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Carlo Maria Giulini
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5099999373924 is the Universal Product Code (UPC barcode) for the release “The London Years” by Carlo Maria Giulini, released 2013-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 162 tracks, each with its own ISRC. Tracks include GBAYC2401601, GBAYC1301607, GBAYC0301851.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 94 in G major, Hob. I:94 "Surprise": I. Adagio cantabile - Vivace assai | — | ||
| 2 | Symphony no. 94 in G major, Hob. I:94 "Surprise": II. Andante | — | ||
| 3 | Symphony no. 94 in G major, Hob. I:94 "Surprise": III. Menuetto - Trio | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 4 | Symphony no. 94 in G major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | — | ||
| 5 | Symphony no. 17 in C minor, op. 41, G. 519: I. Allegro vivo assai | — | ||
| 6 | Symphony no. 17 in C minor, op. 41, G. 519: II. Pastorale. Lentarello | — | ||
| 7 | Symphony no. 17 in C minor, op. 41, G. 519: III. Minuet. Allegro | — | ||
| 8 | Symphony no. 17 in C minor, op. 41, G. 519: IV. Finale. Allegro | — | ||
| 9 | Overture in D major G 521 op. 43 | — | ||
| 10 | Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 11 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante Con Moto | — | ||
| 12 | Egmont, op. 84: Overture | New Philharmonia Orchestra, Carlo Maria Giulini | T-901.164.507-1 | |
| 2-1 | Symphony no. 6 in F major, op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-2 | Symphony no. 6 in F major, op. 68 "Pastoral": II. Szene am Bach. Andante molto moto | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-3 | Symphony no. 6 in F major, op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-4 | Symphony no. 6 in F major, op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-5 | Symphony no. 6 in F major, op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-6 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | London Symphony Orchestra, Carlo Maria Giulini | — | |
| 2-7 | Symphony no. 8 in F major, op. 93: 2nd Movement: Allegretto scherzando | London Symphony Orchestra, Carlo Maria Giulini | — | |
| 2-8 | Symphony no. 8 in F major, op. 93: 3rd Movement: Tempo di Menuetto | London Symphony Orchestra, Carlo Maria Giulini | — | |
| 2-9 | Symphony no. 8 in F major, op. 93: 4th Movement: Allegro vivace | London Symphony Orchestra, Carlo Maria Giulini | — | |
| 3-1 | Symphony no. 9 in D minor, op. 125 (“Choral”): 1st Movement: Allegro, ma non troppo, un poco maestoso | London Symphony Orchestra, Carlo Maria Giulini | — | |
| 3-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto | London Symphony Orchestra, Carlo Maria Giulini | — | |
| 3-3 | Symphony no. 9 in D minor, op. 125 (“Choral”): 3rd Movement: Adagio molto e cantabile – Andante moderato | London Symphony Orchestra, Carlo Maria Giulini | — | |
| 3-4 | Symphony no. 9 in D minor, op. 125 (“Choral”): 4th Movement: Presto – Allegro assai – Alla Marcia – Andante maestoso – Adagio ma non troppo, ma divoto – Allegro energico, sempre ben marcato – Allegro ma non tanto – Prestissimo | Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk, London Symphony Orchestra Chorus, Arthur Oldham, London Symphony Orchestra, Carlo Maria Giulini | — | |
| 4-1 | La scala di seta: Overture | — | ||
| 4-2 | Il signor Bruschino: Overture | — | ||
| 4-3 | Tancredi: Overture | — | ||
| 4-4 | L'italiana in Algeri: Overture | — | ||
| 4-5 | Il barbiere di Siviglia: Overture | — | ||
| 4-6 | La Cenerentola: Overture | — | ||
| 4-7 | La gazza ladra (The Thieving Magpie): Overture | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 4-8 | Semiramide: Overture | — | ||
| 4-9 | Guillaume Tell: Overture | — | ||
| 5-1 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": I. Lebhaft | — | ||
| 5-2 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": II. Scherzo, Sehr mäßig | — | ||
| 5-3 | Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: III. Nicht schnell | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 5-4 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": IV. Feierlich | — | ||
| 5-5 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": V. Lebhaft | — | ||
| 5-6 | Overture "Manfred", op. 115: Rasch - Langsam – In leidenschaftlichem Tempo - Langsam | — | ||
| 5-7 | La traviata, Act I: Prelude | — | ||
| 5-8 | La traviata, Act III: Prelude | — | ||
| 5-9 | I vespri siciliani: Overture | — | ||
| 5-10 | La forza del destino: Overture | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 6-1 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | — | ||
| 6-2 | Symphony in D minor, FWV 48: II. Allegretto | — | ||
| 6-3 | Symphony in D minor, FWV 48: III. Allegro non troppo | — | ||
| 6-4 | Psyché, FWV 47: IV. Psyché et Eros | — | ||
| 6-5 | Petite suite des "Jeux d'enfants", op. 22, WD 39: I. Marche "Trompette et tambour" | — | ||
| 6-6 | Petite suite des "Jeux d'enfants", op. 22, WD 39: II. Berceuse "La poupée" | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 6-7 | Petite suite des "Jeux d'enfants", op. 22, WD 39: III. Impromptu "La toupie" | — | ||
| 6-8 | Petite suite des "Jeux d'enfants", op. 22, WD 39: IV. Duo "Petit mari, petite femme" | — | ||
| 6-9 | Petite suite des "Jeux d'enfants", op. 22, WD 39: V. Galop "Le bal" | — | ||
| 6-10 | Night on Bald Mountain | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 7-1 | Symphony no. 1 in C minor, op. 68: I. Un Poco Sostenuto - Allegro | — | ||
| 7-2 | Symphony no. 1 in C minor, op. 68: II. Andante Sostenuto | — | ||
| 7-3 | Symphony no. 1 in C minor, op. 68: III. Un Poco Allegretto E Grazioso | — | ||
| 7-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu Andante - Allegro Non Troppo | — | ||
| 7-5 | Tragic Overture, op. 81 | — | ||
| 8-1 | Symphony no. 2 in D major, op. 73: I. Allegro Non Troppo | — | ||
| 8-2 | Symphony no. 2 in D major, op. 73: II. Adagio Non Troppo | — | ||
| 8-3 | Symphony no. 2 in D major, op. 73: III. Allegretto Grazioso (Quasi Andantino) - Presto Ma Non Assai - Tempo I | — | ||
| 8-4 | Symphony no. 2 in D major, op. 73: IV. Allegro Con Spirito | — | ||
| 8-5 | Symphony no. 3 In F major, op. 90: I. Allegro Con Brio - Un Poco Sostenuto - Tempo I | — | ||
| 8-6 | Symphony no. 3 In F major, op. 90: II. Andante | — | ||
| 8-7 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 8-8 | Symphony no. 3 In F major, op. 90: IV. Allegro - Un Poco Sostenuto | — | ||
| 9-1 | Symphony no. 4 in E minor, op. 98: I. Allegro Non Troppo | — | ||
| 9-2 | Symphony no. 4 in E minor, op. 98: II. Andante Moderato | — | ||
| 9-3 | Symphony no. 4 in E minor, op. 98: III. Allegro Giocoso | — | ||
| 9-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro Energico E Passionato | — | ||
| 9-5 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Thema: Chorale St. Antoni (Andante) | — | ||
| 9-6 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation I: Poco più animato | — | ||
| 9-7 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation II: Più vivace | — | ||
| 9-8 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation III: Con moto | — | ||
| 9-9 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation IV: Andante con moto | — | ||
| 9-10 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation V: Vivace | — | ||
| 9-11 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation VI: Vivace | — | ||
| 9-12 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation VII: Grazioso | — | ||
| 9-13 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation VIII: Presto non troppo | — | ||
| 9-14 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Finale: Andante | — | ||
| 10-1 | Symphony no. 2 in C minor, op. 17 "Little Russian": I. Adagio sostenuto - Allegro vivo | — | ||
| 10-2 | Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato | — | ||
| 10-3 | Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace - L’istesso tempo | — | ||
| 10-4 | Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Moderato assai - Allegro vivo - Presto | — | ||
| 10-5 | Francesca da Rimini: Symphonic Fantasy, op. 32 | — | ||
| 11-1 | Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo | — | ||
| 11-2 | Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia | — | ||
| 11-3 | Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace | — | ||
| 11-4 | Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso – Andante | — | ||
| 11-5 | Romeo and Juliet: Fantasy Overture | — | ||
| 12-1 | Symphony no. 7 in D minor, op. 70: I Allegro maestoso | — | ||
| 12-2 | Symphony no. 7 in D minor, op. 70: II Poco adagio | — | ||
| 12-3 | Symphony no. 7 in D minor, op. 70: III Scherzo | — | ||
| 12-4 | Symphony no. 7 in D minor, op. 70: IV Allegro | — | ||
| 12-5 | Symphony no. 8 in G, op. 88: I. Allegro con brio | — | ||
| 12-6 | Symphony no. 8 in G, op. 88: II. Adagio | — | ||
| 12-7 | Symphony no. 8 in G, op. 88: III. Allegretto grazioso | — | ||
| 12-8 | Symphony no. 8 in G, op. 88: IV. Allegro ma non troppo | — | ||
| 13-1 | Symphony no. 9 in E minor, op. 95, B. 178 “From the New World”: I. Adagio – Allegro molto | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 13-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | — | ||
| 13-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace | — | ||
| 13-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | — | ||
| 13-5 | Carnival Overture, op. 92 | — | ||
| 13-6 | Scherzo capriccioso, op. 66 | — | ||
| 14-1 | La Mer, CD 111, L. 109: I. De l’aube à midi sur la mer | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 14-2 | La Mer, CD 111, L. 109: II. Jeux de vagues | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 14-3 | La Mer, CD 111, L. 109: III. Dialogue du vent et de la mer | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 14-4 | Nocturnes, CD 98, L. 91: No. 1, Nuages | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 14-5 | Nocturnes, CD 98, L. 91: No. 2, Fêtes | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 14-6 | Nocturnes, CD 98, L. 91: No. 3, Sirènes | Philharmonia Orchestra, Philharmonia Chorus, Carlo Maria Giulini | — | |
| 14-7 | Alborada del gracioso | — | ||
| 14-8 | Daphnis et Chloé, Suite no. 2: Lever du jour | — | ||
| 14-9 | Daphnis et Chloé, Suite no. 2: Pantomime | — | ||
| 14-10 | Daphnis et Chloé, Suite no. 2: Danse générale | — | ||
| 15-1 | Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant | — | ||
| 15-2 | Ma mère l'Oye, M. 60: II. Petit Poucet | — | ||
| 15-3 | Ma mère l’Oye, M. 60: III. Laideronnette, impératrice des pagodes | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 15-4 | Ma mère l'Oye, M. 60: IV. Les entretiens de la Belle et de la Bête | — | ||
| 15-5 | Ma mère l'Oye, M. 60: V. Le jardin féerique | — | ||
| 15-6 | Pavane pour une infante défunte, M. 19 | Philharmonia Orchestra, Carlo Maria Giulini | T-003.013.767-7 | |
| 15-7 | Rapsodie espagnole, M. 54: I. Prélude à la nuit | — | ||
| 15-8 | Rapsodie espagnole, M. 54: II. Malagueña | — | ||
| 15-9 | Rapsodie espagnole, M. 54: III. Habanera | — | ||
| 15-10 | Rapsodie espagnole, M. 54: IV. Feria | — | ||
| 15-11 | El amor brujo: I. Introducción y Escena | — | ||
| 15-12 | El amor brujo: II. En la cueva | — | ||
| 15-13 | El amor brujo: III. Canción del amor dolido | — | ||
| 15-14 | El amor brujo: IV. El aparecido | — | ||
| 15-15 | El amor brujo: V. Danza del terror | — | ||
| 15-16 | El amor brujo: VI. El círculo mágico | — | ||
| 15-17 | El amor brujo: VII. A medianoche | — | ||
| 15-18 | El amor brujo: VIII. Danza ritual del fuego | — | ||
| 15-19 | El amor brujo: IX. Escena | — | ||
| 15-20 | El amor brujo: X. Canción del fuego fatuo | — | ||
| 15-21 | El amor brujo: XI. Pantomima | — | ||
| 15-22 | El amor brujo: XII. Danza del juego de amor | — | ||
| 15-23 | El amor brujo: XIII. Final: Las campanas del amancener | — | ||
| 16-1 | El Sombrero de tres Picos: I. Introducion y tarde | — | ||
| 16-2 | El Sombrero de tres Picos: II. Danza de la Molinera | — | ||
| 16-3 | El Sombrero de tres Picos: III. Danza de los Vecinos | — | ||
| 16-4 | El Sombrero de tres Picos: IV. Danza del Molinero | — | ||
| 16-5 | El Sombrero de tres Picos: V. Danza final | — | ||
| 16-6 | The Firebird – Suite(1912): I. Introduction | — | ||
| 16-7 | The Firebird – Suite(1912): II. Dance of the Firebird | — | ||
| 16-8 | The Firebird – Suite(1912): III. Round Dance of the Princess | — | ||
| 16-9 | The Firebird – Suite(1912): IV. Dance of King Kastchel | — | ||
| 16-10 | The Firebird – Suite(1912): V. Berceuse | — | ||
| 16-11 | The Firebird – Suite(1912): VI. Finale | — | ||
| 16-12 | Four Sea Interludes from Peter Grimes op. 33a: I. Dawn | — | ||
| 16-13 | Four Sea Interludes from Peter Grimes op. 33a: II. Sunday Morning | — | ||
| 16-14 | Four Sea Interludes from Peter Grimes op. 33a: III. Moonlight | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 16-15 | Four Sea Interludes from Peter Grimes op. 33a: IV. Storm | — | ||
| 16-16 | The Young Person's Guide to the Orchestra op. 34 | — | ||
| 17-1 | Preview (including extract from Verdi's Messa da requiem (Sanctus)) | — | ||
| 17-2 | Introduction and Giulini's early years | — | ||
| 17-3 | La Scala, Milan (including extracts from Verdi's La traviata with Maria Callas) | — | ||
| 17-4 | Philharmonia Orchestra | — | ||
| 17-5 | Philharmonia Chorus and Orchestra | — | ||
| 17-6 | Royal Opera House, Convent Garden | — | ||
| 17-7 | Chicago Symphony Orchestra | — | ||
| 17-8 | Conducting technique and conclusion | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 6 in F major, op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Philharmonia Orchestra, Carlo Maria Giulini | — |
| Egmont, op. 84: Overture | New Philharmonia Orchestra, Carlo Maria Giulini | — |
| Pavane pour une infante défunte, M. 19 | Philharmonia Orchestra, Carlo Maria Giulini | T-305.199.466-8 |
| Symphony no. 8 in F major, op. 93: 1st Movement: Allegro vivace e con brio | London Symphony Orchestra, Carlo Maria Giulini | — |
| Symphony no. 8 in F major, op. 93: 2nd Movement: Allegretto scherzando | London Symphony Orchestra, Carlo Maria Giulini | T-909.821.799-3 |
| Symphony no. 8 in F major, op. 93: 3rd Movement: Tempo di Menuetto | London Symphony Orchestra, Carlo Maria Giulini | T-909.821.799-3 |
| Symphony no. 8 in F major, op. 93: 4th Movement: Allegro vivace | London Symphony Orchestra, Carlo Maria Giulini | T-909.821.799-3 |
| Symphony no. 9 in D minor, op. 125 (“Choral”): 1st Movement: Allegro, ma non troppo, un poco maestoso | London Symphony Orchestra, Carlo Maria Giulini | — |
| Symphony no. 9 in D minor, op. 125 (“Choral”): 3rd Movement: Adagio molto e cantabile – Andante moderato | London Symphony Orchestra, Carlo Maria Giulini | — |
| La Mer, CD 111, L. 109: I. De l’aube à midi sur la mer | Philharmonia Orchestra, Carlo Maria Giulini | — |
| La Mer, CD 111, L. 109: II. Jeux de vagues | Philharmonia Orchestra, Carlo Maria Giulini | — |
| La Mer, CD 111, L. 109: III. Dialogue du vent et de la mer | Philharmonia Orchestra, Carlo Maria Giulini | — |
| Nocturnes, CD 98, L. 91: No. 1, Nuages | Philharmonia Orchestra, Carlo Maria Giulini | — |
| Nocturnes, CD 98, L. 91: No. 2, Fêtes | Philharmonia Orchestra, Carlo Maria Giulini | — |
| Nocturnes, CD 98, L. 91: No. 3, Sirènes | Philharmonia Orchestra, Philharmonia Chorus, Carlo Maria Giulini | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5099999373924 is a Universal Product Code (UPC) assigned to The London Years by Carlo Maria Giulini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 162 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099999373924 is the Universal Product Code (UPC barcode) for the release “The London Years” by Carlo Maria Giulini, released 2013-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 162 tracks, each with its own ISRC. Tracks include GBAYC2401601, GBAYC1301607, GBAYC0301851.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 94 in G major, Hob. I:94 "Surprise": I. Adagio cantabile - Vivace assai | — | ||
| 2 | Symphony no. 94 in G major, Hob. I:94 "Surprise": II. Andante | — | ||
| 3 | Symphony no. 94 in G major, Hob. I:94 "Surprise": III. Menuetto - Trio | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 4 | Symphony no. 94 in G major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | — | ||
| 5 | Symphony no. 17 in C minor, op. 41, G. 519: I. Allegro vivo assai | — | ||
| 6 | Symphony no. 17 in C minor, op. 41, G. 519: II. Pastorale. Lentarello | — | ||
| 7 | Symphony no. 17 in C minor, op. 41, G. 519: III. Minuet. Allegro | — | ||
| 8 | Symphony no. 17 in C minor, op. 41, G. 519: IV. Finale. Allegro | — | ||
| 9 | Overture in D major G 521 op. 43 | — | ||
| 10 | Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 11 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante Con Moto | — | ||
| 12 | Egmont, op. 84: Overture | New Philharmonia Orchestra, Carlo Maria Giulini | T-901.164.507-1 | |
| 2-1 | Symphony no. 6 in F major, op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-2 | Symphony no. 6 in F major, op. 68 "Pastoral": II. Szene am Bach. Andante molto moto | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-3 | Symphony no. 6 in F major, op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-4 | Symphony no. 6 in F major, op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-5 | Symphony no. 6 in F major, op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-6 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | London Symphony Orchestra, Carlo Maria Giulini | — | |
| 2-7 | Symphony no. 8 in F major, op. 93: 2nd Movement: Allegretto scherzando | London Symphony Orchestra, Carlo Maria Giulini | — | |
| 2-8 | Symphony no. 8 in F major, op. 93: 3rd Movement: Tempo di Menuetto | London Symphony Orchestra, Carlo Maria Giulini | — | |
| 2-9 | Symphony no. 8 in F major, op. 93: 4th Movement: Allegro vivace | London Symphony Orchestra, Carlo Maria Giulini | — | |
| 3-1 | Symphony no. 9 in D minor, op. 125 (“Choral”): 1st Movement: Allegro, ma non troppo, un poco maestoso | London Symphony Orchestra, Carlo Maria Giulini | — | |
| 3-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto | London Symphony Orchestra, Carlo Maria Giulini | — | |
| 3-3 | Symphony no. 9 in D minor, op. 125 (“Choral”): 3rd Movement: Adagio molto e cantabile – Andante moderato | London Symphony Orchestra, Carlo Maria Giulini | — | |
| 3-4 | Symphony no. 9 in D minor, op. 125 (“Choral”): 4th Movement: Presto – Allegro assai – Alla Marcia – Andante maestoso – Adagio ma non troppo, ma divoto – Allegro energico, sempre ben marcato – Allegro ma non tanto – Prestissimo | Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk, London Symphony Orchestra Chorus, Arthur Oldham, London Symphony Orchestra, Carlo Maria Giulini | — | |
| 4-1 | La scala di seta: Overture | — | ||
| 4-2 | Il signor Bruschino: Overture | — | ||
| 4-3 | Tancredi: Overture | — | ||
| 4-4 | L'italiana in Algeri: Overture | — | ||
| 4-5 | Il barbiere di Siviglia: Overture | — | ||
| 4-6 | La Cenerentola: Overture | — | ||
| 4-7 | La gazza ladra (The Thieving Magpie): Overture | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 4-8 | Semiramide: Overture | — | ||
| 4-9 | Guillaume Tell: Overture | — | ||
| 5-1 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": I. Lebhaft | — | ||
| 5-2 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": II. Scherzo, Sehr mäßig | — | ||
| 5-3 | Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: III. Nicht schnell | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 5-4 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": IV. Feierlich | — | ||
| 5-5 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": V. Lebhaft | — | ||
| 5-6 | Overture "Manfred", op. 115: Rasch - Langsam – In leidenschaftlichem Tempo - Langsam | — | ||
| 5-7 | La traviata, Act I: Prelude | — | ||
| 5-8 | La traviata, Act III: Prelude | — | ||
| 5-9 | I vespri siciliani: Overture | — | ||
| 5-10 | La forza del destino: Overture | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 6-1 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | — | ||
| 6-2 | Symphony in D minor, FWV 48: II. Allegretto | — | ||
| 6-3 | Symphony in D minor, FWV 48: III. Allegro non troppo | — | ||
| 6-4 | Psyché, FWV 47: IV. Psyché et Eros | — | ||
| 6-5 | Petite suite des "Jeux d'enfants", op. 22, WD 39: I. Marche "Trompette et tambour" | — | ||
| 6-6 | Petite suite des "Jeux d'enfants", op. 22, WD 39: II. Berceuse "La poupée" | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 6-7 | Petite suite des "Jeux d'enfants", op. 22, WD 39: III. Impromptu "La toupie" | — | ||
| 6-8 | Petite suite des "Jeux d'enfants", op. 22, WD 39: IV. Duo "Petit mari, petite femme" | — | ||
| 6-9 | Petite suite des "Jeux d'enfants", op. 22, WD 39: V. Galop "Le bal" | — | ||
| 6-10 | Night on Bald Mountain | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 7-1 | Symphony no. 1 in C minor, op. 68: I. Un Poco Sostenuto - Allegro | — | ||
| 7-2 | Symphony no. 1 in C minor, op. 68: II. Andante Sostenuto | — | ||
| 7-3 | Symphony no. 1 in C minor, op. 68: III. Un Poco Allegretto E Grazioso | — | ||
| 7-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu Andante - Allegro Non Troppo | — | ||
| 7-5 | Tragic Overture, op. 81 | — | ||
| 8-1 | Symphony no. 2 in D major, op. 73: I. Allegro Non Troppo | — | ||
| 8-2 | Symphony no. 2 in D major, op. 73: II. Adagio Non Troppo | — | ||
| 8-3 | Symphony no. 2 in D major, op. 73: III. Allegretto Grazioso (Quasi Andantino) - Presto Ma Non Assai - Tempo I | — | ||
| 8-4 | Symphony no. 2 in D major, op. 73: IV. Allegro Con Spirito | — | ||
| 8-5 | Symphony no. 3 In F major, op. 90: I. Allegro Con Brio - Un Poco Sostenuto - Tempo I | — | ||
| 8-6 | Symphony no. 3 In F major, op. 90: II. Andante | — | ||
| 8-7 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 8-8 | Symphony no. 3 In F major, op. 90: IV. Allegro - Un Poco Sostenuto | — | ||
| 9-1 | Symphony no. 4 in E minor, op. 98: I. Allegro Non Troppo | — | ||
| 9-2 | Symphony no. 4 in E minor, op. 98: II. Andante Moderato | — | ||
| 9-3 | Symphony no. 4 in E minor, op. 98: III. Allegro Giocoso | — | ||
| 9-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro Energico E Passionato | — | ||
| 9-5 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Thema: Chorale St. Antoni (Andante) | — | ||
| 9-6 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation I: Poco più animato | — | ||
| 9-7 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation II: Più vivace | — | ||
| 9-8 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation III: Con moto | — | ||
| 9-9 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation IV: Andante con moto | — | ||
| 9-10 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation V: Vivace | — | ||
| 9-11 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation VI: Vivace | — | ||
| 9-12 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation VII: Grazioso | — | ||
| 9-13 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation VIII: Presto non troppo | — | ||
| 9-14 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Finale: Andante | — | ||
| 10-1 | Symphony no. 2 in C minor, op. 17 "Little Russian": I. Adagio sostenuto - Allegro vivo | — | ||
| 10-2 | Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato | — | ||
| 10-3 | Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace - L’istesso tempo | — | ||
| 10-4 | Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Moderato assai - Allegro vivo - Presto | — | ||
| 10-5 | Francesca da Rimini: Symphonic Fantasy, op. 32 | — | ||
| 11-1 | Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo | — | ||
| 11-2 | Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia | — | ||
| 11-3 | Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace | — | ||
| 11-4 | Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso – Andante | — | ||
| 11-5 | Romeo and Juliet: Fantasy Overture | — | ||
| 12-1 | Symphony no. 7 in D minor, op. 70: I Allegro maestoso | — | ||
| 12-2 | Symphony no. 7 in D minor, op. 70: II Poco adagio | — | ||
| 12-3 | Symphony no. 7 in D minor, op. 70: III Scherzo | — | ||
| 12-4 | Symphony no. 7 in D minor, op. 70: IV Allegro | — | ||
| 12-5 | Symphony no. 8 in G, op. 88: I. Allegro con brio | — | ||
| 12-6 | Symphony no. 8 in G, op. 88: II. Adagio | — | ||
| 12-7 | Symphony no. 8 in G, op. 88: III. Allegretto grazioso | — | ||
| 12-8 | Symphony no. 8 in G, op. 88: IV. Allegro ma non troppo | — | ||
| 13-1 | Symphony no. 9 in E minor, op. 95, B. 178 “From the New World”: I. Adagio – Allegro molto | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 13-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | — | ||
| 13-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace | — | ||
| 13-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | — | ||
| 13-5 | Carnival Overture, op. 92 | — | ||
| 13-6 | Scherzo capriccioso, op. 66 | — | ||
| 14-1 | La Mer, CD 111, L. 109: I. De l’aube à midi sur la mer | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 14-2 | La Mer, CD 111, L. 109: II. Jeux de vagues | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 14-3 | La Mer, CD 111, L. 109: III. Dialogue du vent et de la mer | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 14-4 | Nocturnes, CD 98, L. 91: No. 1, Nuages | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 14-5 | Nocturnes, CD 98, L. 91: No. 2, Fêtes | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 14-6 | Nocturnes, CD 98, L. 91: No. 3, Sirènes | Philharmonia Orchestra, Philharmonia Chorus, Carlo Maria Giulini | — | |
| 14-7 | Alborada del gracioso | — | ||
| 14-8 | Daphnis et Chloé, Suite no. 2: Lever du jour | — | ||
| 14-9 | Daphnis et Chloé, Suite no. 2: Pantomime | — | ||
| 14-10 | Daphnis et Chloé, Suite no. 2: Danse générale | — | ||
| 15-1 | Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant | — | ||
| 15-2 | Ma mère l'Oye, M. 60: II. Petit Poucet | — | ||
| 15-3 | Ma mère l’Oye, M. 60: III. Laideronnette, impératrice des pagodes | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 15-4 | Ma mère l'Oye, M. 60: IV. Les entretiens de la Belle et de la Bête | — | ||
| 15-5 | Ma mère l'Oye, M. 60: V. Le jardin féerique | — | ||
| 15-6 | Pavane pour une infante défunte, M. 19 | Philharmonia Orchestra, Carlo Maria Giulini | T-003.013.767-7 | |
| 15-7 | Rapsodie espagnole, M. 54: I. Prélude à la nuit | — | ||
| 15-8 | Rapsodie espagnole, M. 54: II. Malagueña | — | ||
| 15-9 | Rapsodie espagnole, M. 54: III. Habanera | — | ||
| 15-10 | Rapsodie espagnole, M. 54: IV. Feria | — | ||
| 15-11 | El amor brujo: I. Introducción y Escena | — | ||
| 15-12 | El amor brujo: II. En la cueva | — | ||
| 15-13 | El amor brujo: III. Canción del amor dolido | — | ||
| 15-14 | El amor brujo: IV. El aparecido | — | ||
| 15-15 | El amor brujo: V. Danza del terror | — | ||
| 15-16 | El amor brujo: VI. El círculo mágico | — | ||
| 15-17 | El amor brujo: VII. A medianoche | — | ||
| 15-18 | El amor brujo: VIII. Danza ritual del fuego | — | ||
| 15-19 | El amor brujo: IX. Escena | — | ||
| 15-20 | El amor brujo: X. Canción del fuego fatuo | — | ||
| 15-21 | El amor brujo: XI. Pantomima | — | ||
| 15-22 | El amor brujo: XII. Danza del juego de amor | — | ||
| 15-23 | El amor brujo: XIII. Final: Las campanas del amancener | — | ||
| 16-1 | El Sombrero de tres Picos: I. Introducion y tarde | — | ||
| 16-2 | El Sombrero de tres Picos: II. Danza de la Molinera | — | ||
| 16-3 | El Sombrero de tres Picos: III. Danza de los Vecinos | — | ||
| 16-4 | El Sombrero de tres Picos: IV. Danza del Molinero | — | ||
| 16-5 | El Sombrero de tres Picos: V. Danza final | — | ||
| 16-6 | The Firebird – Suite(1912): I. Introduction | — | ||
| 16-7 | The Firebird – Suite(1912): II. Dance of the Firebird | — | ||
| 16-8 | The Firebird – Suite(1912): III. Round Dance of the Princess | — | ||
| 16-9 | The Firebird – Suite(1912): IV. Dance of King Kastchel | — | ||
| 16-10 | The Firebird – Suite(1912): V. Berceuse | — | ||
| 16-11 | The Firebird – Suite(1912): VI. Finale | — | ||
| 16-12 | Four Sea Interludes from Peter Grimes op. 33a: I. Dawn | — | ||
| 16-13 | Four Sea Interludes from Peter Grimes op. 33a: II. Sunday Morning | — | ||
| 16-14 | Four Sea Interludes from Peter Grimes op. 33a: III. Moonlight | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 16-15 | Four Sea Interludes from Peter Grimes op. 33a: IV. Storm | — | ||
| 16-16 | The Young Person's Guide to the Orchestra op. 34 | — | ||
| 17-1 | Preview (including extract from Verdi's Messa da requiem (Sanctus)) | — | ||
| 17-2 | Introduction and Giulini's early years | — | ||
| 17-3 | La Scala, Milan (including extracts from Verdi's La traviata with Maria Callas) | — | ||
| 17-4 | Philharmonia Orchestra | — | ||
| 17-5 | Philharmonia Chorus and Orchestra | — | ||
| 17-6 | Royal Opera House, Convent Garden | — | ||
| 17-7 | Chicago Symphony Orchestra | — | ||
| 17-8 | Conducting technique and conclusion | — |
