UPC · Release
Choral Works
Elgar, Sir Adrian Boult
094636793122
100 tracksReleased 2006-01-01EMI Classics
Last verified:
094636793122 is the Universal Product Code (UPC barcode) for the release “Choral Works” by Elgar, Sir Adrian Boult, released 2006-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYD8700636, GBAYD8700637, GBAYD8700638.
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94636Manufacturer
79312Product
2Check digit
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Credit Chain
UPCChoral Works
ISRC7 recordings
IPI1 songwriter
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Music Makers op. 69 (Moderato E Nobilmente) | — | ||
| 2 | The Music Makers op. 69: We are the music makers | — | ||
| 3 | The Music Makers op. 69: With wonderful deathless ditties | — | ||
| 4 | The Music Makers op. 69: We, in the ages lying | — | ||
| 5 | The Music Makers op. 69: A breath of our inspiration | — | ||
| 6 | The Music Makers op. 69: They had no vision amazing | — | ||
| 7 | The Music Makers op. 69: And therefore to-day is thrilling | — | ||
| 8 | The Music Makers op. 69: But we, with our dreaming and singing | — | ||
| 9 | The Music Makers op. 69: For we are afar with the dawning | — | ||
| 10 | The Music Makers op. 69: Great hail! we cry to the comers | — | ||
| 11 | The Dream of Gerontius op. 38: Part 1: Prelude (Lento, mistico — Moderato — Andantino — Come prima) | — | ||
| 12 | The Dream of Gerontius op. 38: Part 1: Jesu Maria — I am near to death (Gerontius) | — | ||
| 13 | The Dream of Gerontius op. 38: Part 1: Kyrie eleison…Holy Mary, pray for him (Chorus) | — | ||
| 14 | The Dream of Gerontius op. 38: Part 1: Rouse thee, my fainting soul (Gerontius) | — | ||
| 15 | The Dream of Gerontius op. 38: Part 1: Be merciful, be gracious (Chorus) | — | ||
| 16 | The Dream of Gerontius op. 38: Part 1: Sanctus fortis, Sanctus Deus (Gerontius) | — | ||
| 17 | The Dream of Gerontius op. 38: Part 1: I can no more (Gerontius) | — | ||
| 18 | The Dream of Gerontius op. 38: Part 1: Rescue him, o Lord (Chorus/Gerontius) | — | ||
| 19 | The Dream of Gerontius op. 38: Part 1: Novissima hora est (Gerontius) | — | ||
| 20 | The Dream of Gerontius op. 38: Part 1: Proficiscere, anima Christiana (Priest) | — | ||
| 21 | The Dream of Gerontius op. 38: Part 1: Go in the name of angels (Chorus/Priest) | — | ||
| 2-1 | The Dream of Gerontius op. 38: Part 2: (Andantino) — I went to sleep (Soul of Gerontius) | — | ||
| 2-2 | The Dream of Gerontius op. 38: Part 2: My work is done (Angel/Soul of Gerontius) | — | ||
| 2-3 | The Dream of Gerontius op. 38: Part 2: All hail! My child (Angel/Soul of Gerontius) | — | ||
| 2-4 | The Dream of Gerontius op. 38: Part 2: Low-born clods of brute earth (Chorus) | — | ||
| 2-5 | The Dream of Gerontius op. 38: Part 2: It is the restless panting of their being (Angel) | — | ||
| 2-6 | The Dream of Gerontius op. 38: Part 2: The mind bold and independent (Chorus) | — | ||
| 2-7 | The Dream of Gerontius op. 38: Part 2: I see not those false spirits (Soul of Gerontius/Angel) | — | ||
| 2-8 | The Dream of Gerontius op. 38: Part 2: Praise to the Holiest (Chorus) | — | ||
| 2-9 | The Dream of Gerontius op. 38: Part 2: The sound is like the rushing of the wind (Soul/Chorus) | — | ||
| 2-10 | The Dream of Gerontius op. 38: Part 2: Glory to him (Chorus) | — | ||
| 2-11 | The Dream of Gerontius op. 38: Part 2: They sing of thy approaching agony (Angel/Soul/Chorus) | — | ||
| 2-12 | The Dream of Gerontius op. 38: Part 2: But hark! a grand mysterious harmony (Soul) | — | ||
| 2-13 | The Dream of Gerontius op. 38: Part 2: And now the threshold (Angel) | — | ||
| 2-14 | The Dream of Gerontius op. 38: Part 2: Praise to the Holiest (Chorus) | — | ||
| 2-15 | The Dream of Gerontius op. 38: Part 2: Thy judgement now is near (Angel/Soul) | — | ||
| 2-16 | The Dream of Gerontius op. 38: Part 2: Jesu! by that shuddering dread (Angel of the Agony/Soul) | — | ||
| 2-17 | The Dream of Gerontius op. 38: Part 2: Be merciful, be gracious (Chorus) | — | ||
| 2-18 | The Dream of Gerontius op. 38: Part 2: Praise to his name! (Angel) | — | ||
| 2-19 | The Dream of Gerontius op. 38: Part 2: Take me away (Soul) | — | ||
| 2-20 | The Dream of Gerontius op. 38: Part 2: Lord, Thou hast been our refuge (Chorus) | — | ||
| 2-21 | The Dream of Gerontius op. 38: Part 2: Softly and gently (Angel/Chorus) | — | ||
| 3-1 | The Apostles, op. 49: Prologue | — | ||
| 3-2 | The Apostles, op. 49: Part 1: I. The Calling of the Apostles: And it came to pass in those days | — | ||
| 3-3 | The Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: The Dawn | — | ||
| 3-4 | The Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: Morning Psalm | — | ||
| 3-5 | The Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: The Lord hath chosen them | — | ||
| 3-6 | The Apostles, op. 49: Part 1: II. By the Wayside | — | ||
| 3-7 | The Apostles, op. 49: Part 1: III. By the Sea of Galilee: And straightaway Jesus constrained his disciples | — | ||
| 3-8 | The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In the Tower of Magdala | — | ||
| 3-9 | The Apostles, op. 49: Part 1: III. By the Sea of Galilee: Fantasy: This shall ye have of mine hand | — | ||
| 3-10 | The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Caesarea Philippi: When Jesus came into the parts of Caesarea Philippi | — | ||
| 3-11 | The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Caesarea Philippi: And I will give unto thee | — | ||
| 3-12 | The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Capernaum: Turn you to the stronghold | — | ||
| 4-1 | The Apostles, op. 49: Part 2: Introduction | — | ||
| 4-2 | The Apostles, op. 49: Part 2: IV. The Betrayal: And it came to pass | — | ||
| 4-3 | The Apostles, op. 49: Part 2: IV. The Betrayal: Then gathered the Chief Priests and Pharisees | — | ||
| 4-4 | The Apostles, op. 49: Part 2: IV. The Betrayal: Hail, Master! | — | ||
| 4-5 | The Apostles, op. 49: Part 2: IV. The Betrayal: In the Place of the High Priest: Then Judas, which had betrayed him | — | ||
| 4-6 | The Apostles, op. 49: Part 2: IV. The Betrayal: The Temple: Without the temple | — | ||
| 4-7 | The Apostles, op. 49: Part 2: V. Golgotha | — | ||
| 4-8 | The Apostles, op. 49: Part 2: VI. At the Sepulchre | — | ||
| 4-9 | The Apostles, op. 49: Part 2: VII. The Ascension: We trusted that it had been He | — | ||
| 4-10 | The Apostles, op. 49: Part 2: VII. The Ascension: Give us one heart | — | ||
| 4-11 | The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Elgar’s use of leitmotiv: General introduction | — | ||
| 4-12 | The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Elgar’s use of leitmotiv: Introduction to The Apostles and The Kingdom | — | ||
| 4-13 | The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Christ, the Man of Sorrows | — | ||
| 4-14 | The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: The Spirit of the Lord | — | ||
| 4-15 | The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Christ’s Loneliness | — | ||
| 4-16 | The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: The Beatitudes | — | ||
| 4-17 | The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Judas | — | ||
| 4-18 | The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: St. Peter | — | ||
| 4-19 | The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Gospel | — | ||
| 4-20 | The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Church | — | ||
| 4-21 | The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Fellowship of the Apostles | — | ||
| 4-22 | The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: The New Faith (Christianity) | — | ||
| 4-23 | The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: In the name of Jesus Christ | — | ||
| 4-24 | The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: The Real Presence (Christ) | — | ||
| 4-25 | The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: Motto theme quoted from The Light of Life | — | ||
| 4-26 | The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: Motto theme quoted from The Dream of Gerontius | — | ||
| 5-1 | The Kingdom, op. 51: Prelude | — | ||
| 5-2 | The Kingdom, op. 51: I. In the Upper Room: Seek first the Kingdom of God | — | ||
| 5-3 | The Kingdom, op. 51: I. In the Upper Room: Men and brethren | — | ||
| 5-4 | The Kingdom, op. 51: I. In the Upper Room: O ye priests! | — | ||
| 5-5 | The Kingdom, op. 51: II. At the Beautiful Gate | — | ||
| 5-6 | The Kingdom, op. 51: III. Pentecost: And when the day of Pentecost | — | ||
| 5-7 | The Kingdom, op. 51: III. Pentecost: And suddenly there came from Heaven | — | ||
| 5-8 | The Kingdom, op. 51: III. Pentecost: Repent, and be baptised | — | ||
| 6-1 | The Kingdom, op. 51: IV. The Sign of Healing: Then they that gladly received his word | — | ||
| 6-2 | The Kingdom, op. 51: IV. The Sign of Healing: And as they spake…The Sun goeth down | — | ||
| 6-3 | The Kingdom, op. 51: V. The Upper Room: The voice of joy | — | ||
| 6-4 | The Kingdom, op. 51: V. The Upper Room: Thou, Almighty God | — | ||
| 6-5 | The Kingdom, op. 51: V. The Upper Room: Our Father | — | ||
| 6-6 | Coronation Ode, op. 44: I. Crown the King | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | — | |
| 6-7 | Coronation Ode, op. 44: IIa. The Queen | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | — | |
| 6-8 | Coronation Ode, op. 44: IIb. Daughter of ancient Kings | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | — | |
| 6-9 | Coronation Ode, op. 44: III. Britain, ask thyself | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | — | |
| 6-10 | Coronation Ode, op. 44: IV. Hark, upon the hallowed air…Only let the heart be pure | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | — | |
| 6-11 | Coronation Ode, op. 44: V. Peace, gentle Peace | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | — | |
| 6-12 | Coronation Ode, op. 44: VI. Land of Hope and Glory | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | — |
The Music Makers op. 69 (Moderato E Nobilmente)
—
The Music Makers op. 69: We are the music makers
—
The Music Makers op. 69: With wonderful deathless ditties
—
The Music Makers op. 69: We, in the ages lying
—
The Music Makers op. 69: A breath of our inspiration
—
The Music Makers op. 69: They had no vision amazing
—
The Music Makers op. 69: And therefore to-day is thrilling
—
The Music Makers op. 69: But we, with our dreaming and singing
—
The Music Makers op. 69: For we are afar with the dawning
—
The Music Makers op. 69: Great hail! we cry to the comers
—
The Dream of Gerontius op. 38: Part 1: Prelude (Lento, mistico — Moderato — Andantino — Come prima)
—
The Dream of Gerontius op. 38: Part 1: Jesu Maria — I am near to death (Gerontius)
—
The Dream of Gerontius op. 38: Part 1: Kyrie eleison…Holy Mary, pray for him (Chorus)
—
The Dream of Gerontius op. 38: Part 1: Rouse thee, my fainting soul (Gerontius)
—
The Dream of Gerontius op. 38: Part 1: Be merciful, be gracious (Chorus)
—
The Dream of Gerontius op. 38: Part 1: Sanctus fortis, Sanctus Deus (Gerontius)
—
The Dream of Gerontius op. 38: Part 1: I can no more (Gerontius)
—
The Dream of Gerontius op. 38: Part 1: Rescue him, o Lord (Chorus/Gerontius)
—
The Dream of Gerontius op. 38: Part 1: Novissima hora est (Gerontius)
—
The Dream of Gerontius op. 38: Part 1: Proficiscere, anima Christiana (Priest)
—
The Dream of Gerontius op. 38: Part 1: Go in the name of angels (Chorus/Priest)
—
The Dream of Gerontius op. 38: Part 2: (Andantino) — I went to sleep (Soul of Gerontius)
—
The Dream of Gerontius op. 38: Part 2: My work is done (Angel/Soul of Gerontius)
—
The Dream of Gerontius op. 38: Part 2: All hail! My child (Angel/Soul of Gerontius)
—
The Dream of Gerontius op. 38: Part 2: Low-born clods of brute earth (Chorus)
—
The Dream of Gerontius op. 38: Part 2: It is the restless panting of their being (Angel)
—
The Dream of Gerontius op. 38: Part 2: The mind bold and independent (Chorus)
—
The Dream of Gerontius op. 38: Part 2: I see not those false spirits (Soul of Gerontius/Angel)
—
The Dream of Gerontius op. 38: Part 2: Praise to the Holiest (Chorus)
—
The Dream of Gerontius op. 38: Part 2: The sound is like the rushing of the wind (Soul/Chorus)
—
The Dream of Gerontius op. 38: Part 2: Glory to him (Chorus)
—
The Dream of Gerontius op. 38: Part 2: They sing of thy approaching agony (Angel/Soul/Chorus)
—
The Dream of Gerontius op. 38: Part 2: But hark! a grand mysterious harmony (Soul)
—
The Dream of Gerontius op. 38: Part 2: And now the threshold (Angel)
—
The Dream of Gerontius op. 38: Part 2: Praise to the Holiest (Chorus)
—
The Dream of Gerontius op. 38: Part 2: Thy judgement now is near (Angel/Soul)
—
The Dream of Gerontius op. 38: Part 2: Jesu! by that shuddering dread (Angel of the Agony/Soul)
—
The Dream of Gerontius op. 38: Part 2: Be merciful, be gracious (Chorus)
—
The Dream of Gerontius op. 38: Part 2: Praise to his name! (Angel)
—
The Dream of Gerontius op. 38: Part 2: Take me away (Soul)
—
The Dream of Gerontius op. 38: Part 2: Lord, Thou hast been our refuge (Chorus)
—
The Dream of Gerontius op. 38: Part 2: Softly and gently (Angel/Chorus)
—
The Apostles, op. 49: Prologue
—
The Apostles, op. 49: Part 1: I. The Calling of the Apostles: And it came to pass in those days
—
The Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: The Dawn
—
The Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: Morning Psalm
—
The Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: The Lord hath chosen them
—
The Apostles, op. 49: Part 1: II. By the Wayside
—
The Apostles, op. 49: Part 1: III. By the Sea of Galilee: And straightaway Jesus constrained his disciples
—
The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In the Tower of Magdala
—
The Apostles, op. 49: Part 1: III. By the Sea of Galilee: Fantasy: This shall ye have of mine hand
—
The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Caesarea Philippi: When Jesus came into the parts of Caesarea Philippi
—
The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Caesarea Philippi: And I will give unto thee
—
The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Capernaum: Turn you to the stronghold
—
The Apostles, op. 49: Part 2: Introduction
—
The Apostles, op. 49: Part 2: IV. The Betrayal: And it came to pass
—
The Apostles, op. 49: Part 2: IV. The Betrayal: Then gathered the Chief Priests and Pharisees
—
The Apostles, op. 49: Part 2: IV. The Betrayal: Hail, Master!
—
The Apostles, op. 49: Part 2: IV. The Betrayal: In the Place of the High Priest: Then Judas, which had betrayed him
—
The Apostles, op. 49: Part 2: IV. The Betrayal: The Temple: Without the temple
—
The Apostles, op. 49: Part 2: V. Golgotha
—
The Apostles, op. 49: Part 2: VI. At the Sepulchre
—
The Apostles, op. 49: Part 2: VII. The Ascension: We trusted that it had been He
—
The Apostles, op. 49: Part 2: VII. The Ascension: Give us one heart
—
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Elgar’s use of leitmotiv: General introduction
—
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Elgar’s use of leitmotiv: Introduction to The Apostles and The Kingdom
—
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Christ, the Man of Sorrows
—
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: The Spirit of the Lord
—
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Christ’s Loneliness
—
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: The Beatitudes
—
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Judas
—
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: St. Peter
—
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Gospel
—
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Church
—
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Fellowship of the Apostles
—
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: The New Faith (Christianity)
—
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: In the name of Jesus Christ
—
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: The Real Presence (Christ)
—
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: Motto theme quoted from The Light of Life
—
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: Motto theme quoted from The Dream of Gerontius
—
The Kingdom, op. 51: Prelude
—
The Kingdom, op. 51: I. In the Upper Room: Seek first the Kingdom of God
—
The Kingdom, op. 51: I. In the Upper Room: Men and brethren
—
The Kingdom, op. 51: I. In the Upper Room: O ye priests!
—
The Kingdom, op. 51: II. At the Beautiful Gate
—
The Kingdom, op. 51: III. Pentecost: And when the day of Pentecost
—
The Kingdom, op. 51: III. Pentecost: And suddenly there came from Heaven
—
The Kingdom, op. 51: III. Pentecost: Repent, and be baptised
—
The Kingdom, op. 51: IV. The Sign of Healing: Then they that gladly received his word
—
The Kingdom, op. 51: IV. The Sign of Healing: And as they spake…The Sun goeth down
—
The Kingdom, op. 51: V. The Upper Room: The voice of joy
—
The Kingdom, op. 51: V. The Upper Room: Thou, Almighty God
—
The Kingdom, op. 51: V. The Upper Room: Our Father
—
Coronation Ode, op. 44: I. Crown the King
Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger
—
Coronation Ode, op. 44: IIa. The Queen
Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger
—
Coronation Ode, op. 44: IIb. Daughter of ancient Kings
Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger
—
Coronation Ode, op. 44: III. Britain, ask thyself
Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger
—
Coronation Ode, op. 44: IV. Hark, upon the hallowed air…Only let the heart be pure
Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger
—
Coronation Ode, op. 44: V. Peace, gentle Peace
Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger
—
Coronation Ode, op. 44: VI. Land of Hope and Glory
Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger
—
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What is UPC 094636793122?
094636793122 is a Universal Product Code (UPC) assigned to Choral Works by Elgar, Sir Adrian Boult. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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