UPC · Album
Dies Irae: The Essential Choral Collection
Various Artists
028945719627
30 tracksReleased 1999-01-01Deutsche Grammophon
Last verified:
028945719627 is the Universal Product Code (UPC barcode) for the release “Dies Irae: The Essential Choral Collection” by Various Artists, released 1999-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC. Tracks include DEF056130601, DEF056430613, DEF056730100.
Format
0Number system
28945Manufacturer
71962Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCDies Irae: The Essential Choral Collection
ISRC21 recordings
ISWC13 works
IPI1 songwriter
Track List (21)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Magnificat in D major, BWV 243: Chorus: "Magnificat" | Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | DEF056130601 |
| Die Zauberflöte: Act II. Nr. 18 Chor der Priester: »O Isis und Osiris« (Chor) | RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm | DEF056430613 |
| Carmina Burana: Blanziflor et Helena: Ave, formosissima | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | DEF056730100 |
| Carmina Burana: Fortuna imperatrix mundi: O Fortuna | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | DEF056730101 |
| Lohengrin: Bridal Chorus | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | DEF057131506 |
| Messiah, HWV 56: Part I. Chorus: “For unto us a Child is born” | The John Alldis Choir, London Philharmonic Orchestra, Karl Richter | DEF057230306 |
| Messiah, HWV 56: Part II. Chorus: “Hallelujah” | The John Alldis Choir, London Philharmonic Orchestra, Karl Richter | DEF057230313 |
| Carmen : Acte III, Nº 25. Chœur et Scène « Les voici, voici le quadrille » (Chœur) | Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | DEF057730117 |
| Carmen : Acte III, Nº 25. Chœur et Scène « Les voici, voici le quadrille » (Chœur) | Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | DEF057730160 |
| Matthäus-Passion, BWV 244: Teil I, I. Coro "Kommt, ihr Töchter, helft mir klagen" - Corale "O Lamm Gottes, unschuldig" | Münchener Bach-Chor, Regensburger Domspatzen, Münchener Bach-Orchester, Karl Richter | DEF057930600 |
| Matthäus-Passion, BWV 244: Teil I, XVII. Corale "Ich will hier bei dir stehen" | Georg Ratzinger, Münchener Bach-Chor, Regensburger Domspatzen, Münchener Bach-Orchester, Karl Richter | DEF057930614 |
| Zadok the Priest | Choir of Westminster Abbey, Simon Preston, The English Concert, Trevor Pinnock | DEF058102550 |
| Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” (Anvil Chorus) | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | DEF058401710 |
| Aida: Coro e marcia trionfale “Gloria all’Egitto” | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | DEF058401720 |
| Requiem, op. 48: V. Agnus Dei “Agnus Dei, qui tollis peccata mundi” | Horst Neumann, Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | DEF058600846 |
| Pavane, op. 50 | John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | DEF058603510 |
| Peer Gynt, op. 23: 2. akt: I Dovregubbens hall | Gösta Ohlin, Gösta Ohlin's Vocal Ensemble, Pro Musica Chamber Choir, Tor Stokke, Gothenburg Symphony Orchestra, Neeme Järvi | DEF058730002 |
| Gloria, RV 589: Gloria in excelsis Deo | The English Concert Choir, David Reichenberg, Crispian Steele-Perkins, The English Concert, Trevor Pinnock | DEF058730201 |
| Madama Butterfly: Atto II. Coro a bocca chiusa | John McCarthy, Ambrosian Opera Chorus, Philharmonia Orchestra, Giuseppe Sinopoli | DEF058730613 |
| Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum | Monteverdi Choir, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | DEF058930601 |
| I Vow to Thee, My Country | [unknown] | NLA509609404 |
Magnificat in D major, BWV 243: Chorus: "Magnificat"
Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor
Die Zauberflöte: Act II. Nr. 18 Chor der Priester: »O Isis und Osiris« (Chor)
RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm
Carmina Burana: Blanziflor et Helena: Ave, formosissima
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum
Carmina Burana: Fortuna imperatrix mundi: O Fortuna
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum
Lohengrin: Bridal Chorus
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
Messiah, HWV 56: Part I. Chorus: “For unto us a Child is born”
The John Alldis Choir, London Philharmonic Orchestra, Karl Richter
Messiah, HWV 56: Part II. Chorus: “Hallelujah”
The John Alldis Choir, London Philharmonic Orchestra, Karl Richter
Carmen : Acte III, Nº 25. Chœur et Scène « Les voici, voici le quadrille » (Chœur)
Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Carmen : Acte III, Nº 25. Chœur et Scène « Les voici, voici le quadrille » (Chœur)
Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
Matthäus-Passion, BWV 244: Teil I, I. Coro "Kommt, ihr Töchter, helft mir klagen" - Corale "O Lamm Gottes, unschuldig"
Münchener Bach-Chor, Regensburger Domspatzen, Münchener Bach-Orchester, Karl Richter
Matthäus-Passion, BWV 244: Teil I, XVII. Corale "Ich will hier bei dir stehen"
Georg Ratzinger, Münchener Bach-Chor, Regensburger Domspatzen, Münchener Bach-Orchester, Karl Richter
Zadok the Priest
Choir of Westminster Abbey, Simon Preston, The English Concert, Trevor Pinnock
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” (Anvil Chorus)
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
Aida: Coro e marcia trionfale “Gloria all’Egitto”
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
Requiem, op. 48: V. Agnus Dei “Agnus Dei, qui tollis peccata mundi”
Horst Neumann, Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini
Pavane, op. 50
John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
Gösta Ohlin, Gösta Ohlin's Vocal Ensemble, Pro Musica Chamber Choir, Tor Stokke, Gothenburg Symphony Orchestra, Neeme Järvi
Gloria, RV 589: Gloria in excelsis Deo
The English Concert Choir, David Reichenberg, Crispian Steele-Perkins, The English Concert, Trevor Pinnock
Madama Butterfly: Atto II. Coro a bocca chiusa
John McCarthy, Ambrosian Opera Chorus, Philharmonia Orchestra, Giuseppe Sinopoli
Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum
Monteverdi Choir, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
I Vow to Thee, My Country
[unknown]
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
People also ask
SourcesMusicBrainzNotesDiscogs3 sources
What is UPC 028945719627?
028945719627 is a Universal Product Code (UPC) assigned to Dies Irae: The Essential Choral Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 30 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm