegro | — | ||
| 18-12 | Concerto for treble recorder, strings and continuo in B-flat major, HWV 294 (Reconstructed from op. 4 no. 6 by Christopher Hogwood): II. Larghetto | — | ||
| 18-13 | Concerto for treble recorder, strings and continuo in B-flat major, HWV 294 (Reconstructed from op. 4 no. 6 by Christopher Hogwood): III. Allegro moderato | — | ||
| 19-1 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Kyrie | — | ||
| 19-2 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Gloria. Gloria in excelsis Deo | — | ||
| 19-3 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Gloria. Qui tollis | — | ||
| 19-4 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Gloria. Quoniam tu solus Sanctus | — | ||
| 19-5 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Credo. Credo in unum Deum | — | ||
| 19-6 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Credo. Et incarnatus est | — | ||
| 19-7 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Credo. Et resurrexit | — | ||
| 19-8 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Credo. Et vitam aeternam | — | ||
| 19-9 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Sanctus | — | ||
| 19-10 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Benedictus | — | ||
| 19-11 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Agnus Dei. Agnus Dei | — | ||
| 19-12 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Agnus Dei. Dona nobis pacem | — | ||
| 20-1 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Kyrie | MDR Rundfunkchor Leipzig, Margaret Marshall, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-2 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Gloria. Gloria in excelsis | Robert Holl, Keith Lewis, Rundfunkchor Leipzig, Margaret Marshall, Carolyn Watkinson, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-3 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Gloria. Qui tollis | Robert Holl, Rundfunkchor Leipzig, Margaret Marshall, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-4 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Gloria. Quoniam tu solus sanctus | Robert Holl, Keith Lewis, Rundfunkchor Leipzig, Margaret Marshall, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-5 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Credo. Credo in unum Deum | Rundfunkchor Leipzig, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-6 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Credo. Et incarnatus est | Robert Holl, Keith Lewis, Rundfunkchor Leipzig, Margaret Marshall, Carolyn Watkinson, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-7 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Credo. Et resurrexit | Rundfunkchor Leipzig, Margaret Marshall, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-8 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Sanctus | Rundfunkchor Leipzig, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-9 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Benedictus. Benedictus | Robert Holl, Keith Lewis, Rundfunkchor Leipzig, Margaret Marshall, Carolyn Watkinson, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-10 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Benedictus. Osanna | Rundfunkchor Leipzig, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-11 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Agnus Dei. Agnus Dei | Robert Holl, Keith Lewis, Rundfunkchor Leipzig, Margaret Marshall, Carolyn Watkinson, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-12 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Agnus Dei. Dona nobis pacem | Rundfunkchor Leipzig, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-1 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Kyrie | — | ||
| 21-2 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Gloria. Gloria in excelcis Deo | — | ||
| 21-3 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Gloria. Gracias agimus tibi | — | ||
| 21-4 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Gloria. Quoniam tu solus Sanctus | — | ||
| 21-5 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Credo. Credo in unum Deum | — | ||
| 21-6 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Credo. Et incarnatus est | — | ||
| 21-7 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Credo. Et resurrexit | — | ||
| 21-8 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Sanctus | — | ||
| 21-9 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Benedictus | — | ||
| 21-10 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Agnus Dei. Agnus Dei | — | ||
| 21-11 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Agnus Dei. Dona nobis pacem | — | ||
| 21-12 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Kyrie | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-13 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Gloria. Gloria in excelcis Deo | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-14 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Gloria. Gratias agimus tibi | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-15 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Gloria. Quoniam tu solus Sanctus | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-16 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Credo. Credo in unum Deum | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-17 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Credo. Et incarnatus est | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-18 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Credo. Et resurrexit | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-19 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Credo. Et vitam aeternam | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-20 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Sanctus | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-21 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Benedictus | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-22 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Agnus Dei. Agnus Dei | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-23 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Agnus Dei. Dona nobis pacem | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 22-1 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Kyrie | — | ||
| 22-2 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Gloria. Gloria in excelcis Deo | — | ||
| 22-3 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Gloria. Quoniam tu solus Sanctus | — | ||
| 22-4 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Credo. Credo in unum Deum | — | ||
| 22-5 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Credo. Et incarnatus est | — | ||
| 22-6 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Credo. Et resurrexit | — | ||
| 22-7 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Sanctus | — | ||
| 22-8 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Benedictus | — | ||
| 22-9 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Agnus Dei. Agnus Dei | — | ||
| 22-10 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Agnus Dei. Dona nobis pacem | — | ||
| 22-11 | Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Kyrie | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 22-12 | Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Gloria | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 22-13 | Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Credo | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 22-14 | Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Sanctus | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 22-15 | Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Benedictus | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 22-16 | Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Agnus Dei | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 23-1 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 1a Prelude. Die Vorstellung des Chaos | Radio-Sinfonieorchester Stuttgart, Neville Marriner | — | |
| 23-2 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 1b Recitative & Chorus. “Am Angange schuf Gott Himmel und Erde” - “Und der Geist Gottes schwebte” - “Und Gott sah das Licht” (Raphael, Chorus, Uriel) | — | ||
| 23-3 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 2 Aria with Chorus. “Num schwanden vor dem heiligen Strahle” - “Verzweiflung. Wut und Schrecken” (Uriel, Chorus) | Radio-Sinfonieorchester Stuttgart, Südfunk-Chor, Neville Marriner | — | |
| 23-4 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 3 Recitative. “Und Gott machte das Firmament” (Raphael) | — | ||
| 23-5 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 4 Solo with Chorus. “Mit Staunen sieht das Wunderwerk” (Gabriel, Chorus) | — | ||
| 23-6 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 5 Recitative. “Und Gott sprach, es bringe sammle sich” (Raphael) | — | ||
| 23-7 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 6 Aria. “Rollend in schäumenden Wellen” (Raphael) | Radio-Sinfonieorchester Stuttgart, Neville Marriner, Jan Hendrik Rootering | T-070.244.013-8 | |
| 23-8 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 7 Recitative. “Und Gott sprach, es bringe die Erde” (Gabriel) | — | ||
| 23-9 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 8 Aria. “Nun beut die Flur das frische Grün” (Gabriel) | — | ||
| 23-10 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 9 Recitative. “Und die himmlischen Heerscharen” (Uriel) | — | ||
| 23-11 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 10 Chorus. “Stimmt an die Saiten” | Radio-Sinfonieorchester Stuttgart, Südfunk-Chor, Neville Marriner | — | |
| 23-12 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 11 Recitative. “Und Gott sprach, es sei'n Licher an der Feste” (Uriel) | — | ||
| 23-13 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 12 Recitative. “In vollem Glanze steiget jetzt” (Uriel) | — | ||
| 23-14 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 13 Trio & Chorus. “Die Himmel erzählen die Ehre Gottes” (Chorus, Gabriel, Uriel, Raphael) | — | ||
| 23-15 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 14 Recitative. “Und Gott sprach, es bringe das Wasser” (Gabriel) | — | ||
| 23-16 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 15 Aria. “Auf starkem Fittige schwingt sich der Adler stolz” (Gabriel) | — | ||
| 23-17 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 16 Recitative. “Und Gott schuf große Walfische” (Raphael) | — | ||
| 23-18 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 17 Recitative. “Und die Engel rührten ihr' unsterblichen Harfen” (Raphael) | — | ||
| 23-19 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 18 Trio. “In holder Anmut stehn” (Gabriel, Uriel, Raphael) | Radio-Sinfonieorchester Stuttgart, Neville Marriner | — | |
| 23-20 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 19 Trio with Chorus. “Der Herr ist groß in seiner Macht” (Chorus, Gabriel, Uriel, Raphael) | Radio-Sinfonieorchester Stuttgart, Südfunk-Chor, Neville Marriner | — | |
| 24-1 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 20 Recitative. “Und Gott sprach, es bringe die Erde hervor” (Raphael) | — | ||
| 24-2 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 21 Recitative. “Gleich öffnet sich der Erde Schoss” (Raphael) | — | ||
| 24-3 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 22 Aria. “Nun scheint in vollem Glanze der Himmel” (Raphael) | — | ||
| 24-4 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 23 Recitative. “Und Gott schuf de Menschen” (Uriel) | — | ||
| 24-5 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 24 Aria. “Mit Wurd' und Hoheit angetan” (Uriel) | Radio-Sinfonieorchester Stuttgart, Neville Marriner, Hans Peter Blochwitz | — | |
| 24-6 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 25 Recitative. “Und Gott sah jedes Ding” (Raphael) | — | ||
| 24-7 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 26 Chorus. “Vollendet ist das große Werk” | Radio-Sinfonieorchester Stuttgart, Südfunk-Chor, Neville Marriner | — | |
| 24-8 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 27 Trio. “Zu dir, o Herr, blickt alles auf” (Gabriel, Uriel, Raphael) | Radio-Sinfonieorchester Stuttgart, Neville Marriner | — | |
| 24-9 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 28 Chorus. “Vollendet ist das große Werk” | — | ||
| 24-10 | Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 29 Recitative. “Aus Rosenwolken bricht” (Uriel) | — | ||
| 24-11 | Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 30 Duo with Chorus. “Von deiner Güt, o Herr und Gott” (Eva, Adam, Chorus) | Radio-Sinfonieorchester Stuttgart, Südfunk-Chor, Neville Marriner | — | |
| 24-12 | Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 31 Recitative. “Nun ist die erste Pflicht erfullt” (Adam, Eva) | — | ||
| 24-13 | Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 32 Love Duet. “Holde Gattin, dir zur Seite” (Adam, Eva) | Radio-Sinfonieorchester Stuttgart, Neville Marriner, Edith Wiens, Olaf Bär | — | |
| 24-14 | Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 33 Recitative. “O glücklich Paar, und glücklich immerfort” (Uriel) | — | ||
| 24-15 | Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 34 Final Chorus. “Singt dem Herren alle Stimmen” | Radio-Sinfonieorchester Stuttgart, Südfunk-Chor, Neville Marriner | — | |
| 25-1 | Cello Concerto in C major, Hob. VIIb/1: I. Moderato | Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.566-9 | |
| 25-2 | Cello Concerto in C major, Hob. VIIb/1: II. Adagio | Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.566-9 | |
| 25-3 | Cello Concerto in C major, Hob. VIIb/1: III. Allegro molto | Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-4 | Cello Concerto in D major, Hob. VIIb/2 op. 101: I. Allegro moderato | Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-5 | Cello Concerto in D major, Hob. VIIb/2 op. 101: II. Adagio | Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-6 | Cello Concerto in D major, Hob. VIIb/2 op. 101: III. Allegro | Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 26-1 | Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: I. Introduction: Maestoso ed Adagio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 26-9 | Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: IX. Il terremoto. Presto e con tutte la forza | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 27-1 | Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: I. Allegro - Tempo I | John Wilbraham, Kenneth Heath, Christopher Hogwood, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 27-2 | Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: II. Andante | John Wilbraham, Kenneth Heath, Christopher Hogwood, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 27-3 | Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: III. Finale (Allegro) | John Wilbraham, Kenneth Heath, Christopher Hogwood, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 27-4 | Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: I. Grave | — | ||
| 27-5 | Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: II. Allegro | — | ||
| 27-6 | Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: III. Adagio | — | ||
| 27-7 | Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: IV. Allegretto | — | ||
| 27-8 | Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: V. Grave | — | ||
| 27-9 | Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: VI. Allegro | — | ||
| 27-10 | Sonata for trumpet and continuo no. 1 in C major, IGV 1: I. Andante | — | ||
| 27-11 | Sonata for trumpet and continuo no. 1 in C major, IGV 1: II. Allegro | — | ||
| 27-12 | Sonata for trumpet and continuo no. 1 in C major, IGV 1: III. Presto | — | ||
| 27-13 | Sonata for trumpet and continuo no. 1 in C major, IGV 1: IV. Allegro | — | ||
| 27-14 | Sonata for trumpet and continuo no. 1 in C major, IGV 1: V. Adagio | — | ||
| 27-15 | Trumpet Concerto in D major, TWV 51:D7: I. Adagio | — | ||
| 27-16 | Trumpet Concerto in D major, TWV 51:D7: II. Allegro | — | ||
| 27-17 | Trumpet Concerto in D major, TWV 51:D7: III. Grave | — | ||
| 27-18 | Trumpet Concerto in D major, TWV 51:D7: IV. Allegro | — | ||
| 27-19 | Sonata for trumpet and continuo no. 2 in C major, IGV 2: I. Allegro | — | ||
| 27-20 | Sonata for trumpet and continuo no. 2 in C major, IGV 2: II. Allegro vivo | — | ||
| 27-21 | Sonata for trumpet and continuo no. 2 in C major, IGV 2: III. Adagio | — | ||
| 27-22 | Sonata for trumpet and continuo no. 2 in C major, IGV 2: IV. Aria | — | ||
| 27-23 | Sonata for trumpet and continuo no. 2 in C major, IGV 2: V. Presto | — | ||
| 27-24 | Sonata for two trumpets, strings and continuo in D major: I. Grave | — | ||
| 27-25 | Sonata for two trumpets, strings and continuo in D major: II. Allegro | — | ||
| 27-26 | Sonata for two trumpets, strings and continuo in D major: III. Adagio | — | ||
| 27-27 | Sonata for two trumpets, strings and continuo in D major: IV. Allegro | — | ||
| 28-1 | Horn Concerto no. 5 in F major: I. Allegro moderato | — | ||
| 28-2 | Horn Concerto no. 5 in F major: II. Adagio | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 28-3 | Horn Concerto no. 5 in F major: III. Rondo (Allegretto) | — | ||
| 28-4 | Horn Concerto no. 6 in E-flat major: I. Allegro moderato | — | ||
| 28-5 | Horn Concerto no. 6 in E-flat major: II. Adagio cantabile | — | ||
| 28-6 | Horn Concerto no. 6 in E-flat major: III. Rondo (Moderato) | — | ||
| 28-7 | Horn Concerto no. 10 in F major: I. Allegro maestoso | — | ||
| 28-8 | Horn Concerto no. 10 in F major: II. Lento cantabile | — | ||
| 28-9 | Horn Concerto no. 10 in F major: III. Rondo (Allegretto) | — | ||
| 28-10 | Horn Concerto no. 11 in E major: I. Allegro | — | ||
| 28-11 | Horn Concerto no. 11 in E major: II. Adagio | — | ||
| 28-12 | Horn Concerto no. 11 in E major: III. Menuetto | — | ||
| 29-1 | Overture "Il re pastore", K. 208 | Academy of St Martin in the Fields, Sir Neville Marriner | T-912.170.774-2 | |
| 29-2 | Overture "Lucio Silla", K. 135 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-3 | Overture "La finta semplice", K. 51 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-4 | Overture "Der Schauspieldirektor", K.486 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-5 | Les Petits Riens, K. Anh. 10/299b: I. Ouverture (Allegro) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-6 | Les Petits Riens, K. Anh. 10/299b: II. Largo - Presto - Largo | Academy of St Martin in the Fields, Sir Neville Marriner | T-001.322.740-1 | |
| 29-7 | Les Petits Riens, K. Anh. 10/299b: III. (Gavotte) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-8 | Les Petits Riens, K. Anh. 10/299b: IV. Andantino | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-9 | Les Petits Riens, K. Anh. 10/299b: V. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-10 | Les Petits Riens, K. Anh. 10/299b: VI. Larghetto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-11 | Les Petits Riens, K. Anh. 10/299b: VII. Gavotte (Allegro) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-12 | Les Petits Riens, K. Anh. 10/299b: VIII. Adagio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-13 | Les Petits Riens, K. Anh. 10/299b: IX. (without tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-14 | Les Petits Riens, K. Anh. 10/299b: X. Gavotte gracieuse | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-15 | Les Petits Riens, K. Anh. 10/299b: XI. Pantomime | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-16 | Les Petits Riens, K. Anh. 10/299b: XII. Passepied | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-17 | Les Petits Riens, K. Anh. 10/299b: XIII. Gavotte | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-18 | Les Petits Riens, K. Anh. 10/299b: XIV. Andante | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 30-1 | Le nozze di Figaro, K. 492: Overture | Academy of St. Martin-in-the-Fields, Neville Marriner | T-905.042.457-2 | |
| 30-2 | Die Zauberflöte, K. 620: Overture | — | ||
| 30-3 | La clemenza di Tito, K. 621: Overture | — | ||
| 30-4 | Lucio Silla, K. 135: Overture | — | ||
| 30-5 | Die Entführung aus dem Serail, K. 384: Overture | — | ||
| 30-6 | Don Giovanni, K. 527: Overture | — | ||
| 30-7 | Idomeneo, K. 366: Overture | Academy of St. Martin-in-the-Fields, Neville Marriner | — | |
| 30-8 | Così fan tutte, K. 588: Overture | — | ||
| 30-9 | Der Schauspieldirektor, K. 486: Overture | Academy of St. Martin-in-the-Fields, Neville Marriner | T-001.420.887-7 | |
| 31-1 | Symphony no. 24 in B-flat major, K. 182: I. Allegro spiritoso | — | ||
| 31-2 | Symphony no. 24 in B-flat major, K. 182: II. Andantino grazioso | — | ||
| 31-3 | Symphony no. 24 in B-flat major, K. 182: III. Allegro | — | ||
| 31-4 | Symphony no. 25 in G minor, K. 183: I. Allegro con brio | — | ||
| 31-5 | Symphony no. 25 in G minor, K. 183: II. Andante | — | ||
| 31-6 | Symphony no. 25 in G minor, K. 183: III. Menuetto e Trio | — | ||
| 31-7 | Symphony no. 25 in G minor, K. 183: IV. Allegro | — | ||
| 31-8 | Symphony no. 26 in E-flat major, K. 184: I. Molto presto | — | ||
| 31-9 | Symphony no. 26 in E-flat major, K. 184: II. Andante | — | ||
| 31-10 | Symphony no. 26 in E-flat major, K. 184: III. Allegro | — | ||
| 31-11 | Symphony no. 27 in G major, K. 199: I. Allegro | — | ||
| 31-12 | Symphony no. 27 in G major, K. 199: II. Andatino grazioso | — | ||
| 31-13 | Symphony no. 27 in G major, K. 199: III. Presto | — | ||
| 31-14 | Symphony no. 32 in G major, K. 318: I. Allegro spiritoso - | — | ||
| 31-15 | Symphony no. 32 in G major, K. 318: II. Andante - | — | ||
| 31-16 | Symphony no. 32 in G major, K. 318: III. Tempo I | — | ||
| 32-1 | Symphony no. 28 in C major, K. 200: I. Allegro spiritoso | — | ||
| 32-2 | Symphony no. 28 in C major, K. 200: II. Andante | — | ||
| 32-3 | Symphony no. 28 in C major, K. 200: III. Menuetto (Allegretto) e Trio | — | ||
| 32-4 | Symphony no. 28 in C major, K. 200: IV. Presto | — | ||
| 32-5 | Symphony no. 29 in A major, K. 201: I. Allegro moderato | — | ||
| 32-6 | Symphony no. 29 in A major, K. 201: II. Andante | — | ||
| 32-7 | Symphony no. 29 in A major, K. 201: III. Menuetto e Trio | — | ||
| 32-8 | Symphony no. 29 in A major, K. 201: IV. Allegro con spirito | — | ||
| 32-9 | Symphony no. 30 in D major, K. 202: I. Molto allegro | — | ||
| 32-10 | Symphony no. 30 in D major, K. 202: II. Andantino con moto | — | ||
| 32-11 | Symphony no. 30 in D major, K. 202: III. Menuetto e Trio | — | ||
| 32-12 | Symphony no. 30 in D major, K. 202: IV. Presto | — | ||
| 33-1 | Symphony no. 31 in D major “Paris”, K. 297: I. Allegro assai | — | ||
| 33-3 | Symphony no. 31 in D major “Paris”, K. 297: III. Allegro | — | ||
| 33-5 | Symphony no. 33 in B-flat major, K. 319: I. Allegro assai | — | ||
| 33-6 | Symphony no. 33 in B-flat major, K. 319: II. Andante moderato | — | ||
| 33-7 | Symphony no. 33 in B-flat major, K. 319: III. Menuetto e Trio | — | ||
| 33-8 | Symphony no. 33 in B-flat major, K. 319: IV. Finale: Allegro assai | — | ||
| 33-9 | Symphony no. 34 in C major, K. 338: I. Allegro vivace | — | ||
| 33-10 | Symphony no. 34 in C major, K. 338: II. Allegro di molto (più tosto Allegretto) | — | ||
| 33-11 | Symphony no. 34 in C major, K. 338: III. Finale: Allegro vivace | — | ||
| 33-12 | Minuet and Trio, K. 409 | — | ||
| 33-13 | Masonic Funeral Music for Orchestra in C minor, K. 479a/477 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 34-1 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 34-2 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 34-3 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 34-4 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Finale. Allegro molto | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 34-5 | Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito | Academy of St Martin in the Fields, Neville Marriner | — | |
| 34-6 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante | Academy of St Martin in the Fields, Neville Marriner | T-312.542.381-2 | |
| 34-7 | Symphony no. 35 in D major, K. 385 "Haffner": III. Menuetto | Academy of St Martin in the Fields, Neville Marriner | — | |
| 34-8 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Presto | Academy of St Martin in the Fields, Neville Marriner | T-312.542.381-2 | |
| 35-1 | Symphony no. 40 in G minor, K. 550: I. Allegro molto | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 35-2 | Symphony no. 40 in G minor, K. 550: II. Andante | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 35-3 | Symphony no. 40 in G minor, K. 550: III. Minuetto. Allegretto & Trio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 35-4 | Symphony no. 40 in G minor, K. 550: IV. Finale. Allegro assai | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 35-5 | Symphony no. 36 in C major, K. 425 "Linz": I. Adagio - Allegro spiritoso | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 35-6 | Symphony no. 36 in C major, K. 425 "Linz": II. Andante | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 35-7 | Symphony no. 36 in C major, K. 425 "Linz": III. Menuetto | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 35-8 | Symphony no. 36 in C major, K. 425 "Linz": IV. Presto | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 36-1 | Symphony no. 38 in D major, K. 504 "Prague": I. Adagio - allegro | Academy of St Martin in the Fields, Neville Marriner | T-312.542.381-2 | |
| 36-2 | Symphony no. 38 in D major, K. 504 "Prague": II. Andante | Academy of St Martin in the Fields, Neville Marriner | T-312.542.381-2 | |
| 36-3 | Symphony no. 38 in D major, K. 504 "Prague": III. Finale. Presto | Academy of St Martin in the Fields, Neville Marriner | T-312.542.381-2 | |
| 36-4 | Symphony no. 39 in E-flat major, K. 543: I. Adagio – Allegro | Academy of St Martin in the Fields, Neville Marriner | — | |
| 36-5 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | Academy of St Martin in the Fields, Neville Marriner | T-312.542.381-2 | |
| 36-6 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto & Trio (allegretto) | Academy of St Martin in the Fields, Neville Marriner | T-312.542.381-2 | |
| 36-7 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | Academy of St Martin in the Fields, Neville Marriner | T-312.542.381-2 | |
| 37-1 | Piano Concerto no. 6 in B-flat major, K. 238: I. Allegro aperto | — | ||
| 37-2 | Piano Concerto no. 6 in B-flat major, K. 238: II. Andante un poco adagio | — | ||
| 37-3 | Piano Concerto no. 6 in B-flat major, K. 238: III. Rondeau. Allegro | — | ||
| 37-4 | Concerto no. 11 in F major, K. 387a / 413: I. Allegro | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 37-5 | Concerto no. 11 in F major, K. 387a / 413: II. Larghetto | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 37-6 | Concerto no. 11 in F major, K. 387a / 413: III. Tempo di menuetto | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 37-7 | Concerto no. 5 in D major, K. 175: I. Allegro | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 37-8 | Concerto no. 5 in D major, K. 175: II. Andante un poco adagio | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 37-9 | Concerto no. 5 in D major, K. 175: III. Allegro | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 38-1 | Concerto no. 16 in D major, K. 451: I. Allegro assai | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 38-2 | Concerto no. 16 in D major, K. 451: II. Andante | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 38-3 | Concerto no. 16 in D major, K. 451: III. Allegro di molto | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 38-4 | Concerto no. 19 in F major, K. 459: I. Allegro vivace | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 38-5 | Concerto no. 19 in F major, K. 459: II. Allegretto | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 38-6 | Concerto no. 19 in F major, K. 459: III. Allegro assai | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 39-1 | Concerto no. 17 in G major, K. 453: I. Allegro | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 39-2 | Concerto no. 17 in G major, K. 453: II. Andante | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 39-3 | Concerto no. 17 in G major, K. 453: III. Allegretto | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 39-4 | Concerto no. 18 in B-flat major, K. 456: I. Allegro vivace | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 39-5 | Concerto no. 18 in B-flat major, K. 456: II. Andante un poco sostenuto | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 39-6 | Concerto no. 18 in B-flat major, K. 456: III. Allegro vivace | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 40-1 | Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro | Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 40-2 | Piano Concerto no. 22 in E-flat major, K. 482: II. Andante | Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 40-3 | Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro | Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 40-4 | Piano Concerto no. 27 in B-flat major, op. 17, K. 595: I. Allegro | Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 40-5 | Piano Concerto no. 27 in B-flat major, op. 17, K. 595: II. Larghetto | Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 40-6 | Piano Concerto no. 27 in B-flat major, op. 17, K. 595: III. Allegro | Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 41-1 | Concerto for Violin no. 1 in B-flat, K. 207: I. Allegro moderato | Anne-Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 41-2 | Concerto for Violin no. 1 in B-flat, K. 207: II. Adagio | Anne-Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner | T-318.588.465-1 | |
| 41-3 | Concerto for Violin no. 1 in B-flat, K. 207: III. Presto | Anne-Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 41-4 | Adagio for violin and orchestra in E major, K. 261 | — | ||
| 41-5 | Sinfonia Concertante in E-flat for Violin, Viola and Orchestra, K. 364: I. Allegro maestoso | Anne-Sophie Mutter, Bruno Giuranna, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 41-6 | Sinfonia Concertante in E-flat for Violin, Viola and Orchestra, K. 364: II. Andante | Anne-Sophie Mutter, Bruno Giuranna, Academy of St Martin in the Fields, Sir Neville Marriner | T-010.194.421-1 | |
| 41-7 | Sinfonia Concertante in E-flat for Violin, Viola and Orchestra, K. 364: III. Presto | Anne-Sophie Mutter, Bruno Giuranna, Academy of St Martin in the Fields, Sir Neville Marriner | T-010.194.421-1 | |
| 42-1 | Concerto for Horn no. 1 in D major, K. 386b/514: I. Allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-2 | Concerto for Horn no. 1 in D major, K. 386b/514: II. Rondo. Allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-3 | Concerto for Horn no. 2 in E-flat major, K. 417: I. Allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-4 | Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-5 | Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-6 | Concerto Movement in E-flat major for Horn, K. 371 (fragment): Rondo. Allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-7 | Concerto in E major for Horn, K. 494a/(K2) Anh 98a (fragment): Allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-8 | Concerto for Horn no. 3 in E-flat major, K. 447: I. Allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-9 | Concerto for Horn no. 3 in E-flat major, K. 447: II. Romance. Larghetto | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-10 | Concerto for Horn no. 3 in E-flat major, K. 447: III. Allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-11 | Concerto for Horn no. 4 in E-flat major, K. 495: I. Allegro moderato | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-12 | Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-13 | Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.662.096-6 | |
| 43-1 | Horn Concerto no. 1 in D major, K. 412: I. Allegro | — | ||
| 43-2 | Horn Concerto no. 1 in D major, K. 412: II. Rondo (Allegro) (Compl. Franz Xaver Süßmayr) | — | ||
| 43-3 | Horn Concerto no. 2 in E-flat major, K. 417: I. Allegro maestoso | — | ||
| 43-4 | Horn Concerto no. 2 in E-flat major, K. 417: II. Andante | — | ||
| 43-5 | Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo | — | ||
| 43-6 | Horn Concerto no. 3 in E-flat major, K. 447: I. Allegro | — | ||
| 43-7 | Horn Concerto no. 3 in E-flat major, K. 447: II. Romance (Larghetto) | — | ||
| 43-8 | Horn Concerto no. 3 in E-flat major, K. 447: III. Allegro | — | ||
| 43-9 | Horn Concerto no. 4 in E-flat major, K. 495: I. Allegro moderato | — | ||
| 43-10 | Horn Concerto no. 4 in E-flat major, K. 495: II. Romance (Andante cantabile) | — | ||
| 43-11 | Horn Concerto no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-12 | Quintet in E-flat major, K. 407: I. Allegro | David Pyatt, Kenneth Sillito, Bob Smissen, Stephen Tees, Stephen Orton | — | |
| 43-13 | Quintet in E-flat major, K. 407: II. Andante | David Pyatt, Kenneth Sillito, Bob Smissen, Stephen Tees, Stephen Orton | — | |
| 43-14 | Quintet in E-flat major, K. 407: III. Rondo – Allegro | David Pyatt, Kenneth Sillito, Bob Smissen, Stephen Tees, Stephen Orton | — | |
| 44-1 | Cantata “Grabmusik”, K. 42/35a: IV. “Geliebte Seel', was redest du? … Betracht dies Herz” (Angel) | Barbara Hendricks, Justin Sillman, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-2 | Vesperae de Dominica, K. 321: V. Laudate Dominum | Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-3 | Mass in C minor “Great”, K. 427/417a: III. Credo - Et incarnatus est | Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | T-924.224.927-0 | |
| 44-4 | Motet “Exsultate, jubilate”, K. 165/158a | Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-5 | Litaniae lauretanae, K. 195/186d: V. Agnus Dei | Academy of St. Martin in the Fields Chorus, Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-6 | Davidde penitente, K. 469: No. 8 Aria “Fra l'oscure ombre funeste” | Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-7 | Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-900.135.371-5 | |
| 44-8 | Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium | Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-9 | Mass no. 15 in C major “Coronation”, K. 317: VI. Agnus Dei | Academy of St. Martin in the Fields Chorus, Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 45-1 | Alma grande e nobil core K578 | Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 45-2 | Ah, non lasciarmi K486a/K⁶295a | Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 45-3 | Don Giovanni: Act II. Mi tradi | Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 45-4 | Idomeneo: Act II. Si il padre perdei | Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 45-5 | Cosi fan tutte: Act II. Per pietà ben mio | Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 45-6 | Artemisia: Entro quest’anima | Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 45-7 | Il sacrificio d’Abramo: Deh, parlate | Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 45-8 | Scena di Berenice H XXIVa:10 | Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 46-1 | Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 46-2 | Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 46-3 | Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto | Academy of St Martin in the Fields, Sir Neville Marriner | T-700.095.171-5 | |
| 46-4 | Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 46-5 | Orfeo ed Euridice: Dance of the Blessed Spirits | Academy of St Martin in the Fields, Sir Neville Marriner | T-925.964.499-0 | |
| 46-6 | “Toy” Symphony: I. Allegro | — | ||
| 46-7 | “Toy” Symphony: II. Menuetto (Allegretto) | — | ||
| 46-8 | “Toy” Symphony: III. Allegro moderato | — | ||
| 46-9 | Rosamunde, incidental music, op. 26, D 797: Entr'acte in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 46-10 | Xerxes, HWV 40: Largo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 46-11 | Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. “Jesus bleibet meine Freude” (instrumental version) | Academy of St Martin in the Fields, Sir Neville Marriner | T-905.387.081-8 | |
| 47-1 | Rondo for violin and orchestra in C major, K. 373 | Josef Suk, Academy of St Martin in the Fields, Neville Marriner | — | |
| 47-2 | Romance for violin and orchestra no. 1 in G major, op. 40 | Josef Suk, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 47-3 | Romance for Violin and Orchestra no. 2 in F major, op. 50 | Josef Suk, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 47-4 | Adagio for violin and orchestra in E major, K. 261 | Josef Suk, Academy of St Martin in the Fields, Neville Marriner | T-318.588.465-1 | |
| 47-5 | Rondo for violin and orchestra in A major, D 438: I. Adagio | — | ||
| 47-6 | Rondo for violin and orchestra in A major, D 438: II. Allegro giusto | — | ||
| 48-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 48-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Till Fellner, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 48-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Till Fellner, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 48-4 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 48-5 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 48-6 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo: Molto allegro | — | ||
| 49-1 | Violin Concerto in D Major, op. 61: I. Allegro ma non troppo | Дмитрий Юлианович Ситковецкий, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 49-2 | Violin Concerto in D Major, op. 61: II. Larghetto | Дмитрий Юлианович Ситковецкий, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 49-3 | Violin Concerto in D Major, op. 61: III. Rondo. Allegro | Dmitry Sitkovetsky, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 49-4 | Romance for Violin and Orchestra no. 1 in G Major, op. 40 | Dmitry Sitkovetsky, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 49-5 | Romance for Violin and Orchestra no. 2 in F Major, op. 50 | Dmitry Sitkovetsky, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-1 | Overture 'Eliza ou le voyage aux glaciers de Mont St-Bernard' | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-2 | Médée: Overture | — | ||
| 50-3 | Overture 'L'Hotellerie portugaise' | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-4 | Overture 'Les Deux journees, ou Le Porteur d'eau' | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-5 | Anacreon ou L'amour fugitif : Ouverture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-6 | Overture 'Faniska' | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-7 | Overture 'Les Abencerages, ou L'Etendard de Grenade' | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-8 | Concert Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-1 | Horn Concerto in D major, TWV 51:D8: I. Vivace | — | ||
| 51-2 | Horn Concerto in D major, TWV 51:D8: II. Largo | — | ||
| 51-3 | Horn Concerto in D major, TWV 51:D8: III. Allegro | — | ||
| 51-4 | Sonata for horn and strings no. 2: I. Largo | — | ||
| 51-5 | Sonata for horn and strings no. 2: II. Allegro moderato | — | ||
| 51-6 | Horn Concerto in E-flat major: I. Con discrezione | — | ||
| 51-7 | Horn Concerto in E-flat major: II. Adagio | — | ||
| 51-8 | Horn Concerto in E-flat major: III. Allegro | — | ||
| 51-9 | Horn Concertino in E minor, op. 45, J. 188: I. Adagio - Andante | — | ||
| 51-10 | Horn Concertino in E minor, op. 45, J. 188: II. Andante con moto | — | ||
| 51-11 | Horn Concertino in E minor, op. 45, J. 188: III. Recitativo - Adagio | — | ||
| 51-12 | Horn Concertino in E minor, op. 45, J. 188: IV. Polacca | — | ||
| 51-13 | Concerto for horn and strings in D major: I. Allegro moderato | — | ||
| 51-14 | Concerto for horn and strings in D major: II. Andante | — | ||
| 51-15 | Concerto for horn and strings in D major: III. Allegro | — | ||
| 52-1 | Romance and Rondo for double bass and orchestra in E minor: Romance | — | ||
| 52-2 | Romance and Rondo for double bass and orchestra in E minor: Rondo | — | ||
| 52-3 | Divertimento for viola, cello and double bass in E-flat major, MH 9: I. Adagio con variazioni | — | ||
| 52-4 | Divertimento for viola, cello and double bass in E-flat major, MH 9: II. Menuetto | — | ||
| 52-5 | Divertimento for viola, cello and double bass in E-flat major, MH 9: III. Presto | — | ||
| 52-6 | Sinfonia concertante for viola, double bass and orchestra in D major: I. Allegro | — | ||
| 52-7 | Sinfonia concertante for viola, double bass and orchestra in D major: II. Andantino | — | ||
| 52-8 | Sinfonia concertante for viola, double bass and orchestra in D major: III. Menuetto e Trio | — | ||
| 52-9 | Sinfonia concertante for viola, double bass and orchestra in D major: IV. Allegro ma non troppo | — | ||
| 52-10 | Duetto for cello and double bass in D major, IGR 19: I. Allegro | — | ||
| 52-11 | Duetto for cello and double bass in D major, IGR 19: II. Andante | — | ||
| 52-12 | Duetto for cello and double bass in D major, IGR 19: III. Allegro | — | ||
| 53-1 | La gazza ladra: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 53-2 | Semiramide: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 53-3 | La Cenerentola: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-930.299.089-2 | |
| 53-4 | La scala di seta: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 53-5 | Guillaume Tell: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-927.705.421-4 | |
| 53-6 | La cambiale di matrimonio: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 53-7 | Il barbiere di Siviglia: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-306.482.271-1 | |
| 54-1 | Leichte Kavallerie (Light Cavalry): Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-909.345.747-7 | |
| 54-2 | Tantalusqualen (The Torments of Tantalus): Overture | — | ||
| 54-3 | Die Irrfahrt um's Glück (The Peregrination after Fortune): Overture | — | ||
| 54-4 | Die Frau Mesterin (The Lady Mistress): Overture | — | ||
| 54-5 | Ein Morgen, ein Mittag und ein Abend in Wien (Morning, Noon and Night in Vienna): Overture | — | ||
| 54-6 | Pique-Dame (Die Kartenschlägerin) (The Queen of Spades (The Fortune Teller)): Overture | — | ||
| 54-7 | Wiener Jubel-Ouvertüre (Viennese Jubilee Overture) | — | ||
| 54-8 | Dichter und Bauer (Poet and Peasant): Overture | — | ||
| 55-1 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-902.781.050-0 | |
| 55-2 | Piano Concerto in A minor, op. 16: II. Adagio | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-927.972.087-5 | |
| 55-3 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | — | |
| 55-4 | Piano Concerto no. 1 in G minor, op. 25: I. Molto allegro con fuoco | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | — | |
| 55-5 | Piano Concerto no. 1 in G minor, op. 25: II. Adagio | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | — | |
| 55-6 | Piano Concerto no. 1 in G minor, op. 25: III. Presto - Molto allegro e vivace | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | — | |
| 56-1 | Peer Gynt, op. 23: Act One. No. 1 Prelude. At the Wedding | — | ||
| 56-2 | Peer Gynt, op. 23: Act One. No. 2 The Bridal Procession | — | ||
| 56-3 | Peer Gynt, op. 23: Act Two. No. 4 Prelude. The Abduction of the Bride. Ingrid's Lament | — | ||
| 56-4 | Peer Gynt, op. 23: Act Two. No. 7 In the Hall of the Mountain King | — | ||
| 56-5 | Peer Gynt, op. 23: Act Two. No. 8 Dance of the Mountain King's Daughter | — | ||
| 56-6 | Peer Gynt, op. 23: Act Three. No. 12 The Death of Ǻse | — | ||
| 56-7 | Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | T-061.409.365-0 | |
| 56-8 | Peer Gynt, op. 23: Act Four. No. 15 Arabian Dance | — | ||
| 56-9 | Peer Gynt, op. 23: Act Four. No. 16 Anitra's Dance | — | ||
| 56-10 | Incidental Music to Peer Gynt, Op. 23: X. Solveig's Song | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 56-11 | Peer Gynt, op. 23: Act Five. No. 21 Prelude. Peer Gynt's Homecoming | — | ||
| 56-12 | Peer Gynt, op. 23: Act Five. No. 26 Solveig's Cradle Song | — | ||
| 57-1 | Cello Concerto no. 1 in A minor, op. 46: I. Allegro moderato - Cadenza - Allegro | — | ||
| 57-2 | Cello Concerto no. 1 in A minor, op. 46: II. Andante | — | ||
| 57-3 | Cello Concerto no. 1 in A minor, op. 46: III. Finale (Allegro) | — | ||
| 57-4 | Cello Concerto no. 2 in B minor, op. 50: I. Allegro | — | ||
| 57-5 | Cello Concerto no. 2 in B minor, op. 50: II. Adagio | — | ||
| 57-6 | Cello Concerto no. 2 in B minor, op. 50: III. Finale (Allegretto con moto) | — | ||
| 58-1 | Symphony in C major, WD 33: I. Allegro vivo | — | ||
| 58-2 | Symphony in C major, WD 33: II. Adagio | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 58-3 | Symphony in C major, WD 33: III. Scherzo (Allegro vivace) | — | ||
| 58-4 | Symphony in C major, WD 33: IV. Finale (Allegro vivace) | — | ||
| 58-5 | L'Arlésienne, Suite no. 1, op. 23bis, WD 40: I. Prelude (Allegro deciso. Tempo di Marcia) | — | ||
| 58-6 | L'Arlésienne, Suite no. 1, op. 23bis, WD 40: II. Menuet (Allegro giocoso) | — | ||
| 58-7 | L'Arlésienne, Suite no. 1, op. 23bis, WD 40: III. Adagietto | — | ||
| 58-8 | L'Arlésienne, Suite no. 1, op. 23bis, WD 40: IV. Carillon (Allegretto moderato) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-9 | L'Arlésienne, Suite no. 2: I. Pastorale (Andante sostenuto assai) | — | ||
| 58-10 | L'Arlésienne, Suite no. 2: II. Intermezzo (Andante moderato ma con moto) | — | ||
| 58-11 | L'Arlésienne, Suite no. 2: III. Menuet (Andantino quasi allegretto) | — | ||
| 58-12 | L'Arlésienne, Suite no. 2: IV. Farandole (Allegro deciso - Tempo di Marcia) | — | ||
| 59-1 | Rapsodie for saxophone, CD 104, L. 98 | — | ||
| 59-2 | Concertino da camera for alto saxophone: I. Allegro con moto | — | ||
| 59-3 | Concertino da camera for alto saxophone: II. Larghetto | — | ||
| 59-4 | Concertino da camera for alto saxophone: III. Animato molto | — | ||
| 59-5 | Fantasia for soprano saxophone and chamber orchestra: I. Animé | — | ||
| 59-6 | Fantasia for soprano saxophone and chamber orchestra: II. Lent | — | ||
| 59-7 | Fantasia for soprano saxophone and chamber orchestra: III. Très animé | — | ||
| 59-8 | Saxophone Concerto in E-flat major, op. 109: I. Allegro moderato | — | ||
| 59-9 | Saxophone Concerto in E-flat major, op. 109: II. Andante | — | ||
| 59-10 | Saxophone Concerto in E-flat major, op. 109: III. Allegro | — | ||
| 59-11 | Concerto for alto saxophone: I. Molto vivo | — | ||
| 59-12 | Concerto for alto saxophone: II. Interlude (Andante) | — | ||
| 59-13 | Concerto for alto saxophone: III. Allegro - Lento | — | ||
| 59-14 | Out of the Cool | — | ||
| 60-1 | Minuet, op. 21 | — | ||
| 60-2 | May Song | — | ||
| 60-3 | Rosemary | — | ||
| 60-4 | Romance for bassoon in D minor, op. 62 | — | ||
| 60-5 | Sevillaña, op. 7 | — | ||
| 60-6 | Sérénade lyrique in C major | — | ||
| 60-7 | Three Characteristic Pieces, op. 10: No. 1 Mazurka | — | ||
| 60-8 | Three Characteristic Pieces, op. 10: No. 2 Sérénade mauresque | — | ||
| 60-9 | Three Characteristic Pieces, op. 10: No. 3 Contrasts: The Gavotte - A.D. 1700 and 1900 | — | ||
| 60-10 | Carissima | — | ||
| 60-11 | Mina | — | ||
| 61-1 | El sombrero de tres picos (The Three-Cornered Hat): Introduction | — | ||
| 61-2 | El sombrero de tres picos (The Three-Cornered Hat): Part I: La tarde (Afternoon). La tarde | — | ||
| 61-3 | El sombrero de tres picos (The Three-Cornered Hat): Part I: La tarde (Afternoon). Danza de la molinera | — | ||
| 61-4 | El sombrero de tres picos (The Three-Cornered Hat): Part I: La tarde (Afternoon). Las uvas | — | ||
| 61-5 | El sombrero de tres picos (The Three-Cornered Hat): Part II: La noche (Night). Danza de los vecinos | — | ||
| 61-6 | El sombrero de tres picos (The Three-Cornered Hat): Part II: La noche (Night). Danza del molinero | — | ||
| 61-7 | El sombrero de tres picos (The Three-Cornered Hat): Part II: La noche (Night). Danza del corregidor | — | ||
| 61-8 | El sombrero de tres picos (The Three-Cornered Hat): Part II: La noche (Night). Danza final (Jota) | — | ||
| 61-9 | Noches en los jardines de España (Nights in the gardens of Spain): I. En el Generalife | — | ||
| 61-10 | Noches en los jardines de España (Nights in the gardens of Spain): II. Danza lejana - | — | ||
| 61-11 | Noches en los jardines de España (Nights in the gardens of Spain): III. En los jardines de la Sierra de Córdoba | — | ||
| 62-1 | Gli uccelli (The Birds), P. 154: Prelude, after Bernardo Pasquini | — | ||
| 62-2 | Gli uccelli (The Birds), P. 154: La colomba (The Dove), after Jacques Gallot | — | ||
| 62-3 | Gli uccelli (The Birds), P. 154: La gallina (The Hen), after Jean-Philippe Rameau | — | ||
| 62-4 | Gli uccelli (The Birds), P. 154: L'usignuolo (The Nightingale), after anon. English | — | ||
| 62-5 | Gli uccelli (The Birds), P. 154: Il cucù (The Cuckoo), after Bernardo Pasquini | — | ||
| 62-6 | Trittico botticelliano, P. 151: I. La Primavera (Spring) | — | ||
| 62-7 | Trittico botticelliano, P. 151: II. L'Adorazione del Magi (The Adoration of the Magi) | — | ||
| 62-8 | Trittico botticelliano, P. 151: III. La nascita di Venere (The Birth of Venus) | — | ||
| 63-1 | Il segreto di Susanna (Susanna's Secret): Overture (Vivacissimo) | — | ||
| 63-2 | Il segreto di Susanna (Susanna's Secret): Intermezzo | — | ||
| 63-3 | I quattro rusteghi (The Four Boots): Prelude (Tranquillo, semplice) | — | ||
| 63-4 | I quattro rusteghi (The Four Boots): Intermezzo | — | ||
| 63-5 | La dama boba (The Blackward): Overture | — | ||
| 63-6 | Il campiello (The Little Square): Intermezzo | — | ||
| 63-7 | Il campiello (The Little Square): Ritornello | — | ||
| 63-8 | L'amore medico (Doctor Cupid): Overture | — | ||
| 63-9 | L'amore medico (Doctor Cupid): Intermezzo | — | ||
| 63-10 | I gioielli della Madonna (The Jewels of the Madonna): Festa populare | — | ||
| 63-11 | I gioielli della Madonna: Intermezzo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 63-12 | I gioielli della Madonna (The Jewels of the Madonna): Intermezzo, Act 3: Serenata | — | ||
| 63-13 | I gioielli della Madonna (The Jewels of the Madonna): Donza napolitana | — | ||
| 64-1 | Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: I. Adagio | Osian Ellis, Simon Preston, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 64-2 | Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: II. Allegro con moto | Osian Ellis, Simon Preston, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 64-3 | Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: III. Adagio | Osian Ellis, Simon Preston, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 64-4 | Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: IV. Allegretto alla marcia | Osian Ellis, Simon Preston, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 64-5 | Concerto Grosso no. 1: I. Prelude: Allegro energico e pesante | Francis Grier, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 64-6 | Concerto Grosso no. 1: II. Dirge: Andante moderato | Francis Grier, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 64-7 | Concerto Grosso no. 1: III. Pastorale and Rustic Dances | Francis Grier, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 64-8 | Concerto Grosso no. 1: IV. Fugue: Allegro | Francis Grier, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 65-1 | Concerto in E-flat major “Dumbarton Oaks”: I. Tempo giusto | — | ||
| 65-2 | Concerto in E-flat major “Dumbarton Oaks”: II. Allegretto | — | ||
| 65-3 | Concerto in E-flat major “Dumbarton Oaks”: III. Con moto | — | ||
| 65-4 | Concerto in D major for string orchestra: I. Vivace | — | ||
| 65-5 | Concerto in D major for string orchestra: II. Arioso (Andantino) | — | ||
| 65-6 | Concerto in D major for string orchestra: III. Rondo (Allegro) | — | ||
| 65-7 | Danses concertantes: Marche (Introduction) | — | ||
| 65-8 | Danses concertantes: Pas d'action (Con moto) | — | ||
| 65-9 | Danses concertantes: Thème varié (Lento) | — | ||
| 65-10 | Danses concertantes: Variation I (Allegretto) | — | ||
| 65-11 | Danses concertantes: Variation II (Scherzando) | — | ||
| 65-12 | Danses concertantes: Variation III (Andantino) | — | ||
| 65-13 | Danses concertantes: Variation IV (Coda: Tempo giusto) | — | ||
| 65-14 | Danses concertantes: Pas de deux (Risoluto) | — | ||
| 65-15 | Danses concertantes: Marche (Conclusion) | — | ||
| 66-1 | Pulcinella: I. Overture. Allegro moderato | — | ||
| 66-2 | Pulcinella: II. Serenata. Larghetto: “Mentre l'erbetta pasce l'agnella” - Scherzino | — | ||
| 66-3 | Pulcinella: III. Allegretto. “Contento forse vivere” | — | ||
| 66-4 | Pulcinella: IV. Allegro (alla breve). “Con queste paroline” | — | ||
| 66-5 | Pulcinella: V. Largo (Trio). “Sento dire no'ncè pace” | — | ||
| 66-6 | Pulcinella: VI. Tarantella. “Una te fala nzemprece” | — | ||
| 66-7 | Pulcinella: VII. Andantino. “Se tu m'ami” | — | ||
| 66-8 | Pulcinella: VIII. Gavotta con due variazioni | — | ||
| 66-9 | Pulcinella: IX. Variazione I | — | ||
| 66-10 | Pulcinella: X. Variazione II | — | ||
| 66-11 | Pulcinella: XI. Tempo di minuetto. “Pupilette, fiammette d'amore” - Finale. Allegro assai | — | ||
| 66-12 | Suite no. 1 for small orchestra: I. Andante | — | ||
| 66-13 | Suite no. 1 for small orchestra: II. Napolitana | — | ||
| 66-14 | Suite no. 1 for small orchestra: III. Española | — | ||
| 66-15 | Suite no. 1 for small orchestra: IV. Balalaïka | — | ||
| 66-16 | Suite no. 2 for small orchestra: I. Marche | — | ||
| 66-17 | Suite no. 2 for small orchestra: II. Valse | — | ||
| 66-18 | Suite no. 2 for small orchestra: III. Polka | — | ||
| 66-19 | Suite no. 2 for small orchestra: IV. Galop | — | ||
| 67-1 | St. Paul's Suite, op. 29 no. 2: I. Jig | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-2 | St. Paul's Suite, op. 29 no. 2: II. Ostinato | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-3 | St. Paul's Suite, op. 29 no. 2: III. Intermezzo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-4 | St. Paul's Suite, op. 29 no. 2: IV. Finale. The Dargason | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-5 | Two Aquarelles: No. 1 Slow (Lento, ma non troppo) (arr. Fenby) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-6 | Two Aquarelles: No. 2 Gaily, but not quick (arr. Fenby) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-7 | Chaconne in G minor for strings, Z. 730 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-8 | Prelude on Welsh Hymn Tunes no. 2 in G major "Rhosymedre" (arr. Foster) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-9 | Two Pieces For Strings From Film "Henry V": No.1 Passacaglia "Death Of Falstaff" | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-10 | Two Pieces For Strings From Film "Henry V": No.2 "Touch Her Soft Lips & Part" | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-11 | Simple Symphony, op. 10: I. Boisterous Bourrée | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-12 | Simple Symphony, op. 4: II. Playful Pizzicato | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-13 | Simple Symphony, op. 4: III. Sentimental Saraband | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-14 | Simple Symphony, op. 10: IV. Frolicsome Finale | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 68-1 | Les illuminations, song cycle for high voice & strings, op. 18: 1. Fanfare | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-2 | Les illuminations, song cycle for high voice & strings, op. 18: 2. Villes | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-3 | Les illuminations, song cycle for high voice & strings, op. 18: 3a. Phrase | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-4 | Les illuminations, song cycle for high voice & strings, op. 18: 3b. Antique | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-5 | Les illuminations, song cycle for high voice & strings, op. 18: 4. Royauté | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-6 | Les illuminations, song cycle for high voice & strings, op. 18: 5. Marine | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-7 | Les illuminations, song cycle for high voice & strings, op. 18: 6. Interlude | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-8 | Les illuminations, song cycle for high voice & strings, op. 18: 7. Being Beauteous | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-9 | Les illuminations, song cycle for high voice & strings, op. 18: 8. Parade | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-10 | Les illuminations, song cycle for high voice & strings, op. 18: 9. Départ | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-11 | Serenade for Tenor, Horn and Strings, op. 31: Prologue | Robert Tear, Alan Civil, Sir Neville Marriner, Northern Sinfonia Orchestra | — | |
| 68-12 | Serenade for Tenor, Horn and Strings, op. 31: 1. Pastoral | Robert Tear, Alan Civil, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-13 | Serenade for Tenor, Horn and Strings, op. 31: 2. Nocturne | Robert Tear, Alan Civil, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-14 | Serenade for Tenor, Horn and Strings, op. 31: 3. Elegy | Robert Tear, Alan Civil, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-15 | Serenade for Tenor, Horn and Strings, op. 31: 4. Dirge | Robert Tear, Alan Civil, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-16 | Serenade for Tenor, Horn and Strings, op. 31: 5. Hymn | Robert Tear, Alan Civil, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-17 | Serenade for Tenor, Horn and Strings, op. 31: 6. Sonnet | Robert Tear, Alan Civil, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-18 | Serenade for Tenor, Horn and Strings, op. 31: Epilogue | Alan Civil, Robert Tear, Sir Neville Marriner, Northern Sinfonia Orchestra | — | |
| 69-1 | The Young Person's Guide to the Orchestra (Variations and Fugue on a theme of Purcell), op. 34 | — | ||
| 69-2 | Four Sea Interludes from Peter Grimes, op. 33a: No. 1. Dawn | — | ||
| 69-3 | Four Sea Interludes from Peter Grimes, op. 33a: No. 2. Sunday Morning | — | ||
| 69-4 | Four Sea Interludes from Peter Grimes, op. 33a: No. 3. Moonlight | — | ||
| 69-5 | Four Sea Interludes from Peter Grimes, op. 33a: No. 4. Storm | — | ||
| 69-6 | Men of Goodwill | Minnesota Orchestra, Sir Neville Marriner | — | |
| 70-1 | El salón México | — | ||
| 70-2 | Four Dance Episodes from “Rodeo”: I. Buckaroo Holiday | — | ||
| 70-3 | Four Dance Episodes from “Rodeo”: II. Transition - Corral Nocturne | — | ||
| 70-4 | Four Dance Episodes from “Rodeo”: III. Saturday: Night Waltz | — | ||
| 70-5 | Four Dance Episodes from “Rodeo”: IV. Hoe-Down | Minnesota Orchestra, Sir Neville Marriner | — | |
| 70-6 | Appalachian Spring, suite from the ballet: 1. Very slowly | — | ||
| 70-7 | Appalachian Spring, suite from the ballet: 2. Allegro | — | ||
| 70-8 | Appalachian Spring, suite from the ballet: 3. Moderato: The Bride and her Intended | — | ||
| 70-9 | Appalachian Spring, suite from the ballet: 4. Fast: The Revivalist and his Flock | — | ||
| 70-10 | Appalachian Spring, suite from the ballet: 5. Allegro: Solo Dance of the Bride | — | ||
| 70-11 | Appalachian Spring, suite from the ballet: 6. Meno mosso | — | ||
| 70-12 | Appalachian Spring, suite from the ballet: 7. Doppio movimento: Variations on a Shaker Hymn | — | ||
| 70-13 | Appalachian Spring, suite from the ballet: 8. Moderato: Coda | — | ||
| 71-1 | Façade: An Entertainment: (Fanfare) | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-2 | Façade: An Entertainment: Hornpipe | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-3 | Façade: An Entertainment: En Famille | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-4 | Façade: An Entertainment: Mariner Man | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-5 | Façade: An Entertainment: Long Steel Grass | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-6 | Façade: An Entertainment: Through Gilded Trellises | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-7 | Façade: An Entertainment: Tango-Pasodoble | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-8 | Façade: An Entertainment: Lullaby for Jumbo | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-9 | Façade: An Entertainment: Black Mrs. Behemoth | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-10 | Façade: An Entertainment: Tarantella | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-11 | Façade: An Entertainment: A Man From a Far Countree | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-12 | Façade: An Entertainment: By the Lake | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-13 | Façade: An Entertainment: Country Dance | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-14 | Façade: An Entertainment: Polka | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-15 | Façade: An Entertainment: Four in the Morning | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-16 | Façade: An Entertainment: Something Lies Beyond the Scene | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-17 | Façade: An Entertainment: Valse | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-18 | Façade: An Entertainment: Jodelling Song | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-19 | Façade: An Entertainment: Scotch Rhapsody | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-20 | Façade: An Entertainment: Popular Song | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-21 | Façade: An Entertainment: Fox-Trot "Old Sir Faulk" | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-22 | Façade: An Entertainment: Sir Beelzebub | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 72-1 | Divertimento on “Sellinger's Round”, for chamber orchestra: I. Allegro | — | ||
| 72-2 | Divertimento on “Sellinger's Round”, for chamber orchestra: II. A Lament (Andante espressivo) | — | ||
| 72-3 | Divertimento on “Sellinger's Round”, for chamber orchestra: III. Presto | — | ||
| 72-4 | Divertimento on “Sellinger's Round”, for chamber orchestra: IV. Adagio | — | ||
| 72-5 | Divertimento on “Sellinger's Round”, for chamber orchestra: V. Allegro assai | — | ||
| 72-6 | Little Music: I. Prelude: Maestoso | Academy of St Martin in the Fields, Neville Marriner | — | |
| 72-7 | Little Music: II. Fugue: Allegro moderato (a tempo doppio più mosso) | Academy of St Martin in the Fields, Neville Marriner | — | |
| 72-8 | Little Music: III. Air: Andante espressivo | Academy of St Martin in the Fields, Neville Marriner | — | |
| 72-9 | Little Music: IV. Finale: Vivace | Academy of St Martin in the Fields, Neville Marriner | — | |
| 72-10 | Sonata for four horns: I. Allegro molto moderato | — | ||
| 72-11 | Sonata for four horns: II. Allegro giocoso | — | ||
| 72-12 | Sonata for four horns: III. Lento cantabile tranquillo in stile notturno | — | ||
| 72-13 | Sonata for four horns: IV. Allegro molto e vigoroso | — | ||
| 72-14 | Concerto for double string orchestra: I. Allegro con brio | — | ||
| 72-15 | Concerto for double string orchestra: II. Adagio cantabile | — | ||
| 72-16 | Concerto for double string orchestra: III. Allegro molto | — | ||
| 73-1 | Adagio in G minor | Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | T-921.189.587-3 | |
| 73-2 | Octet in E-flat major, op. 20: III. Scherzo (Allegro leggierissimo) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 73-3 | Berenice, HWV 38, Act 2: Minuet | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-4 | March in D major, K. 335 No. 1 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 73-5 | Weihnachtsoratorium, BWV 248, Pt. 2: No. 10, Sinfonia | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-6 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 73-7 | 12 Contredanses, WoO 14: No. 1 in C Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-8 | 12 Contredanses, WoO 14: No. 2 in A Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-9 | 12 Contredanses, WoO 14: No. 3 D Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-10 | 12 Contredanses, WoO 14: No. 4 in B‐Flat Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-11 | 12 Contredanses, WoO 14: No. 5 in E‐Flat Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-12 | 12 Contredanses, WoO 14: No. 6 in C Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-13 | 12 Contredanses, WoO 14: No. 7 in E‐Flat Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-14 | 12 Contredanses, WoO 14: No. 8 in C Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-15 | 12 Contredanses, WoO 14: No. 9 in A Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-16 | 12 Contredanses, WoO 14: No. 10 in C Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-17 | 12 Contredanses, WoO 14: No. 11 in D Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-18 | 12 Contredanses, WoO 14: No. 12 in E‐Flat Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-19 | Messiah, HWV 56, Pt. 1: No. 12, Pastoral Symphony “Pifa” | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-20 | Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 73-21 | 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 74-1 | Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia) | Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner | T-011.777.630-3 | |
| 74-2 | Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 74-3 | Berenice, HWV 38: Minuet | — | ||
| 74-4 | Cantata “Herz und Mund und Tat und Leben” (Jesu, Joy of Man's Desiring) | Celia Nicklin, Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | T-905.387.081-8 | |
| 74-5 | Weihnachtsoratorium, BWV 248 (Christmas Oratorio): Pt. 2. No. 10, Sinfonia | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 74-6 | Messiah, HWV 56: Pt. 1. No. 12. Pastoral Symphony | — | ||
| 74-7 | Holberg Suite, op. 40: I. Praeludium | — | ||
| 74-8 | Rosamunde, incidental music, op. 26, D 797: Entr'acte no. 3 in B-flat major | — | ||
| 74-9 | Orfeo und Euridice: Dance of the Blessed Spirits | — | ||
| 74-10 | String Quartet no. 2 in D major: III. Notturno (Andante) | — | ||
| 75-1 | Carmen Suite no. 1: I. Prélude (orch. Guiraud) | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 75-2 | Carmen, Suite no. 1: II. Aragonaise | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 75-3 | Carmen, Suite no. 1: III. Intermezzo | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 75-4 | Carmen, Suite no. 1: IV. Les Dragons d'Alcala | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 75-5 | Suite no. 1 from Carmen, WD : VI. Les toréadors | Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 75-6 | Carmen, Suite no. 2: I. Nocturne | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | T-010.194.853-1 | |
| 75-7 | Carmen, Suite no. 2: II. Danse bohème | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 75-8 | The Seasons, op. 37a: No. 6 June, Barcarole | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 75-9 | Eugen Onegin, op. 24: Act 3. Polonaise | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 75-11 | Thaïs, Act 2: Méditation | Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | T-050.242.010-1 | |
| 75-12 | Nutcracker, Suite, op. 71a: VIII. Waltz of the Flowers | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 75-13 | The Tale of Tsar Saltan: Act 3. The Flight of the Bumblebee | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 76-1 | La Gioconda: Act III. Dance of the Hours | Academy of St Martin in the Fields, Sir Neville Marriner | T-316.992.933-9 | |
| 76-2 | The Merry Wives of Windsor: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 76-3 | Leichte Kavallerie (Light Cavalry): Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-909.345.747-7 | |
| 76-4 | The Gadfly Suite, op. 97a: V. Barrel Organ Waltz | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 76-5 | The Gadfly Suite, op. 97a: VIII. Romance | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 76-6 | Khovanshchina: Dance of the Persian Slaves (Act 4) (orch. Rimsky-Korsakov) | Academy of St Martin in the Fields, Sir Neville Marriner | T-901.134.571-4 | |
| 76-7 | Tsar Saltan: The Flight of the Bumble-bee (Act 3) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 76-8 | The Damnation of Faust: Dance of the Sylphs (Act 2) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 76-9 | The Snow Maiden: Dance of the Tumblers (Act 3) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 77-1 | Aida: “Celeste Aida” | Christopher Warren-Green, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 77-2 | Madama Butterfly: Introduction Sharpless' aria and Entrance of Butterfly | Cynthia Millar, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 77-3 | Rigoletto: “La donna e mobile” | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 77-4 | Tosca : “E lucevan le stelle” (execution and finale) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 77-5 | Il Trovatore: Anvil Chorus | John Leach, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 77-6 | Turandot: “Nessun dorma” | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 77-7 | La Bohème: A Fantasy for Orchestra | Christopher Warren-Green, Academy of St Martin in the Fields, Sir Neville Marriner | T-106.621.004-4 | |
| 77-8 | La traviata: Di provenza il mar, il suol | Graham Sheen, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 77-9 | Madama Butterfly: Un bel di vedremo | Cynthia Millar, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 77-10 | Tosca: E lucevan le stelle | Mitch Dalton, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 78-1 | Der Obersteiger: Act 2. “Sei nicht bös” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 78-2 | Frau Luna: “Schlösser, die im Monde liegen” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | T-801.812.092-9 | |
| 78-3 | Die Tänzerin Fanny Elssler: Act 2. “Draußen in Sievering” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 78-4 | Der Favorit: “Du sollst der Kaiser meiner Seele sein” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | T-800.474.982-1 | |
| 78-5 | Die Lustige Witwe: Act 2. “Es lebt eine Vilja, ein Waldmägdelein” (Vilja-Lied) | Lucia Popp, Ambrosian Opera Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-900.799.062-7 | |
| 78-6 | Boccaccio: “Hab'ich nur deine Liebe” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 78-7 | Casanova: Nonnenchor und das Lied der Laura (Nuns' Chorus and Laura's Song) | Lucia Popp, Andrew Lucas, Ambrosian Opera Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 78-8 | Die Dubarry: Scene 5. “Ich schenk mein Herz nur dem allein” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.154.207-5 | |
| 78-9 | Giuditta: Tableau 4. “Meine Lippen, sie küssen so heiss” | Ambrosian Opera Chorus, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | T-801.275.179-1 | |
| 78-10 | Die ungarische Hochzeit: Act 2. “Spiel mir das Lied von Glück und Treu” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 78-11 | Das Land das Lächlen: Act 2. “Ich möcht' einmal die Heimat seh'n” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 78-12 | Friederike: Act 2. “Warum hast du mich wachgeküsst?” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: II. Sonata I: Largo (Pater. dimitte illis, quia nesciunt, quid faciunt) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: III. Sonata II: Grave e cantabile (Hodie mecum eris in paradiso) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: IV. Sonata III: Grave (Mulier, ecce filius tuus) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: V. Sonata IV: Largo (Deus meus, ut quid dereliquisti me?) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: VI. Sonata V: Adagio (Sitio) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: VII. Sonata VI: Lento (Consummatum est) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: VIII. Sonata VII: Largo (Pater. in manus tuas commendo spiritum meum) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour" (Instrumental Version) | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | T-900.010.201-2 |
| Faust: Act 1. Valse “Ainsi que la brise légère” (orchestral version) | Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — |
| Jocelyn, op. 100: Act 1: Berceuse. "Oh ! Ne t'éveille pas encore" (instrumental version) | Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | — |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Tsar Saltan: The Flight of the Bumble-bee (Act 3) | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.520.252-0 |
| Giuditta: Tableau 1. “In einem Meer von Liebe” | Ambrosian Opera Chorus, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Frühjahrsparade: “Wien wird bei Nacht erst schön” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
| Adagio in G minor | Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | T-005.001.197-6 |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Romance for Violin and Orchestra no. 2 in F major, op. 50 | Josef Suk, Academy of St Martin in the Fields, Sir Neville Marriner | T-801.768.565-4 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Ouverture-Suite for Flute and Strings in A minor, TWV 55:a2: V. Réjouissance. Viste | David Munrow, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.422.062-8 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet | William Bennett, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.654.484-3 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5054197762765 is a Universal Product Code (UPC) assigned to The Complete Warner Classics Recordings by Sir Neville Marriner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 988 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5054197762765 is the Universal Product Code (UPC barcode) for the release “The Complete Warner Classics Recordings” by Sir Neville Marriner, released 2024-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 988 tracks, each with its own ISRC. Tracks include GBAYC9002456, GBAYC9002457, GBAYC9002458.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Te Deum à 8, H. 146: Prélude / Après le Prélude | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2 | Te Deum à 8, H. 146: Te Deum | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3 | Te Deum à 8, H. 146: Te aeternum Patrem | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4 | Te Deum à 8, H. 146: Pleni sunt coeli et terra | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5 | Te Deum à 8, H. 146: Te per orbem terrarum sancta confitetur Ecclesia | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6 | Te Deum à 8, H. 146: Tu devicto | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7 | Te Deum à 8, H. 146: Judex crederis esse venturus | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8 | Te Deum à 8, H. 146: Te ergo quaesumus | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9 | Te Deum à 8, H. 146: Aeterna fac cum Sanctis tuis | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 10 | Te Deum à 8, H. 146: Dignare, Domine | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 11 | Te Deum à 8, H. 146: Fiat misericordia | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12 | Te Deum à 8, H. 146: In te Domine speravi | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13 | Magnificat à 8, H. 74: Sinfonia | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14 | Magnificat à 8, H. 74: Magnificat | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15 | Magnificat à 8, H. 74: Quia fecit mihi magna | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16 | Magnificat à 8, H. 74: Et misericordia | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17 | Magnificat à 8, H. 74: Fecit potentiam | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18 | Magnificat à 8, H. 74: Esurientes | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19 | Magnificat à 8, H. 74: Suscepit Israel | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 20 | Magnificat à 8, H. 74: Sicut locutus est | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 21 | Magnificat à 8, H. 74: Gloria | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-1 | Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 1, Aria. "Weichet nur, betrübte Schatten" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-2 | Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 2, Rezitativ. "Die Welt wird wieder neu" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-3 | Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 3, Aria. "Phoebus eilt mit schnellen Pferden" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-4 | Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 4, Rezitativ. "Drum sucht auch Amor sein Vergnügen" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-5 | Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 5, Aria. "Wenn die Frühlingslufte streichen" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-6 | Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 6, Rezitativ. "Und dieses ist das Glücke" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-7 | Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 7, Aria. "Sich üben im Lieben, in Scherzen sich herzen" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-8 | Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 8, Rezitativ. "So sei das Band der keuschen Liebe" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-9 | Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 9, Aria und Gavotte. "Sehet in Zufriedenheit" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-10 | Cantata “Non sa che sia dolore”, BWV 209: No. 1 Sinfonia | — | ||
| 2-11 | Cantata “Non sa che sia dolore”, BWV 209: No. 2 Recitative. “Non sa che sia dolore” | — | ||
| 2-12 | Cantata “Non sa che sia dolore”, BWV 209: No. 3 Aria. “Parti pur, e con dolore” | — | ||
| 2-13 | Cantata “Non sa che sia dolore”, BWV 209: No. 4 Recitative. “Tuo saver al tempo e l'eta contrasta” | — | ||
| 2-14 | Cantata “Non sa che sia dolore”, BWV 209: No. 5 Aria. “Ricetti gramezza e pavento” | — | ||
| 3-1 | Magnificat, BWV 243: I. Magnificat | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-922.042.217-3 | |
| 3-2 | Magnificat, BWV 243: II. Et exultavit spiritus meus | Ann Murray, Academy of St Martin in the Fields, Sir Neville Marriner | T-314.639.877-4 | |
| 3-3 | Magnificat, BWV 243: III. Quia respexit humilitate | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-4 | Magnificat, BWV 243: IV. Omnes generationes | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-5 | Magnificat, BWV 243: V. Quia fecit mihi magna | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-6 | Magnificat, BWV 243: VI. Et misericordia eius | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-7 | Magnificat, BWV 243: VII. Fecit potentiam | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-8 | Magnificat, BWV 243: VIII. Deposuit potentes | Uwe Heilmann, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-9 | Magnificat in D Major, BWV 243: IX. Aria. "Esurientes implevit bonis" | Jean Rigby, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-10 | Magnificat, BWV 243: X. Suscepit Israel | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-11 | Magnificat, BWV 243: XI. Sicut locutus est | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-12 | Magnificat, BWV 243: XII. Gloria Patri | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-13 | Gloria in D major, RV 589: I. Gloria in excelsis Deo | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-905.452.179-8 | |
| 3-14 | Gloria, RV 589: II. Et in terra pax hominibus | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-15 | Gloria, RV 589: III. Laudamus te | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-16 | Gloria, RV 589: IV. Gratias agimus tibi | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-17 | Gloria, RV 589: V. Propter magnam gloriam | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-18 | Gloria, RV 589: VI. Domine Deus | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-19 | Gloria, RV 589: VII. Domine Fili Unigenite | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-20 | Gloria, RV 589: VIII. Domine Deus, Agnus Dei | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-21 | Gloria, RV 589: IX. Qui tollis peccata mundi | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-22 | Gloria, RV 589: X. Qui sedes ad dexteram | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-23 | Gloria, RV 589: XI. Quoniam tu solus Sanctus | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-24 | Gloria in D major, RV 589: XII. Cum Sancto Spiritu | Academy of St Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-1 | Christmas Oratorio: "Bereite dich, Zion" | Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-2 | Cantata "Singet dem Herrn ein neues Lied", BWV 190: No. 3, Aria, "Lobe, Zion, deinen Gott" (Alto) | Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 4-3 | Cantata "Gelobet sei der Herr, mein Gott", BWV 129: No. 4, Aria, "Gelobet sei der Herr, mein Gott, der ewig lebet" (Alto) | Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 4-4 | Cantata "O ewiges Feuer, o Ursprung der Liebe", BWV 34: No. 3, Aria, "Wohl euch, ihr auserwählten Seelen" (Alto) | Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 4-5 | Johannes-Passion, BWV 245, Pt. 2: No. 30, Aria, "Es ist vollbracht!" (Alto) | Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | T-915.681.108-4 | |
| 4-6 | Bist du bei mir | Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 4-7 | Cantata "Bleib bei uns, denn es will Abend werden", BWV 6: No. 2, Aria, "Hochgelobter Gottessohn" (Alto) | Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 4-8 | Cantata "Komm, du süsse Todesstunde", BWV 161: No. 1, Aria, "Komm, du süsse Todesstunde" (Alto) | Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 4-9 | Oster-Oratorium, BWV 249: No. 9, Aria, "Saget, saget mir geschwinde" (Alto) | Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 4-10 | Cantata "Lobet Gott in seinen Reichen", BWV 11: No. 4, Aria, "Ach, bleibe doch, mein liebstes Leben" (Alto) | Janet Baker, Nicholas Kraemer, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 4-11 | Magnificat in D Major, BWV 243: No. 2, Aria, "Et exultavit spiritus meus" (Second Soprano) | Janet Baker, Nicholas Kraemer, Academy of St. Martin in the Fields, Sir Neville Marriner | T-314.639.877-4 | |
| 5-1 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. (Allegro) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-2 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-3 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-4 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto - Polonaise | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-5 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. (Allegro) | Academy of St Martin in the Fields, Sir Neville Marriner | T-801.411.105-9 | |
| 5-6 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-7 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Mark Bennett, Philip Pickett, Celia Nicklin, Kenneth Sillito, George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-8 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | T-801.411.105-9 | |
| 5-9 | Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-10 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-11 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-12 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | Academy of St Martin in the Fields, Sir Neville Marriner | T-318.849.428-8 | |
| 5-13 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-1 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-2 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-3 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | William Bennett, Iona Brown, George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-4 | Brandenburg Concerto no. 6 in D major, BWV 1051: I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | T-801.411.105-9 | |
| 6-5 | Brandenburg Concerto no. 6 in D major, BWV 1051: II. Adagio ma non tanto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-6 | Brandenburg Concerto no. 6 in D major, BWV 1051: III. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-7 | Orchestral Suite no. 1 in C major, BWV 1066: I. Ouverture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-8 | Orchestral Suite no. 1 in C major, BWV 1066: II. Courante | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-9 | Orchestral Suite no. 1 in C major, BWV 1066: III. Gavotte I & II | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-10 | Orchestral Suite no. 1 in C major, BWV 1066: IV. Forlane | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-11 | Orchestral Suite no. 1 in C major, BWV 1066: V. Menuet I & II | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-12 | Orchestral Suite no. 1 in C major, BWV 1066: VI. Bourrée I & II | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-13 | Orchestral Suite no. 1 in C major, BWV 1066: VII. Passepied I & II | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-1 | Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-2 | Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-3 | Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-4 | Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée 1 & 2 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-5 | Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-6 | Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet | William Bennett, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-7 | Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie | William Bennett, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-8 | Orchestral Suite no. 3 in D major, BWV 1068: I. Ouverture | — | ||
| 7-9 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 7-10 | Orchestral Suite no. 3 in D major, BWV 1068: III. Gavotte 1 & 2 | Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-11 | Orchestral Suite no. 3 in D major, BWV 1068: IV. Bourrée | Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-12 | Orchestral Suite no. 3 in D major, BWV 1068: V. Gigue | Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-13 | Orchestral Suite no. 4 in D major, BWV 1069: I. Ouverture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-14 | Orchestral Suite no. 4 in D major, BWV 1069: II. Bourrée 1 & 2 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-15 | Orchestral Suite no. 4 in D major, BWV 1069: III. Gavotte | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-16 | Orchestral Suite no. 4 in D major, BWV 1069: IV. Menuet 1 & 2 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-17 | Orchestral Suite no. 4 in D major, BWV 1069: V. Rejouissance | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-1 | Piano Concerto no. 1 in D minor, BWV 1052: I. Allegro | Andred Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-2 | Piano Concerto no. 1 in D minor, BWV 1052: II. Adagio | Andred Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-3 | Piano Concerto no. 1 in D minor, BWV 1052: III. Allegro | Andred Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-4 | Concerto in E major, BWV 1053: I. (Without Tempo Indication) | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.207.924-3 | |
| 8-5 | Concerto in E major, BWV 1053: II. Siciliano | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-6 | Concerto in E major, BWV 1053: III. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-7 | Concerto in D major, BWV 1054: I. Allegro | John Constable, Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | T-801.411.105-9 | |
| 8-8 | Concerto in D major, BWV 1054: II. Adagio e piano sempre | John Constable, Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-9 | Concerto in D major, BWV 1054: III. Allegro | John Constable, Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-1 | Concerto in A major, BWV 1055: I. Allegro | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-2 | Concerto in A major, BWV 1055: II. Larghetto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-3 | Concerto in A major, BWV 1055: III. Allegro ma non tanto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-4 | Keyboard Concerto in F minor BWV 1056: (Allegro) | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-5 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-6 | Keyboard Concerto in F minor BWV 1056: Presto | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-7 | Concerto in F major, BWV 1057: I. Allegro | John Constable, Andrei Gavrilov, Susan Milan, Lenore Smith, Academy of St Martin in the Fields, Sir Neville Marriner | T-801.411.105-9 | |
| 9-8 | Concerto in F major, BWV 1057: II. Andante | John Constable, Andrei Gavrilov, Susan Milan, Lenore Smith, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-9 | Concerto in F major, BWV 1057: III. Allegro assai | John Constable, Andrei Gavrilov, Susan Milan, Lenore Smith, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-10 | Concerto in G minor, BWV 1058: I. Allegro | John Constable, Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-11 | Concerto in G minor, BWV 1058: II. Andante | John Constable, Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9-12 | Concerto in G minor, BWV 1058: III. Allegro assai | John Constable, Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 10-1 | Messiah, HWV 56: First Part. No. 1 Sinfonia | Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 10-2 | Messiah, HWV 56: First Part. No. 2 “Tröste dich, tröste dich, mein Volk” (Tenor) / No. 3 “Alle Tale macht hoch erhaben” (Tenor) | — | ||
| 10-3 | Messiah, HWV 56: First Part. No. 4 Chorus. “Denn die Herrlichkeit Gottes, des Herrn” | — | ||
| 10-4 | Messiah, HWV 56: First Part. No. 5 “So spricht der Herr” (Bass) | — | ||
| 10-5 | Messiah, HWV 56: First Part. No. 6 “Doch wer wird ertragen den Tag seiner Ankunft” (Alto) | Brigitte Fassbaender, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 10-6 | Messiah, HWV 56: First Part. No. 7 Chorus. “Und er wird reinigen und läutern seine Kinder” | — | ||
| 10-7 | Messiah, HWV 56: First Part. Recitative. “Denn sich', eine Jungfrau wird empfangen” (Alto) | — | ||
| 10-8 | Messiah, HWV 56: First Part. No. 8 Aria & Chorus. “O du, der Wonne verkünder in Zion” (Alto, Chorus) | — | ||
| 10-9 | Messiah, HWV 56: First Part. No. 9 “Blicke auf, Dunkel bedecket die Welt” (Bass) | — | ||
| 10-10 | Messiah, HWV 56: First Part. No. 10 “Das Volk, das da wandelt im Dunkel” (Bass) | — | ||
| 10-11 | Messiah, HWV 56: First Part. No. 11 Chorus. “Denn es ist uns ein Kind geboren” | — | ||
| 10-12 | Messiah, HWV 56: First Part. No. 12 Pifa/Pastoral Symphony | — | ||
| 10-13 | Messiah, HWV 56: First Part. “Es waren Hirten beisammen” (Soprano) / No. 13 “Und siche, der Engel des Herrn trat zu ihnen” (Soprano) 1.03 / “Und der Engel sprach zu ihnen” (Soprano) | — | ||
| 10-14 | Messiah, HWV 56: First Part. No. 14 “Und alsbald war da bei dem Engel” (Soprano) | — | ||
| 10-15 | Messiah, HWV 56: First Part. No. 15 Chorus. “Ehre sei Gott in der Höhe” | — | ||
| 10-16 | Messiah, HWV 56: First Part. No. 16 “Wohlan, frohlocke, du Tochter Zion” (Soprano) | — | ||
| 10-17 | Messiah, HWV 56: First Part. “Dann wird sich auftun das Auge des Blinden” (Alto) | — | ||
| 10-18 | Messiah, HWV 56: First Part. No. 17 “Er weidet seine Herde” (Alto, Soprano) | — | ||
| 10-19 | Messiah, HWV 56: First Part. No. 18 Chorus. “Sein Joch ist sanft” | Südfunk-Chor Stuttgart, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 10-20 | Messiah, HWV 56: Second Part. No. 19 Chorus. “Seht an das Gotteslamm” | — | ||
| 10-21 | Messiah, HWV 56: Second Part. No. 20 “Er ward verschmähet und verachtet” (Alto) | Brigitte Fassbaender, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 11-1 | Messiah, HWV 56: Second Part. No. 21 Chorus. “Wahrlich, wahrlich er litt uns're Qual” | — | ||
| 11-2 | Messiah, HWV 56: Second Part. No. 22 Chorus. “Durch seine Wunden sind wir geheilt” | — | ||
| 11-3 | Messiah, HWV 56: Second Part. No. 23 Chorus. “Der Herde gleich, so irrten wir zerstreut” | — | ||
| 11-4 | Messiah, HWV 56: Second Part. No. 24 “Alle die, die ihn sehen” (Tenor) | — | ||
| 11-5 | Messiah, HWV 56: Second Part. No. 25 Chorus. “Er traute auf Gott” | — | ||
| 11-6 | Messiah, HWV 56: Second Part. No. 26 “Diese Schmach zerbrach ihm das Herz” (Tenor) | — | ||
| 11-7 | Messiah, HWV 56: Second Part. No. 27 “Schau hin und sich” (Tenor) | — | ||
| 11-8 | Messiah, HWV 56: Second Part. No. 28 “Er ist dahin, aus dem Land der Lebendigen” (Tenor) | — | ||
| 11-9 | Messiah, HWV 56: Second Part. No. 29 “Doch du ließest ihn dem Tode nicht” (Tenor) | — | ||
| 11-10 | Messiah, HWV 56: Second Part. No. 30 Chorus. “Hoch tut euch auf” | — | ||
| 11-11 | Messiah, HWV 56: Second Part. “Denn zu welchem der Engel hat jemals er gasgt” (Tenor) | — | ||
| 11-12 | Messiah, HWV 56: Second Part. No. 31 Chorus. “Lasst alle Engel des Herrn preisen ihn” | — | ||
| 11-13 | Messiah, HWV 56: Second Part. No. 32 “Du fuhrst zum Himmel auf” (Bass) | Robert Holl, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 11-14 | Messiah, HWV 56: Second Part. No. 33 Chorus. “Der Herr gab das Wort” | — | ||
| 11-15 | Messiah, HWV 56: Second Part. No. 34 “Wie lieblich ist der Boten Schritt” (Soprano) | — | ||
| 11-16 | Messiah, HWV 56: Second Part. No. 35 “Ihr Schall gehet aus in jedes Land” (Tenor) | — | ||
| 11-17 | Messiah, HWV 56: Second Part. No. 36 “Warum denn rasen und toben die Heiden im Zorne” (Bass) | — | ||
| 11-18 | Messiah, HWV 56: Second Part. No. 37 Chorus. “Auf, zerreißet ihre Bande” | — | ||
| 11-19 | Messiah, HWV 56: Second Part. “Der da thronet im Himmel” (Tenor) | — | ||
| 11-20 | Messiah, HWV 56: Second Part. No. 38 “Du zerschläget sie mit dem eisernen Zepter” (Tenor) | Robert Gambill, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 11-21 | Messiah, HWV 56: Second Part. No. 39 Chorus. “Hallelujah!” | Südfunk-Chor Stuttgart, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 11-22 | Messiah, HWV 56: Third Part. No. 40 “Ich weié, dass mein Erlöser lebet” (Soprano) | — | ||
| 11-23 | Messiah, HWV 56: Third Part. No. 41 Chorus. “Kam durch einen Tod” | — | ||
| 11-24 | Messiah, HWV 56: Third Part. No. 42 “Vernehmt, ich kind' ein Geheimnis an” (Bass) | — | ||
| 11-25 | Messiah, HWV 56: Third Part. No. 43 “Die Tromba erschallt” (Bass) | — | ||
| 11-26 | Messiah, HWV 56: Third Part. “Dann wird erfüllt das Wort” (Alto) | — | ||
| 11-27 | Messiah, HWV 56: Third Part. No. 44 “O Tod, wo ist dein Stachel?” (Alto, Tenor) / No. 45 Chorus. “Drum Dank sei dir, Gott” | Brigitte Fassbaender, Robert Gambill, Südfunk-Chor Stuttgart, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 11-28 | Messiah, HWV 56: Third Part. No. 46 “Ist Gott mit uns, wer sollte uns schaden?” (Soprano) | — | ||
| 11-29 | Messiah, HWV 56: Third Part. No. 47 Chorus. “Würdig ist das Lamm” | Südfunk-Chor Stuttgart, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 12-1 | Acis and Galatea, HWV 49: Act I. Recitative. “Oh! Didst thou know the pains” - Aria. “As when the dove” (Galatea) | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-2 | Giulio Cesare in Egitto, HWV 17: Act 3, Scene 1. Recitative. “E pur così in un giorno” - Aria. “Piangerò la sorte mia” (Cleopatra) | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-3 | Joshua, HWV 64: Act 3. Aria. “Oh! had I Jubal's lyre” (Achsah) | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-4 | L'Allegro, il Penseroso ed il Moderato, HWV 55: Pt. I. Recitative and Aria. “First, and chief, on golden wing” - “Sweet bird” | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-5 | Messiah, HWV 56: Pt. 1, Scene 5. Aria. “Rejoice Greatly, O Daughter of Zion” | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-6 | Solomon, HWV 67: Act 3. Aria. “Ev'ry sight these eyes behold” (Queen of Sheba) | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-7 | Solomon, HWV 67: Act 3. Recitative. “May peace in Salem ever dwell” - Aria. “Will the sun forget to streak” (Queen of Sheba) | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-8 | Alcina, HWV 34: Act 2, Scene 8. Aria. “Ah! mio cor!” (Alcina) | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-9 | Alcina, HWV 34: Act 1, Scene 14. Aria. “Tornami a vagheggiar” (Morgana) | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-1 | Water Music, Suite no. 1 in F major, HWV 348: I. Ouverture (Largo - Allegro) | — | ||
| 13-2 | Water Music, Suite no. 1 in F major, HWV 348: II. Adagio e staccato | — | ||
| 13-3 | Water Music, Suite no. 1 in F major, HWV 348: III. (Allegro) | — | ||
| 13-4 | Water Music, Suite no. 1 in F major, HWV 348: IV. Andante | — | ||
| 13-5 | Water Music, Suite no. 1 in F major, HWV 348: III. (Allegro) da capo | — | ||
| 13-6 | Water Music, Suite no. 1 in F major, HWV 348: V. (Tempo di Minuetto) | — | ||
| 13-7 | Water Music, Suite no. 1 in F major, HWV 348: VI. Air | — | ||
| 13-8 | Water Music, Suite no. 1 in F major, HWV 348: VII. Minuet | — | ||
| 13-9 | Water Music, Suite no. 1 in F major, HWV 348: VIII. Bourrée | — | ||
| 13-10 | Water Music, Suite no. 1 in F major, HWV 348: IX. Hornpipe | — | ||
| 13-11 | Water Music, Suite no. 1 in F major, HWV 348: X. (Allegro moderato) | — | ||
| 13-12 | Water Music, Suite no. 2 in D major: XI. (Andante allegro) | Academy of St. Martin-in-the-Fields, Neville Marriner | T-306.036.936-6 | |
| 13-13 | Water Music, Suite no. 2 in D major: XII. Alla hornpipe | Academy of St. Martin-in-the-Fields, Neville Marriner | — | |
| 13-14 | Water Music, Suite no. 2 in D major: XIII. Minuet | Academy of St. Martin-in-the-Fields, Neville Marriner | — | |
| 13-15 | Water Music, Suite no. 2 in D major: XIV. Lentement | Academy of St. Martin-in-the-Fields, Neville Marriner | — | |
| 13-16 | Water Music, Suite no. 2 in D major: XV. Bourrée | Academy of St. Martin-in-the-Fields, Neville Marriner | — | |
| 13-17 | Water Music, Suite no. 3 in G major, HWV 350: XVI. (Menuet) | — | ||
| 13-18 | Water Music, Suite no. 3 in G major, HWV 350: XVII. Rigaudon / XVIII. (Rigaudon) / XVII. Rigaudon da capo | — | ||
| 13-19 | Water Music, Suite no. 3 in G major, HWV 350: XIX. Menuet / XX. (Menuet) / XIX. Menuet da capo | — | ||
| 13-20 | Water Music, Suite no. 3 in G major, HWV 350: XXII. (Cantabile) / XXI. (Affettuoso) / XXII. (Cantabile) da capo | — | ||
| 14-1 | Ouvertüre zu "Agrippina" | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-2 | Concerto a due cori no. 1 in B-flat major, HWV 332: I. Overture | George Frideric Handel | — | |
| 14-3 | Concerto a due cori no. 1 in B-flat major, HWV 332: I. Allegro ma non troppo | George Frideric Handel | — | |
| 14-4 | Concerto a due cori no. 1 in B-flat major, HWV 332: II. Allegro | George Frideric Handel | — | |
| 14-5 | Concerto a due cori no. 1 in B-flat major, HWV 332: III. Lento | George Frideric Handel | — | |
| 14-6 | Concerto a due cori no. 1 in B-flat major, HWV 332: IV. A tempo ordinario | George Frideric Handel | — | |
| 14-7 | Concerto a due cori no. 1 in B-flat major, HWV 332: V. Alla breve moderato | George Frideric Handel | — | |
| 14-8 | Concerto a due cori no. 1 in B-flat major, HWV 332: VI. Minuetto | George Frideric Handel | — | |
| 14-9 | Arianna in Creta, HWV 32: Overture | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 14-10 | Concerto a due cori no. 3 in F major, HWV 334: I. Overture: Grave | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-11 | Concerto a due cori no. 3 in F major, HWV 334: II. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-12 | Concerto a due cori no. 3 in F major, HWV 334: III. Allegro ma non troppo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-13 | Concerto a due cori no. 3 in F major, HWV 334: IV. Adagio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-14 | Concerto a due cori no. 3 in F major, HWV 334: V. Andante larghetto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-15 | Concerto a due cori no. 3 in F major, HWV 334: VI. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15-1 | Cantata “Jauchzet Gott in allen Landen”, BWV 51: No. 1 Aria. “Jauchzet Gott in allen Landen” | — | ||
| 15-2 | Cantata “Jauchzet Gott in allen Landen”, BWV 51: No. 2 Recitative. “Wir beten zu dem Tempel an” | — | ||
| 15-3 | Cantata “Jauchzet Gott in allen Landen”, BWV 51: No. 3 Aria. “Höchster, mache deine Güte” | — | ||
| 15-4 | Cantata “Jauchzet Gott in allen Landen”, BWV 51: No. 4 Choral. “Sei Lob und Preis mir Ehren” | — | ||
| 15-5 | Cantata “Jauchzet Gott in allen Landen”, BWV 51: “Alleluia” | — | ||
| 15-6 | Concerto a cinque in F major for trumpet and oboe, op. 9 no. 3: I. Allegro | — | ||
| 15-7 | Concerto a cinque in F major for trumpet and oboe, op. 9 no. 3: II. Adagio (non troppo) | — | ||
| 15-8 | Concerto a cinque in F major for trumpet and oboe, op. 9 no. 3: III. Allegro | — | ||
| 15-9 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Sinfonia | — | ||
| 15-10 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Recitative. “Su le sponde del Tebro” | — | ||
| 15-11 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Sinfonia | — | ||
| 15-12 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Aria. “Contentatevi” | — | ||
| 15-13 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Recitative. “Mesto, stanco e spirante” | — | ||
| 15-14 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Largo “Infelice miei lumi” | — | ||
| 15-15 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Aria. “Dite almeno” | — | ||
| 15-16 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Ritornello | — | ||
| 15-17 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Recitative. “All'aura, al cielo” | — | ||
| 15-18 | Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Aria. “Tralascia pur di piangere” | — | ||
| 15-19 | Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): I. Allegro | Maurice André, Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15-20 | Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): II. Largo | Maurice André, Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15-21 | Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): III. Allegro | Maurice André, Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-1 | Trumpet Concerto in D major: I. Allegro moderato | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-2 | Trumpet Concerto in D major: II. Andante | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-3 | Trumpet Concerto in D major: III. Allegro grazioso | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-4 | Concerto in B-Flat: Grave | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-5 | Trumpet Concerto in B-flat major: II. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-6 | Concerto in B-Flat: Andante | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-7 | Concerto in B-Flat: Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-8 | Timon of Athens, Z. 632: Overture. I. Grave - Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-9 | Timon of Athens, Z. 632: Overture. II. Adagio | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-10 | Timon of Athens, Z. 632: Overture. III. March | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-11 | Trumpet Sonata in D major, Z. 850: I. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | T-921.082.870-9 | |
| 16-12 | Trumpet Sonata in D major, Z. 850: II. Adagio | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-13 | Trumpet Sonata in D major, Z. 850: III. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-14 | Trumpet Concerto in D major, TWV 51:D7: I. Adagio | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | T-921.189.587-3 | |
| 16-15 | Trumpet Concerto in D major, TWV 51:D7: II. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-16 | Trumpet Concerto in D major, TWV 51:D7: III. Grave | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-17 | Trumpet Concerto in D major, TWV 51:D7: IV. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-18 | Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): I. Grave | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-19 | Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): II. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-20 | Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): III. Sarabande. Largo | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-21 | Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): IV. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-1 | Concerto for trumpet and strings in D major, HauH 5.3 (originally oboe): I. Allegro | — | ||
| 17-2 | Concerto for trumpet and strings in D major, HauH 5.3 (originally oboe): II. Grave | — | ||
| 17-3 | Concerto for trumpet and strings in D major, HauH 5.3 (originally oboe): III. Allegro | — | ||
| 17-4 | Concerto for trumpet, strings and continuo in C minor, TWV 51:c1 (originally oboe): I. Adagio | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | T-921.189.587-3 | |
| 17-5 | Concerto for trumpet, strings and continuo in C minor, TWV 51:c1 (originally oboe): II. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-6 | Concerto for trumpet, strings and continuo in C minor, TWV 51:c1 (originally oboe): III. Adagio | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-7 | Concerto for trumpet, strings and continuo in C minor, TWV 51:c1 (originally oboe): IV. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-8 | Concerto for two trumpets, strings and continuo in C major, RV 537: I. Allegro | Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner | T-312.958.407-8 | |
| 17-9 | Concerto for two trumpets, strings and continuo in C major, RV 537: II. Largo | Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner | T-312.958.407-8 | |
| 17-10 | Concerto for two trumpets, strings and continuo in C major, RV 537: III. Allegro | Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-11 | Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): I. Allegro | Maurice André, Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-12 | Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): II. Largo | Maurice André, Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-13 | Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): III. Allegro | Maurice André, Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-14 | Concerto for trumpet, two oboes, strings and continuo in D major, TWV 53:D2: I. Allegro | — | ||
| 17-15 | Concerto for trumpet, two oboes, strings and continuo in D major, TWV 53:D2: II. Grave | — | ||
| 17-16 | Concerto for trumpet, two oboes, strings and continuo in D major, TWV 53:D2: III. Aria (Andante) | — | ||
| 17-17 | Concerto for trumpet, two oboes, strings and continuo in D major, TWV 53:D2: IV. Vivace | — | ||
| 18-1 | Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: I. Ouverture | David Munrow, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-2 | Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: II. Les plaisirs | David Munrow, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-3 | Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: III. Air à l'italienne | David Munrow, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-4 | Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: IV. Menuets I & II | David Munrow, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-5 | Ouverture-Suite for Flute and Strings in A minor, TWV 55:a2: V. Réjouissance. Viste | David Munrow, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-6 | Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: VI. Passepieds I & II | David Munrow, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-7 | Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: VII. Polonaise | David Munrow, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-8 | Concerto for descant recorder, strings and continuo in F major: I. Allegro | — | ||
| 18-9 | Concerto for descant recorder, strings and continuo in F major: II. (Siciliano) | — | ||
| 18-10 | Concerto for descant recorder, strings and continuo in F major: III. Allegro assai | — | ||
| 18-11 | Concerto for treble recorder, strings and continuo in B-flat major, HWV 294 (Reconstructed from op. 4 no. 6 by Christopher Hogwood): I. Andante - Allegro | — | ||
| 18-12 | Concerto for treble recorder, strings and continuo in B-flat major, HWV 294 (Reconstructed from op. 4 no. 6 by Christopher Hogwood): II. Larghetto | — | ||
| 18-13 | Concerto for treble recorder, strings and continuo in B-flat major, HWV 294 (Reconstructed from op. 4 no. 6 by Christopher Hogwood): III. Allegro moderato | — | ||
| 19-1 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Kyrie | — | ||
| 19-2 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Gloria. Gloria in excelsis Deo | — | ||
| 19-3 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Gloria. Qui tollis | — | ||
| 19-4 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Gloria. Quoniam tu solus Sanctus | — | ||
| 19-5 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Credo. Credo in unum Deum | — | ||
| 19-6 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Credo. Et incarnatus est | — | ||
| 19-7 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Credo. Et resurrexit | — | ||
| 19-8 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Credo. Et vitam aeternam | — | ||
| 19-9 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Sanctus | — | ||
| 19-10 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Benedictus | — | ||
| 19-11 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Agnus Dei. Agnus Dei | — | ||
| 19-12 | Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Agnus Dei. Dona nobis pacem | — | ||
| 20-1 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Kyrie | MDR Rundfunkchor Leipzig, Margaret Marshall, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-2 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Gloria. Gloria in excelsis | Robert Holl, Keith Lewis, Rundfunkchor Leipzig, Margaret Marshall, Carolyn Watkinson, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-3 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Gloria. Qui tollis | Robert Holl, Rundfunkchor Leipzig, Margaret Marshall, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-4 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Gloria. Quoniam tu solus sanctus | Robert Holl, Keith Lewis, Rundfunkchor Leipzig, Margaret Marshall, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-5 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Credo. Credo in unum Deum | Rundfunkchor Leipzig, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-6 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Credo. Et incarnatus est | Robert Holl, Keith Lewis, Rundfunkchor Leipzig, Margaret Marshall, Carolyn Watkinson, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-7 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Credo. Et resurrexit | Rundfunkchor Leipzig, Margaret Marshall, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-8 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Sanctus | Rundfunkchor Leipzig, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-9 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Benedictus. Benedictus | Robert Holl, Keith Lewis, Rundfunkchor Leipzig, Margaret Marshall, Carolyn Watkinson, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-10 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Benedictus. Osanna | Rundfunkchor Leipzig, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-11 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Agnus Dei. Agnus Dei | Robert Holl, Keith Lewis, Rundfunkchor Leipzig, Margaret Marshall, Carolyn Watkinson, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 20-12 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Agnus Dei. Dona nobis pacem | Rundfunkchor Leipzig, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-1 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Kyrie | — | ||
| 21-2 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Gloria. Gloria in excelcis Deo | — | ||
| 21-3 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Gloria. Gracias agimus tibi | — | ||
| 21-4 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Gloria. Quoniam tu solus Sanctus | — | ||
| 21-5 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Credo. Credo in unum Deum | — | ||
| 21-6 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Credo. Et incarnatus est | — | ||
| 21-7 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Credo. Et resurrexit | — | ||
| 21-8 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Sanctus | — | ||
| 21-9 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Benedictus | — | ||
| 21-10 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Agnus Dei. Agnus Dei | — | ||
| 21-11 | Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Agnus Dei. Dona nobis pacem | — | ||
| 21-12 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Kyrie | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-13 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Gloria. Gloria in excelcis Deo | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-14 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Gloria. Gratias agimus tibi | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-15 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Gloria. Quoniam tu solus Sanctus | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-16 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Credo. Credo in unum Deum | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-17 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Credo. Et incarnatus est | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-18 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Credo. Et resurrexit | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-19 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Credo. Et vitam aeternam | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-20 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Sanctus | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-21 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Benedictus | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-22 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Agnus Dei. Agnus Dei | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 21-23 | Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Agnus Dei. Dona nobis pacem | Staatskapelle Dresden, Sir Neville Marriner | — | |
| 22-1 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Kyrie | — | ||
| 22-2 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Gloria. Gloria in excelcis Deo | — | ||
| 22-3 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Gloria. Quoniam tu solus Sanctus | — | ||
| 22-4 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Credo. Credo in unum Deum | — | ||
| 22-5 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Credo. Et incarnatus est | — | ||
| 22-6 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Credo. Et resurrexit | — | ||
| 22-7 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Sanctus | — | ||
| 22-8 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Benedictus | — | ||
| 22-9 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Agnus Dei. Agnus Dei | — | ||
| 22-10 | Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Agnus Dei. Dona nobis pacem | — | ||
| 22-11 | Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Kyrie | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 22-12 | Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Gloria | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 22-13 | Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Credo | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 22-14 | Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Sanctus | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 22-15 | Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Benedictus | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 22-16 | Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Agnus Dei | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 23-1 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 1a Prelude. Die Vorstellung des Chaos | Radio-Sinfonieorchester Stuttgart, Neville Marriner | — | |
| 23-2 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 1b Recitative & Chorus. “Am Angange schuf Gott Himmel und Erde” - “Und der Geist Gottes schwebte” - “Und Gott sah das Licht” (Raphael, Chorus, Uriel) | — | ||
| 23-3 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 2 Aria with Chorus. “Num schwanden vor dem heiligen Strahle” - “Verzweiflung. Wut und Schrecken” (Uriel, Chorus) | Radio-Sinfonieorchester Stuttgart, Südfunk-Chor, Neville Marriner | — | |
| 23-4 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 3 Recitative. “Und Gott machte das Firmament” (Raphael) | — | ||
| 23-5 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 4 Solo with Chorus. “Mit Staunen sieht das Wunderwerk” (Gabriel, Chorus) | — | ||
| 23-6 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 5 Recitative. “Und Gott sprach, es bringe sammle sich” (Raphael) | — | ||
| 23-7 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 6 Aria. “Rollend in schäumenden Wellen” (Raphael) | Radio-Sinfonieorchester Stuttgart, Neville Marriner, Jan Hendrik Rootering | T-070.244.013-8 | |
| 23-8 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 7 Recitative. “Und Gott sprach, es bringe die Erde” (Gabriel) | — | ||
| 23-9 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 8 Aria. “Nun beut die Flur das frische Grün” (Gabriel) | — | ||
| 23-10 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 9 Recitative. “Und die himmlischen Heerscharen” (Uriel) | — | ||
| 23-11 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 10 Chorus. “Stimmt an die Saiten” | Radio-Sinfonieorchester Stuttgart, Südfunk-Chor, Neville Marriner | — | |
| 23-12 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 11 Recitative. “Und Gott sprach, es sei'n Licher an der Feste” (Uriel) | — | ||
| 23-13 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 12 Recitative. “In vollem Glanze steiget jetzt” (Uriel) | — | ||
| 23-14 | Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 13 Trio & Chorus. “Die Himmel erzählen die Ehre Gottes” (Chorus, Gabriel, Uriel, Raphael) | — | ||
| 23-15 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 14 Recitative. “Und Gott sprach, es bringe das Wasser” (Gabriel) | — | ||
| 23-16 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 15 Aria. “Auf starkem Fittige schwingt sich der Adler stolz” (Gabriel) | — | ||
| 23-17 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 16 Recitative. “Und Gott schuf große Walfische” (Raphael) | — | ||
| 23-18 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 17 Recitative. “Und die Engel rührten ihr' unsterblichen Harfen” (Raphael) | — | ||
| 23-19 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 18 Trio. “In holder Anmut stehn” (Gabriel, Uriel, Raphael) | Radio-Sinfonieorchester Stuttgart, Neville Marriner | — | |
| 23-20 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 19 Trio with Chorus. “Der Herr ist groß in seiner Macht” (Chorus, Gabriel, Uriel, Raphael) | Radio-Sinfonieorchester Stuttgart, Südfunk-Chor, Neville Marriner | — | |
| 24-1 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 20 Recitative. “Und Gott sprach, es bringe die Erde hervor” (Raphael) | — | ||
| 24-2 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 21 Recitative. “Gleich öffnet sich der Erde Schoss” (Raphael) | — | ||
| 24-3 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 22 Aria. “Nun scheint in vollem Glanze der Himmel” (Raphael) | — | ||
| 24-4 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 23 Recitative. “Und Gott schuf de Menschen” (Uriel) | — | ||
| 24-5 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 24 Aria. “Mit Wurd' und Hoheit angetan” (Uriel) | Radio-Sinfonieorchester Stuttgart, Neville Marriner, Hans Peter Blochwitz | — | |
| 24-6 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 25 Recitative. “Und Gott sah jedes Ding” (Raphael) | — | ||
| 24-7 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 26 Chorus. “Vollendet ist das große Werk” | Radio-Sinfonieorchester Stuttgart, Südfunk-Chor, Neville Marriner | — | |
| 24-8 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 27 Trio. “Zu dir, o Herr, blickt alles auf” (Gabriel, Uriel, Raphael) | Radio-Sinfonieorchester Stuttgart, Neville Marriner | — | |
| 24-9 | Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 28 Chorus. “Vollendet ist das große Werk” | — | ||
| 24-10 | Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 29 Recitative. “Aus Rosenwolken bricht” (Uriel) | — | ||
| 24-11 | Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 30 Duo with Chorus. “Von deiner Güt, o Herr und Gott” (Eva, Adam, Chorus) | Radio-Sinfonieorchester Stuttgart, Südfunk-Chor, Neville Marriner | — | |
| 24-12 | Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 31 Recitative. “Nun ist die erste Pflicht erfullt” (Adam, Eva) | — | ||
| 24-13 | Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 32 Love Duet. “Holde Gattin, dir zur Seite” (Adam, Eva) | Radio-Sinfonieorchester Stuttgart, Neville Marriner, Edith Wiens, Olaf Bär | — | |
| 24-14 | Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 33 Recitative. “O glücklich Paar, und glücklich immerfort” (Uriel) | — | ||
| 24-15 | Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 34 Final Chorus. “Singt dem Herren alle Stimmen” | Radio-Sinfonieorchester Stuttgart, Südfunk-Chor, Neville Marriner | — | |
| 25-1 | Cello Concerto in C major, Hob. VIIb/1: I. Moderato | Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.566-9 | |
| 25-2 | Cello Concerto in C major, Hob. VIIb/1: II. Adagio | Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.566-9 | |
| 25-3 | Cello Concerto in C major, Hob. VIIb/1: III. Allegro molto | Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-4 | Cello Concerto in D major, Hob. VIIb/2 op. 101: I. Allegro moderato | Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-5 | Cello Concerto in D major, Hob. VIIb/2 op. 101: II. Adagio | Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-6 | Cello Concerto in D major, Hob. VIIb/2 op. 101: III. Allegro | Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 26-1 | Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: I. Introduction: Maestoso ed Adagio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 26-9 | Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: IX. Il terremoto. Presto e con tutte la forza | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 27-1 | Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: I. Allegro - Tempo I | John Wilbraham, Kenneth Heath, Christopher Hogwood, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 27-2 | Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: II. Andante | John Wilbraham, Kenneth Heath, Christopher Hogwood, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 27-3 | Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: III. Finale (Allegro) | John Wilbraham, Kenneth Heath, Christopher Hogwood, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 27-4 | Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: I. Grave | — | ||
| 27-5 | Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: II. Allegro | — | ||
| 27-6 | Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: III. Adagio | — | ||
| 27-7 | Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: IV. Allegretto | — | ||
| 27-8 | Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: V. Grave | — | ||
| 27-9 | Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: VI. Allegro | — | ||
| 27-10 | Sonata for trumpet and continuo no. 1 in C major, IGV 1: I. Andante | — | ||
| 27-11 | Sonata for trumpet and continuo no. 1 in C major, IGV 1: II. Allegro | — | ||
| 27-12 | Sonata for trumpet and continuo no. 1 in C major, IGV 1: III. Presto | — | ||
| 27-13 | Sonata for trumpet and continuo no. 1 in C major, IGV 1: IV. Allegro | — | ||
| 27-14 | Sonata for trumpet and continuo no. 1 in C major, IGV 1: V. Adagio | — | ||
| 27-15 | Trumpet Concerto in D major, TWV 51:D7: I. Adagio | — | ||
| 27-16 | Trumpet Concerto in D major, TWV 51:D7: II. Allegro | — | ||
| 27-17 | Trumpet Concerto in D major, TWV 51:D7: III. Grave | — | ||
| 27-18 | Trumpet Concerto in D major, TWV 51:D7: IV. Allegro | — | ||
| 27-19 | Sonata for trumpet and continuo no. 2 in C major, IGV 2: I. Allegro | — | ||
| 27-20 | Sonata for trumpet and continuo no. 2 in C major, IGV 2: II. Allegro vivo | — | ||
| 27-21 | Sonata for trumpet and continuo no. 2 in C major, IGV 2: III. Adagio | — | ||
| 27-22 | Sonata for trumpet and continuo no. 2 in C major, IGV 2: IV. Aria | — | ||
| 27-23 | Sonata for trumpet and continuo no. 2 in C major, IGV 2: V. Presto | — | ||
| 27-24 | Sonata for two trumpets, strings and continuo in D major: I. Grave | — | ||
| 27-25 | Sonata for two trumpets, strings and continuo in D major: II. Allegro | — | ||
| 27-26 | Sonata for two trumpets, strings and continuo in D major: III. Adagio | — | ||
| 27-27 | Sonata for two trumpets, strings and continuo in D major: IV. Allegro | — | ||
| 28-1 | Horn Concerto no. 5 in F major: I. Allegro moderato | — | ||
| 28-2 | Horn Concerto no. 5 in F major: II. Adagio | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 28-3 | Horn Concerto no. 5 in F major: III. Rondo (Allegretto) | — | ||
| 28-4 | Horn Concerto no. 6 in E-flat major: I. Allegro moderato | — | ||
| 28-5 | Horn Concerto no. 6 in E-flat major: II. Adagio cantabile | — | ||
| 28-6 | Horn Concerto no. 6 in E-flat major: III. Rondo (Moderato) | — | ||
| 28-7 | Horn Concerto no. 10 in F major: I. Allegro maestoso | — | ||
| 28-8 | Horn Concerto no. 10 in F major: II. Lento cantabile | — | ||
| 28-9 | Horn Concerto no. 10 in F major: III. Rondo (Allegretto) | — | ||
| 28-10 | Horn Concerto no. 11 in E major: I. Allegro | — | ||
| 28-11 | Horn Concerto no. 11 in E major: II. Adagio | — | ||
| 28-12 | Horn Concerto no. 11 in E major: III. Menuetto | — | ||
| 29-1 | Overture "Il re pastore", K. 208 | Academy of St Martin in the Fields, Sir Neville Marriner | T-912.170.774-2 | |
| 29-2 | Overture "Lucio Silla", K. 135 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-3 | Overture "La finta semplice", K. 51 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-4 | Overture "Der Schauspieldirektor", K.486 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-5 | Les Petits Riens, K. Anh. 10/299b: I. Ouverture (Allegro) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-6 | Les Petits Riens, K. Anh. 10/299b: II. Largo - Presto - Largo | Academy of St Martin in the Fields, Sir Neville Marriner | T-001.322.740-1 | |
| 29-7 | Les Petits Riens, K. Anh. 10/299b: III. (Gavotte) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-8 | Les Petits Riens, K. Anh. 10/299b: IV. Andantino | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-9 | Les Petits Riens, K. Anh. 10/299b: V. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-10 | Les Petits Riens, K. Anh. 10/299b: VI. Larghetto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-11 | Les Petits Riens, K. Anh. 10/299b: VII. Gavotte (Allegro) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-12 | Les Petits Riens, K. Anh. 10/299b: VIII. Adagio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-13 | Les Petits Riens, K. Anh. 10/299b: IX. (without tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-14 | Les Petits Riens, K. Anh. 10/299b: X. Gavotte gracieuse | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-15 | Les Petits Riens, K. Anh. 10/299b: XI. Pantomime | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-16 | Les Petits Riens, K. Anh. 10/299b: XII. Passepied | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-17 | Les Petits Riens, K. Anh. 10/299b: XIII. Gavotte | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-18 | Les Petits Riens, K. Anh. 10/299b: XIV. Andante | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 30-1 | Le nozze di Figaro, K. 492: Overture | Academy of St. Martin-in-the-Fields, Neville Marriner | T-905.042.457-2 | |
| 30-2 | Die Zauberflöte, K. 620: Overture | — | ||
| 30-3 | La clemenza di Tito, K. 621: Overture | — | ||
| 30-4 | Lucio Silla, K. 135: Overture | — | ||
| 30-5 | Die Entführung aus dem Serail, K. 384: Overture | — | ||
| 30-6 | Don Giovanni, K. 527: Overture | — | ||
| 30-7 | Idomeneo, K. 366: Overture | Academy of St. Martin-in-the-Fields, Neville Marriner | — | |
| 30-8 | Così fan tutte, K. 588: Overture | — | ||
| 30-9 | Der Schauspieldirektor, K. 486: Overture | Academy of St. Martin-in-the-Fields, Neville Marriner | T-001.420.887-7 | |
| 31-1 | Symphony no. 24 in B-flat major, K. 182: I. Allegro spiritoso | — | ||
| 31-2 | Symphony no. 24 in B-flat major, K. 182: II. Andantino grazioso | — | ||
| 31-3 | Symphony no. 24 in B-flat major, K. 182: III. Allegro | — | ||
| 31-4 | Symphony no. 25 in G minor, K. 183: I. Allegro con brio | — | ||
| 31-5 | Symphony no. 25 in G minor, K. 183: II. Andante | — | ||
| 31-6 | Symphony no. 25 in G minor, K. 183: III. Menuetto e Trio | — | ||
| 31-7 | Symphony no. 25 in G minor, K. 183: IV. Allegro | — | ||
| 31-8 | Symphony no. 26 in E-flat major, K. 184: I. Molto presto | — | ||
| 31-9 | Symphony no. 26 in E-flat major, K. 184: II. Andante | — | ||
| 31-10 | Symphony no. 26 in E-flat major, K. 184: III. Allegro | — | ||
| 31-11 | Symphony no. 27 in G major, K. 199: I. Allegro | — | ||
| 31-12 | Symphony no. 27 in G major, K. 199: II. Andatino grazioso | — | ||
| 31-13 | Symphony no. 27 in G major, K. 199: III. Presto | — | ||
| 31-14 | Symphony no. 32 in G major, K. 318: I. Allegro spiritoso - | — | ||
| 31-15 | Symphony no. 32 in G major, K. 318: II. Andante - | — | ||
| 31-16 | Symphony no. 32 in G major, K. 318: III. Tempo I | — | ||
| 32-1 | Symphony no. 28 in C major, K. 200: I. Allegro spiritoso | — | ||
| 32-2 | Symphony no. 28 in C major, K. 200: II. Andante | — | ||
| 32-3 | Symphony no. 28 in C major, K. 200: III. Menuetto (Allegretto) e Trio | — | ||
| 32-4 | Symphony no. 28 in C major, K. 200: IV. Presto | — | ||
| 32-5 | Symphony no. 29 in A major, K. 201: I. Allegro moderato | — | ||
| 32-6 | Symphony no. 29 in A major, K. 201: II. Andante | — | ||
| 32-7 | Symphony no. 29 in A major, K. 201: III. Menuetto e Trio | — | ||
| 32-8 | Symphony no. 29 in A major, K. 201: IV. Allegro con spirito | — | ||
| 32-9 | Symphony no. 30 in D major, K. 202: I. Molto allegro | — | ||
| 32-10 | Symphony no. 30 in D major, K. 202: II. Andantino con moto | — | ||
| 32-11 | Symphony no. 30 in D major, K. 202: III. Menuetto e Trio | — | ||
| 32-12 | Symphony no. 30 in D major, K. 202: IV. Presto | — | ||
| 33-1 | Symphony no. 31 in D major “Paris”, K. 297: I. Allegro assai | — | ||
| 33-3 | Symphony no. 31 in D major “Paris”, K. 297: III. Allegro | — | ||
| 33-5 | Symphony no. 33 in B-flat major, K. 319: I. Allegro assai | — | ||
| 33-6 | Symphony no. 33 in B-flat major, K. 319: II. Andante moderato | — | ||
| 33-7 | Symphony no. 33 in B-flat major, K. 319: III. Menuetto e Trio | — | ||
| 33-8 | Symphony no. 33 in B-flat major, K. 319: IV. Finale: Allegro assai | — | ||
| 33-9 | Symphony no. 34 in C major, K. 338: I. Allegro vivace | — | ||
| 33-10 | Symphony no. 34 in C major, K. 338: II. Allegro di molto (più tosto Allegretto) | — | ||
| 33-11 | Symphony no. 34 in C major, K. 338: III. Finale: Allegro vivace | — | ||
| 33-12 | Minuet and Trio, K. 409 | — | ||
| 33-13 | Masonic Funeral Music for Orchestra in C minor, K. 479a/477 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 34-1 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 34-2 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 34-3 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 34-4 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Finale. Allegro molto | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 34-5 | Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito | Academy of St Martin in the Fields, Neville Marriner | — | |
| 34-6 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante | Academy of St Martin in the Fields, Neville Marriner | T-312.542.381-2 | |
| 34-7 | Symphony no. 35 in D major, K. 385 "Haffner": III. Menuetto | Academy of St Martin in the Fields, Neville Marriner | — | |
| 34-8 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Presto | Academy of St Martin in the Fields, Neville Marriner | T-312.542.381-2 | |
| 35-1 | Symphony no. 40 in G minor, K. 550: I. Allegro molto | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 35-2 | Symphony no. 40 in G minor, K. 550: II. Andante | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 35-3 | Symphony no. 40 in G minor, K. 550: III. Minuetto. Allegretto & Trio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 35-4 | Symphony no. 40 in G minor, K. 550: IV. Finale. Allegro assai | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 35-5 | Symphony no. 36 in C major, K. 425 "Linz": I. Adagio - Allegro spiritoso | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 35-6 | Symphony no. 36 in C major, K. 425 "Linz": II. Andante | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 35-7 | Symphony no. 36 in C major, K. 425 "Linz": III. Menuetto | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 35-8 | Symphony no. 36 in C major, K. 425 "Linz": IV. Presto | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 36-1 | Symphony no. 38 in D major, K. 504 "Prague": I. Adagio - allegro | Academy of St Martin in the Fields, Neville Marriner | T-312.542.381-2 | |
| 36-2 | Symphony no. 38 in D major, K. 504 "Prague": II. Andante | Academy of St Martin in the Fields, Neville Marriner | T-312.542.381-2 | |
| 36-3 | Symphony no. 38 in D major, K. 504 "Prague": III. Finale. Presto | Academy of St Martin in the Fields, Neville Marriner | T-312.542.381-2 | |
| 36-4 | Symphony no. 39 in E-flat major, K. 543: I. Adagio – Allegro | Academy of St Martin in the Fields, Neville Marriner | — | |
| 36-5 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | Academy of St Martin in the Fields, Neville Marriner | T-312.542.381-2 | |
| 36-6 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto & Trio (allegretto) | Academy of St Martin in the Fields, Neville Marriner | T-312.542.381-2 | |
| 36-7 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | Academy of St Martin in the Fields, Neville Marriner | T-312.542.381-2 | |
| 37-1 | Piano Concerto no. 6 in B-flat major, K. 238: I. Allegro aperto | — | ||
| 37-2 | Piano Concerto no. 6 in B-flat major, K. 238: II. Andante un poco adagio | — | ||
| 37-3 | Piano Concerto no. 6 in B-flat major, K. 238: III. Rondeau. Allegro | — | ||
| 37-4 | Concerto no. 11 in F major, K. 387a / 413: I. Allegro | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 37-5 | Concerto no. 11 in F major, K. 387a / 413: II. Larghetto | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 37-6 | Concerto no. 11 in F major, K. 387a / 413: III. Tempo di menuetto | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 37-7 | Concerto no. 5 in D major, K. 175: I. Allegro | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 37-8 | Concerto no. 5 in D major, K. 175: II. Andante un poco adagio | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 37-9 | Concerto no. 5 in D major, K. 175: III. Allegro | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 38-1 | Concerto no. 16 in D major, K. 451: I. Allegro assai | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 38-2 | Concerto no. 16 in D major, K. 451: II. Andante | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 38-3 | Concerto no. 16 in D major, K. 451: III. Allegro di molto | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 38-4 | Concerto no. 19 in F major, K. 459: I. Allegro vivace | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 38-5 | Concerto no. 19 in F major, K. 459: II. Allegretto | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 38-6 | Concerto no. 19 in F major, K. 459: III. Allegro assai | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 39-1 | Concerto no. 17 in G major, K. 453: I. Allegro | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 39-2 | Concerto no. 17 in G major, K. 453: II. Andante | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 39-3 | Concerto no. 17 in G major, K. 453: III. Allegretto | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 39-4 | Concerto no. 18 in B-flat major, K. 456: I. Allegro vivace | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 39-5 | Concerto no. 18 in B-flat major, K. 456: II. Andante un poco sostenuto | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 39-6 | Concerto no. 18 in B-flat major, K. 456: III. Allegro vivace | Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 40-1 | Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro | Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 40-2 | Piano Concerto no. 22 in E-flat major, K. 482: II. Andante | Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 40-3 | Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro | Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 40-4 | Piano Concerto no. 27 in B-flat major, op. 17, K. 595: I. Allegro | Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 40-5 | Piano Concerto no. 27 in B-flat major, op. 17, K. 595: II. Larghetto | Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 40-6 | Piano Concerto no. 27 in B-flat major, op. 17, K. 595: III. Allegro | Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 41-1 | Concerto for Violin no. 1 in B-flat, K. 207: I. Allegro moderato | Anne-Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 41-2 | Concerto for Violin no. 1 in B-flat, K. 207: II. Adagio | Anne-Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner | T-318.588.465-1 | |
| 41-3 | Concerto for Violin no. 1 in B-flat, K. 207: III. Presto | Anne-Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 41-4 | Adagio for violin and orchestra in E major, K. 261 | — | ||
| 41-5 | Sinfonia Concertante in E-flat for Violin, Viola and Orchestra, K. 364: I. Allegro maestoso | Anne-Sophie Mutter, Bruno Giuranna, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 41-6 | Sinfonia Concertante in E-flat for Violin, Viola and Orchestra, K. 364: II. Andante | Anne-Sophie Mutter, Bruno Giuranna, Academy of St Martin in the Fields, Sir Neville Marriner | T-010.194.421-1 | |
| 41-7 | Sinfonia Concertante in E-flat for Violin, Viola and Orchestra, K. 364: III. Presto | Anne-Sophie Mutter, Bruno Giuranna, Academy of St Martin in the Fields, Sir Neville Marriner | T-010.194.421-1 | |
| 42-1 | Concerto for Horn no. 1 in D major, K. 386b/514: I. Allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-2 | Concerto for Horn no. 1 in D major, K. 386b/514: II. Rondo. Allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-3 | Concerto for Horn no. 2 in E-flat major, K. 417: I. Allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-4 | Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-5 | Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-6 | Concerto Movement in E-flat major for Horn, K. 371 (fragment): Rondo. Allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-7 | Concerto in E major for Horn, K. 494a/(K2) Anh 98a (fragment): Allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-8 | Concerto for Horn no. 3 in E-flat major, K. 447: I. Allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-9 | Concerto for Horn no. 3 in E-flat major, K. 447: II. Romance. Larghetto | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-10 | Concerto for Horn no. 3 in E-flat major, K. 447: III. Allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-11 | Concerto for Horn no. 4 in E-flat major, K. 495: I. Allegro moderato | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-12 | Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-13 | Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.662.096-6 | |
| 43-1 | Horn Concerto no. 1 in D major, K. 412: I. Allegro | — | ||
| 43-2 | Horn Concerto no. 1 in D major, K. 412: II. Rondo (Allegro) (Compl. Franz Xaver Süßmayr) | — | ||
| 43-3 | Horn Concerto no. 2 in E-flat major, K. 417: I. Allegro maestoso | — | ||
| 43-4 | Horn Concerto no. 2 in E-flat major, K. 417: II. Andante | — | ||
| 43-5 | Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo | — | ||
| 43-6 | Horn Concerto no. 3 in E-flat major, K. 447: I. Allegro | — | ||
| 43-7 | Horn Concerto no. 3 in E-flat major, K. 447: II. Romance (Larghetto) | — | ||
| 43-8 | Horn Concerto no. 3 in E-flat major, K. 447: III. Allegro | — | ||
| 43-9 | Horn Concerto no. 4 in E-flat major, K. 495: I. Allegro moderato | — | ||
| 43-10 | Horn Concerto no. 4 in E-flat major, K. 495: II. Romance (Andante cantabile) | — | ||
| 43-11 | Horn Concerto no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-12 | Quintet in E-flat major, K. 407: I. Allegro | David Pyatt, Kenneth Sillito, Bob Smissen, Stephen Tees, Stephen Orton | — | |
| 43-13 | Quintet in E-flat major, K. 407: II. Andante | David Pyatt, Kenneth Sillito, Bob Smissen, Stephen Tees, Stephen Orton | — | |
| 43-14 | Quintet in E-flat major, K. 407: III. Rondo – Allegro | David Pyatt, Kenneth Sillito, Bob Smissen, Stephen Tees, Stephen Orton | — | |
| 44-1 | Cantata “Grabmusik”, K. 42/35a: IV. “Geliebte Seel', was redest du? … Betracht dies Herz” (Angel) | Barbara Hendricks, Justin Sillman, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-2 | Vesperae de Dominica, K. 321: V. Laudate Dominum | Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-3 | Mass in C minor “Great”, K. 427/417a: III. Credo - Et incarnatus est | Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | T-924.224.927-0 | |
| 44-4 | Motet “Exsultate, jubilate”, K. 165/158a | Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-5 | Litaniae lauretanae, K. 195/186d: V. Agnus Dei | Academy of St. Martin in the Fields Chorus, Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-6 | Davidde penitente, K. 469: No. 8 Aria “Fra l'oscure ombre funeste” | Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-7 | Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-900.135.371-5 | |
| 44-8 | Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium | Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-9 | Mass no. 15 in C major “Coronation”, K. 317: VI. Agnus Dei | Academy of St. Martin in the Fields Chorus, Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 45-1 | Alma grande e nobil core K578 | Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 45-2 | Ah, non lasciarmi K486a/K⁶295a | Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 45-3 | Don Giovanni: Act II. Mi tradi | Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 45-4 | Idomeneo: Act II. Si il padre perdei | Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 45-5 | Cosi fan tutte: Act II. Per pietà ben mio | Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 45-6 | Artemisia: Entro quest’anima | Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 45-7 | Il sacrificio d’Abramo: Deh, parlate | Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 45-8 | Scena di Berenice H XXIVa:10 | Amanda Roocroft, Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 46-1 | Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 46-2 | Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 46-3 | Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto | Academy of St Martin in the Fields, Sir Neville Marriner | T-700.095.171-5 | |
| 46-4 | Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 46-5 | Orfeo ed Euridice: Dance of the Blessed Spirits | Academy of St Martin in the Fields, Sir Neville Marriner | T-925.964.499-0 | |
| 46-6 | “Toy” Symphony: I. Allegro | — | ||
| 46-7 | “Toy” Symphony: II. Menuetto (Allegretto) | — | ||
| 46-8 | “Toy” Symphony: III. Allegro moderato | — | ||
| 46-9 | Rosamunde, incidental music, op. 26, D 797: Entr'acte in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 46-10 | Xerxes, HWV 40: Largo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 46-11 | Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. “Jesus bleibet meine Freude” (instrumental version) | Academy of St Martin in the Fields, Sir Neville Marriner | T-905.387.081-8 | |
| 47-1 | Rondo for violin and orchestra in C major, K. 373 | Josef Suk, Academy of St Martin in the Fields, Neville Marriner | — | |
| 47-2 | Romance for violin and orchestra no. 1 in G major, op. 40 | Josef Suk, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 47-3 | Romance for Violin and Orchestra no. 2 in F major, op. 50 | Josef Suk, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 47-4 | Adagio for violin and orchestra in E major, K. 261 | Josef Suk, Academy of St Martin in the Fields, Neville Marriner | T-318.588.465-1 | |
| 47-5 | Rondo for violin and orchestra in A major, D 438: I. Adagio | — | ||
| 47-6 | Rondo for violin and orchestra in A major, D 438: II. Allegro giusto | — | ||
| 48-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 48-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Till Fellner, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 48-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Till Fellner, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 48-4 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 48-5 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 48-6 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo: Molto allegro | — | ||
| 49-1 | Violin Concerto in D Major, op. 61: I. Allegro ma non troppo | Дмитрий Юлианович Ситковецкий, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 49-2 | Violin Concerto in D Major, op. 61: II. Larghetto | Дмитрий Юлианович Ситковецкий, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 49-3 | Violin Concerto in D Major, op. 61: III. Rondo. Allegro | Dmitry Sitkovetsky, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 49-4 | Romance for Violin and Orchestra no. 1 in G Major, op. 40 | Dmitry Sitkovetsky, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 49-5 | Romance for Violin and Orchestra no. 2 in F Major, op. 50 | Dmitry Sitkovetsky, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-1 | Overture 'Eliza ou le voyage aux glaciers de Mont St-Bernard' | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-2 | Médée: Overture | — | ||
| 50-3 | Overture 'L'Hotellerie portugaise' | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-4 | Overture 'Les Deux journees, ou Le Porteur d'eau' | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-5 | Anacreon ou L'amour fugitif : Ouverture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-6 | Overture 'Faniska' | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-7 | Overture 'Les Abencerages, ou L'Etendard de Grenade' | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-8 | Concert Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-1 | Horn Concerto in D major, TWV 51:D8: I. Vivace | — | ||
| 51-2 | Horn Concerto in D major, TWV 51:D8: II. Largo | — | ||
| 51-3 | Horn Concerto in D major, TWV 51:D8: III. Allegro | — | ||
| 51-4 | Sonata for horn and strings no. 2: I. Largo | — | ||
| 51-5 | Sonata for horn and strings no. 2: II. Allegro moderato | — | ||
| 51-6 | Horn Concerto in E-flat major: I. Con discrezione | — | ||
| 51-7 | Horn Concerto in E-flat major: II. Adagio | — | ||
| 51-8 | Horn Concerto in E-flat major: III. Allegro | — | ||
| 51-9 | Horn Concertino in E minor, op. 45, J. 188: I. Adagio - Andante | — | ||
| 51-10 | Horn Concertino in E minor, op. 45, J. 188: II. Andante con moto | — | ||
| 51-11 | Horn Concertino in E minor, op. 45, J. 188: III. Recitativo - Adagio | — | ||
| 51-12 | Horn Concertino in E minor, op. 45, J. 188: IV. Polacca | — | ||
| 51-13 | Concerto for horn and strings in D major: I. Allegro moderato | — | ||
| 51-14 | Concerto for horn and strings in D major: II. Andante | — | ||
| 51-15 | Concerto for horn and strings in D major: III. Allegro | — | ||
| 52-1 | Romance and Rondo for double bass and orchestra in E minor: Romance | — | ||
| 52-2 | Romance and Rondo for double bass and orchestra in E minor: Rondo | — | ||
| 52-3 | Divertimento for viola, cello and double bass in E-flat major, MH 9: I. Adagio con variazioni | — | ||
| 52-4 | Divertimento for viola, cello and double bass in E-flat major, MH 9: II. Menuetto | — | ||
| 52-5 | Divertimento for viola, cello and double bass in E-flat major, MH 9: III. Presto | — | ||
| 52-6 | Sinfonia concertante for viola, double bass and orchestra in D major: I. Allegro | — | ||
| 52-7 | Sinfonia concertante for viola, double bass and orchestra in D major: II. Andantino | — | ||
| 52-8 | Sinfonia concertante for viola, double bass and orchestra in D major: III. Menuetto e Trio | — | ||
| 52-9 | Sinfonia concertante for viola, double bass and orchestra in D major: IV. Allegro ma non troppo | — | ||
| 52-10 | Duetto for cello and double bass in D major, IGR 19: I. Allegro | — | ||
| 52-11 | Duetto for cello and double bass in D major, IGR 19: II. Andante | — | ||
| 52-12 | Duetto for cello and double bass in D major, IGR 19: III. Allegro | — | ||
| 53-1 | La gazza ladra: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 53-2 | Semiramide: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 53-3 | La Cenerentola: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-930.299.089-2 | |
| 53-4 | La scala di seta: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 53-5 | Guillaume Tell: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-927.705.421-4 | |
| 53-6 | La cambiale di matrimonio: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 53-7 | Il barbiere di Siviglia: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-306.482.271-1 | |
| 54-1 | Leichte Kavallerie (Light Cavalry): Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-909.345.747-7 | |
| 54-2 | Tantalusqualen (The Torments of Tantalus): Overture | — | ||
| 54-3 | Die Irrfahrt um's Glück (The Peregrination after Fortune): Overture | — | ||
| 54-4 | Die Frau Mesterin (The Lady Mistress): Overture | — | ||
| 54-5 | Ein Morgen, ein Mittag und ein Abend in Wien (Morning, Noon and Night in Vienna): Overture | — | ||
| 54-6 | Pique-Dame (Die Kartenschlägerin) (The Queen of Spades (The Fortune Teller)): Overture | — | ||
| 54-7 | Wiener Jubel-Ouvertüre (Viennese Jubilee Overture) | — | ||
| 54-8 | Dichter und Bauer (Poet and Peasant): Overture | — | ||
| 55-1 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-902.781.050-0 | |
| 55-2 | Piano Concerto in A minor, op. 16: II. Adagio | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-927.972.087-5 | |
| 55-3 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | — | |
| 55-4 | Piano Concerto no. 1 in G minor, op. 25: I. Molto allegro con fuoco | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | — | |
| 55-5 | Piano Concerto no. 1 in G minor, op. 25: II. Adagio | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | — | |
| 55-6 | Piano Concerto no. 1 in G minor, op. 25: III. Presto - Molto allegro e vivace | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | — | |
| 56-1 | Peer Gynt, op. 23: Act One. No. 1 Prelude. At the Wedding | — | ||
| 56-2 | Peer Gynt, op. 23: Act One. No. 2 The Bridal Procession | — | ||
| 56-3 | Peer Gynt, op. 23: Act Two. No. 4 Prelude. The Abduction of the Bride. Ingrid's Lament | — | ||
| 56-4 | Peer Gynt, op. 23: Act Two. No. 7 In the Hall of the Mountain King | — | ||
| 56-5 | Peer Gynt, op. 23: Act Two. No. 8 Dance of the Mountain King's Daughter | — | ||
| 56-6 | Peer Gynt, op. 23: Act Three. No. 12 The Death of Ǻse | — | ||
| 56-7 | Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | T-061.409.365-0 | |
| 56-8 | Peer Gynt, op. 23: Act Four. No. 15 Arabian Dance | — | ||
| 56-9 | Peer Gynt, op. 23: Act Four. No. 16 Anitra's Dance | — | ||
| 56-10 | Incidental Music to Peer Gynt, Op. 23: X. Solveig's Song | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 56-11 | Peer Gynt, op. 23: Act Five. No. 21 Prelude. Peer Gynt's Homecoming | — | ||
| 56-12 | Peer Gynt, op. 23: Act Five. No. 26 Solveig's Cradle Song | — | ||
| 57-1 | Cello Concerto no. 1 in A minor, op. 46: I. Allegro moderato - Cadenza - Allegro | — | ||
| 57-2 | Cello Concerto no. 1 in A minor, op. 46: II. Andante | — | ||
| 57-3 | Cello Concerto no. 1 in A minor, op. 46: III. Finale (Allegro) | — | ||
| 57-4 | Cello Concerto no. 2 in B minor, op. 50: I. Allegro | — | ||
| 57-5 | Cello Concerto no. 2 in B minor, op. 50: II. Adagio | — | ||
| 57-6 | Cello Concerto no. 2 in B minor, op. 50: III. Finale (Allegretto con moto) | — | ||
| 58-1 | Symphony in C major, WD 33: I. Allegro vivo | — | ||
| 58-2 | Symphony in C major, WD 33: II. Adagio | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 58-3 | Symphony in C major, WD 33: III. Scherzo (Allegro vivace) | — | ||
| 58-4 | Symphony in C major, WD 33: IV. Finale (Allegro vivace) | — | ||
| 58-5 | L'Arlésienne, Suite no. 1, op. 23bis, WD 40: I. Prelude (Allegro deciso. Tempo di Marcia) | — | ||
| 58-6 | L'Arlésienne, Suite no. 1, op. 23bis, WD 40: II. Menuet (Allegro giocoso) | — | ||
| 58-7 | L'Arlésienne, Suite no. 1, op. 23bis, WD 40: III. Adagietto | — | ||
| 58-8 | L'Arlésienne, Suite no. 1, op. 23bis, WD 40: IV. Carillon (Allegretto moderato) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-9 | L'Arlésienne, Suite no. 2: I. Pastorale (Andante sostenuto assai) | — | ||
| 58-10 | L'Arlésienne, Suite no. 2: II. Intermezzo (Andante moderato ma con moto) | — | ||
| 58-11 | L'Arlésienne, Suite no. 2: III. Menuet (Andantino quasi allegretto) | — | ||
| 58-12 | L'Arlésienne, Suite no. 2: IV. Farandole (Allegro deciso - Tempo di Marcia) | — | ||
| 59-1 | Rapsodie for saxophone, CD 104, L. 98 | — | ||
| 59-2 | Concertino da camera for alto saxophone: I. Allegro con moto | — | ||
| 59-3 | Concertino da camera for alto saxophone: II. Larghetto | — | ||
| 59-4 | Concertino da camera for alto saxophone: III. Animato molto | — | ||
| 59-5 | Fantasia for soprano saxophone and chamber orchestra: I. Animé | — | ||
| 59-6 | Fantasia for soprano saxophone and chamber orchestra: II. Lent | — | ||
| 59-7 | Fantasia for soprano saxophone and chamber orchestra: III. Très animé | — | ||
| 59-8 | Saxophone Concerto in E-flat major, op. 109: I. Allegro moderato | — | ||
| 59-9 | Saxophone Concerto in E-flat major, op. 109: II. Andante | — | ||
| 59-10 | Saxophone Concerto in E-flat major, op. 109: III. Allegro | — | ||
| 59-11 | Concerto for alto saxophone: I. Molto vivo | — | ||
| 59-12 | Concerto for alto saxophone: II. Interlude (Andante) | — | ||
| 59-13 | Concerto for alto saxophone: III. Allegro - Lento | — | ||
| 59-14 | Out of the Cool | — | ||
| 60-1 | Minuet, op. 21 | — | ||
| 60-2 | May Song | — | ||
| 60-3 | Rosemary | — | ||
| 60-4 | Romance for bassoon in D minor, op. 62 | — | ||
| 60-5 | Sevillaña, op. 7 | — | ||
| 60-6 | Sérénade lyrique in C major | — | ||
| 60-7 | Three Characteristic Pieces, op. 10: No. 1 Mazurka | — | ||
| 60-8 | Three Characteristic Pieces, op. 10: No. 2 Sérénade mauresque | — | ||
| 60-9 | Three Characteristic Pieces, op. 10: No. 3 Contrasts: The Gavotte - A.D. 1700 and 1900 | — | ||
| 60-10 | Carissima | — | ||
| 60-11 | Mina | — | ||
| 61-1 | El sombrero de tres picos (The Three-Cornered Hat): Introduction | — | ||
| 61-2 | El sombrero de tres picos (The Three-Cornered Hat): Part I: La tarde (Afternoon). La tarde | — | ||
| 61-3 | El sombrero de tres picos (The Three-Cornered Hat): Part I: La tarde (Afternoon). Danza de la molinera | — | ||
| 61-4 | El sombrero de tres picos (The Three-Cornered Hat): Part I: La tarde (Afternoon). Las uvas | — | ||
| 61-5 | El sombrero de tres picos (The Three-Cornered Hat): Part II: La noche (Night). Danza de los vecinos | — | ||
| 61-6 | El sombrero de tres picos (The Three-Cornered Hat): Part II: La noche (Night). Danza del molinero | — | ||
| 61-7 | El sombrero de tres picos (The Three-Cornered Hat): Part II: La noche (Night). Danza del corregidor | — | ||
| 61-8 | El sombrero de tres picos (The Three-Cornered Hat): Part II: La noche (Night). Danza final (Jota) | — | ||
| 61-9 | Noches en los jardines de España (Nights in the gardens of Spain): I. En el Generalife | — | ||
| 61-10 | Noches en los jardines de España (Nights in the gardens of Spain): II. Danza lejana - | — | ||
| 61-11 | Noches en los jardines de España (Nights in the gardens of Spain): III. En los jardines de la Sierra de Córdoba | — | ||
| 62-1 | Gli uccelli (The Birds), P. 154: Prelude, after Bernardo Pasquini | — | ||
| 62-2 | Gli uccelli (The Birds), P. 154: La colomba (The Dove), after Jacques Gallot | — | ||
| 62-3 | Gli uccelli (The Birds), P. 154: La gallina (The Hen), after Jean-Philippe Rameau | — | ||
| 62-4 | Gli uccelli (The Birds), P. 154: L'usignuolo (The Nightingale), after anon. English | — | ||
| 62-5 | Gli uccelli (The Birds), P. 154: Il cucù (The Cuckoo), after Bernardo Pasquini | — | ||
| 62-6 | Trittico botticelliano, P. 151: I. La Primavera (Spring) | — | ||
| 62-7 | Trittico botticelliano, P. 151: II. L'Adorazione del Magi (The Adoration of the Magi) | — | ||
| 62-8 | Trittico botticelliano, P. 151: III. La nascita di Venere (The Birth of Venus) | — | ||
| 63-1 | Il segreto di Susanna (Susanna's Secret): Overture (Vivacissimo) | — | ||
| 63-2 | Il segreto di Susanna (Susanna's Secret): Intermezzo | — | ||
| 63-3 | I quattro rusteghi (The Four Boots): Prelude (Tranquillo, semplice) | — | ||
| 63-4 | I quattro rusteghi (The Four Boots): Intermezzo | — | ||
| 63-5 | La dama boba (The Blackward): Overture | — | ||
| 63-6 | Il campiello (The Little Square): Intermezzo | — | ||
| 63-7 | Il campiello (The Little Square): Ritornello | — | ||
| 63-8 | L'amore medico (Doctor Cupid): Overture | — | ||
| 63-9 | L'amore medico (Doctor Cupid): Intermezzo | — | ||
| 63-10 | I gioielli della Madonna (The Jewels of the Madonna): Festa populare | — | ||
| 63-11 | I gioielli della Madonna: Intermezzo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 63-12 | I gioielli della Madonna (The Jewels of the Madonna): Intermezzo, Act 3: Serenata | — | ||
| 63-13 | I gioielli della Madonna (The Jewels of the Madonna): Donza napolitana | — | ||
| 64-1 | Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: I. Adagio | Osian Ellis, Simon Preston, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 64-2 | Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: II. Allegro con moto | Osian Ellis, Simon Preston, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 64-3 | Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: III. Adagio | Osian Ellis, Simon Preston, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 64-4 | Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: IV. Allegretto alla marcia | Osian Ellis, Simon Preston, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 64-5 | Concerto Grosso no. 1: I. Prelude: Allegro energico e pesante | Francis Grier, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 64-6 | Concerto Grosso no. 1: II. Dirge: Andante moderato | Francis Grier, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 64-7 | Concerto Grosso no. 1: III. Pastorale and Rustic Dances | Francis Grier, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 64-8 | Concerto Grosso no. 1: IV. Fugue: Allegro | Francis Grier, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 65-1 | Concerto in E-flat major “Dumbarton Oaks”: I. Tempo giusto | — | ||
| 65-2 | Concerto in E-flat major “Dumbarton Oaks”: II. Allegretto | — | ||
| 65-3 | Concerto in E-flat major “Dumbarton Oaks”: III. Con moto | — | ||
| 65-4 | Concerto in D major for string orchestra: I. Vivace | — | ||
| 65-5 | Concerto in D major for string orchestra: II. Arioso (Andantino) | — | ||
| 65-6 | Concerto in D major for string orchestra: III. Rondo (Allegro) | — | ||
| 65-7 | Danses concertantes: Marche (Introduction) | — | ||
| 65-8 | Danses concertantes: Pas d'action (Con moto) | — | ||
| 65-9 | Danses concertantes: Thème varié (Lento) | — | ||
| 65-10 | Danses concertantes: Variation I (Allegretto) | — | ||
| 65-11 | Danses concertantes: Variation II (Scherzando) | — | ||
| 65-12 | Danses concertantes: Variation III (Andantino) | — | ||
| 65-13 | Danses concertantes: Variation IV (Coda: Tempo giusto) | — | ||
| 65-14 | Danses concertantes: Pas de deux (Risoluto) | — | ||
| 65-15 | Danses concertantes: Marche (Conclusion) | — | ||
| 66-1 | Pulcinella: I. Overture. Allegro moderato | — | ||
| 66-2 | Pulcinella: II. Serenata. Larghetto: “Mentre l'erbetta pasce l'agnella” - Scherzino | — | ||
| 66-3 | Pulcinella: III. Allegretto. “Contento forse vivere” | — | ||
| 66-4 | Pulcinella: IV. Allegro (alla breve). “Con queste paroline” | — | ||
| 66-5 | Pulcinella: V. Largo (Trio). “Sento dire no'ncè pace” | — | ||
| 66-6 | Pulcinella: VI. Tarantella. “Una te fala nzemprece” | — | ||
| 66-7 | Pulcinella: VII. Andantino. “Se tu m'ami” | — | ||
| 66-8 | Pulcinella: VIII. Gavotta con due variazioni | — | ||
| 66-9 | Pulcinella: IX. Variazione I | — | ||
| 66-10 | Pulcinella: X. Variazione II | — | ||
| 66-11 | Pulcinella: XI. Tempo di minuetto. “Pupilette, fiammette d'amore” - Finale. Allegro assai | — | ||
| 66-12 | Suite no. 1 for small orchestra: I. Andante | — | ||
| 66-13 | Suite no. 1 for small orchestra: II. Napolitana | — | ||
| 66-14 | Suite no. 1 for small orchestra: III. Española | — | ||
| 66-15 | Suite no. 1 for small orchestra: IV. Balalaïka | — | ||
| 66-16 | Suite no. 2 for small orchestra: I. Marche | — | ||
| 66-17 | Suite no. 2 for small orchestra: II. Valse | — | ||
| 66-18 | Suite no. 2 for small orchestra: III. Polka | — | ||
| 66-19 | Suite no. 2 for small orchestra: IV. Galop | — | ||
| 67-1 | St. Paul's Suite, op. 29 no. 2: I. Jig | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-2 | St. Paul's Suite, op. 29 no. 2: II. Ostinato | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-3 | St. Paul's Suite, op. 29 no. 2: III. Intermezzo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-4 | St. Paul's Suite, op. 29 no. 2: IV. Finale. The Dargason | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-5 | Two Aquarelles: No. 1 Slow (Lento, ma non troppo) (arr. Fenby) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-6 | Two Aquarelles: No. 2 Gaily, but not quick (arr. Fenby) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-7 | Chaconne in G minor for strings, Z. 730 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-8 | Prelude on Welsh Hymn Tunes no. 2 in G major "Rhosymedre" (arr. Foster) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-9 | Two Pieces For Strings From Film "Henry V": No.1 Passacaglia "Death Of Falstaff" | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-10 | Two Pieces For Strings From Film "Henry V": No.2 "Touch Her Soft Lips & Part" | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-11 | Simple Symphony, op. 10: I. Boisterous Bourrée | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-12 | Simple Symphony, op. 4: II. Playful Pizzicato | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-13 | Simple Symphony, op. 4: III. Sentimental Saraband | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 67-14 | Simple Symphony, op. 10: IV. Frolicsome Finale | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 68-1 | Les illuminations, song cycle for high voice & strings, op. 18: 1. Fanfare | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-2 | Les illuminations, song cycle for high voice & strings, op. 18: 2. Villes | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-3 | Les illuminations, song cycle for high voice & strings, op. 18: 3a. Phrase | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-4 | Les illuminations, song cycle for high voice & strings, op. 18: 3b. Antique | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-5 | Les illuminations, song cycle for high voice & strings, op. 18: 4. Royauté | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-6 | Les illuminations, song cycle for high voice & strings, op. 18: 5. Marine | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-7 | Les illuminations, song cycle for high voice & strings, op. 18: 6. Interlude | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-8 | Les illuminations, song cycle for high voice & strings, op. 18: 7. Being Beauteous | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-9 | Les illuminations, song cycle for high voice & strings, op. 18: 8. Parade | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-10 | Les illuminations, song cycle for high voice & strings, op. 18: 9. Départ | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-11 | Serenade for Tenor, Horn and Strings, op. 31: Prologue | Robert Tear, Alan Civil, Sir Neville Marriner, Northern Sinfonia Orchestra | — | |
| 68-12 | Serenade for Tenor, Horn and Strings, op. 31: 1. Pastoral | Robert Tear, Alan Civil, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-13 | Serenade for Tenor, Horn and Strings, op. 31: 2. Nocturne | Robert Tear, Alan Civil, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-14 | Serenade for Tenor, Horn and Strings, op. 31: 3. Elegy | Robert Tear, Alan Civil, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-15 | Serenade for Tenor, Horn and Strings, op. 31: 4. Dirge | Robert Tear, Alan Civil, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-16 | Serenade for Tenor, Horn and Strings, op. 31: 5. Hymn | Robert Tear, Alan Civil, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-17 | Serenade for Tenor, Horn and Strings, op. 31: 6. Sonnet | Robert Tear, Alan Civil, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 68-18 | Serenade for Tenor, Horn and Strings, op. 31: Epilogue | Alan Civil, Robert Tear, Sir Neville Marriner, Northern Sinfonia Orchestra | — | |
| 69-1 | The Young Person's Guide to the Orchestra (Variations and Fugue on a theme of Purcell), op. 34 | — | ||
| 69-2 | Four Sea Interludes from Peter Grimes, op. 33a: No. 1. Dawn | — | ||
| 69-3 | Four Sea Interludes from Peter Grimes, op. 33a: No. 2. Sunday Morning | — | ||
| 69-4 | Four Sea Interludes from Peter Grimes, op. 33a: No. 3. Moonlight | — | ||
| 69-5 | Four Sea Interludes from Peter Grimes, op. 33a: No. 4. Storm | — | ||
| 69-6 | Men of Goodwill | Minnesota Orchestra, Sir Neville Marriner | — | |
| 70-1 | El salón México | — | ||
| 70-2 | Four Dance Episodes from “Rodeo”: I. Buckaroo Holiday | — | ||
| 70-3 | Four Dance Episodes from “Rodeo”: II. Transition - Corral Nocturne | — | ||
| 70-4 | Four Dance Episodes from “Rodeo”: III. Saturday: Night Waltz | — | ||
| 70-5 | Four Dance Episodes from “Rodeo”: IV. Hoe-Down | Minnesota Orchestra, Sir Neville Marriner | — | |
| 70-6 | Appalachian Spring, suite from the ballet: 1. Very slowly | — | ||
| 70-7 | Appalachian Spring, suite from the ballet: 2. Allegro | — | ||
| 70-8 | Appalachian Spring, suite from the ballet: 3. Moderato: The Bride and her Intended | — | ||
| 70-9 | Appalachian Spring, suite from the ballet: 4. Fast: The Revivalist and his Flock | — | ||
| 70-10 | Appalachian Spring, suite from the ballet: 5. Allegro: Solo Dance of the Bride | — | ||
| 70-11 | Appalachian Spring, suite from the ballet: 6. Meno mosso | — | ||
| 70-12 | Appalachian Spring, suite from the ballet: 7. Doppio movimento: Variations on a Shaker Hymn | — | ||
| 70-13 | Appalachian Spring, suite from the ballet: 8. Moderato: Coda | — | ||
| 71-1 | Façade: An Entertainment: (Fanfare) | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-2 | Façade: An Entertainment: Hornpipe | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-3 | Façade: An Entertainment: En Famille | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-4 | Façade: An Entertainment: Mariner Man | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-5 | Façade: An Entertainment: Long Steel Grass | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-6 | Façade: An Entertainment: Through Gilded Trellises | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-7 | Façade: An Entertainment: Tango-Pasodoble | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-8 | Façade: An Entertainment: Lullaby for Jumbo | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-9 | Façade: An Entertainment: Black Mrs. Behemoth | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-10 | Façade: An Entertainment: Tarantella | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-11 | Façade: An Entertainment: A Man From a Far Countree | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-12 | Façade: An Entertainment: By the Lake | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-13 | Façade: An Entertainment: Country Dance | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-14 | Façade: An Entertainment: Polka | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-15 | Façade: An Entertainment: Four in the Morning | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-16 | Façade: An Entertainment: Something Lies Beyond the Scene | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-17 | Façade: An Entertainment: Valse | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-18 | Façade: An Entertainment: Jodelling Song | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-19 | Façade: An Entertainment: Scotch Rhapsody | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-20 | Façade: An Entertainment: Popular Song | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-21 | Façade: An Entertainment: Fox-Trot "Old Sir Faulk" | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 71-22 | Façade: An Entertainment: Sir Beelzebub | Members of the Academy of St Martin in the Fields, Neville Marriner | — | |
| 72-1 | Divertimento on “Sellinger's Round”, for chamber orchestra: I. Allegro | — | ||
| 72-2 | Divertimento on “Sellinger's Round”, for chamber orchestra: II. A Lament (Andante espressivo) | — | ||
| 72-3 | Divertimento on “Sellinger's Round”, for chamber orchestra: III. Presto | — | ||
| 72-4 | Divertimento on “Sellinger's Round”, for chamber orchestra: IV. Adagio | — | ||
| 72-5 | Divertimento on “Sellinger's Round”, for chamber orchestra: V. Allegro assai | — | ||
| 72-6 | Little Music: I. Prelude: Maestoso | Academy of St Martin in the Fields, Neville Marriner | — | |
| 72-7 | Little Music: II. Fugue: Allegro moderato (a tempo doppio più mosso) | Academy of St Martin in the Fields, Neville Marriner | — | |
| 72-8 | Little Music: III. Air: Andante espressivo | Academy of St Martin in the Fields, Neville Marriner | — | |
| 72-9 | Little Music: IV. Finale: Vivace | Academy of St Martin in the Fields, Neville Marriner | — | |
| 72-10 | Sonata for four horns: I. Allegro molto moderato | — | ||
| 72-11 | Sonata for four horns: II. Allegro giocoso | — | ||
| 72-12 | Sonata for four horns: III. Lento cantabile tranquillo in stile notturno | — | ||
| 72-13 | Sonata for four horns: IV. Allegro molto e vigoroso | — | ||
| 72-14 | Concerto for double string orchestra: I. Allegro con brio | — | ||
| 72-15 | Concerto for double string orchestra: II. Adagio cantabile | — | ||
| 72-16 | Concerto for double string orchestra: III. Allegro molto | — | ||
| 73-1 | Adagio in G minor | Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | T-921.189.587-3 | |
| 73-2 | Octet in E-flat major, op. 20: III. Scherzo (Allegro leggierissimo) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 73-3 | Berenice, HWV 38, Act 2: Minuet | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-4 | March in D major, K. 335 No. 1 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 73-5 | Weihnachtsoratorium, BWV 248, Pt. 2: No. 10, Sinfonia | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-6 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 73-7 | 12 Contredanses, WoO 14: No. 1 in C Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-8 | 12 Contredanses, WoO 14: No. 2 in A Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-9 | 12 Contredanses, WoO 14: No. 3 D Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-10 | 12 Contredanses, WoO 14: No. 4 in B‐Flat Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-11 | 12 Contredanses, WoO 14: No. 5 in E‐Flat Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-12 | 12 Contredanses, WoO 14: No. 6 in C Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-13 | 12 Contredanses, WoO 14: No. 7 in E‐Flat Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-14 | 12 Contredanses, WoO 14: No. 8 in C Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-15 | 12 Contredanses, WoO 14: No. 9 in A Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-16 | 12 Contredanses, WoO 14: No. 10 in C Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-17 | 12 Contredanses, WoO 14: No. 11 in D Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-18 | 12 Contredanses, WoO 14: No. 12 in E‐Flat Major | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-19 | Messiah, HWV 56, Pt. 1: No. 12, Pastoral Symphony “Pifa” | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 73-20 | Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 73-21 | 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 74-1 | Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia) | Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner | T-011.777.630-3 | |
| 74-2 | Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 74-3 | Berenice, HWV 38: Minuet | — | ||
| 74-4 | Cantata “Herz und Mund und Tat und Leben” (Jesu, Joy of Man's Desiring) | Celia Nicklin, Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | T-905.387.081-8 | |
| 74-5 | Weihnachtsoratorium, BWV 248 (Christmas Oratorio): Pt. 2. No. 10, Sinfonia | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 74-6 | Messiah, HWV 56: Pt. 1. No. 12. Pastoral Symphony | — | ||
| 74-7 | Holberg Suite, op. 40: I. Praeludium | — | ||
| 74-8 | Rosamunde, incidental music, op. 26, D 797: Entr'acte no. 3 in B-flat major | — | ||
| 74-9 | Orfeo und Euridice: Dance of the Blessed Spirits | — | ||
| 74-10 | String Quartet no. 2 in D major: III. Notturno (Andante) | — | ||
| 75-1 | Carmen Suite no. 1: I. Prélude (orch. Guiraud) | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 75-2 | Carmen, Suite no. 1: II. Aragonaise | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 75-3 | Carmen, Suite no. 1: III. Intermezzo | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 75-4 | Carmen, Suite no. 1: IV. Les Dragons d'Alcala | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 75-5 | Suite no. 1 from Carmen, WD : VI. Les toréadors | Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 75-6 | Carmen, Suite no. 2: I. Nocturne | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | T-010.194.853-1 | |
| 75-7 | Carmen, Suite no. 2: II. Danse bohème | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 75-8 | The Seasons, op. 37a: No. 6 June, Barcarole | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 75-9 | Eugen Onegin, op. 24: Act 3. Polonaise | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 75-11 | Thaïs, Act 2: Méditation | Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | T-050.242.010-1 | |
| 75-12 | Nutcracker, Suite, op. 71a: VIII. Waltz of the Flowers | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 75-13 | The Tale of Tsar Saltan: Act 3. The Flight of the Bumblebee | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 76-1 | La Gioconda: Act III. Dance of the Hours | Academy of St Martin in the Fields, Sir Neville Marriner | T-316.992.933-9 | |
| 76-2 | The Merry Wives of Windsor: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 76-3 | Leichte Kavallerie (Light Cavalry): Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-909.345.747-7 | |
| 76-4 | The Gadfly Suite, op. 97a: V. Barrel Organ Waltz | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 76-5 | The Gadfly Suite, op. 97a: VIII. Romance | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 76-6 | Khovanshchina: Dance of the Persian Slaves (Act 4) (orch. Rimsky-Korsakov) | Academy of St Martin in the Fields, Sir Neville Marriner | T-901.134.571-4 | |
| 76-7 | Tsar Saltan: The Flight of the Bumble-bee (Act 3) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 76-8 | The Damnation of Faust: Dance of the Sylphs (Act 2) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 76-9 | The Snow Maiden: Dance of the Tumblers (Act 3) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 77-1 | Aida: “Celeste Aida” | Christopher Warren-Green, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 77-2 | Madama Butterfly: Introduction Sharpless' aria and Entrance of Butterfly | Cynthia Millar, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 77-3 | Rigoletto: “La donna e mobile” | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 77-4 | Tosca : “E lucevan le stelle” (execution and finale) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 77-5 | Il Trovatore: Anvil Chorus | John Leach, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 77-6 | Turandot: “Nessun dorma” | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 77-7 | La Bohème: A Fantasy for Orchestra | Christopher Warren-Green, Academy of St Martin in the Fields, Sir Neville Marriner | T-106.621.004-4 | |
| 77-8 | La traviata: Di provenza il mar, il suol | Graham Sheen, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 77-9 | Madama Butterfly: Un bel di vedremo | Cynthia Millar, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 77-10 | Tosca: E lucevan le stelle | Mitch Dalton, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 78-1 | Der Obersteiger: Act 2. “Sei nicht bös” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 78-2 | Frau Luna: “Schlösser, die im Monde liegen” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | T-801.812.092-9 | |
| 78-3 | Die Tänzerin Fanny Elssler: Act 2. “Draußen in Sievering” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 78-4 | Der Favorit: “Du sollst der Kaiser meiner Seele sein” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | T-800.474.982-1 | |
| 78-5 | Die Lustige Witwe: Act 2. “Es lebt eine Vilja, ein Waldmägdelein” (Vilja-Lied) | Lucia Popp, Ambrosian Opera Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-900.799.062-7 | |
| 78-6 | Boccaccio: “Hab'ich nur deine Liebe” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 78-7 | Casanova: Nonnenchor und das Lied der Laura (Nuns' Chorus and Laura's Song) | Lucia Popp, Andrew Lucas, Ambrosian Opera Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 78-8 | Die Dubarry: Scene 5. “Ich schenk mein Herz nur dem allein” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | T-802.154.207-5 | |
| 78-9 | Giuditta: Tableau 4. “Meine Lippen, sie küssen so heiss” | Ambrosian Opera Chorus, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | T-801.275.179-1 | |
| 78-10 | Die ungarische Hochzeit: Act 2. “Spiel mir das Lied von Glück und Treu” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 78-11 | Das Land das Lächlen: Act 2. “Ich möcht' einmal die Heimat seh'n” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 78-12 | Friederike: Act 2. “Warum hast du mich wachgeküsst?” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: II. Sonata I: Largo (Pater. dimitte illis, quia nesciunt, quid faciunt) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: III. Sonata II: Grave e cantabile (Hodie mecum eris in paradiso) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: IV. Sonata III: Grave (Mulier, ecce filius tuus) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: V. Sonata IV: Largo (Deus meus, ut quid dereliquisti me?) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: VI. Sonata V: Adagio (Sitio) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: VII. Sonata VI: Lento (Consummatum est) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: VIII. Sonata VII: Largo (Pater. in manus tuas commendo spiritum meum) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour" (Instrumental Version) | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | T-900.010.201-2 |
| Faust: Act 1. Valse “Ainsi que la brise légère” (orchestral version) | Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — |
| Jocelyn, op. 100: Act 1: Berceuse. "Oh ! Ne t'éveille pas encore" (instrumental version) | Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | — |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Tsar Saltan: The Flight of the Bumble-bee (Act 3) | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.520.252-0 |
| Giuditta: Tableau 1. “In einem Meer von Liebe” | Ambrosian Opera Chorus, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Frühjahrsparade: “Wien wird bei Nacht erst schön” | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
| Adagio in G minor | Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | T-005.001.197-6 |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Romance for Violin and Orchestra no. 2 in F major, op. 50 | Josef Suk, Academy of St Martin in the Fields, Sir Neville Marriner | T-801.768.565-4 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Ouverture-Suite for Flute and Strings in A minor, TWV 55:a2: V. Réjouissance. Viste | David Munrow, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.422.062-8 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet | William Bennett, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.654.484-3 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
