UPC · Release
Cooking with Classical Music
Various Artists
Last verified:
7332849153597 is the Universal Product Code (UPC barcode) for the release “Cooking with Classical Music” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include DEN960330501, DEF059231101, GBEKZ0300209.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Carmen: Toreador’s Song | Bryn Terfel, London Symphony Orchestra, Barry Wordsworth | T-911.507.740-2 | |
| 2 | Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Aria | Andrei Gavrilov | T-321.904.265-2 | |
| 3 | Habanera | Katherine Jenkins, The Arcadian Ensemble, James Morgan | T-011.124.733-6 | |
| 4 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 32. Aria “Piangerò la sorte mia” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 5 | Nocturnes, Op. 32: No. 1 in B Major | Adam Harasiewicz | — | |
| 6 | Champagner-Polka, op. 211 | Wiener Philharmoniker, Willi Boskovsky | T-927.211.242-2 | |
| 7 | Nocturnes, Op. 32: No. 2 in A-Flat Major | Adam Harasiewicz | T-906.148.797-6 | |
| 8 | Violin Concerto in A, KV 219: 2. Adagio (cadenza: Joseph Joachim) | Henryk Szeryng, Philharmonia Orchestra, Sir Alexander Gibson | T-902.574.467-6 | |
| 9 | Piano Sonata No. 11 in A major, K. 331 "Alla Turca": I. Tema (Andante grazioso) con variazioni | András Schiff | — | |
| 10 | Vide cor meum (from “Hannibal”) | Katherine Jenkins, Czech Film Orchestra, Rhys Meirion, David Rowland | T-071.349.765-4 | |
| 11 | Rigoletto, Act III: La donna è mobile | Danish National Chamber Orchestra, James Morgan | T-912.866.624-0 | |
| 12 | A Midsummer Night's Dream, op. 61: No. 5. Intermezzo | London Symphony Orchestra, Peter Maag | — | |
| 13 | La cathédrale engloutie (orchestral version) | New Philharmonia Orchestra, Leopold Stokowski | — | |
| 14 | Aida: Atto III. Romanza “Qui Radamès verrà! ... O patria mia … Che vorrà dirmi?” (Aida) | Giulio Bertola, Maria Chiara, Orchestra del Teatro alla Scala di Milano, Lorin Maazel | T-900.065.376-9 | |
| 15 | Rinaldo, HWV 7a: “Lascia ch’io pianga” | Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | T-911.383.839-4 | |
| 16 | Quartet for Piano no. 2 in E-flat major, K. 493: II. Larghetto | Bruno Giuranna, Beaux Arts Trio | T-913.918.862-8 | |
| 17 | Liebeslieder, op. 114 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 18 | Cavalleria rusticana: Intermezzo sinfonico | Philharmonia Orchestra, Giuseppe Sinopoli | T-307.525.888-3 | |
| 19 | 'O sole mio | Russell Watson, Royal Philharmonic Orchestra, Nicholas Dodd | T-900.125.303-8 | |
| 20 | Lieder ohne Worte, op. 85: No. 4 in D: Andante sostenuto | Daniel Barenboim | — | |
| 21 | Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | Wiener Philharmoniker, Sir Georg Solti | — | |
| 22 | Nocturne no. 1 in B-flat minor, op. 9 no. 1 | Claudio Arrau | T-312.441.574-9 | |
| 23 | Nocturne no. 2 in E-flat major, op. 9 no. 2 | Claudio Arrau | T-316.578.060-5 | |
| 24 | Le nozze di Figaro: No. 12. Arietta "Voi che sapete" (Cherubino) | Anne Sofie von Otter, The English Concert, Trevor Pinnock | T-031.862.676-4 | |
| 25 | William Tell: Overture | Israel Philharmonic Orchestra, Zubin Mehta | T-322.091.334-4 | |
| 26 | Clarinet Concerto in A, KV 622: II. Adagio | Karl Leister, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 27 | Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — | |
| 28 | Piano Concerto No. 1 in C Major, Op. 15 : 1. Allegro con brio | Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis | — | |
| 29 | Piano Concerto No. 1 in C Major, Op. 15: II. Largo | Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis | — | |
| 30 | String Quartet No. 10 in E-flat major, Op. 51, B. 92: III. Romanza: andante con moto | Prague String Quartet | — | |
| 31 | Gianni Schicchi: “O mio babbino caro” | Kiri Te Kanawa, London Symphony Orchestra, Stephen Barlow | T-901.222.501-3 | |
| 32 | Vesti la giubba | Luciano Pavarotti, Wiener Volksopernorchester, Leone Magiera | — | |
| 33 | Symphony No. 85 in B-Flat Major, Hob. I:85, "La Reine": II. Romance: Allegretto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 34 | Schön Rosmarin | Ruggiero Ricci, Brooks Smith | — | |
| 35 | Sonata in f minor (Andante moderato) K466 | Yuja Wang | — | |
| 36 | Les Contes d'Hoffmann : Acte IV. Barcarolle "Belle nuit, ô nuit d'amour" (Nicklausse, Giulietta, les invités) | Jacques Jouineau, Chœur de Radio France, Claudia Eder, Edita Gruberová, Orchestre national de France, Seiji Ozawa | T-071.153.499-4 | |
| 37 | Piano Trio in B-Flat Major, Op. 97, "Archduke": III. Andante cantabile, ma però con moto - Poco più adagio | Borodin Quartet, Sviatoslav Richter | — | |
| 38 | Rigoletto: “Questa o quella” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-928.635.458-3 | |
| 39 | Don Giovanni, ossia Il dissoluto punito, K.527 : "Dalla sua pace" | Uwe Heilmann, Chamber Orchestra of Europe, Claudio Abbado | — | |
| 40 | Liebeslied | Clifford Benson, Shlomo Mintz | — | |
| 41 | Miniatures, Op. 75a: Romanza | Budapest Festival Orchestra, Iván Fischer | — | |
| 42 | La gazza ladra : Overture | Los Angeles Philharmonic, Gustavo Dudamel | — | |
| 43 | Romances sans paroles, op. 19: no. 1 en mi majeur: Andante con moto | Daniel Barenboim | — | |
| 44 | Piano Trio No.5 in D, Op.70 No.1 - "Geistertrio" : 2. Largo assai ed espressivo | Beaux Arts Trio | T-900.158.116-4 | |
| 45 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | Wiener Philharmoniker, Hans Schmidt-Isserstedt | T-909.876.841-3 | |
| 46 | String Quartet No. 2 in G, Op. 18 No. 2 : 3. Scherzo (Allegro) | Paolo Borciani, Piero Farulli, Elisa Pegreffi, Quartetto Italiano, Franco Rossi | — | |
| 47 | Impromptu in B-flat major, D. 935 No. 3: Theme (Andante) with variations | Alfred Brendel | — | |
| 48 | Konzert für Horn und Orchester no. 4 Es-Dur, K. 495: II. Romanze. Andante cantabile | David Jolley, Orpheus Chamber Orchestra | T-900.137.696-1 | |
| 49 | Romance in F Minor for Violin and Orchestra, Op. 11 | Pamela Frank, Czech Philharmonic Orchestra, Charles Mackerras | — | |
| 50 | Salut D’amour, op. 12 | Kyung Wha Chung, Phillip Moll | T-900.035.228-3 |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
| Rigoletto: “Questa o quella” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+40 more
Identifier Graph
People also ask
Verified on
What is UPC 7332849153597?
7332849153597 is a Universal Product Code (UPC) assigned to Cooking with Classical Music by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm