UPC · Release
Various Artists
Last verified:
887654149725 is the Universal Product Code (UPC barcode) for the release “Living Stereo: 60 CD Collection” by Various Artists, released 2012-01-01 on RCA Red Seal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 718 tracks, each with its own ISRC. Tracks include USRC15907090, QMDA71320607, FRZ055900013.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Indiana | — | ||
| 2 | Teensville | — | ||
| 3 | Wake Up Jacob | Harry Belafonte | — | |
| 4 | Where No One Stands Alone | — | ||
| 5 | The Beat | Henry Mancini | T-070.010.642-8 | |
| 6 | Maria bonita | — | ||
| 7 | Dark Moon | — | ||
| 8 | Cool Water | — | ||
| 9 | Twilight Time | — | ||
| 10 | Jump Down Spin Around | — | ||
| 11 | En avril à Paris | Joséphine Baker | T-071.517.825-8 | |
| 12 | Sometimes I Feel Like a Motherless Child | — | ||
| 13 | Funiculi Funiculà | — | ||
| 14 | Kol Nidrei | — | ||
| 15 | Lieutenant Kijé, op. 60: IV. Troika | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 16 | La Mer: II. Jeux de vagues. Allegro | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 17 | The Bartered Bride: Overture | Chicago Symphony Orchestra, Fritz Reiner | T-913.828.907-3 | |
| 2-1 | Symphony no. 3 in C minor, op. 78 "Organ": I. Adagio - Allegro moderato | Berj Zamkochian, Boston Symphony Orchestra, Charles Munch | — | |
| 2-2 | Symphony no. 3 in C minor, op. 78 "Organ": II. Poco adagio | Berj Zamkochian, Boston Symphony Orchestra, Charles Munch | — | |
| 2-3 | Symphony no. 3 in C minor, op. 78 "Organ": III. Allegro moderato - Presto | Bernard Zighera, Leo Litwin, Berj Zamkochian, Boston Symphony Orchestra, Charles Munch | — | |
| 2-4 | Symphony no. 3 in C minor, op. 78 "Organ": IV. Maestoso - Allegro | Bernard Zighera, Leo Litwin, Berj Zamkochian, Boston Symphony Orchestra, Charles Munch | — | |
| 2-5 | La Mer: I. De l’aube à midi sur la mer | Boston Symphony Orchestra, Charles Munch | — | |
| 2-6 | La Mer: II. Jeux de vagues | Boston Symphony Orchestra, Charles Munch | — | |
| 2-7 | La Mer: III. Dialogue du vent et de la mer | Boston Symphony Orchestra, Charles Munch | T-925.645.312-0 | |
| 2-8 | Escales (Ports of Call): I. Rome-Palermo: Calme | Boston Symphony Orchestra, Charles Munch | — | |
| 2-9 | Escales (Ports of Call): II. Tunis-Nefta: Modéré très rythmé | Boston Symphony Orchestra, Charles Munch | — | |
| 2-10 | Escales (Ports of Call): III. Valencia: Animé | Boston Symphony Orchestra, Charles Munch | — | |
| 3-1 | Daphnis et Chloé: Scene I. Invocation to the Nymphs | Boston Symphony Orchestra, Charles Munch | — | |
| 3-2 | Daphnis et Chloé: Scene I. Entrance of Daphnis and Chloé | Boston Symphony Orchestra, Charles Munch | — | |
| 3-3 | Daphnis et Chloé: Scene I. Dance of the Young Girls Around Daphnis | Boston Symphony Orchestra, Charles Munch | — | |
| 3-4 | Daphnis et Chloé: Scene I. Dorcon's Advance to Chloé | Boston Symphony Orchestra, Charles Munch | — | |
| 3-5 | Daphnis et Chloé: Scene I. Daphnis Reasserts His Love for Chloé | Boston Symphony Orchestra, Charles Munch | — | |
| 3-6 | Daphnis et Chloé: Scene I. Dorcon's Grotesque Dance | Boston Symphony Orchestra, Charles Munch | — | |
| 3-7 | Daphnis et Chloé: Scene I. The Gracious Dance of Daphnis | Boston Symphony Orchestra, Charles Munch | — | |
| 3-8 | Daphnis et Chloé: Scene I. The Triumph of Daphnis | Boston Symphony Orchestra, Charles Munch | — | |
| 3-9 | Daphnis et Chloé: Scene I. Entrance of the Temptress Lyceion and Dance of Veils | Boston Symphony Orchestra, Charles Munch | — | |
| 3-10 | Daphnis et Chloé: Scene I. The Invasion of the Pirates and Daphnis's Unsuccessful Efforts to Save Chloé | Boston Symphony Orchestra, Charles Munch | — | |
| 3-11 | Daphnis et Chloé: Scene I. Invocation to Pan by the Nymphs and the Prayer of Daphnis | Boston Symphony Orchestra, Charles Munch | — | |
| 3-12 | Daphnis et Chloé: Scene II. Interlude | Boston Symphony Orchestra, Charles Munch | — | |
| 3-13 | Daphnis et Chloé: Scene II. The Orgiastic Dance of the Pirates | Boston Symphony Orchestra, Charles Munch | — | |
| 3-14 | Daphnis et Chloé: Scene II. Bryaxis Orders Chloé to Be Brought Forward and to Dance | Boston Symphony Orchestra, Charles Munch | — | |
| 3-15 | Daphnis et Chloé: Scene II. Chloé's Dance of Supplication | Boston Symphony Orchestra, Charles Munch | — | |
| 3-16 | Daphnis et Chloé: Scene II. Creatures of Pan Appear and Frighten the Pirates, Who Flee in Terror, Leaving Chloé Alone With a Shining Crown | Boston Symphony Orchestra, Charles Munch | — | |
| 3-17 | Daphnis et Chloé: Scene III. Sunrise. Daphnis Prostrate at the Grotto of the Nymphs | Boston Symphony Orchestra, Charles Munch | — | |
| 3-18 | Daphnis et Chloé: Scene III. Daphnis and Chloé Are Reunited | Boston Symphony Orchestra, Charles Munch | — | |
| 3-19 | Daphnis et Chloé: Scene III. Lammon Tells How Pan Saved Chloé in Memory of His Love for the Nymph Syrinx. Daphnis and Chloé Act Out the Story | Boston Symphony Orchestra, Charles Munch | — | |
| 3-20 | Daphnis et Chloé: Scene III. Pan (Daphnis) Fashions a Flute From Some Reeds, on Which He Declares His Love for Syrinx (Chloé) | Boston Symphony Orchestra, Charles Munch | — | |
| 3-21 | Daphnis et Chloé: Scene III. Abandoning Their Roles, the Lovers Embrace and Kneel at the Altar of the Nymphs | Boston Symphony Orchestra, Charles Munch | — | |
| 3-22 | Daphnis et Chloé: Scene III. Girls Dressed as Bacchantes Enter With Tambourines | Boston Symphony Orchestra, Charles Munch | — | |
| 3-23 | Daphnis et Chloé: Scene III. Young Men Invade the Scene, and Joyous Tumult Prevails in Tribute to the Triumph of the Lovers | Boston Symphony Orchestra, Charles Munch | T-004.014.578-5 | |
| 4-1 | Also sprach Zarathustra, op. 30: Sunrise | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-2 | Also sprach Zarathustra, op. 30: Of the People of the Unseen World | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-3 | Also sprach Zarathustra, op. 30: Of the Great Longing | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-4 | Also sprach Zarathustra, op. 30: Of Joys and Passions | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-5 | Also sprach Zarathustra, op. 30: Dirge | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-6 | Also sprach Zarathustra, op. 30: Of Science | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-7 | Also sprach Zarathustra, op. 30: The Convalescent | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-8 | Also sprach Zarathustra, op. 30: Dance Song and Night Song | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-9 | Also sprach Zarathustra, op. 30: Night Wanderer’s Song | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-10 | Ein Heldenleben, op. 40: The Hero | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-11 | Ein Heldenleben, op. 40: The Hero’s Adversaries | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-12 | Ein Heldenleben, op. 40: The Hero’s Companion | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-13 | Ein Heldenleben, op. 40: The Hero’s Battlefield | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-14 | Ein Heldenleben, op. 40: The Hero’s Works of Peace | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-15 | Ein Heldenleben, op. 40: The Hero’s Retreat From the World and Fulfillment | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-1 | Concerto for Orchestra, Sz. 116: I. Introduzione: Allegro non troppo. Allegro vivace | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-2 | Concerto for Orchestra, Sz. 116: II. Giuco della coppie: Allegretto scherzando | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-3 | Concerto for Orchestra, Sz. 116: III. Elegia: Andante non troppo | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interotto: Allegretto | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-5 | Concerto for Orchestra, Sz. 116: V. Finale: Pesante. Presto | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-6 | Music for Strings, Percussion and Celesta: I. Andante tranquillo | Chicago Symphony Orchestra, Fritz Reiner | T-061.693.281-0 | |
| 5-7 | Music for Strings, Percussion and Celesta: II. Allegro | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-8 | Music for Strings, Percussion and Celesta: III. Adagio | Chicago Symphony Orchestra, Fritz Reiner | T-912.436.819-0 | |
| 5-9 | Music for Strings, Percussion and Celesta: IV. Allegro molto | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-10 | Hungarian Sketches: I. An Evening in the Village | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-11 | Hungarian Sketches: II. Bear Dance | Chicago Symphony Orchestra, Fritz Reiner | T-007.183.804-4 | |
| 5-12 | Hungarian Sketches: III. Melody | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-13 | Hungarian Sketches: IV. Slightly Tipsy | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-14 | Hungarian Sketches: V. Swineherd's Dance | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 6-1 | Violin Concerto in D major, op. 61: I. Allegro, ma non troppo | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | T-031.682.208-8 | |
| 6-2 | Violin Concerto in D major, op. 61: II. Larghetto | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 6-3 | Violin Concerto in D major, op. 61: III. Rondo. Allegro | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | T-306.482.598-1 | |
| 6-4 | I. ALLEGRO MOLTO APPASSIONATO | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 6-5 | VIOLIN CONCERTO IN E MINOR, OP. 64: II. ANDANTE | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 6-6 | VIOLIN CONCERTO IN E MINOR, OP. 64: ALLEGRETTO NON TROPPO - ALLEGRO MOLTO VIVACE | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 7-1 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — | |
| 7-2 | Piano Concerto no. 1 in B‐flat minor, op. 23: II. Andantino simplice | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — | |
| 7-3 | Piano Concerto no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — | |
| 7-4 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato - Allegro | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 7-5 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | T-905.750.680-6 | |
| 7-6 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | T-071.926.821-9 | |
| 8-1 | Rhapsody in Blue | Earl Wild, Boston Pops Orchestra, Arthur Fiedler | T-010.244.926-2 | |
| 8-2 | Concerto in F: I. Allegro | Earl Wild, Boston Pops Orchestra, Arthur Fiedler | T-070.025.723-3 | |
| 8-3 | Concerto in F: II. Adagio – Andante con moto | Earl Wild, Boston Pops Orchestra, Arthur Fiedler | — | |
| 8-4 | Concerto in F: III. Allegro agitato | Earl Wild, Boston Pops Orchestra, Arthur Fiedler | — | |
| 8-5 | An American in Paris | Boston Pops Orchestra, Arthur Fiedler | T-070.001.144-4 | |
| 8-6 | Variations on “I Got Rhythm” | Earl Wild, Boston Pops Orchestra, Arthur Fiedler | — | |
| 8-7 | Cuban Overture | Boston Pops Orchestra, Arthur Fiedler | T-010.086.407-0 | |
| 9-1 | Pictures at an Exhibition: Promenade | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-2 | Pictures at an Exhibition: Gnomus | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-3 | Pictures at an Exhibition: Promenade | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-4 | Pictures at an Exhibition: Il vecchio castello | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-5 | Pictures at an Exhibition: Promenade | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-6 | Pictures at an Exhibition: Tuileries | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-7 | Pictures at an Exhibition: Bydlo | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-8 | Pictures at an Exhibition: Promenade | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-9 | Pictures at an Exhibition: Ballet of the Chicks in Their Shells | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-10 | Pictures at an Exhibition: Samuel Goldenburg and Schmuyle | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-11 | Pictures at an Exhibition: The Marketplace at Limoges | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-12 | Pictures at an Exhibition: Catacombae, sepulchrum romanum | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-13 | Pictures at an Exhibition: Con mortuis in lingua mortua | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-14 | Pictures at an Exhibition: The Hut on Fowl’s Legs | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-15 | Pictures at an Exhibition: The Great Gate at Kiev | Chicago Symphony Orchestra, Fritz Reiner | T-061.792.492-1 | |
| 9-16 | Suite no. 1 in D minor, op. 43: IV. Marche miniature | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-17 | Night on the Bare Mountain | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-18 | Prince Igor: Polovtsian March | Chicago Symphony Orchestra, Fritz Reiner | T-931.717.760-9 | |
| 9-19 | Marche slave, op. 31 | Chicago Symphony Orchestra, Fritz Reiner | T-902.754.157-7 | |
| 9-20 | Colas Breugnon, op. 24: Overture | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-21 | Russlan and Lyudmila: Overture | Chicago Symphony Orchestra, Fritz Reiner | T-909.762.448-1 | |
| 10-1 | Aida: “Ritorna vincitor!” | — | ||
| 10-2 | Aida: “Qui Radamès verrà!” | — | ||
| 10-3 | Aida: “O patria mia” | — | ||
| 10-4 | Il Trovatore: “Che più t’arresti?” | — | ||
| 10-5 | Il Trovatore: “Tacea la notte” | — | ||
| 10-6 | Il Trovatore: “Di tale amor” | — | ||
| 10-7 | Il Trovatore: “Timor di me?… D’amor sull’ali rosee” | — | ||
| 10-8 | Madama Butterfly: “Un bel dì vedremo” | — | ||
| 10-9 | Madama Butterfly: “Tu? tu? piccolo Iddio!” | — | ||
| 10-10 | La rondine: “Chi il bel sogno di Doretta” | — | ||
| 10-11 | Tosca: “Vissi d’arte” | — | ||
| 10-12 | Turandot: “Signore, ascolta!” | — | ||
| 10-13 | Turandot: “Tu che di gel sei cinta” | — | ||
| 11-1 | Ballade no. 1 in G minor, op. 23 | — | ||
| 11-2 | Ballade no. 2 in F major, op. 38 | — | ||
| 11-3 | Ballade no. 3 in A-flat major, op. 47 | — | ||
| 11-4 | Ballade no. 4 in F minor, op. 52 | — | ||
| 11-5 | Scherzo no. 1 in B minor, op. 20 | Arthur Rubinstein | T-308.384.655-9 | |
| 11-6 | Scherzo no. 2 in B‐flat minor, op. 31 | Arthur Rubinstein | — | |
| 11-7 | Scherzo no. 3 in C‐sharp minor, op. 39 | Arthur Rubinstein | — | |
| 11-8 | Scherzo no. 4 in E major, op. 54 | Arthur Rubinstein | — | |
| 12-1 | Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo | — | ||
| 12-2 | Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia | — | ||
| 12-3 | Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace | — | ||
| 12-4 | Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Adagio lamentoso | — | ||
| 13-1 | The Stars and Stripes Forever | — | ||
| 13-2 | Parade (for percussion) | — | ||
| 13-3 | On Parade | — | ||
| 13-4 | Semper Fidelis | — | ||
| 13-5 | Jubilee | — | ||
| 13-6 | Fourth of July | — | ||
| 13-7 | Hands Across the Sea | — | ||
| 13-8 | Battle Hymn | — | ||
| 13-9 | National Emblem | — | ||
| 13-10 | On the Mall | — | ||
| 13-11 | The Thunderer | — | ||
| 13-12 | American Youth March | — | ||
| 13-13 | The Chimes of Liberty | — | ||
| 13-14 | Happy Go Lucky | — | ||
| 13-15 | Washington Post | — | ||
| 13-16 | The Gladiator | — | ||
| 13-17 | El Capitan | — | ||
| 13-18 | The U.S. Field Artillery March | — | ||
| 13-19 | Dixie | — | ||
| 13-20 | The High School Cadets | — | ||
| 13-21 | Sound Off | — | ||
| 13-22 | The Corcoran Cadets March | — | ||
| 13-23 | American Patrol | — | ||
| 13-24 | Yankee Doodle | — | ||
| 13-25 | Manhattan Beach | — | ||
| 13-26 | National Fencibles March | — | ||
| 13-27 | Jericho | — | ||
| 14-1 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Jascha Heifetz, Chicago Symphony Orchestra, Walter Hendl | — | |
| 14-2 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Jascha Heifetz, Chicago Symphony Orchestra, Walter Hendl | — | |
| 14-3 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Jascha Heifetz, Chicago Symphony Orchestra, Walter Hendl | — | |
| 14-4 | Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 14-5 | Violin Concerto no. 2 in G minor, op. 63: II. Andante assai | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 14-6 | Violin Concerto no. 2 in G minor, op. 63: III. Allegro ben marcato | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 14-7 | Violin Concerto in A minor, op. 82: I. Moderato | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — | |
| 14-8 | Violin Concerto in A minor, op. 82: II. Andante sostenuto | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — | |
| 14-9 | Violin Concerto in A minor, op. 82: III. Tempo I | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — | |
| 14-10 | Violin Concerto in A minor, op. 82: IV. Allegro | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — | |
| 15-1 | Requiem, op. 5: I. Requiem et kyrie | — | ||
| 15-2 | Requiem, op. 5: II. Dies irae | — | ||
| 15-3 | Requiem, op. 5: III. Quid sum miser | — | ||
| 15-4 | Requiem, op. 5: IV. Rex tremendae | — | ||
| 15-5 | Requiem, op. 5: V. Quaerens me | — | ||
| 16-1 | Requiem, op. 5: VI. Lacrymosa | — | ||
| 16-2 | Requiem, op. 5: VII. Offertorium | — | ||
| 16-3 | Requiem, op. 5: VIII. Hostias | — | ||
| 16-4 | Requiem, op. 5: IX. Sanctus | — | ||
| 16-5 | Requiem, op. 5: X. Agnus dei | — | ||
| 17-1 | Boléro | Boston Symphony Orchestra, Charles Munch | T-003.006.377-4 | |
| 17-2 | La valse | Boston Symphony Orchestra, Charles Munch | T-305.194.234-4 | |
| 17-3 | Rapsodie espagnole: I. "Prelude à la nuit" | Boston Symphony Orchestra, Charles Munch | T-003.015.127-9 | |
| 17-4 | Rapsodie espagnole: II. "Malagueña" | Boston Symphony Orchestra, Charles Munch | T-003.015.127-9 | |
| 17-5 | Rapsodie espagnole: III. "Habanera" | Boston Symphony Orchestra, Charles Munch | T-003.015.127-9 | |
| 17-6 | Rapsodie espagnole: IV. "Feria" | Boston Symphony Orchestra, Charles Munch | T-003.015.127-9 | |
| 17-7 | Images for Orchestra: I. "Gigues" | Boston Symphony Orchestra, Charles Munch | T-900.478.513-1 | |
| 17-8 | Images for Orchestra: IIa. "Iberia" - Par les rues et par les chemins | Boston Symphony Orchestra, Charles Munch | — | |
| 17-9 | Images for Orchestra: IIb. "Iberia" - Les parfums de la nuit | Boston Symphony Orchestra, Charles Munch | — | |
| 17-10 | Images for Orchestra: IIc. "Iberia" - Le matin d'un jour de fête | Boston Symphony Orchestra, Charles Munch | — | |
| 17-11 | Images for Orchestra: III. "Rondes de printemps" | Boston Symphony Orchestra, Charles Munch | — | |
| 18-1 | Cello Concerto in B minor, op. 104: I. Allegro | — | ||
| 18-2 | Cello Concerto in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 18-3 | Cello Concerto in B minor, op. 104: III. Finale: Allegro moderato | — | ||
| 18-4 | Cello Concerto: I. Moderato | — | ||
| 18-5 | Cello Concerto: II. Allegro appassionato | — | ||
| 18-6 | Cello Concerto: III. Tema ed improvvisazioni: Lento - Allegro moderato | — | ||
| 19-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 19-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | Chicago Symphony Orchestra, Fritz Reiner | T-902.286.256-2 | |
| 19-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 19-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 19-5 | Carnival Overture, op. 92 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 19-6 | The Bartered Bride: Overture | Chicago Symphony Orchestra, Fritz Reiner | T-913.828.907-3 | |
| 19-7 | Schwanda: Polka and Fugue | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-1 | Scheherazade, op. 35: The Sea and Sinbad's Ship | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-2 | Scheherazade, op. 35: The Story of the Kalendar Prince | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-3 | Scheherazade, op. 35: The Young Prince and the Young Princess | Chicago Symphony Orchestra, Fritz Reiner | T-924.579.676-3 | |
| 20-4 | Scheherazade, op. 35: Festival in Bagdad / The Sea / Shipwreck on a Rock Surmounted by a Bronze Warrior / Conclusion | Chicago Symphony Orchestra, Fritz Reiner | T-924.579.676-3 | |
| 20-5 | Chant du rossignol: I. Introduction | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-6 | Chant du rossignol: II. Marche chinoise | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-7 | Chant du rossignol: III. Chant du rossignol | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-8 | Chant du rossignol: IV. Jeu du rossignol mécanique | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-9 | Chant du rossignol: The Emperor's Displeasure at the Real Nightingale | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-10 | Chant du rossignol: The Emperor's Sickroom | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-11 | Chant du rossignol: The Real Nightingale Returns to Thwart Death | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-12 | Chant du rossignol: Funeral March and Finale | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 21-1 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: I. Maestoso | Arthur Rubinstein, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 21-2 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: II. Adagio | Arthur Rubinstein, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 21-3 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | Arthur Rubinstein, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 22-1 | Gaîté Parisienne: I. Allegro | — | ||
| 22-2 | Gaîté Parisienne: II. Allegro brillante | — | ||
| 22-3 | Gaîté Parisienne: III. Polka | — | ||
| 22-4 | Gaîté Parisienne: IV. Ländler. Allegro | — | ||
| 22-5 | Gaîté Parisienne: V. Mazurka | — | ||
| 22-6 | Gaîté Parisienne: VI. Valse | — | ||
| 22-7 | Gaîté Parisienne: VII. Allegro | — | ||
| 22-8 | Gaîté Parisienne: VIII. Polka | — | ||
| 22-9 | Gaîté Parisienne: IX. Valse | — | ||
| 22-10 | Gaîté Parisienne: X. Tempo di marcia | — | ||
| 22-11 | Gaîté Parisienne: XI. Valse | — | ||
| 22-12 | Gaîté Parisienne: XII. Allegro vivo | — | ||
| 22-13 | Gaîté Parisienne: XIII. Valse | — | ||
| 22-14 | Gaîté Parisienne: XIV. Allegro vivace – Misterioso | — | ||
| 22-15 | Gaîté Parisienne: XV. Valse | — | ||
| 22-16 | Gaîté Parisienne: XVI. Allegro vivo | — | ||
| 22-17 | Gaîté Parisienne: XVII. Cancan | — | ||
| 22-18 | Gaîté Parisienne: XVIII. Quadrille | — | ||
| 22-19 | Gaîté Parisienne: XIX. Allegro moderato | — | ||
| 22-20 | Gaîté Parisienne: XX. Allegro | — | ||
| 22-21 | Gaîté Parisienne: XXI. Vivo | — | ||
| 22-22 | Gaîté Parisienne: XXII. Vivo | — | ||
| 22-23 | Gaîté Parisienne: XXIII. Barcarolle | — | ||
| 22-24 | La Boutique fantasque: I. Overture | — | ||
| 22-25 | La Boutique fantasque: II. Tarantelle | — | ||
| 22-26 | La Boutique fantasque: III. Vivo | — | ||
| 22-27 | La Boutique fantasque: IV. Mazurka | — | ||
| 22-28 | La Boutique fantasque: V. Danse Cosaque | — | ||
| 22-29 | La Boutique fantasque: VI. Cancan | — | ||
| 22-30 | La Boutique fantasque: VII. Valse lente | — | ||
| 22-31 | La Boutique fantasque: VIII. Nocturne | — | ||
| 22-32 | La Boutique fantasque: IX. Galop | — | ||
| 23-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | — | ||
| 23-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | — | ||
| 23-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | — | ||
| 23-4 | Piano Concerto no. 3 in C major, op. 26: I. Andante | — | ||
| 23-5 | Piano Concerto no. 3 in C major, op. 26: II. Theme. Andantino – Five Variations | — | ||
| 23-6 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | — | ||
| 24-1 | Le Coq D’or Suite: I. King Dodom in his Palace | — | ||
| 24-2 | Le Coq D’or Suite: II. King Dodom on the Battlefield | — | ||
| 24-3 | Le Coq D’or Suite: III. King Dodom with the Queen of Shemakha | — | ||
| 24-4 | Le Coq D’or Suite: IV. March | — | ||
| 24-5 | William Tell Overture | — | ||
| 24-6 | Marche slave | — | ||
| 24-7 | España | Boston Pops Orchestra, Arthur Fiedler | — | |
| 24-8 | Hungarian Rhapsody no. 2 | — | ||
| 24-9 | Rákóczy March | — | ||
| 25-1 | Violin Concerto in D major, op. 77: I. Allegro non troppo | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 25-2 | Violin Concerto in D major, op. 77: II. Adagio | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 25-3 | Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 25-4 | Violin Concerto in D major, op. 35: I. Allegro. Moderato | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | T-304.378.608-5 | |
| 25-5 | Violin Concerto in D major, op. 35: II. Canzonetta. Andante | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | T-304.381.014-2 | |
| 25-6 | Violin Concerto in D major, op. 35: III. Allegro vivacissimo | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | T-304.375.756-4 | |
| 26-1 | Symphony in D minor: I. Lento | — | ||
| 26-2 | Symphony in D minor: II. Allegretto | — | ||
| 26-3 | Symphony in D minor: III. Allegro non troppo | — | ||
| 26-4 | Pétrouchka: Scene I. The Shrove-Tide Fair. Vivace | Boston Symphony Orchestra, Pierre Monteux | — | |
| 26-5 | Pétrouchka: Scene I. The Magic Trick | — | ||
| 26-6 | Pétrouchka: Scene I. Russian Dance | — | ||
| 26-7 | Pétrouchka: Scene II. Petrouchka’s Room | — | ||
| 26-8 | Pétrouchka: Scene III. Feroce stringendo | — | ||
| 26-9 | Pétrouchka: Scene III. Dance of the Ballerina | — | ||
| 26-10 | Pétrouchka: Scene III. Valse | — | ||
| 26-11 | Pétrouchka: Scene IV. Con moto | — | ||
| 26-12 | Pétrouchka: Scene IV. Wet Nurses’ Dance | — | ||
| 26-13 | Pétrouchka: Scene IV. Peasant With Bear | — | ||
| 26-14 | Pétrouchka: Scene IV. Gypsies | — | ||
| 26-15 | Pétrouchka: Scene IV. Dance of the Coachmen | — | ||
| 26-16 | Pétrouchka: Scene IV. Masqueraders | — | ||
| 26-17 | Pétrouchka: Scene IV. Scuffle | — | ||
| 26-18 | Pétrouchka: Scene IV. Death of Pétrouchka | — | ||
| 26-19 | Pétrouchka: Scene IV. Pétrouchka’s Ghost | — | ||
| 27-1 | Symphony no. 5 in C minor, op. 67 "Fate": I. Allegro con brio | Boston Symphony Orchestra, Charles Munch | — | |
| 27-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 27-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 27-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 27-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Awakening of serene impressions upon arriving in the country. Allegro ma non troppo | — | ||
| 27-6 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Scene by the brookside. Andante molto mosso | — | ||
| 27-7 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Jolly gathering of country folk. Allegro | — | ||
| 27-8 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Thunderstorm. Allegro | — | ||
| 27-9 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Shepherd’s Song: Gladsome and thankful feelings after the storm. Allegretto | — | ||
| 28-1 | Symphonie fantastique, op. 14: I. Reveries - Passions | — | ||
| 28-2 | Symphonie fantastique, op. 14: II. A Ball | — | ||
| 28-3 | Symphonie fantastique, op. 14: III. Scene in the Country | — | ||
| 28-4 | Symphonie fantastique, op. 14: IV. March to the Scaffold | — | ||
| 28-5 | Symphonie fantastique, op. 14: V. Dream of the Witches' Sabbath | — | ||
| 28-6 | Roméo et Juliette, op. 17: Part II. Love Scene | — | ||
| 29-1 | Elektra, op. 58: Elektra’s Soliloquy “Allein! Weh, ganz allein” | Inge Borkh, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 29-2 | Elektra, op. 58: Recognition Scene “Was willst du, fremder Mensch?” | Inge Borkh, Paul Schöffler, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 29-3 | Elektra, op. 58: Finale “Elektra! Schwester! Komm mit uns!” | Frances Yeend, Chicago Lyric Theater Chorus, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 29-4 | Salome, op. 54: Dance of the Seven Veils | Inge Borkh, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 29-5 | Salome, op. 54: Final Scene “Ah! Du wolltest mich nicht deinen Mund” | Inge Borkh, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 30-1 | Symphony no. 4 in G major: I. Bedächtig. Nicht eilen | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 30-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 30-3 | Symphony no. 4 in G major: III. Ruhevoll | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 30-4 | Symphony no. 4 in G major: IV: Sehr behaglich | Lisa della Casa, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 31-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | Arthur Rubinstein, New Symphony Orchestra of London, Stanisław Skrowaczewski | T-308.381.369-4 | |
| 31-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto | Arthur Rubinstein, New Symphony Orchestra of London, Stanislaw Skrowaczewski | T-308.381.369-4 | |
| 31-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | Arthur Rubinstein, New Symphony Orchestra of London, Stanisław Skrowaczewski | T-308.381.369-4 | |
| 31-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | Arthur Rubinstein, Symphony of the Air, Alfred Wallenstein | — | |
| 31-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | Arthur Rubinstein, Symphony of the Air, Alfred Wallenstein | — | |
| 31-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 32-1 | Hungarian Rhapsody no. 2 in C-sharp minor | RCA Victor Symphony Orchestra, Leopold Stokowski | — | |
| 32-2 | Roumanian Rhapsody no. 1 in A, op. 11 | RCA Victor Symphony Orchestra, Leopold Stokowski | — | |
| 32-3 | The Moldau | RCA Victor Symphony Orchestra, Leopold Stokowski | — | |
| 32-4 | The Bartered Bride: Overture | RCA Victor Symphony Orchestra, Leopold Stokowski | T-913.828.907-3 | |
| 32-5 | Tristan und Isolde: Prelude to Act III | Symphony of the Air, Leopold Stokowski | — | |
| 32-6 | Tannhäuser: Overture and Venusberg Music | Symphony of the Air, Leopold Stokowski | — | |
| 33-1 | Billy the Kid Suite: Introduction: The Open Prairie | Morton Gould Orchestra, Morton Gould | — | |
| 33-2 | Billy the Kid Suite: Street in a Frontier Town | Morton Gould Orchestra, Morton Gould | T-070.138.025-7 | |
| 33-3 | Billy the Kid Suite: Mexican Dance and Finale | Morton Gould Orchestra, Morton Gould | — | |
| 33-4 | Billy the Kid Suite: Prairie Night: Card Game | Morton Gould Orchestra, Morton Gould | — | |
| 33-5 | Billy the Kid Suite: Gun Battle | Morton Gould Orchestra, Morton Gould | — | |
| 33-6 | Billy the Kid Suite: Celebration: After Billy’s Capture | Morton Gould Orchestra, Morton Gould | — | |
| 33-7 | Billy the Kid Suite: Billy’s Death | Morton Gould Orchestra, Morton Gould | — | |
| 33-8 | Billy the Kid Suite: The Open Prairie (reprise) | Morton Gould Orchestra, Morton Gould | — | |
| 33-9 | Billy the Kid Waltz | — | ||
| 33-10 | Rodeo Suite: Buckaroo Holiday | Morton Gould Orchestra, Morton Gould | — | |
| 33-11 | Rodeo Suite: Corral Nocturne | Morton Gould Orchestra, Morton Gould | T-070.026.038-3 | |
| 33-12 | Rodeo Suite: Honky Tonk Interlude | Morton Gould Orchestra, Morton Gould | — | |
| 33-13 | Rodeo Suite: Saturday Night Waltz | Morton Gould Orchestra, Morton Gould | — | |
| 33-14 | Rodeo Suite: Hoe-Down | Morton Gould Orchestra, Morton Gould | — | |
| 33-15 | Grand Canyon Suite: Sunrise | Morton Gould Orchestra, Morton Gould | — | |
| 33-16 | Grand Canyon Suite: Painted Desert | Morton Gould Orchestra, Morton Gould | — | |
| 33-17 | Grand Canyon Suite: On the Trail | Morton Gould Orchestra, Morton Gould | — | |
| 33-18 | Grand Canyon Suite: Sunset | Morton Gould Orchestra, Morton Gould | — | |
| 33-19 | Grand Canyon Suite: Cloudburst | Morton Gould Orchestra, Morton Gould | — | |
| 34-1 | Faust: Air des bijoux | — | ||
| 34-2 | La bohme: Mi chiamano Mimì | — | ||
| 34-3 | Dinorah: Ombre légère | — | ||
| 34-4 | Carmen: Je dis que rien ne m’épouvante | — | ||
| 34-5 | Semiramide: Bel raggio lusinghier | — | ||
| 34-6 | Turandot: Signore, ascolta | — | ||
| 34-7 | Turandot: Tu che di gel sei cinta | — | ||
| 34-8 | Lakmé: Air des clochettes | — | ||
| 35-1 | La Mer: I. De l'aube à midi sur la mer. Très lent | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 35-2 | La Mer: II. Jeux de vagues. Allegro | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 35-3 | La Mer: III. Dialoguedu vent et de la mer. Animé et tumultueux | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 35-4 | Fontane di Roma: I. La fontana di Valle Giulia all'alba | Chicago Symphony Orchestra, Fritz Reiner | T-902.294.706-4 | |
| 35-5 | Fontane di Roma: II. La fontana del Tritone al mattino | Chicago Symphony Orchestra, Fritz Reiner | T-902.294.706-4 | |
| 35-6 | Fontane di Roma: III. La fontana di Trevi al meriggio | Chicago Symphony Orchestra, Fritz Reiner | T-902.294.706-4 | |
| 35-7 | Fontane di Roma: IV. La fontana di Villa Medici al tramonto | Chicago Symphony Orchestra, Fritz Reiner | T-902.294.706-4 | |
| 35-8 | Pini di Roma: I. I Pini di Villa Borghese | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 35-9 | Pini di Roma: II. Pini presso una catacomba | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 35-10 | Pini di Roma: III. I Pini del Gianicolo | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 35-11 | Pini di Roma: IV. I Pini della Via Appia | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-1 | Morning Papers, op. 279 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-2 | Emperor Waltz, op. 437 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-3 | On the Beautiful Blue Danube, op. 314 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-4 | Invitation to the Dance, op. 65 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-5 | Village Swallows, op. 164 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-6 | Der Rosenkavalier: Waltzes | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-7 | Vienna Blood, op. 354 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-8 | Roses from the South, op. 388 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-9 | Treasure Waltz, op. 418 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-10 | Thunder and Lightning, op. 324 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 37-1 | SYMPHONY NO 4 IN A MAJOR OP 90 ITALIAN I ALLEGRO VIVACE | Boston Symphony Orchestra, Charles Munch | T-928.635.625-0 | |
| 37-2 | II. ANDANTE CON MOTO | Boston Symphony Orchestra, Charles Munch | T-303.792.628-2 | |
| 37-3 | Symphony no. 4 in A "Italian": Con moto moderato | Boston Symphony Orchestra, Charles Munch | — | |
| 37-4 | SYMPHONY NO 4 IN A MAJOR OP 90 ITALIAN IV SALTARELLO PRESTO | Boston Symphony Orchestra, Charles Munch | T-308.451.891-8 | |
| 37-5 | I. ANDANTE - ALLEGRO CON FUOCO | Boston Symphony Orchestra, Charles Munch | — | |
| 37-6 | """SYMPHONY NO. 5 IN D MINOR, OP. 107 """"REFORMATION"""": II. ALLEGRO VIVACE""" | Boston Symphony Orchestra, Charles Munch | — | |
| 37-7 | "SYMPHONY NO. 5 IN D MINOR, OP. 107 ""REFORMATION"": III. ANDANTE" | Boston Symphony Orchestra, Charles Munch | T-902.876.200-7 | |
| 37-8 | Symphony no. 5 in D major, op. 107 “Reformation”: IV. Chorale. Andante con moto – Allegro vivace “Ein’ feste Burg ist unser Gott” | Boston Symphony Orchestra, Charles Munch | — | |
| 37-9 | Octet in E‐flat major, op. 20: III. Scherzo. Allegro leggierissimo | Boston Symphony Orchestra, Charles Munch | — | |
| 38-1 | In the Steppes of Central Asia | — | ||
| 38-2 | Russian Easter Overture | — | ||
| 38-3 | Prince Igor: Overture | — | ||
| 38-4 | Prince Igor: Polovtsian Dances | — | ||
| 38-5 | Gayane: Lullaby | — | ||
| 38-6 | Gayane: Lezghinka | — | ||
| 38-7 | Gayane: Dance of the Rose Maidens | — | ||
| 38-8 | Gayane: Dance of the Kurds | — | ||
| 38-9 | Gayane: Sabre Dance | — | ||
| 38-10 | Tsar Sulton: The Flight of the Bumblebee | — | ||
| 38-11 | Eugene Onegin: Polonaise | — | ||
| 38-12 | The Sleeping Beauty: Waltz | — | ||
| 38-13 | Masquerade Suite: Galop | — | ||
| 39-1 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 39-2 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto | — | ||
| 39-3 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato | — | ||
| 39-4 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | — | ||
| 39-5 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Arthur Rubinstein | — | |
| 39-6 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro | — | ||
| 39-7 | Sonata for Piano no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | — | ||
| 39-8 | Sonata for Piano no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | — | ||
| 39-9 | Sonata for Piano no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 39-10 | Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux" | — | ||
| 39-11 | Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence" | — | ||
| 39-12 | Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour" | — | ||
| 40-1 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 40-2 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | T-050.459.341-2 | |
| 40-3 | Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 40-4 | Scottish Fantasy in E-flat major, op. 46: I. Introduction (Grave, Adagio cantabile) | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 40-5 | Scottish Fantasy in E-flat major, op. 46: II. Allegro | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 40-6 | Scottish Fantasy in E-flat major, op. 46: III. Andante sostenuto | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 40-7 | Scottish Fantasy in E-flat major, op. 46: IV. Finale (Allegro guerriero) | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 40-8 | Violin Concerto no. 5 in A minor: I. Allegro non troppo | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | T-031.682.208-8 | |
| 40-9 | Violin Concerto no. 5 in A minor: II. Adagio | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 40-10 | Violin Concerto no. 5 in A minor: III. Allegro con fuoco | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 41-1 | Funiculi, funiculà | — | ||
| 41-2 | Dicitencello vuie | — | ||
| 41-3 | Maria marì | — | ||
| 41-4 | Voce ’e notte | — | ||
| 41-5 | Canta pe’ me | — | ||
| 41-6 | O surdato ’namurato | — | ||
| 41-7 | Comme facette mammeta? | — | ||
| 41-8 | Santa Lucia luntana | — | ||
| 41-9 | Fenesta che lucive | — | ||
| 41-10 | Tu ca nun chiagne | — | ||
| 41-11 | ’Na sera ’e maggio | — | ||
| 41-12 | Passione | — | ||
| 41-13 | The Vagabond King: Drinking Song | — | ||
| 41-14 | The Vagabond King: Some Day | — | ||
| 41-15 | The Vagabond King: Love Me Tonight | — | ||
| 41-16 | The Vagabond King: Only a Rose | — | ||
| 41-17 | The Vagabond King: Tomorrow | — | ||
| 41-18 | The Vagabond King: Love For Sale | — | ||
| 41-19 | The Vagabond King: Hunting | — | ||
| 41-20 | The Vagabond King: Nocturne | — | ||
| 41-21 | The Vagabond King: Instrumental Interlude & Nocturne (reprise) | — | ||
| 41-22 | The Vagabond King: Huguette Waltz | — | ||
| 41-23 | The Vagabond King: Song of the Vagabonds | — | ||
| 41-24 | The Vagabond King: Finale | — | ||
| 42-1 | Fugue in G minor “Little” | — | ||
| 42-2 | Jesu, Joy of Man’s Desiring | Virgil Fox | T-916.278.414-7 | |
| 42-3 | Concerto no. 4 in F major: I. Allegro | — | ||
| 42-4 | Ye Sweet Retreat | — | ||
| 42-5 | Thou Art the Rock | — | ||
| 42-6 | Trumpet Voluntary | — | ||
| 42-7 | Trio Sonata no. 6 in G major | — | ||
| 42-8 | Concerto for Strings No. 1: Aria | — | ||
| 42-9 | Now Thank We All Our God | — | ||
| 42-10 | Canon in B minor | — | ||
| 42-11 | Air on the G String | — | ||
| 42-12 | Symphony no. 5 in F minor, op. 42 no. 1: Toccata | — | ||
| 42-13 | Pomp and Circumstance | — | ||
| 43-1 | La bohème: Act I. "Questo Mar Rosso" | — | ||
| 43-2 | La bohème: Act I. "Nei cieli bigi" | — | ||
| 43-3 | La bohème: Act I. "Già dell'Apocalisse" | — | ||
| 43-4 | La bohème: Act I. "Pensier profondo!" | — | ||
| 43-5 | La bohème: Act I. "Legna! - Sigari! - Bordò!" | — | ||
| 43-6 | La bohème: Act I. "Si può? - Chi è la? - Benoît!" | — | ||
| 43-7 | La bohème: Act I. "Timido in gioventù" | — | ||
| 43-8 | La bohème: Act I. "Chi è là? - Scusi. - Una donna!" | — | ||
| 43-9 | La bohème: Act I. "Oh! Sventata!" | — | ||
| 43-10 | La bohème: Act I. "Che gelida manina" | — | ||
| 43-11 | La bohème: Act I. "Mi chiamano Mimì" | — | ||
| 43-12 | La bohème: Act I. "Ehi! Rodolfo!" | — | ||
| 43-13 | La bohème: Act I. "O soave fanciulla" | — | ||
| 43-14 | La bohème: Act II. "Aranci, ninnoli!" | — | ||
| 43-15 | La bohème: Act II. "Questa è Mimì" | — | ||
| 43-16 | La bohème: Act II. "Una cuffietta a pizzi" | — | ||
| 43-17 | La bohème: Act II. "Oh! - Essa! - Musetta!" | — | ||
| 43-18 | La bohème: Act II. "Quando me'n vo'" | — | ||
| 43-19 | La bohème: Act II. "Gioventù mia - Sciogli, slaccia!" | — | ||
| 43-20 | La bohème: Act II. "Caro! - Fuori l danaro!" | — | ||
| 44-1 | La bohème: Act III. "Ohè, là, le guardi! Aprite!" | — | ||
| 44-2 | La bohème: Act III. "Chi nel ber trovò il piacer" | — | ||
| 44-3 | La bohème: Act III. "Sa dirmi, scusi, qual'è l'osteria" | — | ||
| 44-4 | La bohème: Act III. "O buon Marcello, aiuto!" | — | ||
| 44-5 | La bohème: Act III. "Marcello, finalmente!" | — | ||
| 44-6 | La bohème: Act III. "Mimì è una civetta" | — | ||
| 44-7 | La bohème: Act III. “Donde lieta; Addio, senza rancor!” (Mimì’s Farewell) | Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Erich Leinsdorf | — | |
| 44-8 | La bohème: Act III. "Che facevi, che dicevi" | — | ||
| 44-9 | La bohème: Act IV. "In un coupè?" | — | ||
| 44-10 | La bohème: Act IV. "O Mimì, tu più non torni" | — | ||
| 44-11 | La bohème: Act IV. "Eccoci. - Ebben?" | — | ||
| 44-12 | La bohème: Act IV. The quadrille and duel | — | ||
| 44-13 | La bohème: Act IV. "C'è Mimì che mi seque e che sta male" | — | ||
| 44-14 | La bohème: Act IV. "Vecchia zimarra, senti" | — | ||
| 44-15 | La bohème: Act IV. "Sono andati? Fingevo di dormire" | — | ||
| 44-16 | La bohème: Act IV. "Che ha detto il medico?" | — | ||
| 45-1 | Madama Butterfly: Act I. Orchestra Opening | — | ||
| 45-2 | Madama Butterfly: Act I. “E soffitto e pareti” | — | ||
| 45-3 | Madama Butterfly: Act I. “Dovunque al mondo lo Yankee” | — | ||
| 45-4 | Madama Butterfly: Act I. “Amore o grillo” | — | ||
| 45-5 | Madama Butterfly: Act I. “Ancora un passo or via” | — | ||
| 45-6 | Madama Butterfly: Act I. “Gran ventura” | — | ||
| 45-7 | Madama Butterfly: Act I. “L’Imperial Commissario” | — | ||
| 45-8 | Madama Butterfly: Act I. “Vieni, amor mio!” | — | ||
| 45-9 | Madama Butterfly: Act I. “Ieri son salita tutta sola” | — | ||
| 45-10 | Madama Butterfly: Act I. “Tutti zitti!” | — | ||
| 45-11 | Madama Butterfly: Act I. “Madama Butterfly!” | — | ||
| 45-12 | Madama Butterfly: Act I. “Cio-Cio-San!” | — | ||
| 45-13 | Madama Butterfly: Act I. “Bimba, bimba, non piangere” | — | ||
| 45-14 | Madama Butterfly: Act I. “Bimba dagli occhi” | — | ||
| 45-15 | Madama Butterfly: Act I. “Vogliatemi bene” | — | ||
| 45-16 | Madama Butterfly: Act II. “E lzaghi ed lzanami” | — | ||
| 45-17 | Madama Butterfly: Act II. “Un bel dì” | — | ||
| 46-1 | Madama Butterfly: Act II. “C’è. Entrate” | — | ||
| 46-2 | Madama Butterfly: Act II. “Yamadori, ancor le pene” | — | ||
| 46-3 | Madama Butterfly: Act II. “Ora a noi” | — | ||
| 46-4 | Madama Butterfly: Act II. “Due cose potrei far” | — | ||
| 46-5 | Madama Butterfly: Act II. “Ah! M’ha scordata?” | — | ||
| 46-6 | Madama Butterfly: Act II. “Io scendo al piano” | — | ||
| 46-7 | Madama Butterfly: Act II. “Il cannone del porto!” | — | ||
| 46-8 | Madama Butterfly: Act II. “Tuti i fior?” | — | ||
| 46-9 | Madama Butterfly: Act II. “Or vienmi ad adornar” | — | ||
| 46-10 | Madama Butterfly: Act II. Humming Chorus | — | ||
| 46-11 | Madama Butterfly: Act III. “Oh eh! Oh eh!” | — | ||
| 46-12 | Madama Butterfly: Act III. “Già il sole!” | — | ||
| 46-13 | Madama Butterfly: Act III. “Io so che alle sue pene” | — | ||
| 46-14 | Madama Butterfly: Act III. “Addio, fiorito asil” | — | ||
| 46-15 | Madama Butterfly: Act III. “Suzuki, Suzuki!” | — | ||
| 46-16 | Madama Butterfly: Act III. “Come una mosca” | — | ||
| 46-17 | Madama Butterfly: Act III. “Con onor muore…” | — | ||
| 47-1 | La traviata: Preludio | Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-2 | La traviata: Atto I. “Dell'invito trascorsa è già l'ora” | Giuseppe Conca, Franco Calabrese, Coro del Teatro dell’Opera di Roma, Anna Moffo, Piero de Palma, Anna Reynolds, Vito Susca, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-3 | La traviata: Atto I. “Libiamo ne'lieti calici” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-4 | La traviata: Atto I. “Che è cio?” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-5 | La traviata: Atto I. “Un dì felice, eterea” | Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-6 | La traviata: Atto I. “Ebben? Che diavol fate?” | Anna Moffo, Piero de Palma, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-7 | La traviata: Atto I. “Si ridesta in ciel l'aurora” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-8 | La traviata: Atto I. “È strano!” - “Ah, fors'è lui” | Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-9 | La traviata: Atto I. “Follie! Delirio vano è questo!” | Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-10 | La traviata: Atto I. “Sempre libera” | Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | T-900.238.338-2 | |
| 47-11 | La traviata: Atto II, scena 1. “Lunge da lei” | Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-12 | La traviata: Atto II, scena 1. “Annina, donde vieni?” | Liliana Poli, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-13 | La traviata: Atto II, scena 1. “Alfredo?” - “Per Parigi or or partiva” | Robert Merrill, Anna Moffo, Liliana Poli, Adelio Zagonara, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-14 | La traviata: Atto II, scena 1. “Pura siccome un angelo” | Robert Merrill, Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-15 | La traviata: Atto II, scena 1. “Non sapete quale affetto” | Robert Merrill, Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-16 | La traviata: Atto II, scena 1. “Ah! Dite alla giovine” | Robert Merrill, Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-17 | La traviata: Atto II, scena 1. “Morro! Morro!” | Robert Merrill, Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-18 | La traviata: Atto II, scena 1. “Dammi tu forza, o cielo!” | Anna Moffo, Liliana Poli, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-19 | La traviata: Atto II, scena 1. “Ah, vive sol quel core all'amor mio!” | Sergio Liviabella, Robert Merrill, Richard Tucker, Adelio Zagonara, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-20 | La traviata: Atto II, scena 1. “Di Provenza il mar” | Robert Merrill, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-21 | La traviata: Atto II, scena 1. “Ne rispondi” | Robert Merrill, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-1 | La traviata: Atto II, scena 2. “Avrem lieta di maschere la notte” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Anna Reynolds, Vito Susca, Franco Ventriglia, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-2 | La traviata: Atto II, scena 2. “Noi siamo zingarelle” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Anna Reynolds, Vito Susca, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-3 | La traviata: Atto II, scena 2. “Di Madride noi siam mattadori” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Piero de Palma, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-4 | La traviata: Atto II, scena 2. “Alfredo! Voi?” | Giuseppe Conca, Franco Calabrese, Coro del Teatro dell’Opera di Roma, Anna Moffo, Piero de Palma, Anna Reynolds, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-5 | La traviata: Atto II, scena 2. “Invitato a qui seguirmi” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-6 | La traviata: Atto II, scena 2. “Ogni suo aver tal femmina” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-7 | La traviata: Atto II, scena 2. “Di sprezzo degno se stesso rende” | Giuseppe Conca, Franco Calabrese, Coro del Teatro dell’Opera di Roma, Robert Merrill, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-8 | La traviata: Atto III. Preludio | Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-9 | La traviata: Atto III. “Annina?” - “Comandate?” | Anna Moffo, Liliana Poli, Franco Ventriglia, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-10 | La traviata: Atto III. “Teneste la promessa” | Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-11 | La traviata: Atto III. “Addio del passato” | Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | T-314.733.457-0 | |
| 48-12 | La traviata: Atto III. “Largo al quadrupede” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-13 | La traviata: Atto III. “Signora” - “Che t'accadde” | Anna Moffo, Liliana Poli, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-14 | La traviata: Atto III. “Parigi, o cara” | Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-15 | La traviata: Atto III. “Ah, non più” | Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-16 | La traviata: Atto III. “Ah! Gran Dio! Morir sì giovine” | Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-17 | La traviata: Atto III. “Ah, Violetta!” “Voi? Signor?” | Robert Merrill, Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-18 | La traviata: Atto III. “Prendi, quest'e l'immagine” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Robert Merrill, Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-19 | La traviata: Atto III. “È strano!” | Robert Merrill, Anna Moffo, Liliana Poli, Richard Tucker, Franco Ventriglia, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 49-1 | Turandot: Act I. "Popolo di Pekino!" | — | ||
| 49-2 | Turandot: Act I. "Gira la cote, gira, gira!" | — | ||
| 49-3 | Turandot: Act I. "Perché tarda la luna?" | — | ||
| 49-4 | Turandot: Act I. "O giovinotto" (Funeral March) | — | ||
| 49-5 | Turandot: Act I. "O divina bellezza!" | — | ||
| 49-6 | Turandot: Act I. "Figlio, che fai?" | — | ||
| 49-7 | Turandot: Act I. "Fermo! Che fai? T'arresta!" | — | ||
| 49-8 | Turandot: Act I. "Non indugiare!" | — | ||
| 49-9 | Turandot: Act I. "Signore, ascolta!" | — | ||
| 49-10 | Turandot: Act I. "Non piangere, Liù!" | — | ||
| 49-11 | Turandot: Act I. "Ah! Per l'ultima volta!" | — | ||
| 49-12 | Turandot: Act II, Scene I. "Olà, Pang! Olà, Pong!" | — | ||
| 49-13 | Turandot: Act II, Scene I. "Ho una casa nell'Honan" | — | ||
| 49-14 | Turandot: Act II, Scene I. "O mondo... O mondo..." | — | ||
| 49-15 | Turandot: Act II, Scene I. "Non v'è in China per nostra fortuna" | — | ||
| 49-16 | Turandot: Act II, Scene II. "Gravi, enormi ed imponenti" | — | ||
| 49-17 | Turandot: Act II, Scene II. "Un giuramento atroce mi costringe" | — | ||
| 49-18 | Turandot: Act II, Scene II. "Popolo di Pekino!" | — | ||
| 50-1 | Turandot: Act II, Scene II. "In questa Reggia" | — | ||
| 50-2 | Turandot: Act II, Scene II. "Straniero, ascolta" | — | ||
| 50-3 | Turandot: Act II, Scene II. "'Giuzza al pari di fiamma'" | — | ||
| 50-4 | Turandot: Act II, Scene II. "Gelo che ti dà foco" | — | ||
| 50-5 | Turandot: Act II, Scene II. "Figlio del Cielo!" | — | ||
| 50-6 | Turandot: Act II, Scene II. "Tre enigmi m'hai proposto" | — | ||
| 50-7 | Turandot: Act II, Scene II. "Ai tuoi piedi ci postriam" | — | ||
| 50-8 | Turandot: Act III, Scene I. "Così comanda Turandot" | — | ||
| 50-9 | Turandot: Act III, Scene I. "Nessun dorma!" | — | ||
| 50-10 | Turandot: Act III, Scene I. "Tu che guardi le stelle" | — | ||
| 50-11 | Turandot: Act III, Scene I. "Straniero, tu non sai" | — | ||
| 50-12 | Turandot: Act III, Scene I. "Principessa divina!" | — | ||
| 50-13 | Turandot: Act III, Scene I. "Chi pose tanta forza" | — | ||
| 50-14 | Turandot: Act III, Scene I. "Tu che di gel sei cinta" (Death of Liù) | — | ||
| 50-15 | Turandot: Act III, Scene I. "Ah! Tu sei morta" | — | ||
| 50-16 | Turandot: Act III, Scene I. "Principessa di morte!" | — | ||
| 50-17 | Turandot: Act III, Scene I. "Che è mai di me?" | — | ||
| 50-18 | Turandot: Act III, Scene I. "Del primo pianto" | — | ||
| 50-19 | Turandot: Act III, Scene II. "Diecimila anni" | — | ||
| 51-1 | "SYMPHONY NO. 8 IN B MINOR, D. 759 ""UNFINISHED"": I. ALLEGRO MODERATO (REDBOOK STEREO)" | Boston Symphony Orchestra, Charles Munch | — | |
| 51-2 | II. ANDANTE CON MOTO | Boston Symphony Orchestra, Charles Munch | — | |
| 51-3 | "SYMPHONY NO. 9 IN C MAJOR, D.944 ""THE GREAT"": I. ANDANTE - ALLEGRO MA NON TROPPO" | Boston Symphony Orchestra, Charles Munch | — | |
| 51-4 | II. ANDANTE CON MOTO | Boston Symphony Orchestra, Charles Munch | — | |
| 51-5 | "SYMPHONY NO. 9 IN C MAJOR, D.944 ""THE GREAT"": III. SCHERZO - ALLEGRO VIVACE" | Boston Symphony Orchestra, Charles Munch | — | |
| 51-6 | "SYMPHONY NO. 9 IN C MAJOR, D. 944 (""THE GREAT""),: IV. FINALE - ALLEGRO VIVACE (REDBOOK STEREO)" | Boston Symphony Orchestra, Charles Munch | — | |
| 52-1 | Don Quizote, op. 35: Introduction | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-2 | Don Quizote, op. 35: Theme: Don Quixote, the Knight of the Sorrowful Countenance | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-3 | Don Quizote, op. 35: Sancho Panza | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-4 | Don Quizote, op. 35: Variation I. The Adventure With the Windmills | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-5 | Don Quizote, op. 35: Variation II. The Battle With the Sheep | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-6 | Don Quizote, op. 35: Variation III. Dialogue of Knight and Squire | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-7 | Don Quizote, op. 35: Variation IV. The Adventure With the Penitents | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-8 | Don Quizote, op. 35: Variation V. The Knight’s Vigil | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-9 | Don Quizote, op. 35: Variation VI. The False Dulcinea | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-10 | Don Quizote, op. 35: Variation VII. The Ride Through the Air | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-11 | Don Quizote, op. 35: Variation VIII. The Adventure With the Enchanted Boat | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-12 | Don Quizote, op. 35: Variation IX. The Combat With the Two Magicians | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-13 | Don Quizote, op. 35: Variation X. The Defeat of Don Quixote by the Knight of the White Moon | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-14 | Don Quizote, op. 35: Finale. The Death of Don Quixote | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-15 | Don Juan, op. 20 | Chicago Symphony Orchestra, Fritz Reiner | T-801.916.776-2 | |
| 53-1 | Concerto for Two Violins in D minor, BWV 1043: I. Vivace | Erick Friedman, Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 53-2 | Concerto for Two Violins in D minor, BWV 1043: II. Largo ma non tanto | Jascha Heifetz, Erick Friedman, New Symphony Orchestra of London, Sir Malcolm Sargent | T-106.677.153-5 | |
| 53-3 | Concerto for Two Violins in D minor, BWV 1043: III. Allegro | Jascha Heifetz, Erick Friedman, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 53-4 | Sinfonia Concertante in E-flat major, KV. 364: I. Allegro maestoso | Jascha Heifetz, William Primrose, RCA Victor Symphony Orchestra, Izler Solomon | T-913.521.687-4 | |
| 53-5 | Sinfonia Concertante in E-flat major, KV. 364: II. Andante | Jascha Heifetz, William Primrose, RCA Victor Symphony Orchestra, Izler Solomon | T-010.194.421-1 | |
| 53-6 | Sinfonia Concertante in E-flat major, KV. 364: III. Presto | Jascha Heifetz, William Primrose, RCA Victor Symphony Orchestra, Izler Solomon | — | |
| 53-7 | Concerto for Violin and Cello in A minor, op. 102: I. Allegro | Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein | T-905.049.604-3 | |
| 53-8 | Concerto for Violin and Cello in A minor, op. 102: II. Andante | Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein | T-917.685.925-9 | |
| 53-9 | Concerto for Violin and Cello in A minor, op. 102: III. Vivace non troppo | Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein | — | |
| 54-1 | Chôros No. 1 | — | ||
| 54-2 | Étude in E minor | — | ||
| 54-3 | Madroños | — | ||
| 54-4 | Homenaje a Tárrega, Op. 69: I. Garrotín | — | ||
| 54-5 | Homenaje a Tárrega, Op. 69: II. Soleares | — | ||
| 54-6 | Prelude in E minor | — | ||
| 54-7 | Suite española, Op. 47: I. Granada | — | ||
| 54-8 | Suite española, Op. 47: I. Leyenda | — | ||
| 54-9 | Homenaje (Pour le tombeau de Debussy) | — | ||
| 54-10 | Canciones populares catalanas: El testament d’Amelia | — | ||
| 54-11 | Fandanguillo | — | ||
| 55-1 | El amor brujo: I. Introducción y Escena | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-2 | El amor brujo: II. En la cueva: La noche | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-3 | El amor brujo: III. Canción del amor dolido | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-4 | El amor brujo: IV. El aparecido | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-5 | El amor brujo: V. Danza del terror | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-6 | El amor brujo: VI. El círculo mágico | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-7 | El amor brujo: VII. A media noche: Los sortilegios | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-8 | El amor brujo: VIII. Danza ritual del fuego: Para ahuyentar los malos espíritus | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-9 | El amor brujo: IX. Escena | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-10 | El amor brujo: X. Canción del fuego fatuo | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-11 | El amor brujo: XI. Pamtomima | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-12 | El amor brujo: XII. Danza del juego de amor | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-13 | El amor brujo: XIII. Final. Las campanas | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-14 | The Three-Cornered Hat: The Neighbors’ Dance | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 55-15 | The Three-Cornered Hat: The Miller’s Dance | Chicago Symphony Orchestra, Fritz Reiner | T-041.489.062-2 | |
| 55-16 | The Three-Cornered Hat: Final Dance | Chicago Symphony Orchestra, Fritz Reiner | T-041.489.062-2 | |
| 55-17 | La vida breve: Interlude | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 55-18 | La vida breve: Dance | Chicago Symphony Orchestra, Fritz Reiner | T-041.489.074-6 | |
| 55-19 | Iberia, Book 2: Triana | Chicago Symphony Orchestra, Fritz Reiner | T-041.538.731-3 | |
| 55-20 | Goyescas: Intermezzo | Chicago Symphony Orchestra, Fritz Reiner | T-041.950.835-2 | |
| 55-21 | Iberia, Book 1: Fête-Dieu à Seville | Chicago Symphony Orchestra, Fritz Reiner | T-041.538.731-3 | |
| 55-22 | Iberia, Book 4: Navarra | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 56-1 | Concerto no. 2 in G minor, op. 22: I. Andante sostenuto | — | ||
| 56-2 | Concerto no. 2 in G minor, op. 22: II. Allegro scherzando | — | ||
| 56-3 | Concerto no. 2 in G minor, op. 22: III. Presto | — | ||
| 56-4 | Symphonic Variations: I. Poco allegro | — | ||
| 56-5 | Symphonic Variations: II. Allegro non troppo | — | ||
| 56-6 | Concerto no. 1 in E-flat: I. Allegro maestoso | — | ||
| 56-7 | Concerto no. 1 in E-flat: II. Quasi adagio | — | ||
| 56-8 | Concerto no. 1 in E-flat: III. Allegretto vivace | — | ||
| 56-9 | Concerto no. 1 in E-flat: IV. Allegro maziale animato | — | ||
| 57-1 | Harold en Italie, op. 16: I. Harold aux montagnes | — | ||
| 57-2 | Harold en Italie, op. 16: II. Marche des pèlerins | — | ||
| 57-3 | Harold en Italie, op. 16: III. Serenade | — | ||
| 57-4 | Harold en Italie, op. 16: IV. Orgie des brigands | — | ||
| 57-5 | Overture from Béatrice et Bénédict | — | ||
| 57-6 | Overture from Le Corsaire, op. 21 | — | ||
| 57-7 | Overture from Benvenuto Cellini, op. 23 | — | ||
| 57-8 | Overture from Le carnaval romain, op. 9 | — | ||
| 58-1 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | Richard Lewis, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 58-2 | Das Lied von der Erde: II. Der Einsame im Herbst | Maureen Forrester, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 58-3 | Das Lied von der Erde: III. Von der Jugend | Richard Lewis, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 58-4 | Das Lied von der Erde: IV. Von der Schönheit | Maureen Forrester, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 58-5 | Das Lied von der Erde: V. Der Trunkene im Frühling | Richard Lewis, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 58-6 | Das Lied von der Erde: VI. Der Abschied | Maureen Forrester, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-1 | Symphonia Domestica, op. 53: I. Bewegt | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-2 | Symphonia domestica, op. 53: II. Scherzo | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-3 | Symphonia domestica, op. 53: III. Wiegenlied / Cradle song | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-4 | Symphonia domestica, op. 53: IV. Adagio | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-5 | Symphonia domestica, op. 53: V. Finale | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-6 | Le Bourgeois Gentilhomme Suite: Overture | Chicago Symphony Orchestra, Fritz Reiner | T-070.160.184-4 | |
| 59-7 | Le Bourgeois Gentilhomme Suite: Minuet | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-8 | Le Bourgeois Gentilhomme Suite: The Fencing Master | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-9 | Le Bourgeois Gentilhomme Suite: Entrance and Dance of the Tailors | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-10 | Le Bourgeois Gentilhomme Suite: Entrance of Clionte | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-11 | Le Bourgeois Gentilhomme Suite: Prelude to Act II (Intermezzo) | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-12 | Le Bourgeois Gentilhomme Suite: The Dinner | Chicago Symphony Orchestra, Fritz Reiner | T-904.796.230-1 | |
| 60-1 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | T-909.264.262-1 | |
| 60-2 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | T-909.264.262-1 | |
| 60-3 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | T-909.264.262-1 | |
| 60-4 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 60-5 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 60-6 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo: Allegro | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto in F: I. Allegro | Earl Wild, Boston Pops Orchestra, Arthur Fiedler | — |
| Concerto in F: II. Adagio – Andante con moto | Earl Wild, Boston Pops Orchestra, Arthur Fiedler | — |
| Concerto in F: III. Allegro agitato | Earl Wild, Boston Pops Orchestra, Arthur Fiedler | — |
| Variations on “I Got Rhythm” | Earl Wild, Boston Pops Orchestra, Arthur Fiedler | T-070.902.956-0 |
| Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto | Arthur Rubinstein, New Symphony Orchestra of London, Stanislaw Skrowaczewski | T-031.868.464-8 |
| Also sprach Zarathustra, op. 30: Sunrise | Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 77: I. Allegro non troppo | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 77: II. Adagio | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Concerto for Orchestra, Sz. 116: I. Introduzione: Allegro non troppo. Allegro vivace | Chicago Symphony Orchestra, Fritz Reiner | — |
| Concerto for Orchestra, Sz. 116: II. Giuco della coppie: Allegretto scherzando | Chicago Symphony Orchestra, Fritz Reiner | — |
| Concerto for Orchestra, Sz. 116: III. Elegia: Andante non troppo | Chicago Symphony Orchestra, Fritz Reiner | — |
| Concerto for Orchestra, Sz. 116: IV. Intermezzo interotto: Allegretto | Chicago Symphony Orchestra, Fritz Reiner | — |
| Concerto for Orchestra, Sz. 116: V. Finale: Pesante. Presto | Chicago Symphony Orchestra, Fritz Reiner | — |
| Carnival Overture, op. 92 | Chicago Symphony Orchestra, Fritz Reiner | — |
| Schwanda: Polka and Fugue | Chicago Symphony Orchestra, Fritz Reiner | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | Chicago Symphony Orchestra, Fritz Reiner | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace | Chicago Symphony Orchestra, Fritz Reiner | T-900.021.756-1 |
| Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | Chicago Symphony Orchestra, Fritz Reiner | — |
| Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — |
| Piano Concerto no. 1 in B‐flat minor, op. 23: II. Andantino simplice | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — |
| Piano Concerto no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — |
| Russlan and Lyudmila: Overture | Chicago Symphony Orchestra, Fritz Reiner | — |
| Fontane di Roma: I. La fontana di Valle Giulia all'alba | Chicago Symphony Orchestra, Fritz Reiner | — |
| Fontane di Roma: II. La fontana del Tritone al mattino | Chicago Symphony Orchestra, Fritz Reiner | — |
| Fontane di Roma: III. La fontana di Trevi al meriggio | Chicago Symphony Orchestra, Fritz Reiner | — |
| Fontane di Roma: IV. La fontana di Villa Medici al tramonto | Chicago Symphony Orchestra, Fritz Reiner | — |
| Pini di Roma: I. I Pini di Villa Borghese | Chicago Symphony Orchestra, Fritz Reiner | — |
| Pini di Roma: II. Pini presso una catacomba | Chicago Symphony Orchestra, Fritz Reiner | — |
| Pini di Roma: III. I Pini del Gianicolo | Chicago Symphony Orchestra, Fritz Reiner | — |
| Pini di Roma: IV. I Pini della Via Appia | Chicago Symphony Orchestra, Fritz Reiner | T-333.047.149-9 |
| La Mer: I. De l'aube à midi sur la mer. Très lent | Chicago Symphony Orchestra, Fritz Reiner | — |
| La Mer: II. Jeux de vagues. Allegro | Chicago Symphony Orchestra, Fritz Reiner | — |
| La Mer: III. Dialoguedu vent et de la mer. Animé et tumultueux | Chicago Symphony Orchestra, Fritz Reiner | T-925.645.312-0 |
| Variations on “I Got Rhythm” | Earl Wild, Boston Pops Orchestra, Arthur Fiedler | — |
| Piano Concerto no. 2 in C minor, op. 18: I. Moderato - Allegro | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | — |
| Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | — |
| Concerto in F: II. Adagio – Andante con moto | Earl Wild, Boston Pops Orchestra, Arthur Fiedler | T-070.025.723-3 |
| Concerto in F: III. Allegro agitato | Earl Wild, Boston Pops Orchestra, Arthur Fiedler | — |
| Violin Concerto in D major, op. 61: I. Allegro, ma non troppo | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in D major, op. 61: II. Larghetto | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in D major, op. 61: III. Rondo. Allegro | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in E minor, op. 64: II. Andante | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in D major, op. 77: I. Allegro non troppo | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 77: II. Adagio | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | T-902.045.688-6 |
| Violin Concerto in D major, op. 35: I. Allegro. Moderato | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 35: II. Canzonetta. Andante | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 35: III. Allegro vivacissimo | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Scottish Fantasy in E-flat major, op. 46: I. Introduction (Grave, Adagio cantabile) | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — |
| Scottish Fantasy in E-flat major, op. 46: II. Allegro | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — |
| Scottish Fantasy in E-flat major, op. 46: III. Andante sostenuto | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — |
| Scottish Fantasy in E-flat major, op. 46: IV. Finale (Allegro guerriero) | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — |
| Violin Concerto in D minor, op. 47: I. Allegro moderato | Jascha Heifetz, Chicago Symphony Orchestra, Walter Hendl | — |
| Violin Concerto in D minor, op. 47: II. Adagio di molto | Jascha Heifetz, Chicago Symphony Orchestra, Walter Hendl | — |
| Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Jascha Heifetz, Chicago Symphony Orchestra, Walter Hendl | — |
| Violin Concerto in A minor, op. 82: IV. Allegro | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
887654149725 is a Universal Product Code (UPC) assigned to Living Stereo: 60 CD Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 718 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
887654149725 is the Universal Product Code (UPC barcode) for the release “Living Stereo: 60 CD Collection” by Various Artists, released 2012-01-01 on RCA Red Seal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 718 tracks, each with its own ISRC. Tracks include USRC15907090, QMDA71320607, FRZ055900013.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Indiana | — | ||
| 2 | Teensville | — | ||
| 3 | Wake Up Jacob | Harry Belafonte | — | |
| 4 | Where No One Stands Alone | — | ||
| 5 | The Beat | Henry Mancini | T-070.010.642-8 | |
| 6 | Maria bonita | — | ||
| 7 | Dark Moon | — | ||
| 8 | Cool Water | — | ||
| 9 | Twilight Time | — | ||
| 10 | Jump Down Spin Around | — | ||
| 11 | En avril à Paris | Joséphine Baker | T-071.517.825-8 | |
| 12 | Sometimes I Feel Like a Motherless Child | — | ||
| 13 | Funiculi Funiculà | — | ||
| 14 | Kol Nidrei | — | ||
| 15 | Lieutenant Kijé, op. 60: IV. Troika | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 16 | La Mer: II. Jeux de vagues. Allegro | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 17 | The Bartered Bride: Overture | Chicago Symphony Orchestra, Fritz Reiner | T-913.828.907-3 | |
| 2-1 | Symphony no. 3 in C minor, op. 78 "Organ": I. Adagio - Allegro moderato | Berj Zamkochian, Boston Symphony Orchestra, Charles Munch | — | |
| 2-2 | Symphony no. 3 in C minor, op. 78 "Organ": II. Poco adagio | Berj Zamkochian, Boston Symphony Orchestra, Charles Munch | — | |
| 2-3 | Symphony no. 3 in C minor, op. 78 "Organ": III. Allegro moderato - Presto | Bernard Zighera, Leo Litwin, Berj Zamkochian, Boston Symphony Orchestra, Charles Munch | — | |
| 2-4 | Symphony no. 3 in C minor, op. 78 "Organ": IV. Maestoso - Allegro | Bernard Zighera, Leo Litwin, Berj Zamkochian, Boston Symphony Orchestra, Charles Munch | — | |
| 2-5 | La Mer: I. De l’aube à midi sur la mer | Boston Symphony Orchestra, Charles Munch | — | |
| 2-6 | La Mer: II. Jeux de vagues | Boston Symphony Orchestra, Charles Munch | — | |
| 2-7 | La Mer: III. Dialogue du vent et de la mer | Boston Symphony Orchestra, Charles Munch | T-925.645.312-0 | |
| 2-8 | Escales (Ports of Call): I. Rome-Palermo: Calme | Boston Symphony Orchestra, Charles Munch | — | |
| 2-9 | Escales (Ports of Call): II. Tunis-Nefta: Modéré très rythmé | Boston Symphony Orchestra, Charles Munch | — | |
| 2-10 | Escales (Ports of Call): III. Valencia: Animé | Boston Symphony Orchestra, Charles Munch | — | |
| 3-1 | Daphnis et Chloé: Scene I. Invocation to the Nymphs | Boston Symphony Orchestra, Charles Munch | — | |
| 3-2 | Daphnis et Chloé: Scene I. Entrance of Daphnis and Chloé | Boston Symphony Orchestra, Charles Munch | — | |
| 3-3 | Daphnis et Chloé: Scene I. Dance of the Young Girls Around Daphnis | Boston Symphony Orchestra, Charles Munch | — | |
| 3-4 | Daphnis et Chloé: Scene I. Dorcon's Advance to Chloé | Boston Symphony Orchestra, Charles Munch | — | |
| 3-5 | Daphnis et Chloé: Scene I. Daphnis Reasserts His Love for Chloé | Boston Symphony Orchestra, Charles Munch | — | |
| 3-6 | Daphnis et Chloé: Scene I. Dorcon's Grotesque Dance | Boston Symphony Orchestra, Charles Munch | — | |
| 3-7 | Daphnis et Chloé: Scene I. The Gracious Dance of Daphnis | Boston Symphony Orchestra, Charles Munch | — | |
| 3-8 | Daphnis et Chloé: Scene I. The Triumph of Daphnis | Boston Symphony Orchestra, Charles Munch | — | |
| 3-9 | Daphnis et Chloé: Scene I. Entrance of the Temptress Lyceion and Dance of Veils | Boston Symphony Orchestra, Charles Munch | — | |
| 3-10 | Daphnis et Chloé: Scene I. The Invasion of the Pirates and Daphnis's Unsuccessful Efforts to Save Chloé | Boston Symphony Orchestra, Charles Munch | — | |
| 3-11 | Daphnis et Chloé: Scene I. Invocation to Pan by the Nymphs and the Prayer of Daphnis | Boston Symphony Orchestra, Charles Munch | — | |
| 3-12 | Daphnis et Chloé: Scene II. Interlude | Boston Symphony Orchestra, Charles Munch | — | |
| 3-13 | Daphnis et Chloé: Scene II. The Orgiastic Dance of the Pirates | Boston Symphony Orchestra, Charles Munch | — | |
| 3-14 | Daphnis et Chloé: Scene II. Bryaxis Orders Chloé to Be Brought Forward and to Dance | Boston Symphony Orchestra, Charles Munch | — | |
| 3-15 | Daphnis et Chloé: Scene II. Chloé's Dance of Supplication | Boston Symphony Orchestra, Charles Munch | — | |
| 3-16 | Daphnis et Chloé: Scene II. Creatures of Pan Appear and Frighten the Pirates, Who Flee in Terror, Leaving Chloé Alone With a Shining Crown | Boston Symphony Orchestra, Charles Munch | — | |
| 3-17 | Daphnis et Chloé: Scene III. Sunrise. Daphnis Prostrate at the Grotto of the Nymphs | Boston Symphony Orchestra, Charles Munch | — | |
| 3-18 | Daphnis et Chloé: Scene III. Daphnis and Chloé Are Reunited | Boston Symphony Orchestra, Charles Munch | — | |
| 3-19 | Daphnis et Chloé: Scene III. Lammon Tells How Pan Saved Chloé in Memory of His Love for the Nymph Syrinx. Daphnis and Chloé Act Out the Story | Boston Symphony Orchestra, Charles Munch | — | |
| 3-20 | Daphnis et Chloé: Scene III. Pan (Daphnis) Fashions a Flute From Some Reeds, on Which He Declares His Love for Syrinx (Chloé) | Boston Symphony Orchestra, Charles Munch | — | |
| 3-21 | Daphnis et Chloé: Scene III. Abandoning Their Roles, the Lovers Embrace and Kneel at the Altar of the Nymphs | Boston Symphony Orchestra, Charles Munch | — | |
| 3-22 | Daphnis et Chloé: Scene III. Girls Dressed as Bacchantes Enter With Tambourines | Boston Symphony Orchestra, Charles Munch | — | |
| 3-23 | Daphnis et Chloé: Scene III. Young Men Invade the Scene, and Joyous Tumult Prevails in Tribute to the Triumph of the Lovers | Boston Symphony Orchestra, Charles Munch | T-004.014.578-5 | |
| 4-1 | Also sprach Zarathustra, op. 30: Sunrise | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-2 | Also sprach Zarathustra, op. 30: Of the People of the Unseen World | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-3 | Also sprach Zarathustra, op. 30: Of the Great Longing | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-4 | Also sprach Zarathustra, op. 30: Of Joys and Passions | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-5 | Also sprach Zarathustra, op. 30: Dirge | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-6 | Also sprach Zarathustra, op. 30: Of Science | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-7 | Also sprach Zarathustra, op. 30: The Convalescent | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-8 | Also sprach Zarathustra, op. 30: Dance Song and Night Song | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-9 | Also sprach Zarathustra, op. 30: Night Wanderer’s Song | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-10 | Ein Heldenleben, op. 40: The Hero | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-11 | Ein Heldenleben, op. 40: The Hero’s Adversaries | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-12 | Ein Heldenleben, op. 40: The Hero’s Companion | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-13 | Ein Heldenleben, op. 40: The Hero’s Battlefield | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-14 | Ein Heldenleben, op. 40: The Hero’s Works of Peace | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 4-15 | Ein Heldenleben, op. 40: The Hero’s Retreat From the World and Fulfillment | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-1 | Concerto for Orchestra, Sz. 116: I. Introduzione: Allegro non troppo. Allegro vivace | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-2 | Concerto for Orchestra, Sz. 116: II. Giuco della coppie: Allegretto scherzando | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-3 | Concerto for Orchestra, Sz. 116: III. Elegia: Andante non troppo | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interotto: Allegretto | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-5 | Concerto for Orchestra, Sz. 116: V. Finale: Pesante. Presto | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-6 | Music for Strings, Percussion and Celesta: I. Andante tranquillo | Chicago Symphony Orchestra, Fritz Reiner | T-061.693.281-0 | |
| 5-7 | Music for Strings, Percussion and Celesta: II. Allegro | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-8 | Music for Strings, Percussion and Celesta: III. Adagio | Chicago Symphony Orchestra, Fritz Reiner | T-912.436.819-0 | |
| 5-9 | Music for Strings, Percussion and Celesta: IV. Allegro molto | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-10 | Hungarian Sketches: I. An Evening in the Village | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-11 | Hungarian Sketches: II. Bear Dance | Chicago Symphony Orchestra, Fritz Reiner | T-007.183.804-4 | |
| 5-12 | Hungarian Sketches: III. Melody | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-13 | Hungarian Sketches: IV. Slightly Tipsy | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 5-14 | Hungarian Sketches: V. Swineherd's Dance | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 6-1 | Violin Concerto in D major, op. 61: I. Allegro, ma non troppo | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | T-031.682.208-8 | |
| 6-2 | Violin Concerto in D major, op. 61: II. Larghetto | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 6-3 | Violin Concerto in D major, op. 61: III. Rondo. Allegro | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | T-306.482.598-1 | |
| 6-4 | I. ALLEGRO MOLTO APPASSIONATO | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 6-5 | VIOLIN CONCERTO IN E MINOR, OP. 64: II. ANDANTE | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 6-6 | VIOLIN CONCERTO IN E MINOR, OP. 64: ALLEGRETTO NON TROPPO - ALLEGRO MOLTO VIVACE | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 7-1 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — | |
| 7-2 | Piano Concerto no. 1 in B‐flat minor, op. 23: II. Andantino simplice | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — | |
| 7-3 | Piano Concerto no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco | Van Cliburn, RCA Victor Symphony Orchestra, Kiril Kondrashin | — | |
| 7-4 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato - Allegro | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 7-5 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | T-905.750.680-6 | |
| 7-6 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | T-071.926.821-9 | |
| 8-1 | Rhapsody in Blue | Earl Wild, Boston Pops Orchestra, Arthur Fiedler | T-010.244.926-2 | |
| 8-2 | Concerto in F: I. Allegro | Earl Wild, Boston Pops Orchestra, Arthur Fiedler | T-070.025.723-3 | |
| 8-3 | Concerto in F: II. Adagio – Andante con moto | Earl Wild, Boston Pops Orchestra, Arthur Fiedler | — | |
| 8-4 | Concerto in F: III. Allegro agitato | Earl Wild, Boston Pops Orchestra, Arthur Fiedler | — | |
| 8-5 | An American in Paris | Boston Pops Orchestra, Arthur Fiedler | T-070.001.144-4 | |
| 8-6 | Variations on “I Got Rhythm” | Earl Wild, Boston Pops Orchestra, Arthur Fiedler | — | |
| 8-7 | Cuban Overture | Boston Pops Orchestra, Arthur Fiedler | T-010.086.407-0 | |
| 9-1 | Pictures at an Exhibition: Promenade | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-2 | Pictures at an Exhibition: Gnomus | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-3 | Pictures at an Exhibition: Promenade | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-4 | Pictures at an Exhibition: Il vecchio castello | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-5 | Pictures at an Exhibition: Promenade | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-6 | Pictures at an Exhibition: Tuileries | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-7 | Pictures at an Exhibition: Bydlo | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-8 | Pictures at an Exhibition: Promenade | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-9 | Pictures at an Exhibition: Ballet of the Chicks in Their Shells | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-10 | Pictures at an Exhibition: Samuel Goldenburg and Schmuyle | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-11 | Pictures at an Exhibition: The Marketplace at Limoges | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-12 | Pictures at an Exhibition: Catacombae, sepulchrum romanum | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-13 | Pictures at an Exhibition: Con mortuis in lingua mortua | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-14 | Pictures at an Exhibition: The Hut on Fowl’s Legs | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-15 | Pictures at an Exhibition: The Great Gate at Kiev | Chicago Symphony Orchestra, Fritz Reiner | T-061.792.492-1 | |
| 9-16 | Suite no. 1 in D minor, op. 43: IV. Marche miniature | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-17 | Night on the Bare Mountain | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-18 | Prince Igor: Polovtsian March | Chicago Symphony Orchestra, Fritz Reiner | T-931.717.760-9 | |
| 9-19 | Marche slave, op. 31 | Chicago Symphony Orchestra, Fritz Reiner | T-902.754.157-7 | |
| 9-20 | Colas Breugnon, op. 24: Overture | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 9-21 | Russlan and Lyudmila: Overture | Chicago Symphony Orchestra, Fritz Reiner | T-909.762.448-1 | |
| 10-1 | Aida: “Ritorna vincitor!” | — | ||
| 10-2 | Aida: “Qui Radamès verrà!” | — | ||
| 10-3 | Aida: “O patria mia” | — | ||
| 10-4 | Il Trovatore: “Che più t’arresti?” | — | ||
| 10-5 | Il Trovatore: “Tacea la notte” | — | ||
| 10-6 | Il Trovatore: “Di tale amor” | — | ||
| 10-7 | Il Trovatore: “Timor di me?… D’amor sull’ali rosee” | — | ||
| 10-8 | Madama Butterfly: “Un bel dì vedremo” | — | ||
| 10-9 | Madama Butterfly: “Tu? tu? piccolo Iddio!” | — | ||
| 10-10 | La rondine: “Chi il bel sogno di Doretta” | — | ||
| 10-11 | Tosca: “Vissi d’arte” | — | ||
| 10-12 | Turandot: “Signore, ascolta!” | — | ||
| 10-13 | Turandot: “Tu che di gel sei cinta” | — | ||
| 11-1 | Ballade no. 1 in G minor, op. 23 | — | ||
| 11-2 | Ballade no. 2 in F major, op. 38 | — | ||
| 11-3 | Ballade no. 3 in A-flat major, op. 47 | — | ||
| 11-4 | Ballade no. 4 in F minor, op. 52 | — | ||
| 11-5 | Scherzo no. 1 in B minor, op. 20 | Arthur Rubinstein | T-308.384.655-9 | |
| 11-6 | Scherzo no. 2 in B‐flat minor, op. 31 | Arthur Rubinstein | — | |
| 11-7 | Scherzo no. 3 in C‐sharp minor, op. 39 | Arthur Rubinstein | — | |
| 11-8 | Scherzo no. 4 in E major, op. 54 | Arthur Rubinstein | — | |
| 12-1 | Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo | — | ||
| 12-2 | Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia | — | ||
| 12-3 | Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace | — | ||
| 12-4 | Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Adagio lamentoso | — | ||
| 13-1 | The Stars and Stripes Forever | — | ||
| 13-2 | Parade (for percussion) | — | ||
| 13-3 | On Parade | — | ||
| 13-4 | Semper Fidelis | — | ||
| 13-5 | Jubilee | — | ||
| 13-6 | Fourth of July | — | ||
| 13-7 | Hands Across the Sea | — | ||
| 13-8 | Battle Hymn | — | ||
| 13-9 | National Emblem | — | ||
| 13-10 | On the Mall | — | ||
| 13-11 | The Thunderer | — | ||
| 13-12 | American Youth March | — | ||
| 13-13 | The Chimes of Liberty | — | ||
| 13-14 | Happy Go Lucky | — | ||
| 13-15 | Washington Post | — | ||
| 13-16 | The Gladiator | — | ||
| 13-17 | El Capitan | — | ||
| 13-18 | The U.S. Field Artillery March | — | ||
| 13-19 | Dixie | — | ||
| 13-20 | The High School Cadets | — | ||
| 13-21 | Sound Off | — | ||
| 13-22 | The Corcoran Cadets March | — | ||
| 13-23 | American Patrol | — | ||
| 13-24 | Yankee Doodle | — | ||
| 13-25 | Manhattan Beach | — | ||
| 13-26 | National Fencibles March | — | ||
| 13-27 | Jericho | — | ||
| 14-1 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Jascha Heifetz, Chicago Symphony Orchestra, Walter Hendl | — | |
| 14-2 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Jascha Heifetz, Chicago Symphony Orchestra, Walter Hendl | — | |
| 14-3 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Jascha Heifetz, Chicago Symphony Orchestra, Walter Hendl | — | |
| 14-4 | Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 14-5 | Violin Concerto no. 2 in G minor, op. 63: II. Andante assai | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 14-6 | Violin Concerto no. 2 in G minor, op. 63: III. Allegro ben marcato | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 14-7 | Violin Concerto in A minor, op. 82: I. Moderato | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — | |
| 14-8 | Violin Concerto in A minor, op. 82: II. Andante sostenuto | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — | |
| 14-9 | Violin Concerto in A minor, op. 82: III. Tempo I | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — | |
| 14-10 | Violin Concerto in A minor, op. 82: IV. Allegro | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — | |
| 15-1 | Requiem, op. 5: I. Requiem et kyrie | — | ||
| 15-2 | Requiem, op. 5: II. Dies irae | — | ||
| 15-3 | Requiem, op. 5: III. Quid sum miser | — | ||
| 15-4 | Requiem, op. 5: IV. Rex tremendae | — | ||
| 15-5 | Requiem, op. 5: V. Quaerens me | — | ||
| 16-1 | Requiem, op. 5: VI. Lacrymosa | — | ||
| 16-2 | Requiem, op. 5: VII. Offertorium | — | ||
| 16-3 | Requiem, op. 5: VIII. Hostias | — | ||
| 16-4 | Requiem, op. 5: IX. Sanctus | — | ||
| 16-5 | Requiem, op. 5: X. Agnus dei | — | ||
| 17-1 | Boléro | Boston Symphony Orchestra, Charles Munch | T-003.006.377-4 | |
| 17-2 | La valse | Boston Symphony Orchestra, Charles Munch | T-305.194.234-4 | |
| 17-3 | Rapsodie espagnole: I. "Prelude à la nuit" | Boston Symphony Orchestra, Charles Munch | T-003.015.127-9 | |
| 17-4 | Rapsodie espagnole: II. "Malagueña" | Boston Symphony Orchestra, Charles Munch | T-003.015.127-9 | |
| 17-5 | Rapsodie espagnole: III. "Habanera" | Boston Symphony Orchestra, Charles Munch | T-003.015.127-9 | |
| 17-6 | Rapsodie espagnole: IV. "Feria" | Boston Symphony Orchestra, Charles Munch | T-003.015.127-9 | |
| 17-7 | Images for Orchestra: I. "Gigues" | Boston Symphony Orchestra, Charles Munch | T-900.478.513-1 | |
| 17-8 | Images for Orchestra: IIa. "Iberia" - Par les rues et par les chemins | Boston Symphony Orchestra, Charles Munch | — | |
| 17-9 | Images for Orchestra: IIb. "Iberia" - Les parfums de la nuit | Boston Symphony Orchestra, Charles Munch | — | |
| 17-10 | Images for Orchestra: IIc. "Iberia" - Le matin d'un jour de fête | Boston Symphony Orchestra, Charles Munch | — | |
| 17-11 | Images for Orchestra: III. "Rondes de printemps" | Boston Symphony Orchestra, Charles Munch | — | |
| 18-1 | Cello Concerto in B minor, op. 104: I. Allegro | — | ||
| 18-2 | Cello Concerto in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 18-3 | Cello Concerto in B minor, op. 104: III. Finale: Allegro moderato | — | ||
| 18-4 | Cello Concerto: I. Moderato | — | ||
| 18-5 | Cello Concerto: II. Allegro appassionato | — | ||
| 18-6 | Cello Concerto: III. Tema ed improvvisazioni: Lento - Allegro moderato | — | ||
| 19-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 19-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | Chicago Symphony Orchestra, Fritz Reiner | T-902.286.256-2 | |
| 19-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 19-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 19-5 | Carnival Overture, op. 92 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 19-6 | The Bartered Bride: Overture | Chicago Symphony Orchestra, Fritz Reiner | T-913.828.907-3 | |
| 19-7 | Schwanda: Polka and Fugue | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-1 | Scheherazade, op. 35: The Sea and Sinbad's Ship | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-2 | Scheherazade, op. 35: The Story of the Kalendar Prince | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-3 | Scheherazade, op. 35: The Young Prince and the Young Princess | Chicago Symphony Orchestra, Fritz Reiner | T-924.579.676-3 | |
| 20-4 | Scheherazade, op. 35: Festival in Bagdad / The Sea / Shipwreck on a Rock Surmounted by a Bronze Warrior / Conclusion | Chicago Symphony Orchestra, Fritz Reiner | T-924.579.676-3 | |
| 20-5 | Chant du rossignol: I. Introduction | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-6 | Chant du rossignol: II. Marche chinoise | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-7 | Chant du rossignol: III. Chant du rossignol | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-8 | Chant du rossignol: IV. Jeu du rossignol mécanique | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-9 | Chant du rossignol: The Emperor's Displeasure at the Real Nightingale | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-10 | Chant du rossignol: The Emperor's Sickroom | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-11 | Chant du rossignol: The Real Nightingale Returns to Thwart Death | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 20-12 | Chant du rossignol: Funeral March and Finale | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 21-1 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: I. Maestoso | Arthur Rubinstein, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 21-2 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: II. Adagio | Arthur Rubinstein, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 21-3 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | Arthur Rubinstein, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 22-1 | Gaîté Parisienne: I. Allegro | — | ||
| 22-2 | Gaîté Parisienne: II. Allegro brillante | — | ||
| 22-3 | Gaîté Parisienne: III. Polka | — | ||
| 22-4 | Gaîté Parisienne: IV. Ländler. Allegro | — | ||
| 22-5 | Gaîté Parisienne: V. Mazurka | — | ||
| 22-6 | Gaîté Parisienne: VI. Valse | — | ||
| 22-7 | Gaîté Parisienne: VII. Allegro | — | ||
| 22-8 | Gaîté Parisienne: VIII. Polka | — | ||
| 22-9 | Gaîté Parisienne: IX. Valse | — | ||
| 22-10 | Gaîté Parisienne: X. Tempo di marcia | — | ||
| 22-11 | Gaîté Parisienne: XI. Valse | — | ||
| 22-12 | Gaîté Parisienne: XII. Allegro vivo | — | ||
| 22-13 | Gaîté Parisienne: XIII. Valse | — | ||
| 22-14 | Gaîté Parisienne: XIV. Allegro vivace – Misterioso | — | ||
| 22-15 | Gaîté Parisienne: XV. Valse | — | ||
| 22-16 | Gaîté Parisienne: XVI. Allegro vivo | — | ||
| 22-17 | Gaîté Parisienne: XVII. Cancan | — | ||
| 22-18 | Gaîté Parisienne: XVIII. Quadrille | — | ||
| 22-19 | Gaîté Parisienne: XIX. Allegro moderato | — | ||
| 22-20 | Gaîté Parisienne: XX. Allegro | — | ||
| 22-21 | Gaîté Parisienne: XXI. Vivo | — | ||
| 22-22 | Gaîté Parisienne: XXII. Vivo | — | ||
| 22-23 | Gaîté Parisienne: XXIII. Barcarolle | — | ||
| 22-24 | La Boutique fantasque: I. Overture | — | ||
| 22-25 | La Boutique fantasque: II. Tarantelle | — | ||
| 22-26 | La Boutique fantasque: III. Vivo | — | ||
| 22-27 | La Boutique fantasque: IV. Mazurka | — | ||
| 22-28 | La Boutique fantasque: V. Danse Cosaque | — | ||
| 22-29 | La Boutique fantasque: VI. Cancan | — | ||
| 22-30 | La Boutique fantasque: VII. Valse lente | — | ||
| 22-31 | La Boutique fantasque: VIII. Nocturne | — | ||
| 22-32 | La Boutique fantasque: IX. Galop | — | ||
| 23-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | — | ||
| 23-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | — | ||
| 23-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | — | ||
| 23-4 | Piano Concerto no. 3 in C major, op. 26: I. Andante | — | ||
| 23-5 | Piano Concerto no. 3 in C major, op. 26: II. Theme. Andantino – Five Variations | — | ||
| 23-6 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | — | ||
| 24-1 | Le Coq D’or Suite: I. King Dodom in his Palace | — | ||
| 24-2 | Le Coq D’or Suite: II. King Dodom on the Battlefield | — | ||
| 24-3 | Le Coq D’or Suite: III. King Dodom with the Queen of Shemakha | — | ||
| 24-4 | Le Coq D’or Suite: IV. March | — | ||
| 24-5 | William Tell Overture | — | ||
| 24-6 | Marche slave | — | ||
| 24-7 | España | Boston Pops Orchestra, Arthur Fiedler | — | |
| 24-8 | Hungarian Rhapsody no. 2 | — | ||
| 24-9 | Rákóczy March | — | ||
| 25-1 | Violin Concerto in D major, op. 77: I. Allegro non troppo | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 25-2 | Violin Concerto in D major, op. 77: II. Adagio | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 25-3 | Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 25-4 | Violin Concerto in D major, op. 35: I. Allegro. Moderato | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | T-304.378.608-5 | |
| 25-5 | Violin Concerto in D major, op. 35: II. Canzonetta. Andante | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | T-304.381.014-2 | |
| 25-6 | Violin Concerto in D major, op. 35: III. Allegro vivacissimo | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | T-304.375.756-4 | |
| 26-1 | Symphony in D minor: I. Lento | — | ||
| 26-2 | Symphony in D minor: II. Allegretto | — | ||
| 26-3 | Symphony in D minor: III. Allegro non troppo | — | ||
| 26-4 | Pétrouchka: Scene I. The Shrove-Tide Fair. Vivace | Boston Symphony Orchestra, Pierre Monteux | — | |
| 26-5 | Pétrouchka: Scene I. The Magic Trick | — | ||
| 26-6 | Pétrouchka: Scene I. Russian Dance | — | ||
| 26-7 | Pétrouchka: Scene II. Petrouchka’s Room | — | ||
| 26-8 | Pétrouchka: Scene III. Feroce stringendo | — | ||
| 26-9 | Pétrouchka: Scene III. Dance of the Ballerina | — | ||
| 26-10 | Pétrouchka: Scene III. Valse | — | ||
| 26-11 | Pétrouchka: Scene IV. Con moto | — | ||
| 26-12 | Pétrouchka: Scene IV. Wet Nurses’ Dance | — | ||
| 26-13 | Pétrouchka: Scene IV. Peasant With Bear | — | ||
| 26-14 | Pétrouchka: Scene IV. Gypsies | — | ||
| 26-15 | Pétrouchka: Scene IV. Dance of the Coachmen | — | ||
| 26-16 | Pétrouchka: Scene IV. Masqueraders | — | ||
| 26-17 | Pétrouchka: Scene IV. Scuffle | — | ||
| 26-18 | Pétrouchka: Scene IV. Death of Pétrouchka | — | ||
| 26-19 | Pétrouchka: Scene IV. Pétrouchka’s Ghost | — | ||
| 27-1 | Symphony no. 5 in C minor, op. 67 "Fate": I. Allegro con brio | Boston Symphony Orchestra, Charles Munch | — | |
| 27-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 27-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 27-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 27-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Awakening of serene impressions upon arriving in the country. Allegro ma non troppo | — | ||
| 27-6 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Scene by the brookside. Andante molto mosso | — | ||
| 27-7 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Jolly gathering of country folk. Allegro | — | ||
| 27-8 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Thunderstorm. Allegro | — | ||
| 27-9 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Shepherd’s Song: Gladsome and thankful feelings after the storm. Allegretto | — | ||
| 28-1 | Symphonie fantastique, op. 14: I. Reveries - Passions | — | ||
| 28-2 | Symphonie fantastique, op. 14: II. A Ball | — | ||
| 28-3 | Symphonie fantastique, op. 14: III. Scene in the Country | — | ||
| 28-4 | Symphonie fantastique, op. 14: IV. March to the Scaffold | — | ||
| 28-5 | Symphonie fantastique, op. 14: V. Dream of the Witches' Sabbath | — | ||
| 28-6 | Roméo et Juliette, op. 17: Part II. Love Scene | — | ||
| 29-1 | Elektra, op. 58: Elektra’s Soliloquy “Allein! Weh, ganz allein” | Inge Borkh, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 29-2 | Elektra, op. 58: Recognition Scene “Was willst du, fremder Mensch?” | Inge Borkh, Paul Schöffler, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 29-3 | Elektra, op. 58: Finale “Elektra! Schwester! Komm mit uns!” | Frances Yeend, Chicago Lyric Theater Chorus, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 29-4 | Salome, op. 54: Dance of the Seven Veils | Inge Borkh, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 29-5 | Salome, op. 54: Final Scene “Ah! Du wolltest mich nicht deinen Mund” | Inge Borkh, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 30-1 | Symphony no. 4 in G major: I. Bedächtig. Nicht eilen | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 30-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 30-3 | Symphony no. 4 in G major: III. Ruhevoll | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 30-4 | Symphony no. 4 in G major: IV: Sehr behaglich | Lisa della Casa, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 31-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | Arthur Rubinstein, New Symphony Orchestra of London, Stanisław Skrowaczewski | T-308.381.369-4 | |
| 31-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto | Arthur Rubinstein, New Symphony Orchestra of London, Stanislaw Skrowaczewski | T-308.381.369-4 | |
| 31-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | Arthur Rubinstein, New Symphony Orchestra of London, Stanisław Skrowaczewski | T-308.381.369-4 | |
| 31-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | Arthur Rubinstein, Symphony of the Air, Alfred Wallenstein | — | |
| 31-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | Arthur Rubinstein, Symphony of the Air, Alfred Wallenstein | — | |
| 31-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 32-1 | Hungarian Rhapsody no. 2 in C-sharp minor | RCA Victor Symphony Orchestra, Leopold Stokowski | — | |
| 32-2 | Roumanian Rhapsody no. 1 in A, op. 11 | RCA Victor Symphony Orchestra, Leopold Stokowski | — | |
| 32-3 | The Moldau | RCA Victor Symphony Orchestra, Leopold Stokowski | — | |
| 32-4 | The Bartered Bride: Overture | RCA Victor Symphony Orchestra, Leopold Stokowski | T-913.828.907-3 | |
| 32-5 | Tristan und Isolde: Prelude to Act III | Symphony of the Air, Leopold Stokowski | — | |
| 32-6 | Tannhäuser: Overture and Venusberg Music | Symphony of the Air, Leopold Stokowski | — | |
| 33-1 | Billy the Kid Suite: Introduction: The Open Prairie | Morton Gould Orchestra, Morton Gould | — | |
| 33-2 | Billy the Kid Suite: Street in a Frontier Town | Morton Gould Orchestra, Morton Gould | T-070.138.025-7 | |
| 33-3 | Billy the Kid Suite: Mexican Dance and Finale | Morton Gould Orchestra, Morton Gould | — | |
| 33-4 | Billy the Kid Suite: Prairie Night: Card Game | Morton Gould Orchestra, Morton Gould | — | |
| 33-5 | Billy the Kid Suite: Gun Battle | Morton Gould Orchestra, Morton Gould | — | |
| 33-6 | Billy the Kid Suite: Celebration: After Billy’s Capture | Morton Gould Orchestra, Morton Gould | — | |
| 33-7 | Billy the Kid Suite: Billy’s Death | Morton Gould Orchestra, Morton Gould | — | |
| 33-8 | Billy the Kid Suite: The Open Prairie (reprise) | Morton Gould Orchestra, Morton Gould | — | |
| 33-9 | Billy the Kid Waltz | — | ||
| 33-10 | Rodeo Suite: Buckaroo Holiday | Morton Gould Orchestra, Morton Gould | — | |
| 33-11 | Rodeo Suite: Corral Nocturne | Morton Gould Orchestra, Morton Gould | T-070.026.038-3 | |
| 33-12 | Rodeo Suite: Honky Tonk Interlude | Morton Gould Orchestra, Morton Gould | — | |
| 33-13 | Rodeo Suite: Saturday Night Waltz | Morton Gould Orchestra, Morton Gould | — | |
| 33-14 | Rodeo Suite: Hoe-Down | Morton Gould Orchestra, Morton Gould | — | |
| 33-15 | Grand Canyon Suite: Sunrise | Morton Gould Orchestra, Morton Gould | — | |
| 33-16 | Grand Canyon Suite: Painted Desert | Morton Gould Orchestra, Morton Gould | — | |
| 33-17 | Grand Canyon Suite: On the Trail | Morton Gould Orchestra, Morton Gould | — | |
| 33-18 | Grand Canyon Suite: Sunset | Morton Gould Orchestra, Morton Gould | — | |
| 33-19 | Grand Canyon Suite: Cloudburst | Morton Gould Orchestra, Morton Gould | — | |
| 34-1 | Faust: Air des bijoux | — | ||
| 34-2 | La bohme: Mi chiamano Mimì | — | ||
| 34-3 | Dinorah: Ombre légère | — | ||
| 34-4 | Carmen: Je dis que rien ne m’épouvante | — | ||
| 34-5 | Semiramide: Bel raggio lusinghier | — | ||
| 34-6 | Turandot: Signore, ascolta | — | ||
| 34-7 | Turandot: Tu che di gel sei cinta | — | ||
| 34-8 | Lakmé: Air des clochettes | — | ||
| 35-1 | La Mer: I. De l'aube à midi sur la mer. Très lent | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 35-2 | La Mer: II. Jeux de vagues. Allegro | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 35-3 | La Mer: III. Dialoguedu vent et de la mer. Animé et tumultueux | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 35-4 | Fontane di Roma: I. La fontana di Valle Giulia all'alba | Chicago Symphony Orchestra, Fritz Reiner | T-902.294.706-4 | |
| 35-5 | Fontane di Roma: II. La fontana del Tritone al mattino | Chicago Symphony Orchestra, Fritz Reiner | T-902.294.706-4 | |
| 35-6 | Fontane di Roma: III. La fontana di Trevi al meriggio | Chicago Symphony Orchestra, Fritz Reiner | T-902.294.706-4 | |
| 35-7 | Fontane di Roma: IV. La fontana di Villa Medici al tramonto | Chicago Symphony Orchestra, Fritz Reiner | T-902.294.706-4 | |
| 35-8 | Pini di Roma: I. I Pini di Villa Borghese | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 35-9 | Pini di Roma: II. Pini presso una catacomba | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 35-10 | Pini di Roma: III. I Pini del Gianicolo | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 35-11 | Pini di Roma: IV. I Pini della Via Appia | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-1 | Morning Papers, op. 279 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-2 | Emperor Waltz, op. 437 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-3 | On the Beautiful Blue Danube, op. 314 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-4 | Invitation to the Dance, op. 65 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-5 | Village Swallows, op. 164 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-6 | Der Rosenkavalier: Waltzes | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-7 | Vienna Blood, op. 354 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-8 | Roses from the South, op. 388 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-9 | Treasure Waltz, op. 418 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 36-10 | Thunder and Lightning, op. 324 | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 37-1 | SYMPHONY NO 4 IN A MAJOR OP 90 ITALIAN I ALLEGRO VIVACE | Boston Symphony Orchestra, Charles Munch | T-928.635.625-0 | |
| 37-2 | II. ANDANTE CON MOTO | Boston Symphony Orchestra, Charles Munch | T-303.792.628-2 | |
| 37-3 | Symphony no. 4 in A "Italian": Con moto moderato | Boston Symphony Orchestra, Charles Munch | — | |
| 37-4 | SYMPHONY NO 4 IN A MAJOR OP 90 ITALIAN IV SALTARELLO PRESTO | Boston Symphony Orchestra, Charles Munch | T-308.451.891-8 | |
| 37-5 | I. ANDANTE - ALLEGRO CON FUOCO | Boston Symphony Orchestra, Charles Munch | — | |
| 37-6 | """SYMPHONY NO. 5 IN D MINOR, OP. 107 """"REFORMATION"""": II. ALLEGRO VIVACE""" | Boston Symphony Orchestra, Charles Munch | — | |
| 37-7 | "SYMPHONY NO. 5 IN D MINOR, OP. 107 ""REFORMATION"": III. ANDANTE" | Boston Symphony Orchestra, Charles Munch | T-902.876.200-7 | |
| 37-8 | Symphony no. 5 in D major, op. 107 “Reformation”: IV. Chorale. Andante con moto – Allegro vivace “Ein’ feste Burg ist unser Gott” | Boston Symphony Orchestra, Charles Munch | — | |
| 37-9 | Octet in E‐flat major, op. 20: III. Scherzo. Allegro leggierissimo | Boston Symphony Orchestra, Charles Munch | — | |
| 38-1 | In the Steppes of Central Asia | — | ||
| 38-2 | Russian Easter Overture | — | ||
| 38-3 | Prince Igor: Overture | — | ||
| 38-4 | Prince Igor: Polovtsian Dances | — | ||
| 38-5 | Gayane: Lullaby | — | ||
| 38-6 | Gayane: Lezghinka | — | ||
| 38-7 | Gayane: Dance of the Rose Maidens | — | ||
| 38-8 | Gayane: Dance of the Kurds | — | ||
| 38-9 | Gayane: Sabre Dance | — | ||
| 38-10 | Tsar Sulton: The Flight of the Bumblebee | — | ||
| 38-11 | Eugene Onegin: Polonaise | — | ||
| 38-12 | The Sleeping Beauty: Waltz | — | ||
| 38-13 | Masquerade Suite: Galop | — | ||
| 39-1 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 39-2 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto | — | ||
| 39-3 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato | — | ||
| 39-4 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | — | ||
| 39-5 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Arthur Rubinstein | — | |
| 39-6 | Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro | — | ||
| 39-7 | Sonata for Piano no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | — | ||
| 39-8 | Sonata for Piano no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto | — | ||
| 39-9 | Sonata for Piano no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 39-10 | Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux" | — | ||
| 39-11 | Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence" | — | ||
| 39-12 | Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour" | — | ||
| 40-1 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 40-2 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | T-050.459.341-2 | |
| 40-3 | Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 40-4 | Scottish Fantasy in E-flat major, op. 46: I. Introduction (Grave, Adagio cantabile) | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 40-5 | Scottish Fantasy in E-flat major, op. 46: II. Allegro | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 40-6 | Scottish Fantasy in E-flat major, op. 46: III. Andante sostenuto | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 40-7 | Scottish Fantasy in E-flat major, op. 46: IV. Finale (Allegro guerriero) | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 40-8 | Violin Concerto no. 5 in A minor: I. Allegro non troppo | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | T-031.682.208-8 | |
| 40-9 | Violin Concerto no. 5 in A minor: II. Adagio | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 40-10 | Violin Concerto no. 5 in A minor: III. Allegro con fuoco | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 41-1 | Funiculi, funiculà | — | ||
| 41-2 | Dicitencello vuie | — | ||
| 41-3 | Maria marì | — | ||
| 41-4 | Voce ’e notte | — | ||
| 41-5 | Canta pe’ me | — | ||
| 41-6 | O surdato ’namurato | — | ||
| 41-7 | Comme facette mammeta? | — | ||
| 41-8 | Santa Lucia luntana | — | ||
| 41-9 | Fenesta che lucive | — | ||
| 41-10 | Tu ca nun chiagne | — | ||
| 41-11 | ’Na sera ’e maggio | — | ||
| 41-12 | Passione | — | ||
| 41-13 | The Vagabond King: Drinking Song | — | ||
| 41-14 | The Vagabond King: Some Day | — | ||
| 41-15 | The Vagabond King: Love Me Tonight | — | ||
| 41-16 | The Vagabond King: Only a Rose | — | ||
| 41-17 | The Vagabond King: Tomorrow | — | ||
| 41-18 | The Vagabond King: Love For Sale | — | ||
| 41-19 | The Vagabond King: Hunting | — | ||
| 41-20 | The Vagabond King: Nocturne | — | ||
| 41-21 | The Vagabond King: Instrumental Interlude & Nocturne (reprise) | — | ||
| 41-22 | The Vagabond King: Huguette Waltz | — | ||
| 41-23 | The Vagabond King: Song of the Vagabonds | — | ||
| 41-24 | The Vagabond King: Finale | — | ||
| 42-1 | Fugue in G minor “Little” | — | ||
| 42-2 | Jesu, Joy of Man’s Desiring | Virgil Fox | T-916.278.414-7 | |
| 42-3 | Concerto no. 4 in F major: I. Allegro | — | ||
| 42-4 | Ye Sweet Retreat | — | ||
| 42-5 | Thou Art the Rock | — | ||
| 42-6 | Trumpet Voluntary | — | ||
| 42-7 | Trio Sonata no. 6 in G major | — | ||
| 42-8 | Concerto for Strings No. 1: Aria | — | ||
| 42-9 | Now Thank We All Our God | — | ||
| 42-10 | Canon in B minor | — | ||
| 42-11 | Air on the G String | — | ||
| 42-12 | Symphony no. 5 in F minor, op. 42 no. 1: Toccata | — | ||
| 42-13 | Pomp and Circumstance | — | ||
| 43-1 | La bohème: Act I. "Questo Mar Rosso" | — | ||
| 43-2 | La bohème: Act I. "Nei cieli bigi" | — | ||
| 43-3 | La bohème: Act I. "Già dell'Apocalisse" | — | ||
| 43-4 | La bohème: Act I. "Pensier profondo!" | — | ||
| 43-5 | La bohème: Act I. "Legna! - Sigari! - Bordò!" | — | ||
| 43-6 | La bohème: Act I. "Si può? - Chi è la? - Benoît!" | — | ||
| 43-7 | La bohème: Act I. "Timido in gioventù" | — | ||
| 43-8 | La bohème: Act I. "Chi è là? - Scusi. - Una donna!" | — | ||
| 43-9 | La bohème: Act I. "Oh! Sventata!" | — | ||
| 43-10 | La bohème: Act I. "Che gelida manina" | — | ||
| 43-11 | La bohème: Act I. "Mi chiamano Mimì" | — | ||
| 43-12 | La bohème: Act I. "Ehi! Rodolfo!" | — | ||
| 43-13 | La bohème: Act I. "O soave fanciulla" | — | ||
| 43-14 | La bohème: Act II. "Aranci, ninnoli!" | — | ||
| 43-15 | La bohème: Act II. "Questa è Mimì" | — | ||
| 43-16 | La bohème: Act II. "Una cuffietta a pizzi" | — | ||
| 43-17 | La bohème: Act II. "Oh! - Essa! - Musetta!" | — | ||
| 43-18 | La bohème: Act II. "Quando me'n vo'" | — | ||
| 43-19 | La bohème: Act II. "Gioventù mia - Sciogli, slaccia!" | — | ||
| 43-20 | La bohème: Act II. "Caro! - Fuori l danaro!" | — | ||
| 44-1 | La bohème: Act III. "Ohè, là, le guardi! Aprite!" | — | ||
| 44-2 | La bohème: Act III. "Chi nel ber trovò il piacer" | — | ||
| 44-3 | La bohème: Act III. "Sa dirmi, scusi, qual'è l'osteria" | — | ||
| 44-4 | La bohème: Act III. "O buon Marcello, aiuto!" | — | ||
| 44-5 | La bohème: Act III. "Marcello, finalmente!" | — | ||
| 44-6 | La bohème: Act III. "Mimì è una civetta" | — | ||
| 44-7 | La bohème: Act III. “Donde lieta; Addio, senza rancor!” (Mimì’s Farewell) | Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Erich Leinsdorf | — | |
| 44-8 | La bohème: Act III. "Che facevi, che dicevi" | — | ||
| 44-9 | La bohème: Act IV. "In un coupè?" | — | ||
| 44-10 | La bohème: Act IV. "O Mimì, tu più non torni" | — | ||
| 44-11 | La bohème: Act IV. "Eccoci. - Ebben?" | — | ||
| 44-12 | La bohème: Act IV. The quadrille and duel | — | ||
| 44-13 | La bohème: Act IV. "C'è Mimì che mi seque e che sta male" | — | ||
| 44-14 | La bohème: Act IV. "Vecchia zimarra, senti" | — | ||
| 44-15 | La bohème: Act IV. "Sono andati? Fingevo di dormire" | — | ||
| 44-16 | La bohème: Act IV. "Che ha detto il medico?" | — | ||
| 45-1 | Madama Butterfly: Act I. Orchestra Opening | — | ||
| 45-2 | Madama Butterfly: Act I. “E soffitto e pareti” | — | ||
| 45-3 | Madama Butterfly: Act I. “Dovunque al mondo lo Yankee” | — | ||
| 45-4 | Madama Butterfly: Act I. “Amore o grillo” | — | ||
| 45-5 | Madama Butterfly: Act I. “Ancora un passo or via” | — | ||
| 45-6 | Madama Butterfly: Act I. “Gran ventura” | — | ||
| 45-7 | Madama Butterfly: Act I. “L’Imperial Commissario” | — | ||
| 45-8 | Madama Butterfly: Act I. “Vieni, amor mio!” | — | ||
| 45-9 | Madama Butterfly: Act I. “Ieri son salita tutta sola” | — | ||
| 45-10 | Madama Butterfly: Act I. “Tutti zitti!” | — | ||
| 45-11 | Madama Butterfly: Act I. “Madama Butterfly!” | — | ||
| 45-12 | Madama Butterfly: Act I. “Cio-Cio-San!” | — | ||
| 45-13 | Madama Butterfly: Act I. “Bimba, bimba, non piangere” | — | ||
| 45-14 | Madama Butterfly: Act I. “Bimba dagli occhi” | — | ||
| 45-15 | Madama Butterfly: Act I. “Vogliatemi bene” | — | ||
| 45-16 | Madama Butterfly: Act II. “E lzaghi ed lzanami” | — | ||
| 45-17 | Madama Butterfly: Act II. “Un bel dì” | — | ||
| 46-1 | Madama Butterfly: Act II. “C’è. Entrate” | — | ||
| 46-2 | Madama Butterfly: Act II. “Yamadori, ancor le pene” | — | ||
| 46-3 | Madama Butterfly: Act II. “Ora a noi” | — | ||
| 46-4 | Madama Butterfly: Act II. “Due cose potrei far” | — | ||
| 46-5 | Madama Butterfly: Act II. “Ah! M’ha scordata?” | — | ||
| 46-6 | Madama Butterfly: Act II. “Io scendo al piano” | — | ||
| 46-7 | Madama Butterfly: Act II. “Il cannone del porto!” | — | ||
| 46-8 | Madama Butterfly: Act II. “Tuti i fior?” | — | ||
| 46-9 | Madama Butterfly: Act II. “Or vienmi ad adornar” | — | ||
| 46-10 | Madama Butterfly: Act II. Humming Chorus | — | ||
| 46-11 | Madama Butterfly: Act III. “Oh eh! Oh eh!” | — | ||
| 46-12 | Madama Butterfly: Act III. “Già il sole!” | — | ||
| 46-13 | Madama Butterfly: Act III. “Io so che alle sue pene” | — | ||
| 46-14 | Madama Butterfly: Act III. “Addio, fiorito asil” | — | ||
| 46-15 | Madama Butterfly: Act III. “Suzuki, Suzuki!” | — | ||
| 46-16 | Madama Butterfly: Act III. “Come una mosca” | — | ||
| 46-17 | Madama Butterfly: Act III. “Con onor muore…” | — | ||
| 47-1 | La traviata: Preludio | Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-2 | La traviata: Atto I. “Dell'invito trascorsa è già l'ora” | Giuseppe Conca, Franco Calabrese, Coro del Teatro dell’Opera di Roma, Anna Moffo, Piero de Palma, Anna Reynolds, Vito Susca, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-3 | La traviata: Atto I. “Libiamo ne'lieti calici” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-4 | La traviata: Atto I. “Che è cio?” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-5 | La traviata: Atto I. “Un dì felice, eterea” | Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-6 | La traviata: Atto I. “Ebben? Che diavol fate?” | Anna Moffo, Piero de Palma, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-7 | La traviata: Atto I. “Si ridesta in ciel l'aurora” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-8 | La traviata: Atto I. “È strano!” - “Ah, fors'è lui” | Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-9 | La traviata: Atto I. “Follie! Delirio vano è questo!” | Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-10 | La traviata: Atto I. “Sempre libera” | Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | T-900.238.338-2 | |
| 47-11 | La traviata: Atto II, scena 1. “Lunge da lei” | Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-12 | La traviata: Atto II, scena 1. “Annina, donde vieni?” | Liliana Poli, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-13 | La traviata: Atto II, scena 1. “Alfredo?” - “Per Parigi or or partiva” | Robert Merrill, Anna Moffo, Liliana Poli, Adelio Zagonara, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-14 | La traviata: Atto II, scena 1. “Pura siccome un angelo” | Robert Merrill, Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-15 | La traviata: Atto II, scena 1. “Non sapete quale affetto” | Robert Merrill, Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-16 | La traviata: Atto II, scena 1. “Ah! Dite alla giovine” | Robert Merrill, Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-17 | La traviata: Atto II, scena 1. “Morro! Morro!” | Robert Merrill, Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-18 | La traviata: Atto II, scena 1. “Dammi tu forza, o cielo!” | Anna Moffo, Liliana Poli, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-19 | La traviata: Atto II, scena 1. “Ah, vive sol quel core all'amor mio!” | Sergio Liviabella, Robert Merrill, Richard Tucker, Adelio Zagonara, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-20 | La traviata: Atto II, scena 1. “Di Provenza il mar” | Robert Merrill, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 47-21 | La traviata: Atto II, scena 1. “Ne rispondi” | Robert Merrill, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-1 | La traviata: Atto II, scena 2. “Avrem lieta di maschere la notte” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Anna Reynolds, Vito Susca, Franco Ventriglia, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-2 | La traviata: Atto II, scena 2. “Noi siamo zingarelle” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Anna Reynolds, Vito Susca, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-3 | La traviata: Atto II, scena 2. “Di Madride noi siam mattadori” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Piero de Palma, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-4 | La traviata: Atto II, scena 2. “Alfredo! Voi?” | Giuseppe Conca, Franco Calabrese, Coro del Teatro dell’Opera di Roma, Anna Moffo, Piero de Palma, Anna Reynolds, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-5 | La traviata: Atto II, scena 2. “Invitato a qui seguirmi” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-6 | La traviata: Atto II, scena 2. “Ogni suo aver tal femmina” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-7 | La traviata: Atto II, scena 2. “Di sprezzo degno se stesso rende” | Giuseppe Conca, Franco Calabrese, Coro del Teatro dell’Opera di Roma, Robert Merrill, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-8 | La traviata: Atto III. Preludio | Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-9 | La traviata: Atto III. “Annina?” - “Comandate?” | Anna Moffo, Liliana Poli, Franco Ventriglia, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-10 | La traviata: Atto III. “Teneste la promessa” | Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-11 | La traviata: Atto III. “Addio del passato” | Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | T-314.733.457-0 | |
| 48-12 | La traviata: Atto III. “Largo al quadrupede” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-13 | La traviata: Atto III. “Signora” - “Che t'accadde” | Anna Moffo, Liliana Poli, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-14 | La traviata: Atto III. “Parigi, o cara” | Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-15 | La traviata: Atto III. “Ah, non più” | Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-16 | La traviata: Atto III. “Ah! Gran Dio! Morir sì giovine” | Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-17 | La traviata: Atto III. “Ah, Violetta!” “Voi? Signor?” | Robert Merrill, Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-18 | La traviata: Atto III. “Prendi, quest'e l'immagine” | Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Robert Merrill, Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 48-19 | La traviata: Atto III. “È strano!” | Robert Merrill, Anna Moffo, Liliana Poli, Richard Tucker, Franco Ventriglia, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali | — | |
| 49-1 | Turandot: Act I. "Popolo di Pekino!" | — | ||
| 49-2 | Turandot: Act I. "Gira la cote, gira, gira!" | — | ||
| 49-3 | Turandot: Act I. "Perché tarda la luna?" | — | ||
| 49-4 | Turandot: Act I. "O giovinotto" (Funeral March) | — | ||
| 49-5 | Turandot: Act I. "O divina bellezza!" | — | ||
| 49-6 | Turandot: Act I. "Figlio, che fai?" | — | ||
| 49-7 | Turandot: Act I. "Fermo! Che fai? T'arresta!" | — | ||
| 49-8 | Turandot: Act I. "Non indugiare!" | — | ||
| 49-9 | Turandot: Act I. "Signore, ascolta!" | — | ||
| 49-10 | Turandot: Act I. "Non piangere, Liù!" | — | ||
| 49-11 | Turandot: Act I. "Ah! Per l'ultima volta!" | — | ||
| 49-12 | Turandot: Act II, Scene I. "Olà, Pang! Olà, Pong!" | — | ||
| 49-13 | Turandot: Act II, Scene I. "Ho una casa nell'Honan" | — | ||
| 49-14 | Turandot: Act II, Scene I. "O mondo... O mondo..." | — | ||
| 49-15 | Turandot: Act II, Scene I. "Non v'è in China per nostra fortuna" | — | ||
| 49-16 | Turandot: Act II, Scene II. "Gravi, enormi ed imponenti" | — | ||
| 49-17 | Turandot: Act II, Scene II. "Un giuramento atroce mi costringe" | — | ||
| 49-18 | Turandot: Act II, Scene II. "Popolo di Pekino!" | — | ||
| 50-1 | Turandot: Act II, Scene II. "In questa Reggia" | — | ||
| 50-2 | Turandot: Act II, Scene II. "Straniero, ascolta" | — | ||
| 50-3 | Turandot: Act II, Scene II. "'Giuzza al pari di fiamma'" | — | ||
| 50-4 | Turandot: Act II, Scene II. "Gelo che ti dà foco" | — | ||
| 50-5 | Turandot: Act II, Scene II. "Figlio del Cielo!" | — | ||
| 50-6 | Turandot: Act II, Scene II. "Tre enigmi m'hai proposto" | — | ||
| 50-7 | Turandot: Act II, Scene II. "Ai tuoi piedi ci postriam" | — | ||
| 50-8 | Turandot: Act III, Scene I. "Così comanda Turandot" | — | ||
| 50-9 | Turandot: Act III, Scene I. "Nessun dorma!" | — | ||
| 50-10 | Turandot: Act III, Scene I. "Tu che guardi le stelle" | — | ||
| 50-11 | Turandot: Act III, Scene I. "Straniero, tu non sai" | — | ||
| 50-12 | Turandot: Act III, Scene I. "Principessa divina!" | — | ||
| 50-13 | Turandot: Act III, Scene I. "Chi pose tanta forza" | — | ||
| 50-14 | Turandot: Act III, Scene I. "Tu che di gel sei cinta" (Death of Liù) | — | ||
| 50-15 | Turandot: Act III, Scene I. "Ah! Tu sei morta" | — | ||
| 50-16 | Turandot: Act III, Scene I. "Principessa di morte!" | — | ||
| 50-17 | Turandot: Act III, Scene I. "Che è mai di me?" | — | ||
| 50-18 | Turandot: Act III, Scene I. "Del primo pianto" | — | ||
| 50-19 | Turandot: Act III, Scene II. "Diecimila anni" | — | ||
| 51-1 | "SYMPHONY NO. 8 IN B MINOR, D. 759 ""UNFINISHED"": I. ALLEGRO MODERATO (REDBOOK STEREO)" | Boston Symphony Orchestra, Charles Munch | — | |
| 51-2 | II. ANDANTE CON MOTO | Boston Symphony Orchestra, Charles Munch | — | |
| 51-3 | "SYMPHONY NO. 9 IN C MAJOR, D.944 ""THE GREAT"": I. ANDANTE - ALLEGRO MA NON TROPPO" | Boston Symphony Orchestra, Charles Munch | — | |
| 51-4 | II. ANDANTE CON MOTO | Boston Symphony Orchestra, Charles Munch | — | |
| 51-5 | "SYMPHONY NO. 9 IN C MAJOR, D.944 ""THE GREAT"": III. SCHERZO - ALLEGRO VIVACE" | Boston Symphony Orchestra, Charles Munch | — | |
| 51-6 | "SYMPHONY NO. 9 IN C MAJOR, D. 944 (""THE GREAT""),: IV. FINALE - ALLEGRO VIVACE (REDBOOK STEREO)" | Boston Symphony Orchestra, Charles Munch | — | |
| 52-1 | Don Quizote, op. 35: Introduction | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-2 | Don Quizote, op. 35: Theme: Don Quixote, the Knight of the Sorrowful Countenance | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-3 | Don Quizote, op. 35: Sancho Panza | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-4 | Don Quizote, op. 35: Variation I. The Adventure With the Windmills | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-5 | Don Quizote, op. 35: Variation II. The Battle With the Sheep | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-6 | Don Quizote, op. 35: Variation III. Dialogue of Knight and Squire | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-7 | Don Quizote, op. 35: Variation IV. The Adventure With the Penitents | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-8 | Don Quizote, op. 35: Variation V. The Knight’s Vigil | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-9 | Don Quizote, op. 35: Variation VI. The False Dulcinea | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-10 | Don Quizote, op. 35: Variation VII. The Ride Through the Air | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-11 | Don Quizote, op. 35: Variation VIII. The Adventure With the Enchanted Boat | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-12 | Don Quizote, op. 35: Variation IX. The Combat With the Two Magicians | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-13 | Don Quizote, op. 35: Variation X. The Defeat of Don Quixote by the Knight of the White Moon | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-14 | Don Quizote, op. 35: Finale. The Death of Don Quixote | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 52-15 | Don Juan, op. 20 | Chicago Symphony Orchestra, Fritz Reiner | T-801.916.776-2 | |
| 53-1 | Concerto for Two Violins in D minor, BWV 1043: I. Vivace | Erick Friedman, Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 53-2 | Concerto for Two Violins in D minor, BWV 1043: II. Largo ma non tanto | Jascha Heifetz, Erick Friedman, New Symphony Orchestra of London, Sir Malcolm Sargent | T-106.677.153-5 | |
| 53-3 | Concerto for Two Violins in D minor, BWV 1043: III. Allegro | Jascha Heifetz, Erick Friedman, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 53-4 | Sinfonia Concertante in E-flat major, KV. 364: I. Allegro maestoso | Jascha Heifetz, William Primrose, RCA Victor Symphony Orchestra, Izler Solomon | T-913.521.687-4 | |
| 53-5 | Sinfonia Concertante in E-flat major, KV. 364: II. Andante | Jascha Heifetz, William Primrose, RCA Victor Symphony Orchestra, Izler Solomon | T-010.194.421-1 | |
| 53-6 | Sinfonia Concertante in E-flat major, KV. 364: III. Presto | Jascha Heifetz, William Primrose, RCA Victor Symphony Orchestra, Izler Solomon | — | |
| 53-7 | Concerto for Violin and Cello in A minor, op. 102: I. Allegro | Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein | T-905.049.604-3 | |
| 53-8 | Concerto for Violin and Cello in A minor, op. 102: II. Andante | Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein | T-917.685.925-9 | |
| 53-9 | Concerto for Violin and Cello in A minor, op. 102: III. Vivace non troppo | Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein | — | |
| 54-1 | Chôros No. 1 | — | ||
| 54-2 | Étude in E minor | — | ||
| 54-3 | Madroños | — | ||
| 54-4 | Homenaje a Tárrega, Op. 69: I. Garrotín | — | ||
| 54-5 | Homenaje a Tárrega, Op. 69: II. Soleares | — | ||
| 54-6 | Prelude in E minor | — | ||
| 54-7 | Suite española, Op. 47: I. Granada | — | ||
| 54-8 | Suite española, Op. 47: I. Leyenda | — | ||
| 54-9 | Homenaje (Pour le tombeau de Debussy) | — | ||
| 54-10 | Canciones populares catalanas: El testament d’Amelia | — | ||
| 54-11 | Fandanguillo | — | ||
| 55-1 | El amor brujo: I. Introducción y Escena | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-2 | El amor brujo: II. En la cueva: La noche | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-3 | El amor brujo: III. Canción del amor dolido | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-4 | El amor brujo: IV. El aparecido | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-5 | El amor brujo: V. Danza del terror | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-6 | El amor brujo: VI. El círculo mágico | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-7 | El amor brujo: VII. A media noche: Los sortilegios | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-8 | El amor brujo: VIII. Danza ritual del fuego: Para ahuyentar los malos espíritus | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-9 | El amor brujo: IX. Escena | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-10 | El amor brujo: X. Canción del fuego fatuo | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-11 | El amor brujo: XI. Pamtomima | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-12 | El amor brujo: XII. Danza del juego de amor | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-13 | El amor brujo: XIII. Final. Las campanas | Leontyne Price, Chicago Symphony Orchestra, Fritz Reiner | T-041.489.063-3 | |
| 55-14 | The Three-Cornered Hat: The Neighbors’ Dance | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 55-15 | The Three-Cornered Hat: The Miller’s Dance | Chicago Symphony Orchestra, Fritz Reiner | T-041.489.062-2 | |
| 55-16 | The Three-Cornered Hat: Final Dance | Chicago Symphony Orchestra, Fritz Reiner | T-041.489.062-2 | |
| 55-17 | La vida breve: Interlude | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 55-18 | La vida breve: Dance | Chicago Symphony Orchestra, Fritz Reiner | T-041.489.074-6 | |
| 55-19 | Iberia, Book 2: Triana | Chicago Symphony Orchestra, Fritz Reiner | T-041.538.731-3 | |
| 55-20 | Goyescas: Intermezzo | Chicago Symphony Orchestra, Fritz Reiner | T-041.950.835-2 | |
| 55-21 | Iberia, Book 1: Fête-Dieu à Seville | Chicago Symphony Orchestra, Fritz Reiner | T-041.538.731-3 | |
| 55-22 | Iberia, Book 4: Navarra | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 56-1 | Concerto no. 2 in G minor, op. 22: I. Andante sostenuto | — | ||
| 56-2 | Concerto no. 2 in G minor, op. 22: II. Allegro scherzando | — | ||
| 56-3 | Concerto no. 2 in G minor, op. 22: III. Presto | — | ||
| 56-4 | Symphonic Variations: I. Poco allegro | — | ||
| 56-5 | Symphonic Variations: II. Allegro non troppo | — | ||
| 56-6 | Concerto no. 1 in E-flat: I. Allegro maestoso | — | ||
| 56-7 | Concerto no. 1 in E-flat: II. Quasi adagio | — | ||
| 56-8 | Concerto no. 1 in E-flat: III. Allegretto vivace | — | ||
| 56-9 | Concerto no. 1 in E-flat: IV. Allegro maziale animato | — | ||
| 57-1 | Harold en Italie, op. 16: I. Harold aux montagnes | — | ||
| 57-2 | Harold en Italie, op. 16: II. Marche des pèlerins | — | ||
| 57-3 | Harold en Italie, op. 16: III. Serenade | — | ||
| 57-4 | Harold en Italie, op. 16: IV. Orgie des brigands | — | ||
| 57-5 | Overture from Béatrice et Bénédict | — | ||
| 57-6 | Overture from Le Corsaire, op. 21 | — | ||
| 57-7 | Overture from Benvenuto Cellini, op. 23 | — | ||
| 57-8 | Overture from Le carnaval romain, op. 9 | — | ||
| 58-1 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | Richard Lewis, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 58-2 | Das Lied von der Erde: II. Der Einsame im Herbst | Maureen Forrester, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 58-3 | Das Lied von der Erde: III. Von der Jugend | Richard Lewis, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 58-4 | Das Lied von der Erde: IV. Von der Schönheit | Maureen Forrester, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 58-5 | Das Lied von der Erde: V. Der Trunkene im Frühling | Richard Lewis, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 58-6 | Das Lied von der Erde: VI. Der Abschied | Maureen Forrester, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-1 | Symphonia Domestica, op. 53: I. Bewegt | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-2 | Symphonia domestica, op. 53: II. Scherzo | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-3 | Symphonia domestica, op. 53: III. Wiegenlied / Cradle song | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-4 | Symphonia domestica, op. 53: IV. Adagio | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-5 | Symphonia domestica, op. 53: V. Finale | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-6 | Le Bourgeois Gentilhomme Suite: Overture | Chicago Symphony Orchestra, Fritz Reiner | T-070.160.184-4 | |
| 59-7 | Le Bourgeois Gentilhomme Suite: Minuet | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-8 | Le Bourgeois Gentilhomme Suite: The Fencing Master | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-9 | Le Bourgeois Gentilhomme Suite: Entrance and Dance of the Tailors | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-10 | Le Bourgeois Gentilhomme Suite: Entrance of Clionte | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-11 | Le Bourgeois Gentilhomme Suite: Prelude to Act II (Intermezzo) | Chicago Symphony Orchestra, Fritz Reiner | — | |
| 59-12 | Le Bourgeois Gentilhomme Suite: The Dinner | Chicago Symphony Orchestra, Fritz Reiner | T-904.796.230-1 | |
| 60-1 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | T-909.264.262-1 | |
| 60-2 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | T-909.264.262-1 | |
| 60-3 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | T-909.264.262-1 | |
| 60-4 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 60-5 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 60-6 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo: Allegro | Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner | — |
