UPC · Album
The Voice of Mozart
Wolfgang Amadeus Mozart
028947050520
38 tracksReleased 2002-01-01Decca
Last verified:
028947050520 is the Universal Product Code (UPC barcode) for the release “The Voice of Mozart” by Wolfgang Amadeus Mozart, released 2002-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC. Tracks include GBF076140413, GBF076211040, GBF078110060.
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05052Product
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UPCThe Voice of Mozart
ISRC44 recordings
ISWC19 works
Track List (44)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Motet for Soprano & Orchestra in F major, K. 158a/165: IV. “Alleluja” | Leontyne Price, Vienna Philharmonic Orchestra, Herbert von Karajan | GBF076140413 |
| Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) | Teresa Berganza | GBF076211040 |
| Le nozze di Figaro, K. 492: Act II: "Voi che sapete" | Frederica von Stade, London Philharmonic Orchestra, Sir Georg Solti | GBF078110060 |
| Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro) | Samuel Ramey, London Philharmonic Orchestra, Sir Georg Solti | GBF078111980 |
| Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro) | Samuel Ramey, London Philharmonic Orchestra, Sir Georg Solti | GBF078130109 |
| Die Entführung aus dem Serail, K. 384: Act II, Scene VI. No. 12 Aria "Welche Wonne, welche Lust" (Blonde) | Kathleen Battle | GBF078511180 |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie" | Arleen Augér, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | GBF078841801 |
| Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis" | John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | GBF078841802 |
| Le nozze di Figaro: “Deh vieni, non tardar” | Cecilia Bartoli, Wiener Kammerorchester, György Fischer | GBF078911930 |
| Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello) | Gilles Cachemaille | GBF078941402 |
| Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira) | Della Jones | GBF078941417 |
| Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello) | Kristinn Sigmundsson | GBF078941457 |
| Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: V. “Laudate dominum” | Emma Kirkby, Choir Of Winchester Cathedral, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | GBF079011085 |
| Ave verum corpus, K 618 | Choir of King’s College, Cambridge, James Vivian, Stephen Cleobury | GBF079612470 |
| Don Giovanni, ossia Il dissoluto punito, K. 527, no. 11: “Fin ch’han dal vino” | Bryn Terfel, London Philharmonic Orchestra, Sir Georg Solti | GBF079643422 |
| The Magic Flute - Pa-Pa-Pa-Pa-Pa-Pa-Papagena! | Cecilia Bartoli, Bryn Terfel, Orchestra dell’Accademia Nazionale di Santa Cecilia, Myun-Whun Chung | GBF079813250 |
| Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) | Wladimiro Ganzarolli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | NLA507300797 |
| Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] | Stuart Burrows, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | NLA507300808 |
| Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) | Stuart Burrows, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | NLA507300829 |
| Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] | Kiri Te Kanawa, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | NLA507300831 |
| Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni) | Ingvar Wixell, Royal Opera Orchestra, Sir Colin Davis | NLA507301112 |
| La clemenza di Tito: Atto I. No. 7 Duetto “Ah perdona al primo affetto” | Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | NLA507600286 |
| Die Alte, KV 517 | Elly Ameling, Dalton Baldwin | NLA507622103 |
| Das Kinderspiel, KV 598 | Elly Ameling, Dalton Baldwin | NLA507622117 |
| Die Zauberflöte, K. 620: Act I, Scene II. No. 2 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno) | Mikael Melbye, Staatskapelle Dresden, Sir Colin Davis | NLA508300103 |
| Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino) | Peter Schreier, Staatskapelle Dresden, Sir Colin Davis | NLA508300105 |
| Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | Chor der Staatsoper Dresden, Luciana Serra, Staatskapelle Dresden, Sir Colin Davis | NLA508300123 |
| Die Zauberflöte, K. 620: Act I, Scene II. No. 2 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno) | Mikael Melbye, Staatskapelle Dresden, Sir Colin Davis | NLA508300165 |
| Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino) | Peter Schreier, Staatskapelle Dresden, Sir Colin Davis | NLA508300166 |
| Die Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus "O Isis und Osiris!" (Sarastro) | Kurt Moll, Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Colin Davis | NLA508300177 |
| Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | Chor der Staatsoper Dresden, Luciana Serra, Staatskapelle Dresden, Sir Colin Davis | NLA508300181 |
| The Marriage of Figaro - Se vuol ballare, signor Contino | José van Dam | NLA508400163 |
| Le Nozze di Figaro: Che soave zeffiretto | Barbara Hendricks, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508400173 |
| Le Nozze di Figaro: Che soave zeffiretto | Barbara Hendricks, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508400178 |
| Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso) | Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508720350 |
| Cosi fan tutte, K.588 | Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508720354 |
| Aria for Soprano & Orchestra in B-flat major, K. 317b/146: "Kommet her, ihr frechen Sünder" | Ann Murray, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | NLA508721617 |
| Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta) | Angela Maria Blasi, John Constable, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508840121 |
| Requiem in D minor, K 626 | Academy of St Martin in the Fields | NLA508902601 |
| Requiem in D minor, K. 626: 3. Sequentia: Dies irae | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508902603 |
| Requiem in D minor, K. 626: 3. Sequentia: Tuba mirum | Sylvia McNair, Carolyn Watkinson, Francisco Araiza, Robert Lloyd, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508902604 |
| Requiem in D minor, K. 626: 3. Sequentia: Confutatis | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508902607 |
| Requiem in D minor, K. 626: 3. Sequentia: Lacrimosa | László Heltay, Francisco Araiza, Robert Lloyd, Sylvia McNair, Carolyn Watkinson, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508902608 |
| Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia) | Barbara Hendricks, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | NLA509000720 |
Motet for Soprano & Orchestra in F major, K. 158a/165: IV. “Alleluja”
Leontyne Price, Vienna Philharmonic Orchestra, Herbert von Karajan
Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino)
Teresa Berganza
Le nozze di Figaro, K. 492: Act II: "Voi che sapete"
Frederica von Stade, London Philharmonic Orchestra, Sir Georg Solti
Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro)
Samuel Ramey, London Philharmonic Orchestra, Sir Georg Solti
Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro)
Samuel Ramey, London Philharmonic Orchestra, Sir Georg Solti
Die Entführung aus dem Serail, K. 384: Act II, Scene VI. No. 12 Aria "Welche Wonne, welche Lust" (Blonde)
Kathleen Battle
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie"
Arleen Augér, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis"
John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood
Le nozze di Figaro: “Deh vieni, non tardar”
Cecilia Bartoli, Wiener Kammerorchester, György Fischer
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello)
Gilles Cachemaille
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira)
Della Jones
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello)
Kristinn Sigmundsson
Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: V. “Laudate dominum”
Emma Kirkby, Choir Of Winchester Cathedral, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood
Ave verum corpus, K 618
Choir of King’s College, Cambridge, James Vivian, Stephen Cleobury
Don Giovanni, ossia Il dissoluto punito, K. 527, no. 11: “Fin ch’han dal vino”
Bryn Terfel, London Philharmonic Orchestra, Sir Georg Solti
The Magic Flute - Pa-Pa-Pa-Pa-Pa-Pa-Papagena!
Cecilia Bartoli, Bryn Terfel, Orchestra dell’Accademia Nazionale di Santa Cecilia, Myun-Whun Chung
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello)
Wladimiro Ganzarolli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
Stuart Burrows, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio)
Stuart Burrows, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2]
Kiri Te Kanawa, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni)
Ingvar Wixell, Royal Opera Orchestra, Sir Colin Davis
La clemenza di Tito: Atto I. No. 7 Duetto “Ah perdona al primo affetto”
Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Die Alte, KV 517
Elly Ameling, Dalton Baldwin
Das Kinderspiel, KV 598
Elly Ameling, Dalton Baldwin
Die Zauberflöte, K. 620: Act I, Scene II. No. 2 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
Mikael Melbye, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino)
Peter Schreier, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
Chor der Staatsoper Dresden, Luciana Serra, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act I, Scene II. No. 2 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
Mikael Melbye, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino)
Peter Schreier, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus "O Isis und Osiris!" (Sarastro)
Kurt Moll, Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
Chor der Staatsoper Dresden, Luciana Serra, Staatskapelle Dresden, Sir Colin Davis
The Marriage of Figaro - Se vuol ballare, signor Contino
José van Dam
Le Nozze di Figaro: Che soave zeffiretto
Barbara Hendricks, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner
Le Nozze di Figaro: Che soave zeffiretto
Barbara Hendricks, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner
Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso)
Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
Cosi fan tutte, K.588
Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
Aria for Soprano & Orchestra in B-flat major, K. 317b/146: "Kommet her, ihr frechen Sünder"
Ann Murray, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner
Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta)
Angela Maria Blasi, John Constable, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K 626
Academy of St Martin in the Fields
Requiem in D minor, K. 626: 3. Sequentia: Dies irae
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K. 626: 3. Sequentia: Tuba mirum
Sylvia McNair, Carolyn Watkinson, Francisco Araiza, Robert Lloyd, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K. 626: 3. Sequentia: Confutatis
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K. 626: 3. Sequentia: Lacrimosa
László Heltay, Francisco Araiza, Robert Lloyd, Sylvia McNair, Carolyn Watkinson, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia)
Barbara Hendricks, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis
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What is UPC 028947050520?
028947050520 is a Universal Product Code (UPC) assigned to The Voice of Mozart by Wolfgang Amadeus Mozart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 38 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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