UPC · Release
The Best Ever Choral Album
Various Artists
724347299322
20 tracksReleased 1999-01-01
Last verified:
724347299322 is the Universal Product Code (UPC barcode) for the release “The Best Ever Choral Album” by Various Artists, released 1999-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include DEA349801363, GBAYC8700997, GBAYC8900867.
Format
7Number system
24347Manufacturer
29932Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
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- Check digit:
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Credit Chain
UPCThe Best Ever Choral Album
ISRC13 recordings
ISWC19 works
IPI2 songwriters
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter" | South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 2-2 | Te Deum: Pleni sunt coeli et terra | — | ||
| 2-3 | Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | T0715180612 | |
| 2-4 | Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord" | Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger | — | |
| 2-5 | Sequence (mode 1): Veni sancte spiritus | — | ||
| 2-6 | The Creation, Hob. XXI:2: Part I, no. 10. Awake the harp (chorus) | CBSO Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | T9028636955 | |
| 2-7 | Elijah: And then Shall Your Light Break Forth | — | ||
| 2-8 | L'enfance du Christ, oratorio pour soprano, 2 tenors, bariton, 3 basses, chorus & orchestre, Op. 25, H. 130 "Trilogie sacrée": L'adieu des bergers | Chœur René Duclos, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 2-10 | Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11 | The Monks and Choirboys of Downside Abbey | — | |
| 2-11 | Ave verum Corpus, K. 618 | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | T-011552099-4 | |
| 2-12 | Tannhäuser: Beglückt darf nun dich, o Heimat (Pilgrim's Chorus) | — | ||
| 2-13 | Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — | |
| 2-14 | Gloria: Laudamus te | — | ||
| 2-15 | Chichester Psalms, for boy soloist, chorus & orchestra: I. Maestoso ma energico (Allegro molto) | John Bowley, Choir of King’s College, Cambridge, Michael Pearce, Daniel Sladden, Peter Winn, Peter Barley, David Corkhill, Rachel Masters, Stephen Cleobury | T0700272009 | |
| 2-16 | The Lamb | Vasari Singers, Jeremy Backhouse | T-900.217.085-6 | |
| 2-17 | Agnus Dei (Adagio for Strings) | — | ||
| 2-18 | Requiem for chorus & orchestra: "Requiem aeternam" | Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury | — | |
| 2-19 | Messa da Requiem: Dies irae (opening) | — | ||
| 2-20 | Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst | T-800639771-4 | |
| 2-21 | Pomp and Circumstance March no. 1, op. 39 no. 1 "Land of Hope and Glory" (excerpt: Conclusion) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T9176031848 |
Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter"
South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein
—
Te Deum: Pleni sunt coeli et terra
—
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord"
Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger
—
Sequence (mode 1): Veni sancte spiritus
—
CBSO Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Elijah: And then Shall Your Light Break Forth
—
L'enfance du Christ, oratorio pour soprano, 2 tenors, bariton, 3 basses, chorus & orchestre, Op. 25, H. 130 "Trilogie sacrée": L'adieu des bergers
Chœur René Duclos, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
—
Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11
The Monks and Choirboys of Downside Abbey
—
The Schütz Choir of London, The London Classical Players, Sir Roger Norrington
Tannhäuser: Beglückt darf nun dich, o Heimat (Pilgrim's Chorus)
—
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie”
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
—
Gloria: Laudamus te
—
John Bowley, Choir of King’s College, Cambridge, Michael Pearce, Daniel Sladden, Peter Winn, Peter Barley, David Corkhill, Rachel Masters, Stephen Cleobury
Agnus Dei (Adagio for Strings)
—
Requiem for chorus & orchestra: "Requiem aeternam"
Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury
—
Messa da Requiem: Dies irae (opening)
—
London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst
Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis
Additional database matches (20)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy | James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti | — |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — |
| For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | T0111627203 |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | T9286354889 |
| Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — |
| Gloria in D major, RV 589: I. Gloria in excelsis Deo | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T9054521798 |
| Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord" | Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger | — |
| For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | — |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | — |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| The Creation: The heavens are telling | Choir of King’s College, Cambridge, Heather Harper, John Shirley-Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks | T0701653055 |
| Panis Angelicus | Hallé Choir, Hallé Orchestra, Maurice Handford | T9000167113 |
| In Paradisum (Requiem) | Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury | T-924.489.944-3 |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 |
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy
James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti
—
Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves)
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
—
John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie”
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
—
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord"
Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger
—
For Unto us a child is born (Messiah)
John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras
—
Messiah, HWV 56: No. 44. Hallelujah
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
—
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Choir of King’s College, Cambridge, Heather Harper, John Shirley-Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks
Hallé Choir, Hallé Orchestra, Maurice Handford
Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000028122959000000005516508100000000606711810000000063090593000000006310505400000000783861270000000078394143000000008118763900000000817730050000000083655192
+40 more
0000000106581449000000010661744800000001067578890000000107213701000000010860660300000001086941480000000108854623000000010930050X0000000109373768000000010940676900000001094265240000000109519069000000010962414100000001100934990000000110136575000000011014262500000001101647520000000110340170000000011042609700000001108299610000000110880417000000011297410X000000011455313000000001147254810000000114733211000000011476712000000001148026430000000114904594000000011567678100000001187441100000000118812208000000011938871X00000001193903690000000119450528000000011945340300000001194564790000000119546175000000012025426800000001203212640000000120342735
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What is UPC 724347299322?
724347299322 is a Universal Product Code (UPC) assigned to The Best Ever Choral Album by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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