UPC · Release
Various Artists
Last verified:
028947854371 is the Universal Product Code (UPC barcode) for the release “Decca Sound: The Analogue Years” by Various Artists, released 2013-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 632 tracks, each with its own ISRC. Tracks include GBF078010130, GBF078010140, GBF078010150.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Phaéton, op. 39 | Philharmonia Orchestra, Charles Dutoit | — | |
| 2 | Le Rouet d’Omphale, op. 31 | Charles Dutoit, Philharmonia Orchestra | — | |
| 3 | Danse macabre, op. 40 | Philharmonia Orchestra, Charles Dutoit | T-003.008.160-7 | |
| 4 | La jeunesse d'Hercule, op. 50 | Charles Dutoit, Philharmonia Orchestra | — | |
| 5 | Marche héroïque in E-flat, op. 34 | Philharmonia Orchestra, Charles Dutoit | T-902.856.237-0 | |
| 6 | Piano Concerto no. 1 in D, op. 17: I. Andante | Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | — | |
| 7 | Piano Concerto no. 1 in D, op. 17: II. Andante sostenuto quasi adagio | Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | — | |
| 8 | Piano Concerto no. 1 in D, op. 17: III. Allegro con fuoco | Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | — | |
| 2-1 | Symphony no. 6 in A major, WAB 106: I. Majestoso | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 2-2 | Symphony no. 6 in A major, WAB 106: II. Adagio: Sehr feierlich | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 2-3 | Symphony no. 6 in A major, WAB 106: III. Scherzo: Nicht schnell - Trio: Langsam | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 2-4 | Symphony no. 6 in A major, WAB 106: IV. Finale: Bewegt, doch nicht zu schnell | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 3-1 | Symphony no. 4 in C minor, op. 43: Ia. Allegro poco moderato | London Philharmonic Orchestra, Bernard Haitink | T-902.685.630-4 | |
| 3-2 | Symphony no. 4 in C minor, op. 43: Ib. Presto | London Philharmonic Orchestra, Bernard Haitink | — | |
| 3-3 | Symphony no. 4 in C minor, op. 43: II. Moderato con moto | London Philharmonic Orchestra, Bernard Haitink | — | |
| 3-4 | Symphony no. 4 in C minor, op. 43: IIIa. Largo | London Philharmonic Orchestra, Bernard Haitink | T-005.005.728-7 | |
| 3-5 | Symphony no. 4 in C minor, op. 43: IIIb. Allegro | London Philharmonic Orchestra, Bernard Haitink | T-902.876.200-7 | |
| 4-1 | Préludes, premier livre : I. Danseuses de Delphe | Pascal Rogé | — | |
| 4-2 | Préludes, premier livre : II. Voiles | Pascal Rogé | — | |
| 4-3 | Préludes, premier livre : III. Le Vent dans la plaine | Pascal Rogé | — | |
| 4-4 | Préludes, premier livre : IV. Les sons et les parfums tournent dans l’air du soir | Pascal Rogé | — | |
| 4-5 | Préludes, premier livre : V. Les Collines d’Anacapri | Pascal Rogé | — | |
| 4-6 | Préludes, premier livre : VI. Des pas sur la neige | Pascal Rogé | — | |
| 4-7 | Préludes, premier livre : VII. Ce qu’a vu le vent d’ouest | Pascal Rogé | — | |
| 4-8 | Préludes, premier livre : VIII. La Fille aux cheveux de lin | Pascal Rogé | — | |
| 4-9 | Préludes, premier livre : IX. La Sérénade interrompue | Pascal Rogé | — | |
| 4-10 | Préludes, premier livre : X. La Cathédrale engloutie | Pascal Rogé | — | |
| 4-11 | Préludes, premier livre : XI. La Danse de Puck | Pascal Rogé | — | |
| 4-12 | Préludes, premier livre : XII. Minstrels | Pascal Rogé | — | |
| 4-13 | Children’s Corner: I. Doctor Gradus ad Parnassum | Pascal Rogé | — | |
| 4-14 | Children’s Corner: II. Jimbo’s Lullaby | Pascal Rogé | — | |
| 4-15 | Children’s Corner: III. Serenade for the Doll | Pascal Rogé | — | |
| 4-16 | Children’s Corner: IV. The Snow Is Dancing | Pascal Rogé | — | |
| 4-17 | Children’s Corner: V. The Little Shepherd | Pascal Rogé | — | |
| 4-18 | Children’s Corner: VI. Golliwogg’s Cakewalk | Pascal Rogé | — | |
| 4-19 | Rêverie | Pascal Rogé | T-926.359.993-5 | |
| 4-20 | L’Isle joyeuse | Pascal Rogé | T-306.231.690-5 | |
| 5-1 | Pelléas et Mélisande, op. 46: 1. At the castle gate | L’Orchestre de la Suisse Romande, Horst Stein | — | |
| 5-2 | Pelléas et Mélisande, op. 46: 2. Mélisande | L’Orchestre de la Suisse Romande, Horst Stein | — | |
| 5-3 | Pelléas et Mélisande, op. 46: 3. At the Seashore | L’Orchestre de la Suisse Romande, Horst Stein | — | |
| 5-4 | Pelléas et Mélisande, op. 46: 4. A Spring in the Park | L’Orchestre de la Suisse Romande, Horst Stein | — | |
| 5-5 | Pelléas et Mélisande, op. 46: 5. The Three Blind Sisters | L’Orchestre de la Suisse Romande, Horst Stein | — | |
| 5-6 | Pelléas et Mélisande, op. 46: 6. Pastorale | L’Orchestre de la Suisse Romande, Horst Stein | — | |
| 5-7 | Pelléas et Mélisande, op. 46: 7. Mélisande at the Spinning Wheel | L’Orchestre de la Suisse Romande, Horst Stein | — | |
| 5-8 | Pelléas et Mélisande, op. 46: 8. Intermezzo | L’Orchestre de la Suisse Romande, Horst Stein | — | |
| 5-9 | Pelléas et Mélisande, op. 46: 9. The Death of Mélisande | L’Orchestre de la Suisse Romande, Horst Stein | — | |
| 5-10 | The Tempest, Overture, op. 109 no. 1 | L’Orchestre de la Suisse Romande, Horst Stein | — | |
| 5-11 | The Tempest, First Suite, op. 109 no. 2: 1. The Oak Tree | L’Orchestre de la Suisse Romande, Horst Stein | T-915.843.167-5 | |
| 5-12 | The Tempest, First Suite, op. 109 no. 2: 2. Humoreske | L’Orchestre de la Suisse Romande, Horst Stein | — | |
| 5-13 | The Tempest, First Suite, op. 109 no. 2: 3. Caliban's Song | L’Orchestre de la Suisse Romande, Horst Stein | — | |
| 5-14 | The Tempest, First Suite, op. 109 no. 2: 4. The Harvesters | L’Orchestre de la Suisse Romande, Horst Stein | — | |
| 5-15 | The Tempest, First Suite, op. 109 no. 2: 5. Canon | L’Orchestre de la Suisse Romande, Horst Stein | — | |
| 5-16 | The Tempest, First Suite, op. 109 no. 2: 6. Scene | L’Orchestre de la Suisse Romande, Horst Stein | — | |
| 5-17 | The Tempest, First Suite, op. 109 no. 2: 7. Intrada - Berceuse | L’Orchestre de la Suisse Romande, Horst Stein | — | |
| 5-18 | The Tempest, First Suite, op. 109 no. 2: 8. Entr'acte - Ariel's Song | L’Orchestre de la Suisse Romande, Horst Stein | — | |
| 5-19 | The Tempest, First Suite, op. 109 no. 2: 9. The Storm | L’Orchestre de la Suisse Romande, Horst Stein | T-903.108.673-4 | |
| 5-20 | En saga, op. 9 | L’Orchestre de la Suisse Romande, Horst Stein | — | |
| 5-21 | Pohjola's Daughter, op. 49 | Orchestre de la Suisse Romande, Horst Stein | — | |
| 6-1 | Symphony no. 2 in D minor, op. 40: I. Allegro ben articolato | London Philharmonic Orchestra, Walter Weller | — | |
| 6-2 | Symphony no. 2 in D minor, op. 40: II. Theme and variations | London Philharmonic Orchestra, Walter Weller | — | |
| 6-3 | The Love for Three Oranges, Symphonic Suite, Op.33 bis: 1. The Ridiculous People | London Philharmonic Orchestra, Walter Weller | — | |
| 6-4 | The Love for Three Oranges, Symphonic Suite, Op.33 bis: 2. Infernal Scene | London Philharmonic Orchestra, Walter Weller | — | |
| 6-5 | The Love for Three Oranges, Symphonic Suite, op. 33 bis: 3. March | London Philharmonic Orchestra, Walter Weller | — | |
| 6-6 | The Love for Three Oranges, Symphonic Suite, Op.33 bis: 4. Scherzo | London Philharmonic Orchestra, Walter Weller | — | |
| 6-7 | The Love for Three Oranges, Symphonic Suite, Op.33 bis: 5. The Prince and the Princess | London Philharmonic Orchestra, Walter Weller | T-921.977.698-4 | |
| 6-8 | The Love for Three Oranges, Symphonic Suite, Op.33 bis: 6. The Escape | London Philharmonic Orchestra, Walter Weller | — | |
| 6-9 | Scythian Suite, op. 20 “Ala and Lolly”: I. The Adoration of Veles and Ala | London Philharmonic Orchestra, Walter Weller | — | |
| 6-10 | Scythian Suite, op. 20 “Ala and Lolly”: II. The Enemy God and the Dance of the Spirits of Darkness | London Philharmonic Orchestra, Walter Weller | — | |
| 6-11 | Scythian Suite, op. 20 “Ala and Lolly”: III. Night | London Philharmonic Orchestra, Walter Weller | — | |
| 6-12 | Scythian Suite, op. 20 “Ala and Lolly”: IV. The Religious Departure of Lolly and the Procession of the Sun | London Philharmonic Orchestra, Walter Weller | — | |
| 7-1 | Suite no. 1, op. 3, Sz. 31: 1. Allegro vivace | Detroit Symphony Orchestra, Antal Doráti | — | |
| 7-2 | Suite no. 1, op. 3, Sz. 31: 2. Poco adagio | Detroit Symphony Orchestra, Antal Doráti | — | |
| 7-3 | Suite no. 1, op. 3, Sz. 31: 3. Presto | Detroit Symphony Orchestra, Antal Doráti | T-007.183.934-3 | |
| 7-4 | Suite no. 1, op. 3, Sz. 31: 4. Moderato | Detroit Symphony Orchestra, Antal Doráti | — | |
| 7-5 | Suite no. 1, op. 3, Sz. 31: 5. Molto vivace | Detroit Symphony Orchestra, Antal Doráti | — | |
| 7-6 | Two Pictures, op. 10: I. In Full Flower | Detroit Symphony Orchestra, Antal Doráti | — | |
| 7-7 | Two Pictures, op. 10: II. Village Dance | Detroit Symphony Orchestra, Antal Doráti | — | |
| 7-8 | Roumanian Rhapsody in A, op. 11, no. 1 | Detroit Symphony Orchestra, Antal Doráti | — | |
| 8-1 | Symphony no. 5 in B-flat major, op. 100: I. Andante | The Cleveland Orchestra, Lorin Maazel | T-011.422.353-8 | |
| 8-2 | Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato | The Cleveland Orchestra, Lorin Maazel | — | |
| 8-3 | Symphony no. 5 in B-flat major, op. 100: III. Adagio | The Cleveland Orchestra, Lorin Maazel | — | |
| 8-4 | Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso | The Cleveland Orchestra, Lorin Maazel | — | |
| 8-5 | Russian Easter Festival Overture, op. 36 | The Cleveland Orchestra, Lorin Maazel | — | |
| 8-6 | Capriccio Espagnol, op. 34: 1. Alborada | The Cleveland Orchestra, Lorin Maazel | — | |
| 8-7 | Capriccio Espagnol, op. 34: 2. Variazioni | The Cleveland Orchestra, Lorin Maazel | — | |
| 8-8 | Capriccio Espagnol, op. 34: 3. Alborada | The Cleveland Orchestra, Lorin Maazel | — | |
| 8-9 | Capriccio Espagnol, op. 34: 4. Scena e canto gitano | The Cleveland Orchestra, Lorin Maazel | — | |
| 8-10 | Capriccio Espagnol, op. 34: 5. Fandango asturiano | The Cleveland Orchestra, Lorin Maazel | — | |
| 9-1 | Sonata for Violin and Piano in A major, M. 8: I. Allegretto ben moderato | Kyung-Wha Chung, Radu Lupu | T-312.207.822-8 | |
| 9-2 | Sonata for Violin and Piano in A major, M. 8: II. Allegro | Kyung-Wha Chung, Radu Lupu | — | |
| 9-3 | Sonata for Violin and Piano in A major, M. 8: III. Recitative - Fantasia. Ben moderato | Kyung-Wha Chung, Radu Lupu | — | |
| 9-4 | Sonata for Violin and Piano in A major, M. 8: IV. Allegretto poco mosso | Kyung-Wha Chung, Radu Lupu | — | |
| 9-5 | Sonata for Violin and Piano (first movement) | Kyung Wha Chung, Radu Lupu | — | |
| 9-6 | Sonata for Violin and Piano, L. 140: II. Intermède. Fantastique et léger | Kyung-Wha Chung, Radu Lupu | — | |
| 9-7 | Sonata for Violin and Piano, L. 140: III. Finale. Très animé | Kyung-Wha Chung, Radu Lupu | — | |
| 9-8 | Introduction & Allegro | Melos Ensemble, Osian Ellis | T-003.010.687-6 | |
| 9-9 | Sonata for Flute, Viola & Harp, L. 137: I. Pastorale | Melos Ensemble, Osian Ellis | T-900.239.609-0 | |
| 9-10 | Sonata for Flute, Viola & Harp, L. 137: II. Interlude | Melos Ensemble, Osian Ellis | T-900.239.609-0 | |
| 9-11 | Sonata for Flute, Viola & Harp, L. 137: III. Finale | Melos Ensemble, Osian Ellis | — | |
| 10-1 | Manfred Symphony, op. 58: 1. Lento lugubre - Moderato con moto | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 10-2 | Manfred Symphony, op. 58: 2. Vivace con spirito | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 10-3 | Manfred Symphony, op. 58: 3. Andante con moto | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 10-4 | Manfred Symphony, op. 58: 4. Allegro con fuoco | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 10-5 | Valse-Scherzo, op. 34 | Boris Belkin, Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 11-1 | An American in Paris | Los Angeles Philharmonic, Zubin Mehta | T-070.001.144-4 | |
| 11-2 | Appalachian Spring (1945 Suite): 1. Very slowly | Los Angeles Philharmonic Orchestra, Zubin Mehta | T-070.001.612-1 | |
| 11-3 | Appalachian Spring (1945 Suite): 2. Allegro | Los Angeles Philharmonic Orchestra, Zubin Mehta | T-070.001.612-1 | |
| 11-4 | Appalachian Spring (1945 Suite): 3. Moderato: The Bride and her Intended | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 11-5 | Appalachian Spring (1945 Suite): 4. Fast: The Revivalist and his Flock | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 11-6 | Appalachian Spring (1945 Suite): 5. Allegro: Solo Dance of the Bride | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 11-7 | Appalachian Spring (1945 Suite): 6. Meno mosso | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 11-8 | Appalachian Spring (1945 Suite): 7. Doppio movimento: Variations on a Shaker Hymn | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 11-9 | Appalachian Spring (1945 Suite): 8. Moderato: Coda, Appalachian Spring | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 11-10 | Overture Candide | Los Angeles Philharmonic, Zubin Mehta | T-903.288.559-9 | |
| 11-11 | Lincoln Portrait | Gregory Peck, Los Angeles Philharmonic, Zubin Mehta | — | |
| 11-12 | Contextures; Riots - Decade '60, 1/2. Interlude - Prestissimo | Los Angeles Philharmonic, Zubin Mehta | T-011.422.353-8 | |
| 11-13 | Contextures; Riots - Decade '60, 3. Calore | Los Angeles Philharmonic, Zubin Mehta | — | |
| 11-14 | Contextures; Riots - Decade '60, 4/5, Presto - Molto adagio | Los Angeles Philharmonic, Zubin Mehta | T-318.676.528-2 | |
| 12-1 | Il segreto di Susanna: Overture | Orchestra of the Royal Opera House, Covent Garden, Lamberto Gardelli | — | |
| 12-2 | Il segreto di Susanna: "Mantiglia griga, cappellino rosa" | Maria Chiara, Bernd Weikl, Orchestra of the Royal Opera House, Covent Garden, Lamberto Gardelli | — | |
| 12-3 | Il segreto di Susanna: "Evitiam che un domestic allora, questo odor" | Bernd Weikl, Orchestra of the Royal Opera House, Covent Garden, Lamberto Gardelli | — | |
| 12-4 | Il segreto di Susanna: "O, siete qui, mio Gil?" | Maria Chiara, Bernd Weikl, Orchestra of the Royal Opera House, Covent Garden, Lamberto Gardelli | — | |
| 12-5 | Il segreto di Susanna: "Sante col cioccolato" | Maria Chiara, Bernd Weikl, Orchestra of the Royal Opera House, Covent Garden, Lamberto Gardelli | — | |
| 12-6 | Il segreto di Susanna: "Ah! L'odore fatal" | Maria Chiara, Bernd Weikl, Orchestra of the Royal Opera House, Covent Garden, Lamberto Gardelli | — | |
| 12-7 | Il segreto di Susanna: "Coglierla debbo - Coglierla!" | Maria Chiara, Bernd Weikl, Orchestra of the Royal Opera House, Covent Garden, Lamberto Gardelli | — | |
| 12-8 | Il segreto di Susanna: "Via così non mi lasciate" | Maria Chiara, Bernd Weikl, Orchestra of the Royal Opera House, Covent Garden, Lamberto Gardelli | — | |
| 12-9 | Il segreto di Susanna: "Che palpiti, che palpiti!" | Maria Chiara, Orchestra of the Royal Opera House, Covent Garden, Lamberto Gardelli | — | |
| 12-10 | Il segreto di Susanna: "Chi è la?" | Maria Chiara, Bernd Weikl, Orchestra of the Royal Opera House, Covent Garden, Lamberto Gardelli | — | |
| 12-11 | Il segreto di Susanna: "Respiro, è andato" | Maria Chiara, Orchestra of the Royal Opera House, Covent Garden, Lamberto Gardelli | — | |
| 12-12 | Il segreto di Susanna: "Ti colgo questa volta!" | Maria Chiara, Bernd Weikl, Orchestra of the Royal Opera House, Covent Garden, Lamberto Gardelli | — | |
| 12-13 | Aida: “Ritorna vincitor” | Maria Chiara, Nello Santi | T-919.817.486-6 | |
| 12-14 | I Masnadieri: "Dall' infame banchetto ... Tu del mio Carlo" | Maria Chiara, Orchestra of the Royal Opera House, Covent Garden, Nello Santi | — | |
| 12-15 | I vespri siciliani: Bolero “Mercè, dilette amiche” | Maria Chiara, Orchestra of the Royal Opera House, Covent Garden, Nello Santi | T-913.732.492-6 | |
| 12-16 | Otello: "Era più calmo?... Piangea cantando ... Ave Maria" | Maria Chiara, Rosanne Creffield, Orchestra of the Royal Opera House, Covent Garden, Nello Santi | — | |
| 13-1 | Concerto for Piano & Orchestra: I. Allegro | Royal Philharmonic Orchestra, Rafael Frühbeck de Burgos, Alicia de Larrocha | T-011.422.353-8 | |
| 13-2 | Concerto for Piano & Orchestra: II. Larghetto | Royal Philharmonic Orchestra, Rafael Frühbeck de Burgos, Alicia de Larrocha | T-802.445.410-3 | |
| 13-3 | Concerto for Piano & Orchestra: III. Vivace con fuoco | Royal Philharmonic Orchestra, Rafael Frühbeck de Burgos, Alicia de Larrocha | — | |
| 13-4 | Concierto breve: I. Energico | Alicia de Larrocha, Rafael Frühbeck de Burgos, Royal Philharmonic Orchestra | — | |
| 13-5 | Concierto breve: II. Dolce | Alicia de Larrocha, Rafael Frühbeck de Burgos, Royal Philharmonic Orchestra | — | |
| 13-6 | Concierto breve: III. Vivo | Alicia de Larrocha, Rafael Frühbeck de Burgos, Royal Philharmonic Orchestra | — | |
| 13-7 | Fantaisie for Piano & Orchestra, op. 111 | Alicia de Larrocha, Royal Philharmonic Orchestra, Rafael Frühbeck de Burgos | — | |
| 13-8 | Symphonic Variations | London Philharmonic Orchestra, Rafael Frühbeck de Burgos, Alicia de Larrocha | T-911.781.420-7 | |
| 14-1 | String Quartet no. 15 in E-flat minor, op. 144: I. Elegy: Adagio | Fitzwilliam String Quartet | — | |
| 14-2 | String Quartet no. 15 in E-flat minor, op. 144: II. Serenade: Adagio | Fitzwilliam String Quartet | — | |
| 14-3 | String Quartet no. 15 in E-flat minor, op. 144: III. Intermezzo: Adagio | Fitzwilliam String Quartet | T-329.458.041-5 | |
| 14-4 | String Quartet no. 15 in E-flat minor, op. 144: IV. Nocturne: Adagio | Fitzwilliam String Quartet | — | |
| 14-5 | String Quartet no. 15 in E-flat minor, op. 144: V. Funeral march: Adagio molto | Fitzwilliam String Quartet | T-321.421.851-2 | |
| 14-6 | String Quartet no. 15 in E-flat minor, op. 144: VI. Epilogue | Fitzwilliam String Quartet | — | |
| 14-7 | String Quartet no. 8 in C minor, op. 110: I. Largo | Fitzwilliam String Quartet | T-005.005.728-7 | |
| 14-8 | String Quartet no. 8 in C minor, op. 110: II. Allegro molto | Fitzwilliam String Quartet | — | |
| 14-9 | String Quartet no. 8 in C minor, op. 110: III. Allegretto | Fitzwilliam String Quartet | — | |
| 14-10 | String Quartet no. 8 in C minor, op. 110: IV. Largo | Fitzwilliam String Quartet | T-910.415.366-4 | |
| 14-11 | String Quartet no. 8 in C minor, op. 110: V. Largo | Fitzwilliam String Quartet | T-902.876.200-7 | |
| 14-12 | String Quartet no. 9 in E-flat major, op. 117: I. Moderato con moto | Fitzwilliam String Quartet | — | |
| 14-13 | String Quartet no. 9 in E-flat major, op. 117: II. Adagio | Fitzwilliam String Quartet | T-802.445.410-3 | |
| 14-14 | String Quartet no. 9 in E-flat major, op. 117: III. Allegretto | Fitzwilliam String Quartet | — | |
| 14-15 | String Quartet no. 9 in E-flat major, op. 117: IV. Adagio | Fitzwilliam String Quartet | T-003.055.867-8 | |
| 14-16 | String Quartet no. 9 in E-flat major, op. 117: V. Allegro | Fitzwilliam String Quartet | T-925.645.335-7 | |
| 15-1 | Rosamunde, D. 797: Overture (Die Zauberharfe, D. 644) | Wiener Philharmoniker, Karl Münchinger | T-909.574.378-5 | |
| 15-2 | Rosamunde, D. 797: Entr'acte no. 1 | Wiener Philharmoniker, Karl Münchinger | — | |
| 15-3 | Rosamunde, D. 797: Ballet Music no. 1 | Wiener Philharmoniker, Karl Münchinger | — | |
| 15-4 | Rosamunde, D. 797: Entr'acte no. 2 | Wiener Philharmoniker, Karl Münchinger | — | |
| 15-5 | Rosamunde, D. 797: Romance "Der Vollmond strahlt auf Bergeshöh'n" | Rohangiz Yachmi, Wiener Philharmoniker, Karl Münchinger | — | |
| 15-6 | Rosamunde, D. 797: Chorus of Spirits "In der Tiefe wohnt das Licht" | Chor der Wiener Staatsoper, Wiener Philharmoniker, Karl Münchinger | — | |
| 15-7 | Rosamunde, D. 797: Entr'acte no. 3 | Wiener Philharmoniker, Karl Münchinger | — | |
| 15-8 | Rosamunde, D. 797: Shepherd's Melody | Wiener Philharmoniker, Karl Münchinger | — | |
| 15-9 | Rosamunde, D. 797: Chorus of Shepherds "Hier auf den Fluren..." | Chor der Wiener Staatsoper, Wiener Philharmoniker, Karl Münchinger | — | |
| 15-10 | Rosamunde, D. 797: Chorus of Huntsmen "Wie lebt sich's so fröhlich im Grünen" | Chor der Wiener Staatsoper, Wiener Philharmoniker, Karl Münchinger | — | |
| 15-11 | Rosamunde, D. 797: Ballet Music no. 2 | Wiener Philharmoniker, Karl Münchinger | T-902.750.555-1 | |
| 15-12 | Overture "Preciosa", op. 78 | Wiener Philharmoniker, Karl Münchinger | — | |
| 15-13 | Overture Genoveva, op. 81 | Wiener Philharmoniker, Karl Münchinger | — | |
| 16-1 | Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 1. Introduction | Chicago Symphony Orchestra, Sir Georg Solti | T-070.257.887-7 | |
| 16-2 | Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 2. Les Augures printaniers | Chicago Symphony Orchestra, Sir Georg Solti | T-070.257.887-7 | |
| 16-3 | Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 3. Jeu du rapt | Chicago Symphony Orchestra, Sir Georg Solti | T-070.257.887-7 | |
| 16-4 | Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 4. Rondes printanières | Chicago Symphony Orchestra, Sir Georg Solti | T-070.257.887-7 | |
| 16-5 | Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 5. Jeux des cités rivales | Chicago Symphony Orchestra, Sir Georg Solti | T-070.257.887-7 | |
| 16-6 | Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 6a. Cortège du sage | Chicago Symphony Orchestra, Sir Georg Solti | T-070.257.887-7 | |
| 16-7 | Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 6b. Le sage | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 16-8 | Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 7. Danse de la terre | Chicago Symphony Orchestra, Sir Georg Solti | T-070.257.887-7 | |
| 16-9 | Le Sacre du Printemps, Part 2: Le Sacrifice: 1. Introduction | Chicago Symphony Orchestra, Sir Georg Solti | T-070.257.887-7 | |
| 16-10 | Le Sacre du Printemps, Part 2: Le Sacrifice: 2. Cercles mystérieux des adolescentes | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 16-11 | Le Sacre du Printemps, Part 2: Le Sacrifice: 3. Glorification de l'élue | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 16-12 | Le Sacre du Printemps, Part 2: Le Sacrifice: 4. Évocation des ancêtres | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 16-13 | Le Sacre du Printemps, Part 2: Le Sacrifice: 5. Action rituelle des ancêtres | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 16-14 | Le Sacre du Printemps, Part 2: Le Sacrifice: 6. Danse sacrale: L'Élue | Chicago Symphony Orchestra, Sir Georg Solti | T-070.257.887-7 | |
| 16-15 | Boléro, M. 81 | Chicago Symphony Orchestra, Sir Georg Solti | T-003.006.377-4 | |
| 16-16 | Variations, op. 31: Introduktion. Mäßig, ruhig | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 16-17 | Variations, op. 31: Thema. Molto moderato | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 16-18 | Variations, op. 31: Variation I. Moderato | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 16-19 | Variations, op. 31: Variation II. Langsam | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 16-20 | Variations, op. 31: Variation III. Mäßig | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 16-21 | Variations, op. 31: Variation IV. Walzertempo | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 16-22 | Variations, op. 31: Variation V. Bewegt | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 16-23 | Variations, op. 31: Variation VI. Andante | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 16-24 | Variations, op. 31: Variation VII. Langsam | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 16-25 | Variations, op. 31: Variation VIII. Sehr rasch | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 16-26 | Variations, op. 31: Variation IX. L'istesso tempo; aber etwas langsamer | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 16-27 | Variations, op. 31: Finale. Mäßig schnell | Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 17-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Radu Lupu, London Symphony Orchestra, André Previn | T-909.264.262-1 | |
| 17-2 | Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso | Radu Lupu, London Symphony Orchestra, André Previn | T-909.264.262-1 | |
| 17-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Radu Lupu, London Symphony Orchestra, André Previn | T-909.264.262-1 | |
| 17-4 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | Radu Lupu, London Symphony Orchestra, André Previn | T-902.781.050-0 | |
| 17-5 | Piano Concerto in A minor, op. 16: II. Adagio | Radu Lupu, London Symphony Orchestra, André Previn | T-927.972.087-5 | |
| 17-6 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso | Radu Lupu, London Symphony Orchestra, André Previn | — | |
| 18-1 | Symphony no. 94 in G major “Surprise”: I. Adagio – Vivace assai | Philharmonia Hungarica, Antal Doráti | — | |
| 18-2 | Symphony no. 94 in G major “Surprise”: II. Andante | Philharmonia Hungarica, Antal Doráti | T-802.445.410-3 | |
| 18-3 | Symphony no. 94 in G major “Surprise”: III. Menuet e Trio: Allegro molto | Philharmonia Hungarica, Antal Doráti | — | |
| 18-4 | Symphony no. 94 in G major “Surprise”: IV. Finale: Allegro di molto | Philharmonia Hungarica, Antal Doráti | T-318.676.528-2 | |
| 18-5 | Symphony no. 100 in G major “Military”: I. Adagio – Allegro | Philharmonia Hungarica, Antal Doráti | — | |
| 18-6 | Symphony no. 100 in G major “Military”: II. Allegretto | Philharmonia Hungarica, Antal Doráti | — | |
| 18-7 | Symphony №100 in G major, Hob. I:100 “Military”: III. Menuet (Moderato) | Philharmonia Hungarica, Antal Doráti | T-902.685.630-4 | |
| 18-8 | Symphony no. 100 in G major “Military”: IV. Finale: Presto | Philharmonia Hungarica, Antal Doráti | T-318.676.528-2 | |
| 18-9 | Symphony no. 104 in D major “London”: I. Adagio – Allegro | Philharmonia Hungarica, Antal Doráti | T-011.422.353-8 | |
| 18-10 | Symphony no. 104 in D major “London”: II. Andante | Philharmonia Hungarica, Antal Doráti | T-802.445.410-3 | |
| 18-11 | Symphony no. 104 in D major “London”: III. Menuetto e Trio: Allegro | Philharmonia Hungarica, Antal Doráti | — | |
| 18-12 | Symphony no. 104 in D major “London”: IV. Finale: Spiritoso | Philharmonia Hungarica, Antal Doráti | T-318.676.528-2 | |
| 19-1 | Szenen aus Goethes Faust: Ouvertüre | English Chamber Orchestra, Benjamin Britten | T-003.013.959-3 | |
| 19-2 | Szenen aus Goethes Faust: Erste Abteilung. Du kanntest mich, O kleiner Engel | Meriel Dickinson, Dietrich Fischer-Dieskau, Elizabeth Harwood, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 19-3 | Szenen aus Goethes Faust: Erste Abteilung. Ach neige, du Schmerzenreiche | Elizabeth Harwood, English Chamber Orchestra, Benjamin Britten | — | |
| 19-4 | Szenen aus Goethes Faust: Erste Abteilung. Wie anders, Gretchen, war dir's | Aldeburgh Festival Singers, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 19-5 | Szenen aus Goethes Faust: Zweite Abteilung. Die ihr dies Haupt umschwebt im luft'gem Kreise | Aldeburgh Festival Singers, Margaret Cable, John Elwes, Jenny Hill, Neil Jenkins, John Noble, Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 19-6 | Szenen aus Goethes Faust: Zweite Abteilung. Des Lebens Pulse schlagen frisch-lebendig | Dietrich Fischer-Dieskau, English Chamber Orchestra, Benjamin Britten | — | |
| 19-7 | Szenen aus Goethes Faust: Zweite Abteilung. Ich heiße der Mangel | Meriel Dickinson, Felicity Palmer, Pauline Stevens, Jennifer Vyvyan, English Chamber Orchestra, Benjamin Britten | — | |
| 19-8 | Szenen aus Goethes Faust: Zweite Abteilung. Vier sah ich kommen | Dietrich Fischer-Dieskau, Jennifer Vyvyan, English Chamber Orchestra, Benjamin Britten | — | |
| 19-9 | Szenen aus Goethes Faust: Zweite Abteilung. Die Nacht scheint tiefer tief hereinzudringen | Dietrich Fischer-Dieskau, English Chamber Orchestra, Benjamin Britten | — | |
| 19-10 | Szenen aus Goethes Faust: Zweite Abteilung. Herbei! herbei! Herein! herein! | Dietrich Fischer-Dieskau, John Shirley-Quirk, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 19-11 | Szenen aus Goethes Faust: Zweite Abteilung. Ein Sumpf zieht am Gebirge hin | Dietrich Fischer-Dieskau, English Chamber Orchestra, Benjamin Britten | — | |
| 19-12 | Szenen aus Goethes Faust: Zweite Abteilung. Ihn sättigt keine Lust | Aldeburgh Festival Singers, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 20-1 | Szenen aus Goethes Faust: Dritte Abteilung. Waldung, sie schwankt heran | Aldeburgh Festival Singers, English Chamber Orchestra, Benjamin Britten | — | |
| 20-2 | Szenen aus Goethes Faust: Dritte Abteilung. Ewiger Wonnebrand | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 20-3 | Szenen aus Goethes Faust: Dritte Abteilung. Wie Felsenabgrund mir zu Füßen | Robert Lloyd, John Shirley-Quirk, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 20-4 | Szenen aus Goethes Faust: Dritte Abteilung. Gerettet ist das edle Glied | Aldeburgh Festival Singers, Jennifer Vyvyan, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | — | |
| 20-5 | Szenen aus Goethes Faust: Dritte Abteilung. Hier ist die Aussicht frei | Dietrich Fischer-Dieskau, English Chamber Orchestra, Benjamin Britten | — | |
| 20-6 | Szenen aus Goethes Faust: Dritte Abteilung. Dir, der Unberührbaren | Meriel Dickinson, Dietrich Fischer-Dieskau, Elizabeth Harwood, Alfreda Hodgson, Felicity Palmer, Pauline Stevens, English Chamber Orchestra, Benjamin Britten | — | |
| 20-7 | Szenen aus Goethes Faust: Dritte Abteilung. Alles Vergängliche ist nur ein Gleichnis | Aldeburgh Festival Singers, Dietrich Fischer-Dieskau, Elizabeth Harrison, Felicity Palmer, Peter Pears, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 20-8 | Symphony no. 40 in G minor, K. 550: 1. Molto allegro | London Symphony Orchestra, Benjamin Britten | T-003.035.132-6 | |
| 20-9 | Symphony no. 40 in G minor, K. 550: 2. Andante | London Symphony Orchestra, Benjamin Britten | — | |
| 20-10 | Symphony no. 40 in G minor, K. 550: 3. Menuetto (Allegretto) - Trio | London Symphony Orchestra, Benjamin Britten | — | |
| 20-11 | Symphony no. 40 in G minor, K. 550: 4. Finale (Allegro assai) | London Symphony Orchestra, Benjamin Britten | T-306.395.786-4 | |
| 21-1 | Violin Concerto: I. Andante tranquillo | Kyung Wha Chung, London Symphony Orchestra, André Previn | — | |
| 21-2 | Violin Concerto: II. Presto capriccioso alla napolitana | Kyung Wha Chung, London Symphony Orchestra, André Previn | — | |
| 21-3 | Violin Concerto: III. Vivace | Kyung Wha Chung, London Symphony Orchestra, André Previn | — | |
| 21-4 | Violin Concerto in D major: I. Toccata | Kyung Wha Chung, London Symphony Orchestra, André Previn | — | |
| 21-5 | Violin Concerto in D major: II. Aria I | Kyung Wha Chung, London Symphony Orchestra, André Previn | T-070.940.139-7 | |
| 21-6 | Violin Concerto in D major: III. Aria II | Kyung Wha Chung, London Symphony Orchestra, André Previn | — | |
| 21-7 | Violin Concerto in D major: IV. Capriccio | Kyung Wha Chung, London Symphony Orchestra, André Previn | — | |
| 22-1 | 12 Etudes, op. 10: No. 1 in C major | Vladimir Ashkenazy | T-329.456.966-3 | |
| 22-2 | 12 Etudes, op. 10: No. 2 in A minor "chromatique" | Vladimir Ashkenazy | T-329.458.384-5 | |
| 22-3 | Etude in E major, op. 10 no. 3 “Tristesse” | Vladimir Ashkenazy | T-039.190.232-1 | |
| 22-4 | 12 Etudes, op. 10: No. 4 in C-sharp minor | Vladimir Ashkenazy | T-329.457.500-7 | |
| 22-5 | Etude in G‐flat major, op. 10 no. 5 “Black Key” | Vladimir Ashkenazy | T-329.453.534-1 | |
| 22-6 | Etude, Op. 10 No. 6 in E-flat minor | Vladimir Ashkenazy | T-329.458.108-7 | |
| 22-7 | Etude, Op. 10 No. 7 in C major | Vladimir Ashkenazy | T-329.457.242-8 | |
| 22-8 | 12 Etudes, op. 10: No. 8 in F major | Vladimir Ashkenazy | T-329.458.487-1 | |
| 22-9 | Etude, Op. 10 No. 9 in F minor | Vladimir Ashkenazy | T-329.456.945-8 | |
| 22-10 | Etude, Op. 10 No. 10 in A-flat major | Vladimir Ashkenazy | T-329.454.326-9 | |
| 22-11 | Etude, Op. 10 No. 11 in E-flat major | Vladimir Ashkenazy | T-329.456.687-9 | |
| 22-12 | Etude in C minor, op. 10 no. 12 “Revolutionary” | Vladimir Ashkenazy | T-000.794.797-8 | |
| 22-13 | Etude, Op. 25 No. 1 in A-flat major | Vladimir Ashkenazy | — | |
| 22-14 | Etude, Op. 25 No. 2 in F minor | Vladimir Ashkenazy | T-329.456.945-8 | |
| 22-15 | Etude, Op. 25 No. 3 in F major | Vladimir Ashkenazy | T-329.456.945-8 | |
| 22-16 | 12 Etudes, op. 25: No. 4 in A minor | Vladimir Ashkenazy | T-329.457.500-7 | |
| 22-17 | 12 Etudes, op. 25: No. 5 in E minor | Vladimir Ashkenazy | T-329.458.108-7 | |
| 22-18 | 12 Etudes, op. 25: No. 6 in G-sharp minor | Vladimir Ashkenazy | — | |
| 22-19 | 12 Etudes, op. 25: No. 7 in C-sharp minor | Vladimir Ashkenazy | — | |
| 22-20 | 12 Etudes, op. 25: No. 8 in D-flat major | Vladimir Ashkenazy | — | |
| 22-21 | Etude in G-flat major, Op. 25 No. 9 "Butterfly" | Vladimir Ashkenazy | — | |
| 22-22 | 12 Etudes, op. 25: No. 10 in B minor | Vladimir Ashkenazy | T-329.456.945-8 | |
| 22-23 | Etude in A minor, op. 25 no. 11 “Winter Wind” | Vladimir Ashkenazy | T-308.381.369-4 | |
| 22-24 | Etude, Op. 25 No. 12 in C minor | Vladimir Ashkenazy | T-310.766.142-3 | |
| 23-1 | Le Papillon Prelude and Act 1: Scene 1, Part 1 | London Symphony Orchestra, Richard Bonynge | — | |
| 23-2 | Le Papillon Prelude and Act 1: Scene 1, Part 2 | London Symphony Orchestra, Richard Bonynge | — | |
| 23-3 | Le Papillon Prelude and Act 1: Scene 2, Part 1 | London Symphony Orchestra, Richard Bonynge | — | |
| 23-4 | Le Papillon Prelude and Act 1: Scene 2, Valse des Rayons | London Symphony Orchestra, Richard Bonynge | — | |
| 23-5 | Le Papillon Prelude and Act 1: Scene 2, Conclusion | London Symphony Orchestra, Richard Bonynge | — | |
| 23-6 | Le Papillon Act 2: Scene 1, Part 1 | London Symphony Orchestra, Richard Bonynge | — | |
| 23-7 | Le Papillon Act 2: Scene 1, Part 2 | London Symphony Orchestra, Richard Bonynge | — | |
| 23-8 | Le Papillon Act 2: Scene 1, Part 3 | London Symphony Orchestra, Richard Bonynge | — | |
| 23-9 | Le Papillon Act 2: Scene 2, Pas de deux | London Symphony Orchestra, Richard Bonynge | T-070.096.762-9 | |
| 23-10 | Le Papillon Act 2 Apotheosis | London Symphony Orchestra, Richard Bonynge | T-031.767.148-9 | |
| 23-11 | Ballet Music from « Le Cid »: Castillane | National Philharmonic Orchestra, Richard Bonynge | — | |
| 23-12 | Ballet Music from « Le Cid »: Andalouse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 23-13 | Ballet Music from « Le Cid »: Aragonaise | National Philharmonic Orchestra, Richard Bonynge | — | |
| 23-14 | Ballet Music from « Le Cid »: Aubade | National Philharmonic Orchestra, Richard Bonynge | T-900.754.419-6 | |
| 23-15 | Ballet Music from « Le Cid »: Catalane | National Philharmonic Orchestra, Richard Bonynge | — | |
| 23-16 | Ballet Music from « Le Cid »: Madrilene | National Philharmonic Orchestra, Richard Bonynge | — | |
| 23-17 | Le Cid - Ballet Music: Navarraise | — | ||
| 24-1 | The Planets, op. 32: I. Mars, the Bringer of War | Los Angeles Philharmonic, Zubin Mehta | T-923.663.725-5 | |
| 24-2 | The Planets, op. 32: II. Venus, the Bringer of Peace | Los Angeles Philharmonic, Zubin Mehta | — | |
| 24-3 | The Planets, op. 32: III. Mercury, the Winged Messenger | Los Angeles Philharmonic, Zubin Mehta | — | |
| 24-4 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | Los Angeles Philharmonic, Zubin Mehta | T-101.257.909-6 | |
| 24-5 | The Planets, op. 32: V. Saturn, the Bringer of Old Age | Los Angeles Philharmonic, Zubin Mehta | — | |
| 24-6 | The Planets, op. 32: VI. Uranus, the Magician | Los Angeles Philharmonic, Zubin Mehta | — | |
| 24-7 | The Planets, op. 32: VII. Neptune, the Mystic | Los Angeles Master Chorale, Los Angeles Philharmonic, Zubin Mehta | — | |
| 24-8 | Symphony no. 3 in C minor, op. 78 “Organ”: Ia. Adagio - Allegro Moderato | Anita Priest, Los Angeles Philharmonic, Zubin Mehta | — | |
| 24-9 | Symphony no. 3 in C minor, op. 78 “Organ”: Ib. Poco Adagio | Anita Priest, Los Angeles Philharmonic, Zubin Mehta | — | |
| 24-10 | Symphony no. 3 in C minor, op. 78 “Organ”: IIa. Allegro Moderato - Presto | Anita Priest, Los Angeles Philharmonic, Zubin Mehta | — | |
| 24-11 | Symphony no. 3 in C minor, op. 78 “Organ”: IIb. Maestoso - Allegro | Anita Priest, Los Angeles Philharmonic, Zubin Mehta | — | |
| 25-1 | Piano Concerto in F-sharp minor, op. 20: I. Allegro | Vladimir Ashkenazy, London Philharmonic Orchestra, Lorin Maazel | T-070.160.313-5 | |
| 25-2 | Piano Concerto in F-sharp minor, op. 20: II. Andante | Vladimir Ashkenazy, London Philharmonic Orchestra, Lorin Maazel | T-802.445.410-3 | |
| 25-3 | Piano Concerto in F-sharp minor, op. 20: III. Allegro moderato | Vladimir Ashkenazy, London Philharmonic Orchestra, Lorin Maazel | — | |
| 25-4 | Prometheus, op. 60 | Vladimir Ashkenazy, Lorin Maazel, London Philharmonic Orchestra, The Ambrosian Singers | — | |
| 25-5 | Le Poème de l'extase, op. 54 | Lorin Maazel, The Cleveland Orchestra | — | |
| 26-1 | The Water Goblin (Vodnik), op. 107 | London Symphony Orchestra, István Kertész | — | |
| 26-2 | Domov můj Overture, op. 62 “My Home” | London Symphony Orchestra, István Kertész | — | |
| 26-3 | The Noon Witch, op. 108, B. 196 | London Symphony Orchestra, István Kertész | — | |
| 26-4 | Hussite Overture, op. 67, B. 132 | London Symphony Orchestra, István Kertész | — | |
| 26-5 | The Golden Spinning Wheel (Zlaty kolovrat), op. 109 | London Symphony Orchestra, István Kertész | — | |
| 27-1 | Schelomo | János Starker, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 27-2 | Voice in the Wilderness | János Starker, Israel Philharmonic Orchestra, Zubin Mehta | T-010.164.990-4 | |
| 27-3 | Capriccio Espagnol, op. 34: 1. Alborada | Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 27-4 | Capriccio Espagnol, op. 34: 2. Variazioni | Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 27-5 | Capriccio Espagnol, op. 34: 3. Alborada | Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 27-6 | Capriccio Espagnol, op. 34: 4. Scena e canto gitano | Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 27-7 | Capriccio Espagnol, op. 34: 5. Fandango asturiano | Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 28-1 | Sextet in D, op. 110: 1. Allegro vivace | Günther Breitenbach, Anton Fietz, Wilhelm Hübner, Burkhard Kräutler, Ferenc Mihaly, Walter Panhofer, Wiener Oktett | — | |
| 28-2 | Sextet in D, op. 110: 2. Adagio | Günther Breitenbach, Anton Fietz, Wilhelm Hübner, Burkhard Kräutler, Ferenc Mihaly, Walter Panhofer, Wiener Oktett | T-001.397.158-8 | |
| 28-3 | Sextet in D, op. 110: 3. Minuetto (Agitato) | Günther Breitenbach, Anton Fietz, Wilhelm Hübner, Burkhard Kräutler, Ferenc Mihaly, Walter Panhofer, Wiener Oktett | — | |
| 28-4 | Sextet in D, op. 110: 4. Allegro vivace | Günther Breitenbach, Anton Fietz, Wilhelm Hübner, Burkhard Kräutler, Ferenc Mihaly, Walter Panhofer, Wiener Oktett | — | |
| 28-5 | Piano Quintet in C minor: 1. Andante | Günther Breitenbach, Anton Fietz, Wilhelm Hübner, Ferenc Mihaly, Walter Panhofer, Wiener Oktett | — | |
| 28-6 | Piano Quintet in C minor: 2. Scherzo (Allegro non troppo) | Günther Breitenbach, Anton Fietz, Wilhelm Hübner, Ferenc Mihaly, Walter Panhofer, Wiener Oktett | — | |
| 28-7 | Piano Quintet in C minor: 3. Finale (Allegro moderato) | Günther Breitenbach, Anton Fietz, Wilhelm Hübner, Ferenc Mihaly, Walter Panhofer, Wiener Oktett | — | |
| 28-8 | Grand Septet in B-flat major: 1. Adagio | Alfred Boskovsky, Günther Breitenbach, Anton Fietz, Burkhard Kräutler, Ferenc Mihaly, Ernst Pamperl, Wolfgang Tomböck, Wiener Oktett | — | |
| 28-9 | Grand Septet in B-flat major: 2. Poco adagio | Alfred Boskovsky, Günther Breitenbach, Anton Fietz, Burkhard Kräutler, Ferenc Mihaly, Ernst Pamperl, Wolfgang Tomböck, Wiener Oktett | — | |
| 28-10 | Grand Septet in B-flat major: 3. Finale (Allegro con spirito) | Alfred Boskovsky, Günther Breitenbach, Anton Fietz, Burkhard Kräutler, Ferenc Mihaly, Ernst Pamperl, Wolfgang Tomböck, Wiener Oktett | — | |
| 29-1 | Symphony no. 3 in A minor “Scottish”, op. 56: 1. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima | London Symphony Orchestra, Claudio Abbado | — | |
| 29-2 | Symphony no. 3 in A minor “Scottish”, op. 56: 2. Vivace non troppo | London Symphony Orchestra, Claudio Abbado | — | |
| 29-3 | Symphony no. 3 in A minor “Scottish”, op. 56: 3. Adagio | London Symphony Orchestra, Claudio Abbado | — | |
| 29-4 | Symphony no. 3 in A minor “Scottish”, op. 56: 4. Allegro vivacissimo - Allegro maestoso assai | London Symphony Orchestra, Claudio Abbado | T-306.395.786-4 | |
| 29-5 | Symphony no. 4 in A major “Italian”, op. 90: 1. Allegro vivace | London Symphony Orchestra, Claudio Abbado | — | |
| 29-6 | Symphony no. 4 in A major “Italian”, op. 90: 2. Andante con moto | London Symphony Orchestra, Claudio Abbado | T-303.792.628-2 | |
| 29-7 | Symphony no. 4 in A major “Italian”, op. 90: 3. Con moto moderato | London Symphony Orchestra, Claudio Abbado | — | |
| 29-8 | Symphony no. 4 in A major “Italian”, op. 90: 4. Saltarello. Presto | London Symphony Orchestra, Claudio Abbado | T-308.451.891-8 | |
| 30-1 | Messa da requiem: Requiem aeternam & Kyrie | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 30-2 | Messa da requiem: Dies Irae: Dies Irae | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-910.932.757-3 | |
| 30-3 | Messa da requiem: Dies Irae: Tuba mirum | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 30-4 | Messa da requiem: Dies Irae: Liber scriptus | Chor der Wiener Staatsoper, Marilyn Horne, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 30-5 | Messa da requiem: Dies Irae: Quid sum miser | Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 30-6 | Messa da requiem: Dies Irae: Rex tremendae | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 30-7 | Messa da requiem: Dies Irae: Recordare | Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 30-8 | Messa da requiem: IIh. Dies irae: Ingemisco | Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | T-900.146.503-8 | |
| 30-9 | Messa da requiem: Dies Irae: Confutatis | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 30-10 | Messa da requiem: Dies Irae: Lacrimosa | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 30-11 | Messa da requiem: Offertorium: Domine, Jesu Christe | Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 30-12 | Messa da requiem: Offertorium: Hostias | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 30-13 | Messa da requiem: Sanctus | Martti Talvela, Chor der Wiener Staatsoper, Wiener Philharmoniker, Sir Georg Solti | — | |
| 30-14 | Messa da requiem: Agnus Dei | Chor der Wiener Staatsoper, Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 30-15 | Messa da requiem: Lux aeterna | Marilyn Horne, Luciano Pavarotti, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-910.952.061-8 | |
| 30-16 | Messa da requiem: Libera Me: Libera me | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-329.460.025-8 | |
| 30-17 | Messa da requiem: Libera Me: Dies irae | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-317.797.099-5 | |
| 30-18 | Messa da requiem: Libera Me: Requiem aeternam | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-317.797.099-5 | |
| 31-1 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | London Symphony Orchestra, Georg Solti | — | |
| 31-2 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich. Nie eilen | London Symphony Orchestra, Georg Solti | — | |
| 31-3 | Symphony no. 2 in C minor “Resurrection”: III. Scherzo: In ruhig fließender Bewegung | London Symphony Orchestra, Georg Solti | — | |
| 31-4 | Symphony no. 2 in C minor “Resurrection”: 4. “Urlicht” – Sehr feierlich, aber schlicht | Helen Watts, London Symphony Orchestra, Georg Solti | — | |
| 31-5 | Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo: Wild herausfahrend | London Symphony Orchestra, Georg Solti | — | |
| 31-6 | Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo: Wieder zurückhaltend… Der große Appell… Conclusion | Heather Harper, Helen Watts, London Symphony Chorus, John Alldis, London Symphony Orchestra, Georg Solti | — | |
| 32-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 32-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | Wiener Philharmoniker, Hans Schmidt-Isserstedt | T-909.876.841-3 | |
| 32-3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 32-4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – Allegro assai | Joan Sutherland, Marilyn Horne, James King, Martti Talvela, Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 33-1 | Symphony for Cello and Orchestra, op. 68: Allegro maestoso | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | — | |
| 33-2 | Symphony for Cello and Orchestra, op. 68: Presto inquieto | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | — | |
| 33-3 | Symphony for Cello and Orchestra, op. 68: Adagio | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-005.002.559-6 | |
| 33-4 | Symphony for Cello and Orchestra, op. 68: Passacaglia | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-010.012.235-7 | |
| 33-5 | Cello Concerto in C, H.VIIb, no. 1: I. Moderato | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-902.685.630-4 | |
| 33-6 | Cello Concerto in C, H.VIIb, no. 1: II. Adagio | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-802.445.410-3 | |
| 33-7 | Cello Concerto in C, H.VIIb, no. 1: III. Finale. Allegro molto | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-902.717.414-7 | |
| 34-1 | Háry János Suite: Prelude; The Fairy Tale Begins | London Symphony Orchestra, István Kertész | T-308.742.640-8 | |
| 34-2 | Háry János Suite: Viennese Musical Clock | London Symphony Orchestra, István Kertész | — | |
| 34-3 | Háry János Suite: Song | John Leach, London Symphony Orchestra, István Kertész | — | |
| 34-4 | Háry János Suite: The Battle And Defeat Of Napoleon | London Symphony Orchestra, István Kertész | — | |
| 34-5 | Háry János Suite: Intermezzo | John Leach, London Symphony Orchestra, István Kertész | — | |
| 34-6 | Háry János Suite: Entrance Of The Emperor And His Court | London Symphony Orchestra, István Kertész | — | |
| 34-7 | Háry János Suite, Singspiel in 5 Scenes, op. 15: Hej két tikom | Olga Szönyi, London Symphony Orchestra, István Kertész | — | |
| 34-8 | Háry János Suite, Singspiel in 5 Scenes, op. 15: Szegény vagyok | Olga Szönyi, John Leach, London Symphony Orchestra, István Kertész | — | |
| 34-9 | Dances Of Galanta: 1. Lento maestoso | London Symphony Orchestra, István Kertész | — | |
| 34-10 | Dances Of Galanta: 2. Allegretto moderato | London Symphony Orchestra, István Kertész | — | |
| 34-11 | Dances Of Galanta: 3. Allegro con moto, grazioso | London Symphony Orchestra, István Kertész | — | |
| 34-12 | Dances Of Galanta: 4. Allegro | London Symphony Orchestra, István Kertész | — | |
| 34-13 | Dances Of Galanta: 5. Allegro vivace | London Symphony Orchestra, István Kertész | — | |
| 34-14 | The Peacock (Fölszállot a páva) | Arthur Oldham, Chorus of the London Symphony Orchestra, István Kertész | — | |
| 34-15 | Variations on a Hungarian Folk Song for Orchestra, "The Peacock": 1. Moderato (Theme) | London Symphony Orchestra, István Kertész | — | |
| 34-16 | Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation. 1: Con brio | London Symphony Orchestra, István Kertész | — | |
| 34-17 | Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 2 | London Symphony Orchestra, István Kertész | T-003.038.364-2 | |
| 34-18 | Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 3: Più mosso | London Symphony Orchestra, István Kertész | — | |
| 34-19 | Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 4: Poco calmato | London Symphony Orchestra, István Kertész | — | |
| 34-20 | Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 5: Appassionato | London Symphony Orchestra, István Kertész | — | |
| 34-21 | Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 6: Tempo (calmato) | London Symphony Orchestra, István Kertész | — | |
| 34-22 | Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 7: Vivo | London Symphony Orchestra, István Kertész | — | |
| 34-23 | Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 8: Più vivo | London Symphony Orchestra, István Kertész | — | |
| 34-24 | Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 9 | London Symphony Orchestra, István Kertész | T-011.805.550-7 | |
| 34-25 | Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 10: Molto vivo | London Symphony Orchestra, István Kertész | — | |
| 34-26 | Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 11: Andante espressivo | London Symphony Orchestra, István Kertész | — | |
| 34-27 | Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 12: Adagio | London Symphony Orchestra, István Kertész | — | |
| 34-28 | Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 13: Tempo de Marcia funebre | London Symphony Orchestra, István Kertész | — | |
| 34-29 | Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 14: Andante, poco rubato | London Symphony Orchestra, István Kertész | — | |
| 34-30 | Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 15: Allegro giocoso | London Symphony Orchestra, István Kertész | — | |
| 34-31 | Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 16: Maestoso | London Symphony Orchestra, István Kertész | — | |
| 34-32 | Variations on a Hungarian Folk Song for Orchestra, "The Peacock": 6. Finale: Vivace | London Symphony Chorus, London Symphony Orchestra, István Kertész | — | |
| 35-1 | Symphony no. 1 in E minor, op. 39: I. Andante - Allegro energico | Wiener Philharmoniker, Lorin Maazel | — | |
| 35-2 | Symphony no. 1 in E minor, op. 39: II. Andante | Wiener Philharmoniker, Lorin Maazel | T-071.481.827-5 | |
| 35-3 | Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro | Wiener Philharmoniker, Lorin Maazel | — | |
| 35-4 | Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia) | Wiener Philharmoniker, Lorin Maazel | T-318.676.528-2 | |
| 35-5 | Karelia Suite, op. 11: I. Intermezzo (Moderato) | Wiener Philharmoniker, Lorin Maazel | — | |
| 35-6 | Karelia Suite, op. 11: II. Ballade (Tempo di menuetto) | Wiener Philharmoniker, Lorin Maazel | — | |
| 35-7 | Karelia Suite, op. 11: III. Alla marcia (Moderato) | Wiener Philharmoniker, Lorin Maazel | T-000.768.497-0 | |
| 35-8 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | Wiener Philharmoniker, Lorin Maazel | — | |
| 35-9 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | Wiener Philharmoniker, Lorin Maazel | T-312.542.531-8 | |
| 35-10 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | Wiener Philharmoniker, Lorin Maazel | — | |
| 35-11 | Symphony no. 4 in A minor, op. 63: IV. Allegro | Wiener Philharmoniker, Lorin Maazel | T-318.676.528-2 | |
| 36-1 | Serenade in B-flat major, K. 361 ''Gran Partita'': I. Largo – Molto allegro | London Wind Soloists, Jack Brymer | — | |
| 36-2 | Serenade in B-flat major, K. 361 ''Gran Partita'': II. Menuetto – Trio I, Trio II | London Wind Soloists, Jack Brymer | — | |
| 36-3 | Serenade in B-flat major, K. 361 ''Gran Partita'': III. Adagio | London Wind Soloists, Jack Brymer | — | |
| 36-4 | Serenade in B-flat major, K. 361 ''Gran Partita'': IV. Menuetto – Trio I, Trio II | London Wind Soloists, Jack Brymer | — | |
| 36-5 | Serenade in B-flat major, K. 361 ''Gran Partita'': V. Romance: Adagio – Allegretto | London Wind Soloists, Jack Brymer | — | |
| 36-6 | Serenade in B-flat major, K. 361 ''Gran Partita'': VI. Tema con variazioni: Allegretto | London Wind Soloists, Jack Brymer | — | |
| 36-7 | Serenade in B-flat major, K. 361 ''Gran Partita'': VII. Finale: Molto allegro | London Wind Soloists, Jack Brymer | — | |
| 36-8 | Serenade in C minor, K.388 "Nacht Musik":1. Allegro | London Wind Soloists, Jack Brymer | T-011.422.353-8 | |
| 36-9 | Serenade in C minor, K.388 "Nacht Musik":2. Andante | London Wind Soloists, Jack Brymer | — | |
| 36-10 | Serenade in C minor, K.388 "Nacht Musik":3. Menuetto in canone | London Wind Soloists, Jack Brymer | — | |
| 36-11 | Serenade in C minor, K.388 "Nacht Musik":4. Allegro | London Wind Soloists, Jack Brymer | — | |
| 37-1 | Scottish Fantasia, op. 46: I. Adagio cantabile | David Oistrakh, London Symphony Orchestra, Jascha Horenstein | T-001.397.158-8 | |
| 37-2 | Scottish Fantasia, op. 46: II. Scherzo: Allegro | David Oistrakh, London Symphony Orchestra, Jascha Horenstein | — | |
| 37-3 | Scottish Fantasia, op. 46: III. Andante sostenuto | David Oistrakh, London Symphony Orchestra, Jascha Horenstein | — | |
| 37-4 | Scottish Fantasia, op. 46: IV. Finale: Allegro guerriero | David Oistrakh, London Symphony Orchestra, Jascha Horenstein | — | |
| 37-5 | Violin Concerto (1939): I. Mässig bewegte Halbe | David Oistrakh, London Symphony Orchestra, Paul Hindemith | T-071.000.879-9 | |
| 37-6 | Violin Concerto (1939): II. Langsam | David Oistrakh, London Symphony Orchestra, Paul Hindemith | T-071.000.879-9 | |
| 37-7 | Violin Concerto (1939): III. Lebhaft | David Oistrakh, London Symphony Orchestra, Paul Hindemith | T-071.000.879-9 | |
| 38-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | Sir Clifford Curzon, London Symphony Orchestra, George Szell | — | |
| 38-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | Sir Clifford Curzon, London Symphony Orchestra, George Szell | — | |
| 38-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro ma non troppo | Sir Clifford Curzon, London Symphony Orchestra, George Szell | — | |
| 38-4 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | Sir Clifford Curzon, Wiener Philharmoniker, George Szell | T-011.619.733-1 | |
| 38-5 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | Sir Clifford Curzon, Wiener Philharmoniker, George Szell | T-926.819.124-8 | |
| 38-6 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | Sir Clifford Curzon, Wiener Philharmoniker, George Szell | — | |
| 39-1 | La fille mal gardée Act 1: 1. Intro II Dance III Lise and the Ribbon Lise | Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | — | |
| 39-2 | La fille mal gardée Act 1: 10. Thomas and Alain | Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | — | |
| 39-3 | La fille mal gardée Act 1: 12. Picnic - XV The Fanny Ellsler Pas-de-Deux | Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | — | |
| 39-4 | La fille mal gardée Act 1: 16. Simone - XIX Storm and Finale | Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | — | |
| 39-5 | La fille mal gardée Act 2: 22. Spinning - XXIV Harvesters | Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | — | |
| 39-6 | La fille mal gardée Act 2: 27. Thomas, Alain and the Notaries | Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | — | |
| 39-7 | La fille mal gardée Act 2: 28. Pas-de-Deux - 30 Finale | Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | — | |
| 39-8 | Faust, Ballet Music (1869) | Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | — | |
| 40-1 | Études: Ouverture | L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.013.959-3 | |
| 40-2 | Études: I. Pour l'enchaînement des traits | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 40-3 | Études: II. Pour le pizzicato | L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.014.915-5 | |
| 40-4 | Études: III. Pour l'expression et le sostenuto | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 40-5 | Études: IV. Pour le style fugué | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 40-6 | Concerto for 7 wind instruments, timpani, percussion & string orchestra: I. Allegro | L’Orchestre de la Suisse Romande, Ernest Ansermet | T-011.422.353-8 | |
| 40-7 | Concerto for 7 wind instruments, timpani, percussion & string orchestra: II. Adagietto | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 40-8 | Concerto for 7 wind instruments, timpani, percussion & string orchestra: III. Allegro vivace | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 40-9 | Symphony no. 2 for Trumpet and Strings: I. Molto moderato - Allegro | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 40-10 | Symphony no. 2 for Trumpet and Strings: II. Adagio Mesto | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 40-11 | Symphony no. 2 for Trumpet and Strings: III. Vivace, Non Troppo | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 41-1 | Otello: Act I. Chorus "Una vela! Una vela!" | Tom Krause, Nello Romanato, Aldo Protti, Athos Cesarini, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | T-703.714.034-6 | |
| 41-2 | Otello: Act I. "Esultate!" | Mario del Monaco, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | T-703.714.085-7 | |
| 41-3 | Otello: Act I. "Roderigo, ebben che pensi?" | Aldo Protti, Athos Cesarini, Wiener Philharmoniker, Herbert von Karajan | — | |
| 41-4 | Otello: Act I. Chorus "Fuoco di gioia!" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 41-5 | Otello: Act I. "Roderigo, beviam!" | Aldo Protti, Nello Romanato, Athos Cesarini, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 41-6 | Otello: Act I. "Inaffia l'ugola! Trinca, tracanna" | Aldo Protti, Nello Romanato, Athos Cesarini, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 41-7 | Otello: Act I. "Capitano, v'attende la fazione ai baluardi" | Tom Krause, Nello Romanato, Aldo Protti, Athos Cesarini, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 41-8 | Otello: Act I. "Abbasso le spade!" | Mario del Monaco, Aldo Protti, Nello Romanato, Tom Krause, Wiener Philharmoniker, Herbert von Karajan | — | |
| 41-9 | Otello: Act I. "Già nella notte densa... venga la morte" | Mario del Monaco, Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | — | |
| 41-10 | Otello: Act II. "Non ti crucciar" | Aldo Protti, Nello Romanato, Wiener Philharmoniker, Herbert von Karajan | T-902.086.693-7 | |
| 41-11 | Otello: Act II. "Vanne! Ia tua meta già vedo" | Aldo Protti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 41-12 | Otello: Act II. "Credo in un Dio crudel" | Aldo Protti, Wiener Philharmoniker, Herbert von Karajan | T-703.714.087-9 | |
| 41-13 | Otello: Act II. "Ciò m'accora" | Aldo Protti, Mario del Monaco, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 41-14 | Otello: Act II. "Dove guardi splendono" | Mario del Monaco, Aldo Protti, Renata Tebaldi, Wiener Kinderchor, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 41-15 | Otello: Act II. "D'un uom che geme sotto il tuo disdegno" | Renata Tebaldi, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 41-16 | Otello: Act II. "Se inconscia, contro te, sposo, ho peccato" | Renata Tebaldi, Mario del Monaco, Aldo Protti, Ana Raquel Satre, Wiener Philharmoniker, Herbert von Karajan | — | |
| 41-17 | Otello: Act II. "Desdemona rea!" | Mario del Monaco, Aldo Protti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 41-18 | Otello: Act II. "Tu?! Indietro! fuggi!" | Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 41-19 | Otello: Act II. "Ora e per sempre addio" | Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 41-20 | Otello: Act II. "Pace, signor" | Aldo Protti, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 41-21 | Otello: Act II. "Era la notte, Cassio dormia" | Aldo Protti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 41-22 | Otello: Act II. "Oh! mostruosa colpa!... Ah! mille vite" | Mario del Monaco, Aldo Protti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 41-23 | Otello: Act II. "Si, pel ciel marmoreo giuro!" | Mario del Monaco, Aldo Protti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-1 | Otello: Act III. "La vedetta del porto ha segnalato" | Libero Arbace, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-2 | Otello: Act III. "Continua - Qui trarro cassio e con astute" | Mario del Monaco, Aldo Protti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-3 | Otello: Act III. "Dio ti giocondi, o sposo dell'alma" | Renata Tebaldi, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-4 | Otello: Act III. "Esterrefatta fisso lo sguardo tuo tremendo" | Renata Tebaldi, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-5 | Otello: Act III. "Dio! Mi potevi scagliar tutti i mali" | Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-6 | Otello: Act III. "Cassio e la! - La cielo! Oh, gioia!" | Aldo Protti, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-7 | Otello: Act III. "Vieni; l'aula e deserta" | Aldo Protti, Nello Romanato, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-8 | Otello: Act III. "...e intanto, giacche non si stanca mai" | Aldo Protti, Nello Romanato, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-9 | Otello: Act III. "Quest'e il segnale che annuncia" | Aldo Protti, Nello Romanato, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-10 | Otello: Act III. "Ballabile" (Ballet Music) | Wiener Philharmoniker, Herbert von Karajan | T-010.287.722-4 | |
| 42-11 | Otello: Act III. "Viva! Evviva!" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-12 | Otello: Act III. "Il doge ed il senato salutano l'eroe" | Fernando Corena, Mario del Monaco, Renata Tebaldi, Ana Raquel Satre, Aldo Protti, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-13 | Otello: Act III. "Messeri, il doge” … ”Son lieto di vedervi” | Mario del Monaco, Athos Cesarini, Aldo Protti, Nello Romanato, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-14 | Otello: Act III. "A terra! ...si ...nel livido fango" | Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-15 | Otello: Act III. "Quell' innocente un fremito" | Athos Cesarini, Konzertvereinigung Wiener Staatsopernchor, Fernando Corena, Aldo Protti, Nello Romanato, Ana Raquel Satre, Renata Tebaldi, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-16 | Otello: Act III. "Fuggite! - Ciel!" | Mario del Monaco, Aldo Protti, Fernando Corena, Renata Tebaldi, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-17 | Otello: Act IV. "Era piu calmo?" | Ana Raquel Satre, Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-18 | Otello: Act IV. "Mia madre aveva una povera ancella" | Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-19 | Otello: Act IV. "Piangea cantando nell'erma landa" | Renata Tebaldi, Ana Raquel Satre, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-20 | Otello: Act IV. "Ave Maria, piena di grazia, eletta" | Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-21 | Otello: Act IV. "Chi è là? Otello?" | Mario del Monaco, Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | T-070.906.808-5 | |
| 42-22 | Otello: Act IV. "Diceste questa sera le vostre preci?" | Mario del Monaco, Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-23 | Otello: Act IV. "Aprite! Aprite! - Chi è là ?" | Ana Raquel Satre, Mario del Monaco, Renata Tebaldi, Nello Romanato, Aldo Protti, Fernando Corena, Tom Krause, Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-24 | Otello: Act IV. "Nium mi tema se anco armato mi vede" | Mario del Monaco, Nello Romanato, Fernando Corena, Tom Krause, Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-1 | Feuerfest, op. 269 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 43-2 | Kaiserwalzer, op. 437 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 43-3 | Jokey-Polka, op. 278 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 43-4 | Wo die Zitronen blüh'n, op. 364 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 43-5 | Napoleon-Marsch, op. 156 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 43-6 | Fächer:polonaise, op. 525 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 43-7 | Loreley-Rhein-Klänge, op. 154 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 43-8 | Die Fledermaus-Quadrille, op. 363 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 43-9 | Tausendundeine Nacht, op. 346 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 43-10 | Geschichten aus dem Wienerwald, op. 325 | Anton Karas, Wiener Philharmoniker, Willi Boskovsky | T-071.432.204-9 | |
| 43-11 | Dorfschwalben aus Österreich, op.164 | Hilde Güden, Wiener Philharmoniker, Josef Krips | — | |
| 43-12 | Voices of Spring, op. 410 (vocal version) | Hilde Güden, Wiener Philharmoniker, Josef Krips | — | |
| 44-1 | Swan Lake, op. 20: Introduction | Koninklijk Concertgebouworkest, Anatole Fistoulari | T-011.076.172-2 | |
| 44-2 | Swan Lake, op. 20: Act 1. No. 1.. Scène (Allegro giusto) | Koninklijk Concertgebouworkest, Anatole Fistoulari | T-011.076.172-2 | |
| 44-3 | Swan Lake, op. 20: Act 1. No. 2. Valse (Corps de Ballet) | Koninklijk Concertgebouworkest, Anatole Fistoulari | T-011.076.172-2 | |
| 44-4 | Swan Lake, op. 20: Act 1. No. 8. Danse des coupes (Tempo di polacca) | Koninklijk Concertgebouworkest, Anatole Fistoulari | T-011.076.172-2 | |
| 44-5 | Swan Lake, op. 20: Act 2. No. 10. Scène (Moderato) | Koninklijk Concertgebouworkest, Anatole Fistoulari | — | |
| 44-6 | Swan Lake, op. 20: Act 2. No. 11. Scène (Allegro moderato) | Koninklijk Concertgebouworkest, Anatole Fistoulari | T-011.076.172-2 | |
| 44-7 | Swan Lake, op. 20: Act 2. No. 13d. Danse des petits cygnes (Allegro moderato) | Koninklijk Concertgebouworkest, Anatole Fistoulari | — | |
| 44-8 | Swan Lake, op. 20: Act 2. No. 13e. Danse des cygnes: Pas d'action: Odette et le prince / Deuxième danse de la reine des cygnes (Andante) | Koninklijk Concertgebouworkest, Anatole Fistoulari | — | |
| 44-9 | Swan Lake, op. 20: Act 3. No. 20. Danse hongroise (Czárdás) | Koninklijk Concertgebouworkest, Anatole Fistoulari | T-011.076.172-2 | |
| 44-10 | Swan Lake, op. 20: Act 3. Pas de deux | Koninklijk Concertgebouworkest, Anatole Fistoulari | T-011.076.172-2 | |
| 44-11 | Swan Lake, op. 20: Act 3. No. 24. Scène (Allegro - Valse - Allegro vivo) | Koninklijk Concertgebouworkest, Anatole Fistoulari | T-011.076.172-2 | |
| 44-12 | Swan Lake, op. 20: Act 3. No. 27. Danses des petits cygnes (Moderato) | Koninklijk Concertgebouworkest, Anatole Fistoulari | T-011.076.172-2 | |
| 44-13 | Swan Lake, op. 20: Act 3. No. 29. Scène finale (Andante) | Koninklijk Concertgebouworkest, Anatole Fistoulari | T-011.076.172-2 | |
| 44-14 | Mam'zelle Angot: Overture | Orchestra of the Royal Opera House, Covent Garden, Anatole Fistoulari | — | |
| 44-15 | Mam'zelle Angot: 3. Mazurka | Orchestra of the Royal Opera House, Covent Garden, Anatole Fistoulari | — | |
| 44-16 | Mam'zelle Angot: 5. Tempo di marcia - Gavotte | Orchestra of the Royal Opera House, Covent Garden, Anatole Fistoulari | — | |
| 44-17 | Mam'zelle Angot: 8. Allegro - Gavotte | Orchestra of the Royal Opera House, Covent Garden, Anatole Fistoulari | — | |
| 44-18 | Mam'zelle Angot: 11. Allegro - Presto / 12. Adagio | Orchestra of the Royal Opera House, Covent Garden, Anatole Fistoulari | — | |
| 44-19 | Mam'zelle Angot: 13. Allegro moderato | Orchestra of the Royal Opera House, Covent Garden, Anatole Fistoulari | — | |
| 45-1 | La gazza ladra: Overture | London Symphony Orchestra, Piero Gamba | — | |
| 45-2 | La scala di seta: Overture | London Symphony Orchestra, Piero Gamba | T-305.157.600-8 | |
| 45-3 | Il barbiere di Siviglia: Overture (Sinfonia) | London Symphony Orchestra, Piero Gamba | T-306.482.271-1 | |
| 45-4 | Semiramide: Overture | London Symphony Orchestra, Piero Gamba | T-306.482.271-1 | |
| 45-5 | William Tell: Overture | London Symphony Orchestra, Piero Gamba | T-922.055.856-5 | |
| 45-6 | Violin Concerto in E minor, op. 64, MWV O14: 1. Allegro molto appassionato | Ruggiero Ricci, London Symphony Orchestra, Piero Gamba | — | |
| 45-7 | Violin Concerto in E minor, op. 64: II. Andante | Ruggiero Ricci, London Symphony Orchestra, Piero Gamba | T-071.481.827-5 | |
| 45-8 | Violin Concerto in E minor, op. 64: III. Allegro molto vivace | Ruggiero Ricci, London Symphony Orchestra, Piero Gamba | — | |
| 46-1 | La bohème: Atto I. “Questo mar rosso” (Marcello) | Ettore Bastianini, Carlo Bergonzi, Cesare Siepi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | — | |
| 46-2 | La bohème: Atto I. “Pensier profondo!” (Colline) | Ettore Bastianini, Carlo Bergonzi, Cesare Siepi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | — | |
| 46-3 | La bohème: Atto I. “Legna!” (Rodolfo) | Ettore Bastianini, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | — | |
| 46-4 | La bohème: Atto I. “Si può?” (Benoit) | Ettore Bastianini, Carlo Bergonzi, Renato Cesari, Fernando Corena, Cesare Siepi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | — | |
| 46-5 | La bohème: Atto I. “Io resto” (Rodolfo) | Ettore Bastianini, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | — | |
| 46-6 | La bohème: Atto I. “Chi è là?” (Rodolfo) | Carlo Bergonzi, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | — | |
| 46-7 | La bohème: Atto I. “Si sente meglio?” (Rodolfo) | Carlo Bergonzi, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | — | |
| 46-8 | La bohème: Atto I. “Che gelida manina” (Rodolfo) | Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Tullio Serafin | — | |
| 46-9 | La bohème: Atto I. “Sì, mi chiamano Mimì” | Ettore Bastianini, Carlo Bergonzi, Renato Cesari, Coro dell’Accademia di Santa Cecilia, Cesare Siepi, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Tullio Serafin | — | |
| 46-10 | La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Ettore Bastianini, Carlo Bergonzi, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | — | |
| 46-11 | La bohème: Atto II. “Aranci, ninnoli! Caldi i marroni e caramelle!” (Marcello) | Ettore Bastianini, Carlo Bergonzi, Renato Cesari, Fernando Corena, Coro dell’Accademia Nazionale di Santa Cecilia, Cesare Siepi, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | — | |
| 46-12 | La bohème: Atto II. “Chi guardi?” (Rodolfo) | Ettore Bastianini, Carlo Bergonzi, Renato Cesari, Coro dell’Accademia Nazionale di Santa Cecilia, Piero de Palma, Cesare Siepi, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | — | |
| 46-13 | La bohème: Atto II. “Viva Parpignol!” (Fanciulli, Fanciulle) | Ettore Bastianini, Carlo Bergonzi, Renato Cesari, Coro dell’Accademia Nazionale di Santa Cecilia, Cesare Siepi, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | — | |
| 46-14 | La bohème: Atto II. “Oh!… Essa!… Musetta?” (Rodolfo, Schaunard, Colline, Marcello) | Ettore Bastianini, Carlo Bergonzi, Renato Cesari, Fernando Corena, Coro dell’Accademia Nazionale di Santa Cecilia, Gianna D’Angelo, Cesare Siepi, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | — | |
| 46-15 | La bohème: Musetta’s Waltz Song | Ettore Bastianini, Carlo Bergonzi, Renato Cesari, Fernando Corena, Gianna D’Angelo, Cesare Siepi, Renata Tebaldi | — | |
| 46-16 | La bohème: Atto II. “Chi l’ha richiesto?” (Colline) | Ettore Bastianini, Carlo Bergonzi, Renato Cesari, Coro dell’Accademia Nazionale di Santa Cecilia, Gianna D’Angelo, Cesare Siepi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | — | |
| 47-1 | La Bohème: Act III. “Ohè, là, le guardie! Aprite!” | — | ||
| 47-2 | La Bohème: Act III. “Sa dirmi, scusi, qual’è l’osteria” | — | ||
| 47-3 | La Bohème: Act III. “Mimì!” - “Speravo di trovarvi qui” | — | ||
| 47-4 | La Bohème: Act III. “Marcello. Finalmente!” | — | ||
| 47-5 | La bohème: Atto III. “Mimì è una civetta” (Rodolfo) | Ettore Bastianini, Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | — | |
| 47-6 | La Bohème: Act III. “Mimì è tanto malata!” | — | ||
| 47-7 | La Bohème: Act III. “Donde lieta uscì al tuo grido” | — | ||
| 47-8 | La Bohème: Act III. “Dunque è proprio finita!” | — | ||
| 47-9 | La Bohème: Act IV. “In un coupé?” | — | ||
| 47-10 | La Bohème: Act IV. “O Mimì, tu più non torni” | — | ||
| 47-11 | La Bohème: Act IV. “Gavotta!” - “Minuetto!” - “Pavanella!” - “Fandango!” | — | ||
| 47-12 | La Bohème: Act IV. “C’è Mimì!” | — | ||
| 47-13 | La Bohème: Act IV. “Vecchia zimarra, senti” | — | ||
| 47-14 | La Bohème: Act IV. “Sono andati? Fingevo di dormire” | — | ||
| 47-15 | La Bohème: Act IV. “Che avvien?” - “Nulla. Sto bene” | — | ||
| 48-1 | Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro | London Symphony Orchestra, Pierre Monteux | — | |
| 48-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto | London Symphony Orchestra, Pierre Monteux | — | |
| 48-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente | London Symphony Orchestra, Pierre Monteux | — | |
| 48-4 | Symphony no. 2 in D major, op. 43: IV. Finale (Allegro moderato) | London Symphony Orchestra, Pierre Monteux | — | |
| 48-5 | Symphony no. 7 in D minor, op. 70: 1. Allegro maestoso | London Symphony Orchestra, Pierre Monteux | — | |
| 48-6 | Symphony no. 7 in D minor, op. 70: 2. Poco adagio | London Symphony Orchestra, Pierre Monteux | — | |
| 48-7 | Symphony no. 7 in D minor, op. 70: 3. Scherzo (Vivace) | London Symphony Orchestra, Pierre Monteux | — | |
| 48-8 | Symphony no. 7 in D minor, op. 70: 4. Finale (Allegro) | London Symphony Orchestra, Pierre Monteux | — | |
| 49-1 | Symphony no. 9 in C, D. 944 "The Great": 1. Andante - Allegro ma non troppo | London Symphony Orchestra, Josef Krips | — | |
| 49-2 | Symphony no. 9 in C, D. 944 "The Great": 2. Andante con moto | London Symphony Orchestra, Josef Krips | — | |
| 49-3 | Symphony no. 9 in C, D. 944 "The Great": 3. Scherzo (Allegro vivace) | London Symphony Orchestra, Josef Krips | T-060.019.661-9 | |
| 49-4 | Symphony no. 9 in C, D. 944 "The Great": 4. Allegro vivace | London Symphony Orchestra, Josef Krips | — | |
| 49-5 | Symphony no. 8 in B minor, D. 759 "Unfinished": 1. Allegro moderato | Wiener Philharmoniker, Josef Krips | — | |
| 49-6 | Symphony no. 8 in B minor, D. 759 "Unfinished": 2. Andante con moto | Wiener Philharmoniker, Josef Krips | — | |
| 50-1 | Overture 1812, op. 49 | The Band of the Grenadier Guards, London Symphony Orchestra, Kenneth Alwyn | — | |
| 50-2 | Capriccio italien, op. 45 | London Symphony Orchestra, Kenneth Alwyn | T-900.010.736-8 | |
| 50-3 | Slavonic March, op. 31 | London Symphony Orchestra, Kenneth Alwyn | — | |
| 50-4 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Julius Katchen, London Symphony Orchestra, Sir Georg Solti | — | |
| 50-5 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Julius Katchen, London Symphony Orchestra, Sir Georg Solti | — | |
| 50-6 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Julius Katchen, London Symphony Orchestra, Sir Georg Solti | T-071.926.821-9 | |
| 51-1 | Peer Gynt, incidental music, op. 23: Prelude | London Symphony Orchestra, Øivin Fjeldstad | T-912.498.910-2 | |
| 51-2 | Peer Gynt, Incidental Music, op. 23: Morning Mood | London Symphony Orchestra, Øivin Fjeldstad | T-312.438.697-2 | |
| 51-3 | Peer Gynt, Incidental Music, op. 23: The Death of Ase | London Symphony Orchestra, Øivin Fjeldstad | — | |
| 51-4 | Peer Gynt, Incidental Music, op. 23: Anitra’s Dance | London Symphony Orchestra, Øivin Fjeldstad | T-312.438.405-6 | |
| 51-5 | Peer Gynt, Incidental Music, op. 23: In the Hall of the Mountain King | London Symphony Orchestra, Øivin Fjeldstad | — | |
| 51-6 | Peer Gynt, Incidental Music, op. 23: Ingrid’s Abduction and Lament | London Symphony Orchestra, Øivin Fjeldstad | — | |
| 51-7 | Peer Gynt, Incidental Music, op. 23: Arabian Dance | London Symphony Orchestra, Øivin Fjeldstad | T-918.098.015-8 | |
| 51-8 | Peer Gynt, Incidental Music, op. 23: Peer Gynt’s Homecoming | London Symphony Orchestra, Øivin Fjeldstad | T-912.498.937-3 | |
| 51-9 | Peer Gynt, Incidental Music, op. 23: Solveig’s Song | London Symphony Orchestra, Øivin Fjeldstad | T-314.491.591-9 | |
| 51-10 | Peer Gynt, Incidental Music, op. 23: Dance of the Mountain King’s Daughter | London Symphony Orchestra, Øivin Fjeldstad | — | |
| 51-11 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | Sir Clifford Curzon, London Symphony Orchestra, Øivin Fjeldstad | T-902.781.050-0 | |
| 51-12 | Piano Concerto in A minor, op. 16: Adagio | Sir Clifford Curzon, London Symphony Orchestra, Øivin Fjeldstad | T-901.134.571-4 | |
| 51-13 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato | Sir Clifford Curzon, London Symphony Orchestra, Øivin Fjeldstad | — | |
| 52-1 | L'Enfant et les sortilèges: Première partie. Introduction. "J'ai pas envie de faire ma page" | Flore Wend, Marie-Lise de Montmollin, L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 52-2 | L'Enfant et les sortilèges: Première partie. "Votre serviteur humble, Bergère" | Genevieve Touraine, Flore Wend, Marie-Lise de Montmollin, Pierre Mollet, Lucien Lovano, L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 52-3 | L'Enfant et les sortilèges: Première partie. "Oh! Ma belle tasse chinoise!" | Adrienne Migliette, Gisele Bobillier, Juliette Bise, Flore Wend, L'Ensemble Vocal Le Motet de Genève, L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 52-4 | L'Enfant et les sortilèges: Première partie. "Ah! C'est Elle! C'est Elle!" | Suzanne Danco, Flore Wend, L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 52-5 | L'Enfant et les sortilèges: Première partie. "Deux robinets coulent dans un réservoir!" | Genevieve Touraine, Flore Wend, Hugues Cuénod, Pierre Mollet, L'Ensemble Vocal Le Motet de Genève, L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.009.021-1 | |
| 52-6 | L'Enfant et les sortilèges: Deuxième partie. "Ah! Quelle joie de te retrouver, Jardin!" | Adrienne Migliette, Genevieve Touraine, Flore Wend, Marie-Lise de Montmollin, Lucien Lovano, L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 52-7 | L'Enfant et les sortilèges: Deuxième partie. Danse des rainettes | Suzanne Danco, Flore Wend, Hugues Cuénod, L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.009.021-1 | |
| 52-8 | L'Enfant et les sortilèges: Deuxième partie. "Ah! C'est l'Enfant au couteau" | Flore Wend, L'Ensemble Vocal Le Motet de Genève, L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 52-9 | Ma mère l'Oye, M. 19a: Prélude et danse du rouet (Prelude and Dance of the spinning wheel) | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 52-10 | Ma mère l'Oye, M. 19a: Pavane de la Belle au bois dormant (Pavane of the Sleeping Beauty) | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 52-11 | Ma mère l'oye Suite: Petit Poucet | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 52-12 | Ma mère l'Oye, M. 19a: Laideronnette, Impératrice des pagodes (Laideronnette, Empress of the Pagodas) | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 52-13 | Ma mère l'oye Suite: Les entretiens de la Belle et de la Bête | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 52-14 | Ma mère l'Oye, M. 19a: Le Jardin Féerique (The fairy garden) | L’Orchestre de la Suisse Romande, Ernest Ansermet | T-305.194.399-4 | |
| 53-1 | Symphony no. 2, op. 9 "Antar": I. Largo - Allegro giocoso - Adagio - Largo | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 53-2 | Symphony no. 2, op. 9 "Antar": II. Allegro - Molto allegro - Meno mosso, allargando | L’Orchestre de la Suisse Romande, Ernest Ansermet | T-902.876.200-7 | |
| 53-3 | Symphony no. 2, op. 9 "Antar": III. Allegro risoluto alla marcia | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 53-4 | Symphony no. 2, op. 9 "Antar": IV. Allegretto vivace - Andante amoroso - Animato assai | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 53-5 | Stenka Razin, op. 13 | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 53-6 | Thamar | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 53-7 | Kikimora, op. 63 | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 54-1 | Symphony no. 2, op. 9 “Antar”: I. Largo | — | ||
| 54-2 | Symphony no. 2, op. 9 “Antar”: II. Allegro | — | ||
| 54-3 | Symphony no. 2, op. 9 “Antar”: III. Allegro risoluto alla marcia | — | ||
| 54-4 | Symphony no. 2, op. 9 “Antar”: IV. Allegretto vivace | — | ||
| 54-5 | Stenka Razin, op. 13 | — | ||
| 54-6 | Thamar | — | ||
| 54-7 | Kikimora, op. 63 | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messa da requiem: Libera Me: Libera me | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-329.460.025-8 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028947854371 is a Universal Product Code (UPC) assigned to Decca Sound: The Analogue Years by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 632 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947854371 is the Universal Product Code (UPC barcode) for the release “Decca Sound: The Analogue Years” by Various Artists, released 2013-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 632 tracks, each with its own ISRC. Tracks include GBF078010130, GBF078010140, GBF078010150.
