UPC · Release
Various Artists
Last verified:
8718011900340 is the Universal Product Code (UPC barcode) for the release “Sanctus” by Various Artists on House Of Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 263 tracks, each with its own ISRC. Tracks include NLY330902400, NLY330902401, NLY330902402.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Messiah: Part I. Sinfonia | The Brandenburg Consort, Stephen Cleobury | — | |
| 2 | Messiah: Part I. Recitative "Comfort ye my people" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 3 | Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 4 | Messiah: Part I. Chorus "And the glory, the glory of the Lord" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 5 | Messiah: Part I. Recitative "Thus said the Lord" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 6 | Messiah: Part I. Aria "But who may abide" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7 | Messiah: Part I. Chorus "And He shall purify" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8 | Messiah: Part I. Recitative "Behold, a virgin" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 9 | Messiah: Part I. Aria "O thou that tellest" (alto) | The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 10 | Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 11 | Messiah: Part I. Aria "The people that walked in darkness" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 12 | Messiah: Part I. Chorus "For unto us a Child is born" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 13 | Messiah: Part I. Pifa (Pastoral Symphony) | The Brandenburg Consort, Stephen Cleobury | — | |
| 14 | Messiah: Part I. Recitative "There were shepherds" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 15 | Messiah: Part I. Recitative "And the angels said unto them" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 16 | Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 17 | Messiah: Part I. Chorus "Glory to God in the highest" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 18 | Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 19 | Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 20 | Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 21 | Messiah: Part I. Chorus "His yoke is easy" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 22 | Messiah: Part II. Chorus "Behold the Lamb of God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 23 | Messiah: Part II. Aria "He was despised" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-1 | Messiah: Part II. Chorus "Surely he hath borne our grieves" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-2 | Messiah: Part II. Chorus "And with his stripes we are healed" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-3 | Messiah: Part II. Chorus "All we like sheep" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-4 | Messiah: Part II. Recitative "All they that see Him" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-5 | Messiah: Part II. Chorus "He trusted in God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-6 | Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-7 | Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-8 | Messiah: Part II. Recitative "He was cut off out of the land" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-9 | Messiah: Part II. Aria "But thou didst not leave" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-10 | Messiah: Part II. Chorus "Lift up your heads" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-11 | Messiah: Part II. Recitative "Unto which of the angels" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-12 | Messiah: Part II. Chorus "Let all the angels of God worship Him" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-13 | Messiah: Part II. Aria "Thou art gone up on high" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-14 | Messiah: Part II. Chorus "The Lord gave the word" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-15 | Messiah: Part II. Aria "How beautiful are the feet" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-16 | Messiah: Part II. Chorus "Their sound is gone out" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-17 | Messiah: Part II. "Why do the nations?" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-18 | Messiah: Part II. Chorus "Let us break their bonds asunder" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-19 | Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-20 | Messiah: Part II. Aria "Thou shalt break them" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-21 | Messiah: Part II. Chorus "Hallelujah!" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-22 | Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-23 | Messiah: Part III. Chorus "Since by man came death" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-24 | Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-25 | Messiah: Part III. Aria "The trumpet shall sound" (bass) | Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-26 | Messiah: Part III. Recitative "Then shall be brought to pass" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-27 | Messiah: Part III. Duet "O death, where is thy sting" (alto & tenor) | John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-28 | Messiah: Part III. Chorus "But thanks be to God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-29 | Messiah: Part III. Aria "If God be for us" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-30 | Messiah: Part III. Chorus "Worthy is the Lamb...Amen" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 3-1 | Matthäus-Passion, BWV 244: Teil I, I. Coro "Kommt, ihr Töchter, helft mir klagen" - Corale "O Lamm Gottes, unschuldig" | — | ||
| 3-2 | Matthäus-Passion, BWV 244: Teil I, II. "Da Jesus diese Rede vollendet hatte" (Evangelista, Jesus) | — | ||
| 3-3 | Matthäus-Passion, BWV 244: Teil I, III. Corale "Herzliebster Jesu, was hast du verbrochen" | — | ||
| 3-4 | Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) | — | ||
| 3-5 | Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" | — | ||
| 3-6 | Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) | — | ||
| 3-7 | Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" | — | ||
| 3-8 | Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) | — | ||
| 3-9 | Matthäus-Passion, BWV 244: Teil I, V. Recitativo (Alto) "Du lieber Heiland du" | — | ||
| 3-10 | Matthäus-Passion, BWV 244: Teil I, VI. Aria (Alto) "Buss und Reu" | — | ||
| 3-11 | Matthäus-Passion, BWV 244: Teil I, VII. "Da ging hin der Zwölfen einer" (Evangelista, Judas) | — | ||
| 3-12 | Matthäus-Passion, BWV 244: Teil I, VIII. Aria (Soprano) "Blute nur, du liebes Herz" | — | ||
| 3-13 | Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) | — | ||
| 3-14 | Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" | — | ||
| 3-15 | Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) | — | ||
| 3-16 | Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista) | — | ||
| 3-17 | Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs" | — | ||
| 3-18 | Matthäus-Passion, BWV 244: Teil I, X. Corale "Ich bin's, ich sollte büssen" | — | ||
| 3-19 | Matthäus-Passion, BWV 244: Teil I, XI. "Er antwortete und sprach" (Evangelista, Jesus, Judas) | — | ||
| 3-20 | Matthäus-Passion, BWV 244: Teil I, XII. Recitativo (Soprano) "Wiewohl mein Herz in Tränen schwimmt" | — | ||
| 3-21 | Matthäus-Passion, BWV 244: Teil I, XIII. Aria (Soprano) "Ich will dir mein Herze schenken" | — | ||
| 3-22 | Matthäus-Passion, BWV 244: Teil I, XIV. "Und da sie den Lobgesang gesprochen hatten" (Evangelista, Judas) | — | ||
| 3-23 | Matthäus-Passion, BWV 244: Teil I, XV. Corale "Erkenne mich, mein Hüter" | — | ||
| 3-24 | Matthäus-Passion, BWV 244: Teil I, XVI. "Petrus aber antwortete und sprach zu ihm" (Evangelista, Petrus, Jesus) | — | ||
| 3-25 | Matthäus-Passion, BWV 244: Teil I, XVII. Corale "Ich will hier bei dir stehen" | — | ||
| 3-26 | Matthäus-Passion, BWV 244: Teil I, XVIII. "Da kam Jesus mit ihnen zu einen Hofe" (Evangelista, Jesus) | — | ||
| 3-27 | Matthäus-Passion, BWV 244: Teil I, XIX. Corale "Was ist die Ursach' aller solcher Plagen" | — | ||
| 3-28 | Matthäus-Passion, BWV 244: Teil I, XX. Coro "So schlafen unsre Sünden ein" | — | ||
| 3-29 | Matthäus-Passion, BWV 244: Teil I, XXI. "Und ging hin ein wenig" (Evangelista, Jesus) | — | ||
| 3-30 | Matthäus-Passion, BWV 244: Teil I, XXII. Recitativo (Basso) "Der Heiland fällt vor seinem Vater nieder" | — | ||
| 3-31 | Matthäus-Passion, BWV 244: Teil I, XXIII. Aria (Basso) "Gerne will ich mich bequemen" | — | ||
| 3-32 | Matthäus-Passion, BWV 244: Teil I, XXIV. "Und er kam zu seinen Jüngern" (Evangelista, Jesus) | — | ||
| 3-33 | "Matthäus-Passion, BWV 244: Teil I, XXV. Corale "Was mein Gott will, das g'scheh allzeit" | — | ||
| 3-34 | Matthäus-Passion, BWV 244: Teil I, XXVI. "Und er kam und fand sie aber schlafend" (Evangelista, Jesus, Judas) | — | ||
| 3-35 | Matthäus-Passion, BWV 244: Teil I, XXVIIa. Coro "Lasst ihn, haltet, bindet nicht" | — | ||
| 3-36 | Matthäus-Passion, BWV 244: Teil I, XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" | — | ||
| 3-37 | Matthäus-Passion, BWV 244: Teil I, XXVIII. "Und siehe, einer aus denen, die mit Jesu waren" (Evangelista, Jesus) | — | ||
| 3-38 | Matthäus-Passion, BWV 244: Teil I, XXIX. Corale "O Mensch, bewein dein Sünde gross" | — | ||
| 4-1 | Matthäus-Passion, BWV 244: Teil II, XXX. Coro "Wo ist denn dein Freund hingegangen" | — | ||
| 4-2 | Matthäus-Passion, BWV 244: Teil II, XXXI. "Die aber Jesum gegriffen hatten" (Evangelista) | — | ||
| 4-3 | Matthäus-Passion, BWV 244: Teil II, XXXII. Corale "Mir hat die Welt trüglich gericht'" | — | ||
| 4-4 | Matthäus-Passion, BWV 244: Teil II, XXXIII. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I/II, Pontifex) | — | ||
| 4-5 | Matthäus-Passion, BWV 244: Teil II, XXXIV. Recitativo (Tenore) "Mein Jesus schweigt zu falschen Lügen stille" | — | ||
| 4-6 | Matthäus-Passion, BWV 244: Teil II, XXXV. Aria (Tenore) "Geduld! Wenn mich falsche Zungen stechen" | — | ||
| 4-7 | Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) | — | ||
| 4-8 | Matthäus-Passion, BWV 244: Teil II, XXXVIb. Cori "Er ist des Todes schuldig" | — | ||
| 4-9 | Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) | — | ||
| 4-10 | Matthäus-Passion, BWV 244: Teil II, XXXVId. Cori "Weissage uns, Christe" | — | ||
| 4-11 | Matthäus-Passion, BWV 244: Teil II, XXXVII. Corale "Wer hat dich so geschlagen" | — | ||
| 4-12 | Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber sass draussen im Palast" (Evangelista, Ancilla I/II, Petrus) | — | ||
| 4-13 | Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" | — | ||
| 4-14 | Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) | — | ||
| 4-15 | Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" | — | ||
| 4-16 | Matthäus-Passion, BWV 244: Teil II, XL. Corale "Bin ich gleich von dir gewichen" | — | ||
| 4-17 | Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) | — | ||
| 4-18 | Matthäus-Passion, BWV 244: Teil II, XLIb. Cori "Was gehet uns das an?" | — | ||
| 4-19 | Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) | — | ||
| 4-20 | Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" | — | ||
| 4-21 | Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) | — | ||
| 4-22 | Matthäus-Passion, BWV 244: Teil II, XLIV. Corale "Befiehl du deine Wege" | — | ||
| 4-23 | Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) | — | ||
| 4-24 | Matthäus-Passion, BWV 244: Teil II, XLVb. Cori "Lass ihn kreuzigen" | — | ||
| 4-25 | Matthäus-Passion, BWV 244: Teil II, XLVI. Corale "Wie wunderbarlich ist doch diese Strafe" | — | ||
| 4-26 | Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) | — | ||
| 4-27 | Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" | — | ||
| 4-28 | Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" | — | ||
| 5-1 | Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) | — | ||
| 5-2 | Matthäus-Passion, BWV 244: Teil II, Lb. Cori "Lass ihn kreuzigen" | — | ||
| 5-3 | Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) | — | ||
| 5-4 | Matthäus-Passion, BWV 244: Teil II, Ld. Cori "Sein Blut komme über uns" | — | ||
| 5-5 | Matthäus-Passion, BWV 244: Teil II, Le. "Da gab er ihnen Barrabam los" (Evangelista) | — | ||
| 5-6 | Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" | — | ||
| 5-7 | Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" | — | ||
| 5-8 | Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) | — | ||
| 5-9 | Matthäus-Passion, BWV 244: Teil II, LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" | — | ||
| 5-10 | Matthäus-Passion, BWV 244: Teil II, LIIIc. "Und speieten ihn an" (Evangelista) | — | ||
| 5-11 | Matthäus-Passion, BWV 244: Teil II, LIV. Corale "O Haupt voll Blut und Wunden" | — | ||
| 5-12 | Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) | — | ||
| 5-13 | Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" | — | ||
| 5-14 | Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süsses Kreuz, so will ich sagen" | — | ||
| 5-15 | Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" (Evangelista) | — | ||
| 5-16 | Matthäus-Passion, BWV 244: Teil II, LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" | — | ||
| 5-17 | Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) | — | ||
| 5-18 | Matthäus-Passion, BWV 244: Teil II, LVIIId. Cori "Andern hat er geholfen" | — | ||
| 5-19 | Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) | — | ||
| 5-20 | Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" | — | ||
| 5-21 | Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" | — | ||
| 5-22 | Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) | — | ||
| 5-23 | Matthäus-Passion, BWV 244: Teil II, LXIb. Coro "Der rufet dem Elias" | — | ||
| 5-24 | Matthäus-Passion, BWV 244: Teil II, LXIc. "Und bald lief einer unter ihnen" (Evangelista) | — | ||
| 5-25 | Matthäus-Passion, BWV 244: Teil II, LXId. Coro "Halt! lass sehen" | — | ||
| 5-26 | Matthäus-Passion, BWV 244: Teil II, LXIe. "Aber Jesus schriee abermal" (Evangelista) | — | ||
| 5-27 | Matthäus-Passion, BWV 244: Teil II, LXII. Corale "Wenn ich einmal soll scheiden" | — | ||
| 5-28 | Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) | — | ||
| 5-29 | Matthäus-Passion, BWV 244: Teil II, LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" | — | ||
| 5-30 | Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista) | — | ||
| 5-31 | Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" | — | ||
| 5-32 | Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" | — | ||
| 5-33 | Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) | — | ||
| 5-34 | Matthäus-Passion, BWV 244: Teil II, LXVIb. Cori "Herr, wir haben gedacht" | — | ||
| 5-35 | Matthäus-Passion, BWV 244: Teil II, LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) | — | ||
| 5-36 | Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" | — | ||
| 5-37 | Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" | — | ||
| 6-1 | Johannes-Passion, BWV 245: I. Verrat und Gefangennahme - Chor - Herr, unser Herrscher | — | ||
| 6-2 | Johannes-Passion, BWV 245: II. Evangelist, Jesus, Chor - Jesus ging mit seinen Jüngern | — | ||
| 6-3 | Johannes-Passion, BWV 245: III. Choral - O große Lieb | — | ||
| 6-4 | Johannes-Passion, BWV 245: IV. Evangelist, Jesus - Auf dass das Wort erfüllet wurde | — | ||
| 6-5 | Johannes-Passion, BWV 245: V. Choral - Dein Wille geschehe, Herr Gott, zugleich | — | ||
| 6-6 | Johannes-Passion, BWV 245: VI. Evangelist - Die Schar aber und der Oberhauptmann | — | ||
| 6-7 | Johannes-Passion, BWV 245: VII. Arie (Alt) - Von der Stricken meiner Sünden | — | ||
| 6-8 | Johannes-Passion, BWV 245: VIII. Verhör -Evangelist - Simon Petrus aber folgete Jesus nach | — | ||
| 6-9 | Johannes-Passion, BWV 245: IX. Arie (Sopran) - Ich folge dir gleichfalls mit freudigen Schritten | — | ||
| 6-10 | Johannes-Passion, BWV 245: X. Evangelist, Magd, Petrus, Jesus, Jünger - Derselbige Jünger war dem Hohenpriester bekannt | — | ||
| 6-11 | Johannes-Passion, BWV 245: XI. Choral - Wer hat dich so geschlagen? | — | ||
| 6-12 | Johannes-Passion, BWV 245: XII. Evangelist, Chor, Petrus, Jünger - Und Hannas sandte ihn gebunden | — | ||
| 6-13 | Johannes-Passion, BWV 245: XIII. Arie (Tenor) - Ach, mein Sinn | — | ||
| 6-14 | Johannes-Passion, BWV 245: XIV. Choral - Petrus, der nicht denkt zurück | — | ||
| 6-15 | Johannes-Passion, BWV 245: XV. Verhör und Geißelung - Choral - Christus, der uns selig macht | — | ||
| 6-16 | Johannes-Passion, BWV 245: XVI. Evangelist, Pilatus, Chor, Jesus - Da führeten sie Jesum | — | ||
| 6-17 | Johannes-Passion, BWV 245: XVII. Choral - Ach großer König | — | ||
| 6-18 | Johannes-Passion, BWV 245: XVIII. Evangelist, Pilatus, Jesus, Chor - Da sprach Pilatus zu ihm | — | ||
| 6-19 | Johannes-Passion, BWV 245: XIX. Arioso (Bass) - Betrachte, meine Seele | — | ||
| 6-20 | Johannes-Passion, BWV 245: XX. Arie (Tenor) - Erwäge, wie sein blutgefärbter Rücken | — | ||
| 6-21 | Johannes-Passion, BWV 245: XXI. Evangelist, Chor, Pilatus, Jesus - Und die Kriegsknechte flochten eine Krone | — | ||
| 6-22 | Johannes-Passion, BWV 245: XXII. Chor - Durch dein Gefängnis, Gottes Sohn | — | ||
| 6-23 | Johannes-Passion, BWV 245: XXIII. Evangelist, Chor, Pilatus - Die Juden aber schrieen und sprachen | — | ||
| 6-24 | Johannes-Passion, BWV 245: XXIV. Arie (Bass) mit Chor - Eilt, ihr angefochtnen Seelen | — | ||
| 6-25 | Johannes-Passion, BWV 245: XXV. Evangelist, Chor, Pilatus - Allda kreuzigten sie ihn | — | ||
| 6-26 | Johannes-Passion, BWV 245: XXVI. Choral - In meines Herzens Grunde | — | ||
| 7-1 | Johannes-Passion, BWV 245: XXVII. Recitativ: "Die Kriegsknechte aber" | — | ||
| 7-2 | Johannes-Passion, BWV 245: XXVIII. Choral: "Er nahm alles wohl in acht" | — | ||
| 7-3 | Johannes-Passion, BWV 245: XXIX. Recitativ: "Und von Stund an nahm sie der Jünger" | — | ||
| 7-4 | Johannes-Passion, BWV 245: XXX. Aria (Alto): "Es ist vollbracht!" | — | ||
| 7-5 | Johannes-Passion, BWV 245: XXXI. Recitativ: "Und neiget das Haupt und verschied" | — | ||
| 7-6 | Johannes-Passion, BWV 245: XXXII. Aria (Basso): "Mein teurer Heiland, lass dich fragen" | — | ||
| 7-7 | Johannes-Passion, BWV 245: XXXIII. Recitativ: "Und siehe da, der Vorhang im Tempel zerriss" | — | ||
| 7-8 | Johannes-Passion, BWV 245: XXXIV. Arioso (Tenor): "Mein Herz, in dem die ganze Welt" | — | ||
| 7-9 | Johannes-Passion, BWV 245: XXXV. Aria (Soprano): "Zerfließe mein Herze" | — | ||
| 7-10 | Johannes-Passion, BWV 245: XXXVI. Recitativ :"Die Juden aber, dieweil es der Rüsttag war" | — | ||
| 7-11 | Johannes-Passion, BWV 245: XXXVII. Choral: "O hilf, Christe, Gottes Sohn" | — | ||
| 7-12 | Johannes-Passion, BWV 245: XXXVIII. Recitativ: "Darnach bat Pilatum Joseph von Arimathia" | — | ||
| 7-13 | Johannes-Passion, BWV 245: XXXIX. Chor: "Ruht wohl, ihr heiligen Gebeine" | — | ||
| 7-14 | Johannes-Passion, BWV 245: XL. Choral :"Ach Herr, lass dein lieb Engelein" | — | ||
| 7-15 | Johannes-Passion, BWV 245, Appendix 1725: XLI. Choral: "O Mensch, bewein dein Sünde gross" | — | ||
| 7-16 | Johannes-Passion, BWV 245, Appendix 1725: XLII. Aria (Basso): "Himmel reisse, Welt erbebe" | — | ||
| 7-17 | Johannes-Passion, BWV 245, Appendix 1725: XLIII. Aria (Tenor): "Zerschmettert mich" | — | ||
| 7-18 | Johannes-Passion, BWV 245, Appendix 1725: XLIV. Aria (Tenor): "Ach windet euch nicht so" | — | ||
| 7-19 | Johannes-Passion, BWV 245, Appendix 1725: XLV. Choral: "Christe, du Lamm Gottes" | — | ||
| 8-1 | Requiem in D minor, KV 626: Introitus: Requiem aeternam | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-2 | Requiem in D minor, KV 626: Kyrie eleison | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-3 | Requiem in D minor, KV 626: Dies irae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-922.061.546-3 | |
| 8-4 | Requiem in D minor, KV 626: Tuba mirum | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-5 | Requiem in D minor, KV 626: Rex tremendae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-6 | Requiem in D minor, KV 626: Recordare | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-7 | Requiem in D minor, KV 626: Confutatis | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-8 | Requiem in D minor, KV 626: Lacrimosa | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-9 | Requiem in D minor, KV 626: Domine Jesu | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-10 | Requiem in D minor, KV 626: Hostias | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-11 | Requiem in D minor, KV 626: Sanctus | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-12 | Requiem in D minor, KV 626: Benedictus | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-13 | Requiem in D minor, KV 626: Agnus Dei | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-14 | Requiem in D minor, KV 626: Lux aeterna | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 9-1 | Stabat Mater: I. Stabat Mater | — | ||
| 9-2 | Stabat Mater: II. Cujus animam gementem | — | ||
| 9-3 | Stabat Mater: III. O quam tristis et afflicta | — | ||
| 9-4 | Stabat Mater: IV. Quae moerebat et dolebat | — | ||
| 9-5 | Stabat Mater: V. Quis est homo | — | ||
| 9-6 | Stabat Mater: VI. Vivit suum dulcem Natum | — | ||
| 9-7 | Stabat Mater: VII. Eja, mater | — | ||
| 9-8 | Stabat Mater: VIII. Fac ut ardeat cor meum | — | ||
| 9-9 | Stabat Mater: IX. Sancta mater | — | ||
| 9-10 | Stabat Mater: X. Fac ut portem | — | ||
| 9-11 | Stabat Mater: XI. Inflammatus et accensus | — | ||
| 9-12 | Stabat Mater: XII. Quando corpus | — | ||
| 9-13 | Salve Regina in C minor: I. Salve Regina | — | ||
| 9-14 | Salve Regina in C minor: II. Ad te clamamus | — | ||
| 9-15 | Salve Regina in C minor: III. Eja ergo | — | ||
| 9-16 | Salve Regina in C minor: IV. Et Jesum | — | ||
| 9-17 | Salve Regina in C minor: V. O clemens | — | ||
| 10-1 | Requiem aeternam-Kyrie | — | ||
| 10-2 | Dies irae | — | ||
| 10-3 | Tuba mirum | — | ||
| 10-4 | Liber sciptus | — | ||
| 10-5 | Quid sum miser | — | ||
| 10-6 | Rex tremendae | — | ||
| 10-7 | Recordare | — | ||
| 10-8 | Ingemisco | — | ||
| 10-9 | Confutatis | — | ||
| 10-10 | Lacrimosa | — | ||
| 10-11 | Domine Jesu Christe | — | ||
| 10-12 | Sanctus | — | ||
| 10-13 | Agnus Dei | — | ||
| 10-14 | Lux aeterna | — | ||
| 10-15 | Libera me | — | ||
| 11-1 | Requiem, op. 48: Introit & Kyrie | — | ||
| 11-2 | Requiem, op. 48: Offertoire | — | ||
| 11-3 | Requiem, op. 48: Sanctus | — | ||
| 11-4 | Requiem, op. 48: Pie Jesu | — | ||
| 11-5 | Requiem, op. 48: Agnus Dei | — | ||
| 11-6 | Requiem, op. 48: Libera me | — | ||
| 11-7 | Requiem, op. 48: In paradisum | — | ||
| 11-8 | Cantique de Jean Racine | — | ||
| 11-9 | Ave Verum | — | ||
| 11-10 | Motet Locus iste | — | ||
| 11-11 | Ave Verum | — | ||
| 11-12 | Ave Verum | — | ||
| 11-13 | Ave Maris Stella | — | ||
| 11-14 | Crucifixus | — | ||
| 11-15 | Panis Angelicus | — | ||
| 11-16 | Pie Jesu | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Requiem in D minor, KV 626: Introitus: Requiem aeternam | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Kyrie eleison | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-070.093.418-4 |
| Requiem in D minor, KV 626: Tuba mirum | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Rex tremendae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Recordare | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-916.756.672-5 |
| Requiem in D minor, KV 626: Confutatis | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Lacrimosa | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Domine Jesu | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-919.097.742-5 |
| Requiem in D minor, KV 626: Hostias | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Sanctus | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Benedictus | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-106.642.813-3 |
| Requiem in D minor, KV 626: Agnus Dei | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — |
| Requiem in D minor, KV 626: Lux aeterna | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-910.952.061-8 |
| Messiah: Part I. Sinfonia | The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Comfort ye my people" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "And the glory, the glory of the Lord" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Thus said the Lord" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "But who may abide" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "And He shall purify" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Behold, a virgin" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "O thou that tellest" (alto) | The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "The people that walked in darkness" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "For unto us a Child is born" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Pifa (Pastoral Symphony) | The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "There were shepherds" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "And the angels said unto them" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "Glory to God in the highest" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part I. Chorus "His yoke is easy" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Behold the Lamb of God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "He was despised" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Surely he hath borne our grieves" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "And with his stripes we are healed" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "All we like sheep" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "All they that see Him" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "He trusted in God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "He was cut off out of the land" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "But thou didst not leave" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Lift up your heads" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "Unto which of the angels" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Let all the angels of God worship Him" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Thou art gone up on high" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "The Lord gave the word" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "How beautiful are the feet" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Their sound is gone out" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. "Why do the nations?" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Let us break their bonds asunder" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Aria "Thou shalt break them" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part II. Chorus "Hallelujah!" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "Since by man came death" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "The trumpet shall sound" (bass) | Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Recitative "Then shall be brought to pass" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Duet "O death, where is thy sting" (alto & tenor) | John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "But thanks be to God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Aria "If God be for us" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — |
| Messiah: Part III. Chorus "Worthy is the Lamb...Amen" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
8718011900340 is a Universal Product Code (UPC) assigned to Sanctus by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 263 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
8718011900340 is the Universal Product Code (UPC barcode) for the release “Sanctus” by Various Artists on House Of Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 263 tracks, each with its own ISRC. Tracks include NLY330902400, NLY330902401, NLY330902402.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Messiah: Part I. Sinfonia | The Brandenburg Consort, Stephen Cleobury | — | |
| 2 | Messiah: Part I. Recitative "Comfort ye my people" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 3 | Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 4 | Messiah: Part I. Chorus "And the glory, the glory of the Lord" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 5 | Messiah: Part I. Recitative "Thus said the Lord" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 6 | Messiah: Part I. Aria "But who may abide" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 7 | Messiah: Part I. Chorus "And He shall purify" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 8 | Messiah: Part I. Recitative "Behold, a virgin" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 9 | Messiah: Part I. Aria "O thou that tellest" (alto) | The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 10 | Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 11 | Messiah: Part I. Aria "The people that walked in darkness" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 12 | Messiah: Part I. Chorus "For unto us a Child is born" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 13 | Messiah: Part I. Pifa (Pastoral Symphony) | The Brandenburg Consort, Stephen Cleobury | — | |
| 14 | Messiah: Part I. Recitative "There were shepherds" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 15 | Messiah: Part I. Recitative "And the angels said unto them" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 16 | Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 17 | Messiah: Part I. Chorus "Glory to God in the highest" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 18 | Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 19 | Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 20 | Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 21 | Messiah: Part I. Chorus "His yoke is easy" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 22 | Messiah: Part II. Chorus "Behold the Lamb of God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 23 | Messiah: Part II. Aria "He was despised" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-1 | Messiah: Part II. Chorus "Surely he hath borne our grieves" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-2 | Messiah: Part II. Chorus "And with his stripes we are healed" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-3 | Messiah: Part II. Chorus "All we like sheep" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-4 | Messiah: Part II. Recitative "All they that see Him" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-5 | Messiah: Part II. Chorus "He trusted in God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-6 | Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-7 | Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-8 | Messiah: Part II. Recitative "He was cut off out of the land" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-9 | Messiah: Part II. Aria "But thou didst not leave" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-10 | Messiah: Part II. Chorus "Lift up your heads" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-11 | Messiah: Part II. Recitative "Unto which of the angels" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-12 | Messiah: Part II. Chorus "Let all the angels of God worship Him" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-13 | Messiah: Part II. Aria "Thou art gone up on high" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-14 | Messiah: Part II. Chorus "The Lord gave the word" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-15 | Messiah: Part II. Aria "How beautiful are the feet" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-16 | Messiah: Part II. Chorus "Their sound is gone out" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-17 | Messiah: Part II. "Why do the nations?" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-18 | Messiah: Part II. Chorus "Let us break their bonds asunder" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-19 | Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-20 | Messiah: Part II. Aria "Thou shalt break them" (tenor) | John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-21 | Messiah: Part II. Chorus "Hallelujah!" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-22 | Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-23 | Messiah: Part III. Chorus "Since by man came death" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-24 | Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | Alastair Miles, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-25 | Messiah: Part III. Aria "The trumpet shall sound" (bass) | Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-26 | Messiah: Part III. Recitative "Then shall be brought to pass" (alto) | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-27 | Messiah: Part III. Duet "O death, where is thy sting" (alto & tenor) | John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-28 | Messiah: Part III. Chorus "But thanks be to God" | The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-29 | Messiah: Part III. Aria "If God be for us" (soprano) | Lynne Dawson, The Brandenburg Consort, Stephen Cleobury | — | |
| 2-30 | Messiah: Part III. Chorus "Worthy is the Lamb...Amen" | The Choir of King’s College, Cambridge, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury | — | |
| 3-1 | Matthäus-Passion, BWV 244: Teil I, I. Coro "Kommt, ihr Töchter, helft mir klagen" - Corale "O Lamm Gottes, unschuldig" | — | ||
| 3-2 | Matthäus-Passion, BWV 244: Teil I, II. "Da Jesus diese Rede vollendet hatte" (Evangelista, Jesus) | — | ||
| 3-3 | Matthäus-Passion, BWV 244: Teil I, III. Corale "Herzliebster Jesu, was hast du verbrochen" | — | ||
| 3-4 | Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) | — | ||
| 3-5 | Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" | — | ||
| 3-6 | Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) | — | ||
| 3-7 | Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" | — | ||
| 3-8 | Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) | — | ||
| 3-9 | Matthäus-Passion, BWV 244: Teil I, V. Recitativo (Alto) "Du lieber Heiland du" | — | ||
| 3-10 | Matthäus-Passion, BWV 244: Teil I, VI. Aria (Alto) "Buss und Reu" | — | ||
| 3-11 | Matthäus-Passion, BWV 244: Teil I, VII. "Da ging hin der Zwölfen einer" (Evangelista, Judas) | — | ||
| 3-12 | Matthäus-Passion, BWV 244: Teil I, VIII. Aria (Soprano) "Blute nur, du liebes Herz" | — | ||
| 3-13 | Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) | — | ||
| 3-14 | Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" | — | ||
| 3-15 | Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) | — | ||
| 3-16 | Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista) | — | ||
| 3-17 | Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs" | — | ||
| 3-18 | Matthäus-Passion, BWV 244: Teil I, X. Corale "Ich bin's, ich sollte büssen" | — | ||
| 3-19 | Matthäus-Passion, BWV 244: Teil I, XI. "Er antwortete und sprach" (Evangelista, Jesus, Judas) | — | ||
| 3-20 | Matthäus-Passion, BWV 244: Teil I, XII. Recitativo (Soprano) "Wiewohl mein Herz in Tränen schwimmt" | — | ||
| 3-21 | Matthäus-Passion, BWV 244: Teil I, XIII. Aria (Soprano) "Ich will dir mein Herze schenken" | — | ||
| 3-22 | Matthäus-Passion, BWV 244: Teil I, XIV. "Und da sie den Lobgesang gesprochen hatten" (Evangelista, Judas) | — | ||
| 3-23 | Matthäus-Passion, BWV 244: Teil I, XV. Corale "Erkenne mich, mein Hüter" | — | ||
| 3-24 | Matthäus-Passion, BWV 244: Teil I, XVI. "Petrus aber antwortete und sprach zu ihm" (Evangelista, Petrus, Jesus) | — | ||
| 3-25 | Matthäus-Passion, BWV 244: Teil I, XVII. Corale "Ich will hier bei dir stehen" | — | ||
| 3-26 | Matthäus-Passion, BWV 244: Teil I, XVIII. "Da kam Jesus mit ihnen zu einen Hofe" (Evangelista, Jesus) | — | ||
| 3-27 | Matthäus-Passion, BWV 244: Teil I, XIX. Corale "Was ist die Ursach' aller solcher Plagen" | — | ||
| 3-28 | Matthäus-Passion, BWV 244: Teil I, XX. Coro "So schlafen unsre Sünden ein" | — | ||
| 3-29 | Matthäus-Passion, BWV 244: Teil I, XXI. "Und ging hin ein wenig" (Evangelista, Jesus) | — | ||
| 3-30 | Matthäus-Passion, BWV 244: Teil I, XXII. Recitativo (Basso) "Der Heiland fällt vor seinem Vater nieder" | — | ||
| 3-31 | Matthäus-Passion, BWV 244: Teil I, XXIII. Aria (Basso) "Gerne will ich mich bequemen" | — | ||
| 3-32 | Matthäus-Passion, BWV 244: Teil I, XXIV. "Und er kam zu seinen Jüngern" (Evangelista, Jesus) | — | ||
| 3-33 | "Matthäus-Passion, BWV 244: Teil I, XXV. Corale "Was mein Gott will, das g'scheh allzeit" | — | ||
| 3-34 | Matthäus-Passion, BWV 244: Teil I, XXVI. "Und er kam und fand sie aber schlafend" (Evangelista, Jesus, Judas) | — | ||
| 3-35 | Matthäus-Passion, BWV 244: Teil I, XXVIIa. Coro "Lasst ihn, haltet, bindet nicht" | — | ||
| 3-36 | Matthäus-Passion, BWV 244: Teil I, XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" | — | ||
| 3-37 | Matthäus-Passion, BWV 244: Teil I, XXVIII. "Und siehe, einer aus denen, die mit Jesu waren" (Evangelista, Jesus) | — | ||
| 3-38 | Matthäus-Passion, BWV 244: Teil I, XXIX. Corale "O Mensch, bewein dein Sünde gross" | — | ||
| 4-1 | Matthäus-Passion, BWV 244: Teil II, XXX. Coro "Wo ist denn dein Freund hingegangen" | — | ||
| 4-2 | Matthäus-Passion, BWV 244: Teil II, XXXI. "Die aber Jesum gegriffen hatten" (Evangelista) | — | ||
| 4-3 | Matthäus-Passion, BWV 244: Teil II, XXXII. Corale "Mir hat die Welt trüglich gericht'" | — | ||
| 4-4 | Matthäus-Passion, BWV 244: Teil II, XXXIII. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I/II, Pontifex) | — | ||
| 4-5 | Matthäus-Passion, BWV 244: Teil II, XXXIV. Recitativo (Tenore) "Mein Jesus schweigt zu falschen Lügen stille" | — | ||
| 4-6 | Matthäus-Passion, BWV 244: Teil II, XXXV. Aria (Tenore) "Geduld! Wenn mich falsche Zungen stechen" | — | ||
| 4-7 | Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) | — | ||
| 4-8 | Matthäus-Passion, BWV 244: Teil II, XXXVIb. Cori "Er ist des Todes schuldig" | — | ||
| 4-9 | Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) | — | ||
| 4-10 | Matthäus-Passion, BWV 244: Teil II, XXXVId. Cori "Weissage uns, Christe" | — | ||
| 4-11 | Matthäus-Passion, BWV 244: Teil II, XXXVII. Corale "Wer hat dich so geschlagen" | — | ||
| 4-12 | Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber sass draussen im Palast" (Evangelista, Ancilla I/II, Petrus) | — | ||
| 4-13 | Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" | — | ||
| 4-14 | Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) | — | ||
| 4-15 | Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" | — | ||
| 4-16 | Matthäus-Passion, BWV 244: Teil II, XL. Corale "Bin ich gleich von dir gewichen" | — | ||
| 4-17 | Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) | — | ||
| 4-18 | Matthäus-Passion, BWV 244: Teil II, XLIb. Cori "Was gehet uns das an?" | — | ||
| 4-19 | Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) | — | ||
| 4-20 | Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" | — | ||
| 4-21 | Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) | — | ||
| 4-22 | Matthäus-Passion, BWV 244: Teil II, XLIV. Corale "Befiehl du deine Wege" | — | ||
| 4-23 | Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) | — | ||
| 4-24 | Matthäus-Passion, BWV 244: Teil II, XLVb. Cori "Lass ihn kreuzigen" | — | ||
| 4-25 | Matthäus-Passion, BWV 244: Teil II, XLVI. Corale "Wie wunderbarlich ist doch diese Strafe" | — | ||
| 4-26 | Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) | — | ||
| 4-27 | Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" | — | ||
| 4-28 | Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" | — | ||
| 5-1 | Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) | — | ||
| 5-2 | Matthäus-Passion, BWV 244: Teil II, Lb. Cori "Lass ihn kreuzigen" | — | ||
| 5-3 | Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) | — | ||
| 5-4 | Matthäus-Passion, BWV 244: Teil II, Ld. Cori "Sein Blut komme über uns" | — | ||
| 5-5 | Matthäus-Passion, BWV 244: Teil II, Le. "Da gab er ihnen Barrabam los" (Evangelista) | — | ||
| 5-6 | Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" | — | ||
| 5-7 | Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" | — | ||
| 5-8 | Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) | — | ||
| 5-9 | Matthäus-Passion, BWV 244: Teil II, LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" | — | ||
| 5-10 | Matthäus-Passion, BWV 244: Teil II, LIIIc. "Und speieten ihn an" (Evangelista) | — | ||
| 5-11 | Matthäus-Passion, BWV 244: Teil II, LIV. Corale "O Haupt voll Blut und Wunden" | — | ||
| 5-12 | Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) | — | ||
| 5-13 | Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" | — | ||
| 5-14 | Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süsses Kreuz, so will ich sagen" | — | ||
| 5-15 | Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" (Evangelista) | — | ||
| 5-16 | Matthäus-Passion, BWV 244: Teil II, LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" | — | ||
| 5-17 | Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) | — | ||
| 5-18 | Matthäus-Passion, BWV 244: Teil II, LVIIId. Cori "Andern hat er geholfen" | — | ||
| 5-19 | Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) | — | ||
| 5-20 | Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" | — | ||
| 5-21 | Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" | — | ||
| 5-22 | Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) | — | ||
| 5-23 | Matthäus-Passion, BWV 244: Teil II, LXIb. Coro "Der rufet dem Elias" | — | ||
| 5-24 | Matthäus-Passion, BWV 244: Teil II, LXIc. "Und bald lief einer unter ihnen" (Evangelista) | — | ||
| 5-25 | Matthäus-Passion, BWV 244: Teil II, LXId. Coro "Halt! lass sehen" | — | ||
| 5-26 | Matthäus-Passion, BWV 244: Teil II, LXIe. "Aber Jesus schriee abermal" (Evangelista) | — | ||
| 5-27 | Matthäus-Passion, BWV 244: Teil II, LXII. Corale "Wenn ich einmal soll scheiden" | — | ||
| 5-28 | Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) | — | ||
| 5-29 | Matthäus-Passion, BWV 244: Teil II, LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" | — | ||
| 5-30 | Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista) | — | ||
| 5-31 | Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" | — | ||
| 5-32 | Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" | — | ||
| 5-33 | Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) | — | ||
| 5-34 | Matthäus-Passion, BWV 244: Teil II, LXVIb. Cori "Herr, wir haben gedacht" | — | ||
| 5-35 | Matthäus-Passion, BWV 244: Teil II, LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) | — | ||
| 5-36 | Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" | — | ||
| 5-37 | Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" | — | ||
| 6-1 | Johannes-Passion, BWV 245: I. Verrat und Gefangennahme - Chor - Herr, unser Herrscher | — | ||
| 6-2 | Johannes-Passion, BWV 245: II. Evangelist, Jesus, Chor - Jesus ging mit seinen Jüngern | — | ||
| 6-3 | Johannes-Passion, BWV 245: III. Choral - O große Lieb | — | ||
| 6-4 | Johannes-Passion, BWV 245: IV. Evangelist, Jesus - Auf dass das Wort erfüllet wurde | — | ||
| 6-5 | Johannes-Passion, BWV 245: V. Choral - Dein Wille geschehe, Herr Gott, zugleich | — | ||
| 6-6 | Johannes-Passion, BWV 245: VI. Evangelist - Die Schar aber und der Oberhauptmann | — | ||
| 6-7 | Johannes-Passion, BWV 245: VII. Arie (Alt) - Von der Stricken meiner Sünden | — | ||
| 6-8 | Johannes-Passion, BWV 245: VIII. Verhör -Evangelist - Simon Petrus aber folgete Jesus nach | — | ||
| 6-9 | Johannes-Passion, BWV 245: IX. Arie (Sopran) - Ich folge dir gleichfalls mit freudigen Schritten | — | ||
| 6-10 | Johannes-Passion, BWV 245: X. Evangelist, Magd, Petrus, Jesus, Jünger - Derselbige Jünger war dem Hohenpriester bekannt | — | ||
| 6-11 | Johannes-Passion, BWV 245: XI. Choral - Wer hat dich so geschlagen? | — | ||
| 6-12 | Johannes-Passion, BWV 245: XII. Evangelist, Chor, Petrus, Jünger - Und Hannas sandte ihn gebunden | — | ||
| 6-13 | Johannes-Passion, BWV 245: XIII. Arie (Tenor) - Ach, mein Sinn | — | ||
| 6-14 | Johannes-Passion, BWV 245: XIV. Choral - Petrus, der nicht denkt zurück | — | ||
| 6-15 | Johannes-Passion, BWV 245: XV. Verhör und Geißelung - Choral - Christus, der uns selig macht | — | ||
| 6-16 | Johannes-Passion, BWV 245: XVI. Evangelist, Pilatus, Chor, Jesus - Da führeten sie Jesum | — | ||
| 6-17 | Johannes-Passion, BWV 245: XVII. Choral - Ach großer König | — | ||
| 6-18 | Johannes-Passion, BWV 245: XVIII. Evangelist, Pilatus, Jesus, Chor - Da sprach Pilatus zu ihm | — | ||
| 6-19 | Johannes-Passion, BWV 245: XIX. Arioso (Bass) - Betrachte, meine Seele | — | ||
| 6-20 | Johannes-Passion, BWV 245: XX. Arie (Tenor) - Erwäge, wie sein blutgefärbter Rücken | — | ||
| 6-21 | Johannes-Passion, BWV 245: XXI. Evangelist, Chor, Pilatus, Jesus - Und die Kriegsknechte flochten eine Krone | — | ||
| 6-22 | Johannes-Passion, BWV 245: XXII. Chor - Durch dein Gefängnis, Gottes Sohn | — | ||
| 6-23 | Johannes-Passion, BWV 245: XXIII. Evangelist, Chor, Pilatus - Die Juden aber schrieen und sprachen | — | ||
| 6-24 | Johannes-Passion, BWV 245: XXIV. Arie (Bass) mit Chor - Eilt, ihr angefochtnen Seelen | — | ||
| 6-25 | Johannes-Passion, BWV 245: XXV. Evangelist, Chor, Pilatus - Allda kreuzigten sie ihn | — | ||
| 6-26 | Johannes-Passion, BWV 245: XXVI. Choral - In meines Herzens Grunde | — | ||
| 7-1 | Johannes-Passion, BWV 245: XXVII. Recitativ: "Die Kriegsknechte aber" | — | ||
| 7-2 | Johannes-Passion, BWV 245: XXVIII. Choral: "Er nahm alles wohl in acht" | — | ||
| 7-3 | Johannes-Passion, BWV 245: XXIX. Recitativ: "Und von Stund an nahm sie der Jünger" | — | ||
| 7-4 | Johannes-Passion, BWV 245: XXX. Aria (Alto): "Es ist vollbracht!" | — | ||
| 7-5 | Johannes-Passion, BWV 245: XXXI. Recitativ: "Und neiget das Haupt und verschied" | — | ||
| 7-6 | Johannes-Passion, BWV 245: XXXII. Aria (Basso): "Mein teurer Heiland, lass dich fragen" | — | ||
| 7-7 | Johannes-Passion, BWV 245: XXXIII. Recitativ: "Und siehe da, der Vorhang im Tempel zerriss" | — | ||
| 7-8 | Johannes-Passion, BWV 245: XXXIV. Arioso (Tenor): "Mein Herz, in dem die ganze Welt" | — | ||
| 7-9 | Johannes-Passion, BWV 245: XXXV. Aria (Soprano): "Zerfließe mein Herze" | — | ||
| 7-10 | Johannes-Passion, BWV 245: XXXVI. Recitativ :"Die Juden aber, dieweil es der Rüsttag war" | — | ||
| 7-11 | Johannes-Passion, BWV 245: XXXVII. Choral: "O hilf, Christe, Gottes Sohn" | — | ||
| 7-12 | Johannes-Passion, BWV 245: XXXVIII. Recitativ: "Darnach bat Pilatum Joseph von Arimathia" | — | ||
| 7-13 | Johannes-Passion, BWV 245: XXXIX. Chor: "Ruht wohl, ihr heiligen Gebeine" | — | ||
| 7-14 | Johannes-Passion, BWV 245: XL. Choral :"Ach Herr, lass dein lieb Engelein" | — | ||
| 7-15 | Johannes-Passion, BWV 245, Appendix 1725: XLI. Choral: "O Mensch, bewein dein Sünde gross" | — | ||
| 7-16 | Johannes-Passion, BWV 245, Appendix 1725: XLII. Aria (Basso): "Himmel reisse, Welt erbebe" | — | ||
| 7-17 | Johannes-Passion, BWV 245, Appendix 1725: XLIII. Aria (Tenor): "Zerschmettert mich" | — | ||
| 7-18 | Johannes-Passion, BWV 245, Appendix 1725: XLIV. Aria (Tenor): "Ach windet euch nicht so" | — | ||
| 7-19 | Johannes-Passion, BWV 245, Appendix 1725: XLV. Choral: "Christe, du Lamm Gottes" | — | ||
| 8-1 | Requiem in D minor, KV 626: Introitus: Requiem aeternam | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-2 | Requiem in D minor, KV 626: Kyrie eleison | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-3 | Requiem in D minor, KV 626: Dies irae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | T-922.061.546-3 | |
| 8-4 | Requiem in D minor, KV 626: Tuba mirum | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-5 | Requiem in D minor, KV 626: Rex tremendae | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-6 | Requiem in D minor, KV 626: Recordare | Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-7 | Requiem in D minor, KV 626: Confutatis | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-8 | Requiem in D minor, KV 626: Lacrimosa | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-9 | Requiem in D minor, KV 626: Domine Jesu | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-10 | Requiem in D minor, KV 626: Hostias | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-11 | Requiem in D minor, KV 626: Sanctus | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-12 | Requiem in D minor, KV 626: Benedictus | Chamber Choir of Europe, Pamela Heuvelmans, Robert Morvaj, Thomas Pfeiffer, Barbara Werner, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-13 | Requiem in D minor, KV 626: Agnus Dei | Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 8-14 | Requiem in D minor, KV 626: Lux aeterna | Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt | — | |
| 9-1 | Stabat Mater: I. Stabat Mater | — | ||
| 9-2 | Stabat Mater: II. Cujus animam gementem | — | ||
| 9-3 | Stabat Mater: III. O quam tristis et afflicta | — | ||
| 9-4 | Stabat Mater: IV. Quae moerebat et dolebat | — | ||
| 9-5 | Stabat Mater: V. Quis est homo | — | ||
| 9-6 | Stabat Mater: VI. Vivit suum dulcem Natum | — | ||
| 9-7 | Stabat Mater: VII. Eja, mater | — | ||
| 9-8 | Stabat Mater: VIII. Fac ut ardeat cor meum | — | ||
| 9-9 | Stabat Mater: IX. Sancta mater | — | ||
| 9-10 | Stabat Mater: X. Fac ut portem | — | ||
| 9-11 | Stabat Mater: XI. Inflammatus et accensus | — | ||
| 9-12 | Stabat Mater: XII. Quando corpus | — | ||
| 9-13 | Salve Regina in C minor: I. Salve Regina | — | ||
| 9-14 | Salve Regina in C minor: II. Ad te clamamus | — | ||
| 9-15 | Salve Regina in C minor: III. Eja ergo | — | ||
| 9-16 | Salve Regina in C minor: IV. Et Jesum | — | ||
| 9-17 | Salve Regina in C minor: V. O clemens | — | ||
| 10-1 | Requiem aeternam-Kyrie | — | ||
| 10-2 | Dies irae | — | ||
| 10-3 | Tuba mirum | — | ||
| 10-4 | Liber sciptus | — | ||
| 10-5 | Quid sum miser | — | ||
| 10-6 | Rex tremendae | — | ||
| 10-7 | Recordare | — | ||
| 10-8 | Ingemisco | — | ||
| 10-9 | Confutatis | — | ||
| 10-10 | Lacrimosa | — | ||
| 10-11 | Domine Jesu Christe | — | ||
| 10-12 | Sanctus | — | ||
| 10-13 | Agnus Dei | — | ||
| 10-14 | Lux aeterna | — | ||
| 10-15 | Libera me | — | ||
| 11-1 | Requiem, op. 48: Introit & Kyrie | — | ||
| 11-2 | Requiem, op. 48: Offertoire | — | ||
| 11-3 | Requiem, op. 48: Sanctus | — | ||
| 11-4 | Requiem, op. 48: Pie Jesu | — | ||
| 11-5 | Requiem, op. 48: Agnus Dei | — | ||
| 11-6 | Requiem, op. 48: Libera me | — | ||
| 11-7 | Requiem, op. 48: In paradisum | — | ||
| 11-8 | Cantique de Jean Racine | — | ||
| 11-9 | Ave Verum | — | ||
| 11-10 | Motet Locus iste | — | ||
| 11-11 | Ave Verum | — | ||
| 11-12 | Ave Verum | — | ||
| 11-13 | Ave Maris Stella | — | ||
| 11-14 | Crucifixus | — | ||
| 11-15 | Panis Angelicus | — | ||
| 11-16 | Pie Jesu | — |
