UPC · Release
Various Artists
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The UPC for “Your Hundred Best Tunes: The Nation's Favourite Classical Music” by Various Artists is 724359463421. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2003-01-01. Label: Virgin. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC8300121, GBAYC7900176, GBAYC8800390.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia) | Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner | T-011.777.630-3 | |
| 2 | Violin Concerto in E major “The Four Seasons: Spring”, op. 8 no. 1: I. Allegro | Yehudi Menuhin, Paul Crocker, Camerata Lysy Gstaad, Alberto Lysy | — | |
| 3 | Toccata & Fugue in D minor, BWV 565: Toccata | Wayne Marshall | — | |
| 4 | Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.662.096-6 | |
| 5 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Philharmonia Orchestra, Kurt Sanderling | — | |
| 6 | 1812 Overture, op. 49 (excerpt) | Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 7 | Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy | James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti | — | |
| 8 | Piano Concerto in A minor, Op. 16: Allegro molto moderato (Opening) | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-902.781.050-0 | |
| 9 | Karelia Suite, op. 11: III. Alla marcia | Hallé Orchestra, Sir John Barbirolli | — | |
| 10 | The Planets, op. 32: Jupiter, the Bringer of Jolity (conclusion) | Philharmonia Orchestra, Sir Simon Rattle | T-300.816.249-6 | |
| 11 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — | |
| 12 | Finlandia, op. 26 | Hallé Orchestra, Sir John Barbirolli | T-910.256.702-2 | |
| 13 | Aida: “Gloria all’Egitto” | Douglas Robinson, Chorus of the Royal Opera House, Covent Garden, New Philharmonia Orchestra, Riccardo Muti | T-900.065.376-9 | |
| 14 | Montagues and Capulets | The Philadelphia Orchestra, Riccardo Muti | — | |
| 15 | Old Comrades March | — | ||
| 16 | Pomp and Circumstance March no. 1, op. 39 no. 1 "Land of Hope and Glory" (excerpt: Conclusion) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T-917.603.184-8 | |
| 17 | Piano Concerto no. 3 in D minor: I. Allegro (Opening) | Mikhail Rudy, St. Petersburg Philharmonic Orchestra, Mariss Jansons | — | |
| 18 | Symphony No. 3 in C Minor 'Organ' Op. 78 - Maestoso-Allegro (Conclusion) | [unknown] | — | |
| 2-1 | Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 2-2 | Orfeo ed Euridice: Dance of the Blessed Spirits | Philharmonia Orchestra, Riccardo Muti | — | |
| 2-3 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-4 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 2-5 | Aria From the Goldberg Variations | Julia Thornton | T-902.128.688-4 | |
| 2-6 | Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-7 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — | |
| 2-8 | Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T-911.534.020-0 | |
| 2-9 | Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — | |
| 2-10 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Stephen Hough, Hallé Orchestra, Bryden Thomson | T-010.194.871-3 | |
| 2-11 | Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo | Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 2-12 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | T-312.542.566-9 | |
| 2-13 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 | |
| 2-14 | Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041.489.061-1 | |
| 2-15 | The Lark Ascending: conclusion | Nigel Kennedy, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-16 | Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 2-17 | Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | T-902.858.745-3 | |
| 3-1 | Au fond du temple saint (Temple Duet) (The Pearl Fishers) | — | ||
| 3-2 | Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922.610.201-8 | |
| 3-3 | Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-305.625.671-0 | |
| 3-4 | Carmen : « La Fleur que tu m'avais jetée » (Flower Song) | Maria Callas, Orchestre de l’Opéra national de Paris, Georges Prêtre | — | |
| 3-5 | Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — | |
| 3-6 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 3-7 | La Bohème: Atto I. "Che gelida manina!" (Rodolfo) | Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | T-915.091.975-8 | |
| 3-8 | Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) | Angela Gheorghiu, London Symphony Orchestra, Antonio Pappano | T-901.222.501-3 | |
| 3-9 | Chants d’Auvergne: Baïlèro | Victoria de los Ángeles, Orchestre des Concerts Lamoureux, Jean-Pierre Jacquillat | T-004.013.305-8 | |
| 3-10 | Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” (Butterfly, Pinkerton) | Carlo Bergonzi, Renata Scotto, Orchestra del Teatro dell’Opera di Roma, John Barbirolli | — | |
| 3-11 | Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — | |
| 3-12 | Die lustige Witwe: Akt II. »Nun lasst uns aber wie daheim« | [unknown] | — | |
| 3-13 | Serse (Xerxes), HWV 40: “Ombra mai fu” | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 3-14 | Ellens Gesang III ("Ave Maria"), D. 839 (op. 52/6) | Dame Janet Baker, Gerald Moore | — | |
| 3-15 | Cantique de Noel for voice & orchestra, "O Holy Night" | Roberto Alagna, Chœur du Capitole de Toulouse, Petits chanteurs à la croix potencée, Orchestre national du Capitole de Toulouse, Michel Plasson | T-050.205.526-6 | |
| 3-16 | Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | — | |
| 4-1 | Irish Tune From County Derry (Londonderry Air) | — | ||
| 4-2 | The Watermill | — | ||
| 4-3 | The Last Rose of Summer | Kiri Te Kanawa, National Philharmonic Orchestra, Douglas Gamley | T-930.953.443-8 | |
| 4-4 | Bells Across the Meadow | — | ||
| 4-5 | Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — | |
| 4-6 | Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-919.860.418-1 | |
| 4-7 | Jerusalem | — | ||
| 4-8 | The Nun's Chorus (Casanova) | — | ||
| 4-9 | The Holy City | — | ||
| 4-10 | Don't Be Cross (Der Obersteiger) | — | ||
| 4-11 | On the Beautiful Blue Danube, Waltz, op. 314 (extract) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-12 | Warsaw Concerto From the Film Dangerous Moonlight (Opening) | — | ||
| 4-13 | Le nozze di Figaro (Overture) | Royal Philharmonic Orchestra, Sir Colin Davis | T-902.359.447-0 | |
| 4-14 | Jesu, Joy of Man's Desiring (Cantata No. 147) | Dame Myra Hess | — | |
| 4-15 | Judex (Mors et vita) | — | ||
| 4-16 | Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 4-17 | Piano Concerto No. 5 in E Flat 'Emperor' Op. 73 B I. Allegro (Extract) | — | ||
| 5-1 | Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T-921.418.457-3 | |
| 5-2 | Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 5-3 | Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | T-061.409.365-0 | |
| 5-4 | Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — | |
| 5-5 | Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 | |
| 5-6 | Fantasia on a Theme by Thomas Tallis (opening) | London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 5-7 | Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-8 | Polovtsian Dances (Prince Igor) (orch. Rimsky-Korsakov & Glazounov) (Beginning) | Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 5-9 | Adagio of Spartacus and Phrygia (Spartacus) (Extract) | Royal Philharmonic Orchestra, Yuri Temirkanov | — | |
| 5-10 | Romeo & Juliet: Fantasy Overture (Excerpt) | Oslo Philharmonic Orchestra, Mariss Jansons | T-010.194.825-7 | |
| 5-11 | Symphony No. 7 in a Op. 92 II Allegretto (Extract) | Philharmonia Orchestra, Kurt Sanderling | T-314.638.300-4 | |
| 5-12 | Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | — | |
| 5-13 | The Sea and Sinbad's Ship (Scheherazade) (Opening) | — | ||
| 5-14 | The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — | |
| 5-15 | Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract) | Philadelphia Orchestra, Riccardo Muti | — | |
| 6-1 | Zadok the Priest (Coronation Anthem) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T-900.138.712-8 | |
| 6-2 | Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter" | South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 6-3 | Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — | |
| 6-4 | Deutsche Messe (DB72 - Sanctus) | [unknown] | T-910.405.802-8 | |
| 6-5 | Panis Angelicus | Hallé Choir, Hallé Orchestra, Maurice Handford | T-900.016.711-3 | |
| 6-6 | L'enfance du Christ, oratorio pour soprano, 2 tenors, bariton, 3 basses, chorus & orchestre, Op. 25, H. 130 "Trilogie sacrée": L'adieu des bergers | Chœur René Duclos, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 6-7 | Messe solennelle de Sainte Cécile : 5. Sanctus | Chœur René Duclos, Franz Crass, Heinz Hoppe, Pilar Lorengar, Orchestre de la Société des Concerts du Conservatoire, Jean-Claude Hartemann | — | |
| 6-8 | In Paradisum (Requiem) | Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury | T-924.489.944-3 | |
| 6-9 | Vesperae solennes de confessore | Manfred Ackermann, Bavarian Radio Chorus, Wolfgang Isenhardt, Edda Moser, Thomas Schulze, Stuttgarter Hymnus-Chorknaben, Bavarian Radio Symphony Orchestra, Eugen Jochum, Gerhard Wilhelm | T-900.135.371-5 | |
| 6-10 | Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11 | The Monks and Choirboys of Downside Abbey | — | |
| 6-11 | Messa da Requiem: II. Sequenza. Ingemisco (Tenor) | Luciano Pavarotti, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti | T-900.148.959-4 | |
| 6-12 | Ave verum corpus (K. 618) | Roy Goodman, Choir of King’s College, Cambridge, Rogers Covey-Crump, Lynne Dawson, Paul Hillier, David James, Stephen Layton, Cambridge Classical Players, Stephen Cleobury | T-302.211.431-0 | |
| 6-13 | I Know That My Redeemer Liveth (Messiah) | — | ||
| 6-14 | The Creation: The heavens are telling | Choir of King’s College, Cambridge, Heather Harper, John Shirley-Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks | T-070.165.305-5 | |
| 6-15 | Requiem, op. 48: IV. Pie Jesu | Victoria de los Ángeles, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | T-315.824.737-7 | |
| 6-16 | Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 6-17 | Hallelujah! | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messe solennelle de Sainte Cécile : 5. Sanctus | Chœur René Duclos, Franz Crass, Heinz Hoppe, Pilar Lorengar, Orchestre de la Société des Concerts du Conservatoire, Jean-Claude Hartemann | — |
| Karelia Suite, op. 11: III. Alla marcia | Hallé Orchestra, Sir John Barbirolli | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-306.705.438-6 |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Carmen : « La Fleur que tu m'avais jetée » (Flower Song) | Maria Callas, Orchestre de l’Opéra national de Paris, Georges Prêtre | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T-005.001.197-6 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| On the Beautiful Blue Danube, Waltz, op. 314 (extract) | Berliner Philharmoniker, Herbert von Karajan | T-035.024.359-2 |
| The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | T-928.635.488-9 |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | T-900.798.623-4 |
| The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — |
| Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | — |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.422.062-8 |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931.280.185-7 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
| Jesu, Joy of Man's Desiring (Cantata No. 147) | Dame Myra Hess | T-916.278.414-7 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
724359463421 is a Universal Product Code (UPC) assigned to Your Hundred Best Tunes: The Nation's Favourite Classical Music by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Your Hundred Best Tunes: The Nation's Favourite Classical Music” by Various Artists is 724359463421. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2003-01-01. Label: Virgin. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC8300121, GBAYC7900176, GBAYC8800390.
