UPC · Release
The Decca Sound
Various Artists
028947828266
19 tracksReleased 2011-01-01Decca
Last verified:
028947828266 is the Universal Product Code (UPC barcode) for the release “The Decca Sound” by Various Artists, released 2011-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC. Tracks include GBBBC2300943, GBBBC2300944, GBBBC2300945.
Format
0Number system
28947Manufacturer
82826Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Decca Sound
ISRC19 recordings
ISWC30 works
IPI5 songwriters
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 10-1 | War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 10-2 | War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle? | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 10-3 | War Requiem, op. 66: II. Dies irae: Dies irae | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 10-4 | War Requiem, op. 66: II. Dies irae: Bugles sang, saddening the evening air | Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble | — | |
| 10-5 | War Requiem, op. 66: II. Dies irae: Liber scriptus proferetur | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 10-6 | War Requiem, op. 66: II. Dies irae: Out there, we've walked quite friendly up to Death | Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble | — | |
| 10-7 | War Requiem, op. 66: II. Dies irae: Recordare Jesu pie | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 10-8 | War Requiem, op. 66: II. Dies irae: Be slowly lifted up | Dietrich Fischer-Dieskau, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 10-9 | War Requiem, op. 66: II. Dies irae: Confutatis | Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 10-10 | War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 10-11 | War Requiem, op. 66: II. Dies irae: Move him into the sun | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 10-12 | War Requiem, op. 66: III. Offertorium: Domine Jesu Christe | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 10-13 | War Requiem, op. 66: III. Offertorium: So Abram rose, and clave the wood | Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 10-14 | War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 10-15 | War Requiem, op. 66: IV. Sanctus: After the blast of lightning from the East | Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble | — | |
| 10-16 | War Requiem, op. 66: V. Agnus Dei: One ever hangs where shelled roads part | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — | |
| 10-17 | War Requiem, op. 66: VI. Libera me: Libera me, Domine | Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten | — | |
| 10-18 | War Requiem, op. 66: VI. Libera me: It seemed that out of battle I escaped | Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble | — | |
| 10-19 | War Requiem, op. 66: VI. Libera me: Let us sleep now / In Paradisum | Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble | — |
War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
—
War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle?
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
—
War Requiem, op. 66: II. Dies irae: Dies irae
Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten
—
War Requiem, op. 66: II. Dies irae: Bugles sang, saddening the evening air
Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble
—
War Requiem, op. 66: II. Dies irae: Liber scriptus proferetur
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten
—
War Requiem, op. 66: II. Dies irae: Out there, we've walked quite friendly up to Death
Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble
—
War Requiem, op. 66: II. Dies irae: Recordare Jesu pie
Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten
—
War Requiem, op. 66: II. Dies irae: Be slowly lifted up
Dietrich Fischer-Dieskau, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
—
War Requiem, op. 66: II. Dies irae: Confutatis
Sir David Willcocks, The Bach Choir, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten
—
War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten
—
War Requiem, op. 66: II. Dies irae: Move him into the sun
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
—
War Requiem, op. 66: III. Offertorium: Domine Jesu Christe
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
—
War Requiem, op. 66: III. Offertorium: So Abram rose, and clave the wood
Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Simon Preston, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
—
War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten
—
War Requiem, op. 66: IV. Sanctus: After the blast of lightning from the East
Dietrich Fischer-Dieskau, Benjamin Britten, Melos Ensemble
—
War Requiem, op. 66: V. Agnus Dei: One ever hangs where shelled roads part
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
—
War Requiem, op. 66: VI. Libera me: Libera me, Domine
Sir David Willcocks, The Bach Choir, London Symphony Chorus, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten
—
War Requiem, op. 66: VI. Libera me: It seemed that out of battle I escaped
Dietrich Fischer-Dieskau, Peter Pears, Benjamin Britten, Melos Ensemble
—
War Requiem, op. 66: VI. Libera me: Let us sleep now / In Paradisum
Sir David Willcocks, The Bach Choir, Dietrich Fischer-Dieskau, London Symphony Chorus, Peter Pears, Галина Павловна Вишневская, London Symphony Orchestra, Benjamin Britten, Melos Ensemble
—
Additional database matches (81)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Violin Concerto in D major, op. 61: I. Allegro ma non troppo | Deutsche Kammerphilharmonie Bremen, Paavo Järvi, Janine Jansen | — |
| Violin Concerto in D major, op. 61: II. Larghetto - | Deutsche Kammerphilharmonie Bremen, Paavo Järvi, Janine Jansen | — |
| Violin Concerto in D major, op. 61: III. Rondo – Allegro | Deutsche Kammerphilharmonie Bremen, Paavo Järvi, Janine Jansen | — |
| Violin Concerto, op. 15: I. Moderato con moto | Janine Jansen, London Symphony Orchestra, Paavo Järvi | — |
| Violin Concerto, op. 15: II. Vivace - Cadenza - | Janine Jansen, London Symphony Orchestra, Paavo Järvi | — |
| Violin Concerto, op. 15: III. Passacaglia – Andante lento | Janine Jansen, London Symphony Orchestra, Paavo Järvi | — |
| Das Rheingold: Schwüles Gedünst ... Zur Burg führt die Brücke | Waldemar Kmentt, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | — |
| Das Rheingold: Abendlich strahlt der Sonne Auge | Kirsten Flagstad, George London, Hetty Plümacher, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti | — |
| Das Rheingold: Rheingold! Rheingold! Reines Gold! Wie lauter und hell | Oda Balsborg, Paul Kuën, Ira Malaniuk, Gustav Neidlinger, Hetty Plümacher, Wiener Philharmoniker, Sir Georg Solti | — |
| Turandot: Atto I. “Popolo di Pekino!” … “Indietro, cani!” | Sabin Markov, Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Luciano Pavarotti, London Philharmonic Orchestra, Zubin Mehta | — |
| Turandot: Atto I. “Non piangere, Liù!” | Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta | T0050008382 |
| Goldberg Variations in G major, BWV 988: I. Aria | András Schiff | T3057238725 |
| Goldberg Variations in G major, BWV 988: III. Variatio 2 a 1 Clav. | András Schiff | T9021286884 |
| Goldberg Variations in G major, BWV 988: VII. Variatio 6 a 1 Clav. Canone alla Seconda | András Schiff | T9021286884 |
| Goldberg Variations in G major, BWV 988: X. Variatio 9 a 1 Clav. Canone alla Terza | András Schiff | T9021286884 |
| Goldberg Variations in G major, BWV 988: XX. Variatio 19 a 1 Clav. | András Schiff | T9021286884 |
| Goldberg Variations in G major, BWV 988: XXXII. Aria | András Schiff | T8018069847 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — |
| Das Rheingold: Schwüles Gedünst ... Zur Burg führt die Brücke | Waldemar Kmentt, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | — |
| ABENDLICH STRAHLT DER SONNE AUGE | Kirsten Flagstad, George London, Hetty Plümacher, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti | T3067769448 |
| Das Rheingold: Rheingold! Rheingold! Reines Gold! Wie lauter und hell | Oda Balsborg, Paul Kuën, Ira Malaniuk, Gustav Neidlinger, Hetty Plümacher, Wiener Philharmoniker, Sir Georg Solti | — |
| Die Walküre: Dritter Aufzug. Vorspiel - "Hojotoho! Heiaha!" (Orchester, Die Walküren) | Vera Schlosser, Wiener Philharmoniker, Sir Georg Solti | — |
| Götterdämmerung: Vorspiel. Siegfrieds Rheinfahrt | Wiener Philharmoniker, Sir Georg Solti | — |
| Götterdämmerung: Dritter Aufzug. "Schweigt eures Jammers jauchzenden Schwall" (Brünnhilde, Gutrune) | Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | — |
| Götterdämmerung: Dritter Aufzug. "Starke Scheite schichtet mir dort" (Brünnhilde) | Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | — |
| Götterdämmerung: Dritter Aufzug. "Mein Erbe nun nehm' ich zu eigen" (Brünnhilde) | Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | — |
| Götterdämmerung: Dritter Aufzug. "Fliegt heim, ihr Raben!" - "Zurück vom Ring!" (Brünnhilde, Hagen) | Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | — |
| Siegfried: Erster Aufzug. "Notung! Notung! Neidliches Schwert!" (Siegfried, Mime) | Wiener Philharmoniker, Sir Georg Solti | — |
| Siegfried: Erster Aufzug. "Hoho! Hoho! Hohei! Schmiede, mein Hammer, ein hartes Schwert!" (Siegfried, Mime) | Wiener Philharmoniker, Sir Georg Solti | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005000838-2 |
| España | London Symphony Orchestra, Ataúlfo Argenta | — |
| Capriccio espagnol, op. 34: 1. Alborada | London Symphony Orchestra, Ataúlfo Argenta | — |
| Capriccio espagnol, op. 34: 2. Variazioni | London Symphony Orchestra, Ataúlfo Argenta | — |
| Capriccio espagnol, op. 34: 3. Alborada | London Symphony Orchestra, Ataúlfo Argenta | — |
| Capriccio espagnol, op. 34: 4. Scena e canto gitano | London Symphony Orchestra, Ataúlfo Argenta | — |
| Capriccio espagnol, op. 34: 5. Fandango asturiano | London Symphony Orchestra, Ataúlfo Argenta | — |
| Andaluza (Danza española no. 5 in E minor, op. 37) | London Symphony Orchestra, Ataúlfo Argenta | — |
| Spanish Dances, Book 1, op. 12: No. 1 in C major | London Symphony Orchestra, Ataúlfo Argenta | — |
| Spanish Dances, Book 1, op. 12: No. 2 in G major | London Symphony Orchestra, Ataúlfo Argenta | — |
| Spanish Dances, Book 1, op. 12: No. 3 in A major | London Symphony Orchestra, Ataúlfo Argenta | — |
| Spanish Dances, Book 1, op. 12: No. 4 in B‐flat major | London Symphony Orchestra, Ataúlfo Argenta | — |
| Spanish Dances, Book 1, op. 12: No. 5 in D major | London Symphony Orchestra, Ataúlfo Argenta | — |
| A Midsummer Night's Dream, op. 21: Overture | London Symphony Orchestra, Peter Maag | — |
| A Midsummer Night's Dream, op. 61: No. 1. Scherzo | London Symphony Orchestra, Peter Maag | T3083846559 |
| A Midsummer Night's Dream, op. 61: No. 7. Nocturne | London Symphony Orchestra, Peter Maag | — |
| A Midsummer Night's Dream, op. 61: No. 9. Wedding March | London Symphony Orchestra, Peter Maag | T9286354696 |
| A Midsummer Night's Dream, op. 61: No. 3. "You Spotted Snakes" | Jennifer Vyvyan, Marion Lowe, Female Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Peter Maag | — |
| A Midsummer Night's Dream, op. 61: No. 5. Intermezzo | London Symphony Orchestra, Peter Maag | — |
| A Midsummer Night's Dream, op. 61: No. 11. Dance of the Clowns | London Symphony Orchestra, Peter Maag | T9286354663 |
| A Midsummer Night's Dream, op. 61: No. 12. Finale | Jennifer Vyvyan, Female Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Peter Maag | — |
| Das Rheingold: Rheingold! Rheingold! Reines Gold! Wie lauter und hell | Oda Balsborg, Paul Kuën, Ira Malaniuk, Gustav Neidlinger, Hetty Plümacher, Wiener Philharmoniker, Sir Georg Solti | — |
| Das Rheingold: Schwüles Gedünst ... Zur Burg führt die Brücke | Waldemar Kmentt, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | — |
| Das Rheingold: Abendlich strahlt der Sonne Auge | Kirsten Flagstad, George London, Hetty Plümacher, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti | T3067769448 |
| La fanciulla del West: Atto I. “Laggiù nel Soledad” | Mario Del Monaco, Cornell MacNeil, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Capuana | T2008979005 |
| La fanciulla del West: Atto II. “Non mi difenderò” | Mario Del Monaco, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Capuana | — |
| Light Cavalry: Overture | Wiener Philharmoniker, Sir Georg Solti | T-909345747-7 |
| Poet and Peasant: Overture | Wiener Philharmoniker, Sir Georg Solti | T-909264126-4 |
| Morning, Noon and Night in Vienna: Overture | Wiener Philharmoniker, Sir Georg Solti | — |
| Pique Dame: Overture | Wiener Philharmoniker, Sir Georg Solti | T-915715285-7 |
| Daphnis et Chloé, Part I: Introduction et Danse religieuse | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | T0040145741 |
| Daphnis et Chloé, Part I: Danse générale | London Symphony Orchestra, Pierre Monteux | T3051946288 |
| Daphnis et Chloé, Part I: Danse grotesque de Dorcon | London Symphony Orchestra, Pierre Monteux | T3051946288 |
| Daphnis et Chloé, Part I: Danse légère et gracieuse de Daphnis | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | T0030082315 |
| Daphnis et Chloé, Part I: Danse de Lycéion | London Symphony Orchestra, Pierre Monteux | T0030082315 |
| Daphnis et Chloé, Part I: Danse lente et mystérieuse des Nymphes | London Symphony Orchestra, Pierre Monteux | T0030082315 |
| Daphnis et Chloé, Part II: Introduction | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | T0030082315 |
| Daphnis et Chloé, Part II: Danse guerrière | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | T0030082315 |
| Daphnis et Chloé, Part II: Danse suppliante de Chloé | London Symphony Orchestra, Pierre Monteux | T0030082315 |
| Daphnis et Chloé, Part III: Lever du jour | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | — |
| Daphnis et Chloé, Part III: Pantomime | London Symphony Orchestra, Pierre Monteux | T0030082315 |
| Daphnis et Chloé, Part III: Danse générale | Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux | T0030082315 |
| Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto / Allegro un poco agitato - Assai animato - Andante come prima | London Symphony Orchestra, Peter Maag | — |
| Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo | London Symphony Orchestra, Peter Maag | — |
| Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio | London Symphony Orchestra, Peter Maag | T-902876200-7 |
| Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | London Symphony Orchestra, Peter Maag | T-931717257-9 |
| Enigma Variations: Theme (Andante) | London Symphony Orchestra, Pierre Monteux | — |
| Enigma Variations: C.A.E. (Andante) | London Symphony Orchestra, Pierre Monteux | — |
| Enigma Variations: H.D.S.‐P (Allegro) | London Symphony Orchestra, Pierre Monteux | — |
| Enigma Variations: R.B.T. (Allegretto) | London Symphony Orchestra, Pierre Monteux | — |
| Enigma Variations: W.M.B. (Allegro di Molto) | London Symphony Orchestra, Pierre Monteux | — |
| Enigma Variations: R.P.A. (Moderato) | London Symphony Orchestra, Pierre Monteux | — |
Violin Concerto in D major, op. 61: I. Allegro ma non troppo
Deutsche Kammerphilharmonie Bremen, Paavo Järvi, Janine Jansen
—
Violin Concerto in D major, op. 61: II. Larghetto -
Deutsche Kammerphilharmonie Bremen, Paavo Järvi, Janine Jansen
—
Violin Concerto in D major, op. 61: III. Rondo – Allegro
Deutsche Kammerphilharmonie Bremen, Paavo Järvi, Janine Jansen
—
Violin Concerto, op. 15: I. Moderato con moto
Janine Jansen, London Symphony Orchestra, Paavo Järvi
—
Violin Concerto, op. 15: II. Vivace - Cadenza -
Janine Jansen, London Symphony Orchestra, Paavo Järvi
—
Violin Concerto, op. 15: III. Passacaglia – Andante lento
Janine Jansen, London Symphony Orchestra, Paavo Järvi
—
Das Rheingold: Schwüles Gedünst ... Zur Burg führt die Brücke
Waldemar Kmentt, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti
—
Das Rheingold: Abendlich strahlt der Sonne Auge
Kirsten Flagstad, George London, Hetty Plümacher, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti
—
Das Rheingold: Rheingold! Rheingold! Reines Gold! Wie lauter und hell
Oda Balsborg, Paul Kuën, Ira Malaniuk, Gustav Neidlinger, Hetty Plümacher, Wiener Philharmoniker, Sir Georg Solti
—
Turandot: Atto I. “Popolo di Pekino!” … “Indietro, cani!”
Sabin Markov, Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Luciano Pavarotti, London Philharmonic Orchestra, Zubin Mehta
—
Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
—
Das Rheingold: Schwüles Gedünst ... Zur Burg führt die Brücke
Waldemar Kmentt, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti
—
Kirsten Flagstad, George London, Hetty Plümacher, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti
Das Rheingold: Rheingold! Rheingold! Reines Gold! Wie lauter und hell
Oda Balsborg, Paul Kuën, Ira Malaniuk, Gustav Neidlinger, Hetty Plümacher, Wiener Philharmoniker, Sir Georg Solti
—
Die Walküre: Dritter Aufzug. Vorspiel - "Hojotoho! Heiaha!" (Orchester, Die Walküren)
Vera Schlosser, Wiener Philharmoniker, Sir Georg Solti
—
Götterdämmerung: Vorspiel. Siegfrieds Rheinfahrt
Wiener Philharmoniker, Sir Georg Solti
—
Götterdämmerung: Dritter Aufzug. "Schweigt eures Jammers jauchzenden Schwall" (Brünnhilde, Gutrune)
Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti
—
Götterdämmerung: Dritter Aufzug. "Starke Scheite schichtet mir dort" (Brünnhilde)
Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti
—
Götterdämmerung: Dritter Aufzug. "Mein Erbe nun nehm' ich zu eigen" (Brünnhilde)
Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti
—
Götterdämmerung: Dritter Aufzug. "Fliegt heim, ihr Raben!" - "Zurück vom Ring!" (Brünnhilde, Hagen)
Wiener Staatsopernchor, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti
—
Siegfried: Erster Aufzug. "Notung! Notung! Neidliches Schwert!" (Siegfried, Mime)
Wiener Philharmoniker, Sir Georg Solti
—
Siegfried: Erster Aufzug. "Hoho! Hoho! Hohei! Schmiede, mein Hammer, ein hartes Schwert!" (Siegfried, Mime)
Wiener Philharmoniker, Sir Georg Solti
—
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
España
London Symphony Orchestra, Ataúlfo Argenta
—
Capriccio espagnol, op. 34: 1. Alborada
London Symphony Orchestra, Ataúlfo Argenta
—
Capriccio espagnol, op. 34: 2. Variazioni
London Symphony Orchestra, Ataúlfo Argenta
—
Capriccio espagnol, op. 34: 3. Alborada
London Symphony Orchestra, Ataúlfo Argenta
—
Capriccio espagnol, op. 34: 4. Scena e canto gitano
London Symphony Orchestra, Ataúlfo Argenta
—
Capriccio espagnol, op. 34: 5. Fandango asturiano
London Symphony Orchestra, Ataúlfo Argenta
—
Andaluza (Danza española no. 5 in E minor, op. 37)
London Symphony Orchestra, Ataúlfo Argenta
—
Spanish Dances, Book 1, op. 12: No. 1 in C major
London Symphony Orchestra, Ataúlfo Argenta
—
Spanish Dances, Book 1, op. 12: No. 2 in G major
London Symphony Orchestra, Ataúlfo Argenta
—
Spanish Dances, Book 1, op. 12: No. 3 in A major
London Symphony Orchestra, Ataúlfo Argenta
—
Spanish Dances, Book 1, op. 12: No. 4 in B‐flat major
London Symphony Orchestra, Ataúlfo Argenta
—
Spanish Dances, Book 1, op. 12: No. 5 in D major
London Symphony Orchestra, Ataúlfo Argenta
—
A Midsummer Night's Dream, op. 21: Overture
London Symphony Orchestra, Peter Maag
—
London Symphony Orchestra, Peter Maag
A Midsummer Night's Dream, op. 61: No. 7. Nocturne
London Symphony Orchestra, Peter Maag
—
London Symphony Orchestra, Peter Maag
A Midsummer Night's Dream, op. 61: No. 3. "You Spotted Snakes"
Jennifer Vyvyan, Marion Lowe, Female Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Peter Maag
—
A Midsummer Night's Dream, op. 61: No. 5. Intermezzo
London Symphony Orchestra, Peter Maag
—
London Symphony Orchestra, Peter Maag
A Midsummer Night's Dream, op. 61: No. 12. Finale
Jennifer Vyvyan, Female Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Peter Maag
—
Das Rheingold: Rheingold! Rheingold! Reines Gold! Wie lauter und hell
Oda Balsborg, Paul Kuën, Ira Malaniuk, Gustav Neidlinger, Hetty Plümacher, Wiener Philharmoniker, Sir Georg Solti
—
Das Rheingold: Schwüles Gedünst ... Zur Burg führt die Brücke
Waldemar Kmentt, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti
—
Kirsten Flagstad, George London, Hetty Plümacher, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti
Mario Del Monaco, Cornell MacNeil, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Capuana
La fanciulla del West: Atto II. “Non mi difenderò”
Mario Del Monaco, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Capuana
—
Wiener Philharmoniker, Sir Georg Solti
Wiener Philharmoniker, Sir Georg Solti
Morning, Noon and Night in Vienna: Overture
Wiener Philharmoniker, Sir Georg Solti
—
Wiener Philharmoniker, Sir Georg Solti
Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux
London Symphony Orchestra, Pierre Monteux
London Symphony Orchestra, Pierre Monteux
Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux
London Symphony Orchestra, Pierre Monteux
London Symphony Orchestra, Pierre Monteux
Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux
Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux
London Symphony Orchestra, Pierre Monteux
Daphnis et Chloé, Part III: Lever du jour
Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux
—
London Symphony Orchestra, Pierre Monteux
Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Pierre Monteux
Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto / Allegro un poco agitato - Assai animato - Andante come prima
London Symphony Orchestra, Peter Maag
—
Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo
London Symphony Orchestra, Peter Maag
—
London Symphony Orchestra, Peter Maag
London Symphony Orchestra, Peter Maag
Enigma Variations: Theme (Andante)
London Symphony Orchestra, Pierre Monteux
—
Enigma Variations: C.A.E. (Andante)
London Symphony Orchestra, Pierre Monteux
—
Enigma Variations: H.D.S.‐P (Allegro)
London Symphony Orchestra, Pierre Monteux
—
Enigma Variations: R.B.T. (Allegretto)
London Symphony Orchestra, Pierre Monteux
—
Enigma Variations: W.M.B. (Allegro di Molto)
London Symphony Orchestra, Pierre Monteux
—
Enigma Variations: R.P.A. (Moderato)
London Symphony Orchestra, Pierre Monteux
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000005515680400000000551623150000000055179854000000005518170000000000555322670000000059469007000000006097350X000000007143128X00000000735745160000000078248381
+20 more
000000007839294900000000800063570000000080158596000000008015998600000000804509090000000080795878000000008083794300000000811163980000000081333122000000008160790400000000816106520000000081692432000000008171949800000000817730050000000081818146000000008181927X0000000083562113000000008374461100000000839026830000000084081282
Identifier Graph
People also ask
SourcesMLCMusicBrainzNotesDiscogs4 sources
Verified on
What is UPC 028947828266?
028947828266 is a Universal Product Code (UPC) assigned to The Decca Sound by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm