UPC · Release
Various Artists
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028947904410 is the Universal Product Code (UPC barcode) for the release “The All-Baroque Box From Monteverdi to Bach” by Various Artists, released 2012-01-01 on Archiv Produktion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 991 tracks, each with its own ISRC. Tracks include DEF058630501, DEF058630504, DEF058630503.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | L'Orfeo: Toccata | His Majestys Sagbutts and Cornetts, English Baroque Soloists, Sir John Eliot Gardiner | T-702.928.999-6 | |
| 2 | L'Orfeo: Prologo. "Dal mio Permesso" (La Musica) | John Eliot Gardiner, The English Baroque Soloists, Lynne Dawson | T-702.928.999-6 | |
| 3 | L'Orfeo: Atto primo. "In questo lieto e fortunato giorno" / "Vieni, Imeneo" / "Muse, onor di Parnaso" | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Nancy Argenta, Mark Tucker | T-702.928.999-6 | |
| 4 | L'Orfeo: Atto primo. Balletto. "Lasciate i monti" / "Ma tu, gentil cantor" | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Michael Chance | T-702.928.999-6 | |
| 5 | L'Orfeo: Rosa del ciel | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Anthony Rolfe Johnson, Julianne Baird | T-702.928.999-6 | |
| 6 | L'Orfeo: Atto primo. "Ma se il nostro gioir" / "Ecco Orfeo, cui pur" | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Nancy Argenta, Mark Tucker, Nigel Robson, Michael Chance, Simon Birchall | T-702.928.999-6 | |
| 7 | L'Orfeo: Sinfonia... Ecco pur ch'a voi ritorno | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson | T-011.354.204-3 | |
| 8 | L'Orfeo: Mira cha sé nalletta | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Mark Tucker, Nigel Robson | T-702.928.999-6 | |
| 9 | L'Orfeo: Atto secondo. "Vi ricorda, o bosch'ombrosi" (Orfeo, Pastore I) | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson | T-702.928.999-6 | |
| 10 | L'Orfeo: Atto secondo. "Ahi, caso acerbo" / "In un fiorito prato" | Michael Chance, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, Mark Tucker, English Baroque Soloists, Sir John Eliot Gardiner | T-702.928.999-6 | |
| 11 | L'Orfeo: Atto secondo. "Ahi, caso acerbo" / "Ma io, che in questa lingua" | Monteverdi Choir, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | T-702.928.999-6 | |
| 12 | L'Orfeo: Atto secondo. Sinfonia / "Chi ne consola, ahi lassi?" / "Ahi, caso acerbo" / "Ma dove, ah dove" / "Ahi, caso acerbo" | Monteverdi Choir, Nigel Robson, Mark Tucker, English Baroque Soloists, Sir John Eliot Gardiner | T-702.928.999-6 | |
| 2-1 | L'Orfeo: Atto terzo. Sinfonia / "Scorto da te, mio Nume" / "Ecco l'atra palude" / "Dove, ah dove ten vai" | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, Mary Nichols | T-702.928.999-6 | |
| 2-2 | L'Orfeo: Atto terzo. "O tu, ch'inanzi morte" (Caronte) | The English Baroque Soloists, John Tomlinson | T-702.928.999-6 | |
| 2-3 | Orfeo, Akt III: "Possente spirto" | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | T-702.928.999-6 | |
| 2-4 | L'Orfeo: Atto terzo. "Ben mi lusinga" | John Eliot Gardiner, Anthony Rolfe Johnson, Nicolas Robertson | T-702.928.999-6 | |
| 2-5 | L'Orfeo: Atto terzo. "Nulla impresa per uom" (Coro di spiriti) | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir | T-702.928.999-6 | |
| 2-6 | L'Orfeo: Atto quarto. "Signor, quel infelice" / "Benché severo" / "O degli abitator" / "Quali grazie ti rendo" / "Tue soavi parole" | John Eliot Gardiner, The English Baroque Soloists, Diana Montague, Willard White, Howard Milner, Nicolas Robertson | T-702.928.999-6 | |
| 2-7 | L'Orfeo: Atto quarto. "Pietade, oggi, e amore" / "Ecco il gentil cantor" | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Howard Milner | T-702.928.999-6 | |
| 2-8 | L'Orfeo: Qual onor di te fia degno | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, John Tomlinson | T-702.928.999-6 | |
| 2-9 | L'Orfeo: Ahi, vista troppo dolce | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, Julianne Baird, Howard Milner | T-702.928.999-6 | |
| 2-10 | L'Orfeo: Atto quarto. "È la virtute un raggio" (Coro di spiriti) | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir | T-702.928.999-6 | |
| 2-11 | L'Orfeo: Atto quinto. "Questi i campi di Tracia" (Orfeo, Eco) | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, Mark Tucker | T-702.928.999-6 | |
| 2-12 | L'Orfeo: Atto quinto. Sinfonia / "Perché a lo sdegno" | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, Nigel Robson | T-702.928.999-6 | |
| 2-13 | L'Orfeo: Atto quinto. "Vanne Orfeo" (Coro di ninfe e pastori) | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir | T-702.928.999-6 | |
| 2-14 | L'Orfeo: Moresca | John Eliot Gardiner, The English Baroque Soloists | T-702.928.999-6 | |
| 2-15 | Lamento d'Arianna, SV22 | — | ||
| 3-1 | Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum | Monteverdi Choir, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 3-2 | Vespro della Beata Vergine, SV 206: II. Dixit dominus | Alastair Miles, Ann Monoyios, Monteverdi Choir, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 3-3 | Vespro della Beata Vergine, SV 206: III. Nigra sum | Mark Tucker, Jakob Lindberg, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 3-4 | Vespro della Beata Vergine, SV 206: IV. Laudate pueri | Alastair Miles, Ann Monoyios, Monteverdi Choir, Sandro Naglia, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 3-5 | Vespro della beata Vergine: Pulchra es A 2 | Ann Monoyios, Marinella Pennicchi, Jakob Lindberg, David Miller, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 3-6 | Vespro della Beata Vergine, SV 206: VI. Laetatus sum | Alastair Miles, Ann Monoyios, Monteverdi Choir, Marinella Pennicchi, Nigel Robson, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 3-7 | Vespro della beata Vergine: Duo seraphim A 3 | Sandro Naglia, Nigel Robson, Mark Tucker, Jakob Lindberg, David Miller, Christopher Wilson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 3-8 | Vespro della beata Vergine: Nisi Dominus A 10 | Monteverdi Choir, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 3-9 | Vespro della Beata Vergine, SV 206: IX. Audi coelum | Monteverdi Choir, Nigel Robson, Mark Tucker, Jakob Lindberg, Christopher Wilson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 3-10 | Vespro della beata Vergine: Lauda Jerusalem A 7 | Monteverdi Choir, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 4-1 | Vespro della Beata Vergine, SV 206: XI. Sonata sopra "Sancta Maria" | Patrick Russill, London Oratory Junior Choir, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 4-2 | Vespro della Beata Vergine, SV 206: XII. Ave maris stella | Patrick Russill, Michael Chance, London Oratory Junior Choir, Monteverdi Choir, Nigel Robson, Jakob Lindberg, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 4-3 | Vespro della Beata Vergine, SV 206: XIII. Magnificat a 7 voci | Patrick Russill, Michael Chance, London Oratory Junior Choir, Alastair Miles, Ann Monoyios, Monteverdi Choir, Sandro Naglia, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, Ian Watson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 4-4 | Vespro della Beata Vergine, SV 206a: XII. Magnificat a 6 voci | Patrick Russill, London Oratory Junior Choir, Alastair Miles, Ann Monoyios, Monteverdi Choir, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, Ian Watson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 5-1 | Madrigals, Book 7: Con che soavità, SV 139 | — | ||
| 5-2 | Madrigals, Book 7: Vorrei baciarti, SV 123 | — | ||
| 5-3 | Madrigals, Book 7: Tempro la cetra, SV 117 | — | ||
| 5-4 | Madrigals, Book 8: Mentre vaga angioletta, SV 157 | — | ||
| 5-5 | Madrigals, Book 9: Come dolce oggi l'auretta, SV 173 | — | ||
| 5-6 | Madrigals, Book 7: Chiome d'oro, SV 143 | — | ||
| 5-7 | Madrigals, Book 7: S'el vostro cor madonna, SV 131 | — | ||
| 5-8 | Madrigals, Book 7: Ohimè dove il mio ben, SV 140 | — | ||
| 5-9 | Madrigals, Book 8: Ogni amante è guerrier, SV 151 | — | ||
| 5-10 | Madrigals, Book 7: Parlo miser o taccio, SV 136 | — | ||
| 6-1 | Toccata à 4, C 237 | Timothy Roberts | — | |
| 6-2 | Symphonia Sacrae Liber Secundus: In ecclesiis à 14, C 78 | Gabrieli Consort & Players, Paul McCreesh, Timothy Wilson, Charles Pott, Julian Podger, Donald Greig | — | |
| 6-3 | Canzoni et Sonate: Canzon XIX à 15, C 212 | Gabrieli Consort & Players, Paul McCreesh | — | |
| 6-4 | Symphonia Sacrae Liber Secundus: Suscipe clementissime à 12, C 70 | Gabrieli Consort & Players, Paul McCreesh, Robert Horn, Julian Podger, Charles Pott, Donald Greig, Simon Grant, Savage | — | |
| 6-5 | Canzoni et Sonate: Canzon XIV à 10, C 207 | Gabrieli Consort & Players, Paul McCreesh | — | |
| 6-6 | Symphonia Sacrae Liber Secundus: Buccinate in neomenia tuba à 19, C 84 | Gabrieli Consort & Players, Paul McCreesh, Julian Clarkson, Robin Blaze, Henry Wickham | — | |
| 6-7 | Intonationi d’organo: Intonatione del nono tono, C 247 | Gabrieli Consort & Players, Paul McCreesh, Timothy Roberts | — | |
| 6-8 | Domine Deus meus à 6, C 127 | Gabrieli Consort & Players, Paul McCreesh, Robert Harre-Jones, Robert Horn, Steven Harrold, Donald Greig, Charles Pott, Simon Grant, Timothy Roberts | — | |
| 6-9 | Ghirlanda sacra, libro primo: Audi, dulcis amica mea | Gabrieli Consort & Players, David Hurley | — | |
| 6-10 | Sonata No. 21 con tre violini, C 224 | Gabrieli Consort & Players, Paul McCreesh | — | |
| 6-11 | Il primo libro de mottetti: Ardens est cor meum | Gabrieli Consort & Players, Paul McCreesh, David Hurley | — | |
| 6-12 | Timor et tremor à 6 (printed 1615 version), C 142 | Gabrieli Consort & Players, Paul McCreesh, Robert Harre-Jones, Robert Horn, Charles Pott, Donald Greig, Henry Wickham, Simon Grant, Timothy Roberts | T-905.271.618-4 | |
| 6-13 | Intonationi d’organo: Intonatione del duodecimo tono, C 250 | Gabrieli Consort & Players, Paul McCreesh, Timothy Roberts | — | |
| 6-14 | Symphonia Sacrae Liber Secundus: Jubilate Deo omnis terra à 10, C 65 | Gabrieli Consort & Players, Paul McCreesh, Timothy Wilson, Donald Greig | T-322.396.180-2 | |
| 6-15 | Canzoni et Sonate: Canzon XVIII à 14, C 211 | Gabrieli Consort & Players, Paul McCreesh | — | |
| 6-16 | Symphonia Sacrae Liber Secundus: Misericordia tua Domine à 12, C 69 | Gabrieli Consort & Players, Paul McCreesh, Robert Harre-Jones, Robert Horn, Charles Pott | — | |
| 6-17 | Canzoni et Sonate: Canzon XX à 22, C 213 | Gabrieli Consort & Players, Paul McCreesh | — | |
| 6-18 | Magnificat a 33 | Gabrieli Consort & Players, Paul McCreesh, Julian Clarkson, Robert Horn, David Hurley, Henry Wickham, Steven Harrold | — | |
| 7-1 | Freue dich des Weibes deiner Jugend, SWV 453 | Frieder Lang, The Monteverdi Choir, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | — | |
| 7-2 | Ist nicht Ephraim mein teurer Sohn, SWV 40 | Ruth Holton, The Monteverdi Choir, Ashley Stafford, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | — | |
| 7-3 | Saul, Saul, was verfolgst du mich?, SWV 415 | Simon Birchall, Michael Chance, Carol Hall, Ruth Holton, The Monteverdi Choir, Lawrence Wallington, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | — | |
| 7-4 | Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396 | Michael Chance, Ashley Stafford, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | — | |
| 7-5 | Musikalische Exequien: I. Concert in Form einer teutschen Begräbnis-Missa, SWV 279 | Stephen Charlesworth, The Monteverdi Choir, Rachel Platt, Nicolas Robertson, Mary Seers, Ashley Stafford, Lawrence Wallington, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | — | |
| 7-6 | Musikalische Exequien: II. Motette "Herr, wenn ich nur dich habe", SWV 280 | The Monteverdi Choir, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | — | |
| 7-7 | Musikalische Exequien: III. Canticum Simeonis, SWV 281 | Stephen Charlesworth, Frieder Lang, The Monteverdi Choir, Rachel Platt, Mary Seers, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | — | |
| 8-1 | First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643): Sacristy bell | — | ||
| 8-2 | First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643), Arr. Timothy Roberts: Organ: Intonazione | — | ||
| 8-3 | First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643), Arr. Timothy Roberts: Versicle & Response: Deus in adiutorium / Domine ad adiuvandum | — | ||
| 8-4 | First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643), Arr. Timothy Roberts: Antiphon: Angelus Domini | — | ||
| 8-5 | Messa e salmi (1640): Psalm 109: "Dixit Dominus" | — | ||
| 8-6 | Motetti a voce sola (1621): O intemerata | — | ||
| 8-7 | Antiphon: Beata es Maria | — | ||
| 8-8 | Selva morale e spirituale: Laudate pueri dominum (II), SV 271 | — | ||
| 8-9 | L'organo suonarino: Organ: Suonata prima | — | ||
| 8-10 | L'organo suonarino: Antiphon: Beatam me dicent | — | ||
| 8-11 | Messa, salmi concertati e parte da capella, et letanie della B. V.: Laetatus sum (I), SV 198 | — | ||
| 8-12 | Concerti ecclesiastici (1621), ed. Jerome Roche: Motet: "O Maria, quae rapis corda hominum" | — | ||
| 8-13 | Concerti ecclesiastici (1621), ed. Jerome Roche: Antiphon: Haec est quae nescavit | — | ||
| 8-14 | Messa e salmi (1640): Psalm 126: "Nisi Dominus" | — | ||
| 8-15 | L'organo suonarino: Organ: Dialogo secondo | — | ||
| 8-16 | L'organo suonarino: Antiphon: Ante thronum | — | ||
| 8-17 | Musiche sacre (1656): Psalm 147: "Lauda Jerusalem" | — | ||
| 8-18 | Ghirlanda sacra, libro primo (1625): Motet: "O quam tu pulchra es" | — | ||
| 9-1 | Organ: Praeambulum | — | ||
| 9-2 | Chapter: Ecce virgo | — | ||
| 9-3 | Selva morale e spirituale: "Deus qui mundum crimine iacentem", SV 278a | — | ||
| 9-4 | Selva morale e spirituale: Versicle & Response: Ave Maria / Dominus tecum | — | ||
| 9-5 | Selva morale e spirituale: Antiphon: Spiritus Sanctus | — | ||
| 9-6 | Messa e salmi (1640): Magnificat | — | ||
| 9-7 | Sonate, symphonie, canzoni, opera ottava (1626): Sonata con tre violini in eco | — | ||
| 9-8 | Sonate, symphonie, canzoni, opera ottava (1626): Collect: Dominus vobiscum: Deus, qui de beatae Mariae | — | ||
| 9-9 | Sonate, symphonie, canzoni, opera ottava (1626): Dismissal: Dominus vobiscum: Benedicamus Domino | — | ||
| 9-10 | Selva morale e spirituale: Laudate Dominum in sanctis eius, SV 287 | — | ||
| 9-11 | Annuale: Organ: Intonazione (excerpt) | — | ||
| 9-12 | Messa e salmi ariosi (1643), ed. Jerome Roche: Motet: "Salve regina" | — | ||
| 10-1 | Ein langer und schöner Aufzug (Ein schöner Aufzug by Pater Ignatius Augustiner): Fanfare I (Riedl) - Fanfare II (Augustiner) | Gabrieli Consort & Players, Paul McCreesh | — | |
| 10-2 | Missa Salisburgensis: Kyrie | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | — | |
| 10-3 | Missa Salisburgensis: Gloria | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | T-010.475.500-1 | |
| 10-4 | Missa Salisburgensis: Sonatae tam aris quam aulis servientes: Sonata XII | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-5 | Missa Salisburgensis: Credo | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | — | |
| 10-6 | Missa Salisburgensis: Sonatae tam aris quam aulis servientes: Sonata V | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-7 | Missa Salisburgensis - Sanctus - Benedictus | Musica Antiqua Köln, Reinhard Goebel, Gabrieli Consort & Players, Paul McCreesh | — | |
| 10-8 | Missa Salisburgensis: Agnus Dei | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | T-037.336.913-1 | |
| 10-9 | Missa Salisburgensis: Sonata Sancti Polycarpi | Gabrieli Consort & Players, Paul McCreesh | — | |
| 10-10 | Missa Salisburgensis: Motet "Plaudite tympana" | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | — | |
| 11-1 | Te Deum | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-2 | La Bocanne primitive | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-3 | La Bocanne compliquée | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-4 | Phaéton: Troupe d'Astrée dansante (prologue) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-5 | Ballet de la Nuit: Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-801.958.969-7 | |
| 11-6 | Ballet des Plaisirs: Sarabande | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-7 | Ballet de la Nuit: Le Roi représentant le soleil levant | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-8 | Xerxès: Air pour les matelots jouant des trompettes marines | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-9 | Xerxès: Air pour les esclaves et singes dansants | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-10 | Xerxès: Air pour les postures de Scaramouche | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-11 | Xerxès: Air pour les docteurs, Frivelins et Polichinelles | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-12 | Xerxès: Air pour les esclaves dansants | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-13 | Idylle sur la paix: Air pour Madame la Dauphine | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-14 | Ballet d'Alcidiane: Ritournelle et air de Mademoiselle Hilaire | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-15 | Ballet d'Alcidiane: Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-702.819.800-9 | |
| 11-16 | Le Triomphe de l'amour: Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-702.819.800-9 | |
| 11-17 | Persée: Entrée des divinités infernales (Acte III, Scène 10) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-18 | Le Bourgeois Gentilhomme: Marche pour la cérémonie des Turcs | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-19 | Le Bourgeois Gentilhomme: Giourdina | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-20 | Le Bourgeois Gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-21 | Ombre de mon amant (Air de court) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-22 | Le Triomphe de l'amour: Prélude de la nuit | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-23 | Pomone: Passons nos jours dans ces vergers (Acte I, Scène 1) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-24 | Pomone: Que voyez-vous, mes yeux (Acte II, Scène 4) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-25 | Armide: Plus j'observe ces lieux (Acte II, Scène 3) | Florian Deuter, Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-26 | Atys 'Le Sommeil': Dormons, dormons tous (Acte III, Scène 4) | Florian Deuter, Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-27 | Armide: Passacaille (Acte V) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-28 | Armide: Prelude (Acte II, Scène 5) | Musica Antiqua Köln, Reinhard Goebel | T-011.355.807-8 | |
| 11-29 | Les Folies d'Espagne | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-30 | Les Amants magnifiques: Entrée d'Apollon | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-31 | Le Triomphe de l'amour: Entrée d'Apollon | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-32 | Le Triomphe de l'amour: Deuxième air (Acte IV, Scène 2) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-33 | Isis: C'est lui dont les dieux ont fait choix / Publions en tous lieux (Prologue, Scène 1) | Florian Heyerick, Ex Tempore, Goedele Heidbüchel, Céline Scheen, Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-34 | Armide: Que l'éclat de son nom (Prologue) | Florian Heyerick, Ex Tempore, Goedele Heidbüchel, Céline Scheen, Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-35 | Amadis: Esprits empressés à nous plaire / Que le ciel annonce a la terre (Prologue) | Florian Heyerick, Ex Tempore, Goedele Heidbüchel, Céline Scheen, Musica Antiqua Köln, Reinhard Goebel | — | |
| 12-1 | Te Deum : Prélude. Rondeau | Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 12-2 | Te Deum, H. 146: Te Deum laudamus | Russel Smythe, Les Musiciens du Louvre, Marc Minkowski | T-031.661.210-8 | |
| 12-3 | Te Deum, H. 146: Te aeternum Patrem | Patrick Henckens, Éric Huchet, Annick Massis, Magdalena Kožená, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 12-4 | Te Deum, H. 146: Te per orbem terrarum | Patrick Henckens, Éric Huchet, Jean-Louis Bindi, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 12-5 | Te Deum, H. 146: Tu devicto mortis aculeo | Russel Smythe, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 12-6 | Te Deum, H. 146: Te ergo quaesumus | Annick Massis, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 12-7 | Te Deum, H. 146: Aeterna fac cum Sanctis tuis | Patrick Henckens, Éric Huchet, Jean-Louis Bindi, Russel Smythe, Magdalena Kožená, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 12-8 | Te Deum, H. 146: Dignare, Domine, die isto | Russel Smythe, Jean-Louis Bindi, Annick Massis, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 12-9 | Te Deum, H. 146: Fiat misericordia tua, Domine, super nos | Russel Smythe, Annick Massis, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 12-10 | Te Deum, H. 146: In te, Domine, speravi | Patrick Henckens, Éric Huchet, Jean-Louis Bindi, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 12-11 | In nativitatem Domini canticum, H. 416: Nuit | Les Musiciens du Louvre, Marc Minkowski | T-003.057.405-0 | |
| 12-12 | Messe de minuit, H. 9: Kyrie | Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | — | |
| 12-13 | Messe de minuit, H. 9: Christe | Patrick Henckens, Éric Huchet, Russel Smythe, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-070.024.961-1 | |
| 12-14 | Messe de minuit, H. 9: Gloria | Patrick Henckens, Éric Huchet, Jean-Louis Bindi, Annick Massis, Magdalena Kožená, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | — | |
| 12-15 | Messe de minuit, H. 9: Credo | Patrick Henckens, Éric Huchet, Jean-Louis Bindi, Russel Smythe, Annick Massis, Magdalena Kožená, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | — | |
| 12-16 | Noël sur les instruments, H. 531b: "Laissez paitre vos bestes" | Les Musiciens du Louvre, Marc Minkowski | — | |
| 12-17 | Messe de minuit, H. 9: Sanctus - Benedictus | Patrick Henckens, Éric Huchet, Russel Smythe, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | — | |
| 12-18 | Messe de minuit, H. 9: Agnus Dei | Patrick Henckens, Éric Huchet, Jean-Louis Bindi, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-000.007.034-7 | |
| 13-1 | Dido and Aeneas, Z.626: Overture | — | ||
| 13-2 | Dido and Aeneas, Z.626, Act 1: "Shake the cloud from off your brow": "Banish sorrow, banish care" | — | ||
| 13-3 | Dido and Aeneas, Z.626, Act 1: "Ah! Belinda, I am press'd" ... "When monarchs unite, how happy" | — | ||
| 13-4 | Dido and Aeneas, Z.626, Act 1: "Whence could so much virtue spring?": "Fear no danger" | — | ||
| 13-5 | Dido and Aeneas, Z.626, Act 1: "See, your royal guest appears": "Cupid only throws the dart" | — | ||
| 13-6 | Dido and Aeneas, Z.626, Act 1: "If not for mine, for empire's sake" ... "To the hills and the vales" | — | ||
| 13-7 | Dido and Aeneas, Z.626, Act 1: The Triumphing Dance | — | ||
| 13-8 | Dido and Aeneas, Z.626, Act 2: Prelude for the Witches "Wayward sisters" ... "Ho, ho, ho" | — | ||
| 13-9 | Dido and Aeneas, Z.626, Act 2: "Ruin'd ere the set of sun" ... "But ere we this perform" | — | ||
| 13-10 | Dido and Aeneas, Z.626, Act 2: "In our deep vaulted cell" | — | ||
| 13-11 | Dido and Aeneas, Z.626, Act 2: Echo Dance of Furies | — | ||
| 13-12 | Dido and Aeneas, Z.626, Act 2: Ritornelle: "Thanks to these lonesome vales" | — | ||
| 13-13 | Dido and Aeneas, Z.626, Act 2: "Oft she visits" | — | ||
| 13-14 | Dido and Aeneas, Z.626, Act 2: "Behold, upon my bending spear": "Haste, haste to town" | — | ||
| 13-15 | Dido and Aeneas, Z.626, Act 2: "Stay, Prince" | — | ||
| 13-16 | Dido and Aeneas, Z.626, Act 3: Prelude: "Come away, fellow sailors" | — | ||
| 13-17 | Dido and Aeneas, Z.626, Act 3: The Sailors' Dance "See the flags and streamers curling" | — | ||
| 13-18 | Dido and Aeneas, Z.626, Act 3: "Our next motion": "Destructions's our delight" | — | ||
| 13-19 | Dido and Aeneas, Z.626, Act 3: The Witches' Dance | — | ||
| 13-20 | Dido and Aeneas, Z.626, Act 3: "Your counsel all is urg'd in vain": "Great minds against themselves conspire" | — | ||
| 13-21 | Dido and Aeneas: When I am laid into earth | Anne Sofie von Otter, The English Concert, Trevor Pinnock | — | |
| 13-22 | Dido and Aeneas, Z.626, Act 3: "With drooping wings" | — | ||
| 14-1 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": Symphony Introduction. Canzona - Adagio - Canzona - Adagio - Allegro - Grave - Allegro | Gabrieli Players, Paul McCreesh | — | |
| 14-2 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Hail, bright Cecilia!" | Mark le Brocq, Gabrieli Consort, Peter Harvey, Susan Hemington Jones, Timothy Wilson, Gabrieli Players, Paul McCreesh | — | |
| 14-3 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Hark, hark, each tree its silence breaks" | Charles Pott, Timothy Wilson, Gabrieli Players, Paul McCreesh | — | |
| 14-4 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "'Tis Nature's voice" | Gabrieli Players, Paul McCreesh | — | |
| 14-5 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Soul of the world" | Gabrieli Consort, Gabrieli Players, Paul McCreesh | T-909.611.691-5 | |
| 14-6 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Thou tun'st this world below, the spheres above" | Gabrieli Consort, Susan Hemington Jones, Gabrieli Players, Paul McCreesh | — | |
| 14-7 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "With that sublime celestial lay" | Mark le Brocq, Christopher Purves, Timothy Wilson, Gabrieli Players, Paul McCreesh | — | |
| 14-8 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Wondrous machine!" | Gabrieli Players, Paul McCreesh | T-926.896.078-7 | |
| 14-9 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "The airy violin" | Julian Podger, Gabrieli Players, Paul McCreesh | T-900.148.980-1 | |
| 14-10 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "In vain the am'rous flute and soft guitar" | Mark le Brocq, Charles Daniels, Gabrieli Players, Paul McCreesh | — | |
| 14-11 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "The fife, and all the harmony of war" | Charles Daniels, Gabrieli Players, Paul McCreesh | — | |
| 14-12 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Let these amongst themselves contest" | Peter Harvey, Julian Podger, Christopher Purves, Gabrieli Players, Paul McCreesh | — | |
| 14-13 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Hail, bright Cecilia, hail to thee!" | Charles Daniels, Gabrieli Consort, Timothy Wilson, Gabrieli Players, Paul McCreesh | — | |
| 14-14 | "My beloved spake", Z. 28 | Charles Daniels, Peter Harvey, Julian Podger, Charles Pott, Gabrieli Players, Paul McCreesh | — | |
| 14-15 | "O sing unto the Lord", Z. 44 | Charles Daniels, Peter Harvey, Susan Hemington Jones, Julian Podger, Christopher Purves, Gabrieli Players, Paul McCreesh | — | |
| 15-1 | Concerto Grosso in D major, op. 6 no. 1: I. Largo | The English Concert, Trevor Pinnock | T-001.322.740-1 | |
| 15-2 | Concerto Grosso in D major, op. 6 no. 1: II. Allegro | The English Concert, Trevor Pinnock | T-001.330.979-9 | |
| 15-3 | Concerto Grosso in D major, op. 6 no. 1: III. Largo - Allegro | The English Concert, Trevor Pinnock | — | |
| 15-4 | Concerto Grosso in D major, op. 6 no. 1: IV. Allegro | The English Concert, Trevor Pinnock | T-318.676.528-2 | |
| 15-5 | Concerto Grosso in D major, op. 6 no. 1: V. Largo | The English Concert, Trevor Pinnock | T-001.322.740-1 | |
| 15-6 | Concerto Grosso in D major, op. 6 no. 1: VI. Allegro | The English Concert, Trevor Pinnock | T-802.326.793-9 | |
| 15-7 | Concerto Grosso in D major, op. 6 no. 1: VII. Allegro | The English Concert, Trevor Pinnock | — | |
| 15-8 | Concerto Grosso in F major, op. 6 no. 2: I. Vivace - Allegro - Adagio - Vivace - Allegro - Largo Andante | The English Concert, Trevor Pinnock | — | |
| 15-9 | Concerto Grosso in F major, op. 6 no. 2: II. Allegro | The English Concert, Trevor Pinnock | T-001.330.979-9 | |
| 15-10 | Concerto Grosso in F major, op. 6 no. 2: III. Grave - Andante Largo | The English Concert, Trevor Pinnock | — | |
| 15-11 | Concerto Grosso in F major, op. 6 no. 2: IV. Allegro | The English Concert, Trevor Pinnock | T-318.676.528-2 | |
| 15-12 | Concerto Grosso in C minor, op. 6 no. 3: I. Largo | The English Concert, Trevor Pinnock | T-001.322.740-1 | |
| 15-13 | Concerto Grosso in C minor, op. 6 no. 3: II. Allegro | The English Concert, Trevor Pinnock | T-001.330.979-9 | |
| 15-14 | Concerto Grosso in C minor, op. 6 no. 3: III. Grave | The English Concert, Trevor Pinnock | T-903.514.416-2 | |
| 15-15 | Concerto Grosso in C minor, op. 6 no. 3: IV. Vivace | The English Concert, Trevor Pinnock | — | |
| 15-16 | Concerto Grosso in C minor, op. 6 no. 3: V. Allegro | The English Concert, Trevor Pinnock | — | |
| 15-17 | Concerto Grosso in D major, op. 6 no. 4: I. Adagio - Allegro | The English Concert, Trevor Pinnock | — | |
| 15-18 | Concerto Grosso in D major, op. 6 no. 4: II. Adagio | The English Concert, Trevor Pinnock | — | |
| 15-19 | Concerto Grosso in D major, op. 6 no. 4: III. Vivace | The English Concert, Trevor Pinnock | — | |
| 15-20 | Concerto Grosso in D major, op. 6 no. 4: IV. Allegro | The English Concert, Trevor Pinnock | T-318.676.528-2 | |
| 15-21 | Concerto Grosso in B-flat major, op. 6 no. 5: I. Adagio - Allegro - Adagio | The English Concert, Trevor Pinnock | T-909.380.083-0 | |
| 15-22 | Concerto Grosso in B-flat major, op. 6 no. 5: II. Adagio | The English Concert, Trevor Pinnock | — | |
| 15-23 | Concerto Grosso in B-flat major, op. 6 no. 5: III. Allegro - Adagio | The English Concert, Trevor Pinnock | — | |
| 15-24 | Concerto Grosso in B-flat major, op. 6 no. 5: IV. Largo - Allegro | The English Concert, Trevor Pinnock | — | |
| 15-25 | Concerto Grosso in F major, op. 6 no. 6: I. Adagio | The English Concert, Trevor Pinnock | T-909.380.083-0 | |
| 15-26 | Concerto Grosso in F major, op. 6 no. 6: II. Allegro | The English Concert, Trevor Pinnock | T-001.330.979-9 | |
| 15-27 | Concerto Grosso in F major, op. 6 no. 6: III. Largo | The English Concert, Trevor Pinnock | T-001.322.740-1 | |
| 15-28 | Concerto Grosso in F major, op. 6 no. 6: IV. Vivace | The English Concert, Trevor Pinnock | — | |
| 15-29 | Concerto Grosso in F major, op. 6 no. 6: V. Allegro | The English Concert, Trevor Pinnock | — | |
| 16-1 | Concerto Grosso in D major, op. 6 no. 7: I. Vivace - Allegro | The English Concert, Trevor Pinnock | — | |
| 16-2 | Concerto Grosso in D major, op. 6 no. 7: II. Adagio | The English Concert, Trevor Pinnock | — | |
| 16-3 | Concerto Grosso in D major, op. 6 no. 7: III. Allegro | The English Concert, Trevor Pinnock | — | |
| 16-4 | Concerto Grosso in D major, op. 6 no. 7: IV. Andante Largo | The English Concert, Trevor Pinnock | — | |
| 16-5 | Concerto Grosso in D major, op. 6 no. 7: V. Allegro | The English Concert, Trevor Pinnock | — | |
| 16-6 | Concerto Grosso in D major, op. 6 no. 7: VI. Vivace | The English Concert, Trevor Pinnock | — | |
| 16-7 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: I. Vivace - Grave. Arcate, sostenuto e come stà | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 16-8 | Concerto grosso in G minor, op. 6 no. 8 "Fatto per la Notte di Natale": II. Allegro | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | T-001.330.979-9 | |
| 16-9 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: III. Adagio - Allegro - Adagio | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | T-902.836.120-8 | |
| 16-10 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: IV. Vivace | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 16-11 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: V. Allegro | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | T-900.078.740-6 | |
| 16-12 | Concerto grosso in G minor, op. 6 no. 8 "Fatto per la Notte di Natale": VI. Pastorale: Largo | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | T-070.127.399-5 | |
| 16-13 | Concerto Grosso in F major, op. 6 no. 9: I. Preludio: Largo | The English Concert, Trevor Pinnock | T-917.337.125-0 | |
| 16-14 | Concerto Grosso in F major, op. 6 no. 9: II. Allemanda: Allegro | The English Concert, Trevor Pinnock | — | |
| 16-15 | Concerto Grosso in F major, op. 6 no. 9: III. Corrente: Vivace | The English Concert, Trevor Pinnock | — | |
| 16-16 | Concerto Grosso in F major, op. 6 no. 9: IV. Gavotta: Allegro | The English Concert, Trevor Pinnock | — | |
| 16-17 | Concerto Grosso in F major, op. 6 no. 9: V. Adagio | The English Concert, Trevor Pinnock | — | |
| 16-18 | Concerto Grosso in F major, op. 6 no. 9: VI. Minuetto: Vivace | The English Concert, Trevor Pinnock | — | |
| 16-19 | Concerto Grosso in C major, op. 6 no. 10: I. Preludio: Andante Largo | The English Concert, Trevor Pinnock | T-001.322.740-1 | |
| 16-20 | Concerto Grosso in C major, op. 6 no. 10: II. Allemanda: Allegro | The English Concert, Trevor Pinnock | — | |
| 16-21 | Concerto Grosso in C major, op. 6 no. 10: III. Adagio | The English Concert, Trevor Pinnock | — | |
| 16-22 | Concerto Grosso in C major, op. 6 no. 10: IV. Corrente: Vivace | The English Concert, Trevor Pinnock | — | |
| 16-23 | Concerto Grosso in C major, op. 6 no. 10: V. Allegro | The English Concert, Trevor Pinnock | — | |
| 16-24 | Concerto Grosso in C major, op. 6 no. 10: VI. Minuetto: Vivace | The English Concert, Trevor Pinnock | — | |
| 16-25 | Concerto Grosso in B-flat major, op. 6 no. 11: I. Preludio: Andante Largo | The English Concert, Trevor Pinnock | — | |
| 16-26 | Concerto Grosso in B-flat major, op. 6 no. 11: II. Allemanda: Allegro | The English Concert, Trevor Pinnock | — | |
| 16-27 | Concerto Grosso in B-flat major, op. 6 no. 11: III. Adagio | The English Concert, Trevor Pinnock | — | |
| 16-28 | Concerto Grosso in B-flat major, op. 6 no. 11: IV. Andante Largo | The English Concert, Trevor Pinnock | — | |
| 16-29 | Concerto Grosso in B-flat major, op. 6 no. 11: V. Sarabanda: Largo | The English Concert, Trevor Pinnock | — | |
| 16-30 | Concerto Grosso in B-flat major, op. 6 no. 11: VI. Giga: Vivace | The English Concert, Trevor Pinnock | — | |
| 16-31 | Concerto Grosso in F major, op. 6 no. 12: I. Preludio: Adagio | The English Concert, Trevor Pinnock | — | |
| 16-32 | Concerto Grosso in F major, op. 6 no. 12: II. Allegro | The English Concert, Trevor Pinnock | T-001.330.979-9 | |
| 16-33 | Concerto Grosso in F major, op. 6 no. 12: III. Adagio | The English Concert, Trevor Pinnock | — | |
| 16-34 | Concerto Grosso in F major, op. 6 no. 12: IV. Sarabanda: Vivace | The English Concert, Trevor Pinnock | — | |
| 16-35 | Concerto Grosso in F major, op. 6 no. 12: V. Giga: Allegro | The English Concert, Trevor Pinnock | — | |
| 17-1 | Pièces de clavecin, Suite in D minor: I. Prélude | — | ||
| 17-2 | Pièces de clavecin, Suite in D minor: II. Allemande | — | ||
| 17-3 | Pièces de clavecin, Suite in D minor: III. Courante | — | ||
| 17-4 | Pièces de clavecin, Suite in D minor: IV. Courante | — | ||
| 17-5 | Pièces de clavecin, Suite in D minor: V. Sarabande | — | ||
| 17-6 | Pièces de clavecin, Suite in D minor: VI. Sarabande | — | ||
| 17-7 | Pièces de clavecin, Suite in D minor: VII. La pastorella | — | ||
| 17-8 | Pièces de clavecin, Suite in D minor: VIII. Chaconne | — | ||
| 17-9 | L'art de toucher le clavecin: Premier prélude (C major) | — | ||
| 17-10 | L'art de toucher le clavecin: Second prélude (D minor) | — | ||
| 17-11 | L'art de toucher le clavecin: Troisième prèlude (G minor) | — | ||
| 17-12 | L'art de toucher le clavecin: Quatrième prélude (F major) | — | ||
| 17-13 | L'art de toucher le clavecin: Cinquème prélude (A major) | — | ||
| 17-14 | L'art de toucher le clavecin: Sixième prélude (B minor) | — | ||
| 17-15 | L'art de toucher le clavecin: Septième prélude (B-flat major) | — | ||
| 17-16 | L'art de toucher le clavecin: Huitième prélude (E minor) | — | ||
| 17-17 | Pièces de clavecin: Troisième livre, 15e ordre: La régente ou la Minerve | — | ||
| 17-18 | Pièces de clavecin: Troisième livre, 15e ordre: Le dodo ou L'amour au berçeau | — | ||
| 17-19 | Pièces de clavecin: Troisième livre, 15e ordre: L'evaporée | — | ||
| 17-20 | Pièces de clavecin: Troisième livre, 15e ordre: La douce et piquante | — | ||
| 17-21 | Pièces de clavecin: Troisième livre, 15e ordre: Les vergers fleüris | — | ||
| 17-22 | Pièces de clavecin: Troisième livre, 15e ordre: La Princess de Chabeüil ou La Muse de Monaco | — | ||
| 17-23 | Pièces de clavecin: VI. L'Intrépide | — | ||
| 17-24 | Pièces de clavecin: 2IV. Rondeau gracieux | — | ||
| 17-25 | Pièces de clavecin: IX. L'Arlequine ou la Adam | — | ||
| 18-1 | Destati, Lidia mia: Destati, Lidia mia | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-2 | Destati, Lidia mia: Destati, Lidia, che se tardi, Niso | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-3 | Destati, Lidia mia: Lidia, il sonno sai cos'è? | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-4 | Quando penso agl'affanni, SF. 276: Allegro | Ottavio Dantone, Accademia Bizantina | — | |
| 18-5 | Quando penso agl'affanni, SF. 276: Largo | Ottavio Dantone, Accademia Bizantina | — | |
| 18-6 | Quando penso agl'affanni, SF. 276: [Presto] | Ottavio Dantone, Accademia Bizantina | T-061.790.498-9 | |
| 18-7 | Quando penso agl'affanni, SF. 276: Quando penso agl'affanni | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | T-914.727.714-3 | |
| 18-8 | Quando penso agl'affanni, SF. 276: Tender può lacci | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-9 | Quando penso agl'affanni, SF. 276: Semplici pastorelli, o quante volte | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-10 | Quando penso agl'affanni, SF. 276: Altro non amo | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-11 | Sinfonia à 4: I. [Adagio] | Ottavio Dantone, Accademia Bizantina | — | |
| 18-12 | Sinfonia à 4: II. [Vivace] | Ottavio Dantone, Accademia Bizantina | — | |
| 18-13 | Ecco, che alfin ritorno: Ecco, che alfin ritorno | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-14 | Ecco, che alfin ritorno: La pietà che ancor non trova | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-15 | Ecco, che alfin ritorno: Ma, intanto, ingrata Irene | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-16 | Ecco, che alfin ritorno: Il nocchier nella procella | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-17 | Concertino à 7 in G minor "del Signore Arcangelo Corelli": I. Adagio | Ottavio Dantone, Accademia Bizantina | — | |
| 18-18 | Concertino à 7 in G minor "del Signore Arcangelo Corelli": II. Andante largo | Ottavio Dantone, Accademia Bizantina | — | |
| 18-19 | Concertino à 7 in G minor "del Signore Arcangelo Corelli": III. Allegro | Ottavio Dantone, Accademia Bizantina | — | |
| 18-20 | Concertino à 7 in G minor "del Signore Arcangelo Corelli": IV. Grave | Ottavio Dantone, Accademia Bizantina | — | |
| 18-21 | Concertino à 7 in G minor "del Signore Arcangelo Corelli": V. Presto | Ottavio Dantone, Accademia Bizantina | — | |
| 18-22 | Concertino à 7 in G minor "del Signore Arcangelo Corelli": VI. Vivace | Ottavio Dantone, Accademia Bizantina | — | |
| 18-23 | Navicella, ove ten vai: Navicella, ove ten vai | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-24 | Navicella, ove ten vai: Udite, audaci ingegni | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-25 | Navicella, ove ten vai: Non v'affidi il sereno | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-26 | Introduzione à 4: I. [Allegro] | Ottavio Dantone, Accademia Bizantina | — | |
| 18-27 | Introduzione à 4: II. Grave | Ottavio Dantone, Accademia Bizantina | — | |
| 18-28 | Introduzione à 4: III. Allegro | Ottavio Dantone, Accademia Bizantina | — | |
| 18-29 | Ferma omai, fugace e bella: Ferma omai, fugace e bella | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-30 | Ferma omai, fugace e bella: Ovunque il guardo giri, o volga il passo | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-31 | Ferma omai, fugace e bella: Gl'antri oscuri e le opache erme spelonche | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-32 | Ferma omai, fugace e bella: Va', che i lamenti miei | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 19-1 | Canon & Gigue in D major, P. 37 | Musica Antiqua Köln, Reinhard Goebel | T-920.151.760-4 | |
| 19-2 | Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 1. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-3 | Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 2. A tempo ordinario - Allegro non presto | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-4 | Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 3. Passacaille | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-5 | Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 4. Gigue. Presto | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-6 | Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 5. Menue. Allegro moderato | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-7 | Sonata for 2 Violins and Continuo "La Follia" op. 1 no. 12, RV 63 in D minor | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-8 | Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-009.030.807-8 | |
| 19-9 | Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-10 | Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-11 | Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourée I/II | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-12 | Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise - Double | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-13 | Orchestral Suite No. 2 in B minor, BWV 1067: VI. Menuet | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-14 | Orchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie | Musica Antiqua Köln, Reinhard Goebel | T-011.654.484-3 | |
| 19-15 | Suite no. 5 in G minor, BWV 1070 (attributed to Bach): I. Larghetto: Un poco allegro | — | ||
| 19-16 | Suite no. 5 in G minor, BWV 1070 (attributed to Bach): II. Torneo (Allegretto) | — | ||
| 19-17 | Suite no. 5 in G minor, BWV 1070 (attributed to Bach): III. Aria (Adagio) | — | ||
| 19-18 | Suite no. 5 in G minor, BWV 1070 (attributed to Bach): IV. Menuetto: Trio | — | ||
| 19-19 | Suite no. 5 in G minor, BWV 1070 (attributed to Bach): V. Capriccio (Vivace) | — | ||
| 20-1 | Concerto in D major for 4 Violins and Strings, RV 549: I. Allegro | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-902.685.630-4 | |
| 20-2 | Concerto in D major for 4 Violins and Strings, RV 549: II. Largo e spiccato | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | — | |
| 20-3 | Concerto in D major for 4 Violins and Strings, RV 549: III. Allegro | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 20-4 | Concerto no. 2 in G minor, RV 578: I. Adagio e spiccato | Simon Standage, Trevor Pinnock, Jaap ter Linden, The English Concert, Trevor Pinnock | — | |
| 20-5 | Concerto No. 2 in G minor, RV 578: II. Allegro | Simon Standage, Trevor Pinnock, Jaap ter Linden, The English Concert, Trevor Pinnock | — | |
| 20-6 | Concerto No. 2 in G minor, RV 578: III. Larghetto | Simon Standage, Trevor Pinnock, Jaap ter Linden, The English Concert, Trevor Pinnock | — | |
| 20-7 | Concerto No. 2 in G minor, RV 578: IV. Allegro | Simon Standage, Trevor Pinnock, Jaap ter Linden, The English Concert, Trevor Pinnock | T-318.676.528-2 | |
| 20-8 | Concerto no. 3 in G major, RV 310: I. Allegro | Simon Standage, The English Concert, Trevor Pinnock | T-306.395.786-4 | |
| 20-9 | Concerto no. 3 in G major, RV 310: II. Largo | Simon Standage, The English Concert, Trevor Pinnock | T-004.192.685-5 | |
| 20-10 | Concerto no. 3 in G major, RV 310: III. Allegro | Simon Standage, The English Concert, Trevor Pinnock | T-004.346.957-3 | |
| 20-11 | Concerto No. 4 in E minor, RV 550: I. Andante | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-004.348.683-4 | |
| 20-12 | Concerto No. 4 in E minor, RV 550: II. Allegro assai | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-004.344.866-3 | |
| 20-13 | Concerto No. 4 in E minor, RV 550: III. Adagio / IV. Allegro | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-004.192.700-7 | |
| 20-14 | Concerto No. 5 in A major, RV 519: I. Allegro | Simon Standage, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-902.685.630-4 | |
| 20-15 | Concerto grosso in A, op. 3 no. 5, RV 519: 2. Largo | Simon Standage, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-004.348.684-5 | |
| 20-16 | Concerto No. 5 in A major, RV 519: III. Allegro | Simon Standage, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-004.678.557-2 | |
| 20-17 | Concerto No. 6 in A minor, RV 356: I. Allegro | Simon Standage, The English Concert, Trevor Pinnock | T-902.685.630-4 | |
| 20-18 | Concerto No. 6 in A minor, RV 356: II. Largo | Simon Standage, The English Concert, Trevor Pinnock | T-911.640.005-6 | |
| 20-19 | Concerto No. 6 in A minor, RV 356: III. Presto | Simon Standage, The English Concert, Trevor Pinnock | T-902.717.414-7 | |
| 20-20 | Concerto No. 7 in F major, RV 567: I. Andante | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | — | |
| 20-21 | Concerto No. 7 in F major, RV 567: II. Adagio | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-004.192.686-6 | |
| 20-22 | Concerto No. 7 in F major, RV 567: III. Allegro | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 20-23 | Concerto No. 7 in F major, RV 567: IV. Adagio - Allegro | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-001.439.586-8 | |
| 20-24 | Concerto No. 8 in A minor, RV 522: I. Allegro | Elizabeth Wilcock, Micaela Comberti, The English Concert, Trevor Pinnock | T-004.226.380-8 | |
| 20-25 | Concerto No. 8 in A minor, RV 522: II. Larghetto | Elizabeth Wilcock, Micaela Comberti, The English Concert, Trevor Pinnock | — | |
| 20-26 | Concerto No. 8 in A minor, RV 522: III. Allegro | Elizabeth Wilcock, Micaela Comberti, The English Concert, Trevor Pinnock | T-004.678.557-2 | |
| 20-27 | Concerto no. 9 in D major for Violin, Strings and Basso continuo, RV 230: I. Allegro | Simon Standage, The English Concert, Trevor Pinnock | T-902.685.630-4 | |
| 20-28 | Concerto No. 9 in D major, RV 230: II. Larghetto | Simon Standage, The English Concert, Trevor Pinnock | — | |
| 20-29 | Concerto no. 9 in D major, RV 230: III. Allegro | Simon Standage, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 21-1 | Concerto no. 10 in B minor, RV 580: I. Allegro | Elizabeth Wilcock, Micaela Comberti, Miles Golding, Simon Standage, Jaap ter Linden, The English Concert, Trevor Pinnock | T-911.640.004-5 | |
| 21-2 | Concerto no. 10 in B minor, RV 580: II. Larghetto - Adagio - Largo - Allegro | Elizabeth Wilcock, Micaela Comberti, Miles Golding, Simon Standage, Jaap ter Linden, The English Concert, Trevor Pinnock | T-910.415.366-4 | |
| 21-3 | Concerto no. 10 in B minor, RV 580: III. Allegro | Elizabeth Wilcock, Micaela Comberti, Miles Golding, Simon Standage, Jaap ter Linden, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 21-4 | Concerto No. 11 in D minor, RV 565: I. Allegro - Allegro e spiccato e tutti - Allegro | Simon Standage, Elizabeth Wilcock, Jaap Ter Linden, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 21-5 | Concerto No. 11 in D minor, RV 565: II. Largo e spiccato | Simon Standage, Elizabeth Wilcock, Jaap Ter Linden, The English Concert, Trevor Pinnock | — | |
| 21-6 | Concerto No. 11 in D minor, RV 565: III. Allegro | Simon Standage, Elizabeth Wilcock, Jaap Ter Linden, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 21-7 | Concerto No. 12 in E major, RV 265: I. Allegro | Simon Standage, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 21-8 | Concerto No. 12 in E major, RV 265: II. Largo | Simon Standage, The English Concert, Trevor Pinnock | — | |
| 21-9 | Concerto No. 12 in E major, RV 265: III. Allegro | Simon Standage, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 21-10 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-306.395.786-4 | |
| 21-11 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": II. Largo e pianissimo sempre | Trevor Pinnock, Simon Standage, The English Concert | T-911.640.005-6 | |
| 21-12 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": III. Danza pastorale. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-902.836.120-8 | |
| 21-13 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 21-14 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": II. Adagio - Presto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 21-15 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 21-16 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-911.640.004-5 | |
| 21-17 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 21-18 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 21-19 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto | Trevor Pinnock, Simon Standage, The English Concert | T-307.175.172-5 | |
| 21-20 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo | Trevor Pinnock, Simon Standage, The English Concert | T-307.175.181-6 | |
| 21-21 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-902.836.120-8 | |
| 22-1 | Gloria: "Gloria in excelsis Deo" | The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 22-2 | Gloria in D major, RV 589: II. Et in terra pax | — | ||
| 22-3 | Gloria in D major, RV 589: III. Laudamus te | — | ||
| 22-4 | Gloria in D major, RV 589: Adagio: Gratias agimus tibi | — | ||
| 22-5 | Gloria in D major, RV 589: V. Propter magnum gloriam | — | ||
| 22-6 | Gloria in D major, RV 589: VI. Domine Deus, Rex Coelestis | — | ||
| 22-7 | Gloria in D major, RV 589: VII. Domini fili unigenite | — | ||
| 22-8 | Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei | — | ||
| 22-9 | Gloria in D major, RV 589: IX. Qui tollis peccata mundi | — | ||
| 22-10 | Gloria in D major, RV 589: X. Qui sedes ad dexteram patris | — | ||
| 22-11 | Gloria in D major, RV 589: XI. Quoniam tu solus sanctus (chorus) | The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 22-12 | Gloria in D major, RV 589: XII. Cum Sancto Spiritu (chorus) | The English Concert, Trevor Pinnock | — | |
| 22-13 | Concerto for Strings and Basso Continuo in D minor: I. Allegro non molto | The English Concert, Trevor Pinnock | T-910.793.958-2 | |
| 22-14 | Concerto for Strings and Continuo in D minor, RV 128: 2. Largo | The English Concert, Trevor Pinnock | T-801.397.798-6 | |
| 22-15 | Concerto for Strings and Continuo in D minor, RV 128: 3. Allegro | The English Concert, Trevor Pinnock | — | |
| 22-16 | Stabat Mater, RV 621: I. Stabat Mater (Largo) | — | ||
| 22-17 | Stabat Mater, RV 621: II. "Cuius animam" (Adagissimo) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-18 | Stabat Mater, RV 621: III. "O quam tristis" (Andante) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-19 | Stabat Mater, RV 621: IV. "Quis est homo" (Largo) | — | ||
| 22-20 | Stabat Mater, RV 621: II. "Cuius animam" (Adagissimo) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-21 | Stabat Mater, RV 621: Pro peccatis (Andante) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-22 | Stabat Mater, RV 621: VII. "Eja Mater" (Largo) | — | ||
| 22-23 | Stabat Mater, RV 621: 8. "Fac ut ardeat" (Lento) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-24 | Stabat Mater, RV 621: Amen (Allegro) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-25 | Sinfonia for Strings and Continuo in B minor, RV 169 "Al Santo Sepolcro": I. Adagio molto | The English Concert, Trevor Pinnock | — | |
| 22-26 | Sinfonia for Strings in B minor "Al Santo Sepolcro": II. Allegro ma poco | The English Concert, Trevor Pinnock | — | |
| 22-27 | Nisi Dominus, RV 608: I. "Nisi Dominus" (Allegro) | — | ||
| 22-28 | Nisi Dominus, RV 608: 2. "Vanum est vobis" (Largo) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-29 | Nisi Dominus, RV 608: 3. "Surgite" (Presto) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-30 | Nisi Dominus, RV 608: IV. "Cum dederit" (Andante) | — | ||
| 22-31 | Nisi Dominus, RV 608: Sicut sagittae (Presto Allegro) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-32 | Nisi Dominus, RV 608: 6. "Beatus vir" (Andante) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-33 | Nisi Dominus, RV 608: VII. "Gloria Patri" (Larghetto) | — | ||
| 22-34 | Nisi Dominus, RV 608: Sicut erat in principio | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-35 | Nisi Dominus, RV 608: Amen (Allegro) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 23-1 | Concerto in D major For Transverse Flute, Strings And Basso Continuo, TWV 51:D2: I. Moderato | — | ||
| 23-2 | Concerto in D major For Transverse Flute, Strings And Basso Continuo, TWV 51:D2: II. Allegro | — | ||
| 23-3 | Concerto in D major For Transverse Flute, Strings And Basso Continuo, TWV 51:D2: III. Largo | — | ||
| 23-4 | Concerto in D major For Transverse Flute, Strings And Basso Continuo, TWV 51:D2: IV. Vivace | — | ||
| 23-5 | Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 1. Allegro | Piet Dhont, Michael Niesemann, Peter Westermann, Musica Antiqua Köln, Reinhard Goebel | T-911.640.004-5 | |
| 23-6 | Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 2. Largo | Piet Dhont, Michael Niesemann, Peter Westermann, Musica Antiqua Köln, Reinhard Goebel | — | |
| 23-7 | Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 3. Allegro | Piet Dhont, Michael Niesemann, Peter Westermann, Musica Antiqua Köln, Reinhard Goebel | T-801.958.969-7 | |
| 23-8 | Konzert für 2 Chalumeaux,Streicher und Basso continuo d-moll: 1. Largo | Eric Hoeprich, Lisa Klewitt, Musica Antiqua Köln, Reinhard Goebel | — | |
| 23-9 | Konzert für 2 Chalumeaux,Streicher und Basso continuo d-moll: 2. Allegro | Eric Hoeprich, Lisa Klewitt, Musica Antiqua Köln, Reinhard Goebel | T-802.445.410-3 | |
| 23-10 | Konzert für 2 Chalumeaux,Streicher und Basso continuo d-moll: 3. Adagio | Eric Hoeprich, Lisa Klewitt, Musica Antiqua Köln, Reinhard Goebel | — | |
| 23-11 | Konzert für 2 Chalumeaux,Streicher und Basso continuo d-moll: 4. (Vivace) | Eric Hoeprich, Lisa Klewitt, Musica Antiqua Köln, Reinhard Goebel | T-318.676.528-2 | |
| 23-12 | Trumpet Concerto in D, TWV 51:D7: I. Adagio | — | ||
| 23-13 | Trumpet Concerto in D, TWV 51:D7: II. Allegro | — | ||
| 23-14 | Trumpet Concerto in D, TWV 51:D7: III. Grave | — | ||
| 23-15 | Trumpet Concerto in D, TWV 51:D7: IV. Allegro | — | ||
| 23-16 | Concerto For Recorder, Flute, Strings And Continuo in E minor, TWV 52:e1: I. Largo | — | ||
| 23-17 | Concerto For Recorder, Flute, Strings And Continuo in E minor, TWV 52:e1: II. Allegro | — | ||
| 23-18 | Concerto For Recorder, Flute, Strings And Continuo in E minor, TWV 52:e1: III. Largo | — | ||
| 23-19 | Concerto For Recorder, Flute, Strings And Continuo in E minor, TWV 52:e1: IV. Presto | — | ||
| 23-20 | Concerto in D major for Trumpet, Violine, Strings and Basso Cont: I. Vivace | — | ||
| 23-21 | Concerto in D major for Trumpet, Violine, Strings and Basso Cont: II. Adagio | — | ||
| 23-22 | Concerto in D major for Trumpet, Violine, Strings and Basso Cont: III. Allegro | — | ||
| 24-1 | Dardanus, RCT 35: Overture | — | ||
| 24-2 | Dardanus, RCT 35, Prologue: "Régnez, Plaisirs, régnez" | — | ||
| 24-3 | Dardanus, RCT 35, Prologue: Air pour les Plaisirs (Gai et gracieux) | — | ||
| 24-4 | Dardanus, RCT 35, Prologue: "Je veux que sous mes lois" / "Plaisirs, enchaînez-les" | — | ||
| 24-5 | Dardanus, RCT 35, Prologue: Air pour les Plaisirs (Très vif) | — | ||
| 24-6 | Dardanus, RCT 35, Prologue: "Quel calme!" | — | ||
| 24-7 | Dardanus, RCT 35, Prologue: "Brisez vos fers" | — | ||
| 24-8 | Dardanus, RCT 35, Prologue: "Nos mains forgent les traits" | — | ||
| 24-9 | Dardanus, RCT 35, Prologue: "C'en est trop" | — | ||
| 24-10 | Dardanus, RCT 35, Prologue: "Troubles cruels" | — | ||
| 24-11 | Dardanus, RCT 35, Prologue: "Quand l'aquilon fougueux" | — | ||
| 24-12 | Dardanus, RCT 35, Prologue: Marche pour les différentes nations (Gai) / "Par tes bienfaits, signale ta puissance" | — | ||
| 24-13 | Dardanus, RCT 35 : Prologue, Scène 2. « L’Amour, le seul Amour » | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 24-14 | Dardanus, RCT 35, Prologue: Menuet tendre en rondeau | — | ||
| 24-15 | Dardanus, RCT 35, Prologue: Premier Tambourin / Deuxième Tambourin | — | ||
| 24-16 | Dardanus, RCT 35, Prologue: "Pour célébrer ce jour heureux" | — | ||
| 24-17 | Dardanus, RCT 35, Prologue: Reprise de l'Ouverture | — | ||
| 24-18 | Dardanus, RCT 35, Act 1: "Cesse, cruel Amour" | — | ||
| 24-19 | Dardanus, RCT 35, Act 1: "Ma fille, enfin le ciel seconde mon courroux" | — | ||
| 24-20 | Dardanus, RCT 35, Act 1: "Princesse, après l'espoir" | — | ||
| 24-21 | Dardanus, RCT 35, Act 1: "Par des noeuds solennels" / "Mânes plaintifs, tristes victimes" | — | ||
| 24-22 | Dardanus, RCT 35, Act 1: "Par des jeux éclatants" | — | ||
| 24-23 | Dardanus, RCT 35, Act 1: Entrée pour les Guerriers (Majestueux) | — | ||
| 24-24 | Dardanus, RCT 35, Act 1: Air (Vif) / "Allez, jeune guerrier" | — | ||
| 24-25 | Dardanus, RCT 35, Act 1: Premier Rigaudon | — | ||
| 24-26 | Dardanus, RCT 35, Act 1: Deuxième Rigaudon / "Guerriers, suivez l'Amour" | — | ||
| 24-27 | Dardanus, RCT 35, Act 1: "Mars, Bellone, guidez nos/leurs coups" / "Guerriers, je remplirai bientôt votre espérance" / "Mars, Bellone, guidez nos/leurs coups" | — | ||
| 24-28 | Dardanus, RCT 35, Act 1: "Je cède au trouble affreux" | — | ||
| 24-29 | Dardanus, RCT 35, Act 2: "Tout l'avenir est présent à mes yeux" | — | ||
| 24-30 | Dardanus, RCT 35, Act 2: "On vient ... c'est Dardanus" | — | ||
| 24-31 | Dardanus, RCT 35, Act 2: "Entendez ma voix souveraine" / "Hâtons-nous; commencons nos terribles mystères" | — | ||
| 24-32 | Dardanus, RCT 35, Act 2: Air (Grave) | — | ||
| 24-33 | Dardanus, RCT 35, Act 2: "Suspends ta brillante carrière" | — | ||
| 24-34 | Dardanus, RCT 35, Act 2: Air (Vif) | — | ||
| 24-35 | Dardanus, RCT 35, Act 2: "Nos cris ont pénétré jusqu'au sombre séjour" | — | ||
| 24-36 | Dardanus, RCT 35, Act 2: "C'en est fait" | — | ||
| 24-37 | Dardanus, RCT 35, Act 2: "Obéis aux lois des enfers" | — | ||
| 24-38 | Dardanus, RCT 35, Act 2: "Je la vois" | — | ||
| 24-39 | Dardanus, RCT 35, Act 2: "Par l'effort de votre art terrible" | — | ||
| 24-40 | Dardanus, RCT 35, Act 2: "D'un penchant si fatal" | — | ||
| 24-41 | Dardanus, RCT 35, Act 2: "Dieux! qu'exigez-vous de mon zèle?" | — | ||
| 24-42 | Dardanus, RCT 35, Act 2: "Elle fuit! ... Mais j'ai vu sa tendresse" | — | ||
| 24-43 | Dardanus, RCT 35, Act 2: Entracte: Bruit de guerre | — | ||
| 25-1 | Dardanus, RCT 35, Act 3: Prélude (Sans lenteur) / "Ô jour affreux!" | — | ||
| 25-2 | Dardanus, RCT 35, Act 3: "Princesse, enfin la paix va combler mon attente" | — | ||
| 25-3 | Dardanus, RCT 35, Act 3: "Que l'on chante, que l'on s'empresse" / "Entendez ces chants d'allégresse" / "Que l'on chante, que l'on s'empresse" | — | ||
| 25-4 | Dardanus, RCT 35, Act 3: Air en rondeau (Gai) / "Paix favorable, paix adorable" | — | ||
| 25-5 | Dardanus, RCT 35, Act 3: Premier Menuet / Deuxième Menuet en rondeau / "Volez, Plaisirs, volez" | — | ||
| 25-6 | Dardanus, RCT 35, Act 3: Premier Tambourin / Deuxième Tambourin | — | ||
| 25-7 | Dardanus, RCT 35, Act 3: "Cessez vos jeux" | — | ||
| 25-8 | Dardanus, RCT 35, Act 3: "Allez, et remportez une illustre victoire" | — | ||
| 25-9 | Dardanus, RCT 35, Act 4: "Lieux funestes" | — | ||
| 25-10 | Dardanus, RCT 35, Act 4: Ritournelle (Gracieusement et un peu gai) | — | ||
| 25-11 | Dardanus, RCT 35, Act 4: "Malgré le dieu des mers" | — | ||
| 25-12 | Dardanus, RCT 35, Act 4: "Venez, Songes-flatteurs" | — | ||
| 25-13 | Dardanus, RCT 35, Act 4: Sommeil (Rondeau tendre) | — | ||
| 25-14 | Dardanus, RCT 35, Act 4: "Par un sommeil agréable" | — | ||
| 25-15 | Dardanus, RCT 35, Act 4: Air (Très vif) | — | ||
| 25-16 | Dardanus, RCT 35, Act 4: "Un monstre furieux désole ce rivage" | — | ||
| 25-17 | Dardanus, RCT 35, Act 4: "Ah! que votre sort est charmant" | — | ||
| 25-18 | Dardanus, RCT 35, Act 4: Calme des sens (Air tendre) | — | ||
| 25-19 | Dardanus, RCT 35, Act 4: Gavotte vive | — | ||
| 25-20 | Dardanus, RCT 35, Act 4: Air de triomphe (Vivement) / "Il est temps de courir aux armes" | — | ||
| 25-21 | Dardanus, RCT 35, Act 4: "Où suis-je!" | — | ||
| 25-22 | Dardanus, RCT 35, Act 4: "Hâtons-nous; courons à la gloire" | — | ||
| 25-23 | Dardanus, RCT 35, Act 4: "Voici les tristes lieux" | — | ||
| 25-24 | Dardanus, RCT 35, Act 4: "Monstre affreux, monstre redoutable" | — | ||
| 25-25 | Dardanus, RCT 35, Act 4: "Quel bruit! quelle tempête horrible!" / "Mon rival va périr" / "Le monstre est abattu" | — | ||
| 25-26 | Dardanus, RCT 35, Act 4: "Quel est donc le héros qui conserve mes jours?" | — | ||
| 25-27 | Dardanus, RCT 35, Act 5: Ritournelle et Choeur des Phrygiens: "Anténor est victorieux" | — | ||
| 25-28 | Dardanus, RCT 35, Act 5: "N'en doute point; c'est Dardanus lui-même" | — | ||
| 25-29 | Dardanus, RCT 35, Act 5: "Mais un nouvel éclat embellit l'univers" | — | ||
| 25-30 | Dardanus, RCT 35, Act 5: "Teucer, bannissez pour jamais la vengeance et la haine" | — | ||
| 25-31 | Dardanus, RCT 35, Act 5: Duo: "Des biens que Vénus nous dispense" | — | ||
| 25-32 | Dardanus, RCT 35, Act 5: Air pour les Plaisirs (Gai) / Choeur des Amours: "Nous quittins des Plaisirs la demeure chérie" | — | ||
| 25-33 | Dardanus, RCT 35, Act 5: Gavotte (Gracieusement) / Air: "C'est la constance" | — | ||
| 25-34 | Dardanus, RCT 35, Act 5: Ariette: "Pour la fête où l'on vous appelle" | — | ||
| 25-35 | Dardanus, RCT 35, Act 5: Gigue (Vivement) | — | ||
| 25-36 | Dardanus, RCT 35, Act 5: Chaconne | — | ||
| 26-1 | Zaïs : Ouverture | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-2 | Castor et Pollux : Scène funèbre | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-3 | Les fêtes d’Hébé : Air tendre | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-4 | Dardanus: Tambourins I & II | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-5 | Le Temple de la Gloire : Air tendre pour les Muses | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-6 | Les Boréades : Contredanse | Les Musiciens du Louvre, Marc Minkowski | T-011.673.237-6 | |
| 26-7 | La naissance d’Osiris : Air gracieux | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-8 | Les Boréades : Gavottes I & II | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-9 | Platée : Orage | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-10 | Les Boréades : Prélude | Les Musiciens du Louvre, Marc Minkowski | T-011.710.961-1 | |
| 26-11 | Concert no. 6 : La Poule | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-12 | Les Fêtes d’Hébé : Musette | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-13 | Hyppolyte & Aricie : Ritournelle | Les Musiciens du Louvre, Marc Minkowski | T-003.074.081-8 | |
| 26-14 | Naïs : Rigaudons I & II | Les Musiciens du Louvre, Marc Minkowski | T-911.931.681-3 | |
| 26-15 | Les Indes galantes : Danse des Sauvages | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-16 | Les Boréades : Entrée de Polymnie | Les Musiciens du Louvre, Marc Minkowski | T-031.862.827-1 | |
| 26-17 | Les Indes galantes : Chaconne | Les Musiciens du Louvre, Marc Minkowski | — | |
| 27-1 | Dresden Concerto in F major (S. 234) - I. Vivace | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-2 | Dresden Concerto in F major (S. 234) - II. Adagio | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-3 | Dresden Concerto in F major (S. 234) - III. Un poco allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-4 | Dresden Concerto in F major (S. 234) - IV. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-318.676.528-2 | |
| 27-5 | Dresden Concerto in G major, S. 213: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-6 | Dresden Concerto in G major, S. 213: II. Larghetto | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-7 | Dresden Concerto in G major, S. 213: III. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-8 | Dresden Concerto in G major, S. 213: IV. Entrée | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-9 | Dresden Concerto in G major, S. 213: V. Loure: Cantabile | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-10 | Dresden Concerto in G major, S. 213: VI. Tempo de Menuet - Air italienne | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-11 | Dresden Concerto in F major, S. 235: I. Vivace | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-12 | Dresden Concerto in F major, S. 235: II. Andante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-13 | Dresden Concerto in F major, S. 235: III. Presto | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-14 | Dresden Concerto in F major, S. 235: IV. Alla breve | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-15 | Dresden Concerto in F major, S. 235: V. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-16 | Dresden Concerto in F major, S. 233: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-17 | Dresden Concerto in F major, S. 233: II. Andante più tosto un poco allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-18 | Dresden Concerto in F major, S. 233: III. Presto | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-19 | Sonata for 3 oboes, 2 flutes & strings in A major, S. 208: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-20 | Sonata for 3 oboes, 2 flutes & strings in A major, S. 208: II. Adagio e staccato | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-21 | Sonata for 3 oboes, 2 flutes & strings in A major, S. 208: III. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-22 | Concert Movement for oboe, violin & strings in C minor, S. 240 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-23 | Dresden Concerto in F major, S. 231: I. Vivace | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-24 | Dresden Concerto in F major, S. 231: II. Arioso | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-25 | Dresden Concerto in F major, S. 231: III. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 28-1 | Toccata and Fugue in D minor, BWV 565 | Simon Preston | T-909.243.105-5 | |
| 28-2 | Toccata & Fugue in D minor, BWV 565: II. Fugue | Simon Preston | T-922.046.111-0 | |
| 28-3 | Fantasia in G major "Pièce d'orgue", BWV 572: I. Très Vitement | Simon Preston | — | |
| 28-4 | Fantasia in G major "Pièce d'orgue", BWV 572: II. Gravement | Simon Preston | T-909.407.007-2 | |
| 28-5 | Fantasia in G major "Pièce d'orgue", BWV 572: III. Lentement | Simon Preston | — | |
| 28-6 | Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 1. Nel Canone All'Ottava | Simon Preston | — | |
| 28-7 | Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 2. Alio Modo, Nel Canone Alla Quinta | Simon Preston | — | |
| 28-8 | Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 3. Canone All Settima | Simon Preston | — | |
| 28-9 | Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 4. Per Augmentationem, Nel Canone All'Ottava | Simon Preston | — | |
| 28-10 | Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 5. L'altra Sorte, del Canone Al Rovescio | Simon Preston | — | |
| 28-11 | Prelude and Fugue in D major, BWV 532: I. Prelude | Simon Preston | T-800.348.254-1 | |
| 28-12 | Prelude and Fugue in D major, BWV 532: II. Fugue | Simon Preston | T-902.286.488-6 | |
| 28-13 | Pastorale in F major "Pastorella", BWV 590: I. In F major | Simon Preston | — | |
| 28-14 | Pastorale in F major "Pastorella", BWV 590: II. In C major | Simon Preston | — | |
| 28-15 | Pastorale in F major "Pastorella", BWV 590: III. In C minor | Simon Preston | T-921.189.587-3 | |
| 28-16 | Pastorale in F major "Pastorella", BWV 590: IV. In F major | Simon Preston | — | |
| 28-17 | Prelude and Fugue in E flat major "St. Anne", BWV 552: I. Praeludium Pro Organo Pleno | Simon Preston | T-922.046.111-0 | |
| 28-18 | Prelude and Fugue in E flat major "St. Anne", BWV 552: II. Fuga a 5 con Pedale Pro Organo Pleno | Simon Preston | T-922.046.111-0 | |
| 29-1 | English Suite no. 3 in G minor, BWV 808: I. Prélude | — | ||
| 29-2 | English Suite no. 3 in G minor, BWV 808: II. Allemande | — | ||
| 29-3 | English Suite no. 3 in G minor, BWV 808: III. Courante | — | ||
| 29-4 | English Suite no. 3 in G minor, BWV 808: IV. Sarabande | — | ||
| 29-5 | English Suite no. 3 in G minor, BWV 808: V. Gavotte I: Gavotte II ou la musette | — | ||
| 29-6 | English Suite no. 3 in G minor, BWV 808: VI. Gigue | — | ||
| 29-7 | Prelude & Fugue in C major (Well-Tempered Clavier, Book I, no. 1), BWV 846: I. Prelude | — | ||
| 29-8 | Prelude & Fugue in C major (Well-Tempered Clavier, Book I, no. 1), BWV 846: II. Fugue | — | ||
| 29-9 | Prelude & Fugue in E-flat major (Well-Tempered Clavier, Book II, no. 7), BWV 876: Prelude | — | ||
| 29-10 | Prelude & Fugue in E-flat major (Well-Tempered Clavier, Book II, no. 7), BWV 876: Fugue | — | ||
| 29-11 | Prelude & Fugue in F minor (Well-Tempered Clavier, Book II, no. 12), BWV 881: Prelude | — | ||
| 29-12 | Prelude & Fugue in F minor (Well-Tempered Clavier, Book II, no. 12), BWV 881: Fugue | — | ||
| 29-13 | Chromatic Fantasia And Fugue in D minor, BWV 903: I. Fantasia | — | ||
| 29-14 | Chromatic Fantasia And Fugue in D minor, BWV 903: III. Fuga | — | ||
| 29-15 | French Suite no. 5 in G major, BWV 816: I. Allemande | — | ||
| 29-16 | French Suite no. 5 in G major, BWV 816: II. Courante | — | ||
| 29-17 | French Suite no. 5 in G major, BWV 816: III. Sarabande | — | ||
| 29-18 | French Suite no. 5 in G major, BWV 816: IV. Gavotte | — | ||
| 29-19 | French Suite no. 5 in G major, BWV 816: V. Bourrée | — | ||
| 29-20 | French Suite no. 5 in G major, BWV 816: VI. Loure | — | ||
| 29-21 | French Suite no. 5 in G major, BWV 816: VII. Gigue | — | ||
| 30-1 | Goldberg Variations, BWV 988: Aria | — | ||
| 30-2 | Goldberg Variations, BWV 988: Var. 1 a 1 Clav. | — | ||
| 30-3 | Goldberg Variations, BWV 988: Var. 2 a 1 Clav. | — | ||
| 30-4 | Goldberg Variations, BWV 988: Var. 3 Canone all'Unisono a 1 Clav. | — | ||
| 30-5 | Goldberg Variations, BWV 988: Var. 4 a 1 Clav. | — | ||
| 30-6 | Goldberg Variations, BWV 988: Var. 5 a 1 ovvero 2 Clav. | — | ||
| 30-7 | Goldberg Variations, BWV 988: Var. 6 Canone alla Seconda a 1 Clav. | — | ||
| 30-8 | Goldberg Variations, BWV 988: Var. 7 a 1 ovvero 2 Clav. | — | ||
| 30-9 | Goldberg Variations, BWV 988: Var. 8 a 2 Clav. | — | ||
| 30-10 | Goldberg Variations, BWV 988: Var. 9 Canone alla Terza a 1 Clav. | — | ||
| 30-11 | Goldberg Variations, BWV 988: Var. 10 Fughetta a 1 Clav. | — | ||
| 30-12 | Goldberg Variations, BWV 988: Var. 11 a 2 Clav. | — | ||
| 30-13 | Goldberg Variations, BWV 988: Var. 12 Canone alla Quarta | — | ||
| 30-14 | Goldberg Variations, BWV 988: Var. 13 a 2 Clav. | — | ||
| 30-15 | Goldberg Variations, BWV 988: Var. 14 a 2 Clav. | — | ||
| 30-16 | Goldberg Variations, BWV 988: Var. 15 Canone alla Quinta in moto contrario | — | ||
| 30-17 | Goldberg Variations, BWV 988: Var. 16 Ouverture a 1 Clav. | — | ||
| 30-18 | Goldberg Variations, BWV 988: Var. 17 a 2 Clav. | — | ||
| 30-19 | Goldberg Variations, BWV 988: Var. 18 Canone alla Sesta a 1 Clav. | — | ||
| 30-20 | Goldberg Variations, BWV 988: Var. 19 a 1 Clav. | — | ||
| 30-21 | Goldberg Variations, BWV 988: Var. 20 a 2 Clav. | — | ||
| 30-22 | Goldberg Variations, BWV 988: Var. 21 Canone alla Settima | — | ||
| 30-23 | Goldberg Variations, BWV 988: Var. 22 Alla breve a 1 Clav. | — | ||
| 30-24 | Goldberg Variations, BWV 988: Var. 23 a 2 Clav. | — | ||
| 30-25 | Goldberg Variations, BWV 988: Var. 24 Canone all'Ottava a 1 Clav. | — | ||
| 30-26 | Goldberg Variations, BWV 988: Var. 25 a 2 Clav. | — | ||
| 30-27 | Goldberg Variations, BWV 988: Var. 26 a 2 Clav. | — | ||
| 30-28 | Goldberg Variations, BWV 988: Var. 27 Canone alla Nona | — | ||
| 30-29 | Goldberg Variations, BWV 988: Var. 28 a 2 Clav. | — | ||
| 30-30 | Goldberg Variations, BWV 988: Var. 29 a 1 ovvero 2 Clav. | — | ||
| 30-31 | Goldberg Variations, BWV 988: Var. 30 Quodlibet a 1 Clav. | — | ||
| 30-32 | Goldberg Variations, BWV 988: Aria: Da Capo | — | ||
| 31-1 | Sonata for Violin Solo no. 1 in G minor, BWV 1001: I. Adagio | — | ||
| 31-2 | Sonata for Violin Solo no. 1 in G minor, BWV 1001: II. Fuga (Allegro) | — | ||
| 31-3 | Sonata for Violin Solo no. 1 in G minor, BWV 1001: III. Siciliana | — | ||
| 31-4 | Sonata for Violin Solo no. 1 in G minor, BWV 1001: IV. Presto | — | ||
| 31-5 | Partita for Violin Solo no. 1 in B minor, BWV 1002: 1a. Allemanda | — | ||
| 31-6 | Partita for Violin Solo no. 1 in B minor, BWV 1002: - Double | — | ||
| 31-7 | Partita for Violin Solo no. 1 in B minor, BWV 1002: 2a. Corrente | — | ||
| 31-8 | Partita for Violin Solo no. 1 in B minor, BWV 1002: - Double | — | ||
| 31-9 | Partita for Violin Solo no. 1 in B minor, BWV 1002: 3a. Sarabande | — | ||
| 31-10 | Partita for Violin Solo no. 1 in B minor, BWV 1002: VI. Double | — | ||
| 31-11 | Partita for Violin Solo no. 1 in B minor, BWV 1002: 4a. Tempo di Borea | — | ||
| 31-12 | Partita for Violin Solo no. 1 in B minor, BWV 1002: VIII. Double | — | ||
| 31-13 | Sonata for Violin Solo no. 2 in A minor, BWV 1003: I. Grave | — | ||
| 31-14 | Sonata for Violin Solo no. 2 in A minor, BWV 1003: II. Fuga | — | ||
| 31-15 | Sonata for Violin Solo no. 2 in A minor, BWV 1003: III. Andante | — | ||
| 31-16 | Sonata for Violin Solo no. 2 in A minor, BWV 1003: IV. Allegro | — | ||
| 32-1 | Partita for Violin Solo no. 2 in D minor, BWV 1004: I. Allemande | — | ||
| 32-2 | Partita for Violin Solo no. 2 in D minor, BWV 1004: II. Courante | — | ||
| 32-3 | Partita for Violin Solo no. 2 in D minor, BWV 1004: III. Sarabande | — | ||
| 32-4 | Partita for Violin Solo no. 2 in D minor, BWV 1004: IV. Gigue | — | ||
| 32-5 | Partita for Violin Solo no. 2 in D minor, BWV 1004: V. Chaconne | — | ||
| 32-6 | Sonata for Violin Solo no. 3 in C major, BWV 1005: I. Adagio | — | ||
| 32-7 | Sonata for Violin Solo no. 3 in C major, BWV 1005: II. Fuga | — | ||
| 32-8 | Sonata for Violin Solo no. 3 in C major, BWV 1005: III. Largo | — | ||
| 32-9 | Sonata for Violin Solo no. 3 in C major, BWV 1005: IV. Allegro assai | — | ||
| 32-10 | Partita no. 3 E-dur, BWV 1006: I. Preludio | Nathan Milstein | T-041.917.934-2 | |
| 32-11 | Partita for Violin Solo no. 3 in E major, BWV 1006: II. Loure | — | ||
| 32-12 | Partita for Violin Solo no. 3 in E major, BWV 1006: III. Gavotte en Rondeau | — | ||
| 32-13 | Partita for Violin Solo no. 3 in E major, BWV 1006: 4a. Minuet I | — | ||
| 32-14 | Partita for Violin Solo no. 3 in E major, BWV 1006: 4b. Minuet II | — | ||
| 32-15 | Partita for Violin Solo no. 3 in E major, BWV 1006: V. Bourrée | — | ||
| 32-16 | Partita for Violin Solo no. 3 in E major, BWV 1006: VI. Gigue | — | ||
| 33-1 | Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude | Pierre Fournier | — | |
| 33-2 | Cello Suite no. 1 in G major, BWV 1007: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 33-3 | Cello Suite no. 1 in G major, BWV 1007: III. Courante | Pierre Fournier | — | |
| 33-4 | 무반주 첼로 모음곡 1번 중 "사라방드" [Unaccompanied Cello no. 1, Sarabande] | Pierre Fournier | — | |
| 33-5 | Cello Suite no. 1 in G major, BWV 1007: V. Menuet I/II | Pierre Fournier | — | |
| 33-6 | Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 33-7 | Cello Suite no. 2 in D minor, BWV 1008: I. Prelude | Pierre Fournier | — | |
| 33-8 | Cello Suite no. 2 in D minor, BWV 1008: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 33-9 | Cello Suite no. 2 in D minor, BWV 1008: III. Courante | Pierre Fournier | — | |
| 33-10 | Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande | Pierre Fournier | — | |
| 33-11 | Cello Suite no. 2 in D minor, BWV 1008: V. Menuet I/II | Pierre Fournier | — | |
| 33-12 | Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 33-13 | Cello Suite no. 3 in C major, BWV 1009: I. Prelude | Pierre Fournier | — | |
| 33-14 | Cello Suite no. 3 in C major, BWV 1009: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 33-15 | Cello Suite no. 3 in C major, BWV 1009: III. Courante | Pierre Fournier | — | |
| 33-16 | Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande | Pierre Fournier | — | |
| 33-17 | Cello Suite no. 3 in C major, BWV 1009: V. Bourree I/II | Pierre Fournier | — | |
| 33-18 | Cello Suite no. 3 in C major, BWV 1009: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 34-1 | Cello Suite no. 4 in E-flat major, BWV 1010: I. Prelude | Pierre Fournier | — | |
| 34-2 | Cello Suite no. 4 in E-flat major, BWV 1010: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 34-3 | Cello Suite no. 4 in E-flat major, BWV 1010: III. Courante | Pierre Fournier | — | |
| 34-4 | Cello Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | Pierre Fournier | — | |
| 34-5 | Cello Suite no. 4 in E-flat major, BWV 1010: V. Bourree I/II | Pierre Fournier | — | |
| 34-6 | Cello Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 34-7 | Cello Suite no. 5 in C minor, BWV 1011: I. Prelude | Pierre Fournier | T-925.383.914-4 | |
| 34-8 | Cello Suite no. 5 in C minor, BWV 1011: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 34-9 | Cello Suite no. 5 in C minor, BWV 1011: III. Courante | Pierre Fournier | T-925.383.914-4 | |
| 34-10 | Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Pierre Fournier | — | |
| 34-11 | Cello Suite no. 5 in C minor, BWV 1011: V. Gavotte I/II | Pierre Fournier | — | |
| 34-12 | Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 34-13 | Cello Suite no. 6 in D major, BWV 1012: I. Prelude | Pierre Fournier | — | |
| 34-14 | Cello Suite no. 6 in D major, BWV 1012: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 34-15 | Cello Suite no. 6 in D major, BWV 1012: III. Courante | Pierre Fournier | — | |
| 34-16 | Cello Suite no. 6 in D major, BWV 1012: IV. Sarabande | Pierre Fournier | — | |
| 34-17 | Cello Suite no. 6 in D major, BWV 1012: V. Gavotte I/II | Pierre Fournier | — | |
| 34-18 | Cello Suite no. 6 in D major, BWV 1012: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 35-1 | Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II | The English Concert, Trevor Pinnock | — | |
| 35-2 | Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II | The English Concert, Trevor Pinnock | — | |
| 35-3 | Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II | The English Concert, Trevor Pinnock | — | |
| 35-4 | Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II | The English Concert, Trevor Pinnock | — | |
| 35-5 | Concerto No. 2 in F major, BWV 1047: II. Andante | The English Concert, Trevor Pinnock | — | |
| 35-6 | Concerto No. 2 in F major, BWV 1047: II. Andante | The English Concert, Trevor Pinnock | — | |
| 35-7 | Concerto No. 2 in F major, BWV 1047: II. Andante | The English Concert, Trevor Pinnock | — | |
| 35-8 | Brandenburgisches Konzert Nr. 3: III. Allegro | The English Concert, Trevor Pinnock | — | |
| 35-9 | Brandenburgisches Konzert Nr. 3: III. Allegro | The English Concert, Trevor Pinnock | — | |
| 35-10 | Brandenburgisches Konzert Nr. 3: III. Allegro | The English Concert, Trevor Pinnock | — | |
| 35-11 | Concerto No. 4 in G major, BWV 1049: I. Allegro | The English Concert, Trevor Pinnock | — | |
| 35-12 | Concerto No. 4 in G major, BWV 1049: I. Allegro | The English Concert, Trevor Pinnock | — | |
| 35-13 | Concerto No. 4 in G major, BWV 1049: I. Allegro | The English Concert, Trevor Pinnock | — | |
| 35-14 | Concerto No. 5 in D major, BWV 1050: II. Affettuoso | Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 35-15 | Concerto No. 5 in D major, BWV 1050: II. Affettuoso | Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 35-16 | Concerto No. 5 in D major, BWV 1050: II. Affettuoso | Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 36-1 | Concerto No. 6 in B flat major, BWV 1051: II. Adagio ma non tanto | The English Concert, Trevor Pinnock | — | |
| 36-2 | Concerto No. 6 in B flat major, BWV 1051: II. Adagio ma non tanto | The English Concert, Trevor Pinnock | — | |
| 36-3 | Concerto No. 6 in B flat major, BWV 1051: II. Adagio ma non tanto | The English Concert, Trevor Pinnock | — | |
| 36-4 | Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 36-5 | Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 36-6 | Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 36-7 | Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 36-8 | Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 36-9 | Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 36-10 | Concerto for 2 Violins in D minor, BWV 1043: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 36-11 | Concerto for 2 Violins in D minor, BWV 1043: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 36-12 | Concerto for 2 Violins in D minor, BWV 1043: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 37-1 | Cantata, BWV 82 "Ich habe genug": I. Aria (Basso) "Ich habe genug" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-2 | Cantata, BWV 82 "Ich habe genug": II. Recitative (Basso) "Ich habe genug" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-3 | Cantata, BWV 82 "Ich habe genug": III. Aria (Basso) "Schlummert ein, ihr matten Augen" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-4 | Cantata, BWV 82 "Ich habe genug": IV. Recitative (Basso) "Mein Gott! wann kommt das schoene: Nun!" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-5 | Cantata, BWV 82 "Ich habe genug": V. Aria (Basso) "Ich freue mich auf meinen Tod" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-6 | Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-7 | Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-8 | Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-9 | Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-10 | Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-11 | Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-12 | Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-13 | Cantate « Herz und Mund und Tat und Leben », BWV 147: Choral « Jesus bleibet meine Freude » | The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner | T-905.387.081-8 | |
| 38-1 | St. Matthew Passion, BWV 244, Part One: no. 1: "Kommt, ihr Töchter, helft mir klagen" | — | ||
| 38-2 | St. Matthew Passion, BWV 244, Part One: no. 2: "Da Jesus diese Rede vollendet hatte" | — | ||
| 38-3 | St. Matthew Passion, BWV 244, Part One: no. 3: "Herzliebster Jesu, was hast du verbrochen" | — | ||
| 38-4 | St. Matthew Passion, BWV 244, Part One: no. 4 Evangelist, Chorus I/II, Jesus: "Da versammelten sich die Hohenpriester" | — | ||
| 38-5 | St. Matthew Passion, BWV 244, Part One: no. 5 Recitative: "Du lieber Heiland du" | — | ||
| 38-6 | St. Matthew Passion, BWV 244, Part One: no. 6 Aria (Alto): "Buss und Reu" | — | ||
| 38-7 | St. Matthew Passion, BWV 244, Part One: no. 7 Evangelist, Judas: "Da ging hin der Zwölfen einer" | — | ||
| 38-8 | St. Matthew Passion, BWV 244, Part One: no. 8 Aria (Soprano): "Blute nur, du liebes Herz" | — | ||
| 38-9 | St. Matthew Passion, BWV 244, Part One: no. 9 Evangelist, Chorus I, Jesus: "Aber am ersten Tage der süssen Brot" | — | ||
| 38-10 | St. Matthew Passion, BWV 244, Part One: no. 10 Choral: "Ich bin's, ich sollte büssen" | — | ||
| 38-11 | St. Matthew Passion, BWV 244, Part One: no. 11 Evangelist, Jesus, Judas: "Er antwortete und sprach" | — | ||
| 38-12 | St. Matthew Passion, BWV 244, Part One: no. 12 Recitative: "Wiewohl mein Herz in Tränen schwimmt" | — | ||
| 38-13 | St. Matthew Passion, BWV 244, Part One: no. 13 Aria (Soprano): "Ich will dir mein Herz schenken" | — | ||
| 38-14 | St. Matthew Passion, BWV 244, Part One: no. 14 Evangelist, Jesus: "Und da sie den Lobgesang gesprochen hatten" | — | ||
| 38-15 | St. Matthew Passion, BWV 244, Part One: no. 15 Choral: "Erkenne mich, mein Hüter" | — | ||
| 38-16 | St. Matthew Passion, BWV 244, Part One: no. 16 Evangelist, Jesus, Petrus: "Petrus aber antwortete" | — | ||
| 38-17 | St. Matthew Passion, BWV 244, Part One: no. 17 Choral: "Ich will hier bei dir stehen" | — | ||
| 38-18 | St. Matthew Passion, BWV 244, Part One: no. 18 Evangelist, Jesus: "Da kam Jesus mit ihnen zu einem Hofe" | — | ||
| 38-19 | St. Matthew Passion, BWV 244, Part One: no. 19 Recitative (Tenor, Chorus II): "O Schmerz! hier zittert das gequälte Herz" | — | ||
| 38-20 | St. Matthew Passion, BWV 244, Part One: no. 20 Aria (Tenor, Chorus II): "Ich will bei meinem Jesu wachen" | — | ||
| 38-21 | St. Matthew Passion, BWV 244, Part One: no. 21 Evangelist, Jesus: "Und ging hin ein wenig" | — | ||
| 38-22 | St. Matthew Passion, BWV 244, Part One: no. 22 Recitative (Bass): "Der Heiland fällt vor seinem Vater nieder" | — | ||
| 38-23 | St. Matthew Passion, BWV 244, Part One: no. 23 Aria (Bass): "Gerne will ich mich bequemen" | — | ||
| 38-24 | St. Matthew Passion, BWV 244, Part One: no. 24 Evangelist, Jesus: "Und er kam zu seinen Jüngern" | — | ||
| 38-25 | St. Matthew Passion, BWV 244, Part One: no. 25 Choral: "Was mein Gott will, das g'scheh allzeit" | — | ||
| 38-26 | St. Matthew Passion, BWV 244, Part One: no. 26 Evangelist, Jesus, Judas: "Und er kam und fand sie aber schlafend" | — | ||
| 38-27 | St. Matthew Passion, BWV 244, Part One: no. 27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen": Chorus I/II: "Sind Blitze, sind Donner" | — | ||
| 38-28 | St. Matthew Passion, BWV 244, Part One: no. 28 Evangelist, Jesus: "Und siehe, einer aus denen" | — | ||
| 38-29 | St. Matthew Passion, BWV 244, Part One: no. 29 Choral: "O Mensch, bewein dein Sünde groß" | — | ||
| 38-30 | St. Matthew Passion, BWV 244, Part Two: no. 30 Aria (Alto, Chorus II): "Ach nun ist mein Jesu hin" | — | ||
| 38-31 | St. Matthew Passion, BWV 244, Part Two: no. 31 Evangelist: "Die aber Jesum gegriffen hatten" | — | ||
| 38-32 | St. Matthew Passion, BWV 244, Part Two: no. 32 Choral: "Mir hat die Welt trüglich gericht" | — | ||
| 38-33 | St. Matthew Passion, BWV 244, Part Two: no. 33 Evangelist, Pontifex, Testis I/II: "Und wiewohl viel falsche Zeugen herzutraten" | — | ||
| 38-34 | St. Matthew Passion, BWV 244, Part Two: no. 34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille" | — | ||
| 38-35 | St. Matthew Passion, BWV 244, Part Two: no. 35 Aria (Tenor): "Geduld! Wenn mich falsche Zungen stechen" | — | ||
| 39-1 | St. Matthew Passion, BWV 244, Part Two: no. 36 Evangelist, Pontifex, Jesus, Chorus I/II: "Und der Hohepriester antwortete" | — | ||
| 39-2 | St. Matthew Passion, BWV 244, Part Two: no. 37 Choral: "Wer hat dich so geschlagen" | — | ||
| 39-3 | St. Matthew Passion, BWV 244, Part Two: no. 38 Evangelist, Ancilla I/II, Petrus, Chorus II: "Petrus aber sass draussen im Palast" | — | ||
| 39-4 | Mattheuspassie: Aria "Erbarme dich" | Magdalena Kožená, Gabrieli Players, Paul McCreesh | T-101.607.667-6 | |
| 39-5 | St. Matthew Passion, BWV 244, Part Two: no. 40 Choral: "Bin ich gleich von dir gewichen" | — | ||
| 39-6 | St. Matthew Passion, BWV 244, Part Two: no. 41 Evangelist, Judas, Chorus I/II, Pontifex I/II: "Des Morgens aber hielten alle Hohepriester" | — | ||
| 39-7 | St. Matthew Passion, BWV 244, Part Two: no. 42 Aria (Bass): "Gebt mir meinen Jesum wieder" | — | ||
| 39-8 | St. Matthew Passion, BWV 244, Part Two: no. 43 Evangelist, Pilatus, Jesus: "Sie hielten aber einen Rat" | — | ||
| 39-9 | St. Matthew Passion, BWV 244, Part Two: no. 44 Choral: "Befiehl du deine Wege" | — | ||
| 39-10 | St. Matthew Passion, BWV 244, Part Two: no. 45 Evangelist, Pilatus, Uxor Pilati, Chorus I/II: "Auf das Fest aber hatte der Landpfleger Gewohnheit" | — | ||
| 39-11 | St. Matthew Passion, BWV 244, Part Two: no. 46 Choral: "Wie wunderbarlich ist doch diese Strafe" | — | ||
| 39-12 | St. Matthew Passion, BWV 244, Part Two: no. 47 Evangelist, Pilatus: "Der Landpfleger sagte" | — | ||
| 39-13 | St. Matthew Passion, BWV 244, Part Two: no. 48 Recitative (Soprano): "Er hat uns allen wohlgetan" | — | ||
| 39-14 | St. Matthew Passion, BWV 244: Teil II, No. 49. Aria (Soprano I) "Aus Liebe will mein Heiland sterben" | Deborah York, Paul McCreesh, Gabrieli Consort & Players | — | |
| 39-15 | St. Matthew Passion, BWV 244, Part Two: no. 50 Evangelist, Chorus I/II, Pilatus: "Sie schrieen aber noch mehr" | — | ||
| 39-16 | St. Matthew Passion, BWV 244, Part Two: no. 51 Recitative (Alto): "Erbarm es Gott" | — | ||
| 39-17 | St. Matthew Passion, BWV 244, Part Two: no. 52 Aria (Alto): "Können Tränen meiner Wangen" | — | ||
| 39-18 | St. Matthew Passion, BWV 244, Part Two: no. 53 Evangelist, Chorus I/II: "Da nahmen die Kriegsknechte" | — | ||
| 39-19 | St. Matthew Passion, BWV 244, Part Two: no. 54 Choral: "O Haupt voll Blut und Wunden" | — | ||
| 39-20 | St. Matthew Passion, BWV 244, Part Two: no. 55 Evangelist: "Und da sie ihn verspottet hatten" | — | ||
| 39-21 | St. Matthew Passion, BWV 244, Part Two: "Ja freilich will in uns das Fleisch und Blut" | — | ||
| 39-22 | St. Matthew Passion, BWV 244, Part Two: "Komm, süsses Kreuz" | — | ||
| 39-23 | St. Matthew Passion, BWV 244, Part Two: no. 58 Evangelist, Chorus I/II: "Und da sie an die Stätte kamen" | — | ||
| 39-24 | St. Matthew Passion, BWV 244, Part Two: "Ach Golgatha" | — | ||
| 39-25 | St. Matthew Passion, BWV 244, Part Two: "Sehet, Jesus hat die Hand" | — | ||
| 39-26 | St. Matthew Passion, BWV 244, Part Two: no. 61 Evangelist, Jesus, Chorus I/II: "Und von der sechsten Stunde an" | — | ||
| 39-27 | St. Matthew Passion, BWV 244, Part Two: "Wenn ich einmal soll scheiden" | — | ||
| 39-28 | St. Matthew Passion, BWV 244, Part Two: "Und siehe da, der Vorhang im Tempel zerriss" | — | ||
| 39-29 | St. Matthew Passion, BWV 244, Part Two: "Am Abend, da es kühle war" | — | ||
| 39-30 | St. Matthew Passion, BWV 244, Part Two: "Mache dich, mein Herze, rein" | — | ||
| 39-31 | St. Matthew Passion, BWV 244, Part Two: "Und Joseph nahm den Leib" | — | ||
| 39-32 | St. Matthew Passion, BWV 244, Part Two: "Nun ist der Herr zur Ruh gebracht" | — | ||
| 39-33 | St. Matthew Passion, BWV 244: Teil II, No. 68. Chorus "Wir setzen uns mit Tränen nieder" | Susan Bickley, James Gilchrist, Julia Gooding, Peter Harvey, Magdalena Kožená, Stephan Loges, Mark Padmore, Deborah York, Gabrieli Consort & Players, Paul McCreesh | — | |
| 40-1 | Mass in B minor BWV 232: I. Kyrie: Kyrie eleison | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-070.093.418-4 | |
| 40-2 | Mass in B minor BWV 232: II. Kyrie: Christe eleison | Lynne Dawson, Carol Hall, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-3 | Mass in B minor BWV 232: III. Kyrie: Kyrie eleison | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-4 | Mass in B minor BWV 232: IV. Gloria: Gloria in excelsis (attacca) | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-010.963.456-1 | |
| 40-5 | Mass in B minor BWV 232: V. Gloria: Et in terra pax | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-6 | Mass in B minor BWV 232: VI. Gloria: Laudamus te | Nancy Argenta, Elizabeth Wilcock, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-7 | Mass in B minor BWV 232: VII. Gloria: Gratias agimus tibi | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-921.408.876-3 | |
| 40-8 | Mass in B minor BWV 232: VIII. Gloria: Domine Deus (attacca) | Nancy Argenta, Howard Milner, Lisa Beznosiuk, English Baroque Soloists, Sir John Eliot Gardiner | T-926.494.374-0 | |
| 40-9 | Mass in B minor BWV 232: IX. Gloria: Qui tollis peccata mundi | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-10 | Mass in B Minor, BWV 232: Aria 'Qui sedes ad dextram Patris' | Michael Chance, Sophia McKenna, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-11 | Mass in B minor BWV 232: XI. Gloria: Quoniam tu solus sanctus (attacca) | Stephen Varcoe, Michael Thompson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-12 | Mass in B minor BWV 232: XII. Gloria: Cum Sancto Spiritu | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-1 | Mass in B minor BWV 232: XIII. Credo: Credo in unum Deum | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-900.147.322-9 | |
| 41-2 | Mass in B minor BWV 232: XIV. Credo: Credo in unum Deum / Patrem omnipotentem | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-3 | Mass in B minor BWV 232: XV. Credo: Et in unum Dominum | Patrizia Kwella, Mary Nichols, English Baroque Soloists, Sir John Eliot Gardiner | T-900.147.322-9 | |
| 41-4 | Mass in B minor BWV 232: XVI. Credo: Et incarnatus est | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-306.483.194-9 | |
| 41-5 | Mass in B minor BWV 232: XVII. Credo: Crucifixus | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-917.413.519-4 | |
| 41-6 | Mass in B minor BWV 232: XVIII. Credo: Et resurrexit | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-7 | Mass in B minor BWV 232: XIX. Credo: Et in Spiritum Sanctum | Richard Lloyd-Morgan, Valerie Darke, Sophia McKenna, English Baroque Soloists, Sir John Eliot Gardiner | T-915.866.114-4 | |
| 41-8 | Mass in B minor BWV 232: XX. Credo: Confiteor (attacca) | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-9 | Mass in B minor BWV 232: XXI: Credo: Et exspecto resurrectionem | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-10 | Mass in B minor, BWV 232: No. 22 Chorus: »Sanctus« | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | T-312.692.424-7 | |
| 41-11 | Mass in B minor, BWV 232: No. 23 Chorus I/II: »Osanna in excelsis« | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 41-12 | Mass in B minor BWV 232: XXIV. Sanctus: Benedictus, qui venit | Wynford Evans, Lisa Beznosiuk, English Baroque Soloists, Sir John Eliot Gardiner | T-050.283.177-7 | |
| 41-13 | Mass in B minor BWV 232: XXV. Sanctus: Osanna (da capo) | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-14 | Mass in B Minor, BWV 232: Aria 'Agnus Dei' | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner | T-914.368.452-0 | |
| 41-15 | Mass in B minor BWV 232: XXVII. Agnus Dei: Dona nobis pacem | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-050.051.776-9 | |
| 42-1 | Giulio Cesare in Egitto, HWV 17: Overture | Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-2 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 1. Coro "Viva, viva il nostro Alcide!" (Sesto, Cornelia, Nireno, Tolomeo, Curio, Achilla) | Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-3 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 2. Aria "Presti omai l´egizia terra" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-4 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 2. Recitativo "Curio, Cesare venne, e vide" (Cesare, Curio) | Marijana Mijanovic, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-5 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 2. Recitativo "Questa è Cornelia" (Cesare, Curio, Cornelia, Sesto) | Marijana Mijanovic, Jean-Michel Ankaoua, Charlotte Hellekant, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-6 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 2. Recitativo "La reggia Tolomeo t´offre" (Achilla, Cesare, Sesto, Cornelia, Curio) | Alan Ewing, Marijana Mijanovic, Anne Sofie von Otter, Charlotte Hellekant, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-7 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 3. Aria "Empio, dirò, tu sei" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-8 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 3. Recitativo "Già torna in sé" (Curio, Sesto, Cornelia) | Jean-Michel Ankaoua, Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-9 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 4. Aria "Priva son d´ogni conforto" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-10 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 4. Recitativo "Vani sono i lamenti" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-11 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 5. Aria "Svegliatevi nel core" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-12 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 5. Recitativo "Regni Cleopatra" (Cleopatra, Nireno, Tolomeo) | Magdalena Kožená, Pascal Bertin, Bejun Mehta, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-13 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 6. Aria "Non disperar, chi sa? (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-14 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 6. Recitativo "Sire, Signor!" (Achilla, Tolomeo) | Alan Ewing, Bejun Mehta, Marc Minkowski | — | |
| 42-15 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 7. Aria "L´empio, sleale, indegno" (Tolomeo) | Bejun Mehta, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-16 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 8. Accompagnato "Alma del gran Pompeo" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-17 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 8. Recitativo "Qui nobile donzella chiede chinarsi" (Curio, Cesare, Cleopatra) | Jean-Michel Ankaoua, Marijana Mijanovic, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-18 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 9. Aria "Non è sì vago e bello il fiornel prato" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-19 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 9. Recitativo "Cleopatra, vincesti" (Nireno, Cleopatra) | Pascal Bertin, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-20 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 10. Aria "Tutto può donna vezzosa" (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-21 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 11. Arioso "Nel tuo seno, amico sasso" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-22 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 11. Recitativo "Ma che! vile e negletta" (Cornelia, Cleopatra, Sesto, Nireno) | Charlotte Hellekant, Magdalena Kožená, Anne Sofie von Otter, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-23 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 12. Aria "Cara speme, questo core tu cominci" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-24 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 12. Recitativo "Cesare, alla tua destra" (Tolomeo, Cesare, Achilla) | Bejun Mehta, Marijana Mijanovic, Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-25 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 14. Aria "Va tacito e nascosto" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-26 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 14. Recitativo "Sire, con Sesto, il figlio" (Achilla, Tolomeo, Cornelia, Sesto) | Alan Ewing, Bejun Mehta, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-27 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 14. Recitativo "Cornelia, in quei tuoi lumi" (Achilla, Cornelia, Sesto) | Alan Ewing, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-28 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 15. Aria "Tu sei il cor di quetro core" (Achilla) | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-1 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 15. Recitativo "Madre!" (Sesto, Cornelia) | Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-2 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Duetto "Son nata a lagrimar" (Sesto, Cornelia) | Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-3 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Recitativo "Esequisti, o Niren" (Cleopatra, Nireno) | Magdalena Kožená, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-4 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Recitativo "Da Cleopatra apprenda" (Nireno, Cesare) | Pascal Bertin, Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-5 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Sinfonia e Recitativo "Taci! ... Cieli" (Cesare, Nireno) | Marijana Mijanovic, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-6 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Sinfonia e Recitativo "Giulio, che miri?" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-7 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 17. Aria e Recitativo "V´adoro, pupile ... Non ha in cielo il Tonante" (Cleopatra, Cesare) | Magdalena Kožená, Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-8 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 17. Recitativo "Vola, mio cor" (Cesare, Nireno) | Marijana Mijanovic, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-9 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 18. Aria "Se in fiorito ameno prato" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-10 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 19. Arioso "Deh piangete, oh mesti lumi" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-11 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 19. Recitativo "Bella, non lagrimae" (Achilla, Cornelia) | Alan Ewing, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-12 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 19. Recitativo "Bella, placa lo sdegno!" (Tolomeo, Cornelia, Achilla) | Bejun Mehta, Charlotte Hellekant, Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-13 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 20. Aria "Se a me non sei crudele" (Achilla) | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-14 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 20. Recitativo "Bella, cotanto aborri chi ti prega d´amar?" (Tolomeo, Cornelia) | Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-15 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 21. Aria "Sì, spietata, il tuo rigore" (Tolomeo) | Bejun Mehta, Les Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-16 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 21. Recitativo "Su, che si tarda?" (Cornelia, Sesto) | Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-17 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 21. Recitativo "Cornelia, infauste nove" (Nireno, Cornelia, Sesto) | Pascal Bertin, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-18 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 22. Aria "Cessa omai di sospirare!" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-19 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 22. Recitativo "Figlio non è" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-20 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 23. Aria "L´angue offeso mai riposa" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-21 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 24. Aria "Venere bella" (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-22 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 24. Recitativo "Che veggio, o numi?" (Cesare, Cleopatra) | Marijana Mijanovic, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-23 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 24. Recitativo "Cesare, sei tradito" (Curio, Cesare, Cleopatra) | Jean-Michel Ankaoua, Marijana Mijanovic, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-24 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 25. Aria e Coro "Al lampo dell´armi" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-25 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 26. Recitativo accompagnato “Che sento? Oh Dio!” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-26 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 27. Aria “Se pietà di me non senti” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-27 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Arioso "Belle dèe di questo core" (Tolomeo, Cornelia) | Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-28 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Recitativo "... di quel ch´avete" (Tolomeo, Cornelia, Sesto) | Bejun Mehta, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-29 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Recitativo "Sire, prendi" (Achilla, Tolomeo, Sesto, Cornelia) | Alan Ewing, Bejun Mehta, Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-30 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Recitativo "Ecco in tutto perduta" (Sesto, Cornelia) | Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-31 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 29. Aria "L´aure che spira tiranno e fiero" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-1 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 29. Recitativo "In tal modi si premia" (Achilla) | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-2 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 30. Aria "Dal fulgor di questa spada" (Achilla) | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-3 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 30. Sinfonia | Les Musiciens du Louvre, Marc Minkowski | T-306.482.958-5 | |
| 44-4 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 30. Recitativo "Vinta cadesti" (Tolomeo, Cleopatra) | Bejun Mehta, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-5 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 31. Aria "Domerò la tua fierezza" (Tolomeo) | Bejun Mehta, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-6 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 31. Recitativo "E pur così in n giorno perdo fasti" (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-7 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 32. Aria “Piangerò la sorte mia” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-8 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 33. Recitativo accompagnato ed Aria “Dall’ondoso periglio … Aure, deh, per pietà” (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-9 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 33. Recitativo "Cerco invan Tolomeo" (Sesto, Achilla, Cesare, Nireno) | Anne Sofie von Otter, Alan Ewing, Marijana Mijanovic, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-10 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 33. Recitativo "Lascia questo sigollo! (Cesare, Sesto) | Marijana Mijanovic, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-11 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 34. Aria "Quel torrente che cade" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-12 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 34. Recitativo "Tutto lice sperar" (Sesto, Ninero) | Anne Sofie von Otter, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-13 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 35. Aria "La giustizia ha già sull´arco" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-14 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 36. Accompagnato "Voi, che mie fide ancelle" (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-15 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 36. Recitativo "Forzai l´ingresso (Cesare, Cleopatra) | Marijana Mijanovic, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-16 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 37. Aria “Da tempeste il legno infranto” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-17 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 37. Recitativo "Cornelia, è tempo omai" (Tolomeo, Cornelia) | Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-18 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 37. Recitativo "T'arresta, o genitrice!" (Cleopatra, Tolomeo, Cornelia) | Magdalena Kožená, Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-19 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 38. Aria "Non ha più che temere" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-20 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 38. Sinfonia | Les Musiciens du Louvre, Marc Minkowski | T-306.482.958-5 | |
| 44-21 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 38. Recitativo "Qui Curio vincitor" (Nireno, Cesare, Sesto, Cleopatra, Cornelia) | Pascal Bertin, Marijana Mijanovic, Anne Sofie von Otter, Magdalena Kožená, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-22 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 39. Duetto "Caro! Più amabile beltà" (Cleopatra, Cesare) | Magdalena Kožená, Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-23 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 39. Recitativo "Goda pur or l´Egitto" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-24 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 40. Coro e Duetto "Ritornio omai nel nostro core" (Cleopatra, Sesto, Cornelia, Cesare, Tolomeo, Nireno, Achilla, Curio) | Magdalena Kožená, Anne Sofie von Otter, Charlotte Hellekant, Marijana Mijanovic, Bejun Mehta, Pascal Bertin, Alan Ewing, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — | |
| 45-1 | Messiah, HWV 56, Pt. 1: Symphony | — | ||
| 45-2 | Messiah, HWV 56, Pt. 1: "Comfort ye, My people" | — | ||
| 45-3 | Messiah, HWV 56: III. Air (Tenor) “Ev’ry valley shall be exalted” | Howard Crook, The English Concert, Trevor Pinnock | T-906.831.104-6 | |
| 45-4 | Messiah, HWV 56, Pt. 1: "And The Glory Of The Lord" | — | ||
| 45-5 | Messiah, HWV 56, Pt. 1: "Thus saith the Lord" | — | ||
| 45-6 | Messiah, HWV 56, Pt. 1: "But who may abide the day of his coming" | — | ||
| 45-7 | Messiah, HWV 56, Pt. 1: "And He Shall Purify The Sons Of Levi" | — | ||
| 45-8 | Messiah, HWV 56, Pt. 1: "Behold, a virgin shall conceive" | — | ||
| 45-9 | Messiah, HWV 56, Pt. 1: "O thou that tellest good tidings to Zion" | — | ||
| 45-10 | Messiah, HWV 56, Pt. 1: "For behold, darkness shall cover" | — | ||
| 45-11 | Messiah, HWV 56, Pt. 1: "The people that walked in darkness" | — | ||
| 45-12 | Messiah, HWV 56: XII. Chorus “For Unto Us a Child Is Born” | The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 45-13 | Messiah, HWV 56: XIII. Pifa (Pastoral Symphony) | The English Concert, Trevor Pinnock | — | |
| 45-14 | Messiah, HWV 56, Pt. 1: "There were shepherds ...And suddenly there" | — | ||
| 45-15 | Messiah, HWV 56, Pt. 1: "Glory to God in the highest" | — | ||
| 45-16 | Messiah, HWV 56: XVIII. Air (Soprano) “Rejoice Greatly, o Daughter of Zion” | Arleen Augér, The English Concert, Trevor Pinnock | — | |
| 45-17 | Messiah, HWV 56, Pt. 1: "Then shall the eyes of the blind" | — | ||
| 45-18 | Messiah, HWV 56, Pt. 1: " He shall feed his flock" | — | ||
| 45-19 | Messiah, HWV 56, Pt. 1: "His Yoke Is Easy" | — | ||
| 45-20 | Messiah, HWV 56, Pt. 2: "Behold The Lamb Of God" | — | ||
| 45-21 | Messiah, HWV 56, Pt. 2: "He Was Despised" | — | ||
| 46-1 | Messiah, HWV 56, Pt. 2: "Surely He hath borne our griefs" | — | ||
| 46-2 | Messiah, HWV 56, Pt. 2: "And with His stripes we are healed" | — | ||
| 46-3 | Messiah, HWV 56, Pt. 2: "All We Like Sheep Have Gone Astray" | — | ||
| 46-4 | Messiah, HWV 56, Pt. 2: "All they that see Him" | — | ||
| 46-5 | Messiah, HWV 56, Pt. 2: "He trusted in God" | — | ||
| 46-6 | Messiah, HWV 56, Pt. 2: "Thy rebuke hath broken His heart" | — | ||
| 46-7 | Messiah, HWV 56, Pt. 2: "Behold and see" | — | ||
| 46-8 | Messiah, HWV 56, Pt. 2: "He was cut off" | — | ||
| 46-9 | Messiah, HWV 56, Pt. 2: "But Thou Didst Not Leave His Soul in Hell" | — | ||
| 46-10 | Messiah, HWV 56, Pt. 2: "Lift Up Your Heads" | — | ||
| 46-11 | Messiah, HWV 56, Pt. 2: "Unto which of the angels" | — | ||
| 46-12 | Messiah, HWV 56, Pt. 2: "Let all the angels of God" | — | ||
| 46-13 | Messiah, HWV 56, Pt. 2: "Thou Art Gone Up On High" | — | ||
| 46-14 | Messiah, HWV 56, Pt. 2: "The Lord Gave The Word" | — | ||
| 46-15 | Messiah, HWV 56, Pt. 2: "How Beautiful Are The Feet" | — | ||
| 46-16 | Messiah, HWV 56, Pt. 2: "Their Sound Is Gone Out" | — | ||
| 46-17 | Messiah, HWV 56, Pt. 2: "Why do the nations so furiously rage together?" | — | ||
| 46-18 | Messiah, HWV 56, Pt. 2: "Let us break their bonds asunder" | — | ||
| 46-19 | Messiah, HWV 56, Pt. 2: "He that dwelleth in heaven" | — | ||
| 46-20 | Messiah, HWV 56, Pt. 2: "Thou shalt break them" | — | ||
| 46-21 | Messiah, HWV 56: XLIV. Chorus “Hallelujah” | The English Concert Choir, The English Concert, Trevor Pinnock | T-071.071.619-0 | |
| 46-22 | Messiah, HWV 56, Pt. 3: "I Know That My Redeemer Liveth" | — | ||
| 46-23 | Messiah, HWV 56, Pt. 3: "Since By Man Came Death" | — | ||
| 46-24 | Messiah, HWV 56, Pt. 3: "Behold, I tell you a mystery" | — | ||
| 46-25 | Messiah, HWV 56, Pt. 3: "The trumpet shall sound" | — | ||
| 46-26 | Messiah, HWV 56, Pt. 3: "Then shall be brought to pass" | — | ||
| 46-27 | Messiah, HWV 56, Pt. 3: "O death where is thy sting?" | — | ||
| 46-28 | Messiah, HWV 56, Pt. 3: "But Thanks Be To God" | — | ||
| 46-29 | Messiah, HWV 56, Pt. 3: "If God Be For Us" | — | ||
| 46-30 | Messiah, HWV 56, Pt. 3: "Worthy is the Lamb... Amen" | — | ||
| 47-1 | Water Music. Suite in F major, HWV 348: I. Ouverture (Largo - Allegro) | The English Concert, Trevor Pinnock | T-009.030.807-8 | |
| 47-2 | Water Music. Suite in F major, HWV 348: II. Adagio e staccato | The English Concert, Trevor Pinnock | — | |
| 47-3 | Water Music. Suite in F major, HWV 348: III. (Allegro) - Andante - (Allegro da capo) | The English Concert, Trevor Pinnock | T-306.395.786-4 | |
| 47-4 | Water Music. Suite in F major, HWV 348: IV. (Menuet) | The English Concert, Trevor Pinnock | T-318.676.528-2 | |
| 47-5 | Water Music. Suite in F major, HWV 348: V. Air | The English Concert, Trevor Pinnock | T-306.036.936-6 | |
| 47-6 | Water Music. Suite in F major, HWV 348: VI. Menuet | The English Concert, Trevor Pinnock | — | |
| 47-7 | Water Music. Suite in F major, HWV 348: VII. Bourrée | The English Concert, Trevor Pinnock | — | |
| 47-25 | Music for the Royal Fireworks: Suite HWV 351: VI. Menuet II | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Zadok the Priest | Choir of Westminster Abbey, Simon Preston, The English Concert, Trevor Pinnock | T-900.138.712-8 |
| Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — |
| Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto | Trevor Pinnock, Simon Standage, The English Concert | — |
| Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — |
| Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — |
| Concerto No. 1 in F major, BWV 1046: I. ohne Satzbezeichnung | The English Concert, Trevor Pinnock | T-902.685.630-4 |
| Concerto No. 1 in F major, BWV 1046: II. Adagio | The English Concert, Trevor Pinnock | T-309.901.323-3 |
| Concerto No. 1 in F major, BWV 1046: III. Allegro | The English Concert, Trevor Pinnock | — |
| Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II | The English Concert, Trevor Pinnock | — |
| Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Michael Laird, Philip Pickett, Trevor Pinnock, David Reichenberg, Simon Standage, The English Concert | T-306.395.786-4 |
| Concerto No. 2 in F major, BWV 1047: I. ohne Satzbezeichnung | The English Concert, Trevor Pinnock | T-306.395.786-4 |
| Concerto No. 2 in F major, BWV 1047: II. Andante | The English Concert, Trevor Pinnock | T-307.292.946-1 |
| Concerto No. 4 in G major, BWV 1049: III. Presto | The English Concert, Trevor Pinnock | — |
| Concerto No. 4 in G major, BWV 1049: I. Allegro | The English Concert, Trevor Pinnock | T-306.395.786-4 |
| Concerto No. 4 in G major, BWV 1049: II. Andante | The English Concert, Trevor Pinnock | T-307.292.946-1 |
| Concerto No. 5 in D major, BWV 1050: I. Allegro | Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert | T-306.395.786-4 |
| Concerto No. 5 in D major, BWV 1050: II. Affettuoso | Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert | T-309.901.323-3 |
| Concerto No. 5 in D major, BWV 1050: III. Allegro | Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert | T-902.685.587-8 |
| Concerto No. 6 in B flat major, BWV 1051: I. ohne Satzbezeichnung | The English Concert, Trevor Pinnock | T-800.184.797-9 |
| Concerto No. 6 in B flat major, BWV 1051: II. Adagio ma non tanto | The English Concert, Trevor Pinnock | — |
| Concerto No. 6 in B flat major, BWV 1051: III. Allegro | The English Concert, Trevor Pinnock | — |
| Concerto No. 3 in G major, BWV 1048: I. ohne Satzbezeichnung | The English Concert, Trevor Pinnock | — |
| Brandenburgisches Konzert Nr. 3: III. Allegro | The English Concert, Trevor Pinnock | — |
| Concerto No. 3 in G major, BWV 1048: II. Adagio | The English Concert, Trevor Pinnock | — |
| Concerto for Violin, Strings and Continuo in E major, BWV 1042: I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-070.161.055-0 |
| Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | T-309.901.323-3 |
| Concerto for Violin, Strings and Continuo in E major, BWV 1042: III. Allegro assai | Trevor Pinnock, Simon Standage, The English Concert | T-306.395.786-4 |
| Concerto for 2 Violins in D minor, BWV 1043: I. Vivace | Trevor Pinnock, Simon Standage, Elizabeth Wilcock, The English Concert | — |
| Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | T-106.677.153-5 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028947904410 is a Universal Product Code (UPC) assigned to The All-Baroque Box From Monteverdi to Bach by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 991 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947904410 is the Universal Product Code (UPC barcode) for the release “The All-Baroque Box From Monteverdi to Bach” by Various Artists, released 2012-01-01 on Archiv Produktion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 991 tracks, each with its own ISRC. Tracks include DEF058630501, DEF058630504, DEF058630503.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | L'Orfeo: Toccata | His Majestys Sagbutts and Cornetts, English Baroque Soloists, Sir John Eliot Gardiner | T-702.928.999-6 | |
| 2 | L'Orfeo: Prologo. "Dal mio Permesso" (La Musica) | John Eliot Gardiner, The English Baroque Soloists, Lynne Dawson | T-702.928.999-6 | |
| 3 | L'Orfeo: Atto primo. "In questo lieto e fortunato giorno" / "Vieni, Imeneo" / "Muse, onor di Parnaso" | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Nancy Argenta, Mark Tucker | T-702.928.999-6 | |
| 4 | L'Orfeo: Atto primo. Balletto. "Lasciate i monti" / "Ma tu, gentil cantor" | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Michael Chance | T-702.928.999-6 | |
| 5 | L'Orfeo: Rosa del ciel | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Anthony Rolfe Johnson, Julianne Baird | T-702.928.999-6 | |
| 6 | L'Orfeo: Atto primo. "Ma se il nostro gioir" / "Ecco Orfeo, cui pur" | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Nancy Argenta, Mark Tucker, Nigel Robson, Michael Chance, Simon Birchall | T-702.928.999-6 | |
| 7 | L'Orfeo: Sinfonia... Ecco pur ch'a voi ritorno | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson | T-011.354.204-3 | |
| 8 | L'Orfeo: Mira cha sé nalletta | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Mark Tucker, Nigel Robson | T-702.928.999-6 | |
| 9 | L'Orfeo: Atto secondo. "Vi ricorda, o bosch'ombrosi" (Orfeo, Pastore I) | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson | T-702.928.999-6 | |
| 10 | L'Orfeo: Atto secondo. "Ahi, caso acerbo" / "In un fiorito prato" | Michael Chance, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, Mark Tucker, English Baroque Soloists, Sir John Eliot Gardiner | T-702.928.999-6 | |
| 11 | L'Orfeo: Atto secondo. "Ahi, caso acerbo" / "Ma io, che in questa lingua" | Monteverdi Choir, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | T-702.928.999-6 | |
| 12 | L'Orfeo: Atto secondo. Sinfonia / "Chi ne consola, ahi lassi?" / "Ahi, caso acerbo" / "Ma dove, ah dove" / "Ahi, caso acerbo" | Monteverdi Choir, Nigel Robson, Mark Tucker, English Baroque Soloists, Sir John Eliot Gardiner | T-702.928.999-6 | |
| 2-1 | L'Orfeo: Atto terzo. Sinfonia / "Scorto da te, mio Nume" / "Ecco l'atra palude" / "Dove, ah dove ten vai" | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, Mary Nichols | T-702.928.999-6 | |
| 2-2 | L'Orfeo: Atto terzo. "O tu, ch'inanzi morte" (Caronte) | The English Baroque Soloists, John Tomlinson | T-702.928.999-6 | |
| 2-3 | Orfeo, Akt III: "Possente spirto" | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | T-702.928.999-6 | |
| 2-4 | L'Orfeo: Atto terzo. "Ben mi lusinga" | John Eliot Gardiner, Anthony Rolfe Johnson, Nicolas Robertson | T-702.928.999-6 | |
| 2-5 | L'Orfeo: Atto terzo. "Nulla impresa per uom" (Coro di spiriti) | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir | T-702.928.999-6 | |
| 2-6 | L'Orfeo: Atto quarto. "Signor, quel infelice" / "Benché severo" / "O degli abitator" / "Quali grazie ti rendo" / "Tue soavi parole" | John Eliot Gardiner, The English Baroque Soloists, Diana Montague, Willard White, Howard Milner, Nicolas Robertson | T-702.928.999-6 | |
| 2-7 | L'Orfeo: Atto quarto. "Pietade, oggi, e amore" / "Ecco il gentil cantor" | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Howard Milner | T-702.928.999-6 | |
| 2-8 | L'Orfeo: Qual onor di te fia degno | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, John Tomlinson | T-702.928.999-6 | |
| 2-9 | L'Orfeo: Ahi, vista troppo dolce | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, Julianne Baird, Howard Milner | T-702.928.999-6 | |
| 2-10 | L'Orfeo: Atto quarto. "È la virtute un raggio" (Coro di spiriti) | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir | T-702.928.999-6 | |
| 2-11 | L'Orfeo: Atto quinto. "Questi i campi di Tracia" (Orfeo, Eco) | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, Mark Tucker | T-702.928.999-6 | |
| 2-12 | L'Orfeo: Atto quinto. Sinfonia / "Perché a lo sdegno" | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, Nigel Robson | T-702.928.999-6 | |
| 2-13 | L'Orfeo: Atto quinto. "Vanne Orfeo" (Coro di ninfe e pastori) | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir | T-702.928.999-6 | |
| 2-14 | L'Orfeo: Moresca | John Eliot Gardiner, The English Baroque Soloists | T-702.928.999-6 | |
| 2-15 | Lamento d'Arianna, SV22 | — | ||
| 3-1 | Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum | Monteverdi Choir, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 3-2 | Vespro della Beata Vergine, SV 206: II. Dixit dominus | Alastair Miles, Ann Monoyios, Monteverdi Choir, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 3-3 | Vespro della Beata Vergine, SV 206: III. Nigra sum | Mark Tucker, Jakob Lindberg, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 3-4 | Vespro della Beata Vergine, SV 206: IV. Laudate pueri | Alastair Miles, Ann Monoyios, Monteverdi Choir, Sandro Naglia, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 3-5 | Vespro della beata Vergine: Pulchra es A 2 | Ann Monoyios, Marinella Pennicchi, Jakob Lindberg, David Miller, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 3-6 | Vespro della Beata Vergine, SV 206: VI. Laetatus sum | Alastair Miles, Ann Monoyios, Monteverdi Choir, Marinella Pennicchi, Nigel Robson, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 3-7 | Vespro della beata Vergine: Duo seraphim A 3 | Sandro Naglia, Nigel Robson, Mark Tucker, Jakob Lindberg, David Miller, Christopher Wilson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 3-8 | Vespro della beata Vergine: Nisi Dominus A 10 | Monteverdi Choir, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 3-9 | Vespro della Beata Vergine, SV 206: IX. Audi coelum | Monteverdi Choir, Nigel Robson, Mark Tucker, Jakob Lindberg, Christopher Wilson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 3-10 | Vespro della beata Vergine: Lauda Jerusalem A 7 | Monteverdi Choir, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 4-1 | Vespro della Beata Vergine, SV 206: XI. Sonata sopra "Sancta Maria" | Patrick Russill, London Oratory Junior Choir, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 4-2 | Vespro della Beata Vergine, SV 206: XII. Ave maris stella | Patrick Russill, Michael Chance, London Oratory Junior Choir, Monteverdi Choir, Nigel Robson, Jakob Lindberg, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 4-3 | Vespro della Beata Vergine, SV 206: XIII. Magnificat a 7 voci | Patrick Russill, Michael Chance, London Oratory Junior Choir, Alastair Miles, Ann Monoyios, Monteverdi Choir, Sandro Naglia, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, Ian Watson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 4-4 | Vespro della Beata Vergine, SV 206a: XII. Magnificat a 6 voci | Patrick Russill, London Oratory Junior Choir, Alastair Miles, Ann Monoyios, Monteverdi Choir, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, Ian Watson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | — | |
| 5-1 | Madrigals, Book 7: Con che soavità, SV 139 | — | ||
| 5-2 | Madrigals, Book 7: Vorrei baciarti, SV 123 | — | ||
| 5-3 | Madrigals, Book 7: Tempro la cetra, SV 117 | — | ||
| 5-4 | Madrigals, Book 8: Mentre vaga angioletta, SV 157 | — | ||
| 5-5 | Madrigals, Book 9: Come dolce oggi l'auretta, SV 173 | — | ||
| 5-6 | Madrigals, Book 7: Chiome d'oro, SV 143 | — | ||
| 5-7 | Madrigals, Book 7: S'el vostro cor madonna, SV 131 | — | ||
| 5-8 | Madrigals, Book 7: Ohimè dove il mio ben, SV 140 | — | ||
| 5-9 | Madrigals, Book 8: Ogni amante è guerrier, SV 151 | — | ||
| 5-10 | Madrigals, Book 7: Parlo miser o taccio, SV 136 | — | ||
| 6-1 | Toccata à 4, C 237 | Timothy Roberts | — | |
| 6-2 | Symphonia Sacrae Liber Secundus: In ecclesiis à 14, C 78 | Gabrieli Consort & Players, Paul McCreesh, Timothy Wilson, Charles Pott, Julian Podger, Donald Greig | — | |
| 6-3 | Canzoni et Sonate: Canzon XIX à 15, C 212 | Gabrieli Consort & Players, Paul McCreesh | — | |
| 6-4 | Symphonia Sacrae Liber Secundus: Suscipe clementissime à 12, C 70 | Gabrieli Consort & Players, Paul McCreesh, Robert Horn, Julian Podger, Charles Pott, Donald Greig, Simon Grant, Savage | — | |
| 6-5 | Canzoni et Sonate: Canzon XIV à 10, C 207 | Gabrieli Consort & Players, Paul McCreesh | — | |
| 6-6 | Symphonia Sacrae Liber Secundus: Buccinate in neomenia tuba à 19, C 84 | Gabrieli Consort & Players, Paul McCreesh, Julian Clarkson, Robin Blaze, Henry Wickham | — | |
| 6-7 | Intonationi d’organo: Intonatione del nono tono, C 247 | Gabrieli Consort & Players, Paul McCreesh, Timothy Roberts | — | |
| 6-8 | Domine Deus meus à 6, C 127 | Gabrieli Consort & Players, Paul McCreesh, Robert Harre-Jones, Robert Horn, Steven Harrold, Donald Greig, Charles Pott, Simon Grant, Timothy Roberts | — | |
| 6-9 | Ghirlanda sacra, libro primo: Audi, dulcis amica mea | Gabrieli Consort & Players, David Hurley | — | |
| 6-10 | Sonata No. 21 con tre violini, C 224 | Gabrieli Consort & Players, Paul McCreesh | — | |
| 6-11 | Il primo libro de mottetti: Ardens est cor meum | Gabrieli Consort & Players, Paul McCreesh, David Hurley | — | |
| 6-12 | Timor et tremor à 6 (printed 1615 version), C 142 | Gabrieli Consort & Players, Paul McCreesh, Robert Harre-Jones, Robert Horn, Charles Pott, Donald Greig, Henry Wickham, Simon Grant, Timothy Roberts | T-905.271.618-4 | |
| 6-13 | Intonationi d’organo: Intonatione del duodecimo tono, C 250 | Gabrieli Consort & Players, Paul McCreesh, Timothy Roberts | — | |
| 6-14 | Symphonia Sacrae Liber Secundus: Jubilate Deo omnis terra à 10, C 65 | Gabrieli Consort & Players, Paul McCreesh, Timothy Wilson, Donald Greig | T-322.396.180-2 | |
| 6-15 | Canzoni et Sonate: Canzon XVIII à 14, C 211 | Gabrieli Consort & Players, Paul McCreesh | — | |
| 6-16 | Symphonia Sacrae Liber Secundus: Misericordia tua Domine à 12, C 69 | Gabrieli Consort & Players, Paul McCreesh, Robert Harre-Jones, Robert Horn, Charles Pott | — | |
| 6-17 | Canzoni et Sonate: Canzon XX à 22, C 213 | Gabrieli Consort & Players, Paul McCreesh | — | |
| 6-18 | Magnificat a 33 | Gabrieli Consort & Players, Paul McCreesh, Julian Clarkson, Robert Horn, David Hurley, Henry Wickham, Steven Harrold | — | |
| 7-1 | Freue dich des Weibes deiner Jugend, SWV 453 | Frieder Lang, The Monteverdi Choir, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | — | |
| 7-2 | Ist nicht Ephraim mein teurer Sohn, SWV 40 | Ruth Holton, The Monteverdi Choir, Ashley Stafford, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | — | |
| 7-3 | Saul, Saul, was verfolgst du mich?, SWV 415 | Simon Birchall, Michael Chance, Carol Hall, Ruth Holton, The Monteverdi Choir, Lawrence Wallington, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | — | |
| 7-4 | Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396 | Michael Chance, Ashley Stafford, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | — | |
| 7-5 | Musikalische Exequien: I. Concert in Form einer teutschen Begräbnis-Missa, SWV 279 | Stephen Charlesworth, The Monteverdi Choir, Rachel Platt, Nicolas Robertson, Mary Seers, Ashley Stafford, Lawrence Wallington, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | — | |
| 7-6 | Musikalische Exequien: II. Motette "Herr, wenn ich nur dich habe", SWV 280 | The Monteverdi Choir, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | — | |
| 7-7 | Musikalische Exequien: III. Canticum Simeonis, SWV 281 | Stephen Charlesworth, Frieder Lang, The Monteverdi Choir, Rachel Platt, Mary Seers, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | — | |
| 8-1 | First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643): Sacristy bell | — | ||
| 8-2 | First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643), Arr. Timothy Roberts: Organ: Intonazione | — | ||
| 8-3 | First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643), Arr. Timothy Roberts: Versicle & Response: Deus in adiutorium / Domine ad adiuvandum | — | ||
| 8-4 | First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643), Arr. Timothy Roberts: Antiphon: Angelus Domini | — | ||
| 8-5 | Messa e salmi (1640): Psalm 109: "Dixit Dominus" | — | ||
| 8-6 | Motetti a voce sola (1621): O intemerata | — | ||
| 8-7 | Antiphon: Beata es Maria | — | ||
| 8-8 | Selva morale e spirituale: Laudate pueri dominum (II), SV 271 | — | ||
| 8-9 | L'organo suonarino: Organ: Suonata prima | — | ||
| 8-10 | L'organo suonarino: Antiphon: Beatam me dicent | — | ||
| 8-11 | Messa, salmi concertati e parte da capella, et letanie della B. V.: Laetatus sum (I), SV 198 | — | ||
| 8-12 | Concerti ecclesiastici (1621), ed. Jerome Roche: Motet: "O Maria, quae rapis corda hominum" | — | ||
| 8-13 | Concerti ecclesiastici (1621), ed. Jerome Roche: Antiphon: Haec est quae nescavit | — | ||
| 8-14 | Messa e salmi (1640): Psalm 126: "Nisi Dominus" | — | ||
| 8-15 | L'organo suonarino: Organ: Dialogo secondo | — | ||
| 8-16 | L'organo suonarino: Antiphon: Ante thronum | — | ||
| 8-17 | Musiche sacre (1656): Psalm 147: "Lauda Jerusalem" | — | ||
| 8-18 | Ghirlanda sacra, libro primo (1625): Motet: "O quam tu pulchra es" | — | ||
| 9-1 | Organ: Praeambulum | — | ||
| 9-2 | Chapter: Ecce virgo | — | ||
| 9-3 | Selva morale e spirituale: "Deus qui mundum crimine iacentem", SV 278a | — | ||
| 9-4 | Selva morale e spirituale: Versicle & Response: Ave Maria / Dominus tecum | — | ||
| 9-5 | Selva morale e spirituale: Antiphon: Spiritus Sanctus | — | ||
| 9-6 | Messa e salmi (1640): Magnificat | — | ||
| 9-7 | Sonate, symphonie, canzoni, opera ottava (1626): Sonata con tre violini in eco | — | ||
| 9-8 | Sonate, symphonie, canzoni, opera ottava (1626): Collect: Dominus vobiscum: Deus, qui de beatae Mariae | — | ||
| 9-9 | Sonate, symphonie, canzoni, opera ottava (1626): Dismissal: Dominus vobiscum: Benedicamus Domino | — | ||
| 9-10 | Selva morale e spirituale: Laudate Dominum in sanctis eius, SV 287 | — | ||
| 9-11 | Annuale: Organ: Intonazione (excerpt) | — | ||
| 9-12 | Messa e salmi ariosi (1643), ed. Jerome Roche: Motet: "Salve regina" | — | ||
| 10-1 | Ein langer und schöner Aufzug (Ein schöner Aufzug by Pater Ignatius Augustiner): Fanfare I (Riedl) - Fanfare II (Augustiner) | Gabrieli Consort & Players, Paul McCreesh | — | |
| 10-2 | Missa Salisburgensis: Kyrie | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | — | |
| 10-3 | Missa Salisburgensis: Gloria | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | T-010.475.500-1 | |
| 10-4 | Missa Salisburgensis: Sonatae tam aris quam aulis servientes: Sonata XII | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-5 | Missa Salisburgensis: Credo | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | — | |
| 10-6 | Missa Salisburgensis: Sonatae tam aris quam aulis servientes: Sonata V | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-7 | Missa Salisburgensis - Sanctus - Benedictus | Musica Antiqua Köln, Reinhard Goebel, Gabrieli Consort & Players, Paul McCreesh | — | |
| 10-8 | Missa Salisburgensis: Agnus Dei | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | T-037.336.913-1 | |
| 10-9 | Missa Salisburgensis: Sonata Sancti Polycarpi | Gabrieli Consort & Players, Paul McCreesh | — | |
| 10-10 | Missa Salisburgensis: Motet "Plaudite tympana" | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | — | |
| 11-1 | Te Deum | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-2 | La Bocanne primitive | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-3 | La Bocanne compliquée | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-4 | Phaéton: Troupe d'Astrée dansante (prologue) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-5 | Ballet de la Nuit: Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-801.958.969-7 | |
| 11-6 | Ballet des Plaisirs: Sarabande | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-7 | Ballet de la Nuit: Le Roi représentant le soleil levant | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-8 | Xerxès: Air pour les matelots jouant des trompettes marines | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-9 | Xerxès: Air pour les esclaves et singes dansants | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-10 | Xerxès: Air pour les postures de Scaramouche | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-11 | Xerxès: Air pour les docteurs, Frivelins et Polichinelles | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-12 | Xerxès: Air pour les esclaves dansants | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-13 | Idylle sur la paix: Air pour Madame la Dauphine | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-14 | Ballet d'Alcidiane: Ritournelle et air de Mademoiselle Hilaire | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-15 | Ballet d'Alcidiane: Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-702.819.800-9 | |
| 11-16 | Le Triomphe de l'amour: Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-702.819.800-9 | |
| 11-17 | Persée: Entrée des divinités infernales (Acte III, Scène 10) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-18 | Le Bourgeois Gentilhomme: Marche pour la cérémonie des Turcs | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-19 | Le Bourgeois Gentilhomme: Giourdina | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-20 | Le Bourgeois Gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-21 | Ombre de mon amant (Air de court) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-22 | Le Triomphe de l'amour: Prélude de la nuit | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-23 | Pomone: Passons nos jours dans ces vergers (Acte I, Scène 1) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-24 | Pomone: Que voyez-vous, mes yeux (Acte II, Scène 4) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-25 | Armide: Plus j'observe ces lieux (Acte II, Scène 3) | Florian Deuter, Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-26 | Atys 'Le Sommeil': Dormons, dormons tous (Acte III, Scène 4) | Florian Deuter, Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-27 | Armide: Passacaille (Acte V) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-28 | Armide: Prelude (Acte II, Scène 5) | Musica Antiqua Köln, Reinhard Goebel | T-011.355.807-8 | |
| 11-29 | Les Folies d'Espagne | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-30 | Les Amants magnifiques: Entrée d'Apollon | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-31 | Le Triomphe de l'amour: Entrée d'Apollon | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-32 | Le Triomphe de l'amour: Deuxième air (Acte IV, Scène 2) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-33 | Isis: C'est lui dont les dieux ont fait choix / Publions en tous lieux (Prologue, Scène 1) | Florian Heyerick, Ex Tempore, Goedele Heidbüchel, Céline Scheen, Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-34 | Armide: Que l'éclat de son nom (Prologue) | Florian Heyerick, Ex Tempore, Goedele Heidbüchel, Céline Scheen, Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-35 | Amadis: Esprits empressés à nous plaire / Que le ciel annonce a la terre (Prologue) | Florian Heyerick, Ex Tempore, Goedele Heidbüchel, Céline Scheen, Musica Antiqua Köln, Reinhard Goebel | — | |
| 12-1 | Te Deum : Prélude. Rondeau | Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 12-2 | Te Deum, H. 146: Te Deum laudamus | Russel Smythe, Les Musiciens du Louvre, Marc Minkowski | T-031.661.210-8 | |
| 12-3 | Te Deum, H. 146: Te aeternum Patrem | Patrick Henckens, Éric Huchet, Annick Massis, Magdalena Kožená, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 12-4 | Te Deum, H. 146: Te per orbem terrarum | Patrick Henckens, Éric Huchet, Jean-Louis Bindi, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 12-5 | Te Deum, H. 146: Tu devicto mortis aculeo | Russel Smythe, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 12-6 | Te Deum, H. 146: Te ergo quaesumus | Annick Massis, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 12-7 | Te Deum, H. 146: Aeterna fac cum Sanctis tuis | Patrick Henckens, Éric Huchet, Jean-Louis Bindi, Russel Smythe, Magdalena Kožená, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 12-8 | Te Deum, H. 146: Dignare, Domine, die isto | Russel Smythe, Jean-Louis Bindi, Annick Massis, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 12-9 | Te Deum, H. 146: Fiat misericordia tua, Domine, super nos | Russel Smythe, Annick Massis, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 12-10 | Te Deum, H. 146: In te, Domine, speravi | Patrick Henckens, Éric Huchet, Jean-Louis Bindi, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-902.305.790-1 | |
| 12-11 | In nativitatem Domini canticum, H. 416: Nuit | Les Musiciens du Louvre, Marc Minkowski | T-003.057.405-0 | |
| 12-12 | Messe de minuit, H. 9: Kyrie | Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | — | |
| 12-13 | Messe de minuit, H. 9: Christe | Patrick Henckens, Éric Huchet, Russel Smythe, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-070.024.961-1 | |
| 12-14 | Messe de minuit, H. 9: Gloria | Patrick Henckens, Éric Huchet, Jean-Louis Bindi, Annick Massis, Magdalena Kožená, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | — | |
| 12-15 | Messe de minuit, H. 9: Credo | Patrick Henckens, Éric Huchet, Jean-Louis Bindi, Russel Smythe, Annick Massis, Magdalena Kožená, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | — | |
| 12-16 | Noël sur les instruments, H. 531b: "Laissez paitre vos bestes" | Les Musiciens du Louvre, Marc Minkowski | — | |
| 12-17 | Messe de minuit, H. 9: Sanctus - Benedictus | Patrick Henckens, Éric Huchet, Russel Smythe, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | — | |
| 12-18 | Messe de minuit, H. 9: Agnus Dei | Patrick Henckens, Éric Huchet, Jean-Louis Bindi, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | T-000.007.034-7 | |
| 13-1 | Dido and Aeneas, Z.626: Overture | — | ||
| 13-2 | Dido and Aeneas, Z.626, Act 1: "Shake the cloud from off your brow": "Banish sorrow, banish care" | — | ||
| 13-3 | Dido and Aeneas, Z.626, Act 1: "Ah! Belinda, I am press'd" ... "When monarchs unite, how happy" | — | ||
| 13-4 | Dido and Aeneas, Z.626, Act 1: "Whence could so much virtue spring?": "Fear no danger" | — | ||
| 13-5 | Dido and Aeneas, Z.626, Act 1: "See, your royal guest appears": "Cupid only throws the dart" | — | ||
| 13-6 | Dido and Aeneas, Z.626, Act 1: "If not for mine, for empire's sake" ... "To the hills and the vales" | — | ||
| 13-7 | Dido and Aeneas, Z.626, Act 1: The Triumphing Dance | — | ||
| 13-8 | Dido and Aeneas, Z.626, Act 2: Prelude for the Witches "Wayward sisters" ... "Ho, ho, ho" | — | ||
| 13-9 | Dido and Aeneas, Z.626, Act 2: "Ruin'd ere the set of sun" ... "But ere we this perform" | — | ||
| 13-10 | Dido and Aeneas, Z.626, Act 2: "In our deep vaulted cell" | — | ||
| 13-11 | Dido and Aeneas, Z.626, Act 2: Echo Dance of Furies | — | ||
| 13-12 | Dido and Aeneas, Z.626, Act 2: Ritornelle: "Thanks to these lonesome vales" | — | ||
| 13-13 | Dido and Aeneas, Z.626, Act 2: "Oft she visits" | — | ||
| 13-14 | Dido and Aeneas, Z.626, Act 2: "Behold, upon my bending spear": "Haste, haste to town" | — | ||
| 13-15 | Dido and Aeneas, Z.626, Act 2: "Stay, Prince" | — | ||
| 13-16 | Dido and Aeneas, Z.626, Act 3: Prelude: "Come away, fellow sailors" | — | ||
| 13-17 | Dido and Aeneas, Z.626, Act 3: The Sailors' Dance "See the flags and streamers curling" | — | ||
| 13-18 | Dido and Aeneas, Z.626, Act 3: "Our next motion": "Destructions's our delight" | — | ||
| 13-19 | Dido and Aeneas, Z.626, Act 3: The Witches' Dance | — | ||
| 13-20 | Dido and Aeneas, Z.626, Act 3: "Your counsel all is urg'd in vain": "Great minds against themselves conspire" | — | ||
| 13-21 | Dido and Aeneas: When I am laid into earth | Anne Sofie von Otter, The English Concert, Trevor Pinnock | — | |
| 13-22 | Dido and Aeneas, Z.626, Act 3: "With drooping wings" | — | ||
| 14-1 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": Symphony Introduction. Canzona - Adagio - Canzona - Adagio - Allegro - Grave - Allegro | Gabrieli Players, Paul McCreesh | — | |
| 14-2 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Hail, bright Cecilia!" | Mark le Brocq, Gabrieli Consort, Peter Harvey, Susan Hemington Jones, Timothy Wilson, Gabrieli Players, Paul McCreesh | — | |
| 14-3 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Hark, hark, each tree its silence breaks" | Charles Pott, Timothy Wilson, Gabrieli Players, Paul McCreesh | — | |
| 14-4 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "'Tis Nature's voice" | Gabrieli Players, Paul McCreesh | — | |
| 14-5 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Soul of the world" | Gabrieli Consort, Gabrieli Players, Paul McCreesh | T-909.611.691-5 | |
| 14-6 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Thou tun'st this world below, the spheres above" | Gabrieli Consort, Susan Hemington Jones, Gabrieli Players, Paul McCreesh | — | |
| 14-7 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "With that sublime celestial lay" | Mark le Brocq, Christopher Purves, Timothy Wilson, Gabrieli Players, Paul McCreesh | — | |
| 14-8 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Wondrous machine!" | Gabrieli Players, Paul McCreesh | T-926.896.078-7 | |
| 14-9 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "The airy violin" | Julian Podger, Gabrieli Players, Paul McCreesh | T-900.148.980-1 | |
| 14-10 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "In vain the am'rous flute and soft guitar" | Mark le Brocq, Charles Daniels, Gabrieli Players, Paul McCreesh | — | |
| 14-11 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "The fife, and all the harmony of war" | Charles Daniels, Gabrieli Players, Paul McCreesh | — | |
| 14-12 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Let these amongst themselves contest" | Peter Harvey, Julian Podger, Christopher Purves, Gabrieli Players, Paul McCreesh | — | |
| 14-13 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Hail, bright Cecilia, hail to thee!" | Charles Daniels, Gabrieli Consort, Timothy Wilson, Gabrieli Players, Paul McCreesh | — | |
| 14-14 | "My beloved spake", Z. 28 | Charles Daniels, Peter Harvey, Julian Podger, Charles Pott, Gabrieli Players, Paul McCreesh | — | |
| 14-15 | "O sing unto the Lord", Z. 44 | Charles Daniels, Peter Harvey, Susan Hemington Jones, Julian Podger, Christopher Purves, Gabrieli Players, Paul McCreesh | — | |
| 15-1 | Concerto Grosso in D major, op. 6 no. 1: I. Largo | The English Concert, Trevor Pinnock | T-001.322.740-1 | |
| 15-2 | Concerto Grosso in D major, op. 6 no. 1: II. Allegro | The English Concert, Trevor Pinnock | T-001.330.979-9 | |
| 15-3 | Concerto Grosso in D major, op. 6 no. 1: III. Largo - Allegro | The English Concert, Trevor Pinnock | — | |
| 15-4 | Concerto Grosso in D major, op. 6 no. 1: IV. Allegro | The English Concert, Trevor Pinnock | T-318.676.528-2 | |
| 15-5 | Concerto Grosso in D major, op. 6 no. 1: V. Largo | The English Concert, Trevor Pinnock | T-001.322.740-1 | |
| 15-6 | Concerto Grosso in D major, op. 6 no. 1: VI. Allegro | The English Concert, Trevor Pinnock | T-802.326.793-9 | |
| 15-7 | Concerto Grosso in D major, op. 6 no. 1: VII. Allegro | The English Concert, Trevor Pinnock | — | |
| 15-8 | Concerto Grosso in F major, op. 6 no. 2: I. Vivace - Allegro - Adagio - Vivace - Allegro - Largo Andante | The English Concert, Trevor Pinnock | — | |
| 15-9 | Concerto Grosso in F major, op. 6 no. 2: II. Allegro | The English Concert, Trevor Pinnock | T-001.330.979-9 | |
| 15-10 | Concerto Grosso in F major, op. 6 no. 2: III. Grave - Andante Largo | The English Concert, Trevor Pinnock | — | |
| 15-11 | Concerto Grosso in F major, op. 6 no. 2: IV. Allegro | The English Concert, Trevor Pinnock | T-318.676.528-2 | |
| 15-12 | Concerto Grosso in C minor, op. 6 no. 3: I. Largo | The English Concert, Trevor Pinnock | T-001.322.740-1 | |
| 15-13 | Concerto Grosso in C minor, op. 6 no. 3: II. Allegro | The English Concert, Trevor Pinnock | T-001.330.979-9 | |
| 15-14 | Concerto Grosso in C minor, op. 6 no. 3: III. Grave | The English Concert, Trevor Pinnock | T-903.514.416-2 | |
| 15-15 | Concerto Grosso in C minor, op. 6 no. 3: IV. Vivace | The English Concert, Trevor Pinnock | — | |
| 15-16 | Concerto Grosso in C minor, op. 6 no. 3: V. Allegro | The English Concert, Trevor Pinnock | — | |
| 15-17 | Concerto Grosso in D major, op. 6 no. 4: I. Adagio - Allegro | The English Concert, Trevor Pinnock | — | |
| 15-18 | Concerto Grosso in D major, op. 6 no. 4: II. Adagio | The English Concert, Trevor Pinnock | — | |
| 15-19 | Concerto Grosso in D major, op. 6 no. 4: III. Vivace | The English Concert, Trevor Pinnock | — | |
| 15-20 | Concerto Grosso in D major, op. 6 no. 4: IV. Allegro | The English Concert, Trevor Pinnock | T-318.676.528-2 | |
| 15-21 | Concerto Grosso in B-flat major, op. 6 no. 5: I. Adagio - Allegro - Adagio | The English Concert, Trevor Pinnock | T-909.380.083-0 | |
| 15-22 | Concerto Grosso in B-flat major, op. 6 no. 5: II. Adagio | The English Concert, Trevor Pinnock | — | |
| 15-23 | Concerto Grosso in B-flat major, op. 6 no. 5: III. Allegro - Adagio | The English Concert, Trevor Pinnock | — | |
| 15-24 | Concerto Grosso in B-flat major, op. 6 no. 5: IV. Largo - Allegro | The English Concert, Trevor Pinnock | — | |
| 15-25 | Concerto Grosso in F major, op. 6 no. 6: I. Adagio | The English Concert, Trevor Pinnock | T-909.380.083-0 | |
| 15-26 | Concerto Grosso in F major, op. 6 no. 6: II. Allegro | The English Concert, Trevor Pinnock | T-001.330.979-9 | |
| 15-27 | Concerto Grosso in F major, op. 6 no. 6: III. Largo | The English Concert, Trevor Pinnock | T-001.322.740-1 | |
| 15-28 | Concerto Grosso in F major, op. 6 no. 6: IV. Vivace | The English Concert, Trevor Pinnock | — | |
| 15-29 | Concerto Grosso in F major, op. 6 no. 6: V. Allegro | The English Concert, Trevor Pinnock | — | |
| 16-1 | Concerto Grosso in D major, op. 6 no. 7: I. Vivace - Allegro | The English Concert, Trevor Pinnock | — | |
| 16-2 | Concerto Grosso in D major, op. 6 no. 7: II. Adagio | The English Concert, Trevor Pinnock | — | |
| 16-3 | Concerto Grosso in D major, op. 6 no. 7: III. Allegro | The English Concert, Trevor Pinnock | — | |
| 16-4 | Concerto Grosso in D major, op. 6 no. 7: IV. Andante Largo | The English Concert, Trevor Pinnock | — | |
| 16-5 | Concerto Grosso in D major, op. 6 no. 7: V. Allegro | The English Concert, Trevor Pinnock | — | |
| 16-6 | Concerto Grosso in D major, op. 6 no. 7: VI. Vivace | The English Concert, Trevor Pinnock | — | |
| 16-7 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: I. Vivace - Grave. Arcate, sostenuto e come stà | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 16-8 | Concerto grosso in G minor, op. 6 no. 8 "Fatto per la Notte di Natale": II. Allegro | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | T-001.330.979-9 | |
| 16-9 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: III. Adagio - Allegro - Adagio | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | T-902.836.120-8 | |
| 16-10 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: IV. Vivace | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 16-11 | Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: V. Allegro | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | T-900.078.740-6 | |
| 16-12 | Concerto grosso in G minor, op. 6 no. 8 "Fatto per la Notte di Natale": VI. Pastorale: Largo | Micaela Comberti, Jaap ter Linden, Trevor Pinnock, Simon Standage, The English Concert | T-070.127.399-5 | |
| 16-13 | Concerto Grosso in F major, op. 6 no. 9: I. Preludio: Largo | The English Concert, Trevor Pinnock | T-917.337.125-0 | |
| 16-14 | Concerto Grosso in F major, op. 6 no. 9: II. Allemanda: Allegro | The English Concert, Trevor Pinnock | — | |
| 16-15 | Concerto Grosso in F major, op. 6 no. 9: III. Corrente: Vivace | The English Concert, Trevor Pinnock | — | |
| 16-16 | Concerto Grosso in F major, op. 6 no. 9: IV. Gavotta: Allegro | The English Concert, Trevor Pinnock | — | |
| 16-17 | Concerto Grosso in F major, op. 6 no. 9: V. Adagio | The English Concert, Trevor Pinnock | — | |
| 16-18 | Concerto Grosso in F major, op. 6 no. 9: VI. Minuetto: Vivace | The English Concert, Trevor Pinnock | — | |
| 16-19 | Concerto Grosso in C major, op. 6 no. 10: I. Preludio: Andante Largo | The English Concert, Trevor Pinnock | T-001.322.740-1 | |
| 16-20 | Concerto Grosso in C major, op. 6 no. 10: II. Allemanda: Allegro | The English Concert, Trevor Pinnock | — | |
| 16-21 | Concerto Grosso in C major, op. 6 no. 10: III. Adagio | The English Concert, Trevor Pinnock | — | |
| 16-22 | Concerto Grosso in C major, op. 6 no. 10: IV. Corrente: Vivace | The English Concert, Trevor Pinnock | — | |
| 16-23 | Concerto Grosso in C major, op. 6 no. 10: V. Allegro | The English Concert, Trevor Pinnock | — | |
| 16-24 | Concerto Grosso in C major, op. 6 no. 10: VI. Minuetto: Vivace | The English Concert, Trevor Pinnock | — | |
| 16-25 | Concerto Grosso in B-flat major, op. 6 no. 11: I. Preludio: Andante Largo | The English Concert, Trevor Pinnock | — | |
| 16-26 | Concerto Grosso in B-flat major, op. 6 no. 11: II. Allemanda: Allegro | The English Concert, Trevor Pinnock | — | |
| 16-27 | Concerto Grosso in B-flat major, op. 6 no. 11: III. Adagio | The English Concert, Trevor Pinnock | — | |
| 16-28 | Concerto Grosso in B-flat major, op. 6 no. 11: IV. Andante Largo | The English Concert, Trevor Pinnock | — | |
| 16-29 | Concerto Grosso in B-flat major, op. 6 no. 11: V. Sarabanda: Largo | The English Concert, Trevor Pinnock | — | |
| 16-30 | Concerto Grosso in B-flat major, op. 6 no. 11: VI. Giga: Vivace | The English Concert, Trevor Pinnock | — | |
| 16-31 | Concerto Grosso in F major, op. 6 no. 12: I. Preludio: Adagio | The English Concert, Trevor Pinnock | — | |
| 16-32 | Concerto Grosso in F major, op. 6 no. 12: II. Allegro | The English Concert, Trevor Pinnock | T-001.330.979-9 | |
| 16-33 | Concerto Grosso in F major, op. 6 no. 12: III. Adagio | The English Concert, Trevor Pinnock | — | |
| 16-34 | Concerto Grosso in F major, op. 6 no. 12: IV. Sarabanda: Vivace | The English Concert, Trevor Pinnock | — | |
| 16-35 | Concerto Grosso in F major, op. 6 no. 12: V. Giga: Allegro | The English Concert, Trevor Pinnock | — | |
| 17-1 | Pièces de clavecin, Suite in D minor: I. Prélude | — | ||
| 17-2 | Pièces de clavecin, Suite in D minor: II. Allemande | — | ||
| 17-3 | Pièces de clavecin, Suite in D minor: III. Courante | — | ||
| 17-4 | Pièces de clavecin, Suite in D minor: IV. Courante | — | ||
| 17-5 | Pièces de clavecin, Suite in D minor: V. Sarabande | — | ||
| 17-6 | Pièces de clavecin, Suite in D minor: VI. Sarabande | — | ||
| 17-7 | Pièces de clavecin, Suite in D minor: VII. La pastorella | — | ||
| 17-8 | Pièces de clavecin, Suite in D minor: VIII. Chaconne | — | ||
| 17-9 | L'art de toucher le clavecin: Premier prélude (C major) | — | ||
| 17-10 | L'art de toucher le clavecin: Second prélude (D minor) | — | ||
| 17-11 | L'art de toucher le clavecin: Troisième prèlude (G minor) | — | ||
| 17-12 | L'art de toucher le clavecin: Quatrième prélude (F major) | — | ||
| 17-13 | L'art de toucher le clavecin: Cinquème prélude (A major) | — | ||
| 17-14 | L'art de toucher le clavecin: Sixième prélude (B minor) | — | ||
| 17-15 | L'art de toucher le clavecin: Septième prélude (B-flat major) | — | ||
| 17-16 | L'art de toucher le clavecin: Huitième prélude (E minor) | — | ||
| 17-17 | Pièces de clavecin: Troisième livre, 15e ordre: La régente ou la Minerve | — | ||
| 17-18 | Pièces de clavecin: Troisième livre, 15e ordre: Le dodo ou L'amour au berçeau | — | ||
| 17-19 | Pièces de clavecin: Troisième livre, 15e ordre: L'evaporée | — | ||
| 17-20 | Pièces de clavecin: Troisième livre, 15e ordre: La douce et piquante | — | ||
| 17-21 | Pièces de clavecin: Troisième livre, 15e ordre: Les vergers fleüris | — | ||
| 17-22 | Pièces de clavecin: Troisième livre, 15e ordre: La Princess de Chabeüil ou La Muse de Monaco | — | ||
| 17-23 | Pièces de clavecin: VI. L'Intrépide | — | ||
| 17-24 | Pièces de clavecin: 2IV. Rondeau gracieux | — | ||
| 17-25 | Pièces de clavecin: IX. L'Arlequine ou la Adam | — | ||
| 18-1 | Destati, Lidia mia: Destati, Lidia mia | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-2 | Destati, Lidia mia: Destati, Lidia, che se tardi, Niso | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-3 | Destati, Lidia mia: Lidia, il sonno sai cos'è? | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-4 | Quando penso agl'affanni, SF. 276: Allegro | Ottavio Dantone, Accademia Bizantina | — | |
| 18-5 | Quando penso agl'affanni, SF. 276: Largo | Ottavio Dantone, Accademia Bizantina | — | |
| 18-6 | Quando penso agl'affanni, SF. 276: [Presto] | Ottavio Dantone, Accademia Bizantina | T-061.790.498-9 | |
| 18-7 | Quando penso agl'affanni, SF. 276: Quando penso agl'affanni | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | T-914.727.714-3 | |
| 18-8 | Quando penso agl'affanni, SF. 276: Tender può lacci | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-9 | Quando penso agl'affanni, SF. 276: Semplici pastorelli, o quante volte | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-10 | Quando penso agl'affanni, SF. 276: Altro non amo | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-11 | Sinfonia à 4: I. [Adagio] | Ottavio Dantone, Accademia Bizantina | — | |
| 18-12 | Sinfonia à 4: II. [Vivace] | Ottavio Dantone, Accademia Bizantina | — | |
| 18-13 | Ecco, che alfin ritorno: Ecco, che alfin ritorno | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-14 | Ecco, che alfin ritorno: La pietà che ancor non trova | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-15 | Ecco, che alfin ritorno: Ma, intanto, ingrata Irene | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-16 | Ecco, che alfin ritorno: Il nocchier nella procella | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-17 | Concertino à 7 in G minor "del Signore Arcangelo Corelli": I. Adagio | Ottavio Dantone, Accademia Bizantina | — | |
| 18-18 | Concertino à 7 in G minor "del Signore Arcangelo Corelli": II. Andante largo | Ottavio Dantone, Accademia Bizantina | — | |
| 18-19 | Concertino à 7 in G minor "del Signore Arcangelo Corelli": III. Allegro | Ottavio Dantone, Accademia Bizantina | — | |
| 18-20 | Concertino à 7 in G minor "del Signore Arcangelo Corelli": IV. Grave | Ottavio Dantone, Accademia Bizantina | — | |
| 18-21 | Concertino à 7 in G minor "del Signore Arcangelo Corelli": V. Presto | Ottavio Dantone, Accademia Bizantina | — | |
| 18-22 | Concertino à 7 in G minor "del Signore Arcangelo Corelli": VI. Vivace | Ottavio Dantone, Accademia Bizantina | — | |
| 18-23 | Navicella, ove ten vai: Navicella, ove ten vai | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-24 | Navicella, ove ten vai: Udite, audaci ingegni | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-25 | Navicella, ove ten vai: Non v'affidi il sereno | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-26 | Introduzione à 4: I. [Allegro] | Ottavio Dantone, Accademia Bizantina | — | |
| 18-27 | Introduzione à 4: II. Grave | Ottavio Dantone, Accademia Bizantina | — | |
| 18-28 | Introduzione à 4: III. Allegro | Ottavio Dantone, Accademia Bizantina | — | |
| 18-29 | Ferma omai, fugace e bella: Ferma omai, fugace e bella | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-30 | Ferma omai, fugace e bella: Ovunque il guardo giri, o volga il passo | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-31 | Ferma omai, fugace e bella: Gl'antri oscuri e le opache erme spelonche | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 18-32 | Ferma omai, fugace e bella: Va', che i lamenti miei | Andreas Scholl, Ottavio Dantone, Accademia Bizantina | — | |
| 19-1 | Canon & Gigue in D major, P. 37 | Musica Antiqua Köln, Reinhard Goebel | T-920.151.760-4 | |
| 19-2 | Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 1. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-3 | Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 2. A tempo ordinario - Allegro non presto | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-4 | Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 3. Passacaille | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-5 | Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 4. Gigue. Presto | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-6 | Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 5. Menue. Allegro moderato | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-7 | Sonata for 2 Violins and Continuo "La Follia" op. 1 no. 12, RV 63 in D minor | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-8 | Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-009.030.807-8 | |
| 19-9 | Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-10 | Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-11 | Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourée I/II | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-12 | Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise - Double | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-13 | Orchestral Suite No. 2 in B minor, BWV 1067: VI. Menuet | Musica Antiqua Köln, Reinhard Goebel | — | |
| 19-14 | Orchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie | Musica Antiqua Köln, Reinhard Goebel | T-011.654.484-3 | |
| 19-15 | Suite no. 5 in G minor, BWV 1070 (attributed to Bach): I. Larghetto: Un poco allegro | — | ||
| 19-16 | Suite no. 5 in G minor, BWV 1070 (attributed to Bach): II. Torneo (Allegretto) | — | ||
| 19-17 | Suite no. 5 in G minor, BWV 1070 (attributed to Bach): III. Aria (Adagio) | — | ||
| 19-18 | Suite no. 5 in G minor, BWV 1070 (attributed to Bach): IV. Menuetto: Trio | — | ||
| 19-19 | Suite no. 5 in G minor, BWV 1070 (attributed to Bach): V. Capriccio (Vivace) | — | ||
| 20-1 | Concerto in D major for 4 Violins and Strings, RV 549: I. Allegro | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-902.685.630-4 | |
| 20-2 | Concerto in D major for 4 Violins and Strings, RV 549: II. Largo e spiccato | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | — | |
| 20-3 | Concerto in D major for 4 Violins and Strings, RV 549: III. Allegro | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 20-4 | Concerto no. 2 in G minor, RV 578: I. Adagio e spiccato | Simon Standage, Trevor Pinnock, Jaap ter Linden, The English Concert, Trevor Pinnock | — | |
| 20-5 | Concerto No. 2 in G minor, RV 578: II. Allegro | Simon Standage, Trevor Pinnock, Jaap ter Linden, The English Concert, Trevor Pinnock | — | |
| 20-6 | Concerto No. 2 in G minor, RV 578: III. Larghetto | Simon Standage, Trevor Pinnock, Jaap ter Linden, The English Concert, Trevor Pinnock | — | |
| 20-7 | Concerto No. 2 in G minor, RV 578: IV. Allegro | Simon Standage, Trevor Pinnock, Jaap ter Linden, The English Concert, Trevor Pinnock | T-318.676.528-2 | |
| 20-8 | Concerto no. 3 in G major, RV 310: I. Allegro | Simon Standage, The English Concert, Trevor Pinnock | T-306.395.786-4 | |
| 20-9 | Concerto no. 3 in G major, RV 310: II. Largo | Simon Standage, The English Concert, Trevor Pinnock | T-004.192.685-5 | |
| 20-10 | Concerto no. 3 in G major, RV 310: III. Allegro | Simon Standage, The English Concert, Trevor Pinnock | T-004.346.957-3 | |
| 20-11 | Concerto No. 4 in E minor, RV 550: I. Andante | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-004.348.683-4 | |
| 20-12 | Concerto No. 4 in E minor, RV 550: II. Allegro assai | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-004.344.866-3 | |
| 20-13 | Concerto No. 4 in E minor, RV 550: III. Adagio / IV. Allegro | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-004.192.700-7 | |
| 20-14 | Concerto No. 5 in A major, RV 519: I. Allegro | Simon Standage, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-902.685.630-4 | |
| 20-15 | Concerto grosso in A, op. 3 no. 5, RV 519: 2. Largo | Simon Standage, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-004.348.684-5 | |
| 20-16 | Concerto No. 5 in A major, RV 519: III. Allegro | Simon Standage, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-004.678.557-2 | |
| 20-17 | Concerto No. 6 in A minor, RV 356: I. Allegro | Simon Standage, The English Concert, Trevor Pinnock | T-902.685.630-4 | |
| 20-18 | Concerto No. 6 in A minor, RV 356: II. Largo | Simon Standage, The English Concert, Trevor Pinnock | T-911.640.005-6 | |
| 20-19 | Concerto No. 6 in A minor, RV 356: III. Presto | Simon Standage, The English Concert, Trevor Pinnock | T-902.717.414-7 | |
| 20-20 | Concerto No. 7 in F major, RV 567: I. Andante | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | — | |
| 20-21 | Concerto No. 7 in F major, RV 567: II. Adagio | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-004.192.686-6 | |
| 20-22 | Concerto No. 7 in F major, RV 567: III. Allegro | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 20-23 | Concerto No. 7 in F major, RV 567: IV. Adagio - Allegro | Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, Jaap ter Linden, The English Concert, Trevor Pinnock | T-001.439.586-8 | |
| 20-24 | Concerto No. 8 in A minor, RV 522: I. Allegro | Elizabeth Wilcock, Micaela Comberti, The English Concert, Trevor Pinnock | T-004.226.380-8 | |
| 20-25 | Concerto No. 8 in A minor, RV 522: II. Larghetto | Elizabeth Wilcock, Micaela Comberti, The English Concert, Trevor Pinnock | — | |
| 20-26 | Concerto No. 8 in A minor, RV 522: III. Allegro | Elizabeth Wilcock, Micaela Comberti, The English Concert, Trevor Pinnock | T-004.678.557-2 | |
| 20-27 | Concerto no. 9 in D major for Violin, Strings and Basso continuo, RV 230: I. Allegro | Simon Standage, The English Concert, Trevor Pinnock | T-902.685.630-4 | |
| 20-28 | Concerto No. 9 in D major, RV 230: II. Larghetto | Simon Standage, The English Concert, Trevor Pinnock | — | |
| 20-29 | Concerto no. 9 in D major, RV 230: III. Allegro | Simon Standage, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 21-1 | Concerto no. 10 in B minor, RV 580: I. Allegro | Elizabeth Wilcock, Micaela Comberti, Miles Golding, Simon Standage, Jaap ter Linden, The English Concert, Trevor Pinnock | T-911.640.004-5 | |
| 21-2 | Concerto no. 10 in B minor, RV 580: II. Larghetto - Adagio - Largo - Allegro | Elizabeth Wilcock, Micaela Comberti, Miles Golding, Simon Standage, Jaap ter Linden, The English Concert, Trevor Pinnock | T-910.415.366-4 | |
| 21-3 | Concerto no. 10 in B minor, RV 580: III. Allegro | Elizabeth Wilcock, Micaela Comberti, Miles Golding, Simon Standage, Jaap ter Linden, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 21-4 | Concerto No. 11 in D minor, RV 565: I. Allegro - Allegro e spiccato e tutti - Allegro | Simon Standage, Elizabeth Wilcock, Jaap Ter Linden, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 21-5 | Concerto No. 11 in D minor, RV 565: II. Largo e spiccato | Simon Standage, Elizabeth Wilcock, Jaap Ter Linden, The English Concert, Trevor Pinnock | — | |
| 21-6 | Concerto No. 11 in D minor, RV 565: III. Allegro | Simon Standage, Elizabeth Wilcock, Jaap Ter Linden, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 21-7 | Concerto No. 12 in E major, RV 265: I. Allegro | Simon Standage, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 21-8 | Concerto No. 12 in E major, RV 265: II. Largo | Simon Standage, The English Concert, Trevor Pinnock | — | |
| 21-9 | Concerto No. 12 in E major, RV 265: III. Allegro | Simon Standage, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 21-10 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-306.395.786-4 | |
| 21-11 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": II. Largo e pianissimo sempre | Trevor Pinnock, Simon Standage, The English Concert | T-911.640.005-6 | |
| 21-12 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": III. Danza pastorale. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-902.836.120-8 | |
| 21-13 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 21-14 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": II. Adagio - Presto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 21-15 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 21-16 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-911.640.004-5 | |
| 21-17 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 21-18 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 21-19 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto | Trevor Pinnock, Simon Standage, The English Concert | T-307.175.172-5 | |
| 21-20 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo | Trevor Pinnock, Simon Standage, The English Concert | T-307.175.181-6 | |
| 21-21 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-902.836.120-8 | |
| 22-1 | Gloria: "Gloria in excelsis Deo" | The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 22-2 | Gloria in D major, RV 589: II. Et in terra pax | — | ||
| 22-3 | Gloria in D major, RV 589: III. Laudamus te | — | ||
| 22-4 | Gloria in D major, RV 589: Adagio: Gratias agimus tibi | — | ||
| 22-5 | Gloria in D major, RV 589: V. Propter magnum gloriam | — | ||
| 22-6 | Gloria in D major, RV 589: VI. Domine Deus, Rex Coelestis | — | ||
| 22-7 | Gloria in D major, RV 589: VII. Domini fili unigenite | — | ||
| 22-8 | Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei | — | ||
| 22-9 | Gloria in D major, RV 589: IX. Qui tollis peccata mundi | — | ||
| 22-10 | Gloria in D major, RV 589: X. Qui sedes ad dexteram patris | — | ||
| 22-11 | Gloria in D major, RV 589: XI. Quoniam tu solus sanctus (chorus) | The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 22-12 | Gloria in D major, RV 589: XII. Cum Sancto Spiritu (chorus) | The English Concert, Trevor Pinnock | — | |
| 22-13 | Concerto for Strings and Basso Continuo in D minor: I. Allegro non molto | The English Concert, Trevor Pinnock | T-910.793.958-2 | |
| 22-14 | Concerto for Strings and Continuo in D minor, RV 128: 2. Largo | The English Concert, Trevor Pinnock | T-801.397.798-6 | |
| 22-15 | Concerto for Strings and Continuo in D minor, RV 128: 3. Allegro | The English Concert, Trevor Pinnock | — | |
| 22-16 | Stabat Mater, RV 621: I. Stabat Mater (Largo) | — | ||
| 22-17 | Stabat Mater, RV 621: II. "Cuius animam" (Adagissimo) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-18 | Stabat Mater, RV 621: III. "O quam tristis" (Andante) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-19 | Stabat Mater, RV 621: IV. "Quis est homo" (Largo) | — | ||
| 22-20 | Stabat Mater, RV 621: II. "Cuius animam" (Adagissimo) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-21 | Stabat Mater, RV 621: Pro peccatis (Andante) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-22 | Stabat Mater, RV 621: VII. "Eja Mater" (Largo) | — | ||
| 22-23 | Stabat Mater, RV 621: 8. "Fac ut ardeat" (Lento) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-24 | Stabat Mater, RV 621: Amen (Allegro) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-25 | Sinfonia for Strings and Continuo in B minor, RV 169 "Al Santo Sepolcro": I. Adagio molto | The English Concert, Trevor Pinnock | — | |
| 22-26 | Sinfonia for Strings in B minor "Al Santo Sepolcro": II. Allegro ma poco | The English Concert, Trevor Pinnock | — | |
| 22-27 | Nisi Dominus, RV 608: I. "Nisi Dominus" (Allegro) | — | ||
| 22-28 | Nisi Dominus, RV 608: 2. "Vanum est vobis" (Largo) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-29 | Nisi Dominus, RV 608: 3. "Surgite" (Presto) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-30 | Nisi Dominus, RV 608: IV. "Cum dederit" (Andante) | — | ||
| 22-31 | Nisi Dominus, RV 608: Sicut sagittae (Presto Allegro) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-32 | Nisi Dominus, RV 608: 6. "Beatus vir" (Andante) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-33 | Nisi Dominus, RV 608: VII. "Gloria Patri" (Larghetto) | — | ||
| 22-34 | Nisi Dominus, RV 608: Sicut erat in principio | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 22-35 | Nisi Dominus, RV 608: Amen (Allegro) | Michael Chance, The English Concert, Trevor Pinnock | — | |
| 23-1 | Concerto in D major For Transverse Flute, Strings And Basso Continuo, TWV 51:D2: I. Moderato | — | ||
| 23-2 | Concerto in D major For Transverse Flute, Strings And Basso Continuo, TWV 51:D2: II. Allegro | — | ||
| 23-3 | Concerto in D major For Transverse Flute, Strings And Basso Continuo, TWV 51:D2: III. Largo | — | ||
| 23-4 | Concerto in D major For Transverse Flute, Strings And Basso Continuo, TWV 51:D2: IV. Vivace | — | ||
| 23-5 | Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 1. Allegro | Piet Dhont, Michael Niesemann, Peter Westermann, Musica Antiqua Köln, Reinhard Goebel | T-911.640.004-5 | |
| 23-6 | Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 2. Largo | Piet Dhont, Michael Niesemann, Peter Westermann, Musica Antiqua Köln, Reinhard Goebel | — | |
| 23-7 | Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 3. Allegro | Piet Dhont, Michael Niesemann, Peter Westermann, Musica Antiqua Köln, Reinhard Goebel | T-801.958.969-7 | |
| 23-8 | Konzert für 2 Chalumeaux,Streicher und Basso continuo d-moll: 1. Largo | Eric Hoeprich, Lisa Klewitt, Musica Antiqua Köln, Reinhard Goebel | — | |
| 23-9 | Konzert für 2 Chalumeaux,Streicher und Basso continuo d-moll: 2. Allegro | Eric Hoeprich, Lisa Klewitt, Musica Antiqua Köln, Reinhard Goebel | T-802.445.410-3 | |
| 23-10 | Konzert für 2 Chalumeaux,Streicher und Basso continuo d-moll: 3. Adagio | Eric Hoeprich, Lisa Klewitt, Musica Antiqua Köln, Reinhard Goebel | — | |
| 23-11 | Konzert für 2 Chalumeaux,Streicher und Basso continuo d-moll: 4. (Vivace) | Eric Hoeprich, Lisa Klewitt, Musica Antiqua Köln, Reinhard Goebel | T-318.676.528-2 | |
| 23-12 | Trumpet Concerto in D, TWV 51:D7: I. Adagio | — | ||
| 23-13 | Trumpet Concerto in D, TWV 51:D7: II. Allegro | — | ||
| 23-14 | Trumpet Concerto in D, TWV 51:D7: III. Grave | — | ||
| 23-15 | Trumpet Concerto in D, TWV 51:D7: IV. Allegro | — | ||
| 23-16 | Concerto For Recorder, Flute, Strings And Continuo in E minor, TWV 52:e1: I. Largo | — | ||
| 23-17 | Concerto For Recorder, Flute, Strings And Continuo in E minor, TWV 52:e1: II. Allegro | — | ||
| 23-18 | Concerto For Recorder, Flute, Strings And Continuo in E minor, TWV 52:e1: III. Largo | — | ||
| 23-19 | Concerto For Recorder, Flute, Strings And Continuo in E minor, TWV 52:e1: IV. Presto | — | ||
| 23-20 | Concerto in D major for Trumpet, Violine, Strings and Basso Cont: I. Vivace | — | ||
| 23-21 | Concerto in D major for Trumpet, Violine, Strings and Basso Cont: II. Adagio | — | ||
| 23-22 | Concerto in D major for Trumpet, Violine, Strings and Basso Cont: III. Allegro | — | ||
| 24-1 | Dardanus, RCT 35: Overture | — | ||
| 24-2 | Dardanus, RCT 35, Prologue: "Régnez, Plaisirs, régnez" | — | ||
| 24-3 | Dardanus, RCT 35, Prologue: Air pour les Plaisirs (Gai et gracieux) | — | ||
| 24-4 | Dardanus, RCT 35, Prologue: "Je veux que sous mes lois" / "Plaisirs, enchaînez-les" | — | ||
| 24-5 | Dardanus, RCT 35, Prologue: Air pour les Plaisirs (Très vif) | — | ||
| 24-6 | Dardanus, RCT 35, Prologue: "Quel calme!" | — | ||
| 24-7 | Dardanus, RCT 35, Prologue: "Brisez vos fers" | — | ||
| 24-8 | Dardanus, RCT 35, Prologue: "Nos mains forgent les traits" | — | ||
| 24-9 | Dardanus, RCT 35, Prologue: "C'en est trop" | — | ||
| 24-10 | Dardanus, RCT 35, Prologue: "Troubles cruels" | — | ||
| 24-11 | Dardanus, RCT 35, Prologue: "Quand l'aquilon fougueux" | — | ||
| 24-12 | Dardanus, RCT 35, Prologue: Marche pour les différentes nations (Gai) / "Par tes bienfaits, signale ta puissance" | — | ||
| 24-13 | Dardanus, RCT 35 : Prologue, Scène 2. « L’Amour, le seul Amour » | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 24-14 | Dardanus, RCT 35, Prologue: Menuet tendre en rondeau | — | ||
| 24-15 | Dardanus, RCT 35, Prologue: Premier Tambourin / Deuxième Tambourin | — | ||
| 24-16 | Dardanus, RCT 35, Prologue: "Pour célébrer ce jour heureux" | — | ||
| 24-17 | Dardanus, RCT 35, Prologue: Reprise de l'Ouverture | — | ||
| 24-18 | Dardanus, RCT 35, Act 1: "Cesse, cruel Amour" | — | ||
| 24-19 | Dardanus, RCT 35, Act 1: "Ma fille, enfin le ciel seconde mon courroux" | — | ||
| 24-20 | Dardanus, RCT 35, Act 1: "Princesse, après l'espoir" | — | ||
| 24-21 | Dardanus, RCT 35, Act 1: "Par des noeuds solennels" / "Mânes plaintifs, tristes victimes" | — | ||
| 24-22 | Dardanus, RCT 35, Act 1: "Par des jeux éclatants" | — | ||
| 24-23 | Dardanus, RCT 35, Act 1: Entrée pour les Guerriers (Majestueux) | — | ||
| 24-24 | Dardanus, RCT 35, Act 1: Air (Vif) / "Allez, jeune guerrier" | — | ||
| 24-25 | Dardanus, RCT 35, Act 1: Premier Rigaudon | — | ||
| 24-26 | Dardanus, RCT 35, Act 1: Deuxième Rigaudon / "Guerriers, suivez l'Amour" | — | ||
| 24-27 | Dardanus, RCT 35, Act 1: "Mars, Bellone, guidez nos/leurs coups" / "Guerriers, je remplirai bientôt votre espérance" / "Mars, Bellone, guidez nos/leurs coups" | — | ||
| 24-28 | Dardanus, RCT 35, Act 1: "Je cède au trouble affreux" | — | ||
| 24-29 | Dardanus, RCT 35, Act 2: "Tout l'avenir est présent à mes yeux" | — | ||
| 24-30 | Dardanus, RCT 35, Act 2: "On vient ... c'est Dardanus" | — | ||
| 24-31 | Dardanus, RCT 35, Act 2: "Entendez ma voix souveraine" / "Hâtons-nous; commencons nos terribles mystères" | — | ||
| 24-32 | Dardanus, RCT 35, Act 2: Air (Grave) | — | ||
| 24-33 | Dardanus, RCT 35, Act 2: "Suspends ta brillante carrière" | — | ||
| 24-34 | Dardanus, RCT 35, Act 2: Air (Vif) | — | ||
| 24-35 | Dardanus, RCT 35, Act 2: "Nos cris ont pénétré jusqu'au sombre séjour" | — | ||
| 24-36 | Dardanus, RCT 35, Act 2: "C'en est fait" | — | ||
| 24-37 | Dardanus, RCT 35, Act 2: "Obéis aux lois des enfers" | — | ||
| 24-38 | Dardanus, RCT 35, Act 2: "Je la vois" | — | ||
| 24-39 | Dardanus, RCT 35, Act 2: "Par l'effort de votre art terrible" | — | ||
| 24-40 | Dardanus, RCT 35, Act 2: "D'un penchant si fatal" | — | ||
| 24-41 | Dardanus, RCT 35, Act 2: "Dieux! qu'exigez-vous de mon zèle?" | — | ||
| 24-42 | Dardanus, RCT 35, Act 2: "Elle fuit! ... Mais j'ai vu sa tendresse" | — | ||
| 24-43 | Dardanus, RCT 35, Act 2: Entracte: Bruit de guerre | — | ||
| 25-1 | Dardanus, RCT 35, Act 3: Prélude (Sans lenteur) / "Ô jour affreux!" | — | ||
| 25-2 | Dardanus, RCT 35, Act 3: "Princesse, enfin la paix va combler mon attente" | — | ||
| 25-3 | Dardanus, RCT 35, Act 3: "Que l'on chante, que l'on s'empresse" / "Entendez ces chants d'allégresse" / "Que l'on chante, que l'on s'empresse" | — | ||
| 25-4 | Dardanus, RCT 35, Act 3: Air en rondeau (Gai) / "Paix favorable, paix adorable" | — | ||
| 25-5 | Dardanus, RCT 35, Act 3: Premier Menuet / Deuxième Menuet en rondeau / "Volez, Plaisirs, volez" | — | ||
| 25-6 | Dardanus, RCT 35, Act 3: Premier Tambourin / Deuxième Tambourin | — | ||
| 25-7 | Dardanus, RCT 35, Act 3: "Cessez vos jeux" | — | ||
| 25-8 | Dardanus, RCT 35, Act 3: "Allez, et remportez une illustre victoire" | — | ||
| 25-9 | Dardanus, RCT 35, Act 4: "Lieux funestes" | — | ||
| 25-10 | Dardanus, RCT 35, Act 4: Ritournelle (Gracieusement et un peu gai) | — | ||
| 25-11 | Dardanus, RCT 35, Act 4: "Malgré le dieu des mers" | — | ||
| 25-12 | Dardanus, RCT 35, Act 4: "Venez, Songes-flatteurs" | — | ||
| 25-13 | Dardanus, RCT 35, Act 4: Sommeil (Rondeau tendre) | — | ||
| 25-14 | Dardanus, RCT 35, Act 4: "Par un sommeil agréable" | — | ||
| 25-15 | Dardanus, RCT 35, Act 4: Air (Très vif) | — | ||
| 25-16 | Dardanus, RCT 35, Act 4: "Un monstre furieux désole ce rivage" | — | ||
| 25-17 | Dardanus, RCT 35, Act 4: "Ah! que votre sort est charmant" | — | ||
| 25-18 | Dardanus, RCT 35, Act 4: Calme des sens (Air tendre) | — | ||
| 25-19 | Dardanus, RCT 35, Act 4: Gavotte vive | — | ||
| 25-20 | Dardanus, RCT 35, Act 4: Air de triomphe (Vivement) / "Il est temps de courir aux armes" | — | ||
| 25-21 | Dardanus, RCT 35, Act 4: "Où suis-je!" | — | ||
| 25-22 | Dardanus, RCT 35, Act 4: "Hâtons-nous; courons à la gloire" | — | ||
| 25-23 | Dardanus, RCT 35, Act 4: "Voici les tristes lieux" | — | ||
| 25-24 | Dardanus, RCT 35, Act 4: "Monstre affreux, monstre redoutable" | — | ||
| 25-25 | Dardanus, RCT 35, Act 4: "Quel bruit! quelle tempête horrible!" / "Mon rival va périr" / "Le monstre est abattu" | — | ||
| 25-26 | Dardanus, RCT 35, Act 4: "Quel est donc le héros qui conserve mes jours?" | — | ||
| 25-27 | Dardanus, RCT 35, Act 5: Ritournelle et Choeur des Phrygiens: "Anténor est victorieux" | — | ||
| 25-28 | Dardanus, RCT 35, Act 5: "N'en doute point; c'est Dardanus lui-même" | — | ||
| 25-29 | Dardanus, RCT 35, Act 5: "Mais un nouvel éclat embellit l'univers" | — | ||
| 25-30 | Dardanus, RCT 35, Act 5: "Teucer, bannissez pour jamais la vengeance et la haine" | — | ||
| 25-31 | Dardanus, RCT 35, Act 5: Duo: "Des biens que Vénus nous dispense" | — | ||
| 25-32 | Dardanus, RCT 35, Act 5: Air pour les Plaisirs (Gai) / Choeur des Amours: "Nous quittins des Plaisirs la demeure chérie" | — | ||
| 25-33 | Dardanus, RCT 35, Act 5: Gavotte (Gracieusement) / Air: "C'est la constance" | — | ||
| 25-34 | Dardanus, RCT 35, Act 5: Ariette: "Pour la fête où l'on vous appelle" | — | ||
| 25-35 | Dardanus, RCT 35, Act 5: Gigue (Vivement) | — | ||
| 25-36 | Dardanus, RCT 35, Act 5: Chaconne | — | ||
| 26-1 | Zaïs : Ouverture | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-2 | Castor et Pollux : Scène funèbre | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-3 | Les fêtes d’Hébé : Air tendre | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-4 | Dardanus: Tambourins I & II | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-5 | Le Temple de la Gloire : Air tendre pour les Muses | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-6 | Les Boréades : Contredanse | Les Musiciens du Louvre, Marc Minkowski | T-011.673.237-6 | |
| 26-7 | La naissance d’Osiris : Air gracieux | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-8 | Les Boréades : Gavottes I & II | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-9 | Platée : Orage | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-10 | Les Boréades : Prélude | Les Musiciens du Louvre, Marc Minkowski | T-011.710.961-1 | |
| 26-11 | Concert no. 6 : La Poule | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-12 | Les Fêtes d’Hébé : Musette | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-13 | Hyppolyte & Aricie : Ritournelle | Les Musiciens du Louvre, Marc Minkowski | T-003.074.081-8 | |
| 26-14 | Naïs : Rigaudons I & II | Les Musiciens du Louvre, Marc Minkowski | T-911.931.681-3 | |
| 26-15 | Les Indes galantes : Danse des Sauvages | Les Musiciens du Louvre, Marc Minkowski | — | |
| 26-16 | Les Boréades : Entrée de Polymnie | Les Musiciens du Louvre, Marc Minkowski | T-031.862.827-1 | |
| 26-17 | Les Indes galantes : Chaconne | Les Musiciens du Louvre, Marc Minkowski | — | |
| 27-1 | Dresden Concerto in F major (S. 234) - I. Vivace | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-2 | Dresden Concerto in F major (S. 234) - II. Adagio | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-3 | Dresden Concerto in F major (S. 234) - III. Un poco allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-4 | Dresden Concerto in F major (S. 234) - IV. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-318.676.528-2 | |
| 27-5 | Dresden Concerto in G major, S. 213: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-6 | Dresden Concerto in G major, S. 213: II. Larghetto | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-7 | Dresden Concerto in G major, S. 213: III. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-8 | Dresden Concerto in G major, S. 213: IV. Entrée | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-9 | Dresden Concerto in G major, S. 213: V. Loure: Cantabile | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-10 | Dresden Concerto in G major, S. 213: VI. Tempo de Menuet - Air italienne | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-11 | Dresden Concerto in F major, S. 235: I. Vivace | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-12 | Dresden Concerto in F major, S. 235: II. Andante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-13 | Dresden Concerto in F major, S. 235: III. Presto | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-14 | Dresden Concerto in F major, S. 235: IV. Alla breve | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-15 | Dresden Concerto in F major, S. 235: V. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-16 | Dresden Concerto in F major, S. 233: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-17 | Dresden Concerto in F major, S. 233: II. Andante più tosto un poco allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-18 | Dresden Concerto in F major, S. 233: III. Presto | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-19 | Sonata for 3 oboes, 2 flutes & strings in A major, S. 208: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-20 | Sonata for 3 oboes, 2 flutes & strings in A major, S. 208: II. Adagio e staccato | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-21 | Sonata for 3 oboes, 2 flutes & strings in A major, S. 208: III. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-22 | Concert Movement for oboe, violin & strings in C minor, S. 240 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-23 | Dresden Concerto in F major, S. 231: I. Vivace | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-24 | Dresden Concerto in F major, S. 231: II. Arioso | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-25 | Dresden Concerto in F major, S. 231: III. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 28-1 | Toccata and Fugue in D minor, BWV 565 | Simon Preston | T-909.243.105-5 | |
| 28-2 | Toccata & Fugue in D minor, BWV 565: II. Fugue | Simon Preston | T-922.046.111-0 | |
| 28-3 | Fantasia in G major "Pièce d'orgue", BWV 572: I. Très Vitement | Simon Preston | — | |
| 28-4 | Fantasia in G major "Pièce d'orgue", BWV 572: II. Gravement | Simon Preston | T-909.407.007-2 | |
| 28-5 | Fantasia in G major "Pièce d'orgue", BWV 572: III. Lentement | Simon Preston | — | |
| 28-6 | Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 1. Nel Canone All'Ottava | Simon Preston | — | |
| 28-7 | Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 2. Alio Modo, Nel Canone Alla Quinta | Simon Preston | — | |
| 28-8 | Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 3. Canone All Settima | Simon Preston | — | |
| 28-9 | Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 4. Per Augmentationem, Nel Canone All'Ottava | Simon Preston | — | |
| 28-10 | Canonic Variations on the Christmas Hymn "Vom Himmel hoch, da komm' Ich her", BWV 769: Variation 5. L'altra Sorte, del Canone Al Rovescio | Simon Preston | — | |
| 28-11 | Prelude and Fugue in D major, BWV 532: I. Prelude | Simon Preston | T-800.348.254-1 | |
| 28-12 | Prelude and Fugue in D major, BWV 532: II. Fugue | Simon Preston | T-902.286.488-6 | |
| 28-13 | Pastorale in F major "Pastorella", BWV 590: I. In F major | Simon Preston | — | |
| 28-14 | Pastorale in F major "Pastorella", BWV 590: II. In C major | Simon Preston | — | |
| 28-15 | Pastorale in F major "Pastorella", BWV 590: III. In C minor | Simon Preston | T-921.189.587-3 | |
| 28-16 | Pastorale in F major "Pastorella", BWV 590: IV. In F major | Simon Preston | — | |
| 28-17 | Prelude and Fugue in E flat major "St. Anne", BWV 552: I. Praeludium Pro Organo Pleno | Simon Preston | T-922.046.111-0 | |
| 28-18 | Prelude and Fugue in E flat major "St. Anne", BWV 552: II. Fuga a 5 con Pedale Pro Organo Pleno | Simon Preston | T-922.046.111-0 | |
| 29-1 | English Suite no. 3 in G minor, BWV 808: I. Prélude | — | ||
| 29-2 | English Suite no. 3 in G minor, BWV 808: II. Allemande | — | ||
| 29-3 | English Suite no. 3 in G minor, BWV 808: III. Courante | — | ||
| 29-4 | English Suite no. 3 in G minor, BWV 808: IV. Sarabande | — | ||
| 29-5 | English Suite no. 3 in G minor, BWV 808: V. Gavotte I: Gavotte II ou la musette | — | ||
| 29-6 | English Suite no. 3 in G minor, BWV 808: VI. Gigue | — | ||
| 29-7 | Prelude & Fugue in C major (Well-Tempered Clavier, Book I, no. 1), BWV 846: I. Prelude | — | ||
| 29-8 | Prelude & Fugue in C major (Well-Tempered Clavier, Book I, no. 1), BWV 846: II. Fugue | — | ||
| 29-9 | Prelude & Fugue in E-flat major (Well-Tempered Clavier, Book II, no. 7), BWV 876: Prelude | — | ||
| 29-10 | Prelude & Fugue in E-flat major (Well-Tempered Clavier, Book II, no. 7), BWV 876: Fugue | — | ||
| 29-11 | Prelude & Fugue in F minor (Well-Tempered Clavier, Book II, no. 12), BWV 881: Prelude | — | ||
| 29-12 | Prelude & Fugue in F minor (Well-Tempered Clavier, Book II, no. 12), BWV 881: Fugue | — | ||
| 29-13 | Chromatic Fantasia And Fugue in D minor, BWV 903: I. Fantasia | — | ||
| 29-14 | Chromatic Fantasia And Fugue in D minor, BWV 903: III. Fuga | — | ||
| 29-15 | French Suite no. 5 in G major, BWV 816: I. Allemande | — | ||
| 29-16 | French Suite no. 5 in G major, BWV 816: II. Courante | — | ||
| 29-17 | French Suite no. 5 in G major, BWV 816: III. Sarabande | — | ||
| 29-18 | French Suite no. 5 in G major, BWV 816: IV. Gavotte | — | ||
| 29-19 | French Suite no. 5 in G major, BWV 816: V. Bourrée | — | ||
| 29-20 | French Suite no. 5 in G major, BWV 816: VI. Loure | — | ||
| 29-21 | French Suite no. 5 in G major, BWV 816: VII. Gigue | — | ||
| 30-1 | Goldberg Variations, BWV 988: Aria | — | ||
| 30-2 | Goldberg Variations, BWV 988: Var. 1 a 1 Clav. | — | ||
| 30-3 | Goldberg Variations, BWV 988: Var. 2 a 1 Clav. | — | ||
| 30-4 | Goldberg Variations, BWV 988: Var. 3 Canone all'Unisono a 1 Clav. | — | ||
| 30-5 | Goldberg Variations, BWV 988: Var. 4 a 1 Clav. | — | ||
| 30-6 | Goldberg Variations, BWV 988: Var. 5 a 1 ovvero 2 Clav. | — | ||
| 30-7 | Goldberg Variations, BWV 988: Var. 6 Canone alla Seconda a 1 Clav. | — | ||
| 30-8 | Goldberg Variations, BWV 988: Var. 7 a 1 ovvero 2 Clav. | — | ||
| 30-9 | Goldberg Variations, BWV 988: Var. 8 a 2 Clav. | — | ||
| 30-10 | Goldberg Variations, BWV 988: Var. 9 Canone alla Terza a 1 Clav. | — | ||
| 30-11 | Goldberg Variations, BWV 988: Var. 10 Fughetta a 1 Clav. | — | ||
| 30-12 | Goldberg Variations, BWV 988: Var. 11 a 2 Clav. | — | ||
| 30-13 | Goldberg Variations, BWV 988: Var. 12 Canone alla Quarta | — | ||
| 30-14 | Goldberg Variations, BWV 988: Var. 13 a 2 Clav. | — | ||
| 30-15 | Goldberg Variations, BWV 988: Var. 14 a 2 Clav. | — | ||
| 30-16 | Goldberg Variations, BWV 988: Var. 15 Canone alla Quinta in moto contrario | — | ||
| 30-17 | Goldberg Variations, BWV 988: Var. 16 Ouverture a 1 Clav. | — | ||
| 30-18 | Goldberg Variations, BWV 988: Var. 17 a 2 Clav. | — | ||
| 30-19 | Goldberg Variations, BWV 988: Var. 18 Canone alla Sesta a 1 Clav. | — | ||
| 30-20 | Goldberg Variations, BWV 988: Var. 19 a 1 Clav. | — | ||
| 30-21 | Goldberg Variations, BWV 988: Var. 20 a 2 Clav. | — | ||
| 30-22 | Goldberg Variations, BWV 988: Var. 21 Canone alla Settima | — | ||
| 30-23 | Goldberg Variations, BWV 988: Var. 22 Alla breve a 1 Clav. | — | ||
| 30-24 | Goldberg Variations, BWV 988: Var. 23 a 2 Clav. | — | ||
| 30-25 | Goldberg Variations, BWV 988: Var. 24 Canone all'Ottava a 1 Clav. | — | ||
| 30-26 | Goldberg Variations, BWV 988: Var. 25 a 2 Clav. | — | ||
| 30-27 | Goldberg Variations, BWV 988: Var. 26 a 2 Clav. | — | ||
| 30-28 | Goldberg Variations, BWV 988: Var. 27 Canone alla Nona | — | ||
| 30-29 | Goldberg Variations, BWV 988: Var. 28 a 2 Clav. | — | ||
| 30-30 | Goldberg Variations, BWV 988: Var. 29 a 1 ovvero 2 Clav. | — | ||
| 30-31 | Goldberg Variations, BWV 988: Var. 30 Quodlibet a 1 Clav. | — | ||
| 30-32 | Goldberg Variations, BWV 988: Aria: Da Capo | — | ||
| 31-1 | Sonata for Violin Solo no. 1 in G minor, BWV 1001: I. Adagio | — | ||
| 31-2 | Sonata for Violin Solo no. 1 in G minor, BWV 1001: II. Fuga (Allegro) | — | ||
| 31-3 | Sonata for Violin Solo no. 1 in G minor, BWV 1001: III. Siciliana | — | ||
| 31-4 | Sonata for Violin Solo no. 1 in G minor, BWV 1001: IV. Presto | — | ||
| 31-5 | Partita for Violin Solo no. 1 in B minor, BWV 1002: 1a. Allemanda | — | ||
| 31-6 | Partita for Violin Solo no. 1 in B minor, BWV 1002: - Double | — | ||
| 31-7 | Partita for Violin Solo no. 1 in B minor, BWV 1002: 2a. Corrente | — | ||
| 31-8 | Partita for Violin Solo no. 1 in B minor, BWV 1002: - Double | — | ||
| 31-9 | Partita for Violin Solo no. 1 in B minor, BWV 1002: 3a. Sarabande | — | ||
| 31-10 | Partita for Violin Solo no. 1 in B minor, BWV 1002: VI. Double | — | ||
| 31-11 | Partita for Violin Solo no. 1 in B minor, BWV 1002: 4a. Tempo di Borea | — | ||
| 31-12 | Partita for Violin Solo no. 1 in B minor, BWV 1002: VIII. Double | — | ||
| 31-13 | Sonata for Violin Solo no. 2 in A minor, BWV 1003: I. Grave | — | ||
| 31-14 | Sonata for Violin Solo no. 2 in A minor, BWV 1003: II. Fuga | — | ||
| 31-15 | Sonata for Violin Solo no. 2 in A minor, BWV 1003: III. Andante | — | ||
| 31-16 | Sonata for Violin Solo no. 2 in A minor, BWV 1003: IV. Allegro | — | ||
| 32-1 | Partita for Violin Solo no. 2 in D minor, BWV 1004: I. Allemande | — | ||
| 32-2 | Partita for Violin Solo no. 2 in D minor, BWV 1004: II. Courante | — | ||
| 32-3 | Partita for Violin Solo no. 2 in D minor, BWV 1004: III. Sarabande | — | ||
| 32-4 | Partita for Violin Solo no. 2 in D minor, BWV 1004: IV. Gigue | — | ||
| 32-5 | Partita for Violin Solo no. 2 in D minor, BWV 1004: V. Chaconne | — | ||
| 32-6 | Sonata for Violin Solo no. 3 in C major, BWV 1005: I. Adagio | — | ||
| 32-7 | Sonata for Violin Solo no. 3 in C major, BWV 1005: II. Fuga | — | ||
| 32-8 | Sonata for Violin Solo no. 3 in C major, BWV 1005: III. Largo | — | ||
| 32-9 | Sonata for Violin Solo no. 3 in C major, BWV 1005: IV. Allegro assai | — | ||
| 32-10 | Partita no. 3 E-dur, BWV 1006: I. Preludio | Nathan Milstein | T-041.917.934-2 | |
| 32-11 | Partita for Violin Solo no. 3 in E major, BWV 1006: II. Loure | — | ||
| 32-12 | Partita for Violin Solo no. 3 in E major, BWV 1006: III. Gavotte en Rondeau | — | ||
| 32-13 | Partita for Violin Solo no. 3 in E major, BWV 1006: 4a. Minuet I | — | ||
| 32-14 | Partita for Violin Solo no. 3 in E major, BWV 1006: 4b. Minuet II | — | ||
| 32-15 | Partita for Violin Solo no. 3 in E major, BWV 1006: V. Bourrée | — | ||
| 32-16 | Partita for Violin Solo no. 3 in E major, BWV 1006: VI. Gigue | — | ||
| 33-1 | Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude | Pierre Fournier | — | |
| 33-2 | Cello Suite no. 1 in G major, BWV 1007: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 33-3 | Cello Suite no. 1 in G major, BWV 1007: III. Courante | Pierre Fournier | — | |
| 33-4 | 무반주 첼로 모음곡 1번 중 "사라방드" [Unaccompanied Cello no. 1, Sarabande] | Pierre Fournier | — | |
| 33-5 | Cello Suite no. 1 in G major, BWV 1007: V. Menuet I/II | Pierre Fournier | — | |
| 33-6 | Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 33-7 | Cello Suite no. 2 in D minor, BWV 1008: I. Prelude | Pierre Fournier | — | |
| 33-8 | Cello Suite no. 2 in D minor, BWV 1008: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 33-9 | Cello Suite no. 2 in D minor, BWV 1008: III. Courante | Pierre Fournier | — | |
| 33-10 | Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande | Pierre Fournier | — | |
| 33-11 | Cello Suite no. 2 in D minor, BWV 1008: V. Menuet I/II | Pierre Fournier | — | |
| 33-12 | Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 33-13 | Cello Suite no. 3 in C major, BWV 1009: I. Prelude | Pierre Fournier | — | |
| 33-14 | Cello Suite no. 3 in C major, BWV 1009: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 33-15 | Cello Suite no. 3 in C major, BWV 1009: III. Courante | Pierre Fournier | — | |
| 33-16 | Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande | Pierre Fournier | — | |
| 33-17 | Cello Suite no. 3 in C major, BWV 1009: V. Bourree I/II | Pierre Fournier | — | |
| 33-18 | Cello Suite no. 3 in C major, BWV 1009: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 34-1 | Cello Suite no. 4 in E-flat major, BWV 1010: I. Prelude | Pierre Fournier | — | |
| 34-2 | Cello Suite no. 4 in E-flat major, BWV 1010: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 34-3 | Cello Suite no. 4 in E-flat major, BWV 1010: III. Courante | Pierre Fournier | — | |
| 34-4 | Cello Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | Pierre Fournier | — | |
| 34-5 | Cello Suite no. 4 in E-flat major, BWV 1010: V. Bourree I/II | Pierre Fournier | — | |
| 34-6 | Cello Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 34-7 | Cello Suite no. 5 in C minor, BWV 1011: I. Prelude | Pierre Fournier | T-925.383.914-4 | |
| 34-8 | Cello Suite no. 5 in C minor, BWV 1011: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 34-9 | Cello Suite no. 5 in C minor, BWV 1011: III. Courante | Pierre Fournier | T-925.383.914-4 | |
| 34-10 | Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Pierre Fournier | — | |
| 34-11 | Cello Suite no. 5 in C minor, BWV 1011: V. Gavotte I/II | Pierre Fournier | — | |
| 34-12 | Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 34-13 | Cello Suite no. 6 in D major, BWV 1012: I. Prelude | Pierre Fournier | — | |
| 34-14 | Cello Suite no. 6 in D major, BWV 1012: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 34-15 | Cello Suite no. 6 in D major, BWV 1012: III. Courante | Pierre Fournier | — | |
| 34-16 | Cello Suite no. 6 in D major, BWV 1012: IV. Sarabande | Pierre Fournier | — | |
| 34-17 | Cello Suite no. 6 in D major, BWV 1012: V. Gavotte I/II | Pierre Fournier | — | |
| 34-18 | Cello Suite no. 6 in D major, BWV 1012: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 35-1 | Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II | The English Concert, Trevor Pinnock | — | |
| 35-2 | Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II | The English Concert, Trevor Pinnock | — | |
| 35-3 | Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II | The English Concert, Trevor Pinnock | — | |
| 35-4 | Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II | The English Concert, Trevor Pinnock | — | |
| 35-5 | Concerto No. 2 in F major, BWV 1047: II. Andante | The English Concert, Trevor Pinnock | — | |
| 35-6 | Concerto No. 2 in F major, BWV 1047: II. Andante | The English Concert, Trevor Pinnock | — | |
| 35-7 | Concerto No. 2 in F major, BWV 1047: II. Andante | The English Concert, Trevor Pinnock | — | |
| 35-8 | Brandenburgisches Konzert Nr. 3: III. Allegro | The English Concert, Trevor Pinnock | — | |
| 35-9 | Brandenburgisches Konzert Nr. 3: III. Allegro | The English Concert, Trevor Pinnock | — | |
| 35-10 | Brandenburgisches Konzert Nr. 3: III. Allegro | The English Concert, Trevor Pinnock | — | |
| 35-11 | Concerto No. 4 in G major, BWV 1049: I. Allegro | The English Concert, Trevor Pinnock | — | |
| 35-12 | Concerto No. 4 in G major, BWV 1049: I. Allegro | The English Concert, Trevor Pinnock | — | |
| 35-13 | Concerto No. 4 in G major, BWV 1049: I. Allegro | The English Concert, Trevor Pinnock | — | |
| 35-14 | Concerto No. 5 in D major, BWV 1050: II. Affettuoso | Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 35-15 | Concerto No. 5 in D major, BWV 1050: II. Affettuoso | Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 35-16 | Concerto No. 5 in D major, BWV 1050: II. Affettuoso | Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert | — | |
| 36-1 | Concerto No. 6 in B flat major, BWV 1051: II. Adagio ma non tanto | The English Concert, Trevor Pinnock | — | |
| 36-2 | Concerto No. 6 in B flat major, BWV 1051: II. Adagio ma non tanto | The English Concert, Trevor Pinnock | — | |
| 36-3 | Concerto No. 6 in B flat major, BWV 1051: II. Adagio ma non tanto | The English Concert, Trevor Pinnock | — | |
| 36-4 | Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 36-5 | Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 36-6 | Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 36-7 | Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 36-8 | Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 36-9 | Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 36-10 | Concerto for 2 Violins in D minor, BWV 1043: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 36-11 | Concerto for 2 Violins in D minor, BWV 1043: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 36-12 | Concerto for 2 Violins in D minor, BWV 1043: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 37-1 | Cantata, BWV 82 "Ich habe genug": I. Aria (Basso) "Ich habe genug" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-2 | Cantata, BWV 82 "Ich habe genug": II. Recitative (Basso) "Ich habe genug" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-3 | Cantata, BWV 82 "Ich habe genug": III. Aria (Basso) "Schlummert ein, ihr matten Augen" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-4 | Cantata, BWV 82 "Ich habe genug": IV. Recitative (Basso) "Mein Gott! wann kommt das schoene: Nun!" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-5 | Cantata, BWV 82 "Ich habe genug": V. Aria (Basso) "Ich freue mich auf meinen Tod" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-6 | Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-7 | Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-8 | Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-9 | Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-10 | Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-11 | Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-12 | Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 37-13 | Cantate « Herz und Mund und Tat und Leben », BWV 147: Choral « Jesus bleibet meine Freude » | The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner | T-905.387.081-8 | |
| 38-1 | St. Matthew Passion, BWV 244, Part One: no. 1: "Kommt, ihr Töchter, helft mir klagen" | — | ||
| 38-2 | St. Matthew Passion, BWV 244, Part One: no. 2: "Da Jesus diese Rede vollendet hatte" | — | ||
| 38-3 | St. Matthew Passion, BWV 244, Part One: no. 3: "Herzliebster Jesu, was hast du verbrochen" | — | ||
| 38-4 | St. Matthew Passion, BWV 244, Part One: no. 4 Evangelist, Chorus I/II, Jesus: "Da versammelten sich die Hohenpriester" | — | ||
| 38-5 | St. Matthew Passion, BWV 244, Part One: no. 5 Recitative: "Du lieber Heiland du" | — | ||
| 38-6 | St. Matthew Passion, BWV 244, Part One: no. 6 Aria (Alto): "Buss und Reu" | — | ||
| 38-7 | St. Matthew Passion, BWV 244, Part One: no. 7 Evangelist, Judas: "Da ging hin der Zwölfen einer" | — | ||
| 38-8 | St. Matthew Passion, BWV 244, Part One: no. 8 Aria (Soprano): "Blute nur, du liebes Herz" | — | ||
| 38-9 | St. Matthew Passion, BWV 244, Part One: no. 9 Evangelist, Chorus I, Jesus: "Aber am ersten Tage der süssen Brot" | — | ||
| 38-10 | St. Matthew Passion, BWV 244, Part One: no. 10 Choral: "Ich bin's, ich sollte büssen" | — | ||
| 38-11 | St. Matthew Passion, BWV 244, Part One: no. 11 Evangelist, Jesus, Judas: "Er antwortete und sprach" | — | ||
| 38-12 | St. Matthew Passion, BWV 244, Part One: no. 12 Recitative: "Wiewohl mein Herz in Tränen schwimmt" | — | ||
| 38-13 | St. Matthew Passion, BWV 244, Part One: no. 13 Aria (Soprano): "Ich will dir mein Herz schenken" | — | ||
| 38-14 | St. Matthew Passion, BWV 244, Part One: no. 14 Evangelist, Jesus: "Und da sie den Lobgesang gesprochen hatten" | — | ||
| 38-15 | St. Matthew Passion, BWV 244, Part One: no. 15 Choral: "Erkenne mich, mein Hüter" | — | ||
| 38-16 | St. Matthew Passion, BWV 244, Part One: no. 16 Evangelist, Jesus, Petrus: "Petrus aber antwortete" | — | ||
| 38-17 | St. Matthew Passion, BWV 244, Part One: no. 17 Choral: "Ich will hier bei dir stehen" | — | ||
| 38-18 | St. Matthew Passion, BWV 244, Part One: no. 18 Evangelist, Jesus: "Da kam Jesus mit ihnen zu einem Hofe" | — | ||
| 38-19 | St. Matthew Passion, BWV 244, Part One: no. 19 Recitative (Tenor, Chorus II): "O Schmerz! hier zittert das gequälte Herz" | — | ||
| 38-20 | St. Matthew Passion, BWV 244, Part One: no. 20 Aria (Tenor, Chorus II): "Ich will bei meinem Jesu wachen" | — | ||
| 38-21 | St. Matthew Passion, BWV 244, Part One: no. 21 Evangelist, Jesus: "Und ging hin ein wenig" | — | ||
| 38-22 | St. Matthew Passion, BWV 244, Part One: no. 22 Recitative (Bass): "Der Heiland fällt vor seinem Vater nieder" | — | ||
| 38-23 | St. Matthew Passion, BWV 244, Part One: no. 23 Aria (Bass): "Gerne will ich mich bequemen" | — | ||
| 38-24 | St. Matthew Passion, BWV 244, Part One: no. 24 Evangelist, Jesus: "Und er kam zu seinen Jüngern" | — | ||
| 38-25 | St. Matthew Passion, BWV 244, Part One: no. 25 Choral: "Was mein Gott will, das g'scheh allzeit" | — | ||
| 38-26 | St. Matthew Passion, BWV 244, Part One: no. 26 Evangelist, Jesus, Judas: "Und er kam und fand sie aber schlafend" | — | ||
| 38-27 | St. Matthew Passion, BWV 244, Part One: no. 27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen": Chorus I/II: "Sind Blitze, sind Donner" | — | ||
| 38-28 | St. Matthew Passion, BWV 244, Part One: no. 28 Evangelist, Jesus: "Und siehe, einer aus denen" | — | ||
| 38-29 | St. Matthew Passion, BWV 244, Part One: no. 29 Choral: "O Mensch, bewein dein Sünde groß" | — | ||
| 38-30 | St. Matthew Passion, BWV 244, Part Two: no. 30 Aria (Alto, Chorus II): "Ach nun ist mein Jesu hin" | — | ||
| 38-31 | St. Matthew Passion, BWV 244, Part Two: no. 31 Evangelist: "Die aber Jesum gegriffen hatten" | — | ||
| 38-32 | St. Matthew Passion, BWV 244, Part Two: no. 32 Choral: "Mir hat die Welt trüglich gericht" | — | ||
| 38-33 | St. Matthew Passion, BWV 244, Part Two: no. 33 Evangelist, Pontifex, Testis I/II: "Und wiewohl viel falsche Zeugen herzutraten" | — | ||
| 38-34 | St. Matthew Passion, BWV 244, Part Two: no. 34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille" | — | ||
| 38-35 | St. Matthew Passion, BWV 244, Part Two: no. 35 Aria (Tenor): "Geduld! Wenn mich falsche Zungen stechen" | — | ||
| 39-1 | St. Matthew Passion, BWV 244, Part Two: no. 36 Evangelist, Pontifex, Jesus, Chorus I/II: "Und der Hohepriester antwortete" | — | ||
| 39-2 | St. Matthew Passion, BWV 244, Part Two: no. 37 Choral: "Wer hat dich so geschlagen" | — | ||
| 39-3 | St. Matthew Passion, BWV 244, Part Two: no. 38 Evangelist, Ancilla I/II, Petrus, Chorus II: "Petrus aber sass draussen im Palast" | — | ||
| 39-4 | Mattheuspassie: Aria "Erbarme dich" | Magdalena Kožená, Gabrieli Players, Paul McCreesh | T-101.607.667-6 | |
| 39-5 | St. Matthew Passion, BWV 244, Part Two: no. 40 Choral: "Bin ich gleich von dir gewichen" | — | ||
| 39-6 | St. Matthew Passion, BWV 244, Part Two: no. 41 Evangelist, Judas, Chorus I/II, Pontifex I/II: "Des Morgens aber hielten alle Hohepriester" | — | ||
| 39-7 | St. Matthew Passion, BWV 244, Part Two: no. 42 Aria (Bass): "Gebt mir meinen Jesum wieder" | — | ||
| 39-8 | St. Matthew Passion, BWV 244, Part Two: no. 43 Evangelist, Pilatus, Jesus: "Sie hielten aber einen Rat" | — | ||
| 39-9 | St. Matthew Passion, BWV 244, Part Two: no. 44 Choral: "Befiehl du deine Wege" | — | ||
| 39-10 | St. Matthew Passion, BWV 244, Part Two: no. 45 Evangelist, Pilatus, Uxor Pilati, Chorus I/II: "Auf das Fest aber hatte der Landpfleger Gewohnheit" | — | ||
| 39-11 | St. Matthew Passion, BWV 244, Part Two: no. 46 Choral: "Wie wunderbarlich ist doch diese Strafe" | — | ||
| 39-12 | St. Matthew Passion, BWV 244, Part Two: no. 47 Evangelist, Pilatus: "Der Landpfleger sagte" | — | ||
| 39-13 | St. Matthew Passion, BWV 244, Part Two: no. 48 Recitative (Soprano): "Er hat uns allen wohlgetan" | — | ||
| 39-14 | St. Matthew Passion, BWV 244: Teil II, No. 49. Aria (Soprano I) "Aus Liebe will mein Heiland sterben" | Deborah York, Paul McCreesh, Gabrieli Consort & Players | — | |
| 39-15 | St. Matthew Passion, BWV 244, Part Two: no. 50 Evangelist, Chorus I/II, Pilatus: "Sie schrieen aber noch mehr" | — | ||
| 39-16 | St. Matthew Passion, BWV 244, Part Two: no. 51 Recitative (Alto): "Erbarm es Gott" | — | ||
| 39-17 | St. Matthew Passion, BWV 244, Part Two: no. 52 Aria (Alto): "Können Tränen meiner Wangen" | — | ||
| 39-18 | St. Matthew Passion, BWV 244, Part Two: no. 53 Evangelist, Chorus I/II: "Da nahmen die Kriegsknechte" | — | ||
| 39-19 | St. Matthew Passion, BWV 244, Part Two: no. 54 Choral: "O Haupt voll Blut und Wunden" | — | ||
| 39-20 | St. Matthew Passion, BWV 244, Part Two: no. 55 Evangelist: "Und da sie ihn verspottet hatten" | — | ||
| 39-21 | St. Matthew Passion, BWV 244, Part Two: "Ja freilich will in uns das Fleisch und Blut" | — | ||
| 39-22 | St. Matthew Passion, BWV 244, Part Two: "Komm, süsses Kreuz" | — | ||
| 39-23 | St. Matthew Passion, BWV 244, Part Two: no. 58 Evangelist, Chorus I/II: "Und da sie an die Stätte kamen" | — | ||
| 39-24 | St. Matthew Passion, BWV 244, Part Two: "Ach Golgatha" | — | ||
| 39-25 | St. Matthew Passion, BWV 244, Part Two: "Sehet, Jesus hat die Hand" | — | ||
| 39-26 | St. Matthew Passion, BWV 244, Part Two: no. 61 Evangelist, Jesus, Chorus I/II: "Und von der sechsten Stunde an" | — | ||
| 39-27 | St. Matthew Passion, BWV 244, Part Two: "Wenn ich einmal soll scheiden" | — | ||
| 39-28 | St. Matthew Passion, BWV 244, Part Two: "Und siehe da, der Vorhang im Tempel zerriss" | — | ||
| 39-29 | St. Matthew Passion, BWV 244, Part Two: "Am Abend, da es kühle war" | — | ||
| 39-30 | St. Matthew Passion, BWV 244, Part Two: "Mache dich, mein Herze, rein" | — | ||
| 39-31 | St. Matthew Passion, BWV 244, Part Two: "Und Joseph nahm den Leib" | — | ||
| 39-32 | St. Matthew Passion, BWV 244, Part Two: "Nun ist der Herr zur Ruh gebracht" | — | ||
| 39-33 | St. Matthew Passion, BWV 244: Teil II, No. 68. Chorus "Wir setzen uns mit Tränen nieder" | Susan Bickley, James Gilchrist, Julia Gooding, Peter Harvey, Magdalena Kožená, Stephan Loges, Mark Padmore, Deborah York, Gabrieli Consort & Players, Paul McCreesh | — | |
| 40-1 | Mass in B minor BWV 232: I. Kyrie: Kyrie eleison | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-070.093.418-4 | |
| 40-2 | Mass in B minor BWV 232: II. Kyrie: Christe eleison | Lynne Dawson, Carol Hall, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-3 | Mass in B minor BWV 232: III. Kyrie: Kyrie eleison | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-4 | Mass in B minor BWV 232: IV. Gloria: Gloria in excelsis (attacca) | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-010.963.456-1 | |
| 40-5 | Mass in B minor BWV 232: V. Gloria: Et in terra pax | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-6 | Mass in B minor BWV 232: VI. Gloria: Laudamus te | Nancy Argenta, Elizabeth Wilcock, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-7 | Mass in B minor BWV 232: VII. Gloria: Gratias agimus tibi | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-921.408.876-3 | |
| 40-8 | Mass in B minor BWV 232: VIII. Gloria: Domine Deus (attacca) | Nancy Argenta, Howard Milner, Lisa Beznosiuk, English Baroque Soloists, Sir John Eliot Gardiner | T-926.494.374-0 | |
| 40-9 | Mass in B minor BWV 232: IX. Gloria: Qui tollis peccata mundi | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-10 | Mass in B Minor, BWV 232: Aria 'Qui sedes ad dextram Patris' | Michael Chance, Sophia McKenna, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-11 | Mass in B minor BWV 232: XI. Gloria: Quoniam tu solus sanctus (attacca) | Stephen Varcoe, Michael Thompson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-12 | Mass in B minor BWV 232: XII. Gloria: Cum Sancto Spiritu | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-1 | Mass in B minor BWV 232: XIII. Credo: Credo in unum Deum | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-900.147.322-9 | |
| 41-2 | Mass in B minor BWV 232: XIV. Credo: Credo in unum Deum / Patrem omnipotentem | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-3 | Mass in B minor BWV 232: XV. Credo: Et in unum Dominum | Patrizia Kwella, Mary Nichols, English Baroque Soloists, Sir John Eliot Gardiner | T-900.147.322-9 | |
| 41-4 | Mass in B minor BWV 232: XVI. Credo: Et incarnatus est | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-306.483.194-9 | |
| 41-5 | Mass in B minor BWV 232: XVII. Credo: Crucifixus | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-917.413.519-4 | |
| 41-6 | Mass in B minor BWV 232: XVIII. Credo: Et resurrexit | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-7 | Mass in B minor BWV 232: XIX. Credo: Et in Spiritum Sanctum | Richard Lloyd-Morgan, Valerie Darke, Sophia McKenna, English Baroque Soloists, Sir John Eliot Gardiner | T-915.866.114-4 | |
| 41-8 | Mass in B minor BWV 232: XX. Credo: Confiteor (attacca) | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-9 | Mass in B minor BWV 232: XXI: Credo: Et exspecto resurrectionem | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-10 | Mass in B minor, BWV 232: No. 22 Chorus: »Sanctus« | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | T-312.692.424-7 | |
| 41-11 | Mass in B minor, BWV 232: No. 23 Chorus I/II: »Osanna in excelsis« | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 41-12 | Mass in B minor BWV 232: XXIV. Sanctus: Benedictus, qui venit | Wynford Evans, Lisa Beznosiuk, English Baroque Soloists, Sir John Eliot Gardiner | T-050.283.177-7 | |
| 41-13 | Mass in B minor BWV 232: XXV. Sanctus: Osanna (da capo) | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-14 | Mass in B Minor, BWV 232: Aria 'Agnus Dei' | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner | T-914.368.452-0 | |
| 41-15 | Mass in B minor BWV 232: XXVII. Agnus Dei: Dona nobis pacem | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-050.051.776-9 | |
| 42-1 | Giulio Cesare in Egitto, HWV 17: Overture | Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-2 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 1. Coro "Viva, viva il nostro Alcide!" (Sesto, Cornelia, Nireno, Tolomeo, Curio, Achilla) | Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-3 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 2. Aria "Presti omai l´egizia terra" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-4 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 2. Recitativo "Curio, Cesare venne, e vide" (Cesare, Curio) | Marijana Mijanovic, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-5 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 2. Recitativo "Questa è Cornelia" (Cesare, Curio, Cornelia, Sesto) | Marijana Mijanovic, Jean-Michel Ankaoua, Charlotte Hellekant, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-6 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 2. Recitativo "La reggia Tolomeo t´offre" (Achilla, Cesare, Sesto, Cornelia, Curio) | Alan Ewing, Marijana Mijanovic, Anne Sofie von Otter, Charlotte Hellekant, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-7 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 3. Aria "Empio, dirò, tu sei" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-8 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 3. Recitativo "Già torna in sé" (Curio, Sesto, Cornelia) | Jean-Michel Ankaoua, Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-9 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 4. Aria "Priva son d´ogni conforto" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-10 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 4. Recitativo "Vani sono i lamenti" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-11 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 5. Aria "Svegliatevi nel core" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-12 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 5. Recitativo "Regni Cleopatra" (Cleopatra, Nireno, Tolomeo) | Magdalena Kožená, Pascal Bertin, Bejun Mehta, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-13 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 6. Aria "Non disperar, chi sa? (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-14 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 6. Recitativo "Sire, Signor!" (Achilla, Tolomeo) | Alan Ewing, Bejun Mehta, Marc Minkowski | — | |
| 42-15 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 7. Aria "L´empio, sleale, indegno" (Tolomeo) | Bejun Mehta, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-16 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 8. Accompagnato "Alma del gran Pompeo" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-17 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 8. Recitativo "Qui nobile donzella chiede chinarsi" (Curio, Cesare, Cleopatra) | Jean-Michel Ankaoua, Marijana Mijanovic, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-18 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 9. Aria "Non è sì vago e bello il fiornel prato" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-19 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 9. Recitativo "Cleopatra, vincesti" (Nireno, Cleopatra) | Pascal Bertin, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-20 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 10. Aria "Tutto può donna vezzosa" (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-21 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 11. Arioso "Nel tuo seno, amico sasso" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-22 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 11. Recitativo "Ma che! vile e negletta" (Cornelia, Cleopatra, Sesto, Nireno) | Charlotte Hellekant, Magdalena Kožená, Anne Sofie von Otter, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-23 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 12. Aria "Cara speme, questo core tu cominci" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-24 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 12. Recitativo "Cesare, alla tua destra" (Tolomeo, Cesare, Achilla) | Bejun Mehta, Marijana Mijanovic, Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-25 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 14. Aria "Va tacito e nascosto" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-26 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 14. Recitativo "Sire, con Sesto, il figlio" (Achilla, Tolomeo, Cornelia, Sesto) | Alan Ewing, Bejun Mehta, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-27 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 14. Recitativo "Cornelia, in quei tuoi lumi" (Achilla, Cornelia, Sesto) | Alan Ewing, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 42-28 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 15. Aria "Tu sei il cor di quetro core" (Achilla) | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-1 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 15. Recitativo "Madre!" (Sesto, Cornelia) | Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-2 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Duetto "Son nata a lagrimar" (Sesto, Cornelia) | Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-3 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Recitativo "Esequisti, o Niren" (Cleopatra, Nireno) | Magdalena Kožená, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-4 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Recitativo "Da Cleopatra apprenda" (Nireno, Cesare) | Pascal Bertin, Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-5 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Sinfonia e Recitativo "Taci! ... Cieli" (Cesare, Nireno) | Marijana Mijanovic, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-6 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 16. Sinfonia e Recitativo "Giulio, che miri?" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-7 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 17. Aria e Recitativo "V´adoro, pupile ... Non ha in cielo il Tonante" (Cleopatra, Cesare) | Magdalena Kožená, Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-8 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 17. Recitativo "Vola, mio cor" (Cesare, Nireno) | Marijana Mijanovic, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-9 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 18. Aria "Se in fiorito ameno prato" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-10 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 19. Arioso "Deh piangete, oh mesti lumi" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-11 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 19. Recitativo "Bella, non lagrimae" (Achilla, Cornelia) | Alan Ewing, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-12 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 19. Recitativo "Bella, placa lo sdegno!" (Tolomeo, Cornelia, Achilla) | Bejun Mehta, Charlotte Hellekant, Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-13 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 20. Aria "Se a me non sei crudele" (Achilla) | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-14 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 20. Recitativo "Bella, cotanto aborri chi ti prega d´amar?" (Tolomeo, Cornelia) | Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-15 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 21. Aria "Sì, spietata, il tuo rigore" (Tolomeo) | Bejun Mehta, Les Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-16 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 21. Recitativo "Su, che si tarda?" (Cornelia, Sesto) | Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-17 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 21. Recitativo "Cornelia, infauste nove" (Nireno, Cornelia, Sesto) | Pascal Bertin, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-18 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 22. Aria "Cessa omai di sospirare!" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-19 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 22. Recitativo "Figlio non è" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-20 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 23. Aria "L´angue offeso mai riposa" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-21 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 24. Aria "Venere bella" (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-22 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 24. Recitativo "Che veggio, o numi?" (Cesare, Cleopatra) | Marijana Mijanovic, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-23 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 24. Recitativo "Cesare, sei tradito" (Curio, Cesare, Cleopatra) | Jean-Michel Ankaoua, Marijana Mijanovic, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-24 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 25. Aria e Coro "Al lampo dell´armi" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-25 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 26. Recitativo accompagnato “Che sento? Oh Dio!” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-26 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 27. Aria “Se pietà di me non senti” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-27 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Arioso "Belle dèe di questo core" (Tolomeo, Cornelia) | Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-28 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Recitativo "... di quel ch´avete" (Tolomeo, Cornelia, Sesto) | Bejun Mehta, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-29 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Recitativo "Sire, prendi" (Achilla, Tolomeo, Sesto, Cornelia) | Alan Ewing, Bejun Mehta, Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-30 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Recitativo "Ecco in tutto perduta" (Sesto, Cornelia) | Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 43-31 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 29. Aria "L´aure che spira tiranno e fiero" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-1 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 29. Recitativo "In tal modi si premia" (Achilla) | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-2 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 30. Aria "Dal fulgor di questa spada" (Achilla) | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-3 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 30. Sinfonia | Les Musiciens du Louvre, Marc Minkowski | T-306.482.958-5 | |
| 44-4 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 30. Recitativo "Vinta cadesti" (Tolomeo, Cleopatra) | Bejun Mehta, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-5 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 31. Aria "Domerò la tua fierezza" (Tolomeo) | Bejun Mehta, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-6 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 31. Recitativo "E pur così in n giorno perdo fasti" (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-7 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 32. Aria “Piangerò la sorte mia” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-8 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 33. Recitativo accompagnato ed Aria “Dall’ondoso periglio … Aure, deh, per pietà” (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-9 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 33. Recitativo "Cerco invan Tolomeo" (Sesto, Achilla, Cesare, Nireno) | Anne Sofie von Otter, Alan Ewing, Marijana Mijanovic, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-10 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 33. Recitativo "Lascia questo sigollo! (Cesare, Sesto) | Marijana Mijanovic, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-11 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 34. Aria "Quel torrente che cade" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-12 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 34. Recitativo "Tutto lice sperar" (Sesto, Ninero) | Anne Sofie von Otter, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-13 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 35. Aria "La giustizia ha già sull´arco" (Sesto) | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-14 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 36. Accompagnato "Voi, che mie fide ancelle" (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-15 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 36. Recitativo "Forzai l´ingresso (Cesare, Cleopatra) | Marijana Mijanovic, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-16 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 37. Aria “Da tempeste il legno infranto” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-17 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 37. Recitativo "Cornelia, è tempo omai" (Tolomeo, Cornelia) | Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-18 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 37. Recitativo "T'arresta, o genitrice!" (Cleopatra, Tolomeo, Cornelia) | Magdalena Kožená, Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-19 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 38. Aria "Non ha più che temere" (Cornelia) | Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-20 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 38. Sinfonia | Les Musiciens du Louvre, Marc Minkowski | T-306.482.958-5 | |
| 44-21 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 38. Recitativo "Qui Curio vincitor" (Nireno, Cesare, Sesto, Cleopatra, Cornelia) | Pascal Bertin, Marijana Mijanovic, Anne Sofie von Otter, Magdalena Kožená, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-22 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 39. Duetto "Caro! Più amabile beltà" (Cleopatra, Cesare) | Magdalena Kožená, Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-23 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 39. Recitativo "Goda pur or l´Egitto" (Cesare) | Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | — | |
| 44-24 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 40. Coro e Duetto "Ritornio omai nel nostro core" (Cleopatra, Sesto, Cornelia, Cesare, Tolomeo, Nireno, Achilla, Curio) | Magdalena Kožená, Anne Sofie von Otter, Charlotte Hellekant, Marijana Mijanovic, Bejun Mehta, Pascal Bertin, Alan Ewing, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | — | |
| 45-1 | Messiah, HWV 56, Pt. 1: Symphony | — | ||
| 45-2 | Messiah, HWV 56, Pt. 1: "Comfort ye, My people" | — | ||
| 45-3 | Messiah, HWV 56: III. Air (Tenor) “Ev’ry valley shall be exalted” | Howard Crook, The English Concert, Trevor Pinnock | T-906.831.104-6 | |
| 45-4 | Messiah, HWV 56, Pt. 1: "And The Glory Of The Lord" | — | ||
| 45-5 | Messiah, HWV 56, Pt. 1: "Thus saith the Lord" | — | ||
| 45-6 | Messiah, HWV 56, Pt. 1: "But who may abide the day of his coming" | — | ||
| 45-7 | Messiah, HWV 56, Pt. 1: "And He Shall Purify The Sons Of Levi" | — | ||
| 45-8 | Messiah, HWV 56, Pt. 1: "Behold, a virgin shall conceive" | — | ||
| 45-9 | Messiah, HWV 56, Pt. 1: "O thou that tellest good tidings to Zion" | — | ||
| 45-10 | Messiah, HWV 56, Pt. 1: "For behold, darkness shall cover" | — | ||
| 45-11 | Messiah, HWV 56, Pt. 1: "The people that walked in darkness" | — | ||
| 45-12 | Messiah, HWV 56: XII. Chorus “For Unto Us a Child Is Born” | The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 45-13 | Messiah, HWV 56: XIII. Pifa (Pastoral Symphony) | The English Concert, Trevor Pinnock | — | |
| 45-14 | Messiah, HWV 56, Pt. 1: "There were shepherds ...And suddenly there" | — | ||
| 45-15 | Messiah, HWV 56, Pt. 1: "Glory to God in the highest" | — | ||
| 45-16 | Messiah, HWV 56: XVIII. Air (Soprano) “Rejoice Greatly, o Daughter of Zion” | Arleen Augér, The English Concert, Trevor Pinnock | — | |
| 45-17 | Messiah, HWV 56, Pt. 1: "Then shall the eyes of the blind" | — | ||
| 45-18 | Messiah, HWV 56, Pt. 1: " He shall feed his flock" | — | ||
| 45-19 | Messiah, HWV 56, Pt. 1: "His Yoke Is Easy" | — | ||
| 45-20 | Messiah, HWV 56, Pt. 2: "Behold The Lamb Of God" | — | ||
| 45-21 | Messiah, HWV 56, Pt. 2: "He Was Despised" | — | ||
| 46-1 | Messiah, HWV 56, Pt. 2: "Surely He hath borne our griefs" | — | ||
| 46-2 | Messiah, HWV 56, Pt. 2: "And with His stripes we are healed" | — | ||
| 46-3 | Messiah, HWV 56, Pt. 2: "All We Like Sheep Have Gone Astray" | — | ||
| 46-4 | Messiah, HWV 56, Pt. 2: "All they that see Him" | — | ||
| 46-5 | Messiah, HWV 56, Pt. 2: "He trusted in God" | — | ||
| 46-6 | Messiah, HWV 56, Pt. 2: "Thy rebuke hath broken His heart" | — | ||
| 46-7 | Messiah, HWV 56, Pt. 2: "Behold and see" | — | ||
| 46-8 | Messiah, HWV 56, Pt. 2: "He was cut off" | — | ||
| 46-9 | Messiah, HWV 56, Pt. 2: "But Thou Didst Not Leave His Soul in Hell" | — | ||
| 46-10 | Messiah, HWV 56, Pt. 2: "Lift Up Your Heads" | — | ||
| 46-11 | Messiah, HWV 56, Pt. 2: "Unto which of the angels" | — | ||
| 46-12 | Messiah, HWV 56, Pt. 2: "Let all the angels of God" | — | ||
| 46-13 | Messiah, HWV 56, Pt. 2: "Thou Art Gone Up On High" | — | ||
| 46-14 | Messiah, HWV 56, Pt. 2: "The Lord Gave The Word" | — | ||
| 46-15 | Messiah, HWV 56, Pt. 2: "How Beautiful Are The Feet" | — | ||
| 46-16 | Messiah, HWV 56, Pt. 2: "Their Sound Is Gone Out" | — | ||
| 46-17 | Messiah, HWV 56, Pt. 2: "Why do the nations so furiously rage together?" | — | ||
| 46-18 | Messiah, HWV 56, Pt. 2: "Let us break their bonds asunder" | — | ||
| 46-19 | Messiah, HWV 56, Pt. 2: "He that dwelleth in heaven" | — | ||
| 46-20 | Messiah, HWV 56, Pt. 2: "Thou shalt break them" | — | ||
| 46-21 | Messiah, HWV 56: XLIV. Chorus “Hallelujah” | The English Concert Choir, The English Concert, Trevor Pinnock | T-071.071.619-0 | |
| 46-22 | Messiah, HWV 56, Pt. 3: "I Know That My Redeemer Liveth" | — | ||
| 46-23 | Messiah, HWV 56, Pt. 3: "Since By Man Came Death" | — | ||
| 46-24 | Messiah, HWV 56, Pt. 3: "Behold, I tell you a mystery" | — | ||
| 46-25 | Messiah, HWV 56, Pt. 3: "The trumpet shall sound" | — | ||
| 46-26 | Messiah, HWV 56, Pt. 3: "Then shall be brought to pass" | — | ||
| 46-27 | Messiah, HWV 56, Pt. 3: "O death where is thy sting?" | — | ||
| 46-28 | Messiah, HWV 56, Pt. 3: "But Thanks Be To God" | — | ||
| 46-29 | Messiah, HWV 56, Pt. 3: "If God Be For Us" | — | ||
| 46-30 | Messiah, HWV 56, Pt. 3: "Worthy is the Lamb... Amen" | — | ||
| 47-1 | Water Music. Suite in F major, HWV 348: I. Ouverture (Largo - Allegro) | The English Concert, Trevor Pinnock | T-009.030.807-8 | |
| 47-2 | Water Music. Suite in F major, HWV 348: II. Adagio e staccato | The English Concert, Trevor Pinnock | — | |
| 47-3 | Water Music. Suite in F major, HWV 348: III. (Allegro) - Andante - (Allegro da capo) | The English Concert, Trevor Pinnock | T-306.395.786-4 | |
| 47-4 | Water Music. Suite in F major, HWV 348: IV. (Menuet) | The English Concert, Trevor Pinnock | T-318.676.528-2 | |
| 47-5 | Water Music. Suite in F major, HWV 348: V. Air | The English Concert, Trevor Pinnock | T-306.036.936-6 | |
| 47-6 | Water Music. Suite in F major, HWV 348: VI. Menuet | The English Concert, Trevor Pinnock | — | |
| 47-7 | Water Music. Suite in F major, HWV 348: VII. Bourrée | The English Concert, Trevor Pinnock | — | |
| 47-25 | Music for the Royal Fireworks: Suite HWV 351: VI. Menuet II | — |
