UPC · Album
The Decca Sound
Various Artists
028947828266
737 tracksReleased 2011-01-01Decca
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028947828266 is the Universal Product Code (UPC barcode) for the release “The Decca Sound” by Various Artists, released 2011-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 737 tracks, each with its own ISRC. Tracks include GBBBA0900571, GBBBA0900572, GBBBA0900573.
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UPCThe Decca Sound
ISRC409 recordings
ISWC54 works
IPI5 songwriters
Track List (409)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Violin Concerto in D major, op. 61: I. Allegro ma non troppo | Deutsche Kammerphilharmonie Bremen, Paavo Järvi, Janine Jansen | GBBBA0900571 |
| Violin Concerto in D major, op. 61: II. Larghetto - | Deutsche Kammerphilharmonie Bremen, Paavo Järvi, Janine Jansen | GBBBA0900572 |
| Violin Concerto in D major, op. 61: III. Rondo – Allegro | Deutsche Kammerphilharmonie Bremen, Paavo Järvi, Janine Jansen | GBBBA0900573 |
| Violin Concerto, op. 15: I. Moderato con moto | Janine Jansen, London Symphony Orchestra, Paavo Järvi | GBBBA0900581 |
| Violin Concerto, op. 15: II. Vivace - Cadenza - | Janine Jansen, London Symphony Orchestra, Paavo Järvi | GBBBA0900582 |
| Violin Concerto, op. 15: III. Passacaglia – Andante lento | Janine Jansen, London Symphony Orchestra, Paavo Järvi | GBBBA0900583 |
| Das Rheingold: Schwüles Gedünst ... Zur Burg führt die Brücke | Waldemar Kmentt, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | GBBBA5976028 |
| Das Rheingold: Abendlich strahlt der Sonne Auge | Kirsten Flagstad, George London, Hetty Plümacher, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti | GBBBA5976029 |
| Das Rheingold: Rheingold! Rheingold! Reines Gold! Wie lauter und hell | Oda Balsborg, Paul Kuën, Ira Malaniuk, Gustav Neidlinger, Hetty Plümacher, Wiener Philharmoniker, Sir Georg Solti | GBBBA5976030 |
| Turandot: Atto I. “Popolo di Pekino!” … “Indietro, cani!” | Sabin Markov, Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Luciano Pavarotti, London Philharmonic Orchestra, Zubin Mehta | GBBBA7250020 |
| Turandot: Atto I. “Non piangere, Liù!” | Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta | GBBBA7250130 |
| Goldberg Variations in G major, BWV 988: I. Aria | András Schiff | GBBBA8270201 |
| Goldberg Variations in G major, BWV 988: III. Variatio 2 a 1 Clav. | András Schiff | GBBBA8270203 |
| Goldberg Variations in G major, BWV 988: VII. Variatio 6 a 1 Clav. Canone alla Seconda | András Schiff | GBBBA8270207 |
| Goldberg Variations in G major, BWV 988: X. Variatio 9 a 1 Clav. Canone alla Terza | András Schiff | GBBBA8270210 |
| Goldberg Variations in G major, BWV 988: XX. Variatio 19 a 1 Clav. | András Schiff | GBBBA8270220 |
| Goldberg Variations in G major, BWV 988: XXXII. Aria | András Schiff | GBBBA8270232 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | GBBBA9050360 |
| Das Rheingold: Schwüles Gedünst ... Zur Burg führt die Brücke | Waldemar Kmentt, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | GBBBC2200274 |
| ABENDLICH STRAHLT DER SONNE AUGE | Kirsten Flagstad, George London, Hetty Plümacher, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti | GBBBC2200275 |
| Das Rheingold: Rheingold! Rheingold! Reines Gold! Wie lauter und hell | Oda Balsborg, Paul Kuën, Ira Malaniuk, Gustav Neidlinger, Hetty Plümacher, Wiener Philharmoniker, Sir Georg Solti | GBBBC2200276 |
| Die Walküre: Dritter Aufzug. Vorspiel - "Hojotoho! Heiaha!" (Orchester, Die Walküren) | Vera Schlosser, Wiener Philharmoniker, Sir Georg Solti | GBBBC2200542 |
| Götterdämmerung: Vorspiel. Siegfrieds Rheinfahrt | Wiener Philharmoniker, Sir Georg Solti | GBBBC2200674 |
| Götterdämmerung: Dritter Aufzug. "Schweigt eures Jammers jauchzenden Schwall" (Brünnhilde, Gutrune) | Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | GBBBC2200718 |
| Götterdämmerung: Dritter Aufzug. "Starke Scheite schichtet mir dort" (Brünnhilde) | Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | GBBBC2200719 |
| Götterdämmerung: Dritter Aufzug. "Mein Erbe nun nehm' ich zu eigen" (Brünnhilde) | Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | GBBBC2200720 |
| Götterdämmerung: Dritter Aufzug. "Fliegt heim, ihr Raben!" - "Zurück vom Ring!" (Brünnhilde, Hagen) | Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | GBBBC2200721 |
| Siegfried: Erster Aufzug. "Notung! Notung! Neidliches Schwert!" (Siegfried, Mime) | Wiener Philharmoniker, Sir Georg Solti | GBBBC2200741 |
| Siegfried: Erster Aufzug. "Hoho! Hoho! Hohei! Schmiede, mein Hammer, ein hartes Schwert!" (Siegfried, Mime) | Wiener Philharmoniker, Sir Georg Solti | GBBBC2200742 |
| War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | GBBBC2300943 |
| War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle? | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | GBBBC2300944 |
| War Requiem, op. 66: II. Dies irae: Dies irae | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | GBBBC2300945 |
| War Requiem, op. 66: II. Dies irae: Bugles sang, saddening the evening air | Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble | GBBBC2300946 |
| War Requiem, op. 66: II. Dies irae: Liber scriptus proferetur | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | GBBBC2300947 |
| War Requiem, op. 66: II. Dies irae: Out there, we've walked quite friendly up to Death | Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble | GBBBC2300948 |
| War Requiem, op. 66: II. Dies irae: Recordare Jesu pie | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | GBBBC2300949 |
| War Requiem, op. 66: II. Dies irae: Be slowly lifted up | Dietrich Fischer-Dieskau, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | GBBBC2300950 |
| War Requiem, op. 66: II. Dies irae: Confutatis | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | GBBBC2300951 |
| War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | GBBBC2300952 |
| War Requiem, op. 66: II. Dies irae: Move him into the sun | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | GBBBC2300953 |
| War Requiem, op. 66: III. Offertorium: Domine Jesu Christe | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | GBBBC2300954 |
| War Requiem, op. 66: III. Offertorium: So Abram rose, and clave the wood | Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | GBBBC2300955 |
| War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | GBBBC2300956 |
| War Requiem, op. 66: IV. Sanctus: After the blast of lightning from the East | Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble | GBBBC2300957 |
| War Requiem, op. 66: V. Agnus Dei: One ever hangs where shelled roads part | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | GBBBC2300958 |
| War Requiem, op. 66: VI. Libera me: Libera me, Domine | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | GBBBC2300959 |
| War Requiem, op. 66: VI. Libera me: It seemed that out of battle I escaped | Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble | GBBBC2300960 |
| War Requiem, op. 66: VI. Libera me: Let us sleep now / In Paradisum | Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | GBBBC2300961 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | GBF071301260 |
| España | London Symphony Orchestra, Ataúlfo Argenta | GBF075610190 |
| Capriccio espagnol, op. 34: 1. Alborada | London Symphony Orchestra, Ataúlfo Argenta | GBF075610201 |
| Capriccio espagnol, op. 34: 2. Variazioni | London Symphony Orchestra, Ataúlfo Argenta | GBF075610202 |
| Capriccio espagnol, op. 34: 3. Alborada | London Symphony Orchestra, Ataúlfo Argenta | GBF075610203 |
| Capriccio espagnol, op. 34: 4. Scena e canto gitano | London Symphony Orchestra, Ataúlfo Argenta | GBF075610204 |
| Capriccio espagnol, op. 34: 5. Fandango asturiano | London Symphony Orchestra, Ataúlfo Argenta | GBF075610205 |
| Andaluza (Danza española no. 5 in E minor, op. 37) | London Symphony Orchestra, Ataúlfo Argenta | GBF075610210 |
| Spanish Dances, Book 1, op. 12: No. 1 in C major | London Symphony Orchestra, Ataúlfo Argenta | GBF075610221 |
| Spanish Dances, Book 1, op. 12: No. 2 in G major | London Symphony Orchestra, Ataúlfo Argenta | GBF075610222 |
| Spanish Dances, Book 1, op. 12: No. 3 in A major | London Symphony Orchestra, Ataúlfo Argenta | GBF075610223 |
| Spanish Dances, Book 1, op. 12: No. 4 in B‐flat major | London Symphony Orchestra, Ataúlfo Argenta | GBF075610224 |
| Spanish Dances, Book 1, op. 12: No. 5 in D major | London Symphony Orchestra, Ataúlfo Argenta | GBF075610225 |
| A Midsummer Night's Dream, op. 21: Overture | London Symphony Orchestra, Peter Maag | GBF075710691 |
| A Midsummer Night's Dream, op. 61: No. 1. Scherzo | London Symphony Orchestra, Peter Maag | GBF075710692 |
| A Midsummer Night's Dream, op. 61: No. 7. Nocturne | London Symphony Orchestra, Peter Maag | GBF075710693 |
| A Midsummer Night's Dream, op. 61: No. 9. Wedding March | London Symphony Orchestra, Peter Maag | GBF075710694 |
| A Midsummer Night's Dream, op. 61: No. 3. "You Spotted Snakes" | Jennifer Vyvyan, Marion Lowe, Female Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Peter Maag | GBF075710695 |
| A Midsummer Night's Dream, op. 61: No. 5. Intermezzo | London Symphony Orchestra, Peter Maag | GBF075710696 |
| A Midsummer Night's Dream, op. 61: No. 11. Dance of the Clowns | London Symphony Orchestra, Peter Maag | GBF075710697 |
| A Midsummer Night's Dream, op. 61: No. 12. Finale | Jennifer Vyvyan, Female Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Peter Maag | GBF075710698 |
| Das Rheingold: Rheingold! Rheingold! Reines Gold! Wie lauter und hell | Oda Balsborg, Paul Kuën, Ira Malaniuk, Gustav Neidlinger, Hetty Plümacher, Wiener Philharmoniker, Sir Georg Solti | GBF075830141 |
| Das Rheingold: Schwüles Gedünst ... Zur Burg führt die Brücke | Waldemar Kmentt, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | GBF075830159 |
| Das Rheingold: Abendlich strahlt der Sonne Auge | Kirsten Flagstad, George London, Hetty Plümacher, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti | GBF075830160 |
| La fanciulla del West: Atto I. “Laggiù nel Soledad” | Mario Del Monaco, Cornell MacNeil, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Capuana | GBF075840413 |
| La fanciulla del West: Atto II. “Non mi difenderò” | Mario Del Monaco, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Capuana | GBF075840430 |
| Light Cavalry: Overture | Wiener Philharmoniker, Sir Georg Solti | GBF075910310 |
| Poet and Peasant: Overture | Wiener Philharmoniker, Sir Georg Solti | GBF075910320 |
| Morning, Noon and Night in Vienna: Overture | Wiener Philharmoniker, Sir Georg Solti | GBF075910330 |
| Pique Dame: Overture | Wiener Philharmoniker, Sir Georg Solti | GBF075910340 |
| Daphnis et Chloé, Part I: Introduction et Danse religieuse | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | GBF075940801 |
| Daphnis et Chloé, Part I: Danse générale | London Symphony Orchestra, Pierre Monteux | GBF075940802 |
| Daphnis et Chloé, Part I: Danse grotesque de Dorcon | London Symphony Orchestra, Pierre Monteux | GBF075940803 |
| Daphnis et Chloé, Part I: Danse légère et gracieuse de Daphnis | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | GBF075940804 |
| Daphnis et Chloé, Part I: Danse de Lycéion | London Symphony Orchestra, Pierre Monteux | GBF075940805 |
| Daphnis et Chloé, Part I: Danse lente et mystérieuse des Nymphes | London Symphony Orchestra, Pierre Monteux | GBF075940806 |
| Daphnis et Chloé, Part II: Introduction | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | GBF075940807 |
| Daphnis et Chloé, Part II: Danse guerrière | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | GBF075940808 |
| Daphnis et Chloé, Part II: Danse suppliante de Chloé | London Symphony Orchestra, Pierre Monteux | GBF075940809 |
| Daphnis et Chloé, Part III: Lever du jour | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | GBF075940810 |
| Daphnis et Chloé, Part III: Pantomime | London Symphony Orchestra, Pierre Monteux | GBF075940811 |
| Daphnis et Chloé, Part III: Danse générale | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | GBF075940812 |
| Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto / Allegro un poco agitato - Assai animato - Andante come prima | London Symphony Orchestra, Peter Maag | GBF076010611 |
| Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo | London Symphony Orchestra, Peter Maag | GBF076010612 |
| Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio | London Symphony Orchestra, Peter Maag | GBF076010613 |
| Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | London Symphony Orchestra, Peter Maag | GBF076010614 |
| Enigma Variations: Theme (Andante) | London Symphony Orchestra, Pierre Monteux | GBF076040601 |
| Enigma Variations: C.A.E. (Andante) | London Symphony Orchestra, Pierre Monteux | GBF076040602 |
| Enigma Variations: H.D.S.‐P (Allegro) | London Symphony Orchestra, Pierre Monteux | GBF076040603 |
| Enigma Variations: R.B.T. (Allegretto) | London Symphony Orchestra, Pierre Monteux | GBF076040604 |
| Enigma Variations: W.M.B. (Allegro di Molto) | London Symphony Orchestra, Pierre Monteux | GBF076040605 |
| Enigma Variations: R.P.A. (Moderato) | London Symphony Orchestra, Pierre Monteux | GBF076040606 |
| Enigma Variations: Troyte (Presto) | London Symphony Orchestra, Pierre Monteux | GBF076040607 |
| Enigma Variations: W.N. (Allegretto) | London Symphony Orchestra, Pierre Monteux | GBF076040608 |
| Enigma Variations: Nimrod (Adagio) | London Symphony Orchestra, Pierre Monteux | GBF076040609 |
| Enigma Variations: Dorabella: Intermezzo (Allegretto) | London Symphony Orchestra, Pierre Monteux | GBF076040610 |
| Enigma Variations: G.R.S. (Allegro di Molto) | London Symphony Orchestra, Pierre Monteux | GBF076040611 |
| Enigma Variations: B.G.N. (Andante) | London Symphony Orchestra, Pierre Monteux | GBF076040612 |
| Enigma Variations: *** Romanza (Moderato) | London Symphony Orchestra, Pierre Monteux | GBF076040613 |
| Enigma Variations: E.D.U. Finale (Allegro) | London Symphony Orchestra, Pierre Monteux | GBF076040614 |
| Enigma Variations: Ysobel (Andantino) | London Symphony Orchestra, Pierre Monteux | GBF076040615 |
| The Planets, op. 32: I. Mars, the Bringer of War | Wiener Philharmoniker, Herbert von Karajan | GBF076110051 |
| The Planets, op. 32: II. Venus, the Bringer of Peace | Wiener Philharmoniker, Herbert von Karajan | GBF076110052 |
| The Planets, op. 32: III. Mercury, the Winged Messenger | Wiener Philharmoniker, Herbert von Karajan | GBF076110053 |
| The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | Wiener Philharmoniker, Herbert von Karajan | GBF076110054 |
| The Planets, op. 32: V. Saturn, the Bringer of Old Age | Wiener Philharmoniker, Herbert von Karajan | GBF076110055 |
| The Planets, op. 32: VI. Uranus, the Magician | Wiener Philharmoniker, Herbert von Karajan | GBF076110056 |
| The Planets, op. 32: VII. Neptune, the Mystic | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | GBF076110057 |
| Symphony no. 9 in E minor, op. 95 “New World”: I. Adagio – Allegro molto | Wiener Philharmoniker, István Kertész | GBF076110141 |
| Symphony no. 9 in E minor, op. 95 “New World”: II. Largo | Wiener Philharmoniker, István Kertész | GBF076110142 |
| Symphony no. 9 in E minor, op. 95 “New World”: III. Scherzo – Molto vivace | Wiener Philharmoniker, István Kertész | GBF076110143 |
| Symphony no. 9 in E minor, op. 95 “New World”: IV. Allegro con fuoco | Wiener Philharmoniker, István Kertész | GBF076110144 |
| Siegfried: Erster Aufzug. "Notung! Notung! Neidliches Schwert!" (Siegfried, Mime) | Wiener Philharmoniker, Sir Georg Solti | GBF076230119 |
| Siegfried: Erster Aufzug. "Hoho! Hoho! Hohei! Schmiede, mein Hammer, ein hartes Schwert!" (Siegfried, Mime) | Wiener Philharmoniker, Sir Georg Solti | GBF076230120 |
| Missa in angustiis, Hob. XXII:11: Kyrie | Choir of King’s College, Cambridge, Sylvia Stahlman, Simon Preston, London Symphony Orchestra, Sir David Willcocks | GBF076240001 |
| Missa in angustiis, Hob. XXII:11: Gloria: Gloria in Excelsis Deo | Wilfred Brown, Choir of King’s College, Cambridge, Tom Krause, Sylvia Stahlman, Helen Watts, Simon Preston, London Symphony Orchestra, Sir David Willcocks | GBF076240002 |
| Missa in angustiis, Hob. XXII:11: Gloria: Qui tollis peccata mundi | Choir of King’s College, Cambridge, Tom Krause, Sylvia Stahlman, Simon Preston, London Symphony Orchestra, Sir David Willcocks | GBF076240003 |
| Missa in angustiis, Hob. XXII:11: Gloria: Quoniam tu solus Sanctus | Wilfred Brown, Choir of King’s College, Cambridge, Tom Krause, Sylvia Stahlman, Helen Watts, Simon Preston, London Symphony Orchestra, Sir David Willcocks | GBF076240004 |
| Missa in angustiis, Hob. XXII:11: Credo: Credo in unum Deum | Choir of King’s College, Cambridge, Simon Preston, London Symphony Orchestra, Sir David Willcocks | GBF076240005 |
| Missa in angustiis, Hob. XXII:11: Credo: Et incarnatus est | Wilfred Brown, Choir of King’s College, Cambridge, Tom Krause, Sylvia Stahlman, Helen Watts, Simon Preston, London Symphony Orchestra, Sir David Willcocks | GBF076240006 |
| Missa in angustiis, Hob. XXII:11: Credo: Et resurrexit | Choir of King’s College, Cambridge, Sylvia Stahlman, Simon Preston, London Symphony Orchestra, Sir David Willcocks | GBF076240007 |
| Missa in angustiis, Hob. XXII:11: Sanctus | Choir of King’s College, Cambridge, Simon Preston, London Symphony Orchestra, Sir David Willcocks | GBF076240008 |
| Missa in angustiis, Hob. XXII:11: Benedictus | Wilfred Brown, Choir of King’s College, Cambridge, Tom Krause, Sylvia Stahlman, Helen Watts, Simon Preston, London Symphony Orchestra, Sir David Willcocks | GBF076240009 |
| Missa in angustiis, Hob. XXII:11: Agnus Dei: Agnus Dei | Wilfred Brown, Choir of King’s College, Cambridge, Tom Krause, Sylvia Stahlman, Helen Watts, Simon Preston, London Symphony Orchestra, Sir David Willcocks | GBF076240010 |
| Missa in angustiis, Hob. XXII:11: Agnus Dei: Dona nobis pacem | Choir of King’s College, Cambridge, Simon Preston, London Symphony Orchestra, Sir David Willcocks | GBF076240011 |
| Symphony no. 8 in G major, op. 88: I. Allegro con brio | London Symphony Orchestra, István Kertész | GBF076310891 |
| Symphony no. 8 in G major, op. 88: II. Adagio | London Symphony Orchestra, István Kertész | GBF076310892 |
| Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace | London Symphony Orchestra, István Kertész | GBF076310893 |
| Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | London Symphony Orchestra, István Kertész | GBF076310894 |
| Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | Vladimir Ashkenazy, London Symphony Orchestra, Anatole Fistoulari | GBF076311091 |
| Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | Vladimir Ashkenazy, London Symphony Orchestra, Anatole Fistoulari | GBF076311092 |
| Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | Vladimir Ashkenazy, London Symphony Orchestra, Anatole Fistoulari | GBF076311093 |
| Götterdämmerung: Vorspiel. Siegfrieds Rheinfahrt | Wiener Philharmoniker, Sir Georg Solti | GBF076430107 |
| Götterdämmerung: Dritter Aufzug. "Schweigt eures Jammers jauchzenden Schwall" (Brünnhilde, Gutrune) | Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | GBF076430151 |
| Götterdämmerung: Dritter Aufzug. "Mein Erbe nun nehm' ich zu eigen" (Brünnhilde) | Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | GBF076430153 |
| Götterdämmerung: Dritter Aufzug. "Fliegt heim, ihr Raben!" - "Zurück vom Ring!" (Brünnhilde, Hagen) | Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | GBF076430154 |
| Die Walküre: Dritter Aufzug. Vorspiel - "Hojotoho! Heiaha!" (Orchester, Die Walküren) | Vera Schlosser, Wiener Philharmoniker, Sir Georg Solti | GBF076530165 |
| Die Walküre: Dritter Aufzug. "Loge, hör! Lausche hieher!" - Feuerzauber (Wotan, Orchester) | Wiener Philharmoniker, Sir Georg Solti | GBF076530177 |
| Night on the Bare Mountain | London Symphony Orchestra, Sir Georg Solti | GBF076610051 |
| Khovanshchina: Prelude | London Symphony Orchestra, Sir Georg Solti | GBF076610061 |
| Ruslan and Lyudmila: Overture | London Symphony Orchestra, Sir Georg Solti | GBF076610071 |
| Prince Igor: Overture | London Symphony Orchestra, Sir Georg Solti | GBF076610400 |
| Prince Igor: Polovtsian Dances and Chorus | London Symphony Orchestra Chorus, London Symphony Orchestra, Sir Georg Solti | GBF076610410 |
| Serenade for Strings in C, op. 48: I. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato | Academy of St Martin in the Fields, Sir Neville Marriner | GBF076810161 |
| Serenade for Strings in C, op. 48: II. Walzer: Moderato (Tempo di valse) | Academy of St Martin in the Fields, Sir Neville Marriner | GBF076810162 |
| Serenade for Strings in C, op. 48: III. Elégie: Larghetto elegiaco | Academy of St Martin in the Fields, Sir Neville Marriner | GBF076810163 |
| Serenade for Strings in C, op. 48: IV. Finale (Tema russo): Andante - Allegro con spirito | Academy of St Martin in the Fields, Sir Neville Marriner | GBF076810164 |
| Sextet in D minor, op. 70 "Souvenir de Florence": II. Adagio cantabile e con moto | Academy of St Martin in the Fields, Sir Neville Marriner | GBF076810422 |
| Magnificat in D major, BWV 243: I. Coro. Magnificat | Stuttgarter Kammerorchester, Karl Münchinger | GBF076840601 |
| Magnificat in D major, BWV 243: II. Aria. Et exsultavit spiritus meus | Stuttgarter Kammerorchester, Karl Münchinger | GBF076840602 |
| Magnificat in D major, BWV 243: III. Aria. Quia respexit humilitatem - IV. Coro. Omnes generationes | Stuttgarter Kammerorchester, Karl Münchinger | GBF076840603 |
| Magnificat in D major, BWV 243: V. Aria. Quia fecit mihi magna | Stuttgarter Kammerorchester, Karl Münchinger | GBF076840604 |
| Magnificat in D major, BWV 243: VI. Aria (Duetto): Et misericordia | Stuttgarter Kammerorchester, Karl Münchinger | GBF076840605 |
| Magnificat in D major, BWV 243: VII. Coro. Fecit potentiam | Stuttgarter Kammerorchester, Karl Münchinger | GBF076840606 |
| Magnificat in D major, BWV 243: VIII. Aria. Deposuit potentes | Stuttgarter Kammerorchester, Karl Münchinger | GBF076840607 |
| Magnificat in D major, BWV 243: IX. Aria. Esurientes implevit bonis | Stuttgarter Kammerorchester, Karl Münchinger | GBF076840608 |
| Magnificat in D major, BWV 243: X. Aria (Terzetto): Suscepit Israel | Stuttgarter Kammerorchester, Karl Münchinger | GBF076840609 |
| Magnificat in D major, BWV 243: XI. Coro. Sicut locutus est | Stuttgarter Kammerorchester, Karl Münchinger | GBF076840610 |
| Magnificat in D major, BWV 243: XII. Coro. Gloria Patri | Stuttgarter Kammerorchester, Karl Münchinger | GBF076840611 |
| Serenade for Strings in C, op. 48: II. Walzer: Moderato (Tempo di valse) | Academy of St Martin in the Fields, Sir Neville Marriner | GBF076900022 |
| Missa in tempore belli, H XXII 9: Kyrie | April Cantelo, Choir of St John’s College, Cambridge, Helen Watts, Academy of St Martin in the Fields, George Guest | GBF076910751 |
| Missa in tempore belli, H XXII 9: Gloria | Choir of St John’s College, Cambridge, Barry McDaniel, Academy of St Martin in the Fields, George Guest | GBF076910752 |
| Missa in tempore belli, H XXII 9: Credo | April Cantelo, Choir of St John’s College, Cambridge, Barry McDaniel, Robert Tear, Helen Watts, Academy of St Martin in the Fields, George Guest | GBF076910753 |
| Missa in tempore belli, H XXII 9: Sanctus | Choir of St John’s College, Cambridge, Helen Watts, Academy of St Martin in the Fields, George Guest | GBF076910754 |
| Missa in tempore belli, H XXII 9: Benedictus | April Cantelo, Choir of St John’s College, Cambridge, Barry McDaniel, Robert Tear, Helen Watts, Academy of St Martin in the Fields, George Guest | GBF076910755 |
| Missa in tempore belli, H XXII 9: Agnus Dei | Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | GBF076910756 |
| Holberg Suite, op. 40: I. Praeludium: Allegro vivace | Academy of St Martin in the Fields, Sir Neville Marriner | GBF077010051 |
| Holberg Suite, op. 40: II. Sarabande | Academy of St Martin in the Fields, Sir Neville Marriner | GBF077010052 |
| Holberg Suite, op. 40: III. Gavotte: Allegretto - Musette: Poco più mosso - Gavotte | Academy of St Martin in the Fields, Sir Neville Marriner | GBF077010053 |
| Holberg Suite, op. 40: IV. Air: Andante religioso | Academy of St Martin in the Fields, Sir Neville Marriner | GBF077010054 |
| Holberg Suite, op. 40: V. Rigaudon: Allegro con brio | Academy of St Martin in the Fields, Sir Neville Marriner | GBF077010055 |
| Piano Concerto no. 20 in D minor, K. 466: I. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | GBF077010061 |
| Piano Concerto no. 20 in D minor, K. 466: II. Romance | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | GBF077010062 |
| Piano Concerto no. 20 in D minor, K. 466: III. Rondo: Allegro assai | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | GBF077010063 |
| Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | GBF077010071 |
| Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | GBF077010072 |
| Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | GBF077010073 |
| 32 Variations for Piano in C minor on an Original Theme, WoO 80 | Radu Lupu | GBF077010320 |
| Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato | Kyung Wha-Chung, Royal Philharmonic Orchestra, Rudolf Kempe | GBF077110101 |
| Violin Concerto no. 1 in G minor, op. 26: II. Adagio | Kyung Wha-Chung, Royal Philharmonic Orchestra, Rudolf Kempe | GBF077110102 |
| Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico | Kyung Wha-Chung, Royal Philharmonic Orchestra, Rudolf Kempe | GBF077110103 |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia | Chicago Symphony Orchestra, Sir Georg Solti | GBF077113180 |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus | Chicago Symphony Orchestra, Sir Georg Solti | GBF077130601 |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia | Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Wiener Staatsopernchor, Chicago Symphony Orchestra, Sir Georg Solti | GBF077130602 |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis | Chicago Symphony Orchestra, Sir Georg Solti | GBF077130603 |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus | Chicago Symphony Orchestra, Sir Georg Solti | GBF077130604 |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia | Chicago Symphony Orchestra, Sir Georg Solti | GBF077130605 |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino” | Chicago Symphony Orchestra, Sir Georg Solti | GBF077130606 |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran” | Chicago Symphony Orchestra, Sir Georg Solti | GBF077130607 |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand” | Chicago Symphony Orchestra, Sir Georg Solti | GBF077130608 |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen” | Chicago Symphony Orchestra, Sir Georg Solti | GBF077130609 |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied” | Chicago Symphony Orchestra, Sir Georg Solti | GBF077130610 |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest” | Chicago Symphony Orchestra, Sir Georg Solti | GBF077130611 |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt” | Chicago Symphony Orchestra, Sir Georg Solti | GBF077130612 |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen” | Chicago Symphony Orchestra, Sir Georg Solti | GBF077130613 |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche” | Chicago Symphony Orchestra, Sir Georg Solti | GBF077130614 |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Blicket auf zum Retterblick” | Sir Georg Solti, Chicago Symphony Orchestra | GBF077130615 |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Alles Vergängliche” | Sir Georg Solti, Chicago Symphony Orchestra | GBF077130616 |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Radu Lupu | GBF077210371 |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto | Radu Lupu | GBF077210372 |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato | Radu Lupu | GBF077210373 |
| Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | Radu Lupu | GBF077210381 |
| Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Radu Lupu | GBF077210382 |
| Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro | Radu Lupu | GBF077210383 |
| Sonata for Piano no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio | Radu Lupu | GBF077210391 |
| Sonata for Piano no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto | Radu Lupu | GBF077210392 |
| Sonata for Piano no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | Radu Lupu | GBF077210393 |
| Scottish Fantasy, op. 46: I. Introduction. Grave - Adagio cantabile | Kyung Wha-Chung, Royal Philharmonic Orchestra, Rudolf Kempe | GBF077211391 |
| Scottish Fantasy, op. 46: II. Allegro | Kyung Wha-Chung, Royal Philharmonic Orchestra, Rudolf Kempe | GBF077211392 |
| Scottish Fantasy, op. 46: III. Andante sostenuto | Kyung Wha-Chung, Royal Philharmonic Orchestra, Rudolf Kempe | GBF077211393 |
| Scottish Fantasy, op. 46: IV. Finale. Allegro guerriero | Kyung Wha-Chung, Royal Philharmonic Orchestra, Rudolf Kempe | GBF077211394 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | GBF077230201 |
| Turandot: Atto I. “Gira la cote!” | The John Alldis Choir, Wandsworth School Boys’ Choir, London Philharmonic Orchestra, Zubin Mehta | GBF077230803 |
| Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | GBF077230809 |
| Turandot: Atto I. “Non piangere, Liù!” – “Ah! Per l’ultima volta!” | Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta | GBF077230810 |
| Turandot: Atto I. “Ah! Per l’ultima volta” | Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta | GBF077230811 |
| Turandot: Atto II. “Olà, Pang! Olà, Pong!” | Tom Krause, Piero de Palma, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta | GBF077230812 |
| Turandot: Atto II. “Ho una casa nell’Honan” | Tom Krause, Piero de Palma, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta | GBF077230813 |
| Turandot: Atto II, scena 2. “In questa reggia” | The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta | GBF077230820 |
| Turandot: Atto III. “Principessa di morte!” | Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta | GBF077230833 |
| Turandot: Atto III. “Che è mai di me?” | The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, Wandsworth School Boys’ Choir, London Philharmonic Orchestra, Zubin Mehta | GBF077230834 |
| Turandot: Atto III, scena 1. “Del primo pianto…” | Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta | GBF077230835 |
| Turandot: Atto III. “So il tuo nome!” | Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta | GBF077230836 |
| Turandot: Atto III, scena 2. “Diecimila anni al nostro Imperatore!” | The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta | GBF077230837 |
| Symphony no. 4 in E‐flat major “Romantic”: I. Bewegt, nicht zu schell | Wiener Philharmoniker, Karl Böhm | GBF077300061 |
| Symphony no. 4 in E‐flat major “Romantic”: II. Andante, quasi allegretto | Wiener Philharmoniker, Karl Böhm | GBF077300062 |
| Symphony no. 4 in E‐flat major “Romantic”: III. Scherzo. Bewegt – Trio. Nicht zu schnell, keinesfalls schleppend | Wiener Philharmoniker, Karl Böhm | GBF077300063 |
| Symphony no. 4 in E‐flat major “Romantic”: IV. Finale. Bewegt, doch nicht zu schnell | Wiener Philharmoniker, Karl Böhm | GBF077300064 |
| Lulu Suite: I. Rondo: Andante - Tempo I - Hymne: Sostenuto | Wiener Philharmoniker, Christoph von Dohnányi | GBF077311801 |
| Lulu Suite: II. Ostinato: Allegro | Wiener Philharmoniker, Christoph von Dohnányi | GBF077311802 |
| Lulu Suite: III. Lied der Lulu: Comodo | Wiener Philharmoniker, Christoph von Dohnányi | GBF077311803 |
| Lulu Suite: IV. Variationen: Moderato - Grandioso - Grazioso - Funèbre - Affettuoso - Thema | Wiener Philharmoniker, Christoph von Dohnányi | GBF077311804 |
| Lulu Suite: V. Adagio: Sostenuto - Lento - Grave | Wiener Philharmoniker, Christoph von Dohnányi | GBF077311805 |
| Turandot: Atto II. “Gelo che ti da foco” | The John Alldis Choir, Luciano Pavarotti, Peter Pears, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta | GBF077340509 |
| Turandot: Atto II, scena 2. “Figlio del Cielo!” | The John Alldis Choir, Luciano Pavarotti, Peter Pears, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta | GBF077340510 |
| Turandot: Atto III, scena 1. “Quel nome!” | Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta | GBF077340512 |
| Turandot: Atto III, scena 1. “L’amore?” … “Tanto amore, segreto e inconfessato” | Montserrat Caballé, The John Alldis Choir, Tom Krause, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta | GBF077340513 |
| Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” | Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta | GBF077340514 |
| Feste romane: I. Circenses | The Cleveland Orchestra, Lorin Maazel | GBF077611341 |
| Feste romane: II. Il giubileo | The Cleveland Orchestra, Lorin Maazel | GBF077611342 |
| Feste romane: III. L'ottobrata | The Cleveland Orchestra, Lorin Maazel | GBF077611343 |
| Feste romane: IV. La Befana | The Cleveland Orchestra, Lorin Maazel | GBF077611344 |
| Pini di Roma: I. I pini di Villa Borghese | The Cleveland Orchestra, Lorin Maazel | GBF077611351 |
| Pini di Roma: II. Pini presso una catacomba | The Cleveland Orchestra, Lorin Maazel | GBF077611352 |
| Pini di Roma: III. I pini del Gianicolo | The Cleveland Orchestra, Lorin Maazel | GBF077611353 |
| Pini di Roma: IV. I pini della Via Appia | The Cleveland Orchestra, Lorin Maazel | GBF077611354 |
| The Cunning Little Vixen Suite: I. Andante | Wiener Philharmoniker, Sir Charles Mackerras | GBF077810151 |
| The Cunning Little Vixen Suite: II. Andante | Wiener Philharmoniker, Sir Charles Mackerras | GBF077810152 |
| Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto | Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | GBF077810161 |
| Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando | Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | GBF077810162 |
| Piano Concerto no. 2 in G minor, op. 22: III. Presto | Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | GBF077810163 |
| Erwartung: Scene 1, Hier hinein? Man sieht den Weg nicht.. | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | GBF077910061 |
| Erwartung: Scene 2, Ist das noch der Weg? Hier is es eben | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | GBF077910062 |
| Erwartung: Scene 3, Da kommt ein Licht! | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | GBF077910063 |
| Suite From "Le Coq D'or": I. King Dodon n His Palace | The Cleveland Orchestra, Lorin Maazel | GBF077912191 |
| Suite From "Le Coq D'or": II. King Dodon on the Battlefield | The Cleveland Orchestra, Lorin Maazel | GBF077912192 |
| Suite From "Le Coq D'or": III. King Dodon With the Queen of Shemakha | The Cleveland Orchestra, Lorin Maazel | GBF077912193 |
| Suite From "Le Coq D'or": IV. The Marriage Feast and Lamentable End of King Dodon | The Cleveland Orchestra, Lorin Maazel | GBF077912194 |
| Loreley-Rhein-Klänge, op. 154 | Wiener Philharmoniker, Willi Boskovsky | GBF077942601 |
| Bitte schön! - polka française, after motifs from 'Cagliostro in Wien, op. 372 | Wiener Philharmoniker, Willi Boskovsky | GBF077942602 |
| Ohne Bremse - Polka schnell, op. 238 | Wiener Philharmoniker, Willi Boskovsky | GBF077942603 |
| Wein, Weib und Gesang, op. 333 | Wiener Philharmoniker, Willi Boskovsky | GBF077942604 |
| Die Emancipierte - polka-mazur, op. 282 | Wiener Philharmoniker, Willi Boskovsky | GBF077942605 |
| Hereinspaziert, op. 518 | Wiener Philharmoniker, Willi Boskovsky | GBF077942606 |
| Die schöne Galathee - operetta in 1 Act (1865): Overture | Wiener Philharmoniker, Willi Boskovsky | GBF077942607 |
| Bei uns z'Haus - waltz, op. 361 | Wiener Philharmoniker, Willi Boskovsky | GBF077942608 |
| Moulinet - polka française, op. 57 | Wiener Philharmoniker, Willi Boskovsky | GBF077942609 |
| Tik-Tak - Polka schnell, op. 365 | Wiener Philharmoniker, Willi Boskovsky | GBF077942610 |
| Pizzicato Polka (1870) | Wiener Philharmoniker, Willi Boskovsky | GBF077942611 |
| Rudolfsheimer - polka schnell, op. 152 | Wiener Philharmoniker, Willi Boskovsky | GBF077942612 |
| Auf der Jagd, op. 373 | Wiener Philharmoniker, Willi Boskovsky | GBF077942614 |
| Leichtes Blut, polka schnell, op. 319 | Wiener Philharmoniker, Willi Boskovsky | GBF077942615 |
| An der schönen blauen Donau, op. 314 | Wiener Philharmoniker, Willi Boskovsky | GBF077942616 |
| Radetzky-Marsch, op. 228 | Wiener Philharmoniker, Willi Boskovsky | GBF077942617 |
| Sinfonietta for Orchestra: I. Allegretto - Allegro - Maestoso | Vienna Philharmonic, Charles Mackerras | GBF078000171 |
| Sinfonietta for Orchestra: II. Andante - Allegretto - Maestoso - Tempo I - Allegretto | Vienna Philharmonic, Charles Mackerras | GBF078000172 |
| Sinfonietta for Orchestra: III. Moderato - Con Moto - Prestissimo - Tempo I - Moderato | Vienna Philharmonic, Charles Mackerras | GBF078000173 |
| Sinfonietta for Orchestra: IV. Allegretto - Adagio - Presto - Andante - Presto - Prestissimo | Vienna Philharmonic, Charles Mackerras | GBF078000174 |
| Sinfonietta for Orchestra: V. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio | Vienna Philharmonic, Charles Mackerras | GBF078000175 |
| Taras Bulba - Rhapsody for Orchestra: I. The Death of Andri | Vienna Philharmonic, Charles Mackerras | GBF078000181 |
| Taras Bulba - Rhapsody for Orchestra: II. The Death of Ostap | Vienna Philharmonic, Charles Mackerras | GBF078000182 |
| Taras Bulba - Rhapsody for Orchestra: III. The Prophecy and the Death of Taras Bulba | Vienna Philharmonic, Charles Mackerras | GBF078000183 |
| Piano Sonata no. 2 in B-flat minor, op. 36: I. Allegro agitato | Vladimir Ashkenazy | GBF078010011 |
| Piano Sonata no. 2 in B-flat minor, op. 36: II. Non allegro - Lento | Vladimir Ashkenazy | GBF078010012 |
| Piano Sonata no. 2 in B-flat minor, op. 36: III. L'istesso tempo; Allegro molto | Vladimir Ashkenazy | GBF078010013 |
| Boléro | Orchestre symphonique de Montréal, Charles Dutoit | GBF078100180 |
| Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Kyung Wha Chung, Orchestre symphonique de Montréal, Charles Dutoit | GBF078100231 |
| Violin Concerto in E minor, op. 64: II. Andante | Kyung Wha Chung, Orchestre symphonique de Montréal, Charles Dutoit | GBF078100232 |
| Violin Concerto in E minor, op. 64: III. Allegro non troppo - Allegro molto vivace | Kyung Wha-Chung, Orchestre symphonique de Montréal, Charles Dutoit | GBF078100233 |
| Goldberg Variations in G major, BWV 988: I. Aria | András Schiff | GBF078210810 |
| Goldberg Variations in G major, BWV 988: I. Aria | András Schiff | GBF078211740 |
| L'Oiseau de feu: Introduction | Detroit Symphony Orchestra, Antal Doráti | GBF078241701 |
| L'Oiseau de feu: Le jardin enchante de Kachtchei | Detroit Symphony Orchestra, Antal Doráti | GBF078241702 |
| L'Oiseau de feu: Apparition de l'Oiseau de feu poursuivi par Ivan Tsarevitch | Detroit Symphony Orchestra, Antal Doráti | GBF078241703 |
| L'Oiseau de feu: Danse de l'Oiseau de feu | Detroit Symphony Orchestra, Antal Doráti | GBF078241704 |
| L'Oiseau de feu: Capture de l'Oiseau de feu par Ivan Tsarevitch | Detroit Symphony Orchestra, Antal Doráti | GBF078241705 |
| L'Oiseau de feu: Supplications de l'Oiseau de feu - apparition des treize princesses enchantees | Detroit Symphony Orchestra, Antal Doráti | GBF078241706 |
| L'Oiseau de feu: Jeu des princesses avec les pommes d'or (Scherzo) | Detroit Symphony Orchestra, Antal Doráti | GBF078241707 |
| L'Oiseau de feu: Brusque apparition d'Ivan Tsarevitch | Detroit Symphony Orchestra, Antal Doráti | GBF078241708 |
| L'Oiseau de feu: Khorovod (ronde) des princesses | Detroit Symphony Orchestra, Antal Doráti | GBF078241709 |
| L'Oiseau de feu: Lever du jour - Ivan Tsarevitch penetre dans lepalais de Kachtchei | Detroit Symphony Orchestra, Antal Doráti | GBF078241710 |
| L'Oiseau de feu: Carillon feerique - apparition des monster-gardiens de Kachtchei - capture d'Ivan.. | Detroit Symphony Orchestra, Antal Doráti | GBF078241711 |
| L'Oiseau de feu: Danse de la suite de Kachtchei enchantee par l'Oiseau de feu | Detroit Symphony Orchestra, Antal Doráti | GBF078241712 |
| L'Oiseau de feu: Danse infernale de tous les sujets de Kachtchei | Detroit Symphony Orchestra, Antal Doráti | GBF078241713 |
| L'Oiseau de feu: Berceuse (l'Oiseau de feu) - reveil de Kachtchei - mort de Kachtchei - profonds... | Detroit Symphony Orchestra, Antal Doráti | GBF078241714 |
| L'Oiseau de feu: Disparition du palais et des sortileges de Kachtchei - animation des chevaliers... | Detroit Symphony Orchestra, Antal Doráti | GBF078241715 |
| Pavane pour une infante défunte - Orchestral version | John Zirbel | GBF078300130 |
| Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Choral “Wachet auf, ruft uns die Stimme” | Stuttgarter Kammerorchester, Karl Münchinger | GBF078410091 |
| Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Rezitativ (Tenor) “Er kommt, er kommt, der Bräut’gam kommt!” | Stuttgarter Kammerorchester, Karl Münchinger | GBF078410092 |
| Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Duett (Soprano, Bass) “Wann kommst du, mein Heil?” | Stuttgarter Kammerorchester, Karl Münchinger | GBF078410093 |
| Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral “Zion hört die Wächter singen” | Stuttgarter Kammerorchester, Karl Münchinger | GBF078410094 |
| Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Rezitativ (Bass) “So geh’ herein vor mir” | Stuttgarter Kammerorchester, Karl Münchinger | GBF078410095 |
| Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Duett (Soprano, Bass) “Mein Freund is mein!” | Stuttgarter Kammerorchester, Karl Münchinger | GBF078410096 |
| Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” | Stuttgarter Kammerorchester, Karl Münchinger | GBF078410097 |
| Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico | Philharmonia Orchestra, Vladimir Ashkenazy | GBF078410371 |
| Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) | Philharmonia Orchestra, Vladimir Ashkenazy | GBF078410372 |
| Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro) | Philharmonia Orchestra, Vladimir Ashkenazy | GBF078410373 |
| Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia) | Philharmonia Orchestra, Vladimir Ashkenazy | GBF078410374 |
| Il lamento di Federico (È la solita storia) | José Carreras | GBF079040301 |
| Stalker: Train | Edward Artemiev | GBF079040302 |
| Recondita armonia | Luciano Pavarotti | GBF079040303 |
| Dein ist mein ganzes Herz | Plácido Domingo, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta | GBF079040304 |
| Solaris: Listen to Bach (The Earth) | Edward Artemiev | GBF079040305 |
| Core ’ngrato | José Carreras | GBF079040306 |
| Stalker: They Go Long | Edward Artemiev | GBF079040307 |
| Granada | José Carreras | GBF079040308 |
| Stalker: Meditation | Edward Artemiev | GBF079040309 |
| Solaris: Ocean | Edward Artemiev | GBF079040310 |
| Tosca: “È lucevan le stelle” | Plácido Domingo, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta | GBF079040311 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta | GBF079040312 |
| Medley: Maria / Tonight / ’O paese d’ ’o sole / Cielito lindo | Carreras, Domingo, Pavarotti | GBF079040313 |
| Medley: Memory / Ochi tchorniye / Caminito / La Vie en rose | Carreras, Domingo, Pavarotti | GBF079040314 |
| Medley: Mattinata / Wien, Wien, nur du allein / Amapola / ’O sole mio | Carreras, Domingo, Pavarotti | GBF079040315 |
| Encore: ’O sole mio | Carreras, Domingo, Pavarotti | GBF079040316 |
| Turandot: Nessun dorma | The Three Tenors, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta | GBF079040317 |
| Ridente la calma K. 152 | Cecilia Bartoli, András Schiff | GBF079241607 |
| Vedi, quanto adoro, D. 510 "Didone abbandonata" | Cecilia Bartoli, András Schiff | GBF079241608 |
| La pastorella al prato II, .D 528 | Cecilia Bartoli, András Schiff | GBF079241611 |
| Violin Concerto, op. 14: I. Allegro | Joshua Bell, Baltimore Symphony Orchestra, David Zinman | GBF079610401 |
| Violin Concerto, op. 14: II. Andante | Joshua Bell, Baltimore Symphony Orchestra, David Zinman | GBF079610402 |
| Violin Concerto, op. 14: III. Presto in moto perpetuo | Joshua Bell, Baltimore Symphony Orchestra, David Zinman | GBF079610403 |
| Baal Shem: I. Vidui (Contrition) | Joshua Bell, Baltimore Symphony Orchestra, David Zinman | GBF079610501 |
| Baal Shem: II. Nigun (Improvisation) | Joshua Bell, Baltimore Symphony Orchestra, David Zinman | GBF079610502 |
| Baal Shem: III. Simchas Torah (Rejoicing) | Joshua Bell, Baltimore Symphony Orchestra, David Zinman | GBF079610503 |
| Violin Concerto: I. Andante tranquillo | Joshua Bell, Baltimore Symphony Orchestra, David Zinman | GBF079610601 |
| Violin Concerto: II. Presto capriccioso alla napolitana | Joshua Bell, Baltimore Symphony Orchestra, David Zinman | GBF079610602 |
| Violin Concerto: III. Vivace | Joshua Bell, Baltimore Symphony Orchestra, David Zinman | GBF079610603 |
| Le nozze di Figaro: "Porgi amor" | Renée Fleming, London Symphony Orchestra, Sir Georg Solti | GBF079611231 |
| Le nozze di Figaro: "E Susanna non vien!" - "Dove sono i bei momenti" | Renée Fleming, London Symphony Orchestra, Sir Georg Solti | GBF079611232 |
| Eugen Onegin: "Nu, zaboitalas ya!" - "Puskai pogilabnu ya, no pryezhde" (Letter scene) | Лариса Ивановна Дядькова, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | GBF079611233 |
| Rusalka: "Měsičku na nebi hlubokém" (O Silver Moon) | Renée Fleming, London Symphony Orchestra, Sir Georg Solti | GBF079611234 |
| Otello: "Era più calmo?" - "Piangea cantando" - "Ave Maria" | Лариса Ивановна Дядькова, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | GBF079611235 |
| Peter Grimes: "Peter seems to have disappeared" - "Embroidery in childhood was a luxury of idleness" (Embroidery aria) | Renée Fleming, Jonathan Summers, London Symphony Orchestra, Sir Georg Solti | GBF079611236 |
| Daphne: "Ich komme, ich komme" (Transformation scene) | Renée Fleming, London Symphony Orchestra, Sir Georg Solti | GBF079611237 |
| Wenn die beste Freundin | Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler | GBF079641001 |
| Sex‐Appeal | Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler | GBF079641002 |
| Peter, Peter, komm zu mir zurück! | Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler | GBF079641003 |
| Das Gesellschaftslied | Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler | GBF079641004 |
| Alles Schwindel | Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler | GBF079641005 |
| Ich bin ein Vamp! | Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler | GBF079641006 |
| L’Heure bleue | Ute Lemper, Matrix Ensemble | GBF079641007 |
| Zieh dich aus, Petronella! | Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler | GBF079641008 |
| Raus mit den Männern! | Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler | GBF079641009 |
| Der Verflossene | Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler | GBF079641010 |
| Gesetzt den Fall | Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler | GBF079641011 |
| Ich weiß nicht, zu wem ich gehöre | Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler | GBF079641012 |
| Das lila Lied | Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler | GBF079641013 |
| Maskulinum - Femininum | Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler | GBF079641014 |
| Mir ist heut so nach Tamerlan! | Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler | GBF079641015 |
| Eine kleine Sehnsucht | Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler | GBF079641016 |
| Wir wollen alle wieder Kinder sein! | Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler | GBF079641017 |
| Münchhausen | Ute Lemper, Matrix Ensemble | GBF079641018 |
| Salve Regina in F minor: I. Salve Regina | Andreas Scholl, Christophe Rousset, Les Talens Lyriques | GBF079910151 |
| Salve Regina in F minor: II. Ad te clamamus | Andreas Scholl, Christophe Rousset, Les Talens Lyriques | GBF079910152 |
| Salve Regina in F minor: III. Eja ergo, advocata nostra | Andreas Scholl, Christophe Rousset, Les Talens Lyriques | GBF079910153 |
| Salve Regina in F minor: IV. Et Jesum | Andreas Scholl, Christophe Rousset, Les Talens Lyriques | GBF079910154 |
| Salve Regina in F minor: V. O clemens | Andreas Scholl, Christophe Rousset, Les Talens Lyriques | GBF079910155 |
| Salve Regina in A minor: I. Salve Regina | Barbara Bonney, Christophe Rousset, Les Talens Lyriques | GBF079910161 |
| Salve Regina in A minor: II. Ad te clamamus | Barbara Bonney, Christophe Rousset, Les Talens Lyriques | GBF079910162 |
| Salve Regina in A minor: III. Eja ergo, advocata nostra | Barbara Bonney, Christophe Rousset, Les Talens Lyriques | GBF079910163 |
| Salve Regina in A minor: IV. O clemens | Barbara Bonney, Christophe Rousset, Les Talens Lyriques | GBF079910164 |
| Stabat Mater: I. Duet “Stabat Mater dolorosa” | Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques | GBF079940001 |
| Stabat Mater: II. Aria (soprano) “Cujus animam gementem” | Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques | GBF079940002 |
| Stabat Mater: III. Duet “O quam tristis et afflicta” | Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques | GBF079940003 |
| Stabat Mater: IV. Aria (countertenor) “Quae moerebat et dolebat” | Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques | GBF079940004 |
| Stabat Mater: V. Duet “Quis est homo qui non fleret” | Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques | GBF079940005 |
| Stabat Mater: VI. Aria (soprano) “Vidit suum dulcem Natum” | Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques | GBF079940006 |
| Stabat Mater: VII. Aria (countertenor) “Eja Mater, fons amoris” | Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques | GBF079940007 |
| Stabat Mater: VIII. Duet “Fac ut ardeat cor meum” | Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques | GBF079940008 |
| Stabat Mater: IX. Duet “Sancta Mater, istud agas” | Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques | GBF079940009 |
| Stabat Mater: X. Aria (countertenor) “Fac ut portem Christi mortem” | Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques | GBF079940010 |
| Stabat Mater: XI. Duet “Inflammatus et accensus” | Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques | GBF079940011 |
| Stabat Mater: XII. Duet “Quando corpus morietur” | Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques | GBF079940012 |
| Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | GBFO77230809 |
| Turandot: Atto I. “Non piangere, Liù!” | Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta | GBFO77230810 |
| Turandot: Atto I. “Ah! Per l’ultima volta” | Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta | GBFO77230811 |
| Turandot: Atto II, scena 2. “In questa reggia” | The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta | GBFO77230820 |
| Das Rheingold: Schwüles Gedünst ... Zur Burg führt die Brücke | Waldemar Kmentt, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | GBN8H1316652 |
| Das Rheingold: Abendlich strahlt der Sonne Auge | Kirsten Flagstad, George London, Hetty Plümacher, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti | GBN8H1316653 |
| Das Rheingold: Rheingold! Rheingold! Reines Gold! Wie lauter und hell | Oda Balsborg, Paul Kuën, Ira Malaniuk, Gustav Neidlinger, Hetty Plümacher, Wiener Philharmoniker, Sir Georg Solti | GBN8H1316654 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | USLIC0600050 |
Violin Concerto in D major, op. 61: I. Allegro ma non troppo
Deutsche Kammerphilharmonie Bremen, Paavo Järvi, Janine Jansen
Violin Concerto in D major, op. 61: II. Larghetto -
Deutsche Kammerphilharmonie Bremen, Paavo Järvi, Janine Jansen
Violin Concerto in D major, op. 61: III. Rondo – Allegro
Deutsche Kammerphilharmonie Bremen, Paavo Järvi, Janine Jansen
Violin Concerto, op. 15: I. Moderato con moto
Janine Jansen, London Symphony Orchestra, Paavo Järvi
Violin Concerto, op. 15: II. Vivace - Cadenza -
Janine Jansen, London Symphony Orchestra, Paavo Järvi
Violin Concerto, op. 15: III. Passacaglia – Andante lento
Janine Jansen, London Symphony Orchestra, Paavo Järvi
Das Rheingold: Schwüles Gedünst ... Zur Burg führt die Brücke
Waldemar Kmentt, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti
Das Rheingold: Abendlich strahlt der Sonne Auge
Kirsten Flagstad, George London, Hetty Plümacher, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti
Das Rheingold: Rheingold! Rheingold! Reines Gold! Wie lauter und hell
Oda Balsborg, Paul Kuën, Ira Malaniuk, Gustav Neidlinger, Hetty Plümacher, Wiener Philharmoniker, Sir Georg Solti
Turandot: Atto I. “Popolo di Pekino!” … “Indietro, cani!”
Sabin Markov, Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Luciano Pavarotti, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto I. “Non piangere, Liù!”
Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta
Goldberg Variations in G major, BWV 988: I. Aria
András Schiff
Goldberg Variations in G major, BWV 988: III. Variatio 2 a 1 Clav.
András Schiff
Goldberg Variations in G major, BWV 988: VII. Variatio 6 a 1 Clav. Canone alla Seconda
András Schiff
Goldberg Variations in G major, BWV 988: X. Variatio 9 a 1 Clav. Canone alla Terza
András Schiff
Goldberg Variations in G major, BWV 988: XX. Variatio 19 a 1 Clav.
András Schiff
Goldberg Variations in G major, BWV 988: XXXII. Aria
András Schiff
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
Das Rheingold: Schwüles Gedünst ... Zur Burg führt die Brücke
Waldemar Kmentt, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti
ABENDLICH STRAHLT DER SONNE AUGE
Kirsten Flagstad, George London, Hetty Plümacher, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti
Das Rheingold: Rheingold! Rheingold! Reines Gold! Wie lauter und hell
Oda Balsborg, Paul Kuën, Ira Malaniuk, Gustav Neidlinger, Hetty Plümacher, Wiener Philharmoniker, Sir Georg Solti
Die Walküre: Dritter Aufzug. Vorspiel - "Hojotoho! Heiaha!" (Orchester, Die Walküren)
Vera Schlosser, Wiener Philharmoniker, Sir Georg Solti
Götterdämmerung: Vorspiel. Siegfrieds Rheinfahrt
Wiener Philharmoniker, Sir Georg Solti
Götterdämmerung: Dritter Aufzug. "Schweigt eures Jammers jauchzenden Schwall" (Brünnhilde, Gutrune)
Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti
Götterdämmerung: Dritter Aufzug. "Starke Scheite schichtet mir dort" (Brünnhilde)
Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti
Götterdämmerung: Dritter Aufzug. "Mein Erbe nun nehm' ich zu eigen" (Brünnhilde)
Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti
Götterdämmerung: Dritter Aufzug. "Fliegt heim, ihr Raben!" - "Zurück vom Ring!" (Brünnhilde, Hagen)
Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti
Siegfried: Erster Aufzug. "Notung! Notung! Neidliches Schwert!" (Siegfried, Mime)
Wiener Philharmoniker, Sir Georg Solti
Siegfried: Erster Aufzug. "Hoho! Hoho! Hohei! Schmiede, mein Hammer, ein hartes Schwert!" (Siegfried, Mime)
Wiener Philharmoniker, Sir Georg Solti
War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle?
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: II. Dies irae: Dies irae
Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten
War Requiem, op. 66: II. Dies irae: Bugles sang, saddening the evening air
Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: II. Dies irae: Liber scriptus proferetur
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten
War Requiem, op. 66: II. Dies irae: Out there, we've walked quite friendly up to Death
Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: II. Dies irae: Recordare Jesu pie
Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten
War Requiem, op. 66: II. Dies irae: Be slowly lifted up
Dietrich Fischer-Dieskau, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: II. Dies irae: Confutatis
Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten
War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten
War Requiem, op. 66: II. Dies irae: Move him into the sun
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: III. Offertorium: Domine Jesu Christe
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: III. Offertorium: So Abram rose, and clave the wood
Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten
War Requiem, op. 66: IV. Sanctus: After the blast of lightning from the East
Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: V. Agnus Dei: One ever hangs where shelled roads part
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: VI. Libera me: Libera me, Domine
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten
War Requiem, op. 66: VI. Libera me: It seemed that out of battle I escaped
Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble
War Requiem, op. 66: VI. Libera me: Let us sleep now / In Paradisum
Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
España
London Symphony Orchestra, Ataúlfo Argenta
Capriccio espagnol, op. 34: 1. Alborada
London Symphony Orchestra, Ataúlfo Argenta
Capriccio espagnol, op. 34: 2. Variazioni
London Symphony Orchestra, Ataúlfo Argenta
Capriccio espagnol, op. 34: 3. Alborada
London Symphony Orchestra, Ataúlfo Argenta
Capriccio espagnol, op. 34: 4. Scena e canto gitano
London Symphony Orchestra, Ataúlfo Argenta
Capriccio espagnol, op. 34: 5. Fandango asturiano
London Symphony Orchestra, Ataúlfo Argenta
Andaluza (Danza española no. 5 in E minor, op. 37)
London Symphony Orchestra, Ataúlfo Argenta
Spanish Dances, Book 1, op. 12: No. 1 in C major
London Symphony Orchestra, Ataúlfo Argenta
Spanish Dances, Book 1, op. 12: No. 2 in G major
London Symphony Orchestra, Ataúlfo Argenta
Spanish Dances, Book 1, op. 12: No. 3 in A major
London Symphony Orchestra, Ataúlfo Argenta
Spanish Dances, Book 1, op. 12: No. 4 in B‐flat major
London Symphony Orchestra, Ataúlfo Argenta
Spanish Dances, Book 1, op. 12: No. 5 in D major
London Symphony Orchestra, Ataúlfo Argenta
A Midsummer Night's Dream, op. 21: Overture
London Symphony Orchestra, Peter Maag
A Midsummer Night's Dream, op. 61: No. 1. Scherzo
London Symphony Orchestra, Peter Maag
A Midsummer Night's Dream, op. 61: No. 7. Nocturne
London Symphony Orchestra, Peter Maag
A Midsummer Night's Dream, op. 61: No. 9. Wedding March
London Symphony Orchestra, Peter Maag
A Midsummer Night's Dream, op. 61: No. 3. "You Spotted Snakes"
Jennifer Vyvyan, Marion Lowe, Female Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Peter Maag
A Midsummer Night's Dream, op. 61: No. 5. Intermezzo
London Symphony Orchestra, Peter Maag
A Midsummer Night's Dream, op. 61: No. 11. Dance of the Clowns
London Symphony Orchestra, Peter Maag
A Midsummer Night's Dream, op. 61: No. 12. Finale
Jennifer Vyvyan, Female Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Peter Maag
Das Rheingold: Rheingold! Rheingold! Reines Gold! Wie lauter und hell
Oda Balsborg, Paul Kuën, Ira Malaniuk, Gustav Neidlinger, Hetty Plümacher, Wiener Philharmoniker, Sir Georg Solti
Das Rheingold: Schwüles Gedünst ... Zur Burg führt die Brücke
Waldemar Kmentt, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti
Das Rheingold: Abendlich strahlt der Sonne Auge
Kirsten Flagstad, George London, Hetty Plümacher, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti
La fanciulla del West: Atto I. “Laggiù nel Soledad”
Mario Del Monaco, Cornell MacNeil, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Capuana
La fanciulla del West: Atto II. “Non mi difenderò”
Mario Del Monaco, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Capuana
Light Cavalry: Overture
Wiener Philharmoniker, Sir Georg Solti
Poet and Peasant: Overture
Wiener Philharmoniker, Sir Georg Solti
Morning, Noon and Night in Vienna: Overture
Wiener Philharmoniker, Sir Georg Solti
Pique Dame: Overture
Wiener Philharmoniker, Sir Georg Solti
Daphnis et Chloé, Part I: Introduction et Danse religieuse
Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux
Daphnis et Chloé, Part I: Danse générale
London Symphony Orchestra, Pierre Monteux
Daphnis et Chloé, Part I: Danse grotesque de Dorcon
London Symphony Orchestra, Pierre Monteux
Daphnis et Chloé, Part I: Danse légère et gracieuse de Daphnis
Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux
Daphnis et Chloé, Part I: Danse de Lycéion
London Symphony Orchestra, Pierre Monteux
Daphnis et Chloé, Part I: Danse lente et mystérieuse des Nymphes
London Symphony Orchestra, Pierre Monteux
Daphnis et Chloé, Part II: Introduction
Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux
Daphnis et Chloé, Part II: Danse guerrière
Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux
Daphnis et Chloé, Part II: Danse suppliante de Chloé
London Symphony Orchestra, Pierre Monteux
Daphnis et Chloé, Part III: Lever du jour
Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux
Daphnis et Chloé, Part III: Pantomime
London Symphony Orchestra, Pierre Monteux
Daphnis et Chloé, Part III: Danse générale
Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux
Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto / Allegro un poco agitato - Assai animato - Andante come prima
London Symphony Orchestra, Peter Maag
Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo
London Symphony Orchestra, Peter Maag
Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio
London Symphony Orchestra, Peter Maag
Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai
London Symphony Orchestra, Peter Maag
Enigma Variations: Theme (Andante)
London Symphony Orchestra, Pierre Monteux
Enigma Variations: C.A.E. (Andante)
London Symphony Orchestra, Pierre Monteux
Enigma Variations: H.D.S.‐P (Allegro)
London Symphony Orchestra, Pierre Monteux
Enigma Variations: R.B.T. (Allegretto)
London Symphony Orchestra, Pierre Monteux
Enigma Variations: W.M.B. (Allegro di Molto)
London Symphony Orchestra, Pierre Monteux
Enigma Variations: R.P.A. (Moderato)
London Symphony Orchestra, Pierre Monteux
Enigma Variations: Troyte (Presto)
London Symphony Orchestra, Pierre Monteux
Enigma Variations: W.N. (Allegretto)
London Symphony Orchestra, Pierre Monteux
Enigma Variations: Nimrod (Adagio)
London Symphony Orchestra, Pierre Monteux
Enigma Variations: Dorabella: Intermezzo (Allegretto)
London Symphony Orchestra, Pierre Monteux
Enigma Variations: G.R.S. (Allegro di Molto)
London Symphony Orchestra, Pierre Monteux
Enigma Variations: B.G.N. (Andante)
London Symphony Orchestra, Pierre Monteux
Enigma Variations: *** Romanza (Moderato)
London Symphony Orchestra, Pierre Monteux
Enigma Variations: E.D.U. Finale (Allegro)
London Symphony Orchestra, Pierre Monteux
Enigma Variations: Ysobel (Andantino)
London Symphony Orchestra, Pierre Monteux
The Planets, op. 32: I. Mars, the Bringer of War
Wiener Philharmoniker, Herbert von Karajan
The Planets, op. 32: II. Venus, the Bringer of Peace
Wiener Philharmoniker, Herbert von Karajan
The Planets, op. 32: III. Mercury, the Winged Messenger
Wiener Philharmoniker, Herbert von Karajan
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity
Wiener Philharmoniker, Herbert von Karajan
The Planets, op. 32: V. Saturn, the Bringer of Old Age
Wiener Philharmoniker, Herbert von Karajan
The Planets, op. 32: VI. Uranus, the Magician
Wiener Philharmoniker, Herbert von Karajan
The Planets, op. 32: VII. Neptune, the Mystic
Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan
Symphony no. 9 in E minor, op. 95 “New World”: I. Adagio – Allegro molto
Wiener Philharmoniker, István Kertész
Symphony no. 9 in E minor, op. 95 “New World”: II. Largo
Wiener Philharmoniker, István Kertész
Symphony no. 9 in E minor, op. 95 “New World”: III. Scherzo – Molto vivace
Wiener Philharmoniker, István Kertész
Symphony no. 9 in E minor, op. 95 “New World”: IV. Allegro con fuoco
Wiener Philharmoniker, István Kertész
Siegfried: Erster Aufzug. "Notung! Notung! Neidliches Schwert!" (Siegfried, Mime)
Wiener Philharmoniker, Sir Georg Solti
Siegfried: Erster Aufzug. "Hoho! Hoho! Hohei! Schmiede, mein Hammer, ein hartes Schwert!" (Siegfried, Mime)
Wiener Philharmoniker, Sir Georg Solti
Missa in angustiis, Hob. XXII:11: Kyrie
Choir of King’s College, Cambridge, Sylvia Stahlman, Simon Preston, London Symphony Orchestra, Sir David Willcocks
Missa in angustiis, Hob. XXII:11: Gloria: Gloria in Excelsis Deo
Wilfred Brown, Choir of King’s College, Cambridge, Tom Krause, Sylvia Stahlman, Helen Watts, Simon Preston, London Symphony Orchestra, Sir David Willcocks
Missa in angustiis, Hob. XXII:11: Gloria: Qui tollis peccata mundi
Choir of King’s College, Cambridge, Tom Krause, Sylvia Stahlman, Simon Preston, London Symphony Orchestra, Sir David Willcocks
Missa in angustiis, Hob. XXII:11: Gloria: Quoniam tu solus Sanctus
Wilfred Brown, Choir of King’s College, Cambridge, Tom Krause, Sylvia Stahlman, Helen Watts, Simon Preston, London Symphony Orchestra, Sir David Willcocks
Missa in angustiis, Hob. XXII:11: Credo: Credo in unum Deum
Choir of King’s College, Cambridge, Simon Preston, London Symphony Orchestra, Sir David Willcocks
Missa in angustiis, Hob. XXII:11: Credo: Et incarnatus est
Wilfred Brown, Choir of King’s College, Cambridge, Tom Krause, Sylvia Stahlman, Helen Watts, Simon Preston, London Symphony Orchestra, Sir David Willcocks
Missa in angustiis, Hob. XXII:11: Credo: Et resurrexit
Choir of King’s College, Cambridge, Sylvia Stahlman, Simon Preston, London Symphony Orchestra, Sir David Willcocks
Missa in angustiis, Hob. XXII:11: Sanctus
Choir of King’s College, Cambridge, Simon Preston, London Symphony Orchestra, Sir David Willcocks
Missa in angustiis, Hob. XXII:11: Benedictus
Wilfred Brown, Choir of King’s College, Cambridge, Tom Krause, Sylvia Stahlman, Helen Watts, Simon Preston, London Symphony Orchestra, Sir David Willcocks
Missa in angustiis, Hob. XXII:11: Agnus Dei: Agnus Dei
Wilfred Brown, Choir of King’s College, Cambridge, Tom Krause, Sylvia Stahlman, Helen Watts, Simon Preston, London Symphony Orchestra, Sir David Willcocks
Missa in angustiis, Hob. XXII:11: Agnus Dei: Dona nobis pacem
Choir of King’s College, Cambridge, Simon Preston, London Symphony Orchestra, Sir David Willcocks
Symphony no. 8 in G major, op. 88: I. Allegro con brio
London Symphony Orchestra, István Kertész
Symphony no. 8 in G major, op. 88: II. Adagio
London Symphony Orchestra, István Kertész
Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace
London Symphony Orchestra, István Kertész
Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo
London Symphony Orchestra, István Kertész
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto
Vladimir Ashkenazy, London Symphony Orchestra, Anatole Fistoulari
Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio
Vladimir Ashkenazy, London Symphony Orchestra, Anatole Fistoulari
Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve
Vladimir Ashkenazy, London Symphony Orchestra, Anatole Fistoulari
Götterdämmerung: Vorspiel. Siegfrieds Rheinfahrt
Wiener Philharmoniker, Sir Georg Solti
Götterdämmerung: Dritter Aufzug. "Schweigt eures Jammers jauchzenden Schwall" (Brünnhilde, Gutrune)
Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti
Götterdämmerung: Dritter Aufzug. "Mein Erbe nun nehm' ich zu eigen" (Brünnhilde)
Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti
Götterdämmerung: Dritter Aufzug. "Fliegt heim, ihr Raben!" - "Zurück vom Ring!" (Brünnhilde, Hagen)
Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti
Die Walküre: Dritter Aufzug. Vorspiel - "Hojotoho! Heiaha!" (Orchester, Die Walküren)
Vera Schlosser, Wiener Philharmoniker, Sir Georg Solti
Die Walküre: Dritter Aufzug. "Loge, hör! Lausche hieher!" - Feuerzauber (Wotan, Orchester)
Wiener Philharmoniker, Sir Georg Solti
Night on the Bare Mountain
London Symphony Orchestra, Sir Georg Solti
Khovanshchina: Prelude
London Symphony Orchestra, Sir Georg Solti
Ruslan and Lyudmila: Overture
London Symphony Orchestra, Sir Georg Solti
Prince Igor: Overture
London Symphony Orchestra, Sir Georg Solti
Prince Igor: Polovtsian Dances and Chorus
London Symphony Orchestra Chorus, London Symphony Orchestra, Sir Georg Solti
Serenade for Strings in C, op. 48: I. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade for Strings in C, op. 48: II. Walzer: Moderato (Tempo di valse)
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade for Strings in C, op. 48: III. Elégie: Larghetto elegiaco
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade for Strings in C, op. 48: IV. Finale (Tema russo): Andante - Allegro con spirito
Academy of St Martin in the Fields, Sir Neville Marriner
Sextet in D minor, op. 70 "Souvenir de Florence": II. Adagio cantabile e con moto
Academy of St Martin in the Fields, Sir Neville Marriner
Magnificat in D major, BWV 243: I. Coro. Magnificat
Stuttgarter Kammerorchester, Karl Münchinger
Magnificat in D major, BWV 243: II. Aria. Et exsultavit spiritus meus
Stuttgarter Kammerorchester, Karl Münchinger
Magnificat in D major, BWV 243: III. Aria. Quia respexit humilitatem - IV. Coro. Omnes generationes
Stuttgarter Kammerorchester, Karl Münchinger
Magnificat in D major, BWV 243: V. Aria. Quia fecit mihi magna
Stuttgarter Kammerorchester, Karl Münchinger
Magnificat in D major, BWV 243: VI. Aria (Duetto): Et misericordia
Stuttgarter Kammerorchester, Karl Münchinger
Magnificat in D major, BWV 243: VII. Coro. Fecit potentiam
Stuttgarter Kammerorchester, Karl Münchinger
Magnificat in D major, BWV 243: VIII. Aria. Deposuit potentes
Stuttgarter Kammerorchester, Karl Münchinger
Magnificat in D major, BWV 243: IX. Aria. Esurientes implevit bonis
Stuttgarter Kammerorchester, Karl Münchinger
Magnificat in D major, BWV 243: X. Aria (Terzetto): Suscepit Israel
Stuttgarter Kammerorchester, Karl Münchinger
Magnificat in D major, BWV 243: XI. Coro. Sicut locutus est
Stuttgarter Kammerorchester, Karl Münchinger
Magnificat in D major, BWV 243: XII. Coro. Gloria Patri
Stuttgarter Kammerorchester, Karl Münchinger
Serenade for Strings in C, op. 48: II. Walzer: Moderato (Tempo di valse)
Academy of St Martin in the Fields, Sir Neville Marriner
Missa in tempore belli, H XXII 9: Kyrie
April Cantelo, Choir of St John’s College, Cambridge, Helen Watts, Academy of St Martin in the Fields, George Guest
Missa in tempore belli, H XXII 9: Gloria
Choir of St John’s College, Cambridge, Barry McDaniel, Academy of St Martin in the Fields, George Guest
Missa in tempore belli, H XXII 9: Credo
April Cantelo, Choir of St John’s College, Cambridge, Barry McDaniel, Robert Tear, Helen Watts, Academy of St Martin in the Fields, George Guest
Missa in tempore belli, H XXII 9: Sanctus
Choir of St John’s College, Cambridge, Helen Watts, Academy of St Martin in the Fields, George Guest
Missa in tempore belli, H XXII 9: Benedictus
April Cantelo, Choir of St John’s College, Cambridge, Barry McDaniel, Robert Tear, Helen Watts, Academy of St Martin in the Fields, George Guest
Missa in tempore belli, H XXII 9: Agnus Dei
Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest
Holberg Suite, op. 40: I. Praeludium: Allegro vivace
Academy of St Martin in the Fields, Sir Neville Marriner
Holberg Suite, op. 40: II. Sarabande
Academy of St Martin in the Fields, Sir Neville Marriner
Holberg Suite, op. 40: III. Gavotte: Allegretto - Musette: Poco più mosso - Gavotte
Academy of St Martin in the Fields, Sir Neville Marriner
Holberg Suite, op. 40: IV. Air: Andante religioso
Academy of St Martin in the Fields, Sir Neville Marriner
Holberg Suite, op. 40: V. Rigaudon: Allegro con brio
Academy of St Martin in the Fields, Sir Neville Marriner
Piano Concerto no. 20 in D minor, K. 466: I. Allegro
Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten
Piano Concerto no. 20 in D minor, K. 466: II. Romance
Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten
Piano Concerto no. 20 in D minor, K. 466: III. Rondo: Allegro assai
Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten
Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro
Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten
Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto
Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten
Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro
Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten
32 Variations for Piano in C minor on an Original Theme, WoO 80
Radu Lupu
Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato
Kyung Wha-Chung, Royal Philharmonic Orchestra, Rudolf Kempe
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
Kyung Wha-Chung, Royal Philharmonic Orchestra, Rudolf Kempe
Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico
Kyung Wha-Chung, Royal Philharmonic Orchestra, Rudolf Kempe
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia
Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus
Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia
Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Wiener Staatsopernchor, Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis
Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus
Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia
Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”
Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran”
Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand”
Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen”
Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied”
Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”
Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt”
Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen”
Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche”
Chicago Symphony Orchestra, Sir Georg Solti
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Blicket auf zum Retterblick”
Sir Georg Solti, Chicago Symphony Orchestra
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Alles Vergängliche”
Sir Georg Solti, Chicago Symphony Orchestra
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Radu Lupu
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto
Radu Lupu
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato
Radu Lupu
Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio
Radu Lupu
Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile
Radu Lupu
Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro
Radu Lupu
Sonata for Piano no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio
Radu Lupu
Sonata for Piano no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto
Radu Lupu
Sonata for Piano no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo
Radu Lupu
Scottish Fantasy, op. 46: I. Introduction. Grave - Adagio cantabile
Kyung Wha-Chung, Royal Philharmonic Orchestra, Rudolf Kempe
Scottish Fantasy, op. 46: II. Allegro
Kyung Wha-Chung, Royal Philharmonic Orchestra, Rudolf Kempe
Scottish Fantasy, op. 46: III. Andante sostenuto
Kyung Wha-Chung, Royal Philharmonic Orchestra, Rudolf Kempe
Scottish Fantasy, op. 46: IV. Finale. Allegro guerriero
Kyung Wha-Chung, Royal Philharmonic Orchestra, Rudolf Kempe
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto I. “Gira la cote!”
The John Alldis Choir, Wandsworth School Boys’ Choir, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto I. “Signore, ascolta!”
Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto I. “Non piangere, Liù!” – “Ah! Per l’ultima volta!”
Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto I. “Ah! Per l’ultima volta”
Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto II. “Olà, Pang! Olà, Pong!”
Tom Krause, Piero de Palma, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto II. “Ho una casa nell’Honan”
Tom Krause, Piero de Palma, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto II, scena 2. “In questa reggia”
The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto III. “Principessa di morte!”
Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto III. “Che è mai di me?”
The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, Wandsworth School Boys’ Choir, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto III, scena 1. “Del primo pianto…”
Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto III. “So il tuo nome!”
Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto III, scena 2. “Diecimila anni al nostro Imperatore!”
The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta
Symphony no. 4 in E‐flat major “Romantic”: I. Bewegt, nicht zu schell
Wiener Philharmoniker, Karl Böhm
Symphony no. 4 in E‐flat major “Romantic”: II. Andante, quasi allegretto
Wiener Philharmoniker, Karl Böhm
Symphony no. 4 in E‐flat major “Romantic”: III. Scherzo. Bewegt – Trio. Nicht zu schnell, keinesfalls schleppend
Wiener Philharmoniker, Karl Böhm
Symphony no. 4 in E‐flat major “Romantic”: IV. Finale. Bewegt, doch nicht zu schnell
Wiener Philharmoniker, Karl Böhm
Lulu Suite: I. Rondo: Andante - Tempo I - Hymne: Sostenuto
Wiener Philharmoniker, Christoph von Dohnányi
Lulu Suite: II. Ostinato: Allegro
Wiener Philharmoniker, Christoph von Dohnányi
Lulu Suite: III. Lied der Lulu: Comodo
Wiener Philharmoniker, Christoph von Dohnányi
Lulu Suite: IV. Variationen: Moderato - Grandioso - Grazioso - Funèbre - Affettuoso - Thema
Wiener Philharmoniker, Christoph von Dohnányi
Lulu Suite: V. Adagio: Sostenuto - Lento - Grave
Wiener Philharmoniker, Christoph von Dohnányi
Turandot: Atto II. “Gelo che ti da foco”
The John Alldis Choir, Luciano Pavarotti, Peter Pears, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto II, scena 2. “Figlio del Cielo!”
The John Alldis Choir, Luciano Pavarotti, Peter Pears, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto III, scena 1. “Quel nome!”
Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto III, scena 1. “L’amore?” … “Tanto amore, segreto e inconfessato”
Montserrat Caballé, The John Alldis Choir, Tom Krause, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta”
Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta
Feste romane: I. Circenses
The Cleveland Orchestra, Lorin Maazel
Feste romane: II. Il giubileo
The Cleveland Orchestra, Lorin Maazel
Feste romane: III. L'ottobrata
The Cleveland Orchestra, Lorin Maazel
Feste romane: IV. La Befana
The Cleveland Orchestra, Lorin Maazel
Pini di Roma: I. I pini di Villa Borghese
The Cleveland Orchestra, Lorin Maazel
Pini di Roma: II. Pini presso una catacomba
The Cleveland Orchestra, Lorin Maazel
Pini di Roma: III. I pini del Gianicolo
The Cleveland Orchestra, Lorin Maazel
Pini di Roma: IV. I pini della Via Appia
The Cleveland Orchestra, Lorin Maazel
The Cunning Little Vixen Suite: I. Andante
Wiener Philharmoniker, Sir Charles Mackerras
The Cunning Little Vixen Suite: II. Andante
Wiener Philharmoniker, Sir Charles Mackerras
Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto
Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit
Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando
Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit
Piano Concerto no. 2 in G minor, op. 22: III. Presto
Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit
Erwartung: Scene 1, Hier hinein? Man sieht den Weg nicht..
Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi
Erwartung: Scene 2, Ist das noch der Weg? Hier is es eben
Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi
Erwartung: Scene 3, Da kommt ein Licht!
Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi
Suite From "Le Coq D'or": I. King Dodon n His Palace
The Cleveland Orchestra, Lorin Maazel
Suite From "Le Coq D'or": II. King Dodon on the Battlefield
The Cleveland Orchestra, Lorin Maazel
Suite From "Le Coq D'or": III. King Dodon With the Queen of Shemakha
The Cleveland Orchestra, Lorin Maazel
Suite From "Le Coq D'or": IV. The Marriage Feast and Lamentable End of King Dodon
The Cleveland Orchestra, Lorin Maazel
Loreley-Rhein-Klänge, op. 154
Wiener Philharmoniker, Willi Boskovsky
Bitte schön! - polka française, after motifs from 'Cagliostro in Wien, op. 372
Wiener Philharmoniker, Willi Boskovsky
Ohne Bremse - Polka schnell, op. 238
Wiener Philharmoniker, Willi Boskovsky
Wein, Weib und Gesang, op. 333
Wiener Philharmoniker, Willi Boskovsky
Die Emancipierte - polka-mazur, op. 282
Wiener Philharmoniker, Willi Boskovsky
Hereinspaziert, op. 518
Wiener Philharmoniker, Willi Boskovsky
Die schöne Galathee - operetta in 1 Act (1865): Overture
Wiener Philharmoniker, Willi Boskovsky
Bei uns z'Haus - waltz, op. 361
Wiener Philharmoniker, Willi Boskovsky
Moulinet - polka française, op. 57
Wiener Philharmoniker, Willi Boskovsky
Tik-Tak - Polka schnell, op. 365
Wiener Philharmoniker, Willi Boskovsky
Pizzicato Polka (1870)
Wiener Philharmoniker, Willi Boskovsky
Rudolfsheimer - polka schnell, op. 152
Wiener Philharmoniker, Willi Boskovsky
Auf der Jagd, op. 373
Wiener Philharmoniker, Willi Boskovsky
Leichtes Blut, polka schnell, op. 319
Wiener Philharmoniker, Willi Boskovsky
An der schönen blauen Donau, op. 314
Wiener Philharmoniker, Willi Boskovsky
Radetzky-Marsch, op. 228
Wiener Philharmoniker, Willi Boskovsky
Sinfonietta for Orchestra: I. Allegretto - Allegro - Maestoso
Vienna Philharmonic, Charles Mackerras
Sinfonietta for Orchestra: II. Andante - Allegretto - Maestoso - Tempo I - Allegretto
Vienna Philharmonic, Charles Mackerras
Sinfonietta for Orchestra: III. Moderato - Con Moto - Prestissimo - Tempo I - Moderato
Vienna Philharmonic, Charles Mackerras
Sinfonietta for Orchestra: IV. Allegretto - Adagio - Presto - Andante - Presto - Prestissimo
Vienna Philharmonic, Charles Mackerras
Sinfonietta for Orchestra: V. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio
Vienna Philharmonic, Charles Mackerras
Taras Bulba - Rhapsody for Orchestra: I. The Death of Andri
Vienna Philharmonic, Charles Mackerras
Taras Bulba - Rhapsody for Orchestra: II. The Death of Ostap
Vienna Philharmonic, Charles Mackerras
Taras Bulba - Rhapsody for Orchestra: III. The Prophecy and the Death of Taras Bulba
Vienna Philharmonic, Charles Mackerras
Piano Sonata no. 2 in B-flat minor, op. 36: I. Allegro agitato
Vladimir Ashkenazy
Piano Sonata no. 2 in B-flat minor, op. 36: II. Non allegro - Lento
Vladimir Ashkenazy
Piano Sonata no. 2 in B-flat minor, op. 36: III. L'istesso tempo; Allegro molto
Vladimir Ashkenazy
Boléro
Orchestre symphonique de Montréal, Charles Dutoit
Violin Concerto in E minor, op. 64: I. Allegro molto appassionato
Kyung Wha Chung, Orchestre symphonique de Montréal, Charles Dutoit
Violin Concerto in E minor, op. 64: II. Andante
Kyung Wha Chung, Orchestre symphonique de Montréal, Charles Dutoit
Violin Concerto in E minor, op. 64: III. Allegro non troppo - Allegro molto vivace
Kyung Wha-Chung, Orchestre symphonique de Montréal, Charles Dutoit
Goldberg Variations in G major, BWV 988: I. Aria
András Schiff
Goldberg Variations in G major, BWV 988: I. Aria
András Schiff
L'Oiseau de feu: Introduction
Detroit Symphony Orchestra, Antal Doráti
L'Oiseau de feu: Le jardin enchante de Kachtchei
Detroit Symphony Orchestra, Antal Doráti
L'Oiseau de feu: Apparition de l'Oiseau de feu poursuivi par Ivan Tsarevitch
Detroit Symphony Orchestra, Antal Doráti
L'Oiseau de feu: Danse de l'Oiseau de feu
Detroit Symphony Orchestra, Antal Doráti
L'Oiseau de feu: Capture de l'Oiseau de feu par Ivan Tsarevitch
Detroit Symphony Orchestra, Antal Doráti
L'Oiseau de feu: Supplications de l'Oiseau de feu - apparition des treize princesses enchantees
Detroit Symphony Orchestra, Antal Doráti
L'Oiseau de feu: Jeu des princesses avec les pommes d'or (Scherzo)
Detroit Symphony Orchestra, Antal Doráti
L'Oiseau de feu: Brusque apparition d'Ivan Tsarevitch
Detroit Symphony Orchestra, Antal Doráti
L'Oiseau de feu: Khorovod (ronde) des princesses
Detroit Symphony Orchestra, Antal Doráti
L'Oiseau de feu: Lever du jour - Ivan Tsarevitch penetre dans lepalais de Kachtchei
Detroit Symphony Orchestra, Antal Doráti
L'Oiseau de feu: Carillon feerique - apparition des monster-gardiens de Kachtchei - capture d'Ivan..
Detroit Symphony Orchestra, Antal Doráti
L'Oiseau de feu: Danse de la suite de Kachtchei enchantee par l'Oiseau de feu
Detroit Symphony Orchestra, Antal Doráti
L'Oiseau de feu: Danse infernale de tous les sujets de Kachtchei
Detroit Symphony Orchestra, Antal Doráti
L'Oiseau de feu: Berceuse (l'Oiseau de feu) - reveil de Kachtchei - mort de Kachtchei - profonds...
Detroit Symphony Orchestra, Antal Doráti
L'Oiseau de feu: Disparition du palais et des sortileges de Kachtchei - animation des chevaliers...
Detroit Symphony Orchestra, Antal Doráti
Pavane pour une infante défunte - Orchestral version
John Zirbel
Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Choral “Wachet auf, ruft uns die Stimme”
Stuttgarter Kammerorchester, Karl Münchinger
Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Rezitativ (Tenor) “Er kommt, er kommt, der Bräut’gam kommt!”
Stuttgarter Kammerorchester, Karl Münchinger
Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Duett (Soprano, Bass) “Wann kommst du, mein Heil?”
Stuttgarter Kammerorchester, Karl Münchinger
Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral “Zion hört die Wächter singen”
Stuttgarter Kammerorchester, Karl Münchinger
Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Rezitativ (Bass) “So geh’ herein vor mir”
Stuttgarter Kammerorchester, Karl Münchinger
Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Duett (Soprano, Bass) “Mein Freund is mein!”
Stuttgarter Kammerorchester, Karl Münchinger
Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen”
Stuttgarter Kammerorchester, Karl Münchinger
Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico
Philharmonia Orchestra, Vladimir Ashkenazy
Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento)
Philharmonia Orchestra, Vladimir Ashkenazy
Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro)
Philharmonia Orchestra, Vladimir Ashkenazy
Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia)
Philharmonia Orchestra, Vladimir Ashkenazy
Il lamento di Federico (È la solita storia)
José Carreras
Stalker: Train
Edward Artemiev
Recondita armonia
Luciano Pavarotti
Dein ist mein ganzes Herz
Plácido Domingo, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta
Solaris: Listen to Bach (The Earth)
Edward Artemiev
Core ’ngrato
José Carreras
Stalker: They Go Long
Edward Artemiev
Granada
José Carreras
Stalker: Meditation
Edward Artemiev
Solaris: Ocean
Edward Artemiev
Tosca: “È lucevan le stelle”
Plácido Domingo, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta
Turandot: “Nessun dorma”
Luciano Pavarotti, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta
Medley: Maria / Tonight / ’O paese d’ ’o sole / Cielito lindo
Carreras, Domingo, Pavarotti
Medley: Memory / Ochi tchorniye / Caminito / La Vie en rose
Carreras, Domingo, Pavarotti
Medley: Mattinata / Wien, Wien, nur du allein / Amapola / ’O sole mio
Carreras, Domingo, Pavarotti
Encore: ’O sole mio
Carreras, Domingo, Pavarotti
Turandot: Nessun dorma
The Three Tenors, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta
Ridente la calma K. 152
Cecilia Bartoli, András Schiff
Vedi, quanto adoro, D. 510 "Didone abbandonata"
Cecilia Bartoli, András Schiff
La pastorella al prato II, .D 528
Cecilia Bartoli, András Schiff
Violin Concerto, op. 14: I. Allegro
Joshua Bell, Baltimore Symphony Orchestra, David Zinman
Violin Concerto, op. 14: II. Andante
Joshua Bell, Baltimore Symphony Orchestra, David Zinman
Violin Concerto, op. 14: III. Presto in moto perpetuo
Joshua Bell, Baltimore Symphony Orchestra, David Zinman
Baal Shem: I. Vidui (Contrition)
Joshua Bell, Baltimore Symphony Orchestra, David Zinman
Baal Shem: II. Nigun (Improvisation)
Joshua Bell, Baltimore Symphony Orchestra, David Zinman
Baal Shem: III. Simchas Torah (Rejoicing)
Joshua Bell, Baltimore Symphony Orchestra, David Zinman
Violin Concerto: I. Andante tranquillo
Joshua Bell, Baltimore Symphony Orchestra, David Zinman
Violin Concerto: II. Presto capriccioso alla napolitana
Joshua Bell, Baltimore Symphony Orchestra, David Zinman
Violin Concerto: III. Vivace
Joshua Bell, Baltimore Symphony Orchestra, David Zinman
Le nozze di Figaro: "Porgi amor"
Renée Fleming, London Symphony Orchestra, Sir Georg Solti
Le nozze di Figaro: "E Susanna non vien!" - "Dove sono i bei momenti"
Renée Fleming, London Symphony Orchestra, Sir Georg Solti
Eugen Onegin: "Nu, zaboitalas ya!" - "Puskai pogilabnu ya, no pryezhde" (Letter scene)
Лариса Ивановна Дядькова, Renée Fleming, London Symphony Orchestra, Sir Georg Solti
Rusalka: "Měsičku na nebi hlubokém" (O Silver Moon)
Renée Fleming, London Symphony Orchestra, Sir Georg Solti
Otello: "Era più calmo?" - "Piangea cantando" - "Ave Maria"
Лариса Ивановна Дядькова, Renée Fleming, London Symphony Orchestra, Sir Georg Solti
Peter Grimes: "Peter seems to have disappeared" - "Embroidery in childhood was a luxury of idleness" (Embroidery aria)
Renée Fleming, Jonathan Summers, London Symphony Orchestra, Sir Georg Solti
Daphne: "Ich komme, ich komme" (Transformation scene)
Renée Fleming, London Symphony Orchestra, Sir Georg Solti
Wenn die beste Freundin
Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler
Sex‐Appeal
Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler
Peter, Peter, komm zu mir zurück!
Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler
Das Gesellschaftslied
Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler
Alles Schwindel
Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler
Ich bin ein Vamp!
Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler
L’Heure bleue
Ute Lemper, Matrix Ensemble
Zieh dich aus, Petronella!
Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler
Raus mit den Männern!
Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler
Der Verflossene
Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler
Gesetzt den Fall
Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler
Ich weiß nicht, zu wem ich gehöre
Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler
Das lila Lied
Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler
Maskulinum - Femininum
Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler
Mir ist heut so nach Tamerlan!
Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler
Eine kleine Sehnsucht
Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler
Wir wollen alle wieder Kinder sein!
Ute Lemper, Jeff Cohen, Matrix Ensemble, Robert Ziegler
Münchhausen
Ute Lemper, Matrix Ensemble
Salve Regina in F minor: I. Salve Regina
Andreas Scholl, Christophe Rousset, Les Talens Lyriques
Salve Regina in F minor: II. Ad te clamamus
Andreas Scholl, Christophe Rousset, Les Talens Lyriques
Salve Regina in F minor: III. Eja ergo, advocata nostra
Andreas Scholl, Christophe Rousset, Les Talens Lyriques
Salve Regina in F minor: IV. Et Jesum
Andreas Scholl, Christophe Rousset, Les Talens Lyriques
Salve Regina in F minor: V. O clemens
Andreas Scholl, Christophe Rousset, Les Talens Lyriques
Salve Regina in A minor: I. Salve Regina
Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Salve Regina in A minor: II. Ad te clamamus
Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Salve Regina in A minor: III. Eja ergo, advocata nostra
Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Salve Regina in A minor: IV. O clemens
Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Stabat Mater: I. Duet “Stabat Mater dolorosa”
Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Stabat Mater: II. Aria (soprano) “Cujus animam gementem”
Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Stabat Mater: III. Duet “O quam tristis et afflicta”
Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Stabat Mater: IV. Aria (countertenor) “Quae moerebat et dolebat”
Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Stabat Mater: V. Duet “Quis est homo qui non fleret”
Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Stabat Mater: VI. Aria (soprano) “Vidit suum dulcem Natum”
Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Stabat Mater: VII. Aria (countertenor) “Eja Mater, fons amoris”
Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Stabat Mater: VIII. Duet “Fac ut ardeat cor meum”
Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Stabat Mater: IX. Duet “Sancta Mater, istud agas”
Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Stabat Mater: X. Aria (countertenor) “Fac ut portem Christi mortem”
Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Stabat Mater: XI. Duet “Inflammatus et accensus”
Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Stabat Mater: XII. Duet “Quando corpus morietur”
Andreas Scholl, Barbara Bonney, Christophe Rousset, Les Talens Lyriques
Turandot: Atto I. “Signore, ascolta!”
Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto I. “Non piangere, Liù!”
Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto I. “Ah! Per l’ultima volta”
Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto II, scena 2. “In questa reggia”
The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta
Das Rheingold: Schwüles Gedünst ... Zur Burg führt die Brücke
Waldemar Kmentt, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti
Das Rheingold: Abendlich strahlt der Sonne Auge
Kirsten Flagstad, George London, Hetty Plümacher, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti
Das Rheingold: Rheingold! Rheingold! Reines Gold! Wie lauter und hell
Oda Balsborg, Paul Kuën, Ira Malaniuk, Gustav Neidlinger, Hetty Plümacher, Wiener Philharmoniker, Sir Georg Solti
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
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