UPC · Release
Various Artists
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The UPC for “The 101 Most Essential Classical Music Pieces Ever” by Various Artists is 00028948070411. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-12-10. This release contains 101 tracks, each with its own ISRC. Tracks include GBF079110300, DEF058702301, NLA508804509.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Adagio for Strings, op. 11 | Baltimore Symphony Orchestra, David Zinman | T-070.000.199-5 | |
| 2 | Symphonie Nr. 5 c-moll, op. 67: I. Allegro con brio | Wiener Philharmoniker, Claudio Abbado | — | |
| 3 | Deux Arabesques L. 66: no. 1 Andante con moto | Zoltán Kocsis | T-003.041.969-2 | |
| 4 | The Ride of the Valkyries (Die Walküre) | London Symphony Orchestra, Leopold Stokowski | T-902.771.445-0 | |
| 5 | Variations on an Original Theme, op. 36 "Enigma": 9. Nimrod (Adagio) | Česká filharmonie, Leopold Stokowski | T-010.115.427-1 | |
| 6 | Canon in D major | Stuttgarter Chamber Orchestra, Karl Münchinger | T-923.834.635-5 | |
| 7 | Suite bergamasque: III. Clair de lune | London Philharmonic Orchestra, Bernard Herrmann | T-011.772.202-7 | |
| 8 | Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | Vladimir Ashkenazy | T-902.795.527-7 | |
| 9 | Peer Gynt, op. 23: Impressions du matin | San Francisco Symphony, Edo de Waart | — | |
| 10 | Gymnopédie no. 1 | Pascal Rogé | T-050.018.340-3 | |
| 11 | Liebestraum no. 3 in A-flat major, S. 541 no. 3 | Jorge Bolet | T-902.782.592-9 | |
| 12 | Toccata and Fugue in D minor, BWV 565 | Daniel Chorzempa | T-909.243.105-5 | |
| 13 | Swan Lake: Act II: no. 10: Scène (Moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 14 | Nocturne no. 2 in E-flat major, op. 9 no. 2 | Claudio Arrau | T-316.578.060-5 | |
| 15 | Rhapsodies, op. 79, no. 2 in G minor: Molto passionato, ma non troppo allegro | Wilhelm Kempff | T-920.065.990-1 | |
| 16 | The Nutcracker - Suite: Dance of the Sugar-Plum Fairy | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 17 | Variations on an Original Theme "Enigma", op. 36: Enigma: Andante | Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 18 | Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | T-004.938.007-5 | |
| 19 | An der schönen blauen Donau, op. 314 with chorus | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Willi Boskovsky | T-902.100.912-1 | |
| 20 | Zadok the Priest | Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks | T-900.138.712-8 | |
| 21 | The Flight Of The Bumble Bee From Rimsky-Korsakov "Scheherazade" | Vladimir Ashkenazy, Christopher Warren-Green, London Philharmonic Orchestra | T-902.799.920-8 | |
| 22 | Boléro | Boston Symphony Orchestra, Seiji Ozawa | T-003.006.377-4 | |
| 23 | Requiem, op. 48: Pie Jesu | Kiri Te Kanawa, Orchestre symphonique de Montréal, Charles Dutoit | T-010.065.879-4 | |
| 24 | Nabucco: “Va pensiero” (Chorus of the Hebrew Slaves) | Konzertvereinigung Wiener Staatsopernchor, Wiener Opernorchester, Lamberto Gardelli | T-900.021.750-5 | |
| 25 | Water Music: Suite I: Air | Concertgebouw Chamber Orchestra, Simon Preston | — | |
| 26 | Pavane, op. 50 | London Philharmonic Orchestra, Bernard Herrmann | T-909.340.218-7 | |
| 27 | Prélude à l’après-midi d’un faune | Timothy Hutchins, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 28 | Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — | |
| 29 | Adagio in G minor | Martin Haselböck, Stuttgarter Kammerorchester, Karl Münchinger | T-005.001.197-6 | |
| 30 | Pomp and Circumstance March no. 1 in D, op. 39 no. 1 | London Philharmonic Orchestra, Sir Georg Solti | — | |
| 31 | Lascia ch’io pianga (Rinaldo) | Bernadette Greevy, Academy of St Martin in the Fields, Raymond Leppard | T-911.383.839-4 | |
| 32 | Miserere mei | Saul Quirke, Westminster Cathedral Choir, Stephen Cleobury | T-900.079.512-0 | |
| 33 | Solomon, HWV 67: Arrival of the Queen of Sheba | The English Concert, Trevor Pinnock | T-011.174.209-6 | |
| 34 | Sonata for Piano no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto | Radu Lupu | — | |
| 35 | Concerto for Violin and Strings in F, op. 8 no. 3, RV. 293 "L'autunno": I. Allegro (Ballo, e canto de' villanelli) | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | T-902.836.120-8 | |
| 36 | Concerto for Violin and Strings in E, op. 8 no. 1, RV. 269 "La Primavera": I. Allegro | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | T-902.836.120-8 | |
| 37 | Concerto for Violin and Strings in E, op. 8 no. 1, RV. 269 "La Primavera": III. Allegro (Danza pastorale) | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 38 | Goldberg Variations in G major, BWV 988: XXXII. Aria | András Schiff | T-801.806.984-7 | |
| 39 | Also sprach Zarathustra, op. 30, TrV 176: Einleitung | Wiener Philharmoniker, Lorin Maazel | T-007.163.471-3 | |
| 40 | La Fille aux Cheveux de Lin (From 24 Preludes, L. 117) | Albrecht Mayer, Academy of St Martin in the Fields, Mathias Mönius | T-324.161.447-7 | |
| 41 | Il barbiere di Siviglia (Atto I): "Una voce poco fa" | Joan Sutherland, Welsh National Opera Orchestra, Richard Bonynge | — | |
| 42 | Carmina Burana: III. Cour d’amours: In trutina | Lynne Dawson, San Francisco Symphony, Herbert Blomstedt | — | |
| 43 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | London Philharmonic Orchestra, Sir Georg Solti | T-101.257.909-6 | |
| 44 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | I Musici | T-902.836.120-8 | |
| 45 | Children’s Corner: VI. Golliwogg’s Cakewalk | Pascal Rogé | — | |
| 46 | Peer Gynt: In the Hall of the Mountain King | San Francisco Symphony, Edo de Waart | T-902.775.232-5 | |
| 47 | Thaïs, Act II Scene 1: Méditation religieuse [excerpt] | Nicola Benedetti, London Symphony Orchestra, Daniel Harding | T-010.194.874-6 | |
| 48 | Il barbiere di Siviglia: Sinfonia (Ouverture) | London Symphony Orchestra, Claudio Abbado | T-306.482.271-1 | |
| 49 | Valse romantique | Jean-Yves Thibaudet | — | |
| 50 | Requiem in D minor, K. 626 (Beyer edition): IIIf. Sequenz: "Lacrimosa" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-312.941.278-4 | |
| 51 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro | Academy of St Martin in the Fields, Neville Marriner | — | |
| 52 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante | Academy of St Martin in the Fields, Neville Marriner | — | |
| 53 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro | Academy of St Martin in the Fields, Neville Marriner | — | |
| 54 | Piano Sonata in A major, K. 331: III. Rondo alla Turca | Allan Schiller | — | |
| 55 | Messiah, HWV 56: Part II. Chorus: “Hallelujah” | The John Alldis Choir, London Philharmonic Orchestra, Karl Richter | — | |
| 56 | Hungarian Dance no. 5 in G minor | Royal Philharmonic Orchestra, Walter Weller | T-902.753.155-1 | |
| 57 | Carmen: Habanera | Alexandre Lagoya, Academy of St Martin in the Fields, Kenneth Sillito | T-928.635.317-1 | |
| 58 | Orchestral Suite no. 3 in D major, BWV 1068: Air | Adolf Scherbaum, Münchener Bach-Orchester, Karl Richter | T-914.248.874-2 | |
| 59 | Le nozze di Figaro — Overture | London Philharmonic Orchestra, Sir Georg Solti | T-909.574.378-5 | |
| 60 | Jesu, Joy of Man's Desiring (arr. W.G. Whittaker) | Kirsten Flagstad, London Philharmonic Orchestra, Sir Adrian Boult | T-320.710.724-8 | |
| 61 | Messa da requiem: Dies Irae: Tuba mirum | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 62 | Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | — | |
| 63 | Slavonic Dance No 10 In E Minor,op 72 - 2 | Antonín Dvořák | — | |
| 64 | Vocalise, op. 34 no. 14 (arr. Zoltán Kocsis) | Vladimir Ashkenazy | T-900.222.366-7 | |
| 65 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo | Wiener Philharmoniker, Kirill Kondrashin | T-902.286.256-2 | |
| 66 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Vladimir Ashkenazy | — | |
| 67 | Ave Maria, D. 839 | Elly Ameling, Dalton Baldwin | — | |
| 68 | Dido's Lament: 'When I Am Laid in Earth' (From Dido and Aeneas) | Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | T-306.483.217-9 | |
| 69 | The Planets, op. 32: II. Venus, the Bringer of Peace | Wiener Philharmoniker, Herbert von Karajan | — | |
| 70 | Symphony no. 40 in G minor, K 550: I. Molto allegro | Concertgebouw Orchestra, Josef Krips | T-312.542.381-2 | |
| 71 | Pavane pour une infante defunte, M.19 | Albrecht Mayer, Academy of St Martin in the Fields, Mathias Mönius | T-003.013.767-7 | |
| 72 | String Serenade in E major, op. 22: I. Moderato | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 73 | 4 Impromptus, D899: No. 4 in A flat major: Allegretto | Mitsuko Uchida | T-001.444.317-4 | |
| 74 | Romeo & Juliet: Act I: Balcony scene | Royal Philharmonic Orchestra, Vladimir Ashkenazy | T-003.506.743-6 | |
| 75 | Rhapsody in Blue | André Previn, Pittsburgh Symphony Orchestra | T-010.244.926-2 | |
| 76 | Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — | |
| 77 | Mass in B minor: Credo: XVIII. Et resurrexit | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 78 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | — | |
| 79 | Symphonie Nr. 4 e-moll, op. 98: 1. Allegro non troppo | Berliner Philharmoniker, Herbert von Karajan | T-902.764.002-4 | |
| 80 | The Lark Ascending | Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 81 | Concierto de Aranjuez (2) | Pepe Romero, Christine Pendrill, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.061-1 | |
| 82 | Sospiri for Strings, Harp and Organ, op. 70 | Academy of St Martin in the Fields, Sir Neville Marriner | T-011.613.873-8 | |
| 83 | Le Carnaval des animaux: VII. Aquarium | Joseph Emil Villa, Patricia Prattis Jennings, Pittsburgh Symphony Orchestra, André Previn | T-004.976.716-9 | |
| 84 | Symphonie fantastique, op. 14: IV. Marche au supplice | Koninklijk Concertgebouworkest, Colin Davis | — | |
| 85 | Gianni Schicchi: “O mio babbino caro” | Renée Fleming, London Philharmonic Orchestra, Charles Mackerras | T-901.222.501-3 | |
| 86 | Trois Gnossiennes : I. Lent | Reinbert de Leeuw | T-003.010.023-2 | |
| 87 | Water Music: Suites II & III: Alla Hornpipe | Concertgebouw Chamber Orchestra, Simon Preston | T-905.384.308-6 | |
| 88 | The Hebrides, op. 26 (Fingal's Cave) | Berliner Philharmoniker, Herbert von Karajan | T-900.052.310-4 | |
| 89 | Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude | Pierre Fournier | — | |
| 90 | Elijah, op. 70: Part I, no. 1 Chorus "Help, Lord! Wilt Thou quite destroy us" (the people) | Edinburgh Festival Chorus, Orchestra of the Age of Enlightenment, Paul Daniel | — | |
| 91 | Cello Concerto in E minor, op. 85: 3. Adagio | Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | T-010.115.155-6 | |
| 92 | Le Carnaval des animaux: XIII. Le Cygne | Patricia Prattis Jennings, Anne Martindale Williams, Joseph Emil Villa | T-004.976.716-9 | |
| 93 | The Gadfly, op. 97: III. Youth (Romance) | Erez Ofer, The Philadelphia Orchestra, Riccardo Chailly | — | |
| 94 | Prince Igor: Polovtsian Dances and Chorus | London Symphony Orchestra Chorus, London Symphony Orchestra, Sir Georg Solti | — | |
| 95 | Romeo and Juliet: Dance of the Knights | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 96 | 6 Etudes d'exécution transcendante d'après Paganini, S. 140: No. 3. La Campanella | Jorge Bolet | T-060.294.330-5 | |
| 97 | Polonaise in C, op. 89 | Julius Katchen | — | |
| 98 | Ave Maria | José Carreras, Michael G. Gormley, Wiener Symphoniker, Uwe Christian Harrer | T-009.147.667-3 | |
| 99 | Music for a While, Z583 | Andreas Scholl | — | |
| 100 | Panis angelicus | Luciano Pavarotti, Wandsworth School Boys’ Choir, National Philharmonic Orchestra, Kurt Herbert Adler | T-900.016.711-3 | |
| 101 | 1812 Overture | St. Petersburg Chamber Choir, Leningrad Military Orchestra, St. Petersburg Philharmonic Orchestra, Vladimir Ashkenazy | — |
Identifier Graph
00028948070411 is a Universal Product Code (UPC) assigned to The 101 Most Essential Classical Music Pieces Ever by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 101 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — |
| Rigoletto: Atto III. “La donna è mobile” | Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | T-318.237.508-8 |
| Symphony no. 7 in A major, op. 92: II. Allegretto | Berliner Philharmoniker, Herbert von Karajan | T-071.481.827-5 |
| Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | T-910.932.757-3 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
| Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | — |
| Swan Lake: Act II: no. 14: Scène (Moderato) | National Philharmonic Orchestra, Richard Bonynge | — |
| Sospiri for Strings, Harp and Organ, op. 70 | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Panis angelicus | Luciano Pavarotti, Wandsworth School Boys’ Choir, National Philharmonic Orchestra, Kurt Herbert Adler | — |
| Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | Vladimir Ashkenazy | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The 101 Most Essential Classical Music Pieces Ever” by Various Artists is 00028948070411. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-12-10. This release contains 101 tracks, each with its own ISRC. Tracks include GBF079110300, DEF058702301, NLA508804509.
