UPC · Release
The Best Choral Album in the World…Ever!
Various Artists
724384722524
39 tracksReleased 1999-01-01Virgin
Last verified:
724384722524 is the Universal Product Code (UPC barcode) for the release “The Best Choral Album in the World…Ever!” by Various Artists, released 1999-01-01 on Virgin. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 39 tracks, each with its own ISRC. Tracks include GBAYC9001136, GBAYC7000104, GBAYC8300202.
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7Number system
24384Manufacturer
72252Product
4Check digit
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- Manufacturer:
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- Check digit:
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Credit Chain
UPCThe Best Choral Album in the World…Ever!
ISRC23 recordings
ISWC19 works
IPI2 songwriters
Track List (39)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Gloria in D major, RV 589: I. Gloria in excelsis Deo | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-905.452.179-8 | |
| 2 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 | |
| 3 | Zadok the Priest | — | ||
| 4 | Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — | |
| 5 | Hymn (mode VIII): Veni creator spiritus | — | ||
| 6 | Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 7 | For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | T-011.162.720-3 | |
| 8 | The Creation: The heavens are telling | Choir of King’s College, Cambridge, Heather Harper, John Shirley-Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks | T-070.165.305-5 | |
| 9 | Panis Angelicus | Hallé Choir, Hallé Orchestra, Maurice Handford | T-900.016.711-3 | |
| 10 | Vespers, op. 37: Ave Maria | — | ||
| 11 | Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy | James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti | — | |
| 12 | Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — | |
| 13 | Prince Igor: Chorus of Slave Girls | — | ||
| 14 | Dona Francisquita: Coro de románticos (Chorus of Lovers) | — | ||
| 15 | In Paradisum (Requiem) | Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury | T-924.489.944-3 | |
| 16 | Totus tuus (opening) | — | ||
| 17 | Song for Athene | — | ||
| 18 | Standing Stone: Celebration (conclusion) | — | ||
| 19 | Jerusalem | — | ||
| 2-1 | Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter" | South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 2-2 | Te Deum in D: Pleni sunt coeli et terra | — | ||
| 2-3 | Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | T-071.518.061-2 | |
| 2-4 | Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord" | Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger | — | |
| 2-5 | Sequence (mode 1): Veni sancte spiritus | — | ||
| 2-6 | The Creation, Hob. XXI:2: Part I, no. 10. Awake the harp (chorus) | CBSO Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-902.863.695-5 | |
| 2-7 | Elijah: And then Shall Your Light Break Forth | — | ||
| 2-8 | L'enfance du Christ, oratorio pour soprano, 2 tenors, bariton, 3 basses, chorus & orchestre, Op. 25, H. 130 "Trilogie sacrée": L'adieu des bergers | Chœur René Duclos, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 2-10 | Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11 | The Monks and Choirboys of Downside Abbey | — | |
| 2-11 | Ave verum Corpus, K. 618 | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | T-011.552.099-4 | |
| 2-12 | Tannhäuser: Beglückt darf nun dich, o Heimat (Pilgrim’s Chorus) | — | ||
| 2-13 | Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — | |
| 2-14 | Gloria: Laudamus te | — | ||
| 2-15 | Chichester Psalms, for boy soloist, chorus & orchestra: I. Maestoso ma energico (Allegro molto) | John Bowley, Choir of King’s College, Cambridge, Michael Pearce, Daniel Sladden, Peter Winn, Peter Barley, David Corkhill, Rachel Masters, Stephen Cleobury | T-070.027.200-9 | |
| 2-16 | The Lamb | Vasari Singers, Jeremy Backhouse | T-900.217.085-6 | |
| 2-17 | Agnus Dei (Adagio for Strings) | — | ||
| 2-18 | Requiem for chorus & orchestra: "Requiem aeternam" | Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury | — | |
| 2-19 | Messa da Requiem: Dies irae (opening) | — | ||
| 2-20 | Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst | T-800.639.771-4 | |
| 2-21 | Pomp and Circumstance March no. 1, op. 39 no. 1 "Land of Hope and Glory" (excerpt: Conclusion) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T-917.603.184-8 |
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Zadok the Priest
—
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Hymn (mode VIII): Veni creator spiritus
—
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras
Choir of King’s College, Cambridge, Heather Harper, John Shirley-Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks
Vespers, op. 37: Ave Maria
—
Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy
James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti
—
Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves)
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
—
Prince Igor: Chorus of Slave Girls
—
Dona Francisquita: Coro de románticos (Chorus of Lovers)
—
Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury
Totus tuus (opening)
—
Song for Athene
—
Standing Stone: Celebration (conclusion)
—
Jerusalem
—
Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter"
South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein
—
Te Deum in D: Pleni sunt coeli et terra
—
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord"
Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger
—
Sequence (mode 1): Veni sancte spiritus
—
CBSO Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Elijah: And then Shall Your Light Break Forth
—
L'enfance du Christ, oratorio pour soprano, 2 tenors, bariton, 3 basses, chorus & orchestre, Op. 25, H. 130 "Trilogie sacrée": L'adieu des bergers
Chœur René Duclos, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
—
Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11
The Monks and Choirboys of Downside Abbey
—
The Schütz Choir of London, The London Classical Players, Sir Roger Norrington
Tannhäuser: Beglückt darf nun dich, o Heimat (Pilgrim’s Chorus)
—
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie”
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
—
Gloria: Laudamus te
—
John Bowley, Choir of King’s College, Cambridge, Michael Pearce, Daniel Sladden, Peter Winn, Peter Barley, David Corkhill, Rachel Masters, Stephen Cleobury
Agnus Dei (Adagio for Strings)
—
Requiem for chorus & orchestra: "Requiem aeternam"
Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury
—
Messa da Requiem: Dies irae (opening)
—
London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst
Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | T-928.635.488-9 |
| Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — |
| Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord" | Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger | — |
| For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | — |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | — |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie”
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
—
Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord"
Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger
—
For Unto us a child is born (Messiah)
John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras
—
Messiah, HWV 56: No. 44. Hallelujah
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
—
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
What other identifiers does this connect to?
Musical Works (ISWC)
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0000000028122959000000005516508100000000606711810000000063090593000000006310505400000000783861270000000078394143000000008118763900000000817730050000000083655192
+40 more
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What is UPC 724384722524?
724384722524 is a Universal Product Code (UPC) assigned to The Best Choral Album in the World…Ever! by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 39 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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