UPC · Album
The Best Ever Choral Album
Various Artists
724347299322
40 tracksReleased 1999-01-01
Last verified:
724347299322 is the Universal Product Code (UPC barcode) for the release “The Best Ever Choral Album” by Various Artists, released 1999-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include DEA349801363, FRZ119500220, GBAAA9710450.
Format
7Number system
24347Manufacturer
29932Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Best Ever Choral Album
ISRC34 recordings
ISWC19 works
IPI2 songwriters
Track List (34)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter" | South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein | DEA349801363 |
| Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst | FRZ119500220 |
| Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11 | The Monks and Choirboys of Downside Abbey | GBAAA9710450 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC7000104 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | GBAYC8300202 |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | GBAYC8700997 |
| Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy | James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti | GBAYC8800960 |
| Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8800962 |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8900791 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC8900862 |
| For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | GBAYC8900864 |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8900865 |
| Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord" | Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger | GBAYC8900867 |
| Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst | GBAYC8900868 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC8901105 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC8901893 |
| Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8904517 |
| Gloria in D major, RV 589: I. Gloria in excelsis Deo | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9001136 |
| Ave verum Corpus, K. 618 | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | GBAYC9100183 |
| Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord" | Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger | GBAYC9103810 |
| L'enfance du Christ, oratorio pour soprano, 2 tenors, bariton, 3 basses, chorus & orchestre, Op. 25, H. 130 "Trilogie sacrée": L'adieu des bergers | Chœur René Duclos, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | GBAYC9400284 |
| Requiem for chorus & orchestra: "Requiem aeternam" | Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury | GBAYC9700713 |
| For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | GBAYC9703275 |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | GBAYC9703282 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | GBAYD8300335 |
| The Creation: The heavens are telling | Choir of King’s College, Cambridge, Heather Harper, John Shirley-Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks | GBAYD8800083 |
| Panis Angelicus | Hallé Choir, Hallé Orchestra, Maurice Handford | GBAYD8800084 |
| In Paradisum (Requiem) | Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury | GBAYD8800085 |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | GBAYD8900646 |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | GBAYD8900809 |
| Chichester Psalms, for boy soloist, chorus & orchestra: I. Maestoso ma energico (Allegro molto) | John Bowley, Choir of King’s College, Cambridge, Michael Pearce, Daniel Sladden, Peter Winn, Peter Barley, David Corkhill, Rachel Masters, Stephen Cleobury | GBAYD9000197 |
| The Creation, Hob. XXI:2: Part I, no. 10. Awake the harp (chorus) | CBSO Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | GBAYD9000318 |
| The Lamb | Vasari Singers, Jeremy Backhouse | GBAYD9500073 |
| Pomp and Circumstance March no. 1, op. 39 no. 1 "Land of Hope and Glory" (excerpt: Conclusion) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | GBAYD9600140 |
Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter"
South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein
Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna
London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst
Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11
The Monks and Choirboys of Downside Abbey
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
Messiah, HWV 56: No. 44. Hallelujah
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy
James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie”
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves)
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
For Unto us a child is born (Messiah)
John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras
Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves)
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord"
Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger
Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna
London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie”
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
Gloria in D major, RV 589: I. Gloria in excelsis Deo
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Ave verum Corpus, K. 618
The Schütz Choir of London, The London Classical Players, Sir Roger Norrington
Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord"
Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger
L'enfance du Christ, oratorio pour soprano, 2 tenors, bariton, 3 basses, chorus & orchestre, Op. 25, H. 130 "Trilogie sacrée": L'adieu des bergers
Chœur René Duclos, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
Requiem for chorus & orchestra: "Requiem aeternam"
Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury
For Unto us a child is born (Messiah)
John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras
Messiah, HWV 56: No. 44. Hallelujah
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
The Creation: The heavens are telling
Choir of King’s College, Cambridge, Heather Harper, John Shirley-Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks
Panis Angelicus
Hallé Choir, Hallé Orchestra, Maurice Handford
In Paradisum (Requiem)
Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
Chichester Psalms, for boy soloist, chorus & orchestra: I. Maestoso ma energico (Allegro molto)
John Bowley, Choir of King’s College, Cambridge, Michael Pearce, Daniel Sladden, Peter Winn, Peter Barley, David Corkhill, Rachel Masters, Stephen Cleobury
The Creation, Hob. XXI:2: Part I, no. 10. Awake the harp (chorus)
CBSO Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle
The Lamb
Vasari Singers, Jeremy Backhouse
Pomp and Circumstance March no. 1, op. 39 no. 1 "Land of Hope and Glory" (excerpt: Conclusion)
Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000028122959000000005516508100000000606711810000000063090593000000006310505400000000783861270000000078394143000000008118763900000000817730050000000083655192
+40 more
0000000106581449000000010661744800000001067578890000000107213701000000010860660300000001086941480000000108854623000000010930050X0000000109373768000000010940676900000001094265240000000109519069000000010962414100000001100934990000000110136575000000011014262500000001101647520000000110340170000000011042609700000001108299610000000110880417000000011297410X000000011455313000000001147254810000000114733211000000011476712000000001148026430000000114904594000000011567678100000001187441100000000118812208000000011938871X00000001193903690000000119450528000000011945340300000001194564790000000119546175000000012025426800000001203212640000000120342735
People also ask
SourcesMusicBrainzNotes2 sources
Verified on
What is UPC 724347299322?
724347299322 is a Universal Product Code (UPC) assigned to The Best Ever Choral Album by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm