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Various Artists
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724358621129 is the Universal Product Code (UPC barcode) for the release “100 Best Opera Classics” by Various Artists, released 2004-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC9000587, GBAYC9000585, GBAYC8401079.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le nozze di Figaro, K. 492: Atto II, scena II. No. 12 Arietta “Voi che sapete che cosa è amor” (Cherubino) | Teresa Berganza, English Chamber Orchestra, Daniel Barenboim | — | |
| 2 | Le nozze di Figaro, K. 492: Act II, Porgi amor (Contessa) | Heather Harper, English Chamber Orchestra, Daniel Barenboim | — | |
| 3 | Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) | London Philharmonic Orchestra, Bernard Haitink | T-306.483.075-3 | |
| 4 | Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) | Elizabeth Gale, London Philharmonic Orchestra, Bernard Haitink | T-929.621.873-0 | |
| 5 | Die Zauberflöte: Zweiter Aufzug: Nr. 14: Arie: Der Hölle Rache kocht in meinem Herzen (Königin der Nacht) | Edda Moser, Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch | — | |
| 6 | Die Zauberflöte: Zweiter Aufzug: Nr. 10: Arie & Chor: Isis und Osiris (Sarastro, Chor) | Chor der Bayerischen Staatsoper, Kurt Moll, Bayerisches Staatsorchester, Wolfgang Sawallisch | T-911.794.016-6 | |
| 7 | Così Fan Tutte, K 588: Act 1. "Temerari... Come Scoglio" | Elisabeth Schwarzkopf, Philharmonia Orchestra, Karl Böhm | — | |
| 8 | Il barbiere di Siviglia: Atto I, scena 2. "La calunnia è un venticello" (Basilio) | Ruggero Raimondi, London Symphony Orchestra, James Levine | — | |
| 9 | Don Carlo: Act II: Nei giardin del bello (Veil Song) | John McCarthy, Ambrosian Opera Chorus, Shirley Verrett, Delia Wallis, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini | — | |
| 10 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 11 | Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) | Franco Corelli, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta | T-900.065.376-9 | |
| 12 | La Traviata: Atto III. “Teneste la promessa … Addio del passato” | Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato | T-913.424.339-3 | |
| 13 | Otello: Act IV, Scene IV. "Niun mi tema" (Otello, Cassio, Lodovico, Montano) | Aldo Bottion, Mario Machi, Jon Vickers, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 14 | Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — | |
| 15 | Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | T-910.067.947-8 | |
| 16 | La bohème: Atto I. “Sì. Mi chiamano Mimì” | Mirella Freni, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers | — | |
| 17 | Manon Lescaut: Atto II. “In quelle trine morbide” | Montserrat Caballé, New Philharmonia Orchestra, Bruno Bartoletti | — | |
| 18 | Signore, ascolta (Turandot) | Kiri Te Kanawa, London Symphony Orchestra, Myung-Whun Chung | T-005.000.838-2 | |
| 19 | Pagliacci: Act I. Recitar!... Vesti la giubba | José Carreras, Philharmonia Orchestra, Riccardo Muti | — | |
| 20 | Fedora: Act II. Amor ti vieta di non amar | Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | — | |
| 2-1 | Faust : Acte II: Le veau d'or est toujours debout | Choeurs de l'Opéra Royal de la Monnaie, Boris Christoff, Chorus of the Paris Opera, Orchestre de l’Opéra national de Paris, André Cluytens | — | |
| 2-2 | Lakmé : Air des clochettes « Où va la jeune hindoue » | Orchestre du Théâtre National de l’Opéra-Comique, Mady Mesplé, Alain Lombard | — | |
| 2-3 | Roméo et Juliette : L'amour, l'amour... Ah! Lève-toi, soleil | Alfredo Kraus, Orchestre du Capitole de Toulouse, Michel Plasson | T-070.248.427-2 | |
| 2-4 | Manon : Allons! Il le faut... Adieu notre petite table | Ileana Cotrubaş, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 2-5 | Werther : Acte III. « Toute mon âme est là ! » … « Pourquoi me réveiller » | Nicolai Gedda, Orchestre de Paris, Georges Prêtre | — | |
| 2-6 | La Jolie Fille de Perth : Quand la flamme de l'amour | José van Dam, Nouvel Orchestre Philharmonique De Radio France, Georges Prêtre | — | |
| 2-7 | Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Victoria de los Ángeles, Orchestre National Radiodiffusion Française, Sir Thomas Beecham | — | |
| 2-8 | Les Pêcheurs de perles : À cette voix... Je crois entendre encore | Alain Vanzo, Orchestre de l’Opéra National de Paris, Georges Prêtre | — | |
| 2-9 | La Damnation de Faust : Une puce gentille | Gabriel Bacquier, Orchestre de Paris, Georges Prêtre | — | |
| 2-10 | Les Troyens : Je vais mourir … Adieu fière cité | Régine Crespin, Orchestre de l’Opéra National de Paris, Georges Prêtre | — | |
| 2-11 | Samson et Dalila : « Mon cœur s’ouvre à ta voix… » | Rita Gorr, Jon Vickers, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | — | |
| 2-12 | Tannhäuser: Wie Todesahnung … O du mein holder Abendstern | Dietrich Fischer-Dieskau, Orchester der Staatsoper Berlin, Franz Konwitschny | — | |
| 2-13 | Der fliegende Holländer: Johohoe! Traft ihr das Schiff im Meere an? | Anja Silja, New Philharmonia Orchestra, Otto Klemperer | T-031.672.821-8 | |
| 2-14 | Lohengrin: In fernem Land | Jess Thomas, Wiener Philharmoniker, Rudolf Kempe | — | |
| 2-15 | Siegfried: Heil dir, Sonne! | Éva Marton, Siegfried Jerusalem, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 2-16 | Tristan und Isolde, Act III, Scene 3: Mild und leise wie er lachelt (Isolde) | Helga Dernesch, Berlin Philharmonic Orchestra, Herbert von Karajan | — | |
| 3-1 | Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — | |
| 3-2 | Die Zauberflöte: Erster Aufzug: Nr. 2: Lied: Der Vogelfänger bin ich ja (Papageno) | Walter Berry, Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch | — | |
| 3-3 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) | Nicolaï Ghiaurov, New Philharmonia Orchestra, Otto Klemperer | — | |
| 3-4 | Le nozze di Figaro: E Susanna non vien!... Dove sono | Barbara Hendricks, English Chamber Orchestra, Jeffrey Tate | — | |
| 3-5 | Fidelio, Act I, No. 9: Rezitativ und Arie: Abscheulicher! Wo eilst du hin? | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | — | |
| 3-6 | William Tell: “Ne m'abandonne pas, espoir de la vengeance … Asile héréditaire” (Arnold) | Nicolai Gedda, Royal Philharmonic Orchestra, Lamberto Gardelli | — | |
| 3-7 | Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro) | Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera | — | |
| 3-8 | Don Carlo: Atto IV, Scena I, No. 10. Introduzione e scena: "Ella giammai m'amò!" (Filippo) | Ruggero Raimondi, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini | — | |
| 3-9 | Rigoletto: “La Donna è mobile” (Duke of Mantua) | Alfredo Kraus, Philharmonia Orchestra, Julius Rudel | T-001.455.377-5 | |
| 3-10 | Il Trovatore: Di quella pira | Angelo Mercuriali, Coro, Orchestra del Teatro dell'Opera di Roma, Thomas Schippers | — | |
| 3-11 | Otello: Esultate! | James McCracken, Ambrosian Opera Chorus, New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 3-12 | Otello: “Dio! mi potevi scagliar” (Otello) | Plácido Domingo, Justino Díaz, Orchestra del Teatro alla Scala di Milano, Lorin Maazel | — | |
| 3-13 | Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-321.286.864-5 | |
| 3-14 | Turandot: In questa reggia | Ghena Dimitrova, Münchner Rundfunkorchester, Lamberto Gardelli | — | |
| 3-15 | Turandot: Tanto amore | Janine Micheau, Orchestre du Théâtre National de l'Opéra de Paris, Georges Prêtre | T-005.000.838-2 | |
| 3-16 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-901.222.501-3 | |
| 3-17 | L'Amico Fritz: “Ed anche Beppe amo” (Fritz) | Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | — | |
| 3-18 | Adriana Lecouvreur: Atto IV. “Poveri fiori” (Adriana) | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 3-19 | Andrea Chénier: Come un bel di cli maggio | Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | — | |
| 4-1 | Faust : Acte III. « Les grands seigneurs » … « Ah ! je ris » (Jewel Song) | Victoria de los Ángeles, Orchestre de l’Opéra National de Paris, André Cluytens | — | |
| 4-2 | The Juggler of Notre Dame: Légende de la sauge “Marie, avec l'enfant Jésus” (Boniface) | Jules Bastin, Orchestre National de l’Opéra de Monte-Carlo, Roger Boutry | — | |
| 4-3 | Mireille: Heureux petit berger | Janine Micheau, Orchestre de l’Opéra National de Paris, Georges Prêtre | — | |
| 4-4 | Mignon: “Connais-tu le pays...” (Mignon) | Jane Rhodes, Orchestre du Théâtre National de l’Opéra-Comique, Jean-Claude Hartemann | — | |
| 4-5 | Mignon: « Elle ne croyait pas dans sa candeur naïve » | Nicolai Gedda, Orchestre national de la Radiodiffusion française, Georges Prêtre | T-310.771.053-8 | |
| 4-6 | Carmen: “Votre toast, je peux vous le rendre” (Toredor Song) | Chœur de la Radiodiffusion française, Monique Linval, Denise Monteil, Victoria de los Ángeles, Ernest Blanc, Orchestre National de la Radiodiffusion française, Sir Thomas Beecham | — | |
| 4-7 | The Tales of Hoffmann: “Les Oiseaux dans la charmille...” (Olympia) | Mady Mesplé, Orchestre de l’Opéra National de Paris, Jean-Pierre Marty | — | |
| 4-8 | La damnation de Faust: Maintenant, chantons ... Devant la maison de celui qui t'adore | Gérard Souzay, Orchestre de l’Opéra National de Paris, Georges Prêtre | — | |
| 4-9 | Louise: “Depuis le jour” (Louise) | Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 4-10 | Der Rosenkavalier: “Da geht er hin...” (Marschallin) | Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan | — | |
| 4-11 | Lohengrin: “Einsam in trüben Tagen” (Elsa's Dream) | Régine Crespin, Orchestre national de France, Georges Prêtre | — | |
| 4-12 | Tannhauser: “Dich, teure Halle...” (Elisabeth's Entrance) | Hildegard Behrens, Münchner Rundfunkorchester, Peter Schneider | — | |
| 4-13 | The Walkyrie: “Leb wohl, du kühnes, herrliches Kind” (Wotan's Farewell) | Dietrich Fischer-Dieskau, Munich Radio Orchestra, Rafael Kubelík | — | |
| 4-14 | Der Ring des Nibelungen: Walkürenritt | Anita Soldh, Ruth Falcon, Sylvia Herman, Margareta Hintermeier, Ursula Kunz, Margarita Lilova, Ute Walther, Carolyn Watkinson, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 5-1 | Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | T-011.664.128-1 | |
| 5-2 | Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina) | Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 5-3 | Die Zauberflöte: Akt II. Nr. 21 Finale „Pa‐pa‐ge‐na!“ (Papageno, Papagena) | Catherine Pierard, Andreas Schmidt, London Classical Players, Sir Roger Norrington | — | |
| 5-4 | Così fan tutte: Atto I, scena 2. “Soave sia il vento” | Claudio Desderi, Carol Vaness, Dolores Ziegler, London Philharmonic Orchestra, Bernard Haitink | — | |
| 5-5 | Norma: “Mira, o Norma” | Maria Callas | T-310.371.228-9 | |
| 5-6 | Lucia di Lammermoor: Il dolce suono | Edita Gruberová, Bruno Lazzaretti, Robert Lloyd, Renato Bruson, Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Nicola Rescigno | — | |
| 5-7 | Don Pasquale: Com'è gentil | Alfredo Kraus, Ambrosian Opera Chorus, London Symphony Orchestra, Sarah Caldwell | — | |
| 5-8 | Il barbiere di Siviglia: Atto I, scena 2. “Una voce poco fa” | Maria Callas, Tito Gobbi, Philharmonia Orchestra, Alceo Galliera | — | |
| 5-9 | La traviata: “Libiamo ne’ lieti calici” (Alfredo, Violetta, Chœurs) | Alfredo Kraus, Renata Scotto, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 5-10 | Rigoletto: Atto I, scena 2. “Gualtier Maldè!... Caro nome” | Coro del Teatro alla Scala di Milano, Daniela Dessì, Lucio Gallo, Ernesto Gavazzi, Michele Pertusi, Orchestra del Teatro alla Scala di Milano, Riccardo Muti | T-913.242.186-4 | |
| 5-11 | Aida: Ritorna vincitor | Birgit Nilsson, Orchestra del Teatro dell'Opera di Roma, Zubin Mehta | T-900.065.376-9 | |
| 5-12 | Otello: Atto IV. “Ave Maria, piena di grazia” | Katia Ricciarelli, Orchestra del Teatro alla Scala di Milano, Lorin Maazel | — | |
| 5-13 | Turandot: Atto III, scena 1. “Nessun dorma!” | Franco Corelli, Coro del Teatro dell’Opera di Roma, Orchestra del Teatro dell’Opera di Roma, Francesco Molinari-Pradelli | T-005.000.838-2 | |
| 5-14 | La bohème: Atto I. “Che gelida manina” | Nicolai Gedda, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers | — | |
| 5-15 | La Wally: “Ebben? ... Ne andrò lontana” | Barbara Hendricks, French Radio Philharmonic Orchestra, Paavo Järvi | — | |
| 6-1 | Le Postillion de Longjumeau: « Mes amis, écoutez l’histoire » | Nicolai Gedda, Orchestre national de la Radiodiffusion française, Georges Prêtre | — | |
| 6-2 | La muette de Portici: Mieux vaut mourir... Amour sacre de la patrie | Alfredo Kraus, Jean-Philippe Lafont, Orchestre Philharmonique de Monte-Carlo, Thomas Fulton | — | |
| 6-3 | Roméo et Juliette: Ah! Je veux vivre dans ce reve | Mady Mesplé, Orchestre de l’Opéra national de Paris, Jean-Pierre Marty | — | |
| 6-4 | Le roi d'Ys: Puisqu'on ne peut flechir... Vainement, ma bien-aimee' | Édouard Lalo, Orchestre national de la Radiodiffusion française, André Cluytens | — | |
| 6-5 | Manon: Suis-je gentille ainsi? ... Je marche sur tous les chemins | June Anderson, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 6-6 | Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | T-071.153.499-4 | |
| 6-7 | Carmen: La fleur que tu m'avais jetée (Act II) | José Carreras, Orchestra of the Royal Opera House, Covent Garden, Jacques Delacôte | — | |
| 6-8 | Les pêcheurs de perles: C'est toi!... Au fond du temple saint | Gino Quilico, John Aler, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 6-9 | Werther: Acte III: “Werther, Werther, qui m'aurait dit... Ces lettres!” | Tatiana Troyanos, London Philharmonic Orchestra, Michel Plasson | — | |
| 6-10 | Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-316.901.758-3 | |
| 6-11 | Thaïs: Ah! Je suis seule enfin... Dis-moi que je suis belle | Beverly Sills, New Philharmonia Orchestra, Lorin Maazel | — | |
| 6-12 | Faust: Alerte, alerte!... Anges purs, anges radieux | Nicolaï Ghiaurov, Mirella Freni, Plácido Domingo, Orchestre de l’Opéra National de Paris, Georges Prêtre | — | |
| 6-13 | Boris Godunov: Boris's Farewell | Boris Christoff, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 6-14 | Oberon: Schreckensschwur! | Gary Lakes, Gürzenich-Orchester Köln, James Conlon | — | |
| 6-15 | Die Meistersinger von Nürnberg: Akt III, Szene IV. "'Die selige Morgentraum-Deutweise'" (Sachs, Eva, Walther, David, Magdalene) | Staatskapelle Dresden, Herbert von Karajan | — | |
| 6-16 | Siegried: Was am besten er kann... Nothung! Nothung! | Siegfried Jerusalem, Peter Haage, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Carmen : Acte I. « L'amour est un oiseau rebelle » (Habanera) | Victoria de los Ángeles, French National Radio Chorus, Orchestre national de la Radiodiffusion française, Sir Thomas Beecham | T-305.625.648-1 |
| Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | — |
| Fidelio, Act I, No. 9: Rezitativ und Arie: Abscheulicher! Wo eilst du hin? | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | — |
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | — |
| Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | — |
| Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina) | Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| La bohème: Atto I. “Che gelida manina” | Nicolai Gedda, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers | — |
| La bohème: Atto I. “Sì. Mi chiamano Mimì” | Mirella Freni, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers | — |
| Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) | Nicolaï Ghiaurov, New Philharmonia Orchestra, Otto Klemperer | — |
| Tristan und Isolde, Act III, Scene 3: Mild und leise wie er lachelt (Isolde) | Helga Dernesch, Berlin Philharmonic Orchestra, Herbert von Karajan | — |
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Adriana Lecouvreur: Atto IV. “Poveri fiori” (Adriana) | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-900.145.876-0 |
| Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro) | Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931.280.185-7 |
| Die Zauberflöte: Zweiter Aufzug: Nr. 14: Arie: Der Hölle Rache kocht in meinem Herzen (Königin der Nacht) | Edda Moser, Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch | — |
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Identifier Graph
724358621129 is a Universal Product Code (UPC) assigned to 100 Best Opera Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
724358621129 is the Universal Product Code (UPC barcode) for the release “100 Best Opera Classics” by Various Artists, released 2004-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC9000587, GBAYC9000585, GBAYC8401079.
