UPC · Album
The Complete Recordings on DG
Seiji Ozawa
028948364848
549 tracksReleased 2019-01-01Deutsche Grammophon
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028948364848 is the Universal Product Code (UPC barcode) for the release “The Complete Recordings on DG” by Seiji Ozawa, released 2019-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 549 tracks, each with its own ISRC. Tracks include DEF057200542, DEF057200551, DEF057200552.
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Credit Chain
UPCThe Complete Recordings on DG
ISRC296 recordings
ISWC51 works
IPI3 songwriters
Track List (296)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Three Pieces for Blues Band and Symphony Orchestra op. 50: 2nd Part | Stuart Canin, San Francisco Symphony, Seiji Ozawa, Jim Schwall, Corky Siegel, The Siegel-Schwall Band | DEF057200542 |
| Symphonic Dances from West Side Story: Prologue (Allegro moderato) | San Francisco Symphony, Seiji Ozawa | DEF057200551 |
| Symphonic Dances from West Side Story: “Somewhere” (Adagio) | San Francisco Symphony, Seiji Ozawa | DEF057200552 |
| Symphonic Dances from West Side Story: Scherzo (Vivace leggiero) | San Francisco Symphony, Seiji Ozawa | DEF057200553 |
| Symphonic Dances from West Side Story: Mambo (Presto) | San Francisco Symphony, Seiji Ozawa | DEF057200554 |
| Symphonic Dances from West Side Story: Cha‐cha (Andante con grazia) | San Francisco Symphony, Seiji Ozawa | DEF057200555 |
| Symphonic Dances from West Side Story: Meeting Scene | San Francisco Symphony, Seiji Ozawa | DEF057200556 |
| Symphonic Dances from West Side Story: “Cool” (Allegretto) | San Francisco Symphony, Seiji Ozawa | DEF057200557 |
| Symphonic Dances from West Side Story: Rumble (Molto allegro) | San Francisco Symphony, Seiji Ozawa | DEF057200558 |
| Symphonic Dances from West Side Story: Finale (Adagio) | San Francisco Symphony, Seiji Ozawa | DEF057200559 |
| Romeo and Juliet Fantasy Overture | San Francisco Symphony, Seiji Ozawa | DEF057201110 |
| Romeo und Julia: I. Die Montagues und Capulets (op. 64b) | San Francisco Symphony Orchestra, Seiji Ozawa | DEF057201120 |
| Romeo und Julia: IV. Tanz (op. 64b) | San Francisco Symphony Orchestra, Seiji Ozawa | DEF057201121 |
| Romeo und Julia: VII. Romeo am Grabe Julias (op. 64b) | San Francisco Symphony Orchestra, Seiji Ozawa | DEF057201122 |
| Romeo und Julia: VI. Tanz der Mädchen von den Antillen (op. 64b) | San Francisco Symphony Orchestra, Seiji Ozawa | DEF057201123 |
| Romeo und Julia: VII. Tybalts Tod (op. 64a) | San Francisco Symphony Orchestra, Seiji Ozawa | DEF057201124 |
| Romeo und Julia: III. Teil: Liebesszene (Ausschnitt) | San Francisco Symphony Orchestra, Seiji Ozawa | DEF057201130 |
| Symphonie fantastique, op. 14 : I. Rêveries, passions | Boston Symphony Orchestra, Seiji Ozawa | DEF057303191 |
| Symphonie fantastique, op. 14 : II. Un bal | Boston Symphony Orchestra, Seiji Ozawa | DEF057303192 |
| Symphonie fantastique, op. 14 : III. Scène aux champs | Boston Symphony Orchestra, Seiji Ozawa | DEF057303193 |
| Symphonie fantastique, op. 14 : IV. Marche au supplice | Boston Symphony Orchestra, Seiji Ozawa | DEF057303194 |
| Symphonie fantastique, op. 14 : V. Songe d’une nuit du sabbat | Boston Symphony Orchestra, Seiji Ozawa | DEF057303195 |
| La Damnation de Faust: Invocation à la Nature | Stuart Burrows, Boston Symphony Orchestra, Seiji Ozawa | DEF057330026 |
| Boléro | Boston Symphony Orchestra, Seiji Ozawa | DEF057401790 |
| Rapsodie espagnole: IV. Feria. Assez animé | Boston Symphony Orchestra, Seiji Ozawa | DEF057401801 |
| Rapsodie espagnole: I. Prélude à la nuit. Très modéré | Boston Symphony Orchestra, Seiji Ozawa | DEF057401802 |
| Rapsodie espagnole: II. Malagueña. Assez vif | Boston Symphony Orchestra, Seiji Ozawa | DEF057401803 |
| Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las | Boston Symphony Orchestra, Seiji Ozawa | DEF057401804 |
| La Valse | Boston Symphony Orchestra, Seiji Ozawa | DEF057401810 |
| Alborada del gracioso | Boston Symphony Orchestra, Seiji Ozawa | DEF057402550 |
| Pavane pour une infante défunte, version pour orchestre | Charles Kavaloski, Orchestre Symphonique de Boston, Seiji Ozawa | DEF057402570 |
| Ma mère l'oye: VI. 5e tableau: Laideronnette, impératrice des pagodes | Boston Symphony Orchestra, Seiji Ozawa | DEF057402586 |
| Ma mère l'oye: Vii. Apothéose: Le jardin féerique | Boston Symphony Orchestra, Seiji Ozawa | DEF057402587 |
| Chant du ménéstrel, op. 71 | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | DEF057500850 |
| Cello Concerto no. 2 in G major, op. 126: I. Largo | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | DEF057500861 |
| Cello Concerto no. 2 in G major, op. 126: II. Allegretto | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | DEF057500862 |
| Cello Concerto no. 2 in G major, op. 126: III. Allegretto | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | DEF057500863 |
| Valses nobles et sentimentales: I. Modéré | Boston Symphony Orchestra, Seiji Ozawa | DEF057503481 |
| Valses nobles et sentimentales: II. Assez lent | Boston Symphony Orchestra, Seiji Ozawa | DEF057503482 |
| Valses nobles et sentimentales: III. Modéré | Boston Symphony Orchestra, Seiji Ozawa | DEF057503483 |
| Valses nobles et sentimentales: IV. Assez animé | Boston Symphony Orchestra, Seiji Ozawa | DEF057503484 |
| Valses nobles et sentimentales: V. Presque lent | Boston Symphony Orchestra, Seiji Ozawa | DEF057503485 |
| Valses nobles et sentimentales: VI. Assez vif | Boston Symphony Orchestra, Seiji Ozawa | DEF057503486 |
| Valses nobles et sentimentales: VII. Moins vif | Boston Symphony Orchestra, Seiji Ozawa | DEF057503487 |
| Valses Nobles et Sentimentales: VIII. Epilogue: Lent | Boston Symphony Orchestra, Seiji Ozawa | DEF057503488 |
| Street Music, op. 65, "A Blues Concerto": I. | San Francisco Symphony, Seiji Ozawa, Corky Siegel | DEF057600772 |
| An American in Paris | San Francisco Symphony, Seiji Ozawa | DEF057600780 |
| Symphony no. 4: IV. Very slowly – Largo maestoso | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | DEF057602561 |
| Symphony no. 4: I. Prelude: Maestoso | Boston Symphony Orchestra, Seiji Ozawa | DEF057602562 |
| Symphony no. 4: II. Allegretto | Boston Symphony Orchestra, Seiji Ozawa | DEF057602563 |
| Symphony no. 4: III. Fugue: Andante moderato | Boston Symphony Orchestra, Seiji Ozawa | DEF057602564 |
| Central Park in the Dark | Boston Symphony Orchestra, Seiji Ozawa | DEF057602570 |
| El sombrero de tres picos: V. Danza del los vecinos (Seguidillas) | Boston Symphony Orchestra, Seiji Ozawa | DEF057630501 |
| El sombrero de tres picos: I. Introducción | Teresa Berganza, Boston Symphony Orchestra, Seiji Ozawa | DEF057630503 |
| El sombrero de tres picos: II. Atardecer | Boston Symphony Orchestra, Seiji Ozawa | DEF057630504 |
| El sombrero de tres picos: III. Danza de la molinera (Fandango) | Boston Symphony Orchestra, Seiji Ozawa | DEF057630505 |
| El sombrero de tres picos: IV. Las uvas | Boston Symphony Orchestra, Seiji Ozawa | DEF057630506 |
| El sombrero de tres picos: VI. Danza del molinero (Farruca) | Teresa Berganza, Boston Symphony Orchestra, Seiji Ozawa | DEF057630507 |
| El sombrero de tres picos: VII. Danza del corregidor | Boston Symphony Orchestra, Seiji Ozawa | DEF057630508 |
| El sombrero de tres picos: VIII. Danza final (Jota) | Boston Symphony Orchestra, Seiji Ozawa | DEF057630509 |
| Quatrain | Boston Symphony Orchestra, Seiji Ozawa, TASHI | DEF057700020 |
| Pini di Roma: I. I pini di Villa Borghese | Boston Symphony Orchestra, Seiji Ozawa | DEF057700031 |
| Pini di Roma: II. Pini presso una catacomba | Boston Symphony Orchestra, Seiji Ozawa | DEF057700032 |
| Pini di Roma: III. I pini del Gianicolo | Boston Symphony Orchestra, Seiji Ozawa | DEF057700033 |
| Pini di Roma: IV. I pini della Via Appia | Boston Symphony Orchestra, Seiji Ozawa | DEF057700034 |
| Feste romane: I. Circenses | Boston Symphony Orchestra, Seiji Ozawa | DEF057700041 |
| Feste romane: II. Il giubileo | Boston Symphony Orchestra, Seiji Ozawa | DEF057700042 |
| Feste romane: III. L'ottobrata | Boston Symphony Orchestra, Seiji Ozawa | DEF057700043 |
| Feste romane: IV. La befana | Boston Symphony Orchestra, Seiji Ozawa | DEF057700044 |
| Fontane di Roma: I. La fontana di Valle Giulia all'alba | Boston Symphony Orchestra, Seiji Ozawa | DEF057700051 |
| Fontane di Roma: II. La fontana del Tritone al mattino | Boston Symphony Orchestra, Seiji Ozawa | DEF057700052 |
| Fontane di Roma: III. La fontana di Trevi al meriggio | Boston Symphony Orchestra, Seiji Ozawa | DEF057700053 |
| Fontane di Roma: IV. La fontana di Villa Medici al tramonto | Boston Symphony Orchestra, Seiji Ozawa | DEF057700054 |
| Scheherazade, op. 35: I. Das Meer und Sindbads Schiff. Largo e maestoso – Lento – Allegro non troppo | Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | DEF057700251 |
| Scheherazade, op. 35: II. Die Geschichte vom Prinzen Kalender. Lento – Andantino – Allegro molto – Vivace scherzando – Moderato assai – Allegro molto ed animato | Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | DEF057700252 |
| Scheherazade, op. 35: III. Der junge Prinz und die junge Prinzessin. Andantino quasi allegretto | Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | DEF057700253 |
| Scheherazade, op. 35: IV. Fest in Bagdad. Das Meer. Das Schiff treibt gegen den Magnetberg und zerschellt. Allegro molto – Lento – Vivo – Allegro non troppo e maestoso – Lento, Tempo I | Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | DEF057700254 |
| Symphonie Nr. 1 D-dur: 4. Stürmisch bewegt | Boston Symphony Orchestra, Seiji Ozawa | DEF057700480 |
| Symphonie Nr. 1 D-dur: Blumine. Andante allegretto | Boston Symphony Orchestra, Seiji Ozawa | DEF057700481 |
| Violinkonzert "Dem Andenken eines Engels": I. Andante - Allegretto | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | DEF057800031 |
| Violinkonzert "Dem Andenken eines Engels": II. Allegro - Adagio - (Coda) | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | DEF057800032 |
| Violin Concerto in D major: I. Toccata | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | DEF057800041 |
| Violin Concerto in D major: II. Aria I | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | DEF057800042 |
| Violin Concerto in D major: III. Aria II | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | DEF057800043 |
| Violin Concerto in D major: IV. Capriccio | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | DEF057800044 |
| A Flock Descends Into the Pentagonal Garden | Boston Symphony Orchestra, Seiji Ozawa, TASHI | DEF057800140 |
| Antiche danze ed arie, suite I: Simone Molinaro: Balletto "Il Conte Orlando" (1599) | Boston Symphony Orchestra, Seiji Ozawa | DEF057801034 |
| Antiche danze ed arie, suite I: Vincenzo Galilei: Gagliarda (1598) | Boston Symphony Orchestra, Seiji Ozawa | DEF057801035 |
| Antiche danze ed arie, suite I: Anonymus: Villanella | Boston Symphony Orchestra, Seiji Ozawa | DEF057801036 |
| Antiche danze ed arie, suite I: Anonymus: Passo mezzo a mascherada | Boston Symphony Orchestra, Seiji Ozawa | DEF057801037 |
| Antiche danze ed arie, suite II: Fabrizio Caroso: Laura soave (1581) | Boston Symphony Orchestra, Seiji Ozawa | DEF057804340 |
| Antiche danze ed arie, suite II: Jean-Baptiste Besard: Danza rustica (1617) | Boston Symphony Orchestra, Seiji Ozawa | DEF057804341 |
| Antiche danze ed arie, suite II: Anonymus: Campanae parisienses | Boston Symphony Orchestra, Seiji Ozawa | DEF057804342 |
| Antiche danze ed arie, suite II: Bernardo Gianoncelli: Bergamasca (1650) | Boston Symphony Orchestra, Seiji Ozawa | DEF057804343 |
| Antiche danze ed arie, suite III: Anonymus: Italiana | Boston Symphony Orchestra, Seiji Ozawa | DEF057804344 |
| Antiche danze ed arie, suite III: Jean-Baptiste Besard: Aria di corte (1617) | Boston Symphony Orchestra, Seiji Ozawa | DEF057804345 |
| Antiche danze ed arie, suite III: Anonymus: Siciliana | Boston Symphony Orchestra, Seiji Ozawa | DEF057804346 |
| Antiche danze ed arie, suite III: Lodovico Roncalli: Passacaglia (1692) | Boston Symphony Orchestra, Seiji Ozawa | DEF057804347 |
| Swan Lake, op. 20: Introduction. Moderato assai | Boston Symphony Orchestra, Seiji Ozawa | DEF057830201 |
| Swan Lake, op. 20: Act I: no. 1: Scène. Allegro giusto | Boston Symphony Orchestra, Seiji Ozawa | DEF057830202 |
| Swan Lake, op. 20: Act I: no. 2: Valse. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | DEF057830203 |
| Swan Lake, op. 20: Act I: no. 3: Scène. Allegro moderato | Boston Symphony Orchestra, Seiji Ozawa | DEF057830204 |
| Swan Lake, op. 20: Act I: no. 8: Danse des coupes. Tempo di polacca | Boston Symphony Orchestra, Seiji Ozawa | DEF057830209 |
| Swan Lake, op. 20: Act I: no. 9: Finale. Sujet. Andante | Boston Symphony Orchestra, Seiji Ozawa | DEF057830210 |
| Swan Lake, op. 20: Act II: no. 10: Scène. Moderato | Boston Symphony Orchestra, Seiji Ozawa | DEF057830211 |
| Swan Lake, op. 20: Act II: no. 11: Scène. Allegro moderato - Moderato - Allegro vivo | Boston Symphony Orchestra, Seiji Ozawa | DEF057830212 |
| Swan Lake, op. 20: Act II: no. 12: Scène. Allegro - Moderato assai quasi andante | Boston Symphony Orchestra, Seiji Ozawa | DEF057830213 |
| Swan Lake, op. 20: Act II: no. 14: Scène. Moderato | Boston Symphony Orchestra, Seiji Ozawa | DEF057830215 |
| Swan Lake, op. 20: Act III: no. 15: Allegro giusto | Boston Symphony Orchestra, Seiji Ozawa | DEF057830216 |
| Swan Lake, op. 20: Act III: no. 16: Danses du corps de ballet et des nains. Moderato assai - Allegro vivo | Boston Symphony Orchestra, Seiji Ozawa | DEF057830217 |
| Swan Lake, op. 20: Act III: no. 17: Scène. Sortie des invités et valse. Allegro - Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | DEF057830218 |
| Swan Lake, op. 20: Act III: no. 18: Scène. Allegro - Allegro giusto | Boston Symphony Orchestra, Seiji Ozawa | DEF057830219 |
| Swan Lake, op. 20: Act III: no. 20: Danse hongroise. Czardas. Moderato assai - Allegro moderato - Vivace | Boston Symphony Orchestra, Seiji Ozawa | DEF057830221 |
| Swan Lake, op. 20: Act III: no. 20a: Danse russe. Moderato - Andante simplice - Allegro vivo - Presto | Boston Symphony Orchestra, Seiji Ozawa | DEF057830222 |
| Swan Lake, op. 20: Act III: no. 21: Danse espagnole. Allegro non troppo (Tempo di bolero) | Boston Symphony Orchestra, Seiji Ozawa | DEF057830223 |
| Swan Lake, op. 20: Act III: no. 22: Danse napolitaine. Allegro moderato - Andantino quasi moderato - Presto | Boston Symphony Orchestra, Seiji Ozawa | DEF057830224 |
| Swan Lake, op. 20: Act III: no. 23: Mazurka. Tempo di mazurka | Boston Symphony Orchestra, Seiji Ozawa | DEF057830225 |
| Swan Lake, op. 20: Act III: no. 24: Scène. Allegro - Valse - Allegro vivo | Boston Symphony Orchestra, Seiji Ozawa | DEF057830226 |
| Swan Lake, op. 20: Act IV: no. 27: Danses des petits cygnes. Moderato | Boston Symphony Orchestra, Seiji Ozawa | DEF057830229 |
| Swan Lake, op. 20: Act IV: no. 28: Scène. Allegro agitato - Molto meno mosso - Allegro vivace | Boston Symphony Orchestra, Seiji Ozawa | DEF057830230 |
| Swan Lake, op. 20: Act IV: no. 29: Scène finale. Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato | Boston Symphony Orchestra, Seiji Ozawa | DEF057830231 |
| Swan Lake, op. 20: Act I: no. 6: Pas d'action. Andantino quasi moderato - Allegro / no. 7: Sujet | Boston Symphony Orchestra, Seiji Ozawa | DEF057830233 |
| Swan Lake, op. 20: Act IV: no. 25: Entr'acte. Moderato - No. 26: Scène. Allegro non troppo | Boston Symphony Orchestra, Seiji Ozawa | DEF057830234 |
| Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: I. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | DEF057830235 |
| Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: II. Moderato assai | Boston Symphony Orchestra, Seiji Ozawa | DEF057830236 |
| Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: III. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | DEF057830237 |
| Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: IV. Allegro moderato | Boston Symphony Orchestra, Seiji Ozawa | DEF057830238 |
| Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: V. Pas d'action. Andante - Andante non troppo - Tempo I - Allegro | Boston Symphony Orchestra, Seiji Ozawa | DEF057830239 |
| Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: VI. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | DEF057830240 |
| Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: VII. Coda. Allegro vivo | Boston Symphony Orchestra, Seiji Ozawa | DEF057830241 |
| Swan Lake, op. 20: Act III: no. 19: Pas de six: Intrada. Moderato assai | Boston Symphony Orchestra, Seiji Ozawa | DEF057830242 |
| Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation I. Allegro - Variation II. Andante con moto | Boston Symphony Orchestra, Seiji Ozawa | DEF057830243 |
| Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation III. Moderato - Variation IV. Allegro | Boston Symphony Orchestra, Seiji Ozawa | DEF057830244 |
| Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation V. Moderato - Allegro simplice - Coda. Allegro molto | Boston Symphony Orchestra, Seiji Ozawa | DEF057830245 |
| Swan Lake, op. 20: Act I: no. 4: Pas de trois: I. Intrada. Allegro | Boston Symphony Orchestra, Seiji Ozawa | DEF057830246 |
| Swan Lake, op. 20: Act I: no. 4: Pas de trois: II. Andante sostenuto | Boston Symphony Orchestra, Seiji Ozawa | DEF057830247 |
| Swan Lake, op. 20: Act I: no. 4: Pas de trois: III. Allegro simplice - Presto | Boston Symphony Orchestra, Seiji Ozawa | DEF057830248 |
| Swan Lake, op. 20: Act I: no. 4: Pas de trois: IV. Allegro | Boston Symphony Orchestra, Seiji Ozawa | DEF057830249 |
| Swan Lake, op. 20: Act I: no. 4: Pas de trois: V. Allegro | Boston Symphony Orchestra, Seiji Ozawa | DEF057830250 |
| Swan Lake, op. 20: Act I: no. 4: Pas de trois: VI. Coda. Allegro vivace | Boston Symphony Orchestra, Seiji Ozawa | DEF057830251 |
| Swan Lake, op. 20: Act I: no. 5: Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato - II. Andante - Allegro | Boston Symphony Orchestra, Seiji Ozawa | DEF057830254 |
| Swan Lake, op. 20: Act I: no. 5: Pas de deux: III. Tempo di valse | Boston Symphony Orchestra, Seiji Ozawa | DEF057830255 |
| Swan Lake, op. 20: Act I: no. 5: Pas de deux: IV. Coda. Allegro molto vivace | Boston Symphony Orchestra, Seiji Ozawa | DEF057830256 |
| Pelléas et Mélisande, op. 80: I. Prélude: Quasi adagio | Boston Symphony Orchestra, Seiji Ozawa | DEF058603491 |
| Pelléas et Mélisande, op. 80: II. Fileuse: Andantino quasi allegretto | Boston Symphony Orchestra, Seiji Ozawa | DEF058603492 |
| Pelléas et Mélisande, op. 80: III. Chanson de Mélisande | Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | DEF058603493 |
| Pelléas et Mélisande, op. 80: IV. Sicilienne: Allegretto molto moderato | Boston Symphony Orchestra, Seiji Ozawa | DEF058603494 |
| Pelléas et Mélisande, op. 80: V. La Mort de Mélisande: Molto adagio | Boston Symphony Orchestra, Seiji Ozawa | DEF058603495 |
| Après un rêve, op. 7 no. 1 | Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | DEF058603500 |
| Pavane, op. 50 | John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | DEF058603510 |
| Élégie, op. 24 | Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | DEF058603520 |
| Dolly Suite, I. Berceuse: Allegretto moderato | Boston Symphony Orchestra, Seiji Ozawa | DEF058603531 |
| Dolly Suite, II. Mi-a-ou: Allegro vivo-Più lento-Allegro | Boston Symphony Orchestra, Seiji Ozawa | DEF058603532 |
| Dolly Suite, III. Le jardin de Dolly: Andantino | Boston Symphony Orchestra, Seiji Ozawa | DEF058603533 |
| Dolly Suite, IV. Kitty-Valse: Tempo di Valse | Boston Symphony Orchestra, Seiji Ozawa | DEF058603534 |
| Dolly Suite, V. Tendresse: Andante | Boston Symphony Orchestra, Seiji Ozawa | DEF058603535 |
| Dolly Suite, VI. Le Pas Espagnol: Allegro | Boston Symphony Orchestra, Seiji Ozawa | DEF058603536 |
| Romeo & Juliet, op. 64: Act I. No. 1 Introduction. Andante assai | Boston Symphony Orchestra, Seiji Ozawa | DEF058631001 |
| Romeo & Juliet, op. 64: Act I, Scene I. No. 2 Romeo (reflective). Andante | Boston Symphony Orchestra, Seiji Ozawa | DEF058631002 |
| Romeo & Juliet, op. 64: Act I, Scene I. No. 3 The street awakens. Allegretto | Boston Symphony Orchestra, Seiji Ozawa | DEF058631003 |
| Romeo & Juliet, op. 64: Act I, Scene I. No. 4 Morning dance. Allegro | Boston Symphony Orchestra, Seiji Ozawa | DEF058631004 |
| Romeo & Juliet, op. 64: Act I, Scene I. No. 5 The quarrel. Allegro brusco | Boston Symphony Orchestra, Seiji Ozawa | DEF058631005 |
| Romeo & Juliet, op. 64: Act I, Scene I. No. 6 The fight. Presto | Boston Symphony Orchestra, Seiji Ozawa | DEF058631006 |
| Romeo & Juliet, op. 64: Act I, Scene I. No. 7 The Prince’s decree. Andante | Boston Symphony Orchestra, Seiji Ozawa | DEF058631007 |
| Romeo & Juliet, op. 64: Act I. Scene I. No. 8 Interlude. Andante pomposo (L’istesso tempo) | Boston Symphony Orchestra, Seiji Ozawa | DEF058631008 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 9 Preparations for the ball (Juliet and the Nurse). Andante assai – Scherzando | Boston Symphony Orchestra, Seiji Ozawa | DEF058631009 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 10 Juliet the young girl. Vivace | Boston Symphony Orchestra, Seiji Ozawa | DEF058631010 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 11 Arrival of the guests (Minuet). Assai moderato | Boston Symphony Orchestra, Seiji Ozawa | DEF058631011 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 12 Masks (Romeo, Mercutio and Benvolio in masks). Moderato marciale | Boston Symphony Orchestra, Seiji Ozawa | DEF058631012 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | DEF058631013 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 14 Juliet’s variation. Moderato (quasi Allegretto) | Boston Symphony Orchestra, Seiji Ozawa | DEF058631014 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 15 Mercutio. Allegro giocoso | Boston Symphony Orchestra, Seiji Ozawa | DEF058631015 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 16 Madrigal (Romeo and Juliet). Andante tenero | Boston Symphony Orchestra, Seiji Ozawa | DEF058631016 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 17 Tybalt recognizes Romeo. Allegro | Boston Symphony Orchestra, Seiji Ozawa | DEF058631017 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 18 Gavotte (Departure of the guests). Allegro | Boston Symphony Orchestra, Seiji Ozawa | DEF058631018 |
| Romeo & Juliet, op. 64: Act II, Scene III. No. 22 Folk dance. Allegro giocoso | Boston Symphony Orchestra, Seiji Ozawa | DEF058631020 |
| Romeo & Juliet, op. 64: Act II, Scene III. No. 23 Romeo and Mercutio. Andante teneroso | Boston Symphony Orchestra, Seiji Ozawa | DEF058631021 |
| Romeo & Juliet, op. 64: Act II, Scene III. No. 24 Dance of the five couples. Vivo | Boston Symphony Orchestra, Seiji Ozawa | DEF058631022 |
| Romeo & Juliet, op. 64: Act II, Scene III. No. 25 Dance with mandolins. Vivace | Boston Symphony Orchestra, Seiji Ozawa | DEF058631023 |
| Romeo & Juliet, op. 64: Act II, Scene III. No. 26 The Nurse (looking for Romeo). Adagio scherzoso | Boston Symphony Orchestra, Seiji Ozawa | DEF058631024 |
| Romeo & Juliet, op. 64: Act II, Scene III. No. 27 The Nurse delivers Juliet’s letter to Romeo. Vivace | Boston Symphony Orchestra, Seiji Ozawa | DEF058631025 |
| Romeo & Juliet, op. 64: Act II, Scene IV. No. 28 Romeo at Friar Laurence’s. Andante espressivo | Boston Symphony Orchestra, Seiji Ozawa | DEF058631026 |
| Romeo & Juliet, op. 64: Act II, Scene IV. No. 29 Juliet at Friar Laurence’s. Lento | Boston Symphony Orchestra, Seiji Ozawa | DEF058631027 |
| Romeo & Juliet, op. 64: Act II, Scene V. No. 30 The people continue to make merry. Vivo | Boston Symphony Orchestra, Seiji Ozawa | DEF058631028 |
| Romeo & Juliet, op. 64: Act II, Scene V. No. 31 More merrymaking (folk dance repeated). Allegro giocoso | Boston Symphony Orchestra, Seiji Ozawa | DEF058631029 |
| Romeo & Juliet, op. 64: Act II, Scene V. No. 32 Tybalt meets Mercutio. Moderato | Boston Symphony Orchestra, Seiji Ozawa | DEF058631030 |
| Romeo & Juliet, op. 64: Act III. No. 37 Introduction. Andante | Boston Symphony Orchestra, Seiji Ozawa | DEF058631033 |
| Romeo & Juliet, op. 64: Act III, Scene VI. No. 38 Romeo and Juliet. Lento | Boston Symphony Orchestra, Seiji Ozawa | DEF058631034 |
| Romeo & Juliet, op. 64: Act III, Scene VI. No. 39 The last farewell. Andante – Adagio | Boston Symphony Orchestra, Seiji Ozawa | DEF058631035 |
| Romeo & Juliet, op. 64: Act III, Scene VI. No. 40 The Nurse (announces Juliet’s parents and Paris). Andante assai – Più mosso con effetto | Boston Symphony Orchestra, Seiji Ozawa | DEF058631036 |
| Romeo & Juliet, op. 64: Act III, Scene VI. No. 41 Juliet refuses to marry Paris. Vivace – Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | DEF058631037 |
| Romeo & Juliet, op. 64: Act III, Scene VI. No. 42 Juliet alone. Adagio | Boston Symphony Orchestra, Seiji Ozawa | DEF058631038 |
| Romeo & Juliet, op. 64: Act III, Scene VI. No. 43 Interlude. Adagio (L’istesso tempo) | Boston Symphony Orchestra, Seiji Ozawa | DEF058631039 |
| Romeo & Juliet, op. 64: Act III, Scene VII. No. 44 At Friar Laurence’s (Friar Laurence gives Juliet a sleeping‐potion). Andante | Boston Symphony Orchestra, Seiji Ozawa | DEF058631040 |
| Romeo & Juliet, op. 64: Act III, Scene VII. No. 45 Interlude. L’istesso tempo | Boston Symphony Orchestra, Seiji Ozawa | DEF058631041 |
| Romeo & Juliet, op. 64: Act III, Scene VIII. No. 46 Juliet’s bedroom. Moderato tranquillo – Andante dolente | Boston Symphony Orchestra, Seiji Ozawa | DEF058631042 |
| Romeo & Juliet, op. 64: Act III, Scene VIII. No. 47 Juliet alone (The sleeping‐potion). Andante – Adagio – Andante | Boston Symphony Orchestra, Seiji Ozawa | DEF058631043 |
| Romeo & Juliet, op. 64: Act III, Scene VIII. No. 48 Morning serenade (with mandolins). Andante giocoso | Boston Symphony Orchestra, Seiji Ozawa | DEF058631044 |
| Romeo & Juliet, op. 64: Act III, Scene VIII. No. 49 Dance of the young girls with the lilies. Andante con eleganza | Boston Symphony Orchestra, Seiji Ozawa | DEF058631045 |
| Romeo & Juliet, op. 64: Act III, Scene VIII. No. 50 At Juliet’s bedside (Juliet’s apparent death). Andante – Adagio | Boston Symphony Orchestra, Seiji Ozawa | DEF058631046 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 19 Balcony scene. Larghetto | Boston Symphony Orchestra, Seiji Ozawa | DEF058631049 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 20 Romeo’s variation. Allegretto amoroso | Boston Symphony Orchestra, Seiji Ozawa | DEF058631050 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 21 Romeo and Juliet’s love dance. Andante | Boston Symphony Orchestra, Seiji Ozawa | DEF058631051 |
| Romeo & Juliet, op. 64: Act II, Scene V. No. 33 Tybalt and Mercutio fight. Precipitato | Boston Symphony Orchestra, Seiji Ozawa | DEF058631052 |
| Romeo & Juliet, op. 64: Act II, Scene V. No. 34 Mercutio dies. Moderato | Boston Symphony Orchestra, Seiji Ozawa | DEF058631053 |
| Romeo & Juliet, op. 64: Act II, Scene V. No. 35 Romeo resolves to avenge Mercutio’s death. Andante. Animato – Presto | Boston Symphony Orchestra, Seiji Ozawa | DEF058631054 |
| Romeo & Juliet, op. 64: Act II, Scene V. No. 36 Finale of Act II (Cortège with Tybalt’s body). Adagio dramatico | Boston Symphony Orchestra, Seiji Ozawa | DEF058631055 |
| Romeo & Juliet, op. 64: Act IV, Scene IX. No. 51 Juliet’s funeral (and Romeo’s death). Adagio funebre | Boston Symphony Orchestra, Seiji Ozawa | DEF058631056 |
| Romeo & Juliet, op. 64: Act IV, Scene IX. No. 52 Death of Juliet. Adagio (meno mosso del tempo precedente) | Boston Symphony Orchestra, Seiji Ozawa | DEF058631057 |
| Les Contes d'Hoffmann : Acte I. Chanson "Il était une fois à Ia cour d'Eisenach" (Hoffmann, les étudiants, Nathanaël) | Jacques Jouineau, Chœur de Radio France, Plácido Domingo, Robin Leggate, Orchestre national de France, Seiji Ozawa | DEF058631206 |
| Les Contes d'Hoffmann : Acte IV. Barcarolle "Belle nuit, ô nuit d'amour" (Nicklausse, Giulietta, les invités) | Jacques Jouineau, Chœur de Radio France, Claudia Eder, Edita Gruberová, Orchestre national de France, Seiji Ozawa | DEF058631219 |
| Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 1. Allegro maestoso | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | DEF058703221 |
| Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 2. Quasi adagio – Allegretto vivace – Allegro animato | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | DEF058703222 |
| Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 3. Allegro marziale animato – Presto | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | DEF058703223 |
| Concerto for Piano and Orchestra no. 2 in A major, S. 125: 1. Adagio sostenuto assai - Allegro agitato assai - | Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman | DEF058703231 |
| Concerto for Piano and Orchestra no. 2 in A major, S. 125: 2. Allegro moderato - Allegro deciso - | Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman | DEF058703232 |
| Concerto for Piano and Orchestra no. 2 in A major, S. 125: 3. Marziale un poco meno allegro - | Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman | DEF058703233 |
| Concerto for Piano and Orchestra no. 2 in A major, S. 125: 4. Allegro animato - Stretto (molto accelerando) | Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman | DEF058703234 |
| Totentanz (Danse macabre) | Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman | DEF058703240 |
| Gaîté parisienne: Cancan. Allegro | Boston Symphony Orchestra, Seiji Ozawa | DEF058703336 |
| Gloria: I. Gloria | John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | DEF058704291 |
| Gloria: II. Laudamus te | John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | DEF058704292 |
| Gloria: III. Domine Deus | John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | DEF058704293 |
| Gloria: IV. Domine Fili unigenite | John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | DEF058704294 |
| Gloria: V. Domine Deus, Agnus Dei | John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | DEF058704295 |
| Gloria: VI. Qui sedes ad dexteram Patris | John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | DEF058704296 |
| Stabat Mater: I. Stabat Mater dolorosa | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | DEF058731301 |
| Stabat Mater: II. Cujus animam gementem | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | DEF058731302 |
| Stabat Mater: III. O quam tristis | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | DEF058731303 |
| Stabat Mater: IV. Quae maerebat | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | DEF058731304 |
| Stabat Mater: V. Quis est homo | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | DEF058731305 |
| Stabat Mater: VI. Vidit suum | Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | DEF058731306 |
| Stabat Mater: VII. Eja mater | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | DEF058731307 |
| Stabat Mater: VIII. Fac, Ut Ardeat | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | DEF058731308 |
| Stabat Mater: IX. Sancta Mater | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | DEF058731309 |
| Stabat Mater: X. Fac ut portem | Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | DEF058731310 |
| Stabat Mater: XI. Inflammatus et accensus | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | DEF058731311 |
| Stabat Mater: XII. Quando corpus | Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾 | DEF058731312 |
| Symphony no. 1 in D major, op. 25 "Classical": I. Allegro | Berliner Philharmoniker, Seiji Ozawa | DEF058904801 |
| Symphony no. 1 in D major, op. 25 "Classical": II. Larghetto | Berliner Philharmoniker, Seiji Ozawa | DEF058904802 |
| Symphony no. 1 in D major, op. 25 "Classical": III. Gavotta. Non troppo allegro | Berliner Philharmoniker, Seiji Ozawa | DEF058904803 |
| Symphony no. 1 in D major, op. 25 "Classical": IV. Finale. Molto vivace | Berliner Philharmoniker, Seiji Ozawa | DEF058904804 |
| Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | Berliner Philharmoniker, Seiji Ozawa | DEF058904881 |
| Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima – Andante mosso – Allegro non troppo – Tempo I | Berliner Philharmoniker, Seiji Ozawa | DEF058904882 |
| Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | Berliner Philharmoniker, Seiji Ozawa | DEF058904883 |
| Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto | Berliner Philharmoniker, Seiji Ozawa | DEF058904884 |
| The Sleeping Beauty Suite, op. 66a: V. Waltz | Boston Symphony Orchestra, Seiji Ozawa | DEF059004231 |
| The Sleeping Beauty, Op. 66: Suite. I. Introduction: The Lilac Fairy | Boston Symphony Orchestra, Seiji Ozawa | DEF059004232 |
| The Sleeping Beauty, Op. 66: Suite. II. Adagio "Rose Adagio" | Boston Symphony Orchestra, Seiji Ozawa | DEF059004233 |
| The Sleeping Beauty, Op. 66: Suite. III. Puss-in-boots and the White Cat | Boston Symphony Orchestra, Seiji Ozawa | DEF059004234 |
| The Sleeping Beauty, Op. 66: Suite. IV. Panorama | Boston Symphony Orchestra, Seiji Ozawa | DEF059004235 |
| The Nutcracker, op. 71: Overture | Boston Symphony Orchestra, Seiji Ozawa | DEF059031101 |
| The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: a. March | Boston Symphony Orchestra, Seiji Ozawa | DEF059031102 |
| The Nutcracker Suite, op. 71: III. Flower Waltz | Boston Symphony Orchestra, Seiji Ozawa | DEF059031107 |
| The Nutcracker, op. 71: Act I, no. 1. The Christmas Tree | Boston Symphony Orchestra, Seiji Ozawa | DEF059031110 |
| The Nutcracker, op. 71: Act I, no. 3. Little Galop of the Children and Entry of the Parents | Boston Symphony Orchestra, Seiji Ozawa | DEF059031111 |
| The Nutcracker, op. 71: Act I, no. 4. Drosselmeyer's Arrival and Distribution of Presents | Boston Symphony Orchestra, Seiji Ozawa | DEF059031112 |
| The Nutcracker, op. 71: Act I, no. 5. Scene and Grandfather Dance | Boston Symphony Orchestra, Seiji Ozawa | DEF059031113 |
| The Nutcracker, op. 71: Act I, no. 6. Departure of the guests | Boston Symphony Orchestra, Seiji Ozawa | DEF059031114 |
| The Nutcracker, op. 71: Act I, no. 7. The battle | Boston Symphony Orchestra, Seiji Ozawa | DEF059031115 |
| The Nutcracker, op. 71: Act I, no. 8. Journey Through the Snow | Boston Symphony Orchestra, Seiji Ozawa | DEF059031116 |
| The Nutcracker, op. 71: Act I, no. 9. Waltz of the Snowflakes | James Litton, American Boychoir, Boston Symphony Orchestra, Seiji Ozawa | DEF059031117 |
| The Nutcracker, op. 71: Act II, no. 10. Introduction | Boston Symphony Orchestra, Seiji Ozawa | DEF059031118 |
| The Nutcracker, op. 71: Act II, no. 11. Arrival of Clara and the Prince | Boston Symphony Orchestra, Seiji Ozawa | DEF059031119 |
| The Nutcracker, op. 71: Act II, no. 12. Character dances (Chocolate/Spanish, Coffee/Arabian, Tea/Chinese, Trepak/Russian, Reed-Flutes) | Boston Symphony Orchestra, Seiji Ozawa | DEF059031120 |
| The Nutcracker, op. 71: Act II, no. 14. Duet (Sugar Plum Fairy and Her Cavalier, Tarantella, Dance of the Sugar Plum Fairy, Coda) | Boston Symphony Orchestra, Seiji Ozawa | DEF059031123 |
| The Nutcracker, op. 71: Act II, no. 15. Final Waltz and Apotheosis | James Litton, American Boychoir, Boston Symphony Orchestra, Seiji Ozawa | DEF059031127 |
| Violin Concerto no. 2, Sz. 112: I. Allegro non troppo | Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa | DEF059102281 |
| Violin Concerto no. 2, Sz. 112: II. Andante tranquillo | Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa | DEF059102282 |
| Violin Concerto no. 2, Sz. 112: III. Allegro molto | Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa | DEF059102283 |
| Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato | Berliner Philharmoniker, Seiji Ozawa | DEF059103391 |
| Symphony no. 6 in E-flat minor, op. 111: II. Largo | Berliner Philharmoniker, Seiji Ozawa | DEF059103392 |
| Symphony no. 6 in E-flat minor, op. 111: III. Vivace | Berliner Philharmoniker, Seiji Ozawa | DEF059103393 |
| Symphony in D minor, FWV 48: I. Lento: Allegro ma non troppo - Allegro | Boston Symphony Orchestra, Seiji Ozawa | DEF059104431 |
| Symphony in D minor, FWV 48: II. Allegretto | Boston Symphony Orchestra, Seiji Ozawa | DEF059104432 |
| Symphony in D minor, FWV 48: III. Allegro non troppo | Boston Symphony Orchestra, Seiji Ozawa | DEF059104433 |
| Concerto in G minor for Organ, Strings and Timpani: I. Andante - Allegro giocoso | Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa | DEF059104441 |
| Concerto in G minor for Organ, Strings and Timpani: II. Subito andante moderato | Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa | DEF059104442 |
| Concerto in G minor for Organ, Strings and Timpani: III. Tempo allegro, molto agitato - Très calme, lent - Tempo de l'allegro initial - Tempo introduction: Largo | Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa | DEF059104443 |
| Concert champêtre, FP 49 : I. Allegro molto - Adagio - Allegro molto | Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa | DEF059105041 |
| Concert champêtre, FP 49 : II. Andante, Mouvement de Sicilienne | Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa | DEF059105042 |
| Concert champêtre, FP 49 : III. Finale, Presto très gai | Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa | DEF059105043 |
| 1812 Overture, op. 49 | Berliner Philharmoniker, Seiji Ozawa | DEF059205260 |
| Concerto for Piano and Orchestra no. 1 in F‐sharp minor, op. 1: I. Vivace – Moderato – Vivace | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | DEF059705531 |
| Concerto for Piano and Orchestra no. 1 in F‐sharp minor, op. 1: II. Andante | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | DEF059705532 |
| Concerto for Piano and Orchestra no. 1 in F‐sharp minor, op. 1: III. Allegro vivace | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | DEF059705533 |
| Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato – Più vivo – Allegro – Maestoso – Alla marcia – Moderato | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | DEN960001501 |
| Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio Sostenuto | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | DEN960001502 |
| Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando – Moderato – Allegro scherzando – Presto – Moderato – Allegro scherzando – Alla breve – Presto – Maestoso – Risoluto | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | DEN960001503 |
| Piano Concerto no. 2 in G minor, op. 16: I. Andantino | Yundi Li, Berliner Philharmoniker, Seiji Ozawa | DEN960700391 |
| Piano Concerto no. 2 in G minor, op. 16: II. Scherzo (Vivace) | Yundi Li, Berliner Philharmoniker, Seiji Ozawa | DEN960700392 |
| Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo (Allegro moderato) | Yundi Li, Berliner Philharmoniker, Seiji Ozawa | DEN960700393 |
| Piano Concerto no. 2 in G minor, op. 16: IV. Finale (Allegro tempestoso) | Yundi Li, Berliner Philharmoniker, Seiji Ozawa | DEN960700394 |
| Piano Concerto in G major: I. Allegramente | Yundi Li, Berliner Philharmoniker, Seiji Ozawa | DEN960700401 |
| Piano Concerto in G major: II. Adagio assai | Yundi Li, Berliner Philharmoniker, Seiji Ozawa | DEN960700402 |
| Piano Concerto in G major: III. Presto | Yundi Li, Berliner Philharmoniker, Seiji Ozawa | DEN960700403 |
Three Pieces for Blues Band and Symphony Orchestra op. 50: 2nd Part
Stuart Canin, San Francisco Symphony, Seiji Ozawa, Jim Schwall, Corky Siegel, The Siegel-Schwall Band
Symphonic Dances from West Side Story: Prologue (Allegro moderato)
San Francisco Symphony, Seiji Ozawa
Symphonic Dances from West Side Story: “Somewhere” (Adagio)
San Francisco Symphony, Seiji Ozawa
Symphonic Dances from West Side Story: Scherzo (Vivace leggiero)
San Francisco Symphony, Seiji Ozawa
Symphonic Dances from West Side Story: Mambo (Presto)
San Francisco Symphony, Seiji Ozawa
Symphonic Dances from West Side Story: Cha‐cha (Andante con grazia)
San Francisco Symphony, Seiji Ozawa
Symphonic Dances from West Side Story: Meeting Scene
San Francisco Symphony, Seiji Ozawa
Symphonic Dances from West Side Story: “Cool” (Allegretto)
San Francisco Symphony, Seiji Ozawa
Symphonic Dances from West Side Story: Rumble (Molto allegro)
San Francisco Symphony, Seiji Ozawa
Symphonic Dances from West Side Story: Finale (Adagio)
San Francisco Symphony, Seiji Ozawa
Romeo and Juliet Fantasy Overture
San Francisco Symphony, Seiji Ozawa
Romeo und Julia: I. Die Montagues und Capulets (op. 64b)
San Francisco Symphony Orchestra, Seiji Ozawa
Romeo und Julia: IV. Tanz (op. 64b)
San Francisco Symphony Orchestra, Seiji Ozawa
Romeo und Julia: VII. Romeo am Grabe Julias (op. 64b)
San Francisco Symphony Orchestra, Seiji Ozawa
Romeo und Julia: VI. Tanz der Mädchen von den Antillen (op. 64b)
San Francisco Symphony Orchestra, Seiji Ozawa
Romeo und Julia: VII. Tybalts Tod (op. 64a)
San Francisco Symphony Orchestra, Seiji Ozawa
Romeo und Julia: III. Teil: Liebesszene (Ausschnitt)
San Francisco Symphony Orchestra, Seiji Ozawa
Symphonie fantastique, op. 14 : I. Rêveries, passions
Boston Symphony Orchestra, Seiji Ozawa
Symphonie fantastique, op. 14 : II. Un bal
Boston Symphony Orchestra, Seiji Ozawa
Symphonie fantastique, op. 14 : III. Scène aux champs
Boston Symphony Orchestra, Seiji Ozawa
Symphonie fantastique, op. 14 : IV. Marche au supplice
Boston Symphony Orchestra, Seiji Ozawa
Symphonie fantastique, op. 14 : V. Songe d’une nuit du sabbat
Boston Symphony Orchestra, Seiji Ozawa
La Damnation de Faust: Invocation à la Nature
Stuart Burrows, Boston Symphony Orchestra, Seiji Ozawa
Boléro
Boston Symphony Orchestra, Seiji Ozawa
Rapsodie espagnole: IV. Feria. Assez animé
Boston Symphony Orchestra, Seiji Ozawa
Rapsodie espagnole: I. Prélude à la nuit. Très modéré
Boston Symphony Orchestra, Seiji Ozawa
Rapsodie espagnole: II. Malagueña. Assez vif
Boston Symphony Orchestra, Seiji Ozawa
Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las
Boston Symphony Orchestra, Seiji Ozawa
La Valse
Boston Symphony Orchestra, Seiji Ozawa
Alborada del gracioso
Boston Symphony Orchestra, Seiji Ozawa
Pavane pour une infante défunte, version pour orchestre
Charles Kavaloski, Orchestre Symphonique de Boston, Seiji Ozawa
Ma mère l'oye: VI. 5e tableau: Laideronnette, impératrice des pagodes
Boston Symphony Orchestra, Seiji Ozawa
Ma mère l'oye: Vii. Apothéose: Le jardin féerique
Boston Symphony Orchestra, Seiji Ozawa
Chant du ménéstrel, op. 71
Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa
Cello Concerto no. 2 in G major, op. 126: I. Largo
Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa
Cello Concerto no. 2 in G major, op. 126: II. Allegretto
Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa
Cello Concerto no. 2 in G major, op. 126: III. Allegretto
Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa
Valses nobles et sentimentales: I. Modéré
Boston Symphony Orchestra, Seiji Ozawa
Valses nobles et sentimentales: II. Assez lent
Boston Symphony Orchestra, Seiji Ozawa
Valses nobles et sentimentales: III. Modéré
Boston Symphony Orchestra, Seiji Ozawa
Valses nobles et sentimentales: IV. Assez animé
Boston Symphony Orchestra, Seiji Ozawa
Valses nobles et sentimentales: V. Presque lent
Boston Symphony Orchestra, Seiji Ozawa
Valses nobles et sentimentales: VI. Assez vif
Boston Symphony Orchestra, Seiji Ozawa
Valses nobles et sentimentales: VII. Moins vif
Boston Symphony Orchestra, Seiji Ozawa
Valses Nobles et Sentimentales: VIII. Epilogue: Lent
Boston Symphony Orchestra, Seiji Ozawa
Street Music, op. 65, "A Blues Concerto": I.
San Francisco Symphony, Seiji Ozawa, Corky Siegel
An American in Paris
San Francisco Symphony, Seiji Ozawa
Symphony no. 4: IV. Very slowly – Largo maestoso
Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 4: I. Prelude: Maestoso
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 4: II. Allegretto
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 4: III. Fugue: Andante moderato
Boston Symphony Orchestra, Seiji Ozawa
Central Park in the Dark
Boston Symphony Orchestra, Seiji Ozawa
El sombrero de tres picos: V. Danza del los vecinos (Seguidillas)
Boston Symphony Orchestra, Seiji Ozawa
El sombrero de tres picos: I. Introducción
Teresa Berganza, Boston Symphony Orchestra, Seiji Ozawa
El sombrero de tres picos: II. Atardecer
Boston Symphony Orchestra, Seiji Ozawa
El sombrero de tres picos: III. Danza de la molinera (Fandango)
Boston Symphony Orchestra, Seiji Ozawa
El sombrero de tres picos: IV. Las uvas
Boston Symphony Orchestra, Seiji Ozawa
El sombrero de tres picos: VI. Danza del molinero (Farruca)
Teresa Berganza, Boston Symphony Orchestra, Seiji Ozawa
El sombrero de tres picos: VII. Danza del corregidor
Boston Symphony Orchestra, Seiji Ozawa
El sombrero de tres picos: VIII. Danza final (Jota)
Boston Symphony Orchestra, Seiji Ozawa
Quatrain
Boston Symphony Orchestra, Seiji Ozawa, TASHI
Pini di Roma: I. I pini di Villa Borghese
Boston Symphony Orchestra, Seiji Ozawa
Pini di Roma: II. Pini presso una catacomba
Boston Symphony Orchestra, Seiji Ozawa
Pini di Roma: III. I pini del Gianicolo
Boston Symphony Orchestra, Seiji Ozawa
Pini di Roma: IV. I pini della Via Appia
Boston Symphony Orchestra, Seiji Ozawa
Feste romane: I. Circenses
Boston Symphony Orchestra, Seiji Ozawa
Feste romane: II. Il giubileo
Boston Symphony Orchestra, Seiji Ozawa
Feste romane: III. L'ottobrata
Boston Symphony Orchestra, Seiji Ozawa
Feste romane: IV. La befana
Boston Symphony Orchestra, Seiji Ozawa
Fontane di Roma: I. La fontana di Valle Giulia all'alba
Boston Symphony Orchestra, Seiji Ozawa
Fontane di Roma: II. La fontana del Tritone al mattino
Boston Symphony Orchestra, Seiji Ozawa
Fontane di Roma: III. La fontana di Trevi al meriggio
Boston Symphony Orchestra, Seiji Ozawa
Fontane di Roma: IV. La fontana di Villa Medici al tramonto
Boston Symphony Orchestra, Seiji Ozawa
Scheherazade, op. 35: I. Das Meer und Sindbads Schiff. Largo e maestoso – Lento – Allegro non troppo
Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa
Scheherazade, op. 35: II. Die Geschichte vom Prinzen Kalender. Lento – Andantino – Allegro molto – Vivace scherzando – Moderato assai – Allegro molto ed animato
Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa
Scheherazade, op. 35: III. Der junge Prinz und die junge Prinzessin. Andantino quasi allegretto
Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa
Scheherazade, op. 35: IV. Fest in Bagdad. Das Meer. Das Schiff treibt gegen den Magnetberg und zerschellt. Allegro molto – Lento – Vivo – Allegro non troppo e maestoso – Lento, Tempo I
Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa
Symphonie Nr. 1 D-dur: 4. Stürmisch bewegt
Boston Symphony Orchestra, Seiji Ozawa
Symphonie Nr. 1 D-dur: Blumine. Andante allegretto
Boston Symphony Orchestra, Seiji Ozawa
Violinkonzert "Dem Andenken eines Engels": I. Andante - Allegretto
Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa
Violinkonzert "Dem Andenken eines Engels": II. Allegro - Adagio - (Coda)
Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa
Violin Concerto in D major: I. Toccata
Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa
Violin Concerto in D major: II. Aria I
Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa
Violin Concerto in D major: III. Aria II
Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa
Violin Concerto in D major: IV. Capriccio
Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa
A Flock Descends Into the Pentagonal Garden
Boston Symphony Orchestra, Seiji Ozawa, TASHI
Antiche danze ed arie, suite I: Simone Molinaro: Balletto "Il Conte Orlando" (1599)
Boston Symphony Orchestra, Seiji Ozawa
Antiche danze ed arie, suite I: Vincenzo Galilei: Gagliarda (1598)
Boston Symphony Orchestra, Seiji Ozawa
Antiche danze ed arie, suite I: Anonymus: Villanella
Boston Symphony Orchestra, Seiji Ozawa
Antiche danze ed arie, suite I: Anonymus: Passo mezzo a mascherada
Boston Symphony Orchestra, Seiji Ozawa
Antiche danze ed arie, suite II: Fabrizio Caroso: Laura soave (1581)
Boston Symphony Orchestra, Seiji Ozawa
Antiche danze ed arie, suite II: Jean-Baptiste Besard: Danza rustica (1617)
Boston Symphony Orchestra, Seiji Ozawa
Antiche danze ed arie, suite II: Anonymus: Campanae parisienses
Boston Symphony Orchestra, Seiji Ozawa
Antiche danze ed arie, suite II: Bernardo Gianoncelli: Bergamasca (1650)
Boston Symphony Orchestra, Seiji Ozawa
Antiche danze ed arie, suite III: Anonymus: Italiana
Boston Symphony Orchestra, Seiji Ozawa
Antiche danze ed arie, suite III: Jean-Baptiste Besard: Aria di corte (1617)
Boston Symphony Orchestra, Seiji Ozawa
Antiche danze ed arie, suite III: Anonymus: Siciliana
Boston Symphony Orchestra, Seiji Ozawa
Antiche danze ed arie, suite III: Lodovico Roncalli: Passacaglia (1692)
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Introduction. Moderato assai
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act I: no. 1: Scène. Allegro giusto
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act I: no. 2: Valse. Tempo di valse
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act I: no. 3: Scène. Allegro moderato
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act I: no. 8: Danse des coupes. Tempo di polacca
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act I: no. 9: Finale. Sujet. Andante
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act II: no. 10: Scène. Moderato
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act II: no. 11: Scène. Allegro moderato - Moderato - Allegro vivo
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act II: no. 12: Scène. Allegro - Moderato assai quasi andante
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act II: no. 14: Scène. Moderato
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act III: no. 15: Allegro giusto
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act III: no. 16: Danses du corps de ballet et des nains. Moderato assai - Allegro vivo
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act III: no. 17: Scène. Sortie des invités et valse. Allegro - Tempo di valse
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act III: no. 18: Scène. Allegro - Allegro giusto
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act III: no. 20: Danse hongroise. Czardas. Moderato assai - Allegro moderato - Vivace
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act III: no. 20a: Danse russe. Moderato - Andante simplice - Allegro vivo - Presto
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act III: no. 21: Danse espagnole. Allegro non troppo (Tempo di bolero)
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act III: no. 22: Danse napolitaine. Allegro moderato - Andantino quasi moderato - Presto
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act III: no. 23: Mazurka. Tempo di mazurka
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act III: no. 24: Scène. Allegro - Valse - Allegro vivo
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act IV: no. 27: Danses des petits cygnes. Moderato
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act IV: no. 28: Scène. Allegro agitato - Molto meno mosso - Allegro vivace
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act IV: no. 29: Scène finale. Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act I: no. 6: Pas d'action. Andantino quasi moderato - Allegro / no. 7: Sujet
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act IV: no. 25: Entr'acte. Moderato - No. 26: Scène. Allegro non troppo
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: I. Tempo di valse
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: II. Moderato assai
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: III. Tempo di valse
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: IV. Allegro moderato
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: V. Pas d'action. Andante - Andante non troppo - Tempo I - Allegro
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: VI. Tempo di valse
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: VII. Coda. Allegro vivo
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act III: no. 19: Pas de six: Intrada. Moderato assai
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation I. Allegro - Variation II. Andante con moto
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation III. Moderato - Variation IV. Allegro
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation V. Moderato - Allegro simplice - Coda. Allegro molto
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act I: no. 4: Pas de trois: I. Intrada. Allegro
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act I: no. 4: Pas de trois: II. Andante sostenuto
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act I: no. 4: Pas de trois: III. Allegro simplice - Presto
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act I: no. 4: Pas de trois: IV. Allegro
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act I: no. 4: Pas de trois: V. Allegro
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act I: no. 4: Pas de trois: VI. Coda. Allegro vivace
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act I: no. 5: Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato - II. Andante - Allegro
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act I: no. 5: Pas de deux: III. Tempo di valse
Boston Symphony Orchestra, Seiji Ozawa
Swan Lake, op. 20: Act I: no. 5: Pas de deux: IV. Coda. Allegro molto vivace
Boston Symphony Orchestra, Seiji Ozawa
Pelléas et Mélisande, op. 80: I. Prélude: Quasi adagio
Boston Symphony Orchestra, Seiji Ozawa
Pelléas et Mélisande, op. 80: II. Fileuse: Andantino quasi allegretto
Boston Symphony Orchestra, Seiji Ozawa
Pelléas et Mélisande, op. 80: III. Chanson de Mélisande
Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa
Pelléas et Mélisande, op. 80: IV. Sicilienne: Allegretto molto moderato
Boston Symphony Orchestra, Seiji Ozawa
Pelléas et Mélisande, op. 80: V. La Mort de Mélisande: Molto adagio
Boston Symphony Orchestra, Seiji Ozawa
Après un rêve, op. 7 no. 1
Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa
Pavane, op. 50
John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Élégie, op. 24
Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa
Dolly Suite, I. Berceuse: Allegretto moderato
Boston Symphony Orchestra, Seiji Ozawa
Dolly Suite, II. Mi-a-ou: Allegro vivo-Più lento-Allegro
Boston Symphony Orchestra, Seiji Ozawa
Dolly Suite, III. Le jardin de Dolly: Andantino
Boston Symphony Orchestra, Seiji Ozawa
Dolly Suite, IV. Kitty-Valse: Tempo di Valse
Boston Symphony Orchestra, Seiji Ozawa
Dolly Suite, V. Tendresse: Andante
Boston Symphony Orchestra, Seiji Ozawa
Dolly Suite, VI. Le Pas Espagnol: Allegro
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I. No. 1 Introduction. Andante assai
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene I. No. 2 Romeo (reflective). Andante
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene I. No. 3 The street awakens. Allegretto
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene I. No. 4 Morning dance. Allegro
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene I. No. 5 The quarrel. Allegro brusco
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene I. No. 6 The fight. Presto
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene I. No. 7 The Prince’s decree. Andante
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I. Scene I. No. 8 Interlude. Andante pomposo (L’istesso tempo)
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene II. No. 9 Preparations for the ball (Juliet and the Nurse). Andante assai – Scherzando
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene II. No. 10 Juliet the young girl. Vivace
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene II. No. 11 Arrival of the guests (Minuet). Assai moderato
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene II. No. 12 Masks (Romeo, Mercutio and Benvolio in masks). Moderato marciale
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene II. No. 14 Juliet’s variation. Moderato (quasi Allegretto)
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene II. No. 15 Mercutio. Allegro giocoso
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene II. No. 16 Madrigal (Romeo and Juliet). Andante tenero
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene II. No. 17 Tybalt recognizes Romeo. Allegro
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene II. No. 18 Gavotte (Departure of the guests). Allegro
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act II, Scene III. No. 22 Folk dance. Allegro giocoso
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act II, Scene III. No. 23 Romeo and Mercutio. Andante teneroso
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act II, Scene III. No. 24 Dance of the five couples. Vivo
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act II, Scene III. No. 25 Dance with mandolins. Vivace
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act II, Scene III. No. 26 The Nurse (looking for Romeo). Adagio scherzoso
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act II, Scene III. No. 27 The Nurse delivers Juliet’s letter to Romeo. Vivace
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act II, Scene IV. No. 28 Romeo at Friar Laurence’s. Andante espressivo
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act II, Scene IV. No. 29 Juliet at Friar Laurence’s. Lento
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act II, Scene V. No. 30 The people continue to make merry. Vivo
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act II, Scene V. No. 31 More merrymaking (folk dance repeated). Allegro giocoso
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act II, Scene V. No. 32 Tybalt meets Mercutio. Moderato
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act III. No. 37 Introduction. Andante
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act III, Scene VI. No. 38 Romeo and Juliet. Lento
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act III, Scene VI. No. 39 The last farewell. Andante – Adagio
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act III, Scene VI. No. 40 The Nurse (announces Juliet’s parents and Paris). Andante assai – Più mosso con effetto
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act III, Scene VI. No. 41 Juliet refuses to marry Paris. Vivace – Allegro pesante
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act III, Scene VI. No. 42 Juliet alone. Adagio
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act III, Scene VI. No. 43 Interlude. Adagio (L’istesso tempo)
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act III, Scene VII. No. 44 At Friar Laurence’s (Friar Laurence gives Juliet a sleeping‐potion). Andante
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act III, Scene VII. No. 45 Interlude. L’istesso tempo
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act III, Scene VIII. No. 46 Juliet’s bedroom. Moderato tranquillo – Andante dolente
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act III, Scene VIII. No. 47 Juliet alone (The sleeping‐potion). Andante – Adagio – Andante
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act III, Scene VIII. No. 48 Morning serenade (with mandolins). Andante giocoso
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act III, Scene VIII. No. 49 Dance of the young girls with the lilies. Andante con eleganza
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act III, Scene VIII. No. 50 At Juliet’s bedside (Juliet’s apparent death). Andante – Adagio
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene II. No. 19 Balcony scene. Larghetto
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene II. No. 20 Romeo’s variation. Allegretto amoroso
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act I, Scene II. No. 21 Romeo and Juliet’s love dance. Andante
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act II, Scene V. No. 33 Tybalt and Mercutio fight. Precipitato
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act II, Scene V. No. 34 Mercutio dies. Moderato
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act II, Scene V. No. 35 Romeo resolves to avenge Mercutio’s death. Andante. Animato – Presto
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act II, Scene V. No. 36 Finale of Act II (Cortège with Tybalt’s body). Adagio dramatico
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act IV, Scene IX. No. 51 Juliet’s funeral (and Romeo’s death). Adagio funebre
Boston Symphony Orchestra, Seiji Ozawa
Romeo & Juliet, op. 64: Act IV, Scene IX. No. 52 Death of Juliet. Adagio (meno mosso del tempo precedente)
Boston Symphony Orchestra, Seiji Ozawa
Les Contes d'Hoffmann : Acte I. Chanson "Il était une fois à Ia cour d'Eisenach" (Hoffmann, les étudiants, Nathanaël)
Jacques Jouineau, Chœur de Radio France, Plácido Domingo, Robin Leggate, Orchestre national de France, Seiji Ozawa
Les Contes d'Hoffmann : Acte IV. Barcarolle "Belle nuit, ô nuit d'amour" (Nicklausse, Giulietta, les invités)
Jacques Jouineau, Chœur de Radio France, Claudia Eder, Edita Gruberová, Orchestre national de France, Seiji Ozawa
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 1. Allegro maestoso
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 2. Quasi adagio – Allegretto vivace – Allegro animato
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 3. Allegro marziale animato – Presto
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
Concerto for Piano and Orchestra no. 2 in A major, S. 125: 1. Adagio sostenuto assai - Allegro agitato assai -
Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman
Concerto for Piano and Orchestra no. 2 in A major, S. 125: 2. Allegro moderato - Allegro deciso -
Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman
Concerto for Piano and Orchestra no. 2 in A major, S. 125: 3. Marziale un poco meno allegro -
Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman
Concerto for Piano and Orchestra no. 2 in A major, S. 125: 4. Allegro animato - Stretto (molto accelerando)
Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman
Totentanz (Danse macabre)
Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman
Gaîté parisienne: Cancan. Allegro
Boston Symphony Orchestra, Seiji Ozawa
Gloria: I. Gloria
John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Gloria: II. Laudamus te
John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Gloria: III. Domine Deus
John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Gloria: IV. Domine Fili unigenite
John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Gloria: V. Domine Deus, Agnus Dei
John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Gloria: VI. Qui sedes ad dexteram Patris
John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Stabat Mater: I. Stabat Mater dolorosa
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Stabat Mater: II. Cujus animam gementem
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Stabat Mater: III. O quam tristis
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Stabat Mater: IV. Quae maerebat
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Stabat Mater: V. Quis est homo
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Stabat Mater: VI. Vidit suum
Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Stabat Mater: VII. Eja mater
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Stabat Mater: VIII. Fac, Ut Ardeat
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Stabat Mater: IX. Sancta Mater
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Stabat Mater: X. Fac ut portem
Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Stabat Mater: XI. Inflammatus et accensus
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Stabat Mater: XII. Quando corpus
Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
Symphony no. 1 in D major, op. 25 "Classical": I. Allegro
Berliner Philharmoniker, Seiji Ozawa
Symphony no. 1 in D major, op. 25 "Classical": II. Larghetto
Berliner Philharmoniker, Seiji Ozawa
Symphony no. 1 in D major, op. 25 "Classical": III. Gavotta. Non troppo allegro
Berliner Philharmoniker, Seiji Ozawa
Symphony no. 1 in D major, op. 25 "Classical": IV. Finale. Molto vivace
Berliner Philharmoniker, Seiji Ozawa
Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima
Berliner Philharmoniker, Seiji Ozawa
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima – Andante mosso – Allegro non troppo – Tempo I
Berliner Philharmoniker, Seiji Ozawa
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
Berliner Philharmoniker, Seiji Ozawa
Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto
Berliner Philharmoniker, Seiji Ozawa
The Sleeping Beauty Suite, op. 66a: V. Waltz
Boston Symphony Orchestra, Seiji Ozawa
The Sleeping Beauty, Op. 66: Suite. I. Introduction: The Lilac Fairy
Boston Symphony Orchestra, Seiji Ozawa
The Sleeping Beauty, Op. 66: Suite. II. Adagio "Rose Adagio"
Boston Symphony Orchestra, Seiji Ozawa
The Sleeping Beauty, Op. 66: Suite. III. Puss-in-boots and the White Cat
Boston Symphony Orchestra, Seiji Ozawa
The Sleeping Beauty, Op. 66: Suite. IV. Panorama
Boston Symphony Orchestra, Seiji Ozawa
The Nutcracker, op. 71: Overture
Boston Symphony Orchestra, Seiji Ozawa
The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: a. March
Boston Symphony Orchestra, Seiji Ozawa
The Nutcracker Suite, op. 71: III. Flower Waltz
Boston Symphony Orchestra, Seiji Ozawa
The Nutcracker, op. 71: Act I, no. 1. The Christmas Tree
Boston Symphony Orchestra, Seiji Ozawa
The Nutcracker, op. 71: Act I, no. 3. Little Galop of the Children and Entry of the Parents
Boston Symphony Orchestra, Seiji Ozawa
The Nutcracker, op. 71: Act I, no. 4. Drosselmeyer's Arrival and Distribution of Presents
Boston Symphony Orchestra, Seiji Ozawa
The Nutcracker, op. 71: Act I, no. 5. Scene and Grandfather Dance
Boston Symphony Orchestra, Seiji Ozawa
The Nutcracker, op. 71: Act I, no. 6. Departure of the guests
Boston Symphony Orchestra, Seiji Ozawa
The Nutcracker, op. 71: Act I, no. 7. The battle
Boston Symphony Orchestra, Seiji Ozawa
The Nutcracker, op. 71: Act I, no. 8. Journey Through the Snow
Boston Symphony Orchestra, Seiji Ozawa
The Nutcracker, op. 71: Act I, no. 9. Waltz of the Snowflakes
James Litton, American Boychoir, Boston Symphony Orchestra, Seiji Ozawa
The Nutcracker, op. 71: Act II, no. 10. Introduction
Boston Symphony Orchestra, Seiji Ozawa
The Nutcracker, op. 71: Act II, no. 11. Arrival of Clara and the Prince
Boston Symphony Orchestra, Seiji Ozawa
The Nutcracker, op. 71: Act II, no. 12. Character dances (Chocolate/Spanish, Coffee/Arabian, Tea/Chinese, Trepak/Russian, Reed-Flutes)
Boston Symphony Orchestra, Seiji Ozawa
The Nutcracker, op. 71: Act II, no. 14. Duet (Sugar Plum Fairy and Her Cavalier, Tarantella, Dance of the Sugar Plum Fairy, Coda)
Boston Symphony Orchestra, Seiji Ozawa
The Nutcracker, op. 71: Act II, no. 15. Final Waltz and Apotheosis
James Litton, American Boychoir, Boston Symphony Orchestra, Seiji Ozawa
Violin Concerto no. 2, Sz. 112: I. Allegro non troppo
Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa
Violin Concerto no. 2, Sz. 112: II. Andante tranquillo
Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa
Violin Concerto no. 2, Sz. 112: III. Allegro molto
Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato
Berliner Philharmoniker, Seiji Ozawa
Symphony no. 6 in E-flat minor, op. 111: II. Largo
Berliner Philharmoniker, Seiji Ozawa
Symphony no. 6 in E-flat minor, op. 111: III. Vivace
Berliner Philharmoniker, Seiji Ozawa
Symphony in D minor, FWV 48: I. Lento: Allegro ma non troppo - Allegro
Boston Symphony Orchestra, Seiji Ozawa
Symphony in D minor, FWV 48: II. Allegretto
Boston Symphony Orchestra, Seiji Ozawa
Symphony in D minor, FWV 48: III. Allegro non troppo
Boston Symphony Orchestra, Seiji Ozawa
Concerto in G minor for Organ, Strings and Timpani: I. Andante - Allegro giocoso
Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa
Concerto in G minor for Organ, Strings and Timpani: II. Subito andante moderato
Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa
Concerto in G minor for Organ, Strings and Timpani: III. Tempo allegro, molto agitato - Très calme, lent - Tempo de l'allegro initial - Tempo introduction: Largo
Everett Firth, Simon Preston, Boston Symphony Orchestra, Seiji Ozawa
Concert champêtre, FP 49 : I. Allegro molto - Adagio - Allegro molto
Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa
Concert champêtre, FP 49 : II. Andante, Mouvement de Sicilienne
Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa
Concert champêtre, FP 49 : III. Finale, Presto très gai
Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa
1812 Overture, op. 49
Berliner Philharmoniker, Seiji Ozawa
Concerto for Piano and Orchestra no. 1 in F‐sharp minor, op. 1: I. Vivace – Moderato – Vivace
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
Concerto for Piano and Orchestra no. 1 in F‐sharp minor, op. 1: II. Andante
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
Concerto for Piano and Orchestra no. 1 in F‐sharp minor, op. 1: III. Allegro vivace
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato – Più vivo – Allegro – Maestoso – Alla marcia – Moderato
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio Sostenuto
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando – Moderato – Allegro scherzando – Presto – Moderato – Allegro scherzando – Alla breve – Presto – Maestoso – Risoluto
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
Piano Concerto no. 2 in G minor, op. 16: I. Andantino
Yundi Li, Berliner Philharmoniker, Seiji Ozawa
Piano Concerto no. 2 in G minor, op. 16: II. Scherzo (Vivace)
Yundi Li, Berliner Philharmoniker, Seiji Ozawa
Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo (Allegro moderato)
Yundi Li, Berliner Philharmoniker, Seiji Ozawa
Piano Concerto no. 2 in G minor, op. 16: IV. Finale (Allegro tempestoso)
Yundi Li, Berliner Philharmoniker, Seiji Ozawa
Piano Concerto in G major: I. Allegramente
Yundi Li, Berliner Philharmoniker, Seiji Ozawa
Piano Concerto in G major: II. Adagio assai
Yundi Li, Berliner Philharmoniker, Seiji Ozawa
Piano Concerto in G major: III. Presto
Yundi Li, Berliner Philharmoniker, Seiji Ozawa
What other identifiers does this connect to?
Musical Works (ISWC)
T-071.926.821-9T-071926821-9T-304.210.691-8T-304210691-8T-900.953.062-5T-900953062-5T-901.136.700-3T-901136700-3T-911510772-7T-926360287-5
+41 more
T0030063774T0030078875T0030100196T0030137677T0030151279T0030165355T0030179351T0030189515T0035067436T0040215277T0050057287T0104377196T0414890622T0700011444T0701265373T0701367396T0701391641T0701603135T0711534994T3042291378T3051942344T3051992899T3051992957T3051994873T3121842119T3121993639T3124269387T3127431878T3186765282T3330471499T8021899275T9001603174T9022947064T9027174147T9028762007T9050114142T9050318008T9093402187T9109504634T9115175821T9121657587
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000025291431000000003074707700000000551365200000000055169576000000005518936600000000554833540000000055892983000000006308863700000000631125100000000078398259
+40 more
000000007983081600000000800297350000000080796192000000008088028X000000008125583000000000814381000000000081607971000000008161204100000000975731550000000106631143000000010670976400000001067532200000000108674980000000010874333300000001087699630000000108854631000000010920127X00000001092181940000000109373768000000010941680100000001095594230000000110213067000000011023199400000001107914140000000110791457000000011079657300000001108232280000000110904343000000011440936600000001144094110000000114423440000000011443908X0000000114553392000000011469112X000000011471465100000001148024400000000114806580000000011795153X00000001194526460000000119453403
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What is UPC 028948364848?
028948364848 is a Universal Product Code (UPC) assigned to The Complete Recordings on DG by Seiji Ozawa. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 549 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm