UPC · Release
Choir of King’s College, Cambridge
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8718011202932 is the Universal Product Code (UPC barcode) for the release “Choir of King's College, Cambridge” by Choir of King’s College, Cambridge. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 201 tracks, each with its own ISRC. Tracks include NLY330902400, NLY330902401, NLY330902402.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | St. Mathew Passion, Part I: I. Chorus with Chorale "Kommt ihr Töchter, helft mir klagen" | — | ||
| 2 | St. Mathew Passion, Part I: II. Recitative (Evangelist, Jesus) "Da Jesus diese Rolle vollendet hatte" | — | ||
| 3 | St. Mathew Passion, Part I: III. Chorale "Herzliebster Jesu, was hast du verbrochen" | — | ||
| 4 | St. Mathew Passion, Part I: IVa. Recatative (Evangelist, Jesus) "Da versammelten sich die Hohenpriester" | — | ||
| 5 | St. Mathew Passion, Part I: IVb.Chorus "Ja nicht auf das Fest" | — | ||
| 6 | St. Mathew Passion, Part I: IVc. Recitative (Evangelist ,Jesus) "Da nun Jesus war zu Bethanien" | — | ||
| 7 | St. Mathew Passion, Part I: IVd. Chorus "Wozu dienet dieser Unrat?" | — | ||
| 8 | St. Mathew Passion, Part I: IVe. Recitative (Evangelist ,Jesus) "Da das Jesus merkete" | — | ||
| 9 | St. Mathew Passion, Part I: V. Recitative (Alto) "Du lieber Heiland, du" | — | ||
| 10 | St. Mathew Passion, Part I: VI. Aria (Alto) "Buss und Reu" | — | ||
| 11 | St. Mathew Passion, Part I: VII. Recitative (Evangelist, Judas) "Da ging hin der Zwöfen einer" | — | ||
| 12 | St. Mathew Passion, Part I: VIII. Aria (Soprano) "Blute nur, du liebes Herz!" | — | ||
| 13 | St. Mathew Passion, Part I: IXa. Recitative (Evangelist) "Aber am ersten Tage der süssen Brot" | — | ||
| 14 | St. Mathew Passion, Part I: IXb. Chorus "Wo willst du, dass wir dir bereiten" | — | ||
| 15 | St. Mathew Passion, Part I: IXc. Recitative (Evangelist, Jesus) "Er sprach: Gehet hin in die Stadt" | — | ||
| 16 | St. Mathew Passion, Part I: IXd. Recitative (Evangelist) "Und sie wurden sehr betrübt" | — | ||
| 17 | St. Mathew Passion, Part I: IXe. Chorus "Herr, bin ich's?" | — | ||
| 18 | St. Mathew Passion, Part I: X. Chorale "Ich bin's, ich sollte büssen" | — | ||
| 19 | St. Mathew Passion, Part I: XI. Recitative (Evangelist, Jesus) "Er antwortete und sprach" | — | ||
| 20 | St. Mathew Passion, Part I: XII. Recitative (Soprano) "Wiewohl mein Herz in Tränen schwimmt" | — | ||
| 21 | St. Mathew Passion, Part I: XIII. Aria (Soprano) "Ich will dir mein Herze schenken" | — | ||
| 22 | St. Mathew Passion, Part I: XIV. Recitative (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" | — | ||
| 23 | St. Mathew Passion, Part I: XV. Chorale "Erkenne mich, mein Hüter" | — | ||
| 24 | St. Mathew Passion, Part I: XVI. Recitative (Evangelist, Peter, Jesus) "Petrus aber antwortete und sprach zu ihm" | — | ||
| 25 | St. Mathew Passion, Part I: XVII. Chorale "Ich will hier bei dir stehen" | — | ||
| 26 | St. Mathew Passion, Part I: XVIII. Recitative (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" | — | ||
| 27 | St. Mathew Passion, Part I: XIX. Recitative (Tenor with Chorus) "O Schmerz! Hier zittert das gequälte Herz" | — | ||
| 28 | St. Mathew Passion, Part I: XX. Aria (Tenor with Chorus) "Ich will bei meinem Jesu wachen" | — | ||
| 29 | St. Mathew Passion, Part I: XXI. Recitative (Evangelist, Jesus) "Und ging hin ein wenig" | — | ||
| 30 | St. Mathew Passion, Part I: XXII. Recitative (Bass) "Der Heiland fällt vor seinem Vater nieder" | — | ||
| 31 | St. Mathew Passion, Part I: XXIII. Aria (Bass) "Gerne will ich mich bequemen" | — | ||
| 32 | St. Mathew Passion, Part I: XXIV. Recitative (Evangelist, Jesus) "Und er kam zu seinen Jüngern" | — | ||
| 33 | St. Mathew Passion, Part I: XXV. Chorale "Was mein Gott will, das g'scheh' allzeit" | — | ||
| 34 | St. Mathew Passion, Part I: XXVI. Recitative (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" | — | ||
| 35 | St. Mathew Passion, Part I: XXVIIa. Aria (Soprano, Alto) "So ist mein Jesus nun gefangen" | — | ||
| 36 | St. Mathew Passion, Part I: XXVIIb. Chorus "Sind Blitze, sind Donner in Wolken verschwunden?" | — | ||
| 37 | St. Mathew Passion, Part I: XXVIII. Recitative (Evangelist) "Und siehe, einer aus denen" | — | ||
| 38 | St. Mathew Passion, Part I: XXIX. Chorale "O Mensch, bewein dein Sünde gross" | — | ||
| 2-1 | Matthäus-Passion: Aria (Alto) with Chorus: Ach! nun ist mein Jesus hin! | — | ||
| 2-2 | Matthäus-Passion: Recitative -Evangelist: Die aber Jesum gegriffen hatten | — | ||
| 2-3 | Matthäus-Passion: Chorale: Mir hat die Welt träglich gericht' | — | ||
| 2-4 | Matthäus-Passion: Recitative- Evangelist, Witnesses, High Priest: Und wiewohl viel falsche Zeugen herzutraten | — | ||
| 2-5 | Matthäus-Passion: Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille | — | ||
| 2-6 | Matthäus-Passion: Aria (Tenor): Geduld! | — | ||
| 2-7 | Matthäus-Passion: Recitative - Evangelist, High Priest, Jesus: Und der Hohepriester antwortete und sprach zu ihm | — | ||
| 2-8 | Matthäus-Passion: Chorus: Er is des Todes schuldig! | — | ||
| 2-9 | Matthäus-Passion: Recitative - Evangelist: Da speieten sie aus | — | ||
| 2-10 | Matthäus-Passion: Chorus: Weissage uns, Christe | — | ||
| 2-11 | Matthäus-Passion: Chorale: Wer hat dich so geschlagen | — | ||
| 2-12 | Matthäus-Passion: Recitative - Evangelist, Maids, Peter, Petrus aber sass draussen im Palast | — | ||
| 2-13 | Matthäus-Passion: Chorus: Wahrlich, du bist auch einer von denen | — | ||
| 2-14 | Matthäus-Passion: Recitative - Evangelist, Peter: Da hub er an, sich zu verfluchen | — | ||
| 2-15 | Matthäus-Passion: Aria (Alto): Erbarme dich | — | ||
| 2-16 | Matthäus-Passion: Chorale: Bin ich gleich von dir gewichen | — | ||
| 2-17 | Matthäus-Passion: Recitative - Evangelist, Judas: Des Morgens aber hielten alle Hohepriester | — | ||
| 2-18 | Matthäus-Passion: Chorus: Was gehet uns das an? | — | ||
| 2-19 | Matthäus-Passion: Recitative - Evangelist, High Priest: Und er warf die Silberlinge in den Tempel | — | ||
| 2-20 | Matthäus-Passion: Aria (Bass): Geht mir meinen Jesum wieder | — | ||
| 2-21 | Matthäus-Passion: Recitative - Evangelist, Pilate, Jesus: Sie hielten aber einen Rat | — | ||
| 2-22 | Matthäus-Passion: Chorale: Befiehl du deine Wege | — | ||
| 2-23 | Matthäus-Passion: Recitative - Evangelist, Pilate, Pilate's wife, Chorus: Auf das Gewohnheit Fest aber hatte der | — | ||
| 2-24 | Matthäus-Passion: Chorus: Lass ihn kreuzigen! | — | ||
| 2-25 | Matthäus-Passion: Chorale: Wie wunderbarlich ist doch diese Strafe! | — | ||
| 2-26 | Matthäus-Passion: Recitative - Evangelist, Pilate: Der Landpfleger sagte | — | ||
| 2-27 | Matthäus-Passion: Recitative (Soprano): Er hat uns allen wohlgetan | — | ||
| 2-28 | Matthäus-Passion: Aria (Soprano): Aus Liebe will mein Heiland sterben | — | ||
| 3-1 | Matthäus-Passion: Recitative -Evangelist: Sie schrieen aber noch mehr | — | ||
| 3-2 | Matthäus-Passion: Chorus: Lass ihn kreuzigen! | — | ||
| 3-3 | Matthäus-Passion: Recitative - Evangelist, Pilate: Da aber Pilatus sahe | — | ||
| 3-4 | Matthäus-Passion: Chorus: Sein Blut komme über uns | — | ||
| 3-5 | Matthäus-Passion: Recitative - Evangelist: Da gab er ihnen Barrabam los | — | ||
| 3-6 | Matthäus-Passion: Recitative (Alto): Erbarm' es Gott! | — | ||
| 3-7 | Matthäus-Passion: Aria (Alto): Können Tränen meiner Wangen | — | ||
| 3-8 | Matthäus-Passion: Recitative - Evangelist: Da namen die Kriegsknechte | — | ||
| 3-9 | Matthäus-Passion: Chorus: Gegüsset seist du, Jüdenköning | — | ||
| 3-10 | Matthäus-Passion: Recitative - Evangelist: Und speieten ihn an | — | ||
| 3-11 | Matthäus-Passion: Chorale: O Haupt voll Blut und Wunden | — | ||
| 3-12 | Matthäus-Passion: Recitative - Evangelist: Und da sie ihn verspottet hatten | — | ||
| 3-13 | Matthäus-Passion: Recitative (Bass): Ja freilich will in uns das Fleisch und Blut | — | ||
| 3-14 | Matthäus-Passion: Aria (Bass): Komm, süsses Kreuz, so will ich sagen | — | ||
| 3-15 | Matthäus-Passion: Recitative - Evangelist: Und da sie an die Stätte kamen | — | ||
| 3-16 | Matthäus-Passion: Chorus: Der du den Tempel Gottes zerbricht | — | ||
| 3-17 | Matthäus-Passion: Recitative - Evangelist: Desgleichen auch die Hohenpriester | — | ||
| 3-18 | Matthäus-Passion: Chorus: Andern hat er geholfen | — | ||
| 3-19 | Matthäus-Passion: Recitative - Evangelist: Desgleichen schmäheten ihn auch die Mörder | — | ||
| 3-20 | Matthäus-Passion: Recitative (Alto): Ach Golgatha! | — | ||
| 3-21 | Matthäus-Passion: Aria (Alto) with Chorus: Sehet, Jesus hat die Hand | — | ||
| 3-22 | Matthäus-Passion: Recitative - Evangelist, Jesus: Und von der sechsten Stunde an | — | ||
| 3-23 | Matthäus-Passion: Chorus: Der rufet dem Elias | — | ||
| 3-24 | Matthäus-Passion: Recitative -Evangelist: Und bald lief einer unter ihnen | — | ||
| 3-25 | Matthäus-Passion: Chorus: Halt! lass sehen | — | ||
| 3-26 | Matthäus-Passion: Recitative - Evangelist: Aber Jesus schriee abermal | — | ||
| 3-27 | Matthäus-Passion: Chorale: Wenn ich einmal soll scheiden | — | ||
| 3-28 | Matthäus-Passion: Recitative - Evangelist: Und siehe da, der Vorhang im Tempel zerriss | — | ||
| 3-29 | Matthäus-Passion: Chorus: Wahrlich, dieser ist Gottes Sohn gewesen | — | ||
| 3-30 | Matthäus-Passion: Recitative - Evangelist: Und es waren viel Weiber da | — | ||
| 3-31 | Matthäus-Passion: Recitative (Bass): Am Abend, da es kühle war | — | ||
| 3-32 | Matthäus-Passion: Aria (Bass): Mache dich, mein Herze, rein | — | ||
| 3-33 | Matthäus-Passion: Recitative - Evangelist: Und Joseph nahm den Leib | — | ||
| 3-34 | Matthäus-Passion: Chorus: Herr, wir haben gedacht | — | ||
| 3-35 | Matthäus-Passion: Recitative - Evangelist, Pilate: Pilatus sprach zu ihnen | — | ||
| 3-36 | Matthäus-Passion: Recitative (Bass, Tenor, Alto, Soprano, Chorus): Nun ist der Herr zur Ruh gebracht | — | ||
| 3-37 | Matthäus-Passion: Chorus: Wir setzen uns mit Tränen nieder | — | ||
| 4-1 | Johannes-Passion, BWV 245: I. Chor: "Herr, unser Herrscher" | — | ||
| 4-2 | Johannes-Passion, BWV 245: II. Recitativ: "Jesus ging mit seinen Jüngern" | — | ||
| 4-3 | Johannes-Passion, BWV 245: III. Choral: "O große Lieb" | — | ||
| 4-4 | Johannes-Passion, BWV 245: IV. Recitativ: "Auf dass das Wort erfüllet wurde" | — | ||
| 4-5 | Johannes-Passion, BWV 245: V. Choral: "Dein Will geschehe, Herr Gott, zugleich" | — | ||
| 4-6 | Johannes-Passion, BWV 245: VI. Recitativ: "Die Schar aber und der Oberhauptmann | — | ||
| 4-7 | Johannes-Passion, BWV 245: VII. Arie (Alt): "Von der Stricken meiner Sünden" | — | ||
| 4-8 | Johannes-Passion, BWV 245: VIII. Recitativ: "Simon Petrus aber folgete Jesus nach" | — | ||
| 4-9 | Johannes-Passion, BWV 245: IX. Arie (Sopran): "Ich folge dir gleichfalls mit freudigen Schritten" | — | ||
| 4-10 | Johannes-Passion, BWV 245: X. Recitativ: "Derselbige Jünger war dem Hohenpriester bekannt" | — | ||
| 4-11 | Johannes-Passion, BWV 245: XI. Choral: "Wer hat dich so geschlagen?" | — | ||
| 4-12 | Johannes-Passion, BWV 245: XII. Recitativ: "Und Hannas sandte ihn gebunden" | — | ||
| 4-13 | Johannes-Passion, BWV 245: XIII. Arie (Tenor): "Ach, mein Sinn" | — | ||
| 4-14 | Johannes-Passion, BWV 245: XIV. Choral: "Petrus, der nicht denkt zurück" | — | ||
| 4-15 | Johannes-Passion, BWV 245: XV. Choral: "Christus, der uns selig macht" | — | ||
| 4-16 | Johannes-Passion, BWV 245: XVI. Recitativ: "Da führeten sie Jesum" | — | ||
| 4-17 | Johannes-Passion, BWV 245: XVII. Choral: "Ach großer König" | — | ||
| 4-18 | Johannes-Passion, BWV 245: XVIII. Recitativ: "Da sprach Pilatus zu ihm" | — | ||
| 4-19 | Johannes-Passion, BWV 245: XIX. Arioso (Bass): "Betrachte, meine Seele" | — | ||
| 4-20 | Johannes-Passion, BWV 245: XX. Arie (Tenor): "Erwäge, wie sein blutgefärbter Rücken" | — | ||
| 4-21 | Johannes-Passion, BWV 245: XXI. Recitativ: "Und die Kriegsknechte flochten eine Krone" | — | ||
| 4-22 | Johannes-Passion, BWV 245: XXII. Chor: "Durch dein Gefängnis, Gottes Sohn" | — | ||
| 4-23 | Johannes-Passion, BWV 245: XXIII. Recitativ: "Die Juden aber schrieen und sprachen" | — | ||
| 4-24 | Johannes-Passion, BWV 245: XXIV. Arie (Bass, Chor): "Eilt, ihr angefochtnen Seelen" | — | ||
| 4-25 | Johannes-Passion, BWV 245: XXV. Recitativ: "Allda kreuzigten sie ihn" | — | ||
| 4-26 | Johannes-Passion, BWV 245: XXVI. Choral: "In meines Herzens Grunde" | — | ||
| 5-1 | Johannes-Passion, BWV 245: XXVII. Recitativ: "Die Kriegsknechte aber" | — | ||
| 5-2 | Johannes-Passion, BWV 245: XXVIII. Choral: "Er nahm alles wohl in acht" | — | ||
| 5-3 | Johannes-Passion, BWV 245: XXIX. Recitativ: "Und von Stund an nahm sie der Jünger" | — | ||
| 5-4 | Johannes-Passion, BWV 245: XXX. Aria (Alto): "Es ist vollbracht!" | — | ||
| 5-5 | Johannes-Passion, BWV 245: XXXI. Recitativ: "Und neiget das Haupt und verschied" | — | ||
| 5-6 | Johannes-Passion, BWV 245: XXXII. Aria (Basso): "Mein teurer Heiland, lass dich fragen" | — | ||
| 5-7 | Johannes-Passion, BWV 245: XXXIII. Recitativ: "Und siehe da, der Vorhang im Tempel zerriss" | — | ||
| 5-8 | Johannes-Passion, BWV 245: XXXIV. Arioso (Tenor): "Mein Herz, in dem die ganze Welt" | — | ||
| 5-9 | Johannes-Passion, BWV 245: XXXV. Aria (Soprano): "Zerfließe mein Herze" | — | ||
| 5-10 | Johannes-Passion, BWV 245: XXXVI. Recitativ :"Die Juden aber, dieweil es der Rüsttag war" | — | ||
| 5-11 | Johannes-Passion, BWV 245: XXXVII. Choral: "O hilf, Christe, Gottes Sohn" | — | ||
| 5-12 | Johannes-Passion, BWV 245: XXXVIII. Recitativ: "Darnach bat Pilatum Joseph von Arimathia" | — | ||
| 5-13 | Johannes-Passion, BWV 245: XXXIX. Chor: "Ruht wohl, ihr heiligen Gebeine" | — | ||
| 5-14 | Johannes-Passion, BWV 245: XL. Choral :"Ach Herr, lass dein lieb Engelein" | — | ||
| 5-15 | Johannes-Passion, BWV 245, Appendix 1725: XLI. Choral: "O Mensch, bewein dein Sünde gross" | — | ||
| 5-16 | Johannes-Passion, BWV 245, Appendix 1725: XLII. Aria (Basso): "Himmel reisse, Welt erbebe" | — | ||
| 5-17 | Johannes-Passion, BWV 245, Appendix 1725: XLIII. Aria (Tenor): "Zerschmettert mich" | — | ||
| 5-18 | Johannes-Passion, BWV 245, Appendix 1725: XLIV. Aria (Tenor): "Ach windet euch nicht so" | — | ||
| 5-19 | Johannes-Passion, BWV 245, Appendix 1725: XLV. Choral: "Christe, du Lamm Gottes" | — | ||
| 6-1 | Messiah: Part I. Sinfonia | The Brandenburg Consort, Stephen Cleobury | — | |
| 6-2 | Messiah: Part I. Recitative "Comfort ye my people" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-3 | Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-4 | Messiah: Part I. Chorus "And the glory, the glory of the Lord" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-5 | Messiah: Part I. Recitative "Thus said the Lord" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-6 | Messiah: Part I. Aria "But who may abide" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-7 | Messiah: Part I. Chorus "And He shall purify" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-8 | Messiah: Part I. Recitative "Behold, a virgin" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-9 | Messiah: Part I. Aria "O thou that tellest" (alto) | The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-10 | Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-11 | Messiah: Part I. Aria "The people that walked in darkness" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-12 | Messiah: Part I. Chorus "For unto us a Child is born" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-13 | Messiah: Part I. Pifa (Pastoral Symphony) | The Brandenburg Consort, Stephen Cleobury | — | |
| 6-14 | Messiah: Part I. Recitative "There were shepherds" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-15 | Messiah: Part I. Recitative "And the angels said unto them" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-16 | Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-17 | Messiah: Part I. Chorus "Glory to God in the highest" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-18 | Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-19 | Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-20 | Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-21 | Messiah: Part I. Chorus "His yoke is easy" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-22 | Messiah: Part II. Chorus "Behold the Lamb of God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-23 | Messiah: Part II. Aria "He was despised" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-1 | Messiah: Part II. Chorus "Surely he hath borne our grieves" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-2 | Messiah: Part II. Chorus "And with his stripes we are healed" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-3 | Messiah: Part II. Chorus "All we like sheep" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-4 | Messiah: Part II. Recitative "All they that see Him" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-5 | Messiah: Part II. Chorus "He trusted in God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-6 | Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-7 | Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-8 | Messiah: Part II. Recitative "He was cut off out of the land" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-9 | Messiah: Part II. Aria "But thou didst not leave" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-10 | Messiah: Part II. Chorus "Lift up your heads" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-11 | Messiah: Part II. Recitative "Unto which of the angels" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-12 | Messiah: Part II. Chorus "Let all the angels of God worship Him" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-13 | Messiah: Part II. Aria "Thou art gone up on high" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-14 | Messiah: Part II. Chorus "The Lord gave the word" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-15 | Messiah: Part II. Aria "How beautiful are the feet" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-16 | Messiah: Part II. Chorus "Their sound is gone out" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-17 | Messiah: Part II. "Why do the nations?" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-18 | Messiah: Part II. Chorus "Let us break their bonds asunder" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-19 | Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-20 | Messiah: Part II. Aria "Thou shalt break them" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-21 | Messiah: Part II. Chorus "Hallelujah!" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-22 | Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-23 | Messiah: Part III. Chorus "Since by man came death" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-24 | Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-25 | Messiah: Part III. Aria "The trumpet shall sound" (bass) | Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-26 | Messiah: Part III. Recitative "Then shall be brought to pass" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-27 | Messiah: Part III. Duet "O death, where is thy sting" (alto & tenor) | John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-28 | Messiah: Part III. Chorus "But thanks be to God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-29 | Messiah: Part III. Aria "If God be for us" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-30 | Messiah: Part III. Chorus "Worthy is the Lamb...Amen" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messiah: Part I. Sinfonia | The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Comfort ye my people" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "And the glory, the glory of the Lord" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Thus said the Lord" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "But who may abide" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "And He shall purify" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Behold, a virgin" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "O thou that tellest" (alto) | The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "The people that walked in darkness" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "For unto us a Child is born" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Pifa (Pastoral Symphony) | The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "There were shepherds" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "And the angels said unto them" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "Glory to God in the highest" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "His yoke is easy" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Behold the Lamb of God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "He was despised" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Surely he hath borne our grieves" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "And with his stripes we are healed" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "All we like sheep" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "All they that see Him" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "He trusted in God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "He was cut off out of the land" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "But thou didst not leave" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Lift up your heads" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "Unto which of the angels" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Let all the angels of God worship Him" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Thou art gone up on high" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "The Lord gave the word" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "How beautiful are the feet" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Their sound is gone out" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. "Why do the nations?" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Let us break their bonds asunder" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Thou shalt break them" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Hallelujah!" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "Since by man came death" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "The trumpet shall sound" (bass) | Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Recitative "Then shall be brought to pass" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Duet "O death, where is thy sting" (alto & tenor) | John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "But thanks be to God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "If God be for us" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "Worthy is the Lamb...Amen" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
Musical Works (ISWC)
Identifier Graph
8718011202932 is a Universal Product Code (UPC) assigned to Choir of King's College, Cambridge by Choir of King’s College, Cambridge. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 201 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
8718011202932 is the Universal Product Code (UPC barcode) for the release “Choir of King's College, Cambridge” by Choir of King’s College, Cambridge. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 201 tracks, each with its own ISRC. Tracks include NLY330902400, NLY330902401, NLY330902402.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | St. Mathew Passion, Part I: I. Chorus with Chorale "Kommt ihr Töchter, helft mir klagen" | — | ||
| 2 | St. Mathew Passion, Part I: II. Recitative (Evangelist, Jesus) "Da Jesus diese Rolle vollendet hatte" | — | ||
| 3 | St. Mathew Passion, Part I: III. Chorale "Herzliebster Jesu, was hast du verbrochen" | — | ||
| 4 | St. Mathew Passion, Part I: IVa. Recatative (Evangelist, Jesus) "Da versammelten sich die Hohenpriester" | — | ||
| 5 | St. Mathew Passion, Part I: IVb.Chorus "Ja nicht auf das Fest" | — | ||
| 6 | St. Mathew Passion, Part I: IVc. Recitative (Evangelist ,Jesus) "Da nun Jesus war zu Bethanien" | — | ||
| 7 | St. Mathew Passion, Part I: IVd. Chorus "Wozu dienet dieser Unrat?" | — | ||
| 8 | St. Mathew Passion, Part I: IVe. Recitative (Evangelist ,Jesus) "Da das Jesus merkete" | — | ||
| 9 | St. Mathew Passion, Part I: V. Recitative (Alto) "Du lieber Heiland, du" | — | ||
| 10 | St. Mathew Passion, Part I: VI. Aria (Alto) "Buss und Reu" | — | ||
| 11 | St. Mathew Passion, Part I: VII. Recitative (Evangelist, Judas) "Da ging hin der Zwöfen einer" | — | ||
| 12 | St. Mathew Passion, Part I: VIII. Aria (Soprano) "Blute nur, du liebes Herz!" | — | ||
| 13 | St. Mathew Passion, Part I: IXa. Recitative (Evangelist) "Aber am ersten Tage der süssen Brot" | — | ||
| 14 | St. Mathew Passion, Part I: IXb. Chorus "Wo willst du, dass wir dir bereiten" | — | ||
| 15 | St. Mathew Passion, Part I: IXc. Recitative (Evangelist, Jesus) "Er sprach: Gehet hin in die Stadt" | — | ||
| 16 | St. Mathew Passion, Part I: IXd. Recitative (Evangelist) "Und sie wurden sehr betrübt" | — | ||
| 17 | St. Mathew Passion, Part I: IXe. Chorus "Herr, bin ich's?" | — | ||
| 18 | St. Mathew Passion, Part I: X. Chorale "Ich bin's, ich sollte büssen" | — | ||
| 19 | St. Mathew Passion, Part I: XI. Recitative (Evangelist, Jesus) "Er antwortete und sprach" | — | ||
| 20 | St. Mathew Passion, Part I: XII. Recitative (Soprano) "Wiewohl mein Herz in Tränen schwimmt" | — | ||
| 21 | St. Mathew Passion, Part I: XIII. Aria (Soprano) "Ich will dir mein Herze schenken" | — | ||
| 22 | St. Mathew Passion, Part I: XIV. Recitative (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" | — | ||
| 23 | St. Mathew Passion, Part I: XV. Chorale "Erkenne mich, mein Hüter" | — | ||
| 24 | St. Mathew Passion, Part I: XVI. Recitative (Evangelist, Peter, Jesus) "Petrus aber antwortete und sprach zu ihm" | — | ||
| 25 | St. Mathew Passion, Part I: XVII. Chorale "Ich will hier bei dir stehen" | — | ||
| 26 | St. Mathew Passion, Part I: XVIII. Recitative (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" | — | ||
| 27 | St. Mathew Passion, Part I: XIX. Recitative (Tenor with Chorus) "O Schmerz! Hier zittert das gequälte Herz" | — | ||
| 28 | St. Mathew Passion, Part I: XX. Aria (Tenor with Chorus) "Ich will bei meinem Jesu wachen" | — | ||
| 29 | St. Mathew Passion, Part I: XXI. Recitative (Evangelist, Jesus) "Und ging hin ein wenig" | — | ||
| 30 | St. Mathew Passion, Part I: XXII. Recitative (Bass) "Der Heiland fällt vor seinem Vater nieder" | — | ||
| 31 | St. Mathew Passion, Part I: XXIII. Aria (Bass) "Gerne will ich mich bequemen" | — | ||
| 32 | St. Mathew Passion, Part I: XXIV. Recitative (Evangelist, Jesus) "Und er kam zu seinen Jüngern" | — | ||
| 33 | St. Mathew Passion, Part I: XXV. Chorale "Was mein Gott will, das g'scheh' allzeit" | — | ||
| 34 | St. Mathew Passion, Part I: XXVI. Recitative (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" | — | ||
| 35 | St. Mathew Passion, Part I: XXVIIa. Aria (Soprano, Alto) "So ist mein Jesus nun gefangen" | — | ||
| 36 | St. Mathew Passion, Part I: XXVIIb. Chorus "Sind Blitze, sind Donner in Wolken verschwunden?" | — | ||
| 37 | St. Mathew Passion, Part I: XXVIII. Recitative (Evangelist) "Und siehe, einer aus denen" | — | ||
| 38 | St. Mathew Passion, Part I: XXIX. Chorale "O Mensch, bewein dein Sünde gross" | — | ||
| 2-1 | Matthäus-Passion: Aria (Alto) with Chorus: Ach! nun ist mein Jesus hin! | — | ||
| 2-2 | Matthäus-Passion: Recitative -Evangelist: Die aber Jesum gegriffen hatten | — | ||
| 2-3 | Matthäus-Passion: Chorale: Mir hat die Welt träglich gericht' | — | ||
| 2-4 | Matthäus-Passion: Recitative- Evangelist, Witnesses, High Priest: Und wiewohl viel falsche Zeugen herzutraten | — | ||
| 2-5 | Matthäus-Passion: Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille | — | ||
| 2-6 | Matthäus-Passion: Aria (Tenor): Geduld! | — | ||
| 2-7 | Matthäus-Passion: Recitative - Evangelist, High Priest, Jesus: Und der Hohepriester antwortete und sprach zu ihm | — | ||
| 2-8 | Matthäus-Passion: Chorus: Er is des Todes schuldig! | — | ||
| 2-9 | Matthäus-Passion: Recitative - Evangelist: Da speieten sie aus | — | ||
| 2-10 | Matthäus-Passion: Chorus: Weissage uns, Christe | — | ||
| 2-11 | Matthäus-Passion: Chorale: Wer hat dich so geschlagen | — | ||
| 2-12 | Matthäus-Passion: Recitative - Evangelist, Maids, Peter, Petrus aber sass draussen im Palast | — | ||
| 2-13 | Matthäus-Passion: Chorus: Wahrlich, du bist auch einer von denen | — | ||
| 2-14 | Matthäus-Passion: Recitative - Evangelist, Peter: Da hub er an, sich zu verfluchen | — | ||
| 2-15 | Matthäus-Passion: Aria (Alto): Erbarme dich | — | ||
| 2-16 | Matthäus-Passion: Chorale: Bin ich gleich von dir gewichen | — | ||
| 2-17 | Matthäus-Passion: Recitative - Evangelist, Judas: Des Morgens aber hielten alle Hohepriester | — | ||
| 2-18 | Matthäus-Passion: Chorus: Was gehet uns das an? | — | ||
| 2-19 | Matthäus-Passion: Recitative - Evangelist, High Priest: Und er warf die Silberlinge in den Tempel | — | ||
| 2-20 | Matthäus-Passion: Aria (Bass): Geht mir meinen Jesum wieder | — | ||
| 2-21 | Matthäus-Passion: Recitative - Evangelist, Pilate, Jesus: Sie hielten aber einen Rat | — | ||
| 2-22 | Matthäus-Passion: Chorale: Befiehl du deine Wege | — | ||
| 2-23 | Matthäus-Passion: Recitative - Evangelist, Pilate, Pilate's wife, Chorus: Auf das Gewohnheit Fest aber hatte der | — | ||
| 2-24 | Matthäus-Passion: Chorus: Lass ihn kreuzigen! | — | ||
| 2-25 | Matthäus-Passion: Chorale: Wie wunderbarlich ist doch diese Strafe! | — | ||
| 2-26 | Matthäus-Passion: Recitative - Evangelist, Pilate: Der Landpfleger sagte | — | ||
| 2-27 | Matthäus-Passion: Recitative (Soprano): Er hat uns allen wohlgetan | — | ||
| 2-28 | Matthäus-Passion: Aria (Soprano): Aus Liebe will mein Heiland sterben | — | ||
| 3-1 | Matthäus-Passion: Recitative -Evangelist: Sie schrieen aber noch mehr | — | ||
| 3-2 | Matthäus-Passion: Chorus: Lass ihn kreuzigen! | — | ||
| 3-3 | Matthäus-Passion: Recitative - Evangelist, Pilate: Da aber Pilatus sahe | — | ||
| 3-4 | Matthäus-Passion: Chorus: Sein Blut komme über uns | — | ||
| 3-5 | Matthäus-Passion: Recitative - Evangelist: Da gab er ihnen Barrabam los | — | ||
| 3-6 | Matthäus-Passion: Recitative (Alto): Erbarm' es Gott! | — | ||
| 3-7 | Matthäus-Passion: Aria (Alto): Können Tränen meiner Wangen | — | ||
| 3-8 | Matthäus-Passion: Recitative - Evangelist: Da namen die Kriegsknechte | — | ||
| 3-9 | Matthäus-Passion: Chorus: Gegüsset seist du, Jüdenköning | — | ||
| 3-10 | Matthäus-Passion: Recitative - Evangelist: Und speieten ihn an | — | ||
| 3-11 | Matthäus-Passion: Chorale: O Haupt voll Blut und Wunden | — | ||
| 3-12 | Matthäus-Passion: Recitative - Evangelist: Und da sie ihn verspottet hatten | — | ||
| 3-13 | Matthäus-Passion: Recitative (Bass): Ja freilich will in uns das Fleisch und Blut | — | ||
| 3-14 | Matthäus-Passion: Aria (Bass): Komm, süsses Kreuz, so will ich sagen | — | ||
| 3-15 | Matthäus-Passion: Recitative - Evangelist: Und da sie an die Stätte kamen | — | ||
| 3-16 | Matthäus-Passion: Chorus: Der du den Tempel Gottes zerbricht | — | ||
| 3-17 | Matthäus-Passion: Recitative - Evangelist: Desgleichen auch die Hohenpriester | — | ||
| 3-18 | Matthäus-Passion: Chorus: Andern hat er geholfen | — | ||
| 3-19 | Matthäus-Passion: Recitative - Evangelist: Desgleichen schmäheten ihn auch die Mörder | — | ||
| 3-20 | Matthäus-Passion: Recitative (Alto): Ach Golgatha! | — | ||
| 3-21 | Matthäus-Passion: Aria (Alto) with Chorus: Sehet, Jesus hat die Hand | — | ||
| 3-22 | Matthäus-Passion: Recitative - Evangelist, Jesus: Und von der sechsten Stunde an | — | ||
| 3-23 | Matthäus-Passion: Chorus: Der rufet dem Elias | — | ||
| 3-24 | Matthäus-Passion: Recitative -Evangelist: Und bald lief einer unter ihnen | — | ||
| 3-25 | Matthäus-Passion: Chorus: Halt! lass sehen | — | ||
| 3-26 | Matthäus-Passion: Recitative - Evangelist: Aber Jesus schriee abermal | — | ||
| 3-27 | Matthäus-Passion: Chorale: Wenn ich einmal soll scheiden | — | ||
| 3-28 | Matthäus-Passion: Recitative - Evangelist: Und siehe da, der Vorhang im Tempel zerriss | — | ||
| 3-29 | Matthäus-Passion: Chorus: Wahrlich, dieser ist Gottes Sohn gewesen | — | ||
| 3-30 | Matthäus-Passion: Recitative - Evangelist: Und es waren viel Weiber da | — | ||
| 3-31 | Matthäus-Passion: Recitative (Bass): Am Abend, da es kühle war | — | ||
| 3-32 | Matthäus-Passion: Aria (Bass): Mache dich, mein Herze, rein | — | ||
| 3-33 | Matthäus-Passion: Recitative - Evangelist: Und Joseph nahm den Leib | — | ||
| 3-34 | Matthäus-Passion: Chorus: Herr, wir haben gedacht | — | ||
| 3-35 | Matthäus-Passion: Recitative - Evangelist, Pilate: Pilatus sprach zu ihnen | — | ||
| 3-36 | Matthäus-Passion: Recitative (Bass, Tenor, Alto, Soprano, Chorus): Nun ist der Herr zur Ruh gebracht | — | ||
| 3-37 | Matthäus-Passion: Chorus: Wir setzen uns mit Tränen nieder | — | ||
| 4-1 | Johannes-Passion, BWV 245: I. Chor: "Herr, unser Herrscher" | — | ||
| 4-2 | Johannes-Passion, BWV 245: II. Recitativ: "Jesus ging mit seinen Jüngern" | — | ||
| 4-3 | Johannes-Passion, BWV 245: III. Choral: "O große Lieb" | — | ||
| 4-4 | Johannes-Passion, BWV 245: IV. Recitativ: "Auf dass das Wort erfüllet wurde" | — | ||
| 4-5 | Johannes-Passion, BWV 245: V. Choral: "Dein Will geschehe, Herr Gott, zugleich" | — | ||
| 4-6 | Johannes-Passion, BWV 245: VI. Recitativ: "Die Schar aber und der Oberhauptmann | — | ||
| 4-7 | Johannes-Passion, BWV 245: VII. Arie (Alt): "Von der Stricken meiner Sünden" | — | ||
| 4-8 | Johannes-Passion, BWV 245: VIII. Recitativ: "Simon Petrus aber folgete Jesus nach" | — | ||
| 4-9 | Johannes-Passion, BWV 245: IX. Arie (Sopran): "Ich folge dir gleichfalls mit freudigen Schritten" | — | ||
| 4-10 | Johannes-Passion, BWV 245: X. Recitativ: "Derselbige Jünger war dem Hohenpriester bekannt" | — | ||
| 4-11 | Johannes-Passion, BWV 245: XI. Choral: "Wer hat dich so geschlagen?" | — | ||
| 4-12 | Johannes-Passion, BWV 245: XII. Recitativ: "Und Hannas sandte ihn gebunden" | — | ||
| 4-13 | Johannes-Passion, BWV 245: XIII. Arie (Tenor): "Ach, mein Sinn" | — | ||
| 4-14 | Johannes-Passion, BWV 245: XIV. Choral: "Petrus, der nicht denkt zurück" | — | ||
| 4-15 | Johannes-Passion, BWV 245: XV. Choral: "Christus, der uns selig macht" | — | ||
| 4-16 | Johannes-Passion, BWV 245: XVI. Recitativ: "Da führeten sie Jesum" | — | ||
| 4-17 | Johannes-Passion, BWV 245: XVII. Choral: "Ach großer König" | — | ||
| 4-18 | Johannes-Passion, BWV 245: XVIII. Recitativ: "Da sprach Pilatus zu ihm" | — | ||
| 4-19 | Johannes-Passion, BWV 245: XIX. Arioso (Bass): "Betrachte, meine Seele" | — | ||
| 4-20 | Johannes-Passion, BWV 245: XX. Arie (Tenor): "Erwäge, wie sein blutgefärbter Rücken" | — | ||
| 4-21 | Johannes-Passion, BWV 245: XXI. Recitativ: "Und die Kriegsknechte flochten eine Krone" | — | ||
| 4-22 | Johannes-Passion, BWV 245: XXII. Chor: "Durch dein Gefängnis, Gottes Sohn" | — | ||
| 4-23 | Johannes-Passion, BWV 245: XXIII. Recitativ: "Die Juden aber schrieen und sprachen" | — | ||
| 4-24 | Johannes-Passion, BWV 245: XXIV. Arie (Bass, Chor): "Eilt, ihr angefochtnen Seelen" | — | ||
| 4-25 | Johannes-Passion, BWV 245: XXV. Recitativ: "Allda kreuzigten sie ihn" | — | ||
| 4-26 | Johannes-Passion, BWV 245: XXVI. Choral: "In meines Herzens Grunde" | — | ||
| 5-1 | Johannes-Passion, BWV 245: XXVII. Recitativ: "Die Kriegsknechte aber" | — | ||
| 5-2 | Johannes-Passion, BWV 245: XXVIII. Choral: "Er nahm alles wohl in acht" | — | ||
| 5-3 | Johannes-Passion, BWV 245: XXIX. Recitativ: "Und von Stund an nahm sie der Jünger" | — | ||
| 5-4 | Johannes-Passion, BWV 245: XXX. Aria (Alto): "Es ist vollbracht!" | — | ||
| 5-5 | Johannes-Passion, BWV 245: XXXI. Recitativ: "Und neiget das Haupt und verschied" | — | ||
| 5-6 | Johannes-Passion, BWV 245: XXXII. Aria (Basso): "Mein teurer Heiland, lass dich fragen" | — | ||
| 5-7 | Johannes-Passion, BWV 245: XXXIII. Recitativ: "Und siehe da, der Vorhang im Tempel zerriss" | — | ||
| 5-8 | Johannes-Passion, BWV 245: XXXIV. Arioso (Tenor): "Mein Herz, in dem die ganze Welt" | — | ||
| 5-9 | Johannes-Passion, BWV 245: XXXV. Aria (Soprano): "Zerfließe mein Herze" | — | ||
| 5-10 | Johannes-Passion, BWV 245: XXXVI. Recitativ :"Die Juden aber, dieweil es der Rüsttag war" | — | ||
| 5-11 | Johannes-Passion, BWV 245: XXXVII. Choral: "O hilf, Christe, Gottes Sohn" | — | ||
| 5-12 | Johannes-Passion, BWV 245: XXXVIII. Recitativ: "Darnach bat Pilatum Joseph von Arimathia" | — | ||
| 5-13 | Johannes-Passion, BWV 245: XXXIX. Chor: "Ruht wohl, ihr heiligen Gebeine" | — | ||
| 5-14 | Johannes-Passion, BWV 245: XL. Choral :"Ach Herr, lass dein lieb Engelein" | — | ||
| 5-15 | Johannes-Passion, BWV 245, Appendix 1725: XLI. Choral: "O Mensch, bewein dein Sünde gross" | — | ||
| 5-16 | Johannes-Passion, BWV 245, Appendix 1725: XLII. Aria (Basso): "Himmel reisse, Welt erbebe" | — | ||
| 5-17 | Johannes-Passion, BWV 245, Appendix 1725: XLIII. Aria (Tenor): "Zerschmettert mich" | — | ||
| 5-18 | Johannes-Passion, BWV 245, Appendix 1725: XLIV. Aria (Tenor): "Ach windet euch nicht so" | — | ||
| 5-19 | Johannes-Passion, BWV 245, Appendix 1725: XLV. Choral: "Christe, du Lamm Gottes" | — | ||
| 6-1 | Messiah: Part I. Sinfonia | The Brandenburg Consort, Stephen Cleobury | — | |
| 6-2 | Messiah: Part I. Recitative "Comfort ye my people" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-3 | Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-4 | Messiah: Part I. Chorus "And the glory, the glory of the Lord" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-5 | Messiah: Part I. Recitative "Thus said the Lord" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-6 | Messiah: Part I. Aria "But who may abide" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-7 | Messiah: Part I. Chorus "And He shall purify" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-8 | Messiah: Part I. Recitative "Behold, a virgin" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-9 | Messiah: Part I. Aria "O thou that tellest" (alto) | The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-10 | Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-11 | Messiah: Part I. Aria "The people that walked in darkness" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-12 | Messiah: Part I. Chorus "For unto us a Child is born" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-13 | Messiah: Part I. Pifa (Pastoral Symphony) | The Brandenburg Consort, Stephen Cleobury | — | |
| 6-14 | Messiah: Part I. Recitative "There were shepherds" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-15 | Messiah: Part I. Recitative "And the angels said unto them" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-16 | Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-17 | Messiah: Part I. Chorus "Glory to God in the highest" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-18 | Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-19 | Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-20 | Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-21 | Messiah: Part I. Chorus "His yoke is easy" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-22 | Messiah: Part II. Chorus "Behold the Lamb of God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 6-23 | Messiah: Part II. Aria "He was despised" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-1 | Messiah: Part II. Chorus "Surely he hath borne our grieves" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-2 | Messiah: Part II. Chorus "And with his stripes we are healed" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-3 | Messiah: Part II. Chorus "All we like sheep" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-4 | Messiah: Part II. Recitative "All they that see Him" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-5 | Messiah: Part II. Chorus "He trusted in God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-6 | Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-7 | Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-8 | Messiah: Part II. Recitative "He was cut off out of the land" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-9 | Messiah: Part II. Aria "But thou didst not leave" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-10 | Messiah: Part II. Chorus "Lift up your heads" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-11 | Messiah: Part II. Recitative "Unto which of the angels" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-12 | Messiah: Part II. Chorus "Let all the angels of God worship Him" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-13 | Messiah: Part II. Aria "Thou art gone up on high" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-14 | Messiah: Part II. Chorus "The Lord gave the word" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-15 | Messiah: Part II. Aria "How beautiful are the feet" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-16 | Messiah: Part II. Chorus "Their sound is gone out" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-17 | Messiah: Part II. "Why do the nations?" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-18 | Messiah: Part II. Chorus "Let us break their bonds asunder" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-19 | Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-20 | Messiah: Part II. Aria "Thou shalt break them" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-21 | Messiah: Part II. Chorus "Hallelujah!" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-22 | Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-23 | Messiah: Part III. Chorus "Since by man came death" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-24 | Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-25 | Messiah: Part III. Aria "The trumpet shall sound" (bass) | Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-26 | Messiah: Part III. Recitative "Then shall be brought to pass" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-27 | Messiah: Part III. Duet "O death, where is thy sting" (alto & tenor) | John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-28 | Messiah: Part III. Chorus "But thanks be to God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-29 | Messiah: Part III. Aria "If God be for us" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 7-30 | Messiah: Part III. Chorus "Worthy is the Lamb...Amen" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messiah: Part I. Sinfonia | The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Comfort ye my people" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "And the glory, the glory of the Lord" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Thus said the Lord" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "But who may abide" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "And He shall purify" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Behold, a virgin" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "O thou that tellest" (alto) | The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "The people that walked in darkness" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "For unto us a Child is born" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Pifa (Pastoral Symphony) | The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "There were shepherds" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "And the angels said unto them" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "Glory to God in the highest" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "His yoke is easy" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Behold the Lamb of God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "He was despised" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Surely he hath borne our grieves" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "And with his stripes we are healed" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "All we like sheep" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "All they that see Him" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "He trusted in God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "He was cut off out of the land" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "But thou didst not leave" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Lift up your heads" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "Unto which of the angels" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Let all the angels of God worship Him" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Thou art gone up on high" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "The Lord gave the word" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "How beautiful are the feet" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Their sound is gone out" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. "Why do the nations?" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Let us break their bonds asunder" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Thou shalt break them" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Hallelujah!" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "Since by man came death" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "The trumpet shall sound" (bass) | Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Recitative "Then shall be brought to pass" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Duet "O death, where is thy sting" (alto & tenor) | John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "But thanks be to God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "If God be for us" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "Worthy is the Lamb...Amen" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
