UPC · Release
Bach: Magnificat / Vivaldi: Gloria / Handel: Water Music / Mozart: Toy Symphony & Laudate Dominum / Boccherini: Minuet / Rimsky-Korsakov: Flight of the Bumblebee
Sir Neville Marriner
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5054197974915 is the Universal Product Code (UPC barcode) for the release “Bach: Magnificat / Vivaldi: Gloria / Handel: Water Music / Mozart: Toy Symphony & Laudate Dominum / Boccherini: Minuet / Rimsky-Korsakov: Flight of the Bumblebee” by Sir Neville Marriner, released 2024-03-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 29 tracks, each with its own ISRC. Tracks include GBAYC9001131, GBAYC9001136, GBAYC8500653.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (29)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Magnificat in D Major, BWV 243: IX. Aria. "Esurientes implevit bonis" | Jean Rigby, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2 | Gloria in D major, RV 589: I. Gloria in excelsis Deo | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T9054521798 | |
| 3 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. (Allegro) | Academy of St Martin in the Fields, Sir Neville Marriner | T8014111059 | |
| 4 | The Damnation of Faust: Dance of the Sylphs (Act 2) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5 | Incidental Music to Peer Gynt, Op. 23: X. Solveig's Song | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6 | Water Music, Suite no. 1 in F major: III. (Allegro) | Academy of St. Martin-in-the-Fields, Neville Marriner | T3060369366 | |
| 7 | Concerto for trumpet, strings and continuo in C minor, TWV 51:c1 (originally oboe): II. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8 | Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Kyrie | MDR Rundfunkchor Leipzig, Margaret Marshall, Hansjürgen Scholze, Staatskapelle Dresden, Sir Neville Marriner | — | |
| 9 | Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro | Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 10 | St. Paul's Suite, op. 29 no. 2: IV. Finale. The Dargason | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 11 | Toy Symphony: I. Allegro (Also Attributed to Haydn or Angerer) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12 | Rosamunde, incidental music, op. 26, D 797: Entr'acte in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13 | Thaïs, Act 2: Méditation | Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | T0502420101 | |
| 14 | Dichter und Bauer: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-909264126-4 | |
| 15 | Piano Concerto in A minor, op. 16: II. Adagio | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-927972087-5 | |
| 16 | Alcina, HWV 34: Act 1, Scene 14. Aria. “Tornami a vagheggiar” (Morgana) | Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17 | Symphony in C major, WD 33: II. Adagio | Academy of St Martin in the Fields, Sir Neville Marriner | T3125423812 | |
| 18 | El sombrero de tres picos, Pt. 2: Danza de los vecinos | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19 | Gli uccelli, P. 154: II. La colomba | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 20 | String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 21 | Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T9001353715 | |
| 22 | Chaconne in G minor for strings, Z. 730 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 23 | Weihnachtsoratorium, BWV 248, Pt. 2: No. 10, Sinfonia | Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 24 | Carmen Suite no. 1: I. Prélude (orch. Guiraud) | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 25 | Guillaume Tell: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T9277054214 | |
| 26 | The Tale of Tsar Saltan: Act 3. The Flight of the Bumblebee | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | — | |
| 27 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 28 | Giuditta: Tableau 4. “Meine Lippen, sie küssen so heiss” | Ambrosian Opera Chorus, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | T8012751791 | |
| 30 | Pulcinella: II. Serenata. “Mentre l’erbetta” - Scherzino | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Pavane, op. 50 | Academy of St Martin in the Fields, Sir Neville Marriner | T-900242215-3 |
| String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — |
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What is UPC 5054197974915?
5054197974915 is a Universal Product Code (UPC) assigned to Bach: Magnificat / Vivaldi: Gloria / Handel: Water Music / Mozart: Toy Symphony & Laudate Dominum / Boccherini: Minuet / Rimsky-Korsakov: Flight of the Bumblebee by Sir Neville Marriner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 29 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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