UPC · Release
100 airs classiques de legende
Various Artists
724357765022
18 tracksReleased 2004-01-01
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724357765022 is the Universal Product Code (UPC barcode) for the release “100 airs classiques de legende” by Various Artists, released 2004-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include GBAYC8300121, GBAYC7900176, GBAYC8800390.
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Credit Chain
UPC100 airs classiques de legende
ISRC18 recordings
ISWC57 works
IPI4 songwriters
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia) | Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner | T-011777630-3 | |
| 2 | Violin Concerto in E major “The Four Seasons: Spring”, op. 8 no. 1: I. Allegro | Yehudi Menuhin, Paul Crocker, Camerata Lysy Gstaad, Alberto Lysy | — | |
| 3 | Toccata & Fugue in D minor, BWV 565: Toccata | Wayne Marshall | — | |
| 4 | Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | T-041662096-6 | |
| 5 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Philharmonia Orchestra, Kurt Sanderling | — | |
| 6 | 1812 Overture, op. 49 (excerpt) | Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 7 | Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy | James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti | — | |
| 8 | Piano Concerto in A minor, Op. 16: Allegro molto moderato (Opening) | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-902781050-0 | |
| 9 | Karelia Suite, op. 11: III. Alla marcia | Hallé Orchestra, Sir John Barbirolli | — | |
| 10 | The Planets, op. 32: Jupiter, the Bringer of Jolity (conclusion) | Philharmonia Orchestra, Sir Simon Rattle | T3008162496 | |
| 11 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — | |
| 12 | Finlandia, op. 26 | Hallé Orchestra, Sir John Barbirolli | T9102567022 | |
| 13 | Aida: “Gloria all’Egitto” | Douglas Robinson, Chorus of the Royal Opera House, Covent Garden, New Philharmonia Orchestra, Riccardo Muti | T-900065376-9 | |
| 14 | Montagues and Capulets | The Philadelphia Orchestra, Riccardo Muti | — | |
| 15 | Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | — | |
| 16 | Pomp and Circumstance March no. 1, op. 39 no. 1 "Land of Hope and Glory" (excerpt: Conclusion) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T9176031848 | |
| 17 | Piano Concerto no. 3 in D minor: I. Allegro (Opening) | Mikhail Rudy, St. Petersburg Philharmonic Orchestra, Mariss Jansons | — | |
| 18 | Symphony No. 3 in C Minor 'Organ' Op. 78 - Maestoso-Allegro (Conclusion) | [unknown] | — |
Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner
Violin Concerto in E major “The Four Seasons: Spring”, op. 8 no. 1: I. Allegro
Yehudi Menuhin, Paul Crocker, Camerata Lysy Gstaad, Alberto Lysy
—
Toccata & Fugue in D minor, BWV 565: Toccata
Wayne Marshall
—
Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Philharmonia Orchestra, Kurt Sanderling
—
1812 Overture, op. 49 (excerpt)
Oslo Philharmonic Orchestra, Mariss Jansons
—
Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy
James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti
—
Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
Karelia Suite, op. 11: III. Alla marcia
Hallé Orchestra, Sir John Barbirolli
—
Philharmonia Orchestra, Sir Simon Rattle
Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening)
Horacio Gutiérrez, London Symphony Orchestra, André Previn
—
Douglas Robinson, Chorus of the Royal Opera House, Covent Garden, New Philharmonia Orchestra, Riccardo Muti
Montagues and Capulets
The Philadelphia Orchestra, Riccardo Muti
—
Radetzky March, op. 228
Wiener Johann Strauss Orchester, Willi Boskovsky
—
Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis
Piano Concerto no. 3 in D minor: I. Allegro (Opening)
Mikhail Rudy, St. Petersburg Philharmonic Orchestra, Mariss Jansons
—
Symphony No. 3 in C Minor 'Organ' Op. 78 - Maestoso-Allegro (Conclusion)
[unknown]
—
Additional database matches (123)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messe solennelle de Sainte Cécile : 5. Sanctus | Chœur René Duclos, Franz Crass, Heinz Hoppe, Pilar Lorengar, Orchestre de la Société des Concerts du Conservatoire, Jean-Claude Hartemann | — |
| Deutsche Messe (DB72 - Sanctus) | [unknown] | T-910405802-8 |
| Messe solennelle de Sainte Cécile : 5. Sanctus | Chœur René Duclos, Franz Crass, Heinz Hoppe, Pilar Lorengar, Orchestre de la Société des Concerts du Conservatoire, Jean-Claude Hartemann | — |
| Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — |
| Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter" | South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein | — |
| Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | T0717254255 |
| Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-305625671-0 |
| Cantique de Noel for voice & orchestra, "O Holy Night" | Roberto Alagna, Chœur du Capitole de Toulouse, Petits chanteurs à la croix potencée, Orchestre national du Capitole de Toulouse, Michel Plasson | T-050.205.526-6 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T9115340200 |
| Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11 | The Monks and Choirboys of Downside Abbey | — |
| Die lustige Witwe: Akt II. »Nun lasst uns aber wie daheim« | [unknown] | — |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 |
| Carmen : « La Fleur que tu m'avais jetée » (Flower Song) | Maria Callas, Orchestre de l’Opéra national de Paris, Georges Prêtre | — |
| Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” (Butterfly, Pinkerton) | Carlo Bergonzi, Renata Scotto, Orchestra del Teatro dell’Opera di Roma, John Barbirolli | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-919860418-1 |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — |
| The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — |
| Karelia Suite, op. 11: III. Alla marcia | Hallé Orchestra, Sir John Barbirolli | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-306705438-6 |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — |
| Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | T0614093650 |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Scheherazade: The Story of the Kalender Prince (Opening) | The Philadelphia Orchestra, Riccardo Muti | — |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| The Last Rose of Summer | Kiri Te Kanawa, National Philharmonic Orchestra, Douglas Gamley | T9309534438 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 |
| Carmen : « La Fleur que tu m'avais jetée » (Flower Song) | Maria Callas, Orchestre de l’Opéra national de Paris, Georges Prêtre | — |
| Adagio of Spartacus and Phrygia (Spartacus) (Extract) | Royal Philharmonic Orchestra, Yuri Temirkanov | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| On the Beautiful Blue Danube, Waltz, op. 314 (extract) | Berliner Philharmoniker, Herbert von Karajan | — |
| Vesperae solennes de confessore | Manfred Ackermann, Bavarian Radio Chorus, Wolfgang Isenhardt, Edda Moser, Thomas Schulze, Stuttgarter Hymnus-Chorknaben, Bavarian Radio Symphony Orchestra, Eugen Jochum, Gerhard Wilhelm | T-900135371-5 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T0715417643 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T0050011976 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | — |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — |
| Messa da Requiem: II. Sequenza. Ingemisco (Tenor) | Luciano Pavarotti, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti | T9001489594 |
| Romeo & Juliet: Fantasy Overture (Excerpt) | Oslo Philharmonic Orchestra, Mariss Jansons | T0101948257 |
| Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922610201-8 |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | T0715180612 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| On the Beautiful Blue Danube, Waltz, op. 314 (extract) | Berliner Philharmoniker, Herbert von Karajan | T0350243592 |
| Polovtsian Dances (Prince Igor) (orch. Rimsky-Korsakov & Glazounov) (Beginning) | Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | — |
| The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T9214184573 |
| Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract) | Philadelphia Orchestra, Riccardo Muti | — |
| Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | — |
| Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo | Oslo Philharmonic Orchestra, Mariss Jansons | — |
| Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | — |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | T9286354889 |
| Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | — |
| Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | — |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — |
| Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041489061-1 |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | T-900798623-4 |
| Le nozze di Figaro (Overture) | Royal Philharmonic Orchestra, Sir Colin Davis | T-902359447-0 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
| The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — |
| L'enfance du Christ, oratorio pour soprano, 2 tenors, bariton, 3 basses, chorus & orchestre, Op. 25, H. 130 "Trilogie sacrée": L'adieu des bergers | Chœur René Duclos, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — |
| Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | — |
| La Bohème: Atto I. "Che gelida manina!" (Rodolfo) | Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | T9150919758 |
| Ellens Gesang III ("Ave Maria"), D. 839 (op. 52/6) | Dame Janet Baker, Gerald Moore | — |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | T3125425669 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071422062-8 |
| Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) | Angela Gheorghiu, London Symphony Orchestra, Antonio Pappano | T-901222501-3 |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | — |
| Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Orfeo ed Euridice: Dance of the Blessed Spirits | Philharmonia Orchestra, Riccardo Muti | — |
| Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931280185-7 |
| Chants d’Auvergne: Baïlèro | Victoria de los Ángeles, Orchestre des Concerts Lamoureux, Jean-Pierre Jacquillat | T0040133058 |
| Requiem, op. 48: IV. Pie Jesu | Victoria de los Ángeles, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T3158247377 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Symphony No. 7 in a Op. 92 II Allegretto (Extract) | Philharmonia Orchestra, Kurt Sanderling | T3146383004 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | T-902858745-3 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Ave verum corpus (K. 618) | Roy Goodman, Choir of King’s College, Cambridge, Rogers Covey-Crump, Lynne Dawson, Paul Hillier, David James, Stephen Layton, Cambridge Classical Players, Stephen Cleobury | T-302211431-0 |
| Piano Concerto no. 21 in C major, K. 467: II. Andante | Stephen Hough, Hallé Orchestra, Bryden Thomson | T0101948713 |
| The Creation: The heavens are telling | Choir of King’s College, Cambridge, Heather Harper, John Shirley-Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks | T0701653055 |
| Panis Angelicus | Hallé Choir, Hallé Orchestra, Maurice Handford | T9000167113 |
| In Paradisum (Requiem) | Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury | T-924.489.944-3 |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
| Serse (Xerxes), HWV 40: “Ombra mai fu” | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — |
| Zadok the Priest (Coronation Anthem) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T9001387128 |
| The Lark Ascending: conclusion | Nigel Kennedy, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Aria From the Goldberg Variations | Julia Thornton | T9021286884 |
| Jesu, Joy of Man's Desiring (Cantata No. 147) | Dame Myra Hess | — |
| Jesu, Joy of Man's Desiring (Cantata No. 147) | Dame Myra Hess | T9162784147 |
| Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | T0717254255 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T9115340200 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T9198604181 |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T0715417643 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T9214184573 |
Messe solennelle de Sainte Cécile : 5. Sanctus
Chœur René Duclos, Franz Crass, Heinz Hoppe, Pilar Lorengar, Orchestre de la Société des Concerts du Conservatoire, Jean-Claude Hartemann
—
Messe solennelle de Sainte Cécile : 5. Sanctus
Chœur René Duclos, Franz Crass, Heinz Hoppe, Pilar Lorengar, Orchestre de la Société des Concerts du Conservatoire, Jean-Claude Hartemann
—
Clarinet Concerto in A major, K. 622: II. Adagio
Sabine Meyer, Staatskapelle Dresden, Hans Vonk
—
Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter"
South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein
—
Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Roberto Alagna, Chœur du Capitole de Toulouse, Petits chanteurs à la croix potencée, Orchestre national du Capitole de Toulouse, Michel Plasson
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11
The Monks and Choirboys of Downside Abbey
—
Die lustige Witwe: Akt II. »Nun lasst uns aber wie daheim«
[unknown]
—
London Symphony Orchestra, Sir Adrian Boult
Carmen : « La Fleur que tu m'avais jetée » (Flower Song)
Maria Callas, Orchestre de l’Opéra national de Paris, Georges Prêtre
—
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” (Butterfly, Pinkerton)
Carlo Bergonzi, Renata Scotto, Orchestra del Teatro dell’Opera di Roma, John Barbirolli
—
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Sea Pictures, op. 37: IV. Where Corals Lie
Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Thais: Méditation
Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan
—
The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes
London Symphony Orchestra, André Previn
—
Karelia Suite, op. 11: III. Alla marcia
Hallé Orchestra, Sir John Barbirolli
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Cello Concerto in E minor Op. 85 I. Adagio - Moderato
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: IV. Where Corals Lie
Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St Martin in the Fields, Sir Neville Marriner
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
—
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan
Thais: Méditation
Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan
—
Orfeo ed Euridice: “Che farò senza Euridice?”
Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti
—
Academy of St Martin in the Fields, Sir Neville Marriner
Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood
Academy of St Martin in the Fields, Sir Neville Marriner
—
Scheherazade: The Story of the Kalender Prince (Opening)
The Philadelphia Orchestra, Riccardo Muti
—
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Kiri Te Kanawa, National Philharmonic Orchestra, Douglas Gamley
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
The Philadelphia Orchestra, Eugene Ormandy
Carmen : « La Fleur que tu m'avais jetée » (Flower Song)
Maria Callas, Orchestre de l’Opéra national de Paris, Georges Prêtre
—
Adagio of Spartacus and Phrygia (Spartacus) (Extract)
Royal Philharmonic Orchestra, Yuri Temirkanov
—
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
On the Beautiful Blue Danube, Waltz, op. 314 (extract)
Berliner Philharmoniker, Herbert von Karajan
—
Manfred Ackermann, Bavarian Radio Chorus, Wolfgang Isenhardt, Edda Moser, Thomas Schulze, Stuttgarter Hymnus-Chorknaben, Bavarian Radio Symphony Orchestra, Eugen Jochum, Gerhard Wilhelm
Academy of St Martin in the Fields, Sir Neville Marriner
Academy of St Martin in the Fields, Sir Neville Marriner
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus)
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
—
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
—
Luciano Pavarotti, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti
Oslo Philharmonic Orchestra, Mariss Jansons
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Berliner Philharmoniker, Herbert von Karajan
Polovtsian Dances (Prince Igor) (orch. Rimsky-Korsakov & Glazounov) (Beginning)
Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham
—
The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes
London Symphony Orchestra, André Previn
—
Philharmonia Orchestra, Riccardo Muti
Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract)
Philadelphia Orchestra, Riccardo Muti
—
Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth
Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras
—
Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo
Oslo Philharmonic Orchestra, Mariss Jansons
—
Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion)
New Philharmonia Orchestra, Sir John Barbirolli
—
Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves)
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
—
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto
Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra
—
Radetzky March, op. 228
Wiener Johann Strauss Orchester, Willi Boskovsky
—
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
—
Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
—
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
Royal Philharmonic Orchestra, Sir Colin Davis
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes
London Symphony Orchestra, André Previn
—
L'enfance du Christ, oratorio pour soprano, 2 tenors, bariton, 3 basses, chorus & orchestre, Op. 25, H. 130 "Trilogie sacrée": L'adieu des bergers
Chœur René Duclos, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
—
Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto
Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra
—
Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong
Ellens Gesang III ("Ave Maria"), D. 839 (op. 52/6)
Dame Janet Baker, Gerald Moore
—
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
—
Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro)
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Academy of St Martin in the Fields, Sir Neville Marriner
Angela Gheorghiu, London Symphony Orchestra, Antonio Pappano
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
—
Cello Concerto in E minor Op. 85 I. Adagio - Moderato
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
—
Messiah, HWV 56: No. 44. Hallelujah
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
—
Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth
Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras
—
Sea Pictures, op. 37: IV. Where Corals Lie
Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: IV. Where Corals Lie
Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Orfeo ed Euridice: Dance of the Blessed Spirits
Philharmonia Orchestra, Riccardo Muti
—
Orfeo ed Euridice: “Che farò senza Euridice?”
Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti
—
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Victoria de los Ángeles, Orchestre des Concerts Lamoureux, Jean-Pierre Jacquillat
Victoria de los Ángeles, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Philharmonia Orchestra, Kurt Sanderling
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Roy Goodman, Choir of King’s College, Cambridge, Rogers Covey-Crump, Lynne Dawson, Paul Hillier, David James, Stephen Layton, Cambridge Classical Players, Stephen Cleobury
Stephen Hough, Hallé Orchestra, Bryden Thomson
Choir of King’s College, Cambridge, Heather Harper, John Shirley-Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks
Hallé Choir, Hallé Orchestra, Maurice Handford
Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
Serse (Xerxes), HWV 40: “Ombra mai fu”
Richard Lewis, Hallé Orchestra, Sir John Barbirolli
—
Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis
The Lark Ascending: conclusion
Nigel Kennedy, City of Birmingham Symphony Orchestra, Simon Rattle
—
Julia Thornton
Jesu, Joy of Man's Desiring (Cantata No. 147)
Dame Myra Hess
—
Dame Myra Hess
Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
London Symphony Orchestra, Sir Adrian Boult
London Symphony Orchestra, Sir Adrian Boult
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Academy of St Martin in the Fields, Sir Neville Marriner
Academy of St Martin in the Fields, Sir Neville Marriner
Academy of St Martin in the Fields, Sir Neville Marriner
Philharmonia Orchestra, Riccardo Muti
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.115.427-1T-010115427-1T-050.205.526-6T-050205526-6T-070.000.199-5T-070000199-5T-901134571-4T-902.858.745-3T-902858745-3T-914.248.874-2
+47 more
T-914248874-2T-915711225-9T-924.489.944-3T-924489944-3T0040133058T0050011976T0101948257T0101948713T0117776303T0350243592T0414890611T0416620966T0614093650T0701653055T0714220628T0715180612T0715417643T0717254255T3008162496T3022114310T3056256710T3067054386T3125425669T3146383004T3158247377T9000167113T9000653769T9001353715T9001387128T9001489594T9007986234T9012225013T9021286884T9023594470T9027810500T9102567022T9104058028T9115340200T9150919758T9162784147T9176031848T9198604181T9214184573T9226102018T9286354889T9309534438T9312801857
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000281229590000000055129945000000005514342100000000551442640000000055174463000000005547761600000000595129170000000060671181000000006097350X0000000063086009
+40 more
0000000063086703000000006309059300000000724816760000000078231002000000007838033100000000783861270000000080289086000000008106277200000000810631930000000081085464000000008155430400000000816924320000000081773005000000008185605400000000836071660000000083655192000000008383586300000000841181450000000084163122000000010655972700000001065814490000000106617448000000010729317400000001078863400000000108606603000000010861735300000001086750190000000108694084000000010869414800000001088546230000000108935378000000010896423200000001089642750000000109110853000000010912747900000001091275240000000109144113000000010917819600000001092820730000000109287288
Identifier Graph
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What is UPC 724357765022?
724357765022 is a Universal Product Code (UPC) assigned to 100 airs classiques de legende by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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