UPC · Release
The Voice of Mozart
Wolfgang Amadeus Mozart
028947050520
38 tracksReleased 2002-01-01Decca
Last verified:
028947050520 is the Universal Product Code (UPC barcode) for the release “The Voice of Mozart” by Wolfgang Amadeus Mozart, released 2002-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC. Tracks include NLA508300103, NLA508300105, NLA508300123.
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28947Manufacturer
05052Product
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Credit Chain
UPCThe Voice of Mozart
ISRC38 recordings
ISWC19 works
Track List (38)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Die Zauberflöte, K. 620: Act I, Scene II. No. 2 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno) | Mikael Melbye, Staatskapelle Dresden, Sir Colin Davis | — | |
| 2 | Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino) | Peter Schreier, Staatskapelle Dresden, Sir Colin Davis | T3064830797 | |
| 3 | Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | Chor der Staatsoper Dresden, Luciana Serra, Staatskapelle Dresden, Sir Colin Davis | T-932637031-4 | |
| 4 | Die Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus "O Isis und Osiris!" (Sarastro) | Kurt Moll, Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Colin Davis | T0013215412 | |
| 5 | The Magic Flute - Pa-Pa-Pa-Pa-Pa-Pa-Papagena! | Cecilia Bartoli, Bryn Terfel, Orchestra dell’Accademia Nazionale di Santa Cecilia, Myun-Whun Chung | T-310922675-3 | |
| 6 | Die Entführung aus dem Serail, K. 384: Act II, Scene VI. No. 12 Aria "Welche Wonne, welche Lust" (Blonde) | Kathleen Battle | — | |
| 7 | Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta) | Angela Maria Blasi, John Constable, Academy of St Martin in the Fields, Sir Neville Marriner | T8013765953 | |
| 8 | Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia) | Barbara Hendricks, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | — | |
| 9 | Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso) | Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | T9025256488 | |
| 10 | La clemenza di Tito: Atto I. No. 7 Duetto “Ah perdona al primo affetto” | Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 11 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello) | Gilles Cachemaille | — | |
| 12 | Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) | Wladimiro Ganzarolli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | T-929621870-7 | |
| 13 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira) | Della Jones | T9107589991 | |
| 14 | Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] | Stuart Burrows, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | T3125423812 | |
| 15 | Don Giovanni, ossia Il dissoluto punito, K. 527, no. 11: “Fin ch’han dal vino” | Bryn Terfel, London Philharmonic Orchestra, Sir Georg Solti | T-010294039-5 | |
| 16 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni) | Ingvar Wixell, Royal Opera Orchestra, Sir Colin Davis | T3064830753 | |
| 17 | Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) | Stuart Burrows, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 18 | Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] | Kiri Te Kanawa, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 19 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello) | Kristinn Sigmundsson | — | |
| 2-1 | The Marriage of Figaro - Se vuol ballare, signor Contino | José van Dam | — | |
| 2-2 | Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) | Teresa Berganza | T9153100993 | |
| 2-3 | Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro) | Samuel Ramey, London Philharmonic Orchestra, Sir Georg Solti | T-009157866-3 | |
| 2-4 | Le nozze di Figaro, K. 492: Act II: "Voi che sapete" | Frederica von Stade, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 2-5 | Le Nozze di Figaro: Che soave zeffiretto | Barbara Hendricks, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-6 | Le nozze di Figaro: “Deh vieni, non tardar” | Cecilia Bartoli, Wiener Kammerorchester, György Fischer | T0014243709 | |
| 2-7 | Das Kinderspiel, KV 598 | Elly Ameling, Dalton Baldwin | — | |
| 2-8 | Die Alte, KV 517 | Elly Ameling, Dalton Baldwin | — | |
| 2-9 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie" | Arleen Augér, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | T-923240177-3 | |
| 2-10 | Aria for Soprano & Orchestra in B-flat major, K. 317b/146: "Kommet her, ihr frechen Sünder" | Ann Murray, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | — | |
| 2-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis" | John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | T3157811531 | |
| 2-12 | Ave verum corpus, K 618 | Choir of King’s College, Cambridge, James Vivian, Stephen Cleobury | — | |
| 2-13 | Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: V. “Laudate dominum” | Emma Kirkby, Choir Of Winchester Cathedral, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | — | |
| 2-14 | Motet for Soprano & Orchestra in F major, K. 158a/165: IV. “Alleluja” | Leontyne Price, Vienna Philharmonic Orchestra, Herbert von Karajan | T9054955598 | |
| 2-15 | Requiem in D minor, K 626 | Academy of St Martin in the Fields | T9053863426 | |
| 2-16 | Requiem in D minor, K. 626: 3. Sequentia: Dies irae | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-17 | Requiem in D minor, K. 626: 3. Sequentia: Tuba mirum | Sylvia McNair, Carolyn Watkinson, Francisco Araiza, Robert Lloyd, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-18 | Requiem in D minor, K. 626: 3. Sequentia: Confutatis | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-19 | Requiem in D minor, K. 626: 3. Sequentia: Lacrimosa | László Heltay, Francisco Araiza, Robert Lloyd, Sylvia McNair, Carolyn Watkinson, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-928328221-3 |
Die Zauberflöte, K. 620: Act I, Scene II. No. 2 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
Mikael Melbye, Staatskapelle Dresden, Sir Colin Davis
—
Peter Schreier, Staatskapelle Dresden, Sir Colin Davis
Chor der Staatsoper Dresden, Luciana Serra, Staatskapelle Dresden, Sir Colin Davis
Kurt Moll, Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Colin Davis
Cecilia Bartoli, Bryn Terfel, Orchestra dell’Accademia Nazionale di Santa Cecilia, Myun-Whun Chung
Die Entführung aus dem Serail, K. 384: Act II, Scene VI. No. 12 Aria "Welche Wonne, welche Lust" (Blonde)
Kathleen Battle
—
Angela Maria Blasi, John Constable, Academy of St Martin in the Fields, Sir Neville Marriner
Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia)
Barbara Hendricks, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis
—
Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
La clemenza di Tito: Atto I. No. 7 Duetto “Ah perdona al primo affetto”
Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello)
Gilles Cachemaille
—
Wladimiro Ganzarolli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Stuart Burrows, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Bryn Terfel, London Philharmonic Orchestra, Sir Georg Solti
Ingvar Wixell, Royal Opera Orchestra, Sir Colin Davis
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio)
Stuart Burrows, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2]
Kiri Te Kanawa, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello)
Kristinn Sigmundsson
—
The Marriage of Figaro - Se vuol ballare, signor Contino
José van Dam
—
Teresa Berganza
Samuel Ramey, London Philharmonic Orchestra, Sir Georg Solti
Le nozze di Figaro, K. 492: Act II: "Voi che sapete"
Frederica von Stade, London Philharmonic Orchestra, Sir Georg Solti
—
Le Nozze di Figaro: Che soave zeffiretto
Barbara Hendricks, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cecilia Bartoli, Wiener Kammerorchester, György Fischer
Das Kinderspiel, KV 598
Elly Ameling, Dalton Baldwin
—
Die Alte, KV 517
Elly Ameling, Dalton Baldwin
—
Arleen Augér, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood
Aria for Soprano & Orchestra in B-flat major, K. 317b/146: "Kommet her, ihr frechen Sünder"
Ann Murray, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner
—
John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood
Ave verum corpus, K 618
Choir of King’s College, Cambridge, James Vivian, Stephen Cleobury
—
Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: V. “Laudate dominum”
Emma Kirkby, Choir Of Winchester Cathedral, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood
—
Leontyne Price, Vienna Philharmonic Orchestra, Herbert von Karajan
Requiem in D minor, K. 626: 3. Sequentia: Dies irae
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Requiem in D minor, K. 626: 3. Sequentia: Tuba mirum
Sylvia McNair, Carolyn Watkinson, Francisco Araiza, Robert Lloyd, Academy of St Martin in the Fields, Sir Neville Marriner
—
Requiem in D minor, K. 626: 3. Sequentia: Confutatis
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
László Heltay, Francisco Araiza, Robert Lloyd, Sylvia McNair, Carolyn Watkinson, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro) | Samuel Ramey, London Philharmonic Orchestra, Sir Georg Solti | — |
| Die Zauberflöte, K. 620: Act I, Scene II. No. 2 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno) | Mikael Melbye, Staatskapelle Dresden, Sir Colin Davis | — |
| Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino) | Peter Schreier, Staatskapelle Dresden, Sir Colin Davis | — |
| Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | Chor der Staatsoper Dresden, Luciana Serra, Staatskapelle Dresden, Sir Colin Davis | — |
| Le Nozze di Figaro: Che soave zeffiretto | Barbara Hendricks, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Cosi fan tutte, K.588 | Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | T-902525648-8 |
Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro)
Samuel Ramey, London Philharmonic Orchestra, Sir Georg Solti
—
Die Zauberflöte, K. 620: Act I, Scene II. No. 2 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
Mikael Melbye, Staatskapelle Dresden, Sir Colin Davis
—
Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino)
Peter Schreier, Staatskapelle Dresden, Sir Colin Davis
—
Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
Chor der Staatsoper Dresden, Luciana Serra, Staatskapelle Dresden, Sir Colin Davis
—
Le Nozze di Figaro: Che soave zeffiretto
Barbara Hendricks, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner
—
Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
0000000055165073000000005518683500000000555245580000000073575236000000007360005900000000783951620000000081116101000000008169715300000000839566140000000105682897
+40 more
000000010662894800000001067034260000000107213701000000010854832700000001086641840000000108674980000000010869408400000001091009380000000109161028000000010937405800000001093804740000000109384141000000010944807X00000001096164590000000109645962000000011023199400000001103322690000000110640915000000011084445900000001108966540000000110928863000000011440352X000000011449951700000001145511860000000114554862000000011463785200000001147122500000000114714651000000011480250400000001161127260000000116279753000000011798471000000001181619860000000118272790000000011874411000000001188420870000000119352151000000011941043800000001194168800000000119456479
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What is UPC 028947050520?
028947050520 is a Universal Product Code (UPC) assigned to The Voice of Mozart by Wolfgang Amadeus Mozart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 38 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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