UPC · Release
Handel
Last verified:
The UPC for “The Masterworks” by Handel is 028947811909. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Decca. This release contains 578 tracks, each with its own ISRC. Tracks include GBF077110021, GBF077110022, GBF077110023.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Music for the Royal Fireworks, HWV 351: I. Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-009.030.807-8 | |
| 2 | Music for the Royal Fireworks, HWV 351: II. Bourrée | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3 | Music for the Royal Fireworks, HWV 351: III. La Paix | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4 | Music for the Royal Fireworks, HWV 351: IV. La Réjouissance | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5 | Music for the Royal Fireworks, HWV 351: V. Menuet | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6 | Water Music Suite in G major, HWV 350: I. Minuet and Trio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7 | Water Music Suite in G major, HWV 350: II. Rigaudon I and II | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8 | Water Music Suite in G major, HWV 350: III. Gigue | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9 | Water Music Suite in D major, HWV 349: I. Prelude | Academy of St Martin in the Fields, Sir Neville Marriner | T-900.798.614-3 | |
| 10 | Water Music Suite in D major, HWV 349: II. Hornpipe | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 11 | Water Music Suite in D major, HWV 349: III. Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | T-900.962.202-0 | |
| 12 | Water Music Suite in D major, HWV 349: IV. Lentement | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13 | Water Music Suite in D major, HWV 349: V. Bourrée | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.866.552-6 | |
| 14 | Water Music Suite in F major, HWV 348: I. Ouverture | Academy of St Martin in the Fields, Sir Neville Marriner | T-009.030.807-8 | |
| 15 | Water Music Suite in F major, HWV 348: II. Adagio e staccato | Academy of St Martin in the Fields, Sir Neville Marriner | T-318.588.465-1 | |
| 16 | Water Music Suite in F major, HWV 348: III. Hornpipe and Andante | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17 | Water Music Suite in F major, HWV 348: IV. Jig | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.177.116-7 | |
| 18 | Water Music Suite in F major, HWV 348: V. Air | Academy of St Martin in the Fields, Sir Neville Marriner | T-002.596.658-8 | |
| 19 | Water Music Suite in F major, HWV 348: VI. Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | T-011.781.858-2 | |
| 20 | Water Music Suite in F major, HWV 348: VII. Bourrée and Hornpipe | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 21 | Water Music Suite in F major, HWV 348: VIII. Gavotte | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-1 | Concerto grosso in G major, op. 6 no. 1, HWV 319 | Thurston Dart, Andrew Davis, Malcolm Latchem, Sir Neville Marriner, Academy of St Martin in the Fields | — | |
| 2-2 | Concerto grosso in F major, op. 6 no. 2, HWV 320 | Trevor Connah, Thurston Dart, Andrew Davis, Andrew McGee, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-3 | Concerto grosso in E minor, op. 6 no. 3, HWV 321 | Thurston Dart, Andrew Davis, Raymond Kennlyside, Hugh Maguire, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-4 | Concerto grosso in A minor, op. 6 no. 4, HWV 322 | Trevor Connah, Thurston Dart, Andrew Davis, Sir Neville Marriner, Academy of St Martin in the Fields | — | |
| 2-5 | Concerto grosso in D major, op. 6 no. 5, HWV 323 | Trevor Connah, Thurston Dart, Andrew Davis, Sir Neville Marriner, Academy of St Martin in the Fields | — | |
| 2-6 | Concerto grosso in G minor, op. 6 no. 6, HWV 324 | Trevor Connah, Thurston Dart, Andrew Davis, Sir Neville Marriner, Academy of St Martin in the Fields | — | |
| 3-1 | Concerto grosso in B-flat major, op. 6 no. 7, HWV 325 | Trevor Connah, Thurston Dart, Andrew Davis, Sir Neville Marriner, Academy of St Martin in the Fields | — | |
| 3-2 | Concerto grosso in C minor, op. 6 no. 8, HWV 326 | Trevor Connah, Thurston Dart, Andrew Davis, Alan Loveday, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-3 | Concerto grosso in F major, op. 6 no. 9, HWV 327 | Thurston Dart, Andrew Davis, Malcolm Latchem, Alan Loveday, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-4 | Concerto grosso in D minor, op. 6 no. 10, HWV 328 | Iona Brown, Thurston Dart, Andrew Davis, Malcolm Latchem, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-5 | Concerto grosso in A major, op. 6 no. 11, HWV 329 | Trevor Connah, Thurston Dart, Andrew Davis, Hugh Maguire, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-1 | Concerto grosso in B minor, op. 6 no. 12, HWV 330 | Academy of St Martin in the Fields, Neville Marriner | — | |
| 4-2 | Concerto Grosso in B-flat major, op. 3, no. 1, HWV 312 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-3 | Concerto Grosso in B-flat major, op. 3, no. 2, HWV 313 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-4 | Concerto grosso in G major, op. 3 no. 3, HWV 314 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-5 | Concerto grosso in F major, op. 3 no. 4, HWV 315 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-6 | Concerto Grosso in D minor, op. 3, no. 5, HWV 316 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-7 | Concerto Grosso in D major, op. 3, no. 6, HWV 317 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-1 | Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: I. Andante | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-2 | Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: II. Andante | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-3 | Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: III. Largo e piano | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-4 | Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: IV. Bourée: Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-5 | Organ Concerto in A major, op. 7 no. 2, HWV 307: I. Ouverture | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-6 | Organ Concerto in A major, op. 7 no. 2, HWV 307: II. A tempo ordinario | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-7 | Organ Concerto in A major, op. 7 no. 2, HWV 307: III. Adagio (organo ad libitum) | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-8 | Organ Concerto in A major, op. 7 no. 2, HWV 307: IV. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-9 | Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: I. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | T-070.161.055-0 | |
| 5-10 | Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: II. Adagio e fuga (organo ad libitum) | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | T-901.134.571-4 | |
| 5-11 | Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: III. Spiritoso | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-12 | Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: IV. Menuett | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-13 | Organ Concerto in D minor, op. 7 no. 4, HWV 309: I. Adagio | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-14 | Organ Concerto in D minor, op. 7 no. 4, HWV 309: II. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-15 | Organ Concerto in D minor, op. 7 no. 4, HWV 309: III. Adagio (organo ad libitum) | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-16 | Organ Concerto in D minor, op. 7 no. 4, HWV 309: IV. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-17 | Organ Concerto in G minor, op. 7 no. 5, HWV 310: I. Allegro ma non troppo, e staccato | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-18 | Organ Concerto in G minor, op. 7 no. 5, HWV 310: II. Andante larghetto, e staccato | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-19 | Organ Concerto in G minor, op. 7 no. 5, HWV 310: III. Menuett | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-1 | Organ Concerto in B-flat major, op. 7 no. 6, HWV 311: I. Pomposo | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-2 | Organ Concerto in B-flat major, op. 7 no. 6, HWV 311: II. A tempo ordinario | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-3 | Organ Concerto in G minor, op. 4 no. 1, HWV 289: I. Larghetto e staccato | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-4 | Organ Concerto in G minor, op. 4 no. 1, HWV 289: II. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-5 | Organ Concerto in G minor, op. 4 no. 1, HWV 289: III. Adagio - Andante | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-6 | Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: I. A tempo ordinario e staccato - Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-7 | Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: II. Adagio e staccato - Allegro ma non presto | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-8 | Organ Concerto in G minor, op. 4 no. 3, HWV 291: I. Adagio | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-9 | Organ Concerto in G minor, op. 4 no. 3, HWV 291: II. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-10 | Organ Concerto in G minor, op. 4 no. 3, HWV 291: III. Adagio - Gavotte - Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-11 | Organ Concerto in F major, op. 4 no. 4, HWV 292: [Introduction] | George Malcolm | — | |
| 6-12 | Organ Concerto in F major, op. 4 no. 4, HWV 292: I. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-13 | Organ Concerto in F major, op. 4 no. 4, HWV 292: II. Andante | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-14 | Organ Concerto in F major, op. 4 no. 4, HWV 292: III. Adagio - Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-15 | Organ Concerto in F major, op. 4 no. 5, HWV 293: I. Larghetto | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-16 | Organ Concerto in F major, op. 4 no. 5, HWV 293: II. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-17 | Organ Concerto in F major, op. 4 no. 5, HWV 293: III. Alla siciliana | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-18 | Organ Concerto in F major, op. 4 no. 5, HWV 293: IV. Presto | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | T-318.676.528-2 | |
| 6-19 | Organ Concerto in B flat major, op. 4 no. 6, HWV 294: I. Andante - Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-20 | Organ Concerto in B flat major, op. 4 no. 6, HWV 294: II. Larghetto | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-21 | Organ Concerto in B flat major, op. 4 no. 6, HWV 294: III. Allegro moderato | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | T-902.685.630-4 | |
| 7-1 | Sonata: Il Trionfo del Tempo e del Disinganno, HWV 46a | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-2 | Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": I. Larghetto | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-3 | Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": II. Allegro | — | ||
| 7-4 | Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": III. Organo ad libitum | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-5 | Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": IV. Larghetto | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-6 | Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": V. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-7 | Organ Concerto no. 14 in A major, HWV 296: I. Largo e staccato | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-8 | Organ Concerto no. 14 in A major, HWV 296: II. Organo ad libitum | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-9 | Organ Concerto no. 14 in A major, HWV 296: III. Andante | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-10 | Organ Concerto no. 14 in A major, HWV 296: IV. Grave | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-11 | Organ Concerto no. 14 in A major, HWV 296: V. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-12 | Organ Concerto no. 15 in D minor, HWV 304: I. Andante | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-13 | Organ Concerto no. 15 in D minor, HWV 304: II. (Organ adagio e fuga allegro) | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-14 | Organ Concerto no. 15 in D minor, HWV 304: III. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-15 | Organ Concerto no. 16 in F major, HWV 305: I. Ouverture | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | T-003.013.959-3 | |
| 7-16 | Organ Concerto no. 16 in F major, HWV 305: II. Allegro | — | ||
| 7-17 | Organ Concerto no. 16 in F major, HWV 305: III. Allegro ma non troppo | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-18 | Organ Concerto no. 16 in F major, HWV 305: IV. Adagio | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | T-318.676.528-2 | |
| 7-19 | Organ Concerto no. 16 in F major, HWV 305: V. Andante | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-20 | Organ Concerto no. 16 in F major, HWV 305: VI. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-21 | Oboe Concerto in B-flat major, op. 3 no. 1, HWV 301 | Roger Lord, Academy of St Martin in the Fields, Sir Neville Marriner | T-305.735.912-9 | |
| 7-22 | Oboe Concerto in B-flat major, op. 3 no. 2a, HWV 302a | Roger Lord, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-23 | Oboe Concerto: Fragment from op. 3, no. 2b | Roger Lord, Academy of St Martin in the Fields, Sir Neville Marriner | T-005.005.728-7 | |
| 8-1 | Oboe Concerto, op. 3, no. 3 in G minor, HWV 287 | Roger Lord, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-2 | Solomon, HWV 67: Act III. The Arrival of the Queen of Sheba | Academy of St Martin in the Fields, Sir Neville Marriner | T-011.174.209-6 | |
| 8-3 | Concerto grosso in C major, HWV 318 "Alexander's Feast": I. Allegro | Thurston Dart, Philomusica of London, Granville Jones | — | |
| 8-4 | Concerto grosso in C major, HWV 318 "Alexander's Feast": II. Adagio | Thurston Dart, Philomusica of London, Granville Jones | — | |
| 8-5 | Concerto grosso in C major, HWV 318 "Alexander's Feast": III. Allegro | Thurston Dart, Philomusica of London, Granville Jones | — | |
| 8-6 | Concerto grosso in C major, HWV 318 "Alexander's Feast": IV. Andante, non presto | Thurston Dart, Philomusica of London, Granville Jones | — | |
| 8-7 | Concerto a due cori No. 1, HWV 332: I. Ouverture | Academy of Ancient Music, Christopher Hogwood | T-009.030.807-8 | |
| 8-8 | Concerto a due cori No. 1, HWV 332: II. Allegro ma non troppo | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-9 | Concerto a due cori, no. 1 in B-flat major, HWV 332: III. Allegro | — | ||
| 8-10 | Concerto a due cori No. 1, HWV 332: IV. Largo | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-11 | Concerto a due cori No. 1, HWV 332: V. A tempo ordinario | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-12 | Concerto a due cori No. 1, HWV 332: VI. Alla breve. Moderato | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-13 | Concerto a due cori No. 1, HWV 332: VII. Menuet. Allegro | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-14 | Concerto a due cori No. 2, HWV 333: I. Pomposo | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-15 | Concerto a due cori No. 2, HWV 333: II. Allegro | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-16 | Concerto a due cori No. 2, HWV 333: III. A tempo giusto | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-17 | Concerto a due cori No. 2, HWV 333: IV. Largo | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-18 | Concerto a due cori No. 2, HWV 333: V. Allegro ma non troppo - Adagio | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-19 | Concerto a due cori No. 2, HWV 333: VI. A tempo ordinario | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-20 | Concerto a due cori No. 3, HWV 334: I. Ouverture | Academy of Ancient Music, Christopher Hogwood | T-009.030.807-8 | |
| 8-21 | Concerto a due cori No. 3, HWV 334: IIa. Allegro | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-22 | Concerto a due cori No. 3, HWV 334: IIb. Allegro ma non troppo | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-23 | Concerto a due cori No. 3, HWV 334: III. Adagio | Academy of Ancient Music, Christopher Hogwood | T-003.055.867-8 | |
| 8-24 | Concerto a due cori No. 3, HWV 334: IV. Andante larghetto | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-25 | Concerto a due cori No. 3, HWV 334: V. Allegro | Academy of Ancient Music, Christopher Hogwood | — | |
| 9-1 | 6 Trio Sonatas, op. 2: no. 1 in B minor, HWV 386b: I. Andante - Adagio | — | ||
| 9-2 | 6 Trio Sonatas, op. 2: no. 1 in B minor, HWV 386b: II. Allegro ma non troppo | — | ||
| 9-3 | 6 Trio Sonatas, op. 2: no. 1 in B minor, HWV 386b: III. Largo | — | ||
| 9-4 | 6 Trio Sonatas, op. 2: no. 1 in B minor, HWV 386b: IV. Allegro | — | ||
| 9-5 | 6 Trio Sonatas, op. 2: no. 2 in G minor, HWV 387: I. Andante | — | ||
| 9-6 | 6 Trio Sonatas, op. 2: no. 2 in G minor, HWV 387: II. Allegro | — | ||
| 9-7 | 6 Trio Sonatas, op. 2: no. 2 in G minor, HWV 387: III. Largo | — | ||
| 9-8 | 6 Trio Sonatas, op. 2: no. 2 in G minor, HWV 387: IV. Allegro | — | ||
| 9-9 | 6 Trio Sonatas, op. 2: no. 3 in B-flat major, HWV 388: I. Andante - Adagio | — | ||
| 9-10 | 6 Trio Sonatas, op. 2: no. 3 in B-flat major, HWV 388: II. Allegro | — | ||
| 9-11 | 6 Trio Sonatas, op. 2: no. 3 in B-flat major, HWV 388: III. Larghetto | — | ||
| 9-12 | 6 Trio Sonatas, op. 2: no. 3 in B-flat major, HWV 388: IV. Allegro | — | ||
| 9-13 | 6 Trio Sonatas, op. 2: no. 4 in F major, HWV 389: I. Larghetto | — | ||
| 9-14 | 6 Trio Sonatas, op. 2: no. 4 in F major, HWV 389: II. Allegro | — | ||
| 9-15 | 6 Trio Sonatas, op. 2: no. 4 in F major, HWV 389: III. Adagio | — | ||
| 9-16 | 6 Trio Sonatas, op. 2: no. 4 in F major, HWV 389: IV. Allegro | — | ||
| 9-17 | 6 Trio Sonatas, op. 2: no. 4 in F major, HWV 389: V. Allegro | — | ||
| 10-1 | 6 Trio Sonatas, op. 2: no. 5 in G minor, HWV 390a: I. Larghetto - Adagio | — | ||
| 10-2 | 6 Trio Sonatas, op. 2: no. 5 in G minor, HWV 390a: II. Allegro | — | ||
| 10-3 | 6 Trio Sonatas, op. 2: no. 5 in G minor, HWV 390a: III. Adagio | — | ||
| 10-4 | 6 Trio Sonatas, op. 2: no. 5 in G minor, HWV 390a: IV. Allegro | — | ||
| 10-5 | 6 Trio Sonatas, op. 2: no. 6 in G minor, HWV 391: I. Andante - Allegro | — | ||
| 10-6 | 6 Trio Sonatas, op. 2: no. 6 in G minor, HWV 391: II. Arioso | — | ||
| 10-7 | 6 Trio Sonatas, op. 2: no. 6 in G minor, HWV 391: III. Allegro | — | ||
| 10-8 | Trio Sonata in F major, HWV 392: I. Andante | — | ||
| 10-9 | Trio Sonata in F major, HWV 392: II. Allegro | — | ||
| 10-10 | Trio Sonata in F major, HWV 392: III. Adagio | — | ||
| 10-11 | Trio Sonata in F major, HWV 392: IV. Allegro | — | ||
| 10-12 | Trio Sonata in G minor, HWV 393: I. Andante | — | ||
| 10-13 | Trio Sonata in G minor, HWV 393: II. Allegro | — | ||
| 10-14 | Trio Sonata in G minor, HWV 393: III. Largo | — | ||
| 10-15 | Trio Sonata in G minor, HWV 393: IV. Allegro | — | ||
| 11-1 | Sonata for flute and continuo in A minor, HWV 374: I. Adagio | Academy of St Martin in the Fields Chamber Ensemble | — | |
| 11-2 | Sonata for flute and continuo in A minor, HWV 374: II. Allegro | Academy of St Martin in the Fields Chamber Ensemble | — | |
| 11-3 | Sonata for flute and continuo in A minor, HWV 374: III. Adagio | Academy of St Martin in the Fields Chamber Ensemble | T-070.930.360-5 | |
| 11-4 | Sonata for flute and continuo in A minor, HWV 374: IV. Allegro | Academy of St Martin in the Fields Chamber Ensemble | T-318.676.528-2 | |
| 11-5 | Sonata for flute and continuo in E minor, HWV 375: I. Adagio | The Academy Chamber Ensemble | — | |
| 11-6 | Sonata for flute and continuo in E minor, HWV 375: II. Allegro | The Academy Chamber Ensemble | — | |
| 11-7 | Sonata for flute and continuo in E minor, HWV 375: III. Grave | The Academy Chamber Ensemble | — | |
| 11-8 | Sonata for flute and continuo in E minor, HWV 375: IV. Minuet | The Academy Chamber Ensemble | T-900.983.209-1 | |
| 11-9 | Sonata for flute and continuo in B minor, HWV 376: I. Adagio | The Academy Chamber Ensemble | — | |
| 11-10 | Sonata for flute and continuo in B minor, HWV 376: II. Allegro | The Academy Chamber Ensemble | — | |
| 11-11 | Sonata for flute and continuo in B minor, HWV 376: III. Largo | The Academy Chamber Ensemble | — | |
| 11-12 | Sonata for flute and continuo in B minor, HWV 376: IV. Allegro | The Academy Chamber Ensemble | — | |
| 11-13 | Sonata for flute and continuo in E minor, op. 1 no. 1a, HWV 379: I. Larghetto – Adagio | The Academy Chamber Ensemble | — | |
| 11-14 | Sonata for flute and continuo in E minor, op. 1 no. 1a, HWV 379: II. Andante | The Academy Chamber Ensemble | — | |
| 11-15 | Sonata for flute and continuo in E minor, op. 1 no. 1a, HWV 379: III. Largo | The Academy Chamber Ensemble | — | |
| 11-16 | Sonata for flute and continuo in E minor, op. 1 no. 1a, HWV 379: IV. Allegro | The Academy Chamber Ensemble | T-318.676.528-2 | |
| 11-17 | Sonata for flute and continuo in E minor, op. 1 no. 1a, HWV 379: V. Presto | The Academy Chamber Ensemble | — | |
| 11-18 | Sonata for flute and continuo in D major, HWV 378: I. Adagio | The Academy Chamber Ensemble | — | |
| 11-19 | Sonata for flute and continuo in D major, HWV 378: II. Allegro | The Academy Chamber Ensemble | — | |
| 11-20 | Sonata for flute and continuo in D major, HWV 378: III. Adagio | The Academy Chamber Ensemble | T-070.930.360-5 | |
| 11-21 | Sonata for flute and continuo in D major, HWV 378: IV. Allegro | The Academy Chamber Ensemble | — | |
| 12-1 | Messiah, Part 1: No. 1. Symphony | Academy of St Martin in the Fields, Sir Neville Marriner | T-800.132.125-2 | |
| 12-2 | Messiah, Part 1: Nos. 2-3. Recitative & Air Tenor. "Comfort ye my people... Every valley shall be exalted" | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-3 | Messiah, Part 1: No. 4. Chorus. "And the glory of the Lord" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-4 | Messiah, Part 1: Nos. 5-6. Recitative & Air bass. "Thus saith the Lord... But who may abide" | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-5 | Messiah, Part 1: No. 7. Chorus. "And he shall purify" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-6 | Messiah, Part 1: Nos. 8-9. Recitative & Air alto & Chorus. "Behold, a virgin shall conceive... O thou That tellest good tidings to Zion" | Academy of St. Martin in the Fields Chorus, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-7 | Messiah, Part 1: Nos. 10-11. Recitative & Air bass. "For behold, darkness shall cover the earth... The people that walked in darkness" | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-8 | Messiah: Part 1: No. 12. Chorus. "For unto us a child is born" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-9 | Messiah, Part 1: No. 13. Pifa | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-10 | Messiah, Part 1: Nos. 14-16. Recitative soprano. "There were shepherds, abiding in the field... And lo! the angel of the Lord come upon them... And the angel said unto them... And suddenly there was with the angel" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-11 | Messiah, Part 1: No. 17. Chorus. "Glory to God in the highest" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-12 | Messiah, Part 1: No. 18. Air soprano. "Rejoice greatly, O daughter of Zion" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-13 | Messiah, Part 1: Nos. 19-20. Recitative and Aria alto. "Then shall the eyes... He shall feed is flock" | Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-14 | Messiah, Part 1: No. 21. Chorus. "His yoke is easy" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-15 | Messiah, Part 2: No. 22. Chorus ."Behold the Lamb of God" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-901.234.397-4 | |
| 12-16 | Messiah, Part 2: No. 23. Air alto: He was despised" | Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-1 | Messiah, Part 2: No. 24. Chorus. "Surely he hath borne our griefs" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-2 | Messiah, Part 2: No. 25. Chorus. "And with his stripes" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-3 | Messiah, Part 2: No. 26. Chorus. "All we like sheep" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-4 | Messiah, Part 2: Nos. 27-28. Recitative tenor & Chorus. "All they that see him... He trusted in God" | Academy of St. Martin in the Fields Chorus, Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-5 | Messiah, Part 2: Nos. 29-30. Recitative & Arioso soprano. "Thy rebuke hath broken his heart... Behold and see" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-6 | Messiah, Part 2: Nos. 31-32. Recitative & Air tenor. "He was cut off out of the land of the living..." | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-7 | Messiah, Part 2: No. 33. Chorus. "Lift up you heads" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-900.154.357-3 | |
| 13-8 | Messiah, Part 2: Nos. 34-35. Recitative Tenor & Chorus. "Unto Which of the Angels..." | Academy of St. Martin in the Fields Chorus, Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-9 | Messiah, Part 2: No. 36. Air bass. "Thou art gone up on high" | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-10 | Messiah: Part 2, no. 37. Chorus “The Lord gave the Word” | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-700.077.972-8 | |
| 13-11 | Messiah, Part 2: No. 38. Duet Soprano & Alto, Chorus. "How Beautiful Are the Feet..." | Academy of St. Martin in the Fields Chorus, Elly Ameling, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-12 | Messiah, Part 2: No. 39. Arioso tenor. "Their sound is gone out" | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-13 | Messiah, Part 2: Nos. 40-41. Air bass & Chorus. "Why do the nations so furiously rage together..." | Academy of St. Martin in the Fields Chorus, Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-14 | Messiah, Part 2: Nos. 42-43. Recitative & Air tenor. "He that dwelleth in heaven..." | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-15 | Hallelujah Chorus (Messiah) | Academy of St Martin in the Fields Chorus, László Heltay, Academy of St Martin in the Fields, Sir Neville Marriner | T-060.898.099-9 | |
| 13-16 | Messiah, Part 3: No. 45. Air soprano: "I Know that my Redeemer liveth" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-17 | Messiah, Part 3: No. 46. Chorus. "Since by man came death" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-18 | Messiah, Part 3: Nos. 47-48. Recitative & Air bass. "Behold, I tell you a mystery..." | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-19 | Messiah, Part 3: Nos. 49-51. Recitative alto, Duet alto & tenor, Chorus. "Then shall be brougt to pass..." | Academy of St. Martin in the Fields Chorus, Philip Langridge, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-20 | Messiah, Part 3: No. 52. Air alto. "If God be for us" | Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | T-309.171.937-4 | |
| 13-21 | Messiah, Part 3: No. 53. Chorus. "Worthy is the Lamb... Amen" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-1 | Israel in Egypt: Part I, no. 1: Prelude | — | ||
| 14-2 | Israel in Egypt: Part I, no. 2: Chorus "The sons of Israel do mourn" | — | ||
| 14-3 | Israel in Egypt: Part I, no. 3: Chorus "He put on righteousness" | — | ||
| 14-4 | Israel in Egypt: Part I, no. 4: Quartet "When the ear heard him" (soprano I, alto I, tenor, bass I) | — | ||
| 14-5 | Israel in Egypt: Part I, no. 5: Chorus "How is the might fall'n" | — | ||
| 14-6 | Israel in Egypt: Part I, no. 6: Chorus "He deliver'd the poor" | — | ||
| 14-7 | Israel in Egypt: Part I, no. 7: Chorus "How is the might fall'n" | — | ||
| 14-8 | Israel in Egypt: Part I, no. 8: Quartet - Chorus "The righteous shall be had" (soprano I, alto I, tenor, bass I) | — | ||
| 14-9 | Israel in Egypt: Part I, no. 9: Chorus "Their bodies are buried in peace" | — | ||
| 14-10 | Israel in Egypt: Part I, no. 10: Chorus "The people will tell of their wisdom" | — | ||
| 14-11 | Israel in Egypt: Part I, no. 11: Quartet "They shall receive a glorious kingdom" (soprano I, alto I, tenor, bass I) | — | ||
| 14-12 | Israel in Egypt: Part I, no. 12: Chorus "The merciful goodness of the Lord" | — | ||
| 14-13 | Israel in Egypt: Part II, no. 1: Recitative "Now these arose a new king over Egypt" (tenor) | — | ||
| 14-14 | Israel in Egypt: Part II, no. 2: Chorus "And the children of Israel sighed" (with alto II) | — | ||
| 14-15 | Israel in Egypt: Part II, no. 3: Recitative "Then sent he Moses" (tenor) | — | ||
| 14-16 | Israel in Egypt: Part II, no. 4: Chorus "They loathed to drink of the river" | — | ||
| 14-17 | Israel in Egypt: Part II, no. 5: Air "Their land brought forth frogs" (alto I) | — | ||
| 14-18 | Israel in Egypt: Part II, no. 6: Chorus "He spake the word" | — | ||
| 14-19 | Israel in Egypt: Part II, no. 7: Chorus "He gave them hailstones for rain" | — | ||
| 14-20 | Israel in Egypt: Part II, no. 8: Chorus "He sent a thick darkness" | — | ||
| 14-21 | Israel in Egypt: Part II, no. 9: Chorus "He smote all the first-born of Egypt" | — | ||
| 14-22 | Israel in Egypt: Part II, no. 10: Chorus "But as for his people" | — | ||
| 14-23 | Israel in Egypt: Part II, no. 11: Chorus "Egypt was glad" | — | ||
| 14-24 | Israel in Egypt: Part II, no. 12: Chorus "He rebuked the Red Sea" | — | ||
| 14-25 | Israel in Egypt: Part II, no. 13: Chorus "He led them through the deep" | — | ||
| 14-26 | Israel in Egypt: Part II, no. 14: Chorus "But the waters overwhelmed their enemies" | — | ||
| 14-27 | Israel in Egypt: Part II, no. 15: Chorus "And Israel saw that great work" | — | ||
| 14-28 | Israel in Egypt: Part II, no. 16: Chorus "And believed the Lord" | — | ||
| 15-1 | Israel in Egypt: Part III, no. 17: Introitus (Chorus) "Moses and the children of Israel" | — | ||
| 15-2 | Israel in Egypt: Part III, no. 18: Chorus "I will sing unto the lord" | — | ||
| 15-3 | Israel in Egypt: Part III, no. 19: Duet "The Lord is my strength" (sopranos I & II) | — | ||
| 15-4 | Israel in Egypt: Part III, no. 20: Chorus "He is my god" / no. 21: Chorus "And I will exalt him" | — | ||
| 15-5 | Israel in Egypt: Part III, no. 22: Duet "The Lord is a man of war" (basses I & II) | — | ||
| 15-6 | Israel in Egypt: Part III, no. 23: Chorus "The depths have covered them" | — | ||
| 15-7 | Israel in Egypt: Part III, no. 24: Chorus "Thy right hand, o Lord" / no. 25: Chorus "And in the greatness" | — | ||
| 15-8 | Israel in Egypt: Part III: no. 26: Chorus "Thou sentest forth thy wrath" | — | ||
| 15-9 | Israel in Egypt: Part III, no. 27: Chorus "And with the blast of thy nostrils" | — | ||
| 15-10 | Israel in Egypt: Part III, no. 28: Air "The enemy said" (tenor) | — | ||
| 15-11 | Israel in Egypt: Part III, no. 29: Air "Thou didst blow with the wind" (soprano I) | — | ||
| 15-12 | Israel in Egypt: Part III, no. 30: Chorus "Who is like unto thee, o Lord" / no. 31: Chorus "The earth swallowed them" | — | ||
| 15-13 | Israel in Egypt: Part III, no. 32: Duet "Thou in thy mercy" (alto I, tenor) | — | ||
| 15-14 | Israel in Egypt: Part III, no. 33: Chorus "The people shall hear" | — | ||
| 15-15 | Israel in Egypt: Part III, no. 34: Air "Thou shalt bring them" (alto I) | — | ||
| 15-16 | Israel in Egypt: Part III, no. 35: Chorus "The Lord shall reign for ever and ever" | — | ||
| 15-17 | Israel in Egypt: Part III, no. 36: Recitative "For the horse of Pharaoh" (tenor) | — | ||
| 15-18 | Israel in Egypt: Part III, no. 37: Chorus "The Lord shall reign for ever and ever" | — | ||
| 15-19 | Israel in Egypt: Part III, no. 38: Recitative "And Miriam the prophetess (tenor) | — | ||
| 15-20 | Israel in Egypt: Part III, no. 39: Chorus "Sing ye to the Lord" (with soprano) | — | ||
| 16-1 | Zadok the Priest | Choir of Westminster Abbey, Simon Preston, The English Concert, Trevor Pinnock | T-900.138.712-8 | |
| 16-2 | The Anthems for the Coronation of King George II and Queen Caroline: II. The king shall rejoice, HWV 260 | — | ||
| 16-3 | The Anthems for the Coronation of King George II and Queen Caroline: III. My heart is inditing, HWV 261 | — | ||
| 16-4 | The Anthems for the Coronation of King George II and Queen Caroline: IV. Let thy hand be strengthened, HWV 259 | — | ||
| 17-1 | Dixit Dominus, HWV 232: I. Dixit Dominus | Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-2 | Dixit Dominus, HWV 232: II. Virgam virtutis | Diana Montague, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-3 | Dixit Dominus, HWV 232: III. Tecum principium | Arleen Augér, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-4 | Dixit Dominus, HWV 232: IV. Juravit Dominus | Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-5 | Dixit Dominus, HWV 232: V. Tu es sacerdos | Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-6 | Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | Arleen Augér, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-7 | Dixit Dominus, HWV 232: VII. Judicabit in nationibus | Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-8 | Dixit Dominus, HWV 232: VIII. De torrente in via bibet | Arleen Augér, Lynne Dawson, Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-9 | Dixit Dominus, HWV 232: IX. Gloria Patri | Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-10 | Nisi Dominus, HWV 238: I. Nisi Dominus | Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-11 | Nisi Dominus, HWV 238: II. Vanum est | John Mark Ainsley, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-12 | Nisi Dominus, HWV 238: III. Cum dederit dilectis suis somnum | Diana Montague, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-13 | Nisi Dominus, HWV 238: IV. Sicut sagittae in manu potentis | Simon Birchall, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-14 | Nisi Dominus, HWV 238: V. Beatus vir | John Mark Ainsley, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-15 | Nisi Dominus, HWV 238: VI. Gloria Patri | Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-16 | Salve regina, HWV 241: I. Salve regina | Arleen Augér, Orchestra of Westminster Abbey, Simon Preston | T-072.593.133-8 | |
| 17-17 | Salve regina, HWV 241: II. Ad te clamanus | Arleen Augér, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-18 | Salve regina, HWV 241: III. Eia ergo, advocata nostro | Arleen Augér, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-19 | Salve regina, HWV 241: IV. O clemens, o pia | Arleen Augér, Orchestra of Westminster Abbey, Simon Preston | — | |
| 18-1 | Te Deum, HWV 283: I. We Praise Thee, o God | — | ||
| 18-2 | Te Deum, HWV 283: II. All the Earth Does Worship Thee | — | ||
| 18-3 | Te Deum, HWV 283: III. To Thee All Angels Cry Aloud | — | ||
| 18-4 | Te Deum, HWV 283: IV. To Thee Cherubin and Seraphim | — | ||
| 18-5 | Te Deum, HWV 283: V. To Glorious Company of Th'Apostles | — | ||
| 18-6 | Te Deum, HWV 283: VI. Thine Honourable, True, and Only Son | — | ||
| 18-7 | Te Deum, HWV 283: VII. Thou Art the King of Glory | — | ||
| 18-8 | Te Deum, HWV 283: VIII. When Thou Tookest Upon Thee | — | ||
| 18-9 | Te Deum, HWV 283: IX. When Thou Hadst Overcome the Sharpness of Death | — | ||
| 18-10 | Te Deum, HWV 283: X. Thou Didst Open the Kingdom of Heaven | — | ||
| 18-11 | Te Deum, HWV 283: XI. Thou Sittest at the Right Hand of God | — | ||
| 18-12 | Te Deum, HWV 283: XII. Adagio | — | ||
| 18-13 | Te Deum, HWV 283: XIII. We Therefore Pray Thee | — | ||
| 18-14 | Te Deum, HWV 283: XIV. Make Them to Be Number'd | — | ||
| 18-15 | Te Deum, HWV 283: XV. Day by Day We Magnify Thee | — | ||
| 18-16 | Te Deum, HWV 283: XVI. And We Worship Thy Name | — | ||
| 18-17 | Te Deum, HWV 283: XVII. Vouchsafe, o Lord | — | ||
| 18-18 | Te Deum, HWV 283: XVIII. O Lord, in Thee Have I Trusted | — | ||
| 18-19 | The King Shall Rejoice, HWV 265: I. The King Shall Rejoice | — | ||
| 18-20 | The King Shall Rejoice, HWV 265: II. His Honour Is Great | — | ||
| 18-21 | The King Shall Rejoice, HWV 265: III. Thou Shalt Give Him Everlasting Felicity | — | ||
| 18-22 | The King Shall Rejoice, HWV 265: IV. And Why? Because the King Putteth His Trust in the Lord | — | ||
| 18-23 | The King Shall Rejoice, HWV 265: V. We Shall Rejoice in Thy Salvation | — | ||
| 19-1 | Ode for St Cecilia’s Day, HWV 76: I. Overture | The English Concert, Trevor Pinnock | — | |
| 19-2 | Ode for St Cecilia’s Day, HWV 76: II. Recitative / Accompagnato “From harmony from heav’nly harmony” (tenor) | Anthony Rolfe Johnson, The English Concert, Trevor Pinnock | — | |
| 19-3 | Ode for St Cecilia’s Day, HWV 76: III. Chorus “From harmony, from heav’nly harmony” | The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 19-4 | Ode for St Cecilia’s Day, HWV 76: IV. Aria “What passion cannot music raise and quell” (soprano) | Felicity Lott, The English Concert, Trevor Pinnock | — | |
| 19-5 | Ode for St Cecilia’s Day, HWV 76: V. Aria and Chorus “The trumpet’s loud clangor” (tenor) | The English Concert, Trevor Pinnock | — | |
| 19-6 | Ode for St Cecilia’s Day, HWV 76: VI. March | The English Concert, Trevor Pinnock | T-061.793.179-9 | |
| 19-7 | Ode for St Cecilia’s Day, HWV 76: VII. Aria “The soft complaining flute” (soprano) | Felicity Lott, The English Concert, Trevor Pinnock | — | |
| 19-8 | Ode for St Cecilia’s Day, HWV 76: VIII. Aria “Sharp violins proclaim” (tenor) | Anthony Rolfe Johnson, The English Concert, Trevor Pinnock | — | |
| 19-9 | Ode for St Cecilia’s Day, HWV 76: IX. Aria “But oh! What art can teach” (soprano) | Felicity Lott, The English Concert, Trevor Pinnock | — | |
| 19-10 | Ode for St Cecilia’s Day, HWV 76: X. Aria “Orpheus could lead the savage race” (soprano) | Felicity Lott, The English Concert, Trevor Pinnock | — | |
| 19-11 | Ode for St Cecilia’s Day, HWV 76: XI. Accompagnato “But bright Cecilia” (soprano) | Felicity Lott, The English Concert, Trevor Pinnock | — | |
| 19-12 | Ode for St Cecilia’s Day, HWV 76: XII. Soprano and Chorus “As from the pow’r and sacred lays” | Felicity Lott, The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 20-1 | Hercules, HWV 60: Act I, no. 1: Overtura | — | ||
| 20-2 | Hercules, HWV 60: Act I, no. 2: Recitativo accompagnato "See with what sad dejection" (Lichas) | — | ||
| 20-3 | Hercules, HWV 60: Act I, no. 3: Aria "No longer, Fate, relentless frown" (Lichas) | — | ||
| 20-4 | Hercules, HWV 60: Act I, no. 4: Recitativo accompagnato "O Hercules! Why art thou absent from me" (Dejanira) / no. 5: Aria "The world, when day's career is run" (Dejanira) | — | ||
| 20-5 | Hercules, HWV 60: Act I, no. 6: Recitativo "Princess! Be comforted, and hope the best" (Lichas, Dejanira, Hyllys) | — | ||
| 20-6 | Hercules, HWV 60: Act I, no. 7: Aria "I feel, I feel the god" (Hyllus) | — | ||
| 20-7 | Hercules, HWV 60: Act I, no. 8: Recitativo "Then I am lost! O dreadful oracle!" (Dejanira) / no. 9: Aria "There in myrtle shades reclined" (Dejanira) | — | ||
| 20-8 | Hercules, HWV 60: Act I, no. 10: Recitativo "Despair not! But let rising hope suspend" (Hyllus) / no. 11: Aria "Where congealed the northern streams" (Hyllus) | — | ||
| 20-9 | Hercules, HWV 60: Act I, no. 12: Chorus: "O filial piety! O generous love!" | — | ||
| 20-10 | Hercules, HWV 60: Act I, no. 13: Recitativo "Banish your fears! The noble" (Hercules, Lichas, Dejanira) / no. 14: Aria "Begone my fears, fly hence, away" (Dejanira) | — | ||
| 20-11 | Hercules, HWV 60: Act I, no. 15: Recitativo "A train of captives, red with honest wounds" (Lichas, Hyllus, Dejanira) | — | ||
| 20-12 | Hercules, HWV 60: Act I, no. 16: March | — | ||
| 20-13 | Hercules, HWV 60: Act I, no. 17: Recitativo "Thanks to the powers above" (Hercules, Iole) | — | ||
| 20-14 | Hercules, HWV 60: Act I, no. 18: Aria "My father! Ah! Methinks I see" (Iole) | — | ||
| 20-15 | Hercules, HWV 60: Act I, no. 19: Recitativo "Now farewell, arms! From hence the tide of time" (Hercules) / no. 20: Aria "The god of battle quits the bloody field" (Hercules) | — | ||
| 20-16 | Hercules, HWV 60: Act I, no. 21: Chorus "Crown with festal pomp the day" | — | ||
| 20-17 | Hercules, HWV 60: Act II, no. 22: Aria "How blest the maid ordained to dwell" (Iole) | — | ||
| 20-18 | Hercules, HWV 60: Act II, no. 23: Recitativo "It must be so! Fame speaks aloud my wrongs" (Dejanira, Iole) / no. 24: Aria "When beauty sorrow's livery wears" (Dejanira) | — | ||
| 20-19 | Hercules, HWV 60: Act II, no. 25: Recitavio "Whence this unjust suspicion?" (Iole) | — | ||
| 20-20 | Hercules, HWV 60: Act II, no. 26: Aria "Ah! I think what ills the jealous prove" (Iole) | — | ||
| 20-21 | Hercules, HWV 60: Act II, no. 27: Recitativo "It is too sure that Hercules is false" (Dejanira, Lichas) | — | ||
| 20-22 | Hercules, HWV 60: Act II, no. 28: Chorus "Jealousy! Infernal pest" | — | ||
| 21-1 | Hercules, HWV 60: Act II, no. 29: Recitativo "She knows my passion, and has heard me breathe" (Hyllus, Iole) | — | ||
| 21-2 | Hercules, HWV 60: Act II, no. 30: Aria "From celestial seats descending" (Hyllus) | — | ||
| 21-3 | Hercules, HWV 60: Act II, no. 31: Chorus "Wanton God of amorous fires" | — | ||
| 21-4 | Hercules, HWV 60: Act II, no. 32: Recitativo "Yes, I congratulate your titles, swelled" (Dejanira, Hercules) / no. 33: Aria "Alcides' name in latest story" (Dejanira) | — | ||
| 21-5 | Hercules, HWV 60: Act II, no. 34: Recitativo "O glorious pattern of heroic dees!" (Dejanira) / no. 35: Aria "Resign thy club and lion's spoils" (Dejanira) | — | ||
| 21-6 | Hercules, HWV 60: Act II, no. 36: Recitativo "You are deceived! Some villainhas belied Hercules" (Dejanira) | — | ||
| 21-7 | Hercules, HWV 60: Act II, no. 37: Aria "Cease, rules of the day, to rise" (Dejanira) | — | ||
| 21-8 | Hercules, HWV 60: Act II, no. 38: Recitativo "Some kinder power inspire me to regain" (Dejanira, Lichas, Iole) | — | ||
| 21-9 | Hercules, HWV 60: Act II, no. 39: Duet "Joys of freedom, joys of power" (Dejanira Iole) | — | ||
| 21-10 | Hercules, HWV 60: Act II, no. 40: Recitativo "Father of Hercules, great Jove, O help" (Dejanira) / no. 41: Chorus "Love and Hymen, hand in hand" | — | ||
| 21-11 | Hercules, HWV 60: Act III, no. 42: Sinfonia | — | ||
| 21-12 | Hercules, HWV 60: Act III, no. 43: Recitativo "Ye sons of Trachin, mourn your valiant chief" (Lichas) | — | ||
| 21-13 | Hercules, HWV 60: Act III, no. 44: Aria "O scene of unexampled woe" (Lichas) | — | ||
| 21-14 | Hercules, HWV 60: Act III, no. 45: Chorus "Tyrants now no more shall dread" | — | ||
| 21-15 | Hercules, HWV 60: Act III, no. 46: Recitativo accompagnato "O Jove! What land is this, what clime accurst" (Hercules) | — | ||
| 21-16 | Hercules, HWV 60: Act III, no. 47: Recitativo "Great Jove! Relieve his pains!" (Hyllus, Hercules) | — | ||
| 21-17 | Hercules, HWV 60: Act III, no. 48: Aria "Let not fame the tidings spread" (Hyllus) | — | ||
| 21-18 | Hercules, HWV 60: Act III, no. 49: Recitativo accompagnato "Where shall I fly? Where hide this quilty head?" (Dejanira) | — | ||
| 21-19 | Hercules, HWV 60: Act III, no. 50: Recitativo "Lo! The fair fatal cause of all this ruin! (Dejanira, Iole) | — | ||
| 21-20 | Hercules, HWV 60: Act III, no. 51: Aria "My breast with tender pity swells" (Iole) | — | ||
| 21-21 | Hercules, HWV 60: Act III, no. 52: Recitativo "Princess, rejoice! Whose heaven heaven-directed hand" (Priest of Jupiter, Dejanira) | — | ||
| 21-22 | Hercules, HWV 60: Act III, no. 53: Recitativo "Words are too faint to speak the warring passions" (Dejanira, Priest, Hyllus, Iole) | — | ||
| 21-23 | Hercules, HWV 60: Act III, no. 54: Duet "O prince, whose virtues all admire" (Iole, Hyllus) / no. 55: Recitativo "Ye sons of freedom, now in every clime" (Priest) | — | ||
| 21-24 | Hercules, HWV 60: Act III, no. 56: Chorus "To him your grateful notes of praise belong" | — | ||
| 22-1 | Judas Maccabaeus, HWV 63: no. 1: Overture | — | ||
| 22-2 | Judas Maccabaeus, HWV 63: Act I, no. 2: Chorus "Mourn, ye afflicted children" | — | ||
| 22-3 | Judas Maccabaeus, HWV 63: Act I, no. 3: Recitative "Well, may your sorrows, brethren, flow" (Israelitish Man and Woman) | — | ||
| 22-4 | Judas Maccabaeus, HWV 63: Act I, no. 4: Duet "From this dread scene, these adverse pow'rs (Israelitish Man and Woman) | — | ||
| 22-5 | Judas Maccabaeus, HWV 63: Act I, no. 5: Chorus "For Sion lamentation make" | — | ||
| 22-6 | Judas Maccabaeus, HWV 63: Act I, no. 6: Recitative "Not vain is all this storm of grief" (Israelitish Man) | — | ||
| 22-7 | Judas Maccabaeus, HWV 63: Act I, no. 7: Aria "Pious orgies, pious aris" (Israelitish Man) | — | ||
| 22-8 | Judas Maccabaeus, HWV 63: Act I, no. 8: Chorus "Oh Father, whose Almighty pow'r" | — | ||
| 22-9 | Judas Maccabaeus, HWV 63: Act I, no. 9: Recitative "I feel, I feel the Deity within" (Simon) | — | ||
| 22-10 | Judas Maccabaeus, HWV 63: Act I, no. 10: Aria "Arm, arm, ye brave!" (Simon) | — | ||
| 22-11 | Judas Maccabaeus, HWV 63: Act I, no. 11: Chorus "We come, we come, in bright array" | — | ||
| 22-12 | Judas Maccabaeus, HWV 63: Act I, no. 12: Recitative "'Tis well, my friends" (Judas Maccabaeus) | — | ||
| 22-13 | Judas Maccabaeus, HWV 63: Act I, no. 13: Aria "Call forth thy pow'rs, my soul" (Judas Maccabaeus) | — | ||
| 22-14 | Judas Maccabaeus, HWV 63: Act I, no. 14: Recitative "To Heav'n's Almighty king we kneel" (Israelitish Woman) | — | ||
| 22-15 | Judas Maccabaeus, HWV 63: Act I, no. 15: Aria "Oh liberty, thou choicest treasure" (Israelitish Woman) | — | ||
| 22-16 | Judas Maccabaeus, HWV 63: Act I, no. 16: Aria "Come, ever-smiling liberty" (Israelitish Woman) | — | ||
| 22-17 | Judas Maccabaeus, HWV 63: Act I, no. 17: Recitative "Oh Judas, may these noble views inspire" (Israelitish Man) | — | ||
| 22-18 | Judas Maccabaeus, HWV 63: Act I, no. 18: Aria "Tis liberty, dear liberty alone" (Israelitish Man) | — | ||
| 22-19 | Judas Maccabaeus, HWV 63: Act I, no. 19: Duet "Come, ever-smiling liberty" (Israelitish Woman and Man) | — | ||
| 22-20 | Judas Maccabaeus, HWV 63: Act I, no. 20: Chorus "Lead on, lead on ! Juhad disdains" | — | ||
| 22-21 | Judas Maccabaeus, HWV 63: Act I, no. 21: Recitative "So will'd my father, now at rest" (Judas Maccabaeus | — | ||
| 22-22 | Judas Maccabaeus, HWV 63: Act I, no. 22: Semi-chorus "Disdainful of danger, we'll rush on the foe" | — | ||
| 22-23 | Judas Maccabaeus, HWV 63: Act I, no. 23: Recitative "Ambition! If e'er honour was thine aim" (Judas Maccabaeus) | — | ||
| 22-24 | Judas Maccabaeus, HWV 63: Act I, no. 24: Aria "No unhallow'd desire" (Judas Maccabaeus) | — | ||
| 22-25 | Judas Maccabaeus, HWV 63: Act I, no. 25: Recitative "Haste we, my brethren" (Israelitish Man) | — | ||
| 22-26 | Judas Maccabaeus, HWV 63: Act I, no. 26: Chorus "Hear us, oh Lord, on Thee we call" | — | ||
| 23-1 | Judas Maccabaeus, HWV 63: Act II, no. 27: Chorus "Fall'n is the foe; so fall Thy foes, oh Lord!" | — | ||
| 23-2 | Judas Maccabaeus, HWV 63: Act II, no. 28: Recitative "Victorious hero! Fame shall tell" (Israelitish Man) | — | ||
| 23-3 | Judas Maccabaeus, HWV 63: Act II, no. 29: Aria "So rapid thy course is" (Israelitish Man) | — | ||
| 23-4 | Judas Maccabaeus, HWV 63: Act II, no. 30: Recitative "Well may we hope our freedom to receive" (Israelitish Man) | — | ||
| 23-5 | Judas Maccabaeus, HWV 63: Act II, no. 31: Duet "Sion now hear head shall raise" (Israelitish Woman and Man) / no. 32: Chorus "Sion now her head shall raise" | — | ||
| 23-6 | Judas Maccabaeus, HWV 63: Act II, no. 33: Recitative "Oh let eternal honours crown his name" (Israelitish Woman) | — | ||
| 23-7 | Judas Maccabaeus, HWV 63: Act II, no. 34: Aria "From mighty kings he took the spoil" (Israelitish Woman) | — | ||
| 23-8 | Judas Maccabaeus, HWV 63: Act II, no. 36: Chorus "Hail, hail, Judea, happy land" | — | ||
| 23-9 | Judas Maccabaeus, HWV 63: Act II, no. 37: Recitative "Thanks to my breathen; but look up to Heav'n (Judas Maccabaeus) | — | ||
| 23-10 | Judas Maccabaeus, HWV 63: Act II, no. 38: Aria "How vain is man, who boasts in fight" (Judas Maccabaeus) | — | ||
| 23-11 | Judas Maccabaeus, HWV 63: Act II, no. 39: Recitative "Oh Judas, oh my brethren!" (Messenger) | — | ||
| 23-12 | Judas Maccabaeus, HWV 63: Act II, no. 40: Aria "Ah, wretched, wretched Israel" (Israelitish Woman) / no. 41 Chorus "Ah, wretched, wretched Israel!" | — | ||
| 23-13 | Judas Maccabaeus, HWV 63: Act II, no. 42: Recitative "Be comforted, - nor think these plagues are sent" (Simon) | — | ||
| 23-14 | Judas Maccabaeus, HWV 63: Act II, no. 43: Aria "The Lord worketh wonders" (Simon) | — | ||
| 23-15 | Judas Maccabaeus, HWV 63: Act II, no. 44: Recitative "My arms! - against this Gorgias will I go" (Judas Maccabaeus) | — | ||
| 23-16 | Judas Maccabaeus, HWV 63: Act II, no. 45: Aria "Sound an alarm! Your silver trumpets sound" (Judas Maccabaeus) / no. 46: Chorus "We hear, we hear the pleasing dreadful call" | — | ||
| 23-17 | Judas Maccabaeus, HWV 63: Act II, no. 47: Recitative "Enough! To heav'n we leave the rest" (Simon) | — | ||
| 23-18 | Judas Maccabaeus, HWV 63: Act II, no. 48: Aria "With pious hearts, and brave as pious" (Simon) | — | ||
| 23-19 | Judas Maccabaeus, HWV 63: Act II, no. 49: Recitative "Ye worshippers of God" (Israelitish Woman and Man) | — | ||
| 23-20 | Judas Maccabaeus, HWV 63: Act II, no. 50: Aria "Wise men, flatt'ring, may deceive us" (Israelitish Woman) | — | ||
| 23-21 | Judas Maccabaeus, HWV 63: Act II, no. 51: Duet "Oh! Never, never bow we down" (Israelitish Woman and Man) / no. 52: Chorus "We never, never will bow down" | — | ||
| 24-1 | Judas Maccabaeus, HWV 63: Act III, no. 53: Aria "Father of Heav'n! Thy eternal throne" (Israelitish Man) | — | ||
| 24-2 | Judas Maccabaeus, HWV 63: Act III, no. 54: Recitative "See, see yon flames, that from the altar broke" (Israelitish Man) | — | ||
| 24-3 | Judas Maccabaeus, HWV 63: Act III, no. 55: Recitative "O grant it, Heav'n, that our long woes may cease (Israelitish Woman) | — | ||
| 24-4 | Judas Maccabaeus, HWV 63: Act III, no. 56: Aria "So shall the lute and harp awake" (Israelitish Woman) | — | ||
| 24-5 | Judas Maccabaeus, HWV 63: Act III, no. 57: Recitative "From Capharsalama, on eagle wings I fly" (Messenger, Simon) | — | ||
| 24-6 | Judas Maccabaeus, HWV 63: Act III, no. 58: Chorus "See, the conqu'ring hero comes!" | — | ||
| 24-7 | Judas Maccabaeus, HWV 63: Act III, no. 59: March | — | ||
| 24-8 | Judas Maccabaeus, HWV 63: Act III, no. 60: Chorus "Sing unto God, and high affections rise" | — | ||
| 24-9 | Judas Maccabaeus, HWV 63: Act III, no. 61: Recitative "Sweet flow the strains, that strike my feasted ear" (Judas Maccabaeus) | — | ||
| 24-10 | Judas Maccabaeus, HWV 63: Act III, no. 62: Aria "With honour let desert be crown'd" (Judas Maccabaeus) | — | ||
| 24-11 | Judas Maccabaeus, HWV 63: Act III, no. 63: Recitative "Peace to my countrymen; peace, and liberty" (Eupolemus) | — | ||
| 24-12 | Judas Maccabaeus, HWV 63: Act III, no. 64: Chorus "To our great God be all the honour giv'n" | — | ||
| 24-13 | Judas Maccabaeus, HWV 63: Act III, no. 65: Recitative "Again to earth let gratitude descend (Israelitish Woman) | — | ||
| 24-14 | Judas Maccabaeus, HWV 63: Act III, no. 66: Aria, Duet "O lovely peace, with plenty crown'd" (Israelitish Woman and Man) | — | ||
| 24-15 | Judas Maccabaeus, HWV 63: Act III, no. 67: Aria "Rejoice, oh Judah! and in songs divine" (Simon) | — | ||
| 24-16 | Judas Maccabaeus, HWV 63: Act III, no. 68: Chorus "Hallelujah! Amen" | — | ||
| 25-1 | Solomon, HWV 67: Act I. Overture | Gabrieli Players, Paul McCreesh | — | |
| 25-2 | Solomon, HWV 67: Act I, Scene I. "Your harps and cymbals" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 25-3 | Solomon, HWV 67: Act I, Scene I. "Praise ye the Lord" (Levite) | Peter Harvey, Gabrieli Players, Paul McCreesh | — | |
| 25-4 | Solomon, HWV 67: Act I, Scene I. "With pious heart" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 25-5 | Solomon, HWV 67: Act I, Scene I. "Almighty Power" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 25-6 | Solomon, HWV 67: Act I, Scene I. "Imperial Solomon" (Zadok) | Paul Agnew, Gabrieli Players, Paul McCreesh | — | |
| 25-7 | Solomon, HWV 67: Act I, Scene I. "Sacred raptures" (Zadok) | Paul Agnew, Gabrieli Players, Paul McCreesh | — | |
| 25-8 | Solomon, HWV 67: Act I, Scene I. "Throughout the land" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 25-9 | Solomon, HWV 67: Act I, Scene I. "Bless'd be the Lord" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 25-10 | Solomon, HWV 67: Act I, Scene I. "What though I trace" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 25-11 | Solomon, HWV 67: Act I, Scene II. "And see my Queen" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 25-12 | Solomon, HWV 67: Act I, Scene II. "Bless'd the day" (Queen) | Inger Dam-Jensen, Gabrieli Players, Paul McCreesh | — | |
| 25-13 | Solomon, HWV 67: Act I, Scene II. "Thou fair inhabitant of Nile" (Solomon, Queen) | Andreas Scholl, Inger Dam-Jensen, Gabrieli Players, Paul McCreesh | — | |
| 25-14 | Solomon, HWV 67: Act I, Scene II. "Welcome as the dawn of day" (Solomon, Queen) | Andreas Scholl, Inger Dam-Jensen, Gabrieli Players, Paul McCreesh | — | |
| 25-15 | Solomon, HWV 67: Act I, Scene II. "Vain are the transient beauties" (Zadok) | Paul Agnew, Gabrieli Players, Paul McCreesh | — | |
| 25-16 | Solomon, HWV 67: Act I, Scene II. "Indulge thy faith" (Zadok) | Paul Agnew, Gabrieli Players, Paul McCreesh | — | |
| 25-17 | Solomon, HWV 67: Act I, Scene II. "My blooming fair" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 25-18 | Solomon, HWV 67: Act I, Scene II. "Haste to the cedar grove" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 25-19 | Solomon, HWV 67: Act I, Scene II. "When thou art absent" (Queen) | Inger Dam-Jensen, Gabrieli Players, Paul McCreesh | — | |
| 25-20 | Solomon, HWV 67: Act I, Scene II. "With thee th'unshelter'd moor l'd tread" (Queen) | Inger Dam-Jensen, Gabrieli Players, Paul McCreesh | — | |
| 25-21 | Solomon, HWV 67: Act I, Scene II. "Search round the world" (Zadok) | Paul Agnew, Gabrieli Players, Paul McCreesh | — | |
| 25-22 | Solomon, HWV 67: Act I, Scene II. "May no rash intruder" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 26-1 | Solomon, HWV 67: Act II, Scene I. "From the censer" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 26-2 | Solomon, HWV 67: Act II, Scene I. "Prais'd be the Lord" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 26-3 | Solomon, HWV 67: Act II, Scene I. "When the sun o'er yonder hills" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 26-4 | Solomon, HWV 67: Act II, Scene I. "Great prince" (Levite) | Peter Harvey, Gabrieli Players, Paul McCreesh | — | |
| 26-5 | Solomon, HWV 67: Act II, Scene I. "Thrice bless'd that wise discerning king" (Levite) | Peter Harvey, Gabrieli Players, Paul McCreesh | — | |
| 26-6 | Solomon, HWV 67: Act II, Scene II. "My sovereign liege" (Solomon, 1st Harlot) | Andreas Scholl, Alison Hagley, Gabrieli Players, Paul McCreesh | — | |
| 26-7 | Solomon, HWV 67: Act II, Scene III. "Words are weak" (1st Harlot, 2nd Harlot, Solomon) | Alison Hagley, Susan Bickley, Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 26-8 | Solomon, HWV 67: Act II, Scene III. "What says the other" (Solomon, 2nd Harlot) | Andreas Scholl, Susan Bickley, Gabrieli Players, Paul McCreesh | — | |
| 26-9 | Solomon, HWV 67: Act II, Scene III. "Thy sentence, great king" (2nd Harlot) | Susan Bickley, Gabrieli Players, Paul McCreesh | — | |
| 26-10 | Solomon, HWV 67: Act II, Scene III. "Withold, withold the executing hand!" (1st Harlot) | Alison Hagley, Gabrieli Players, Paul McCreesh | — | |
| 26-11 | Solomon, HWV 67: Act II, Scene III. "Can I see my infant gor'd" (1st Harlot) | Alison Hagley, Gabrieli Players, Paul McCreesh | — | |
| 26-12 | Solomon, HWV 67: Act II, Scene III. "Israel, attend" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 26-13 | Solomon, HWV 67: Act II, Scene III. "Thrice bless'd be the king" (1st Harlot, Solomon) | Alison Hagley, Gabrieli Players, Paul McCreesh | — | |
| 26-14 | Solomon, HWV 67: Act II, Scene III. "From the east unto the west" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | T-070.049.047-6 | |
| 26-15 | Solomon, HWV 67: Act II, Scene III. "From morn to eve" (Zadok) | Paul Agnew, Gabrieli Players, Paul McCreesh | — | |
| 26-16 | Solomon, HWV 67: Act II, Scene III. "See the tall palm" (Zadok) | Paul Agnew, Gabrieli Players, Paul McCreesh | — | |
| 26-17 | Solomon, HWV 67: Act II, Scene III. "No more shall armed bands" (1st Harlot) | Alison Hagley, Gabrieli Players, Paul McCreesh | — | |
| 26-18 | Solomon, HWV 67: Act II, Scene III. "Beneath the vine" (1st Harlot) | Alison Hagley, Gabrieli Players, Paul McCreesh | — | |
| 26-19 | Solomon, HWV 67: Act II, Scene III. "Swell, swell the full chorus" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 27-1 | Solomon, HWV 67: Act III. Sinfony: The Arrival of the Queen of Sheba | Gabrieli Players, Paul McCreesh | T-802.027.359-1 | |
| 27-2 | Solomon, HWV 67: Act III. "From Arabia's spicy shores" (Queen of Sheba, Solomon) | Susan Gritton, Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 27-3 | Solomon, HWV 67: Act III. "Ev'ry sight these eyes behold (Queen of Sheba) | Susan Gritton, Gabrieli Players, Paul McCreesh | — | |
| 27-4 | Solomon, HWV 67: Act III. "Sweep, sweep the string" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 27-5 | Solomon, HWV 67: Act III. "Music, spread thy voice around" (Solomon, Chorus) | Andreas Scholl, Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 27-6 | Solomon, HWV 67: Act III. "Now a diff'rent measure... Shake the dome" (Solomon, Chorus) | Andreas Scholl, Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 27-7 | Solomon, HWV 67: Act III. "Then at once from rage remove" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 27-8 | Solomon, HWV 67: Act III. "Draw the tear from hopeless love" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 27-9 | Solomon, HWV 67: Act III. "Next the tortur'd soul release" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 27-10 | Solomon, HWV 67: Act III. "Thus rolling surges rise" (Solomon, Chorus) | Andreas Scholl, Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 27-11 | Solomon, HWV 67: Act III. "Thy harmony's divine" (Queen of Sheba) | Susan Gritton, Gabrieli Players, Paul McCreesh | — | |
| 27-12 | Solomon, HWV 67: Act III. "Pious king" (Levite) | Peter Harvey, Gabrieli Players, Paul McCreesh | — | |
| 27-13 | Solomon, HWV 67: Act III. "Thrice happy king" (Zadok) | Paul Agnew, Gabrieli Players, Paul McCreesh | — | |
| 27-14 | Solomon, HWV 67: Act III. "Golden columns" (Zadok) | Paul Agnew, Gabrieli Players, Paul McCreesh | — | |
| 27-15 | Solomon, HWV 67: Act III. "Praise the Lord" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 27-16 | Solomon, HWV 67: Act III. "Gold now is common" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 27-17 | Solomon, HWV 67: Act III. "How green our fertile pastures look!" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 27-18 | Solomon, HWV 67: Act III. "May peace in Salem ever dwell" (Queen of Sheba) | Susan Gritton, Gabrieli Players, Paul McCreesh | — | |
| 27-19 | Solomon, HWV 67: Act III. "Will the sun forget to streak" (Queen of Sheba) | Susan Gritton, Gabrieli Players, Paul McCreesh | — | |
| 27-20 | Solomon, HWV 67: Act III. "Adieu, fair queen" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 27-21 | Solomon, HWV 67: Act III. "Ev'ry joy that wisdom knows" (Queen of Sheba, Solomon) | Susan Gritton, Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 27-22 | Solomon, HWV 67: Act III. "The name of the wicked" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 28-1 | Giulio Cesare in Egitto, HWV 17: Overture | Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-2 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 1. Coro "Viva, viva il nostro Alcide!" (Sesto, Cornelia, Nireno, Tolomeo, Curio, Achilla) | Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-3 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 2. Aria "Presti omai l´egizia terra" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-4 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 2. Recitativo "Curio, Cesare venne, e vide" (Cesare, Curio) | Marijana Mijanovic, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-5 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 2. Recitativo "Questa è Cornelia" (Cesare, Curio, Cornelia, Sesto) | Marijana Mijanovic, Jean-Michel Ankaoua, Charlotte Hellekant, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-6 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 2. Recitativo "La reggia Tolomeo t´offre" (Achilla, Cesare, Sesto, Cornelia, Curio) | Alan Ewing, Marijana Mijanovic, Anne Sofie von Otter, Charlotte Hellekant, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-7 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 3. Aria "Empio, dirò, tu sei" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-8 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 3. Recitativo "Già torna in sé" (Curio, Sesto, Cornelia) | Jean-Michel Ankaoua, Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-9 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 4. Aria "Priva son d´ogni conforto" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-10 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 4. Recitativo "Vani sono i lamenti" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-11 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 5. Aria "Svegliatevi nel core" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-12 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 5. Recitativo "Regni Cleopatra" (Cleopatra, Nireno, Tolomeo) | Magdalena Kožená, Pascal Bertin, Bejun Mehta, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-13 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 6. Aria "Non disperar, chi sa? (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-14 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 6. Recitativo "Sire, Signor!" (Achilla, Tolomeo) | Alan Ewing, Bejun Mehta, Marc Minkowski | — | |
| 28-15 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 7. Aria "L´empio, sleale, indegno" (Tolomeo) | Bejun Mehta, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-16 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 8. Accompagnato "Alma del gran Pompeo" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-17 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 8. Recitativo "Qui nobile donzella chiede chinarsi" (Curio, Cesare, Cleopatra) | Jean-Michel Ankaoua, Marijana Mijanovic, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-18 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 9. Aria "Non è sì vago e bello il fiornel prato" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-19 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 9. Recitativo "Cleopatra, vincesti" (Nireno, Cleopatra) | Pascal Bertin, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-20 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 10. Aria "Tutto può donna vezzosa" (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-21 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 11. Arioso "Nel tuo seno, amico sasso" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-22 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 11. Recitativo "Ma che! vile e negletta" (Cornelia, Cleopatra, Sesto, Nireno) | Charlotte Hellekant, Magdalena Kožená, Anne Sofie von Otter, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-23 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 12. Aria "Cara speme, questo core tu cominci" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-24 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 12. Recitativo "Cesare, alla tua destra" (Tolomeo, Cesare, Achilla) | Bejun Mehta, Marijana Mijanovic, Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-25 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 14. Aria "Va tacito e nascosto" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-26 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 14. Recitativo "Sire, con Sesto, il figlio" (Achilla, Tolomeo, Cornelia, Sesto) | Alan Ewing, Bejun Mehta, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-27 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 14. Recitativo "Cornelia, in quei tuoi lumi" (Achilla, Cornelia, Sesto) | Alan Ewing, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-28 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 15. Aria "Tu sei il cor di quetro core" (Achilla) | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-1 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 15. Recitativo "Madre!" (Sesto, Cornelia) | Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-2 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Duetto "Son nata a lagrimar" (Sesto, Cornelia) | Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-3 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Recitativo "Esequisti, o Niren" (Cleopatra, Nireno) | Magdalena Kožená, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-4 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Recitativo "Da Cleopatra apprenda" (Nireno, Cesare) | Pascal Bertin, Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-5 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Sinfonia e Recitativo "Taci! ... Cieli" (Cesare, Nireno) | Marijana Mijanovic, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-6 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Sinfonia e Recitativo "Giulio, che miri?" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-7 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 17. Aria e Recitativo "V´adoro, pupile ... Non ha in cielo il Tonante" (Cleopatra, Cesare) | Magdalena Kožená, Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-8 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 17. Recitativo "Vola, mio cor" (Cesare, Nireno) | Marijana Mijanovic, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-9 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 18. Aria "Se in fiorito ameno prato" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-10 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 19. Arioso "Deh piangete, oh mesti lumi" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-11 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 19. Recitativo "Bella, non lagrimae" (Achilla, Cornelia) | Alan Ewing, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-12 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 19. Recitativo "Bella, placa lo sdegno!" (Tolomeo, Cornelia, Achilla) | Bejun Mehta, Charlotte Hellekant, Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-13 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 20. Aria "Se a me non sei crudele" (Achilla) | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-14 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 20. Recitativo "Bella, cotanto aborri chi ti prega d´amar?" (Tolomeo, Cornelia) | Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-15 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 21. Aria "Sì, spietata, il tuo rigore" (Tolomeo) | Bejun Mehta, Les Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-16 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 21. Recitativo "Su, che si tarda?" (Cornelia, Sesto) | Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-17 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 21. Recitativo "Cornelia, infauste nove" (Nireno, Cornelia, Sesto) | Pascal Bertin, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-18 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 22. Aria "Cessa omai di sospirare!" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-19 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 22. Recitativo "Figlio non è" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-20 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 23. Aria "L´angue offeso mai riposa" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-21 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 24. Aria "Venere bella" (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-22 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 24. Recitativo "Che veggio, o numi?" (Cesare, Cleopatra) | Marijana Mijanovic, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-23 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 24. Recitativo "Cesare, sei tradito" (Curio, Cesare, Cleopatra) | Jean-Michel Ankaoua, Marijana Mijanovic, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-24 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 25. Aria e Coro "Al lampo dell´armi" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-25 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 26. Recitativo accompagnato “Che sento? Oh Dio!” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-26 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 27. Aria “Se pietà di me non senti” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-27 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Arioso "Belle dèe di questo core" (Tolomeo, Cornelia) | Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-28 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Recitativo "... di quel ch´avete" (Tolomeo, Cornelia, Sesto) | Bejun Mehta, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-29 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Recitativo "Sire, prendi" (Achilla, Tolomeo, Sesto, Cornelia) | Alan Ewing, Bejun Mehta, Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-30 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Recitativo "Ecco in tutto perduta" (Sesto, Cornelia) | Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-31 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 29. Aria "L´aure che spira tiranno e fiero" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-1 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 29. Recitativo "In tal modi si premia" (Achilla) | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-2 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 30. Aria "Dal fulgor di questa spada" (Achilla) | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-3 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 30. Sinfonia | Les Musiciens du Louvre, Marc Minkowski | T-306.482.958-5 | |
| 30-4 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 30. Recitativo "Vinta cadesti" (Tolomeo, Cleopatra) | Bejun Mehta, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-5 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 31. Aria "Domerò la tua fierezza" (Tolomeo) | Bejun Mehta, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-6 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 31. Recitativo "E pur così in n giorno perdo fasti" (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-7 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 32. Aria “Piangerò la sorte mia” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-8 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 33. Recitativo accompagnato ed Aria “Dall’ondoso periglio … Aure, deh, per pietà” (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-9 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 33. Recitativo "Cerco invan Tolomeo" (Sesto, Achilla, Cesare, Nireno) | Anne Sofie von Otter, Alan Ewing, Marijana Mijanovic, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-10 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 33. Recitativo "Lascia questo sigollo! (Cesare, Sesto) | Marijana Mijanovic, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-11 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 34. Aria "Quel torrente che cade" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-12 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 34. Recitativo "Tutto lice sperar" (Sesto, Ninero) | Anne Sofie von Otter, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-13 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 35. Aria "La giustizia ha già sull´arco" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-14 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 36. Accompagnato "Voi, che mie fide ancelle" (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-15 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 36. Recitativo "Forzai l´ingresso (Cesare, Cleopatra) | Marijana Mijanovic, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-16 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 37. Aria “Da tempeste il legno infranto” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-17 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 37. Recitativo "Cornelia, è tempo omai" (Tolomeo, Cornelia) | Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-18 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 37. Recitativo "T'arresta, o genitrice!" (Cleopatra, Tolomeo, Cornelia) | Magdalena Kožená, Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-19 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 38. Aria "Non ha più che temere" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-20 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 38. Sinfonia | Les Musiciens du Louvre, Marc Minkowski | T-306.482.958-5 | |
| 30-21 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 38. Recitativo "Qui Curio vincitor" (Nireno, Cesare, Sesto, Cleopatra, Cornelia) | Pascal Bertin, Marijana Mijanovic, Anne Sofie von Otter, Magdalena Kožená, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-22 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 39. Duetto "Caro! Più amabile beltà" (Cleopatra, Cesare) | Magdalena Kožená, Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-23 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 39. Recitativo "Goda pur or l´Egitto" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-24 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 40. Coro e Duetto "Ritornio omai nel nostro core" (Cleopatra, Sesto, Cornelia, Cesare, Tolomeo, Nireno, Achilla, Curio) | Magdalena Kožená, Anne Sofie von Otter, Charlotte Hellekant, Marijana Mijanovic, Bejun Mehta, Pascal Bertin, Alan Ewing, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — |
Identifier Graph
028947811909 is a Universal Product Code (UPC) assigned to The Masterworks by Handel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 578 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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The UPC for “The Masterworks” by Handel is 028947811909. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Decca. This release contains 578 tracks, each with its own ISRC. Tracks include GBF077110021, GBF077110022, GBF077110023.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Music for the Royal Fireworks, HWV 351: I. Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-009.030.807-8 | |
| 2 | Music for the Royal Fireworks, HWV 351: II. Bourrée | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3 | Music for the Royal Fireworks, HWV 351: III. La Paix | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4 | Music for the Royal Fireworks, HWV 351: IV. La Réjouissance | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5 | Music for the Royal Fireworks, HWV 351: V. Menuet | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6 | Water Music Suite in G major, HWV 350: I. Minuet and Trio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7 | Water Music Suite in G major, HWV 350: II. Rigaudon I and II | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8 | Water Music Suite in G major, HWV 350: III. Gigue | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9 | Water Music Suite in D major, HWV 349: I. Prelude | Academy of St Martin in the Fields, Sir Neville Marriner | T-900.798.614-3 | |
| 10 | Water Music Suite in D major, HWV 349: II. Hornpipe | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 11 | Water Music Suite in D major, HWV 349: III. Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | T-900.962.202-0 | |
| 12 | Water Music Suite in D major, HWV 349: IV. Lentement | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13 | Water Music Suite in D major, HWV 349: V. Bourrée | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.866.552-6 | |
| 14 | Water Music Suite in F major, HWV 348: I. Ouverture | Academy of St Martin in the Fields, Sir Neville Marriner | T-009.030.807-8 | |
| 15 | Water Music Suite in F major, HWV 348: II. Adagio e staccato | Academy of St Martin in the Fields, Sir Neville Marriner | T-318.588.465-1 | |
| 16 | Water Music Suite in F major, HWV 348: III. Hornpipe and Andante | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17 | Water Music Suite in F major, HWV 348: IV. Jig | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.177.116-7 | |
| 18 | Water Music Suite in F major, HWV 348: V. Air | Academy of St Martin in the Fields, Sir Neville Marriner | T-002.596.658-8 | |
| 19 | Water Music Suite in F major, HWV 348: VI. Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | T-011.781.858-2 | |
| 20 | Water Music Suite in F major, HWV 348: VII. Bourrée and Hornpipe | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 21 | Water Music Suite in F major, HWV 348: VIII. Gavotte | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-1 | Concerto grosso in G major, op. 6 no. 1, HWV 319 | Thurston Dart, Andrew Davis, Malcolm Latchem, Sir Neville Marriner, Academy of St Martin in the Fields | — | |
| 2-2 | Concerto grosso in F major, op. 6 no. 2, HWV 320 | Trevor Connah, Thurston Dart, Andrew Davis, Andrew McGee, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-3 | Concerto grosso in E minor, op. 6 no. 3, HWV 321 | Thurston Dart, Andrew Davis, Raymond Kennlyside, Hugh Maguire, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-4 | Concerto grosso in A minor, op. 6 no. 4, HWV 322 | Trevor Connah, Thurston Dart, Andrew Davis, Sir Neville Marriner, Academy of St Martin in the Fields | — | |
| 2-5 | Concerto grosso in D major, op. 6 no. 5, HWV 323 | Trevor Connah, Thurston Dart, Andrew Davis, Sir Neville Marriner, Academy of St Martin in the Fields | — | |
| 2-6 | Concerto grosso in G minor, op. 6 no. 6, HWV 324 | Trevor Connah, Thurston Dart, Andrew Davis, Sir Neville Marriner, Academy of St Martin in the Fields | — | |
| 3-1 | Concerto grosso in B-flat major, op. 6 no. 7, HWV 325 | Trevor Connah, Thurston Dart, Andrew Davis, Sir Neville Marriner, Academy of St Martin in the Fields | — | |
| 3-2 | Concerto grosso in C minor, op. 6 no. 8, HWV 326 | Trevor Connah, Thurston Dart, Andrew Davis, Alan Loveday, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-3 | Concerto grosso in F major, op. 6 no. 9, HWV 327 | Thurston Dart, Andrew Davis, Malcolm Latchem, Alan Loveday, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-4 | Concerto grosso in D minor, op. 6 no. 10, HWV 328 | Iona Brown, Thurston Dart, Andrew Davis, Malcolm Latchem, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-5 | Concerto grosso in A major, op. 6 no. 11, HWV 329 | Trevor Connah, Thurston Dart, Andrew Davis, Hugh Maguire, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-1 | Concerto grosso in B minor, op. 6 no. 12, HWV 330 | Academy of St Martin in the Fields, Neville Marriner | — | |
| 4-2 | Concerto Grosso in B-flat major, op. 3, no. 1, HWV 312 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-3 | Concerto Grosso in B-flat major, op. 3, no. 2, HWV 313 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-4 | Concerto grosso in G major, op. 3 no. 3, HWV 314 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-5 | Concerto grosso in F major, op. 3 no. 4, HWV 315 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-6 | Concerto Grosso in D minor, op. 3, no. 5, HWV 316 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-7 | Concerto Grosso in D major, op. 3, no. 6, HWV 317 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-1 | Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: I. Andante | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-2 | Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: II. Andante | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-3 | Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: III. Largo e piano | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-4 | Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: IV. Bourée: Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-5 | Organ Concerto in A major, op. 7 no. 2, HWV 307: I. Ouverture | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-6 | Organ Concerto in A major, op. 7 no. 2, HWV 307: II. A tempo ordinario | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-7 | Organ Concerto in A major, op. 7 no. 2, HWV 307: III. Adagio (organo ad libitum) | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-8 | Organ Concerto in A major, op. 7 no. 2, HWV 307: IV. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-9 | Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: I. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | T-070.161.055-0 | |
| 5-10 | Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: II. Adagio e fuga (organo ad libitum) | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | T-901.134.571-4 | |
| 5-11 | Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: III. Spiritoso | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-12 | Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: IV. Menuett | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-13 | Organ Concerto in D minor, op. 7 no. 4, HWV 309: I. Adagio | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-14 | Organ Concerto in D minor, op. 7 no. 4, HWV 309: II. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-15 | Organ Concerto in D minor, op. 7 no. 4, HWV 309: III. Adagio (organo ad libitum) | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-16 | Organ Concerto in D minor, op. 7 no. 4, HWV 309: IV. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-17 | Organ Concerto in G minor, op. 7 no. 5, HWV 310: I. Allegro ma non troppo, e staccato | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-18 | Organ Concerto in G minor, op. 7 no. 5, HWV 310: II. Andante larghetto, e staccato | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-19 | Organ Concerto in G minor, op. 7 no. 5, HWV 310: III. Menuett | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-1 | Organ Concerto in B-flat major, op. 7 no. 6, HWV 311: I. Pomposo | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-2 | Organ Concerto in B-flat major, op. 7 no. 6, HWV 311: II. A tempo ordinario | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-3 | Organ Concerto in G minor, op. 4 no. 1, HWV 289: I. Larghetto e staccato | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-4 | Organ Concerto in G minor, op. 4 no. 1, HWV 289: II. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-5 | Organ Concerto in G minor, op. 4 no. 1, HWV 289: III. Adagio - Andante | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-6 | Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: I. A tempo ordinario e staccato - Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-7 | Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: II. Adagio e staccato - Allegro ma non presto | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-8 | Organ Concerto in G minor, op. 4 no. 3, HWV 291: I. Adagio | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-9 | Organ Concerto in G minor, op. 4 no. 3, HWV 291: II. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-10 | Organ Concerto in G minor, op. 4 no. 3, HWV 291: III. Adagio - Gavotte - Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-11 | Organ Concerto in F major, op. 4 no. 4, HWV 292: [Introduction] | George Malcolm | — | |
| 6-12 | Organ Concerto in F major, op. 4 no. 4, HWV 292: I. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-13 | Organ Concerto in F major, op. 4 no. 4, HWV 292: II. Andante | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-14 | Organ Concerto in F major, op. 4 no. 4, HWV 292: III. Adagio - Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-15 | Organ Concerto in F major, op. 4 no. 5, HWV 293: I. Larghetto | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-16 | Organ Concerto in F major, op. 4 no. 5, HWV 293: II. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-17 | Organ Concerto in F major, op. 4 no. 5, HWV 293: III. Alla siciliana | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-18 | Organ Concerto in F major, op. 4 no. 5, HWV 293: IV. Presto | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | T-318.676.528-2 | |
| 6-19 | Organ Concerto in B flat major, op. 4 no. 6, HWV 294: I. Andante - Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-20 | Organ Concerto in B flat major, op. 4 no. 6, HWV 294: II. Larghetto | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-21 | Organ Concerto in B flat major, op. 4 no. 6, HWV 294: III. Allegro moderato | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | T-902.685.630-4 | |
| 7-1 | Sonata: Il Trionfo del Tempo e del Disinganno, HWV 46a | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-2 | Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": I. Larghetto | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-3 | Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": II. Allegro | — | ||
| 7-4 | Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": III. Organo ad libitum | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-5 | Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": IV. Larghetto | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-6 | Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": V. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-7 | Organ Concerto no. 14 in A major, HWV 296: I. Largo e staccato | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-8 | Organ Concerto no. 14 in A major, HWV 296: II. Organo ad libitum | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-9 | Organ Concerto no. 14 in A major, HWV 296: III. Andante | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-10 | Organ Concerto no. 14 in A major, HWV 296: IV. Grave | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-11 | Organ Concerto no. 14 in A major, HWV 296: V. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-12 | Organ Concerto no. 15 in D minor, HWV 304: I. Andante | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-13 | Organ Concerto no. 15 in D minor, HWV 304: II. (Organ adagio e fuga allegro) | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-14 | Organ Concerto no. 15 in D minor, HWV 304: III. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-15 | Organ Concerto no. 16 in F major, HWV 305: I. Ouverture | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | T-003.013.959-3 | |
| 7-16 | Organ Concerto no. 16 in F major, HWV 305: II. Allegro | — | ||
| 7-17 | Organ Concerto no. 16 in F major, HWV 305: III. Allegro ma non troppo | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-18 | Organ Concerto no. 16 in F major, HWV 305: IV. Adagio | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | T-318.676.528-2 | |
| 7-19 | Organ Concerto no. 16 in F major, HWV 305: V. Andante | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-20 | Organ Concerto no. 16 in F major, HWV 305: VI. Allegro | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-21 | Oboe Concerto in B-flat major, op. 3 no. 1, HWV 301 | Roger Lord, Academy of St Martin in the Fields, Sir Neville Marriner | T-305.735.912-9 | |
| 7-22 | Oboe Concerto in B-flat major, op. 3 no. 2a, HWV 302a | Roger Lord, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-23 | Oboe Concerto: Fragment from op. 3, no. 2b | Roger Lord, Academy of St Martin in the Fields, Sir Neville Marriner | T-005.005.728-7 | |
| 8-1 | Oboe Concerto, op. 3, no. 3 in G minor, HWV 287 | Roger Lord, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-2 | Solomon, HWV 67: Act III. The Arrival of the Queen of Sheba | Academy of St Martin in the Fields, Sir Neville Marriner | T-011.174.209-6 | |
| 8-3 | Concerto grosso in C major, HWV 318 "Alexander's Feast": I. Allegro | Thurston Dart, Philomusica of London, Granville Jones | — | |
| 8-4 | Concerto grosso in C major, HWV 318 "Alexander's Feast": II. Adagio | Thurston Dart, Philomusica of London, Granville Jones | — | |
| 8-5 | Concerto grosso in C major, HWV 318 "Alexander's Feast": III. Allegro | Thurston Dart, Philomusica of London, Granville Jones | — | |
| 8-6 | Concerto grosso in C major, HWV 318 "Alexander's Feast": IV. Andante, non presto | Thurston Dart, Philomusica of London, Granville Jones | — | |
| 8-7 | Concerto a due cori No. 1, HWV 332: I. Ouverture | Academy of Ancient Music, Christopher Hogwood | T-009.030.807-8 | |
| 8-8 | Concerto a due cori No. 1, HWV 332: II. Allegro ma non troppo | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-9 | Concerto a due cori, no. 1 in B-flat major, HWV 332: III. Allegro | — | ||
| 8-10 | Concerto a due cori No. 1, HWV 332: IV. Largo | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-11 | Concerto a due cori No. 1, HWV 332: V. A tempo ordinario | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-12 | Concerto a due cori No. 1, HWV 332: VI. Alla breve. Moderato | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-13 | Concerto a due cori No. 1, HWV 332: VII. Menuet. Allegro | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-14 | Concerto a due cori No. 2, HWV 333: I. Pomposo | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-15 | Concerto a due cori No. 2, HWV 333: II. Allegro | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-16 | Concerto a due cori No. 2, HWV 333: III. A tempo giusto | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-17 | Concerto a due cori No. 2, HWV 333: IV. Largo | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-18 | Concerto a due cori No. 2, HWV 333: V. Allegro ma non troppo - Adagio | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-19 | Concerto a due cori No. 2, HWV 333: VI. A tempo ordinario | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-20 | Concerto a due cori No. 3, HWV 334: I. Ouverture | Academy of Ancient Music, Christopher Hogwood | T-009.030.807-8 | |
| 8-21 | Concerto a due cori No. 3, HWV 334: IIa. Allegro | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-22 | Concerto a due cori No. 3, HWV 334: IIb. Allegro ma non troppo | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-23 | Concerto a due cori No. 3, HWV 334: III. Adagio | Academy of Ancient Music, Christopher Hogwood | T-003.055.867-8 | |
| 8-24 | Concerto a due cori No. 3, HWV 334: IV. Andante larghetto | Academy of Ancient Music, Christopher Hogwood | — | |
| 8-25 | Concerto a due cori No. 3, HWV 334: V. Allegro | Academy of Ancient Music, Christopher Hogwood | — | |
| 9-1 | 6 Trio Sonatas, op. 2: no. 1 in B minor, HWV 386b: I. Andante - Adagio | — | ||
| 9-2 | 6 Trio Sonatas, op. 2: no. 1 in B minor, HWV 386b: II. Allegro ma non troppo | — | ||
| 9-3 | 6 Trio Sonatas, op. 2: no. 1 in B minor, HWV 386b: III. Largo | — | ||
| 9-4 | 6 Trio Sonatas, op. 2: no. 1 in B minor, HWV 386b: IV. Allegro | — | ||
| 9-5 | 6 Trio Sonatas, op. 2: no. 2 in G minor, HWV 387: I. Andante | — | ||
| 9-6 | 6 Trio Sonatas, op. 2: no. 2 in G minor, HWV 387: II. Allegro | — | ||
| 9-7 | 6 Trio Sonatas, op. 2: no. 2 in G minor, HWV 387: III. Largo | — | ||
| 9-8 | 6 Trio Sonatas, op. 2: no. 2 in G minor, HWV 387: IV. Allegro | — | ||
| 9-9 | 6 Trio Sonatas, op. 2: no. 3 in B-flat major, HWV 388: I. Andante - Adagio | — | ||
| 9-10 | 6 Trio Sonatas, op. 2: no. 3 in B-flat major, HWV 388: II. Allegro | — | ||
| 9-11 | 6 Trio Sonatas, op. 2: no. 3 in B-flat major, HWV 388: III. Larghetto | — | ||
| 9-12 | 6 Trio Sonatas, op. 2: no. 3 in B-flat major, HWV 388: IV. Allegro | — | ||
| 9-13 | 6 Trio Sonatas, op. 2: no. 4 in F major, HWV 389: I. Larghetto | — | ||
| 9-14 | 6 Trio Sonatas, op. 2: no. 4 in F major, HWV 389: II. Allegro | — | ||
| 9-15 | 6 Trio Sonatas, op. 2: no. 4 in F major, HWV 389: III. Adagio | — | ||
| 9-16 | 6 Trio Sonatas, op. 2: no. 4 in F major, HWV 389: IV. Allegro | — | ||
| 9-17 | 6 Trio Sonatas, op. 2: no. 4 in F major, HWV 389: V. Allegro | — | ||
| 10-1 | 6 Trio Sonatas, op. 2: no. 5 in G minor, HWV 390a: I. Larghetto - Adagio | — | ||
| 10-2 | 6 Trio Sonatas, op. 2: no. 5 in G minor, HWV 390a: II. Allegro | — | ||
| 10-3 | 6 Trio Sonatas, op. 2: no. 5 in G minor, HWV 390a: III. Adagio | — | ||
| 10-4 | 6 Trio Sonatas, op. 2: no. 5 in G minor, HWV 390a: IV. Allegro | — | ||
| 10-5 | 6 Trio Sonatas, op. 2: no. 6 in G minor, HWV 391: I. Andante - Allegro | — | ||
| 10-6 | 6 Trio Sonatas, op. 2: no. 6 in G minor, HWV 391: II. Arioso | — | ||
| 10-7 | 6 Trio Sonatas, op. 2: no. 6 in G minor, HWV 391: III. Allegro | — | ||
| 10-8 | Trio Sonata in F major, HWV 392: I. Andante | — | ||
| 10-9 | Trio Sonata in F major, HWV 392: II. Allegro | — | ||
| 10-10 | Trio Sonata in F major, HWV 392: III. Adagio | — | ||
| 10-11 | Trio Sonata in F major, HWV 392: IV. Allegro | — | ||
| 10-12 | Trio Sonata in G minor, HWV 393: I. Andante | — | ||
| 10-13 | Trio Sonata in G minor, HWV 393: II. Allegro | — | ||
| 10-14 | Trio Sonata in G minor, HWV 393: III. Largo | — | ||
| 10-15 | Trio Sonata in G minor, HWV 393: IV. Allegro | — | ||
| 11-1 | Sonata for flute and continuo in A minor, HWV 374: I. Adagio | Academy of St Martin in the Fields Chamber Ensemble | — | |
| 11-2 | Sonata for flute and continuo in A minor, HWV 374: II. Allegro | Academy of St Martin in the Fields Chamber Ensemble | — | |
| 11-3 | Sonata for flute and continuo in A minor, HWV 374: III. Adagio | Academy of St Martin in the Fields Chamber Ensemble | T-070.930.360-5 | |
| 11-4 | Sonata for flute and continuo in A minor, HWV 374: IV. Allegro | Academy of St Martin in the Fields Chamber Ensemble | T-318.676.528-2 | |
| 11-5 | Sonata for flute and continuo in E minor, HWV 375: I. Adagio | The Academy Chamber Ensemble | — | |
| 11-6 | Sonata for flute and continuo in E minor, HWV 375: II. Allegro | The Academy Chamber Ensemble | — | |
| 11-7 | Sonata for flute and continuo in E minor, HWV 375: III. Grave | The Academy Chamber Ensemble | — | |
| 11-8 | Sonata for flute and continuo in E minor, HWV 375: IV. Minuet | The Academy Chamber Ensemble | T-900.983.209-1 | |
| 11-9 | Sonata for flute and continuo in B minor, HWV 376: I. Adagio | The Academy Chamber Ensemble | — | |
| 11-10 | Sonata for flute and continuo in B minor, HWV 376: II. Allegro | The Academy Chamber Ensemble | — | |
| 11-11 | Sonata for flute and continuo in B minor, HWV 376: III. Largo | The Academy Chamber Ensemble | — | |
| 11-12 | Sonata for flute and continuo in B minor, HWV 376: IV. Allegro | The Academy Chamber Ensemble | — | |
| 11-13 | Sonata for flute and continuo in E minor, op. 1 no. 1a, HWV 379: I. Larghetto – Adagio | The Academy Chamber Ensemble | — | |
| 11-14 | Sonata for flute and continuo in E minor, op. 1 no. 1a, HWV 379: II. Andante | The Academy Chamber Ensemble | — | |
| 11-15 | Sonata for flute and continuo in E minor, op. 1 no. 1a, HWV 379: III. Largo | The Academy Chamber Ensemble | — | |
| 11-16 | Sonata for flute and continuo in E minor, op. 1 no. 1a, HWV 379: IV. Allegro | The Academy Chamber Ensemble | T-318.676.528-2 | |
| 11-17 | Sonata for flute and continuo in E minor, op. 1 no. 1a, HWV 379: V. Presto | The Academy Chamber Ensemble | — | |
| 11-18 | Sonata for flute and continuo in D major, HWV 378: I. Adagio | The Academy Chamber Ensemble | — | |
| 11-19 | Sonata for flute and continuo in D major, HWV 378: II. Allegro | The Academy Chamber Ensemble | — | |
| 11-20 | Sonata for flute and continuo in D major, HWV 378: III. Adagio | The Academy Chamber Ensemble | T-070.930.360-5 | |
| 11-21 | Sonata for flute and continuo in D major, HWV 378: IV. Allegro | The Academy Chamber Ensemble | — | |
| 12-1 | Messiah, Part 1: No. 1. Symphony | Academy of St Martin in the Fields, Sir Neville Marriner | T-800.132.125-2 | |
| 12-2 | Messiah, Part 1: Nos. 2-3. Recitative & Air Tenor. "Comfort ye my people... Every valley shall be exalted" | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-3 | Messiah, Part 1: No. 4. Chorus. "And the glory of the Lord" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-4 | Messiah, Part 1: Nos. 5-6. Recitative & Air bass. "Thus saith the Lord... But who may abide" | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-5 | Messiah, Part 1: No. 7. Chorus. "And he shall purify" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-6 | Messiah, Part 1: Nos. 8-9. Recitative & Air alto & Chorus. "Behold, a virgin shall conceive... O thou That tellest good tidings to Zion" | Academy of St. Martin in the Fields Chorus, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-7 | Messiah, Part 1: Nos. 10-11. Recitative & Air bass. "For behold, darkness shall cover the earth... The people that walked in darkness" | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-8 | Messiah: Part 1: No. 12. Chorus. "For unto us a child is born" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-9 | Messiah, Part 1: No. 13. Pifa | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-10 | Messiah, Part 1: Nos. 14-16. Recitative soprano. "There were shepherds, abiding in the field... And lo! the angel of the Lord come upon them... And the angel said unto them... And suddenly there was with the angel" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-11 | Messiah, Part 1: No. 17. Chorus. "Glory to God in the highest" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-12 | Messiah, Part 1: No. 18. Air soprano. "Rejoice greatly, O daughter of Zion" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-13 | Messiah, Part 1: Nos. 19-20. Recitative and Aria alto. "Then shall the eyes... He shall feed is flock" | Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-14 | Messiah, Part 1: No. 21. Chorus. "His yoke is easy" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12-15 | Messiah, Part 2: No. 22. Chorus ."Behold the Lamb of God" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-901.234.397-4 | |
| 12-16 | Messiah, Part 2: No. 23. Air alto: He was despised" | Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-1 | Messiah, Part 2: No. 24. Chorus. "Surely he hath borne our griefs" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-2 | Messiah, Part 2: No. 25. Chorus. "And with his stripes" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-3 | Messiah, Part 2: No. 26. Chorus. "All we like sheep" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-4 | Messiah, Part 2: Nos. 27-28. Recitative tenor & Chorus. "All they that see him... He trusted in God" | Academy of St. Martin in the Fields Chorus, Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-5 | Messiah, Part 2: Nos. 29-30. Recitative & Arioso soprano. "Thy rebuke hath broken his heart... Behold and see" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-6 | Messiah, Part 2: Nos. 31-32. Recitative & Air tenor. "He was cut off out of the land of the living..." | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-7 | Messiah, Part 2: No. 33. Chorus. "Lift up you heads" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-900.154.357-3 | |
| 13-8 | Messiah, Part 2: Nos. 34-35. Recitative Tenor & Chorus. "Unto Which of the Angels..." | Academy of St. Martin in the Fields Chorus, Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-9 | Messiah, Part 2: No. 36. Air bass. "Thou art gone up on high" | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-10 | Messiah: Part 2, no. 37. Chorus “The Lord gave the Word” | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-700.077.972-8 | |
| 13-11 | Messiah, Part 2: No. 38. Duet Soprano & Alto, Chorus. "How Beautiful Are the Feet..." | Academy of St. Martin in the Fields Chorus, Elly Ameling, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-12 | Messiah, Part 2: No. 39. Arioso tenor. "Their sound is gone out" | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-13 | Messiah, Part 2: Nos. 40-41. Air bass & Chorus. "Why do the nations so furiously rage together..." | Academy of St. Martin in the Fields Chorus, Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-14 | Messiah, Part 2: Nos. 42-43. Recitative & Air tenor. "He that dwelleth in heaven..." | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-15 | Hallelujah Chorus (Messiah) | Academy of St Martin in the Fields Chorus, László Heltay, Academy of St Martin in the Fields, Sir Neville Marriner | T-060.898.099-9 | |
| 13-16 | Messiah, Part 3: No. 45. Air soprano: "I Know that my Redeemer liveth" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-17 | Messiah, Part 3: No. 46. Chorus. "Since by man came death" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-18 | Messiah, Part 3: Nos. 47-48. Recitative & Air bass. "Behold, I tell you a mystery..." | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-19 | Messiah, Part 3: Nos. 49-51. Recitative alto, Duet alto & tenor, Chorus. "Then shall be brougt to pass..." | Academy of St. Martin in the Fields Chorus, Philip Langridge, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13-20 | Messiah, Part 3: No. 52. Air alto. "If God be for us" | Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | T-309.171.937-4 | |
| 13-21 | Messiah, Part 3: No. 53. Chorus. "Worthy is the Lamb... Amen" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14-1 | Israel in Egypt: Part I, no. 1: Prelude | — | ||
| 14-2 | Israel in Egypt: Part I, no. 2: Chorus "The sons of Israel do mourn" | — | ||
| 14-3 | Israel in Egypt: Part I, no. 3: Chorus "He put on righteousness" | — | ||
| 14-4 | Israel in Egypt: Part I, no. 4: Quartet "When the ear heard him" (soprano I, alto I, tenor, bass I) | — | ||
| 14-5 | Israel in Egypt: Part I, no. 5: Chorus "How is the might fall'n" | — | ||
| 14-6 | Israel in Egypt: Part I, no. 6: Chorus "He deliver'd the poor" | — | ||
| 14-7 | Israel in Egypt: Part I, no. 7: Chorus "How is the might fall'n" | — | ||
| 14-8 | Israel in Egypt: Part I, no. 8: Quartet - Chorus "The righteous shall be had" (soprano I, alto I, tenor, bass I) | — | ||
| 14-9 | Israel in Egypt: Part I, no. 9: Chorus "Their bodies are buried in peace" | — | ||
| 14-10 | Israel in Egypt: Part I, no. 10: Chorus "The people will tell of their wisdom" | — | ||
| 14-11 | Israel in Egypt: Part I, no. 11: Quartet "They shall receive a glorious kingdom" (soprano I, alto I, tenor, bass I) | — | ||
| 14-12 | Israel in Egypt: Part I, no. 12: Chorus "The merciful goodness of the Lord" | — | ||
| 14-13 | Israel in Egypt: Part II, no. 1: Recitative "Now these arose a new king over Egypt" (tenor) | — | ||
| 14-14 | Israel in Egypt: Part II, no. 2: Chorus "And the children of Israel sighed" (with alto II) | — | ||
| 14-15 | Israel in Egypt: Part II, no. 3: Recitative "Then sent he Moses" (tenor) | — | ||
| 14-16 | Israel in Egypt: Part II, no. 4: Chorus "They loathed to drink of the river" | — | ||
| 14-17 | Israel in Egypt: Part II, no. 5: Air "Their land brought forth frogs" (alto I) | — | ||
| 14-18 | Israel in Egypt: Part II, no. 6: Chorus "He spake the word" | — | ||
| 14-19 | Israel in Egypt: Part II, no. 7: Chorus "He gave them hailstones for rain" | — | ||
| 14-20 | Israel in Egypt: Part II, no. 8: Chorus "He sent a thick darkness" | — | ||
| 14-21 | Israel in Egypt: Part II, no. 9: Chorus "He smote all the first-born of Egypt" | — | ||
| 14-22 | Israel in Egypt: Part II, no. 10: Chorus "But as for his people" | — | ||
| 14-23 | Israel in Egypt: Part II, no. 11: Chorus "Egypt was glad" | — | ||
| 14-24 | Israel in Egypt: Part II, no. 12: Chorus "He rebuked the Red Sea" | — | ||
| 14-25 | Israel in Egypt: Part II, no. 13: Chorus "He led them through the deep" | — | ||
| 14-26 | Israel in Egypt: Part II, no. 14: Chorus "But the waters overwhelmed their enemies" | — | ||
| 14-27 | Israel in Egypt: Part II, no. 15: Chorus "And Israel saw that great work" | — | ||
| 14-28 | Israel in Egypt: Part II, no. 16: Chorus "And believed the Lord" | — | ||
| 15-1 | Israel in Egypt: Part III, no. 17: Introitus (Chorus) "Moses and the children of Israel" | — | ||
| 15-2 | Israel in Egypt: Part III, no. 18: Chorus "I will sing unto the lord" | — | ||
| 15-3 | Israel in Egypt: Part III, no. 19: Duet "The Lord is my strength" (sopranos I & II) | — | ||
| 15-4 | Israel in Egypt: Part III, no. 20: Chorus "He is my god" / no. 21: Chorus "And I will exalt him" | — | ||
| 15-5 | Israel in Egypt: Part III, no. 22: Duet "The Lord is a man of war" (basses I & II) | — | ||
| 15-6 | Israel in Egypt: Part III, no. 23: Chorus "The depths have covered them" | — | ||
| 15-7 | Israel in Egypt: Part III, no. 24: Chorus "Thy right hand, o Lord" / no. 25: Chorus "And in the greatness" | — | ||
| 15-8 | Israel in Egypt: Part III: no. 26: Chorus "Thou sentest forth thy wrath" | — | ||
| 15-9 | Israel in Egypt: Part III, no. 27: Chorus "And with the blast of thy nostrils" | — | ||
| 15-10 | Israel in Egypt: Part III, no. 28: Air "The enemy said" (tenor) | — | ||
| 15-11 | Israel in Egypt: Part III, no. 29: Air "Thou didst blow with the wind" (soprano I) | — | ||
| 15-12 | Israel in Egypt: Part III, no. 30: Chorus "Who is like unto thee, o Lord" / no. 31: Chorus "The earth swallowed them" | — | ||
| 15-13 | Israel in Egypt: Part III, no. 32: Duet "Thou in thy mercy" (alto I, tenor) | — | ||
| 15-14 | Israel in Egypt: Part III, no. 33: Chorus "The people shall hear" | — | ||
| 15-15 | Israel in Egypt: Part III, no. 34: Air "Thou shalt bring them" (alto I) | — | ||
| 15-16 | Israel in Egypt: Part III, no. 35: Chorus "The Lord shall reign for ever and ever" | — | ||
| 15-17 | Israel in Egypt: Part III, no. 36: Recitative "For the horse of Pharaoh" (tenor) | — | ||
| 15-18 | Israel in Egypt: Part III, no. 37: Chorus "The Lord shall reign for ever and ever" | — | ||
| 15-19 | Israel in Egypt: Part III, no. 38: Recitative "And Miriam the prophetess (tenor) | — | ||
| 15-20 | Israel in Egypt: Part III, no. 39: Chorus "Sing ye to the Lord" (with soprano) | — | ||
| 16-1 | Zadok the Priest | Choir of Westminster Abbey, Simon Preston, The English Concert, Trevor Pinnock | T-900.138.712-8 | |
| 16-2 | The Anthems for the Coronation of King George II and Queen Caroline: II. The king shall rejoice, HWV 260 | — | ||
| 16-3 | The Anthems for the Coronation of King George II and Queen Caroline: III. My heart is inditing, HWV 261 | — | ||
| 16-4 | The Anthems for the Coronation of King George II and Queen Caroline: IV. Let thy hand be strengthened, HWV 259 | — | ||
| 17-1 | Dixit Dominus, HWV 232: I. Dixit Dominus | Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-2 | Dixit Dominus, HWV 232: II. Virgam virtutis | Diana Montague, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-3 | Dixit Dominus, HWV 232: III. Tecum principium | Arleen Augér, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-4 | Dixit Dominus, HWV 232: IV. Juravit Dominus | Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-5 | Dixit Dominus, HWV 232: V. Tu es sacerdos | Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-6 | Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | Arleen Augér, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-7 | Dixit Dominus, HWV 232: VII. Judicabit in nationibus | Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-8 | Dixit Dominus, HWV 232: VIII. De torrente in via bibet | Arleen Augér, Lynne Dawson, Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-9 | Dixit Dominus, HWV 232: IX. Gloria Patri | Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-10 | Nisi Dominus, HWV 238: I. Nisi Dominus | Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-11 | Nisi Dominus, HWV 238: II. Vanum est | John Mark Ainsley, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-12 | Nisi Dominus, HWV 238: III. Cum dederit dilectis suis somnum | Diana Montague, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-13 | Nisi Dominus, HWV 238: IV. Sicut sagittae in manu potentis | Simon Birchall, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-14 | Nisi Dominus, HWV 238: V. Beatus vir | John Mark Ainsley, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-15 | Nisi Dominus, HWV 238: VI. Gloria Patri | Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-16 | Salve regina, HWV 241: I. Salve regina | Arleen Augér, Orchestra of Westminster Abbey, Simon Preston | T-072.593.133-8 | |
| 17-17 | Salve regina, HWV 241: II. Ad te clamanus | Arleen Augér, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-18 | Salve regina, HWV 241: III. Eia ergo, advocata nostro | Arleen Augér, Orchestra of Westminster Abbey, Simon Preston | — | |
| 17-19 | Salve regina, HWV 241: IV. O clemens, o pia | Arleen Augér, Orchestra of Westminster Abbey, Simon Preston | — | |
| 18-1 | Te Deum, HWV 283: I. We Praise Thee, o God | — | ||
| 18-2 | Te Deum, HWV 283: II. All the Earth Does Worship Thee | — | ||
| 18-3 | Te Deum, HWV 283: III. To Thee All Angels Cry Aloud | — | ||
| 18-4 | Te Deum, HWV 283: IV. To Thee Cherubin and Seraphim | — | ||
| 18-5 | Te Deum, HWV 283: V. To Glorious Company of Th'Apostles | — | ||
| 18-6 | Te Deum, HWV 283: VI. Thine Honourable, True, and Only Son | — | ||
| 18-7 | Te Deum, HWV 283: VII. Thou Art the King of Glory | — | ||
| 18-8 | Te Deum, HWV 283: VIII. When Thou Tookest Upon Thee | — | ||
| 18-9 | Te Deum, HWV 283: IX. When Thou Hadst Overcome the Sharpness of Death | — | ||
| 18-10 | Te Deum, HWV 283: X. Thou Didst Open the Kingdom of Heaven | — | ||
| 18-11 | Te Deum, HWV 283: XI. Thou Sittest at the Right Hand of God | — | ||
| 18-12 | Te Deum, HWV 283: XII. Adagio | — | ||
| 18-13 | Te Deum, HWV 283: XIII. We Therefore Pray Thee | — | ||
| 18-14 | Te Deum, HWV 283: XIV. Make Them to Be Number'd | — | ||
| 18-15 | Te Deum, HWV 283: XV. Day by Day We Magnify Thee | — | ||
| 18-16 | Te Deum, HWV 283: XVI. And We Worship Thy Name | — | ||
| 18-17 | Te Deum, HWV 283: XVII. Vouchsafe, o Lord | — | ||
| 18-18 | Te Deum, HWV 283: XVIII. O Lord, in Thee Have I Trusted | — | ||
| 18-19 | The King Shall Rejoice, HWV 265: I. The King Shall Rejoice | — | ||
| 18-20 | The King Shall Rejoice, HWV 265: II. His Honour Is Great | — | ||
| 18-21 | The King Shall Rejoice, HWV 265: III. Thou Shalt Give Him Everlasting Felicity | — | ||
| 18-22 | The King Shall Rejoice, HWV 265: IV. And Why? Because the King Putteth His Trust in the Lord | — | ||
| 18-23 | The King Shall Rejoice, HWV 265: V. We Shall Rejoice in Thy Salvation | — | ||
| 19-1 | Ode for St Cecilia’s Day, HWV 76: I. Overture | The English Concert, Trevor Pinnock | — | |
| 19-2 | Ode for St Cecilia’s Day, HWV 76: II. Recitative / Accompagnato “From harmony from heav’nly harmony” (tenor) | Anthony Rolfe Johnson, The English Concert, Trevor Pinnock | — | |
| 19-3 | Ode for St Cecilia’s Day, HWV 76: III. Chorus “From harmony, from heav’nly harmony” | The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 19-4 | Ode for St Cecilia’s Day, HWV 76: IV. Aria “What passion cannot music raise and quell” (soprano) | Felicity Lott, The English Concert, Trevor Pinnock | — | |
| 19-5 | Ode for St Cecilia’s Day, HWV 76: V. Aria and Chorus “The trumpet’s loud clangor” (tenor) | The English Concert, Trevor Pinnock | — | |
| 19-6 | Ode for St Cecilia’s Day, HWV 76: VI. March | The English Concert, Trevor Pinnock | T-061.793.179-9 | |
| 19-7 | Ode for St Cecilia’s Day, HWV 76: VII. Aria “The soft complaining flute” (soprano) | Felicity Lott, The English Concert, Trevor Pinnock | — | |
| 19-8 | Ode for St Cecilia’s Day, HWV 76: VIII. Aria “Sharp violins proclaim” (tenor) | Anthony Rolfe Johnson, The English Concert, Trevor Pinnock | — | |
| 19-9 | Ode for St Cecilia’s Day, HWV 76: IX. Aria “But oh! What art can teach” (soprano) | Felicity Lott, The English Concert, Trevor Pinnock | — | |
| 19-10 | Ode for St Cecilia’s Day, HWV 76: X. Aria “Orpheus could lead the savage race” (soprano) | Felicity Lott, The English Concert, Trevor Pinnock | — | |
| 19-11 | Ode for St Cecilia’s Day, HWV 76: XI. Accompagnato “But bright Cecilia” (soprano) | Felicity Lott, The English Concert, Trevor Pinnock | — | |
| 19-12 | Ode for St Cecilia’s Day, HWV 76: XII. Soprano and Chorus “As from the pow’r and sacred lays” | Felicity Lott, The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 20-1 | Hercules, HWV 60: Act I, no. 1: Overtura | — | ||
| 20-2 | Hercules, HWV 60: Act I, no. 2: Recitativo accompagnato "See with what sad dejection" (Lichas) | — | ||
| 20-3 | Hercules, HWV 60: Act I, no. 3: Aria "No longer, Fate, relentless frown" (Lichas) | — | ||
| 20-4 | Hercules, HWV 60: Act I, no. 4: Recitativo accompagnato "O Hercules! Why art thou absent from me" (Dejanira) / no. 5: Aria "The world, when day's career is run" (Dejanira) | — | ||
| 20-5 | Hercules, HWV 60: Act I, no. 6: Recitativo "Princess! Be comforted, and hope the best" (Lichas, Dejanira, Hyllys) | — | ||
| 20-6 | Hercules, HWV 60: Act I, no. 7: Aria "I feel, I feel the god" (Hyllus) | — | ||
| 20-7 | Hercules, HWV 60: Act I, no. 8: Recitativo "Then I am lost! O dreadful oracle!" (Dejanira) / no. 9: Aria "There in myrtle shades reclined" (Dejanira) | — | ||
| 20-8 | Hercules, HWV 60: Act I, no. 10: Recitativo "Despair not! But let rising hope suspend" (Hyllus) / no. 11: Aria "Where congealed the northern streams" (Hyllus) | — | ||
| 20-9 | Hercules, HWV 60: Act I, no. 12: Chorus: "O filial piety! O generous love!" | — | ||
| 20-10 | Hercules, HWV 60: Act I, no. 13: Recitativo "Banish your fears! The noble" (Hercules, Lichas, Dejanira) / no. 14: Aria "Begone my fears, fly hence, away" (Dejanira) | — | ||
| 20-11 | Hercules, HWV 60: Act I, no. 15: Recitativo "A train of captives, red with honest wounds" (Lichas, Hyllus, Dejanira) | — | ||
| 20-12 | Hercules, HWV 60: Act I, no. 16: March | — | ||
| 20-13 | Hercules, HWV 60: Act I, no. 17: Recitativo "Thanks to the powers above" (Hercules, Iole) | — | ||
| 20-14 | Hercules, HWV 60: Act I, no. 18: Aria "My father! Ah! Methinks I see" (Iole) | — | ||
| 20-15 | Hercules, HWV 60: Act I, no. 19: Recitativo "Now farewell, arms! From hence the tide of time" (Hercules) / no. 20: Aria "The god of battle quits the bloody field" (Hercules) | — | ||
| 20-16 | Hercules, HWV 60: Act I, no. 21: Chorus "Crown with festal pomp the day" | — | ||
| 20-17 | Hercules, HWV 60: Act II, no. 22: Aria "How blest the maid ordained to dwell" (Iole) | — | ||
| 20-18 | Hercules, HWV 60: Act II, no. 23: Recitativo "It must be so! Fame speaks aloud my wrongs" (Dejanira, Iole) / no. 24: Aria "When beauty sorrow's livery wears" (Dejanira) | — | ||
| 20-19 | Hercules, HWV 60: Act II, no. 25: Recitavio "Whence this unjust suspicion?" (Iole) | — | ||
| 20-20 | Hercules, HWV 60: Act II, no. 26: Aria "Ah! I think what ills the jealous prove" (Iole) | — | ||
| 20-21 | Hercules, HWV 60: Act II, no. 27: Recitativo "It is too sure that Hercules is false" (Dejanira, Lichas) | — | ||
| 20-22 | Hercules, HWV 60: Act II, no. 28: Chorus "Jealousy! Infernal pest" | — | ||
| 21-1 | Hercules, HWV 60: Act II, no. 29: Recitativo "She knows my passion, and has heard me breathe" (Hyllus, Iole) | — | ||
| 21-2 | Hercules, HWV 60: Act II, no. 30: Aria "From celestial seats descending" (Hyllus) | — | ||
| 21-3 | Hercules, HWV 60: Act II, no. 31: Chorus "Wanton God of amorous fires" | — | ||
| 21-4 | Hercules, HWV 60: Act II, no. 32: Recitativo "Yes, I congratulate your titles, swelled" (Dejanira, Hercules) / no. 33: Aria "Alcides' name in latest story" (Dejanira) | — | ||
| 21-5 | Hercules, HWV 60: Act II, no. 34: Recitativo "O glorious pattern of heroic dees!" (Dejanira) / no. 35: Aria "Resign thy club and lion's spoils" (Dejanira) | — | ||
| 21-6 | Hercules, HWV 60: Act II, no. 36: Recitativo "You are deceived! Some villainhas belied Hercules" (Dejanira) | — | ||
| 21-7 | Hercules, HWV 60: Act II, no. 37: Aria "Cease, rules of the day, to rise" (Dejanira) | — | ||
| 21-8 | Hercules, HWV 60: Act II, no. 38: Recitativo "Some kinder power inspire me to regain" (Dejanira, Lichas, Iole) | — | ||
| 21-9 | Hercules, HWV 60: Act II, no. 39: Duet "Joys of freedom, joys of power" (Dejanira Iole) | — | ||
| 21-10 | Hercules, HWV 60: Act II, no. 40: Recitativo "Father of Hercules, great Jove, O help" (Dejanira) / no. 41: Chorus "Love and Hymen, hand in hand" | — | ||
| 21-11 | Hercules, HWV 60: Act III, no. 42: Sinfonia | — | ||
| 21-12 | Hercules, HWV 60: Act III, no. 43: Recitativo "Ye sons of Trachin, mourn your valiant chief" (Lichas) | — | ||
| 21-13 | Hercules, HWV 60: Act III, no. 44: Aria "O scene of unexampled woe" (Lichas) | — | ||
| 21-14 | Hercules, HWV 60: Act III, no. 45: Chorus "Tyrants now no more shall dread" | — | ||
| 21-15 | Hercules, HWV 60: Act III, no. 46: Recitativo accompagnato "O Jove! What land is this, what clime accurst" (Hercules) | — | ||
| 21-16 | Hercules, HWV 60: Act III, no. 47: Recitativo "Great Jove! Relieve his pains!" (Hyllus, Hercules) | — | ||
| 21-17 | Hercules, HWV 60: Act III, no. 48: Aria "Let not fame the tidings spread" (Hyllus) | — | ||
| 21-18 | Hercules, HWV 60: Act III, no. 49: Recitativo accompagnato "Where shall I fly? Where hide this quilty head?" (Dejanira) | — | ||
| 21-19 | Hercules, HWV 60: Act III, no. 50: Recitativo "Lo! The fair fatal cause of all this ruin! (Dejanira, Iole) | — | ||
| 21-20 | Hercules, HWV 60: Act III, no. 51: Aria "My breast with tender pity swells" (Iole) | — | ||
| 21-21 | Hercules, HWV 60: Act III, no. 52: Recitativo "Princess, rejoice! Whose heaven heaven-directed hand" (Priest of Jupiter, Dejanira) | — | ||
| 21-22 | Hercules, HWV 60: Act III, no. 53: Recitativo "Words are too faint to speak the warring passions" (Dejanira, Priest, Hyllus, Iole) | — | ||
| 21-23 | Hercules, HWV 60: Act III, no. 54: Duet "O prince, whose virtues all admire" (Iole, Hyllus) / no. 55: Recitativo "Ye sons of freedom, now in every clime" (Priest) | — | ||
| 21-24 | Hercules, HWV 60: Act III, no. 56: Chorus "To him your grateful notes of praise belong" | — | ||
| 22-1 | Judas Maccabaeus, HWV 63: no. 1: Overture | — | ||
| 22-2 | Judas Maccabaeus, HWV 63: Act I, no. 2: Chorus "Mourn, ye afflicted children" | — | ||
| 22-3 | Judas Maccabaeus, HWV 63: Act I, no. 3: Recitative "Well, may your sorrows, brethren, flow" (Israelitish Man and Woman) | — | ||
| 22-4 | Judas Maccabaeus, HWV 63: Act I, no. 4: Duet "From this dread scene, these adverse pow'rs (Israelitish Man and Woman) | — | ||
| 22-5 | Judas Maccabaeus, HWV 63: Act I, no. 5: Chorus "For Sion lamentation make" | — | ||
| 22-6 | Judas Maccabaeus, HWV 63: Act I, no. 6: Recitative "Not vain is all this storm of grief" (Israelitish Man) | — | ||
| 22-7 | Judas Maccabaeus, HWV 63: Act I, no. 7: Aria "Pious orgies, pious aris" (Israelitish Man) | — | ||
| 22-8 | Judas Maccabaeus, HWV 63: Act I, no. 8: Chorus "Oh Father, whose Almighty pow'r" | — | ||
| 22-9 | Judas Maccabaeus, HWV 63: Act I, no. 9: Recitative "I feel, I feel the Deity within" (Simon) | — | ||
| 22-10 | Judas Maccabaeus, HWV 63: Act I, no. 10: Aria "Arm, arm, ye brave!" (Simon) | — | ||
| 22-11 | Judas Maccabaeus, HWV 63: Act I, no. 11: Chorus "We come, we come, in bright array" | — | ||
| 22-12 | Judas Maccabaeus, HWV 63: Act I, no. 12: Recitative "'Tis well, my friends" (Judas Maccabaeus) | — | ||
| 22-13 | Judas Maccabaeus, HWV 63: Act I, no. 13: Aria "Call forth thy pow'rs, my soul" (Judas Maccabaeus) | — | ||
| 22-14 | Judas Maccabaeus, HWV 63: Act I, no. 14: Recitative "To Heav'n's Almighty king we kneel" (Israelitish Woman) | — | ||
| 22-15 | Judas Maccabaeus, HWV 63: Act I, no. 15: Aria "Oh liberty, thou choicest treasure" (Israelitish Woman) | — | ||
| 22-16 | Judas Maccabaeus, HWV 63: Act I, no. 16: Aria "Come, ever-smiling liberty" (Israelitish Woman) | — | ||
| 22-17 | Judas Maccabaeus, HWV 63: Act I, no. 17: Recitative "Oh Judas, may these noble views inspire" (Israelitish Man) | — | ||
| 22-18 | Judas Maccabaeus, HWV 63: Act I, no. 18: Aria "Tis liberty, dear liberty alone" (Israelitish Man) | — | ||
| 22-19 | Judas Maccabaeus, HWV 63: Act I, no. 19: Duet "Come, ever-smiling liberty" (Israelitish Woman and Man) | — | ||
| 22-20 | Judas Maccabaeus, HWV 63: Act I, no. 20: Chorus "Lead on, lead on ! Juhad disdains" | — | ||
| 22-21 | Judas Maccabaeus, HWV 63: Act I, no. 21: Recitative "So will'd my father, now at rest" (Judas Maccabaeus | — | ||
| 22-22 | Judas Maccabaeus, HWV 63: Act I, no. 22: Semi-chorus "Disdainful of danger, we'll rush on the foe" | — | ||
| 22-23 | Judas Maccabaeus, HWV 63: Act I, no. 23: Recitative "Ambition! If e'er honour was thine aim" (Judas Maccabaeus) | — | ||
| 22-24 | Judas Maccabaeus, HWV 63: Act I, no. 24: Aria "No unhallow'd desire" (Judas Maccabaeus) | — | ||
| 22-25 | Judas Maccabaeus, HWV 63: Act I, no. 25: Recitative "Haste we, my brethren" (Israelitish Man) | — | ||
| 22-26 | Judas Maccabaeus, HWV 63: Act I, no. 26: Chorus "Hear us, oh Lord, on Thee we call" | — | ||
| 23-1 | Judas Maccabaeus, HWV 63: Act II, no. 27: Chorus "Fall'n is the foe; so fall Thy foes, oh Lord!" | — | ||
| 23-2 | Judas Maccabaeus, HWV 63: Act II, no. 28: Recitative "Victorious hero! Fame shall tell" (Israelitish Man) | — | ||
| 23-3 | Judas Maccabaeus, HWV 63: Act II, no. 29: Aria "So rapid thy course is" (Israelitish Man) | — | ||
| 23-4 | Judas Maccabaeus, HWV 63: Act II, no. 30: Recitative "Well may we hope our freedom to receive" (Israelitish Man) | — | ||
| 23-5 | Judas Maccabaeus, HWV 63: Act II, no. 31: Duet "Sion now hear head shall raise" (Israelitish Woman and Man) / no. 32: Chorus "Sion now her head shall raise" | — | ||
| 23-6 | Judas Maccabaeus, HWV 63: Act II, no. 33: Recitative "Oh let eternal honours crown his name" (Israelitish Woman) | — | ||
| 23-7 | Judas Maccabaeus, HWV 63: Act II, no. 34: Aria "From mighty kings he took the spoil" (Israelitish Woman) | — | ||
| 23-8 | Judas Maccabaeus, HWV 63: Act II, no. 36: Chorus "Hail, hail, Judea, happy land" | — | ||
| 23-9 | Judas Maccabaeus, HWV 63: Act II, no. 37: Recitative "Thanks to my breathen; but look up to Heav'n (Judas Maccabaeus) | — | ||
| 23-10 | Judas Maccabaeus, HWV 63: Act II, no. 38: Aria "How vain is man, who boasts in fight" (Judas Maccabaeus) | — | ||
| 23-11 | Judas Maccabaeus, HWV 63: Act II, no. 39: Recitative "Oh Judas, oh my brethren!" (Messenger) | — | ||
| 23-12 | Judas Maccabaeus, HWV 63: Act II, no. 40: Aria "Ah, wretched, wretched Israel" (Israelitish Woman) / no. 41 Chorus "Ah, wretched, wretched Israel!" | — | ||
| 23-13 | Judas Maccabaeus, HWV 63: Act II, no. 42: Recitative "Be comforted, - nor think these plagues are sent" (Simon) | — | ||
| 23-14 | Judas Maccabaeus, HWV 63: Act II, no. 43: Aria "The Lord worketh wonders" (Simon) | — | ||
| 23-15 | Judas Maccabaeus, HWV 63: Act II, no. 44: Recitative "My arms! - against this Gorgias will I go" (Judas Maccabaeus) | — | ||
| 23-16 | Judas Maccabaeus, HWV 63: Act II, no. 45: Aria "Sound an alarm! Your silver trumpets sound" (Judas Maccabaeus) / no. 46: Chorus "We hear, we hear the pleasing dreadful call" | — | ||
| 23-17 | Judas Maccabaeus, HWV 63: Act II, no. 47: Recitative "Enough! To heav'n we leave the rest" (Simon) | — | ||
| 23-18 | Judas Maccabaeus, HWV 63: Act II, no. 48: Aria "With pious hearts, and brave as pious" (Simon) | — | ||
| 23-19 | Judas Maccabaeus, HWV 63: Act II, no. 49: Recitative "Ye worshippers of God" (Israelitish Woman and Man) | — | ||
| 23-20 | Judas Maccabaeus, HWV 63: Act II, no. 50: Aria "Wise men, flatt'ring, may deceive us" (Israelitish Woman) | — | ||
| 23-21 | Judas Maccabaeus, HWV 63: Act II, no. 51: Duet "Oh! Never, never bow we down" (Israelitish Woman and Man) / no. 52: Chorus "We never, never will bow down" | — | ||
| 24-1 | Judas Maccabaeus, HWV 63: Act III, no. 53: Aria "Father of Heav'n! Thy eternal throne" (Israelitish Man) | — | ||
| 24-2 | Judas Maccabaeus, HWV 63: Act III, no. 54: Recitative "See, see yon flames, that from the altar broke" (Israelitish Man) | — | ||
| 24-3 | Judas Maccabaeus, HWV 63: Act III, no. 55: Recitative "O grant it, Heav'n, that our long woes may cease (Israelitish Woman) | — | ||
| 24-4 | Judas Maccabaeus, HWV 63: Act III, no. 56: Aria "So shall the lute and harp awake" (Israelitish Woman) | — | ||
| 24-5 | Judas Maccabaeus, HWV 63: Act III, no. 57: Recitative "From Capharsalama, on eagle wings I fly" (Messenger, Simon) | — | ||
| 24-6 | Judas Maccabaeus, HWV 63: Act III, no. 58: Chorus "See, the conqu'ring hero comes!" | — | ||
| 24-7 | Judas Maccabaeus, HWV 63: Act III, no. 59: March | — | ||
| 24-8 | Judas Maccabaeus, HWV 63: Act III, no. 60: Chorus "Sing unto God, and high affections rise" | — | ||
| 24-9 | Judas Maccabaeus, HWV 63: Act III, no. 61: Recitative "Sweet flow the strains, that strike my feasted ear" (Judas Maccabaeus) | — | ||
| 24-10 | Judas Maccabaeus, HWV 63: Act III, no. 62: Aria "With honour let desert be crown'd" (Judas Maccabaeus) | — | ||
| 24-11 | Judas Maccabaeus, HWV 63: Act III, no. 63: Recitative "Peace to my countrymen; peace, and liberty" (Eupolemus) | — | ||
| 24-12 | Judas Maccabaeus, HWV 63: Act III, no. 64: Chorus "To our great God be all the honour giv'n" | — | ||
| 24-13 | Judas Maccabaeus, HWV 63: Act III, no. 65: Recitative "Again to earth let gratitude descend (Israelitish Woman) | — | ||
| 24-14 | Judas Maccabaeus, HWV 63: Act III, no. 66: Aria, Duet "O lovely peace, with plenty crown'd" (Israelitish Woman and Man) | — | ||
| 24-15 | Judas Maccabaeus, HWV 63: Act III, no. 67: Aria "Rejoice, oh Judah! and in songs divine" (Simon) | — | ||
| 24-16 | Judas Maccabaeus, HWV 63: Act III, no. 68: Chorus "Hallelujah! Amen" | — | ||
| 25-1 | Solomon, HWV 67: Act I. Overture | Gabrieli Players, Paul McCreesh | — | |
| 25-2 | Solomon, HWV 67: Act I, Scene I. "Your harps and cymbals" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 25-3 | Solomon, HWV 67: Act I, Scene I. "Praise ye the Lord" (Levite) | Peter Harvey, Gabrieli Players, Paul McCreesh | — | |
| 25-4 | Solomon, HWV 67: Act I, Scene I. "With pious heart" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 25-5 | Solomon, HWV 67: Act I, Scene I. "Almighty Power" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 25-6 | Solomon, HWV 67: Act I, Scene I. "Imperial Solomon" (Zadok) | Paul Agnew, Gabrieli Players, Paul McCreesh | — | |
| 25-7 | Solomon, HWV 67: Act I, Scene I. "Sacred raptures" (Zadok) | Paul Agnew, Gabrieli Players, Paul McCreesh | — | |
| 25-8 | Solomon, HWV 67: Act I, Scene I. "Throughout the land" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 25-9 | Solomon, HWV 67: Act I, Scene I. "Bless'd be the Lord" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 25-10 | Solomon, HWV 67: Act I, Scene I. "What though I trace" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 25-11 | Solomon, HWV 67: Act I, Scene II. "And see my Queen" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 25-12 | Solomon, HWV 67: Act I, Scene II. "Bless'd the day" (Queen) | Inger Dam-Jensen, Gabrieli Players, Paul McCreesh | — | |
| 25-13 | Solomon, HWV 67: Act I, Scene II. "Thou fair inhabitant of Nile" (Solomon, Queen) | Andreas Scholl, Inger Dam-Jensen, Gabrieli Players, Paul McCreesh | — | |
| 25-14 | Solomon, HWV 67: Act I, Scene II. "Welcome as the dawn of day" (Solomon, Queen) | Andreas Scholl, Inger Dam-Jensen, Gabrieli Players, Paul McCreesh | — | |
| 25-15 | Solomon, HWV 67: Act I, Scene II. "Vain are the transient beauties" (Zadok) | Paul Agnew, Gabrieli Players, Paul McCreesh | — | |
| 25-16 | Solomon, HWV 67: Act I, Scene II. "Indulge thy faith" (Zadok) | Paul Agnew, Gabrieli Players, Paul McCreesh | — | |
| 25-17 | Solomon, HWV 67: Act I, Scene II. "My blooming fair" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 25-18 | Solomon, HWV 67: Act I, Scene II. "Haste to the cedar grove" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 25-19 | Solomon, HWV 67: Act I, Scene II. "When thou art absent" (Queen) | Inger Dam-Jensen, Gabrieli Players, Paul McCreesh | — | |
| 25-20 | Solomon, HWV 67: Act I, Scene II. "With thee th'unshelter'd moor l'd tread" (Queen) | Inger Dam-Jensen, Gabrieli Players, Paul McCreesh | — | |
| 25-21 | Solomon, HWV 67: Act I, Scene II. "Search round the world" (Zadok) | Paul Agnew, Gabrieli Players, Paul McCreesh | — | |
| 25-22 | Solomon, HWV 67: Act I, Scene II. "May no rash intruder" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 26-1 | Solomon, HWV 67: Act II, Scene I. "From the censer" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 26-2 | Solomon, HWV 67: Act II, Scene I. "Prais'd be the Lord" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 26-3 | Solomon, HWV 67: Act II, Scene I. "When the sun o'er yonder hills" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 26-4 | Solomon, HWV 67: Act II, Scene I. "Great prince" (Levite) | Peter Harvey, Gabrieli Players, Paul McCreesh | — | |
| 26-5 | Solomon, HWV 67: Act II, Scene I. "Thrice bless'd that wise discerning king" (Levite) | Peter Harvey, Gabrieli Players, Paul McCreesh | — | |
| 26-6 | Solomon, HWV 67: Act II, Scene II. "My sovereign liege" (Solomon, 1st Harlot) | Andreas Scholl, Alison Hagley, Gabrieli Players, Paul McCreesh | — | |
| 26-7 | Solomon, HWV 67: Act II, Scene III. "Words are weak" (1st Harlot, 2nd Harlot, Solomon) | Alison Hagley, Susan Bickley, Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 26-8 | Solomon, HWV 67: Act II, Scene III. "What says the other" (Solomon, 2nd Harlot) | Andreas Scholl, Susan Bickley, Gabrieli Players, Paul McCreesh | — | |
| 26-9 | Solomon, HWV 67: Act II, Scene III. "Thy sentence, great king" (2nd Harlot) | Susan Bickley, Gabrieli Players, Paul McCreesh | — | |
| 26-10 | Solomon, HWV 67: Act II, Scene III. "Withold, withold the executing hand!" (1st Harlot) | Alison Hagley, Gabrieli Players, Paul McCreesh | — | |
| 26-11 | Solomon, HWV 67: Act II, Scene III. "Can I see my infant gor'd" (1st Harlot) | Alison Hagley, Gabrieli Players, Paul McCreesh | — | |
| 26-12 | Solomon, HWV 67: Act II, Scene III. "Israel, attend" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 26-13 | Solomon, HWV 67: Act II, Scene III. "Thrice bless'd be the king" (1st Harlot, Solomon) | Alison Hagley, Gabrieli Players, Paul McCreesh | — | |
| 26-14 | Solomon, HWV 67: Act II, Scene III. "From the east unto the west" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | T-070.049.047-6 | |
| 26-15 | Solomon, HWV 67: Act II, Scene III. "From morn to eve" (Zadok) | Paul Agnew, Gabrieli Players, Paul McCreesh | — | |
| 26-16 | Solomon, HWV 67: Act II, Scene III. "See the tall palm" (Zadok) | Paul Agnew, Gabrieli Players, Paul McCreesh | — | |
| 26-17 | Solomon, HWV 67: Act II, Scene III. "No more shall armed bands" (1st Harlot) | Alison Hagley, Gabrieli Players, Paul McCreesh | — | |
| 26-18 | Solomon, HWV 67: Act II, Scene III. "Beneath the vine" (1st Harlot) | Alison Hagley, Gabrieli Players, Paul McCreesh | — | |
| 26-19 | Solomon, HWV 67: Act II, Scene III. "Swell, swell the full chorus" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 27-1 | Solomon, HWV 67: Act III. Sinfony: The Arrival of the Queen of Sheba | Gabrieli Players, Paul McCreesh | T-802.027.359-1 | |
| 27-2 | Solomon, HWV 67: Act III. "From Arabia's spicy shores" (Queen of Sheba, Solomon) | Susan Gritton, Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 27-3 | Solomon, HWV 67: Act III. "Ev'ry sight these eyes behold (Queen of Sheba) | Susan Gritton, Gabrieli Players, Paul McCreesh | — | |
| 27-4 | Solomon, HWV 67: Act III. "Sweep, sweep the string" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 27-5 | Solomon, HWV 67: Act III. "Music, spread thy voice around" (Solomon, Chorus) | Andreas Scholl, Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 27-6 | Solomon, HWV 67: Act III. "Now a diff'rent measure... Shake the dome" (Solomon, Chorus) | Andreas Scholl, Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 27-7 | Solomon, HWV 67: Act III. "Then at once from rage remove" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 27-8 | Solomon, HWV 67: Act III. "Draw the tear from hopeless love" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 27-9 | Solomon, HWV 67: Act III. "Next the tortur'd soul release" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 27-10 | Solomon, HWV 67: Act III. "Thus rolling surges rise" (Solomon, Chorus) | Andreas Scholl, Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 27-11 | Solomon, HWV 67: Act III. "Thy harmony's divine" (Queen of Sheba) | Susan Gritton, Gabrieli Players, Paul McCreesh | — | |
| 27-12 | Solomon, HWV 67: Act III. "Pious king" (Levite) | Peter Harvey, Gabrieli Players, Paul McCreesh | — | |
| 27-13 | Solomon, HWV 67: Act III. "Thrice happy king" (Zadok) | Paul Agnew, Gabrieli Players, Paul McCreesh | — | |
| 27-14 | Solomon, HWV 67: Act III. "Golden columns" (Zadok) | Paul Agnew, Gabrieli Players, Paul McCreesh | — | |
| 27-15 | Solomon, HWV 67: Act III. "Praise the Lord" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 27-16 | Solomon, HWV 67: Act III. "Gold now is common" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 27-17 | Solomon, HWV 67: Act III. "How green our fertile pastures look!" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 27-18 | Solomon, HWV 67: Act III. "May peace in Salem ever dwell" (Queen of Sheba) | Susan Gritton, Gabrieli Players, Paul McCreesh | — | |
| 27-19 | Solomon, HWV 67: Act III. "Will the sun forget to streak" (Queen of Sheba) | Susan Gritton, Gabrieli Players, Paul McCreesh | — | |
| 27-20 | Solomon, HWV 67: Act III. "Adieu, fair queen" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 27-21 | Solomon, HWV 67: Act III. "Ev'ry joy that wisdom knows" (Queen of Sheba, Solomon) | Susan Gritton, Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 27-22 | Solomon, HWV 67: Act III. "The name of the wicked" (Chorus) | Gabrieli Consort, Gabrieli Players, Paul McCreesh | — | |
| 28-1 | Giulio Cesare in Egitto, HWV 17: Overture | Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-2 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 1. Coro "Viva, viva il nostro Alcide!" (Sesto, Cornelia, Nireno, Tolomeo, Curio, Achilla) | Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-3 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 2. Aria "Presti omai l´egizia terra" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-4 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 2. Recitativo "Curio, Cesare venne, e vide" (Cesare, Curio) | Marijana Mijanovic, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-5 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 2. Recitativo "Questa è Cornelia" (Cesare, Curio, Cornelia, Sesto) | Marijana Mijanovic, Jean-Michel Ankaoua, Charlotte Hellekant, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-6 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 2. Recitativo "La reggia Tolomeo t´offre" (Achilla, Cesare, Sesto, Cornelia, Curio) | Alan Ewing, Marijana Mijanovic, Anne Sofie von Otter, Charlotte Hellekant, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-7 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 3. Aria "Empio, dirò, tu sei" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-8 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 3. Recitativo "Già torna in sé" (Curio, Sesto, Cornelia) | Jean-Michel Ankaoua, Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-9 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 4. Aria "Priva son d´ogni conforto" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-10 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 4. Recitativo "Vani sono i lamenti" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-11 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 5. Aria "Svegliatevi nel core" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-12 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 5. Recitativo "Regni Cleopatra" (Cleopatra, Nireno, Tolomeo) | Magdalena Kožená, Pascal Bertin, Bejun Mehta, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-13 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 6. Aria "Non disperar, chi sa? (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-14 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 6. Recitativo "Sire, Signor!" (Achilla, Tolomeo) | Alan Ewing, Bejun Mehta, Marc Minkowski | — | |
| 28-15 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 7. Aria "L´empio, sleale, indegno" (Tolomeo) | Bejun Mehta, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-16 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 8. Accompagnato "Alma del gran Pompeo" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-17 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 8. Recitativo "Qui nobile donzella chiede chinarsi" (Curio, Cesare, Cleopatra) | Jean-Michel Ankaoua, Marijana Mijanovic, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-18 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 9. Aria "Non è sì vago e bello il fiornel prato" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-19 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 9. Recitativo "Cleopatra, vincesti" (Nireno, Cleopatra) | Pascal Bertin, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-20 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 10. Aria "Tutto può donna vezzosa" (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-21 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 11. Arioso "Nel tuo seno, amico sasso" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-22 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 11. Recitativo "Ma che! vile e negletta" (Cornelia, Cleopatra, Sesto, Nireno) | Charlotte Hellekant, Magdalena Kožená, Anne Sofie von Otter, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-23 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 12. Aria "Cara speme, questo core tu cominci" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-24 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 12. Recitativo "Cesare, alla tua destra" (Tolomeo, Cesare, Achilla) | Bejun Mehta, Marijana Mijanovic, Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-25 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 14. Aria "Va tacito e nascosto" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-26 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 14. Recitativo "Sire, con Sesto, il figlio" (Achilla, Tolomeo, Cornelia, Sesto) | Alan Ewing, Bejun Mehta, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-27 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 14. Recitativo "Cornelia, in quei tuoi lumi" (Achilla, Cornelia, Sesto) | Alan Ewing, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 28-28 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 15. Aria "Tu sei il cor di quetro core" (Achilla) | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-1 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 15. Recitativo "Madre!" (Sesto, Cornelia) | Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-2 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Duetto "Son nata a lagrimar" (Sesto, Cornelia) | Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-3 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Recitativo "Esequisti, o Niren" (Cleopatra, Nireno) | Magdalena Kožená, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-4 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Recitativo "Da Cleopatra apprenda" (Nireno, Cesare) | Pascal Bertin, Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-5 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Sinfonia e Recitativo "Taci! ... Cieli" (Cesare, Nireno) | Marijana Mijanovic, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-6 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Sinfonia e Recitativo "Giulio, che miri?" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-7 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 17. Aria e Recitativo "V´adoro, pupile ... Non ha in cielo il Tonante" (Cleopatra, Cesare) | Magdalena Kožená, Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-8 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 17. Recitativo "Vola, mio cor" (Cesare, Nireno) | Marijana Mijanovic, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-9 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 18. Aria "Se in fiorito ameno prato" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-10 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 19. Arioso "Deh piangete, oh mesti lumi" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-11 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 19. Recitativo "Bella, non lagrimae" (Achilla, Cornelia) | Alan Ewing, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-12 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 19. Recitativo "Bella, placa lo sdegno!" (Tolomeo, Cornelia, Achilla) | Bejun Mehta, Charlotte Hellekant, Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-13 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 20. Aria "Se a me non sei crudele" (Achilla) | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-14 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 20. Recitativo "Bella, cotanto aborri chi ti prega d´amar?" (Tolomeo, Cornelia) | Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-15 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 21. Aria "Sì, spietata, il tuo rigore" (Tolomeo) | Bejun Mehta, Les Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-16 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 21. Recitativo "Su, che si tarda?" (Cornelia, Sesto) | Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-17 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 21. Recitativo "Cornelia, infauste nove" (Nireno, Cornelia, Sesto) | Pascal Bertin, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-18 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 22. Aria "Cessa omai di sospirare!" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-19 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 22. Recitativo "Figlio non è" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-20 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 23. Aria "L´angue offeso mai riposa" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-21 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 24. Aria "Venere bella" (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-22 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 24. Recitativo "Che veggio, o numi?" (Cesare, Cleopatra) | Marijana Mijanovic, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-23 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 24. Recitativo "Cesare, sei tradito" (Curio, Cesare, Cleopatra) | Jean-Michel Ankaoua, Marijana Mijanovic, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-24 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 25. Aria e Coro "Al lampo dell´armi" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-25 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 26. Recitativo accompagnato “Che sento? Oh Dio!” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-26 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 27. Aria “Se pietà di me non senti” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-27 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Arioso "Belle dèe di questo core" (Tolomeo, Cornelia) | Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-28 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Recitativo "... di quel ch´avete" (Tolomeo, Cornelia, Sesto) | Bejun Mehta, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-29 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Recitativo "Sire, prendi" (Achilla, Tolomeo, Sesto, Cornelia) | Alan Ewing, Bejun Mehta, Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-30 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Recitativo "Ecco in tutto perduta" (Sesto, Cornelia) | Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 29-31 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 29. Aria "L´aure che spira tiranno e fiero" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-1 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 29. Recitativo "In tal modi si premia" (Achilla) | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-2 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 30. Aria "Dal fulgor di questa spada" (Achilla) | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-3 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 30. Sinfonia | Les Musiciens du Louvre, Marc Minkowski | T-306.482.958-5 | |
| 30-4 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 30. Recitativo "Vinta cadesti" (Tolomeo, Cleopatra) | Bejun Mehta, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-5 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 31. Aria "Domerò la tua fierezza" (Tolomeo) | Bejun Mehta, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-6 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 31. Recitativo "E pur così in n giorno perdo fasti" (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-7 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 32. Aria “Piangerò la sorte mia” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-8 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 33. Recitativo accompagnato ed Aria “Dall’ondoso periglio … Aure, deh, per pietà” (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-9 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 33. Recitativo "Cerco invan Tolomeo" (Sesto, Achilla, Cesare, Nireno) | Anne Sofie von Otter, Alan Ewing, Marijana Mijanovic, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-10 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 33. Recitativo "Lascia questo sigollo! (Cesare, Sesto) | Marijana Mijanovic, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-11 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 34. Aria "Quel torrente che cade" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-12 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 34. Recitativo "Tutto lice sperar" (Sesto, Ninero) | Anne Sofie von Otter, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-13 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 35. Aria "La giustizia ha già sull´arco" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-14 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 36. Accompagnato "Voi, che mie fide ancelle" (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-15 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 36. Recitativo "Forzai l´ingresso (Cesare, Cleopatra) | Marijana Mijanovic, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-16 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 37. Aria “Da tempeste il legno infranto” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-17 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 37. Recitativo "Cornelia, è tempo omai" (Tolomeo, Cornelia) | Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-18 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 37. Recitativo "T'arresta, o genitrice!" (Cleopatra, Tolomeo, Cornelia) | Magdalena Kožená, Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-19 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 38. Aria "Non ha più che temere" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-20 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 38. Sinfonia | Les Musiciens du Louvre, Marc Minkowski | T-306.482.958-5 | |
| 30-21 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 38. Recitativo "Qui Curio vincitor" (Nireno, Cesare, Sesto, Cleopatra, Cornelia) | Pascal Bertin, Marijana Mijanovic, Anne Sofie von Otter, Magdalena Kožená, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-22 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 39. Duetto "Caro! Più amabile beltà" (Cleopatra, Cesare) | Magdalena Kožená, Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-23 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 39. Recitativo "Goda pur or l´Egitto" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 30-24 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 40. Coro e Duetto "Ritornio omai nel nostro core" (Cleopatra, Sesto, Cornelia, Cesare, Tolomeo, Nireno, Achilla, Curio) | Magdalena Kožená, Anne Sofie von Otter, Charlotte Hellekant, Marijana Mijanovic, Bejun Mehta, Pascal Bertin, Alan Ewing, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — |
