UPC · Release
City of Birmingham Symphony Orchestra, Simon Rattle
Last verified:
The UPC for “Simon Rattle: The CBSO Years” by City of Birmingham Symphony Orchestra, Simon Rattle is 825646100552. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Warner Classics. This release contains 592 tracks, each with its own ISRC. Tracks include GBAYD8100135, GBAYD8100136, GBAYD8100137.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Glagolitic Mass: I. Uvod (Introduction) | City of Birmingham Symphony Orchestra, Simon Rattle | T-315.011.947-0 | |
| 2 | Glagolitic Mass: II. Gospodi pomiluj (Kyrie eleison) | Felicity Palmer, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3 | Glagolitic Mass: III. Slava (Gloria) | Felicity Palmer, John Mitchinson, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | T-314.918.753-7 | |
| 4 | Glagolitic Mass: IV. Veruju (Credo) | John Mitchinson, Malcolm King, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | T-312.542.697-9 | |
| 5 | Glagolitic Mass: V. Svet (Sanctus) | Felicity Palmer, Ameral Gunson, John Mitchinson, Malcolm King, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | T-312.692.424-7 | |
| 6 | Glagolitic Mass: VI. Agnece Bozij (Agnus Dei) | Felicity Palmer, Ameral Gunson, John Mitchinson, Malcolm King, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 7 | Glagolitic Mass: VII. Organ solo (Postlude) | Jane Parker-Smith | — | |
| 8 | Glagolitic Mass: VIII. Intrada | City of Birmingham Symphony Orchestra, Simon Rattle | T-323.984.111-9 | |
| 9 | War Requiem, op. 66: I. Requiem aeternam. "Requiem aeternam dona eis Domine" | Boys of Christ Church Cathedral, Oxford, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 10 | War Requiem, op. 66: I. Requiem aeternam. "What passing-bells for these who die as cattle?" | Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 11 | War Requiem, op. 66: I. Requiem aeternam. "Kyrie eleison" | City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-1 | War Requiem, op. 66: II. Dies irae. "Dies irae, dies illa" | City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-2 | War Requiem, op. 66: II. Dies irae. "Bugles sang, saddening the evening air" | Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-3 | War Requiem, op. 66: II. Dies irae. "Liber scriptus proferetur" | Elisabeth Söderström, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-4 | War Requiem, op. 66: II. Dies irae. "Out there, we've walked quite friendly up to Death" | Robert Tear, Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-5 | War Requiem, op. 66: II. Dies irae. "Recordare Jesu pie" | City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-6 | War Requiem, op. 66: II. Dies irae. "Be slowly lifted up, thou long black arm" | Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-7 | War Requiem, op. 66: II. Dies irae. "Dies irae, dies illa" | City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-8 | War Requiem, op. 66: II. Dies irae. "Lacrimosa dies illa" | Elisabeth Söderström, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-9 | War Requiem, op. 66: II. Dies irae "Move him into the sun...Pie Jesu" | Robert Tear, Elisabeth Söderström, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-10 | War Requiem, op. 66: III. Offertorium. "Domine Jesu Christe" | Boys of Christ Church Cathedral, Oxford, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-11 | War Requiem, op. 66: III. Offertorium. "So Abram rose, and clave the wood, and went" | Robert Tear, Sir Thomas Allen, Boys of Christ Church Cathedral, Oxford, Simon Rattle | — | |
| 2-12 | War Requiem, op. 66: IV. Sanctus. "Sanctus, sanctus, sanctus" | Elisabeth Söderström, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-13 | War Requiem, op. 66: IV. Sanctus. "Benedictus qui venit in nomine Domini" | Elisabeth Söderström, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-14 | War Requiem, op. 66: IV. Sanctus. "After the blast of lightning from the East" | Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-15 | War Requiem, op. 66: V. Agnus Dei | Robert Tear, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-16 | War Requiem, op. 66: VI. Libera me. "Libera me, Domine, de morte aeterna" | Elisabeth Söderström, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-17 | War Requiem, op. 66: VI. Libera me. "It seemed that out of battle I escaped" | Robert Tear, Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-18 | War Requiem, op. 66: VI. Libera me. "Let us sleep now...In paradisum" | Robert Tear, Sir Thomas Allen, Elisabeth Söderström, Boys of Christ Church Cathedral, Oxford, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-1 | An American Overture, op. 27 | City of Birmingham Symphony Orchestra, Simon Rattle | T-900.093.572-8 | |
| 3-2 | Ballad of Heroes, op. 14: I. Funeral March (Swingler) - | City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-3 | Ballad of Heroes, op. 14: II. Scherzo (Auden) - | City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-4 | Ballad of Heroes, op. 14: III. Recitative and Choral (Auden/Swingler) | City of Birmingham Symphony Chorus, Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-5 | Diversions for Piano Left-hand and Orchestra, op. 21: I. Theme | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-6 | Diversions for Piano Left Hand and Orchestra, op. 21: II. Variation 1: Recitative | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-7 | Diversions for Piano Left Hand and Orchestra, op. 21: III. Variation 2: Romance | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-8 | Diversions for Piano Left Hand and Orchestra, op. 21: IV. Variation 3: March | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-9 | Diversions for Piano Left Hand and Orchestra, op. 21: V. Variation 4: Arabesque | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-10 | Diversions for Piano Left Hand and Orchestra, op. 21: VI. Variation 5: Chant | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-11 | Diversions for Piano Left Hand and Orchestra, op. 21: VII. Variation 6: Nocturne | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-12 | Diversions for Piano Left Hand and Orchestra, op. 21: VIII. Variation 7: Badinerie | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-13 | Diversions for Piano Left Hand and Orchestra, op. 21: IX. Variation 8: Burlesque | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-14 | Diversions for Piano Left Hand and Orchestra, op. 21: X. Variation 9a: Toccata 1 - Variation 9b: Toccata 2 | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-15 | Diversions for Piano Left Hand and Orchestra, op. 21: XI. Variation 10: Adagio | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-16 | Diversions for Piano Left Hand and Orchestra, op. 21: XII. Finale: Tarantella | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-17 | The Building of the House, op. 79 | City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-18 | "Praise We Great Men" for Voices, Chorus and Orchestra: I. | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-19 | "Praise We Great Men" for Voices, Chorus and Orchestra: II. | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-20 | "Praise We Great Men" for Voices, Chorus and Orchestra: III. | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-21 | Suite on English Folk Tunes, op. 90 "A time there was...": I. Cakes and Ale | City of Birmingham Symphony Orchestra, Simon Rattle | T-900.015.529-3 | |
| 3-22 | Suite on English Folk Tunes, op. 90 "A time there was...": II. The Bitter Withy | City of Birmingham Symphony Orchestra, Simon Rattle | T-900.015.529-3 | |
| 3-23 | Suite on English Folk Tunes, op. 90 "A time there was...": III. Hankin Booby | City of Birmingham Symphony Orchestra, Simon Rattle | T-900.015.529-3 | |
| 3-24 | Suite on English Folk Tunes, op. 90 "A time there was...": IV. Hunt the Squirrel | City of Birmingham Symphony Orchestra, Simon Rattle | T-900.015.529-3 | |
| 3-25 | Suite on English Folk Tunes, op. 90 "A time there was...": V. Lord Melbourne (feat. cor anglais: Peter Walden) | City of Birmingham Symphony Orchestra, Simon Rattle | T-900.015.529-3 | |
| 4-1 | Canadian Carnival, op. 19 | Wesley Warren, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 4-2 | "Young Apollo" for Piano, String Quartet, and Strings, Op.16 | Jeremy Ballard, Peter Cole, Peter Donohoe, Michal Kaznowski, Felix Kok, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 4-3 | 4 Chansons Françaises for Voice and Orchestra: I. Nuits de juin (Lento e molto rubato) | Jill Gomez, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 4-4 | 4 Chansons Françaises for Voice and Orchestra: I. Sagesse (Lento Ma Non Troppo) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 4-5 | 4 Chansons Françaises for Voice and Orchestra: I. L'Enfance (Animato) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 4-6 | 4 Chansons Françaises for Voice and Orchestra: I. Chanson d'automne (Moderato con molto ma sempre colla voce) | Jill Gomez, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 4-7 | Scottish Ballad for 2 Pianos and Orchestra, Op.26 | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 4-8 | Occasional Overture in C major, Op.38 | City of Birmingham Symphony Orchestra, Simon Rattle | T-010.302.388-6 | |
| 4-9 | Sinfonia da Requiem, op. 20: I. Lacrymosa: Andante ben misurato - | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 4-10 | Sinfonia da Requiem, op. 20: II. Dies irae: Allegro con fuoco - | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 4-11 | Sinfonia da Requiem, op. 20: III. Requiem aeternam: Andante molto tranquillo | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 5-1 | Die sieben Todsünden: Prolog | — | ||
| 5-2 | Die sieben Todsünden: I. Faulheit (Family) | — | ||
| 5-3 | Die sieben Todsünden: II. Stolz (Anna I / Family) | — | ||
| 5-4 | Die sieben Todsünden: III. Zorn (Anna I & II / Family) | — | ||
| 5-5 | Die sieben Todsünden: IV. Völlerei (Family) | — | ||
| 5-6 | Die sieben Todsünden: V. Unzucht (Anna I & II / Family) | — | ||
| 5-7 | Die sieben Todsünden: VI. Habsucht (Family) | — | ||
| 5-8 | Die sieben Todsünden: VII. Neid (Anna I / Family) | — | ||
| 5-9 | Die sieben Todsünden: Epilog (Anna I & II) | — | ||
| 5-10 | On Wenlock Edge: No. 1. On Wenlock Edge | — | ||
| 5-11 | On Wenlock Edge: No. 2. From Far, From Eve and Morning | — | ||
| 5-12 | On Wenlock Edge: No. 3. Is My Team Ploughing | — | ||
| 5-13 | On Wenlock Edge: No. 4. Oh, When I Was in Love With You | — | ||
| 5-14 | On Wenlock Edge: No. 5. Bredon Hill | — | ||
| 5-15 | On Wenlock Edge: No. 6. Clun | — | ||
| 5-16 | Song of Travel: No. 1. The Vagabond | — | ||
| 5-17 | Song of Travel: No. 2. Let Beauty Awake | — | ||
| 5-18 | Song of Travel: No. 3. The Roadside Fire | — | ||
| 5-19 | Song of Travel: No. 4. Youth and Love | — | ||
| 5-20 | Song of Travel: No. 5. In Dreams | — | ||
| 5-21 | Song of Travel: No. 6. The Infinite Shining Heavens | — | ||
| 5-22 | Song of Travel: No. 7. Whither Must I Wander | — | ||
| 5-23 | Song of Travel: No. 8. Bright Is the Ring of Words | — | ||
| 5-24 | Song of Travel: No. 9. I Have Trod the Upward and Downward Slope | — | ||
| 6-1 | Symphonic Dances, op. 45: I. Non allegro | — | ||
| 6-2 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) | — | ||
| 6-3 | Symphonic Dances, op. 45: III. Lento assai - Allegro vivace | — | ||
| 6-4 | Vocalise, op. 34 no. 14 | — | ||
| 6-5 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 7-1 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 7-2 | Symphony no. 2 in C minor “Resurrection”: III. In ruhig fliessender Bewegung | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 7-3 | Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 7-4 | Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 7-5 | Symphony no. 2 in C minor “Resurrection”: V. Wieder sehr breit | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.234.349-4 | |
| 7-6 | Symphony no. 2 in C minor “Resurrection”: V. Ritardando… Maestoso | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 7-7 | Symphony no. 2 in C minor “Resurrection”: V. Wieder zurückhaltend | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 7-8 | Symphony no. 2 in C minor “Resurrection”: V. Langsam. Misterioso | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 7-9 | Symphony no. 2 in C minor “Resurrection”: V. Etwas bewegter | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 7-10 | Symphony no. 2 in C minor “Resurrection”: V. Mit Aufschwung aber nicht eilen | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-1 | Das klagende Lied: I. Waldmärchen (Forest Legend) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-2 | Das klagende Lied: II. Der Spielmann (The Minstrel) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 8-3 | Das klagende Lied: III. Hochzeitsstück (Wedding Piece) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 9-1 | Piano Quartet no. 1 in G minor, op. 25: I. Allegro | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 9-2 | Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo: Allegro, ma non troppo | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 9-3 | Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 9-4 | Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla zingarese: Presto | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-306.323.172-7 | |
| 9-5 | Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig | — | ||
| 10-1 | Symphony no. 6 in A minor: II. Andante moderato | — | ||
| 10-2 | Symphony no. 6 in A minor: III. Scherzo: Wuchtig | — | ||
| 10-3 | Symphony no. 6 in A minor: IV. Finale: Allegro moderato | — | ||
| 11-1 | Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 11-2 | Symphony no. 1 in E minor, op. 39: II. Andante, ma non troppo lento | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 11-3 | Symphony no. 1 in E minor, op. 39: III. Scherzo - Allegro | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 11-4 | Symphony no. 1 in E minor, op. 39: IV. Finale: Quasi una fantasia (Andante - Allegro molto) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 11-5 | Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato - Presto | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 11-6 | Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 11-7 | Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Un pochettino largamente | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 12-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 12-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 12-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 12-4 | Symphony no. 2 in D major, op. 43: IV. Finale (Allegro moderato) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 12-5 | Symphony no. 3 in C major, op. 52: I. Allegro moderato | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 12-6 | Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 12-7 | Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 13-1 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 13-2 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 13-3 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 13-4 | Symphony no. 4 in A minor, op. 63: IV. Allegro | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 13-5 | Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 13-6 | Symphony no. 6 in D minor, op. 104: II. Allegretto moderato | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 13-7 | Symphony no. 6 in D minor, op. 104: III. Poco vivace | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 13-8 | Symphony no. 6 in D minor, op. 104: IV. Allegro molto | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 13-9 | The Oceanides, op. 73 | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-000.768.310-4 | |
| 14-1 | Symphony no. 7 in C major, op. 105: I Adagio | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 14-2 | Symphony no. 7 in C major, op. 105: II. Un pochettino meno adagio - Vivacissimo - Adagio | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 14-3 | Symphony no. 7 in C major, op. 105: III. Allegro molto moderato - | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 14-4 | Symphony no. 7 in C major, op. 105: IV. Vivace - Presto - Adagio | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 14-5 | Scene With Cranes, op. 44 no. 2 | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 14-6 | Pan and Syrinx, op. 49 | — | ||
| 14-7 | Symphony no. 4, op. 29 "The Inextinquishable": I. Allegro - | — | ||
| 14-8 | Symphony no. 4, op. 29 "The Inextinquishable": II. Poco allegretto - | — | ||
| 14-9 | Symphony no. 4, op. 29 "The Inextinquishable": III. Poco adagio quasi andante - | — | ||
| 14-10 | Symphony no. 4, op. 29 "The Inextinquishable": IV. Allegro | — | ||
| 15-1 | Turangalîla-Symphonie: I. Introduction | City of Birmingham Symphony Orchestra, Simon Rattle, Tristan Murail, Peter Donohoe | — | |
| 15-2 | Turangalîla-Symphonie: II. Chant d'amour I | City of Birmingham Symphony Orchestra, Simon Rattle, Tristan Murail, Peter Donohoe | — | |
| 15-3 | Turangalîla-Symphonie: III. Turangalîla I | City of Birmingham Symphony Orchestra, Simon Rattle, Tristan Murail, Peter Donohoe | — | |
| 15-4 | Turangalîla-Symphonie: IV. Chant d'amour II | City of Birmingham Symphony Orchestra, Simon Rattle, Tristan Murail, Peter Donohoe | — | |
| 15-5 | Turangalîla-Symphonie: V. Joie du sang des étoiles | City of Birmingham Symphony Orchestra, Simon Rattle, Tristan Murail, Peter Donohoe | — | |
| 15-6 | Turangalîla-Symphonie: VI. Jardin du sommeil d'amour | City of Birmingham Symphony Orchestra, Simon Rattle, Tristan Murail, Peter Donohoe | — | |
| 15-7 | Turangalîla-Symphonie: VII. Turangalîla II | City of Birmingham Symphony Orchestra, Simon Rattle, Tristan Murail, Peter Donohoe | — | |
| 15-8 | Turangalîla-Symphonie: VIII. Développement de l'amour | City of Birmingham Symphony Orchestra, Simon Rattle, Tristan Murail, Peter Donohoe | — | |
| 15-9 | Turangalîla-Symphonie: IX. Turangalîla III | City of Birmingham Symphony Orchestra, Simon Rattle, Tristan Murail, Peter Donohoe | — | |
| 15-10 | Turangalîla-Symphonie: X. Final | City of Birmingham Symphony Orchestra, Simon Rattle, Tristan Murail, Peter Donohoe | — | |
| 16-1 | The Dream of Gerontius: Prelude | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 16-2 | The Dream of Gerontius: Jesu, Maria - I am near to death (Gerontius) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 16-3 | The Dream of Gerontius: So pray for me... Kyrie eleison... Holy Mary, pray for him (Gerontius, semi-chorus, chorus) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 16-4 | The Dream of Gerontius: Rouse thee, my fainting soul... Be merciful (Gerontius, chorus) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 16-5 | The Dream of Gerontius: Sanctus fortis, Sanctus Deus (Gerontius) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 16-6 | The Dream of Gerontius, op. 38: Part I. I can no more (Gerontius) | — | ||
| 16-7 | The Dream of Gerontius, op. 38: Part I. Rescue him, O Lord (chorus) | — | ||
| 16-8 | The Dream of Gerontius, op. 38: Part I. Novissima hora est (semi-chorus, chorus, Gerontius) | — | ||
| 16-9 | The Dream of Gerontius, op. 38: Part I. Proficiscere, anima Christiana (Priest) | — | ||
| 16-10 | The Dream of Gerontius, op. 38: Part I. Go in the name of Angels (chorus, Priest, semi-chorus) | — | ||
| 16-11 | The Dream of Gerontius, op. 38: Part I. Go forth upon thy Journey (chorus, Priest, semi-chorus) | — | ||
| 17-1 | The Dream of Gerontius: (Andantino) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 17-2 | The Dream of Gerontius: I went to sleep (Soul of Gerontius) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 17-3 | The Dream of Gerontius, op. 38: Part II. Another marvel | — | ||
| 17-4 | The Dream of Gerontius, op. 38: Part II. My work is done (Angel, Soul) | — | ||
| 17-5 | The Dream of Gerontius: It is a member of that family... A presage falls upon thee (Angel, Soul) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 17-6 | The Dream of Gerontius, op. 38: Part II. But hark! Upon my senses (Soul) | — | ||
| 17-7 | The Dream of Gerontius, op. 38: Part II. Low-born clods of brute earth (chorus) | — | ||
| 17-8 | The Dream of Gerontius, op. 38: Part II. Dispossessed, aside thrust (chorus) | — | ||
| 17-9 | The Dream of Gerontius, op. 38: Part II. The mind bold and independent (chorus) | — | ||
| 17-10 | The Dream of Gerontius: I see not those false spirits (Soul) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 17-11 | The Dream of Gerontius, op. 38: Part II. There was a mortal (Angel) | — | ||
| 17-12 | The Dream of Gerontius, op. 38: Part II. Praise to the Holiest (semi-chorus, chorus, Angel) | — | ||
| 17-13 | The Dream of Gerontius, op. 38: Part II. The Sound is like the rushing of the wind (Soul) | — | ||
| 17-14 | The Dream of Gerontius, op. 38: Part II. Glory to Him (semi-chorus, chorus) | — | ||
| 17-15 | The Dream of Gerontius, op. 38: Part II. They sing of thy approaching agony (Soul, Angel, chorus) | — | ||
| 17-16 | The Dream of Gerontius, op. 38: Part II. But hark! a grand mysterious harmony (Soul, Angel, chorus) | — | ||
| 17-17 | The Dream of Gerontius, op. 38: Part II. And now on the threshold (Angel) | — | ||
| 17-18 | The Dream of Gerontius, op. 38: Part II. Praise to the Holiest (chorus) | — | ||
| 17-19 | The Dream of Gerontius: Thy judgment now is near (Angel, Soul) | Dame Janet Baker, John Mitchinson, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 17-20 | The Dream of Gerontius, op. 38: Part II. Jesu! by that shuddering dread (Angel of the Agony, Soul) | — | ||
| 17-21 | The Dream of Gerontius, op. 38: Part II. Be merciful, be gracious (semi-chorus, chorus) | — | ||
| 17-22 | The Dream of Gerontius, op. 38: Part II. Praise to His Name! (Angel) | — | ||
| 17-23 | The Dream of Gerontius, op. 38: Part II. Take me away (Soul) | — | ||
| 17-24 | The Dream of Gerontius, op. 38: Part II. Lord, Thou hast been our refuge (chorus) | — | ||
| 17-25 | The Dream of Gerontius: Softly and gently (Angel, chorus, semi-chorus) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 18-15 | Symphony in Three Movements: I. Overture. Allegro | Elaine Donohoe, Robert Johnston, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 18-16 | Symphony in Three Movements: II. Andante - Interlude: L’istesso tempo | Elaine Donohoe, Robert Johnston, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 18-17 | Symphony in Three Movements: III. Con moto | Elaine Donohoe, Robert Johnston, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 19-9 | Four Studies (1952 version): I. Danse | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 19-10 | Four Studies (1952 version): II. Excentrique | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 19-11 | Four Studies (1952 version): III. Cantique | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 19-12 | Four Studies (1952 version): IV. Madrid | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 20-1 | Apollo - Ballet en deux tableaux (1947 revised version), Premier tableau (prologue): Naissance d'Apollon | Felix Kok, City of Birmingham Symphony Orchestra, Peter Cole, Sir Simon Rattle, Ulrich Heinen, John Tattersdill, Jeremy Ballard | — | |
| 20-2 | Apollo: Second Tableau. Variation d'Apollon (Apollon et les Muses) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 20-3 | Apollo: Second Tableau. Pas d'action (Apollon et les Muses: Calliope, Polymnie et Terpsichore) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 20-4 | Apollo: Second Tableau. Variation de Calliope (L'Alexandrin) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 20-5 | Apollo: Second Tableau. Variation de Polymnie | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 20-6 | Apollo: Second Tableau. Variation de Tepsichore | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 20-7 | Apollo: Second Tableau. Variation d'Apollon | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 20-8 | Apollo: Second Tableau. Pas de deux (Apollon et Terpsichore) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 20-9 | Apollo: Second Tableau. Coda (Apollon et les Muses) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 20-10 | Apollo: Second Tableau. Apothéose | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 20-11 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction - Les augures printaniers - Danses des adolescentes - Jeu du rapt | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 20-12 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Ronder printanières - Jeux des cités rivales - Cortège du sage | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 20-13 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Le sage - Danse de la terre | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 20-14 | Le Sacre du printemps: Seconde Partie: Le Sacrifice: Introduction | — | ||
| 20-15 | Le Sacre du printemps: Seconde Partie: Le Sacrifice: Cercles mystérieux des adolescents | — | ||
| 20-16 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Glorification de l'èlue - Évocation des ancêtres - Action rituelle des ancêtres | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 20-17 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Danse sacrale (L'èlue) | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 21-1 | 5 Orchesterstücke, op. 16: I. Vorgefühle: Sehr rasch | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 21-2 | 5 Orchesterstücke, op. 16: II. Vergangenes: Mässige Viertel | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 21-3 | 5 Orchesterstücke, op. 16: III. Farben: Mässige Viertel | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 21-4 | 5 Orchesterstücke, op.16: IV. Peripetie, sehr rasch | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 21-5 | 5 Orchesterstücke, op. 16: V. Das obligate Rezitativ: Bewegte Achtel | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 21-6 | 6 Orchesterstücke, op. 6: I. Langsam | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 21-7 | 6 Orchesterstücke, op. 6: II. Bewegt | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 21-8 | 6 Orchesterstücke, op. 6: III. Mässig | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 21-9 | 6 Orchesterstücke, op. 6: IV. Sehr mässig | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 21-10 | 6 Orchesterstücke, op. 6: V. Sehr langsam | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 21-11 | 6 Orchesterstücke, op. 6: VI. Langsam | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 21-12 | Lulu-Suite: I. Rondo: Andante und Hymne | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 21-13 | Lulu-Suite: II. Ostinato: Allegro | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 21-14 | Lulu-Suite: III. Lied der Lulu: Comodo | Arleen Augér, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 21-15 | Lulu-Suite: IV. Variationen: Moderato | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 21-16 | Lulu-Suite: V. Adagio | Arleen Augér, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 22-1 | Musique pour “Le Roi Lear”: Fanfare d’ouverture | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 22-2 | Musique pour “Le Roi Lear”: Le Sommeil de Lear | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 22-3 | Jeux: Poème dansé | City of Birmingham Symphony Orchestra, Simon Rattle | T-003.011.148-8 | |
| 22-4 | "Images" pour orchestre: I. Gigues | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 22-5 | "Images" pour orchestre: II. Ibéria: 1.Par les rues et par les chemins | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 22-6 | "Images" pour orchestre: II. Ibéria: 2. Les Parfums de la nuit | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 22-7 | "Images" pour orchestre: II. Ibéria: 3. Le matin de jour de fête | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 22-8 | "Images" pour orchestre: III. Rondes de printemps | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 23-1 | The Creation, Hob. XXI:2: Part I. Overture: Representation of Chaos (orchestra) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 23-2 | The Creation, Hob. XXI:2: Part I, no. 1. In the beginning (Raphael/chorus/Uriel) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 23-3 | The Creation, Hob. XXI:2: Part I, no. 2. Now vanish before the holy beams (Uriel/chorus) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 23-4 | The Creation, Hob. XXI:2: Part I, no. 3. And God made the firmament (Raphael) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 23-5 | The Creation, Hob. XXI:2: Part I, no. 4. The marvellous work (Gabriel/chorus) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 23-6 | The Creation, Hob. XXI:2: Part I, no. 5. And God said, Let the waters (Raphael) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 23-7 | The Creation, Hob. XXI:2: Part I, no. 6. Rolling in foaming billows (Raphael) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 23-8 | The Creation, Hob. XXI:2: Part I, no. 7. And God said, Let the earth (Gabriel) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 23-9 | The Creation, Hob. XXI:2: Part I, no. 8. With verdure clad (Gabriel) | City of Birmingham Symphony Orchestra, Simon Rattle | T-902.863.695-5 | |
| 23-10 | The Creation, Hob. XXI:2: Part I, no. 9. And the heavenly host (Uriel) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 23-11 | The Creation, Hob. XXI:2: Part I, no. 10. Awake the harp (chorus) | CBSO Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-902.863.695-5 | |
| 23-12 | The Creation, Hob. XXI:2: Part I, no. 11. And God said, Let there be lights (Uriel) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 23-13 | The Creation, Hob. XXI:2: Part I, no. 12. In splendour bright (Uriel) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 23-14 | The Creation, Hob. XXI:2: Part I, no. 13. The heavens are telling (chorus/Gabgiel/Uriel/Raphael) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 23-15 | The Creation, Hob. XXI:2: Part II, no. 14. And God said, Let the waters (chorus/Gabriel/Uriel/Raphael) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 23-16 | The Creation, Hob. XXI:2: Part II, no. 15. On mighty pens (Gabriel) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 23-17 | The Creation, Hob. XXI:2: Part II, no. 16. And God created great whales (Raphael) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 23-18 | The Creation, Hob. XXI:2: Part II, no. 17. And the angels (Raphael) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 23-19 | The Creation, Hob. XXI:2: Part II, no. 18. Most beautiful appear (Gabriel/Uriel/Raphael) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 23-20 | The Creation, Hob. XXI:2: Part II, no. 19. The Lord is great (chorus/Gabriel/Uriel/Raphael) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 24-1 | The Creation, Hob. XXI:2: Part II, no. 20. And God said, Let the earth (Raphael) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 24-2 | The Creation, Hob. XXI:2: Part II, no. 21. Straight opening her fertile womb (Raphael) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 24-3 | The Creation, Hob. XXI:2: Part II, no. 22. Now heaven in all her glory shines (Raphael) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 24-4 | The Creation, Hob. XXI:2: Part II, no. 23. So God created Man (Uriel) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 24-5 | The Creation, Hob. XXI:2: Part II, no. 24. In native worth (Raphael) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 24-6 | The Creation, Hob. XXI:2: Part II, no. 25. And God saw everything (Raphael) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 24-7 | The Creation, Hob. XXI:2: Part II, no. 26. Achieved is the glorious work (chorus) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 24-8 | The Creation, Hob. XXI:2: Part II, no. 27. On thee each living soul (Gabriel/Uriel/Raphael) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 24-9 | The Creation, Hob. XXI:2: Part II, no. 28. Achieved is the glorious work (chorus) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 24-10 | The Creation, Hob. XXI:2: Part III, no. 29. In rosy mantle (Uriel) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 24-11 | The Creation, Hob. XXI:2: Part III, no. 30. The Creation: By thee with bliss (Adam/Eve/chorus) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 24-12 | The Creation, Hob. XXI:2: Part III, no. 30. The Creation: Of stars the fairest (Adam/Eve/chorus) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 24-13 | The Creation, Hob. XXI:2: Part III, no. 30. Hail! bounteous Lord! (chorus) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 24-14 | The Creation, Hob. XXI:2: Part III, no. 31. Our duty we have now performed (Adam) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 24-15 | The Creation, Hob. XXI:2: Part III, no. 32. Graceful consort (Adam/Eve) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 24-16 | The Creation, Hob. XXI:2: Part III, no. 32. The dew-dropping morn (Adam/Eve) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 24-17 | The Creation, Hob. XXI:2: Part III, no. 33. O happy pair (Uriel) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 24-18 | The Creation, Hob. XXI:2: Part III, no. 34. Sing the Lord (chorus and soloists) | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle | T-902.863.695-5 | |
| 25-1 | Symphony no. 60 in C, Hob. I:60 "The Distracted": I. Adagio - Allegro di molto | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 25-2 | Symphony no. 60 in C, Hob. I:60 "The Distracted": II. Andante | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 25-3 | Symphony no. 60 in C, Hob. I:60 "The Distracted": III. Menuetto & Trio | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 25-4 | Symphony no. 60 in C, Hob. I:60 "The Distracted": IV. Presto | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 25-5 | Symphony no. 60 in C, Hob. I:60 "The Distracted": V. Adagio (di Lamentatione) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 25-6 | Symphony no. 60 in C, Hob. I:60 "The Distracted": VI. Finale (Prestissimo) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 25-7 | Symphony no. 70 in D, Hob. I:70: I. Vivace con brio | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 25-8 | Symphony no. 70 in D, Hob. I:70: II. Specie d'un canone in contrapunto doppio (Andante) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 25-9 | Symphony no. 70 in D, Hob. I:70: III. Menuet (Allegretto) & Trio | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 25-10 | Symphony no. 70 in D, Hob. I:70: IV. Finale (Allegro con brio) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 25-11 | Symphony no. 90 in C, Hob. I:90: I. Adagio - Allegro assai | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 25-12 | Symphony no. 90 in C, Hob. I:90: II. Andante | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 25-13 | Symphony no. 90 in C, Hob. I:90: III. Menuet & Trio | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 25-14 | Symphony no. 90 in C, Hob. I:90: IV. Finale | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 26-1 | Fanfare (for the ballet L'Éventail de Jeanne) | — | ||
| 26-2 | Shéhérazade: I. Asie | — | ||
| 26-3 | Shéhérazade: II. La Flûte enchantée | — | ||
| 26-4 | Shéhérazade: III. L'Indifférent | — | ||
| 26-5 | Alborada del gracioso | — | ||
| 26-6 | Miroirs - La Vallée des cloches | — | ||
| 26-7 | Ma Mère l'Oye: Prélude - | — | ||
| 26-8 | Ma Mère l'Oye: Danse du Rouet et Scène - | — | ||
| 26-9 | Ma Mère l'Oye: Pavane de la Belle au bois dormant - | — | ||
| 26-10 | Ma Mère l'Oye: (Interlude) - Les Entretiens de la Belle et de la Bête - | — | ||
| 26-11 | Ma Mère l'Oye: (Interlude) - Petit poucet - | — | ||
| 26-12 | Ma Mère l'Oye: (Interlude) - Laideronnette, Impératrice des Pagodes - | — | ||
| 26-13 | Ma Mère l'Oye: Le Jardin Féerique | — | ||
| 26-14 | La Valse ("Poème chorégraphique") | — | ||
| 27-1 | Daphnis et Chloé: Première Partie. Introduction et Danse religieuse | City of Birmingham Symphony Orchestra, Simon Rattle | T-004.014.574-1 | |
| 27-2 | Daphnis et Chloé: Première Partie. Les jeunes filles | City of Birmingham Symphony Orchestra, Simon Rattle | T-004.014.574-1 | |
| 27-3 | Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon | City of Birmingham Symphony Orchestra, Simon Rattle | T-004.014.574-1 | |
| 27-4 | Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis | City of Birmingham Symphony Orchestra, Simon Rattle | T-004.014.574-1 | |
| 27-5 | Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense / Danse de Lyceion | City of Birmingham Symphony Orchestra, Simon Rattle | T-004.014.574-1 | |
| 27-6 | Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte | City of Birmingham Symphony Orchestra, Simon Rattle | T-004.014.574-1 | |
| 27-7 | Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint | City of Birmingham Symphony Orchestra, Simon Rattle | T-004.014.574-1 | |
| 27-8 | Daphnis et Chloé: Première Partie. Interlude | City of Birmingham Symphony Orchestra, Simon Rattle | T-004.014.574-1 | |
| 27-9 | Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé | City of Birmingham Symphony Orchestra, Simon Rattle | T-004.014.574-1 | |
| 27-10 | Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuient éperdus | City of Birmingham Symphony Orchestra, Simon Rattle | T-004.014.574-1 | |
| 27-11 | Daphnis et Chloé: Troisiéme Partie. Lever du jour | City of Birmingham Symphony Orchestra, Simon Rattle | T-004.014.574-1 | |
| 27-12 | Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx | City of Birmingham Symphony Orchestra, Simon Rattle | T-004.014.574-1 | |
| 27-13 | Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale | City of Birmingham Symphony Orchestra, Simon Rattle | T-004.014.574-1 | |
| 27-14 | Boléro | City of Birmingham Symphony Orchestra, Simon Rattle | T-304.358.483-0 | |
| 28-1 | Symphony no. 7 in E minor "Lied der Nacht": I. Langsam | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 28-2 | Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik: Allegro Moderato | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 28-3 | Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft - Trio | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 28-4 | Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik: Andante Amoroso | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 28-5 | Symphony no. 7 in E minor "Lied der Nacht": V. Rondo-Finale: Tempo 1 (Allegro Ordinario) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 29-1 | Blumine | — | ||
| 29-2 | Symphony no. 1 in D: I. Langsam. Schleppend - Im Anfang sehr gemächlich | — | ||
| 29-3 | Symphony no. 1 in D: II. Kräftig bewegt, doch nicht zu schnell | — | ||
| 29-4 | Symphony no. 1 in D: III. Feierlich und gemessen, ohne zu schleppen - | — | ||
| 29-5 | Symphony no. 1 in D: IV. Stürmisch bewegt | — | ||
| 30-1 | Symphony no. 5 in B-flat, op. 100: I. Andante | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 30-2 | Symphony no. 5 in B-flat, op. 100: II. Allegro marcato | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 30-3 | Symphony no. 5 in B-flat, op. 100: III. Adagio | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 30-4 | Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 30-5 | Scythian Suite, op. 20 "Ala and Lolli": I. The Adoration of Veles and Ala: Allegro feroce | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 30-6 | Scythian Suite, op. 20 "Ala and Lolli": II. The Alien God and the Dance of the Evil Spirits: Allegro sostenuto | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 30-7 | Scythian Suite, op. 20 "Ala and Lolli": III. Night: Andantino | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 30-8 | Scythian Suite, op. 20 "Ala and Lolli": IV. Lolli's March and the Cortege of the Sun: Tempostoso | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 31-1 | Barcarola per grande orchestra | City of Birmingham Symphony Orchestra, Simon Rattle | T-800.135.194-7 | |
| 31-2 | Symphonie Nr. 7: I. Tanz - Lebhaft und beseelt | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 31-3 | Symphonie Nr. 7: II. Ruhig bewegt | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 31-4 | Symphonie Nr. 7: III. Unablässig in Bewegung | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 31-5 | Symphonie Nr. 7: IV. Ruhig, verhalten | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 32-1 | The Young Person's Guide to the Orchestra, op. 34: I. Theme: Allegro maestoso e largamente | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-900.107.459-5 | |
| 32-2 | The Young Person's Guide to the Orchestra, op. 34: II. Variation 1 (Flutes and piccolo) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-900.107.459-5 | |
| 32-3 | The Young Person's Guide to the Orchestra, op. 34: III. Variation 2 (Oboes): Lento | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-900.107.459-5 | |
| 32-4 | The Young Person's Guide to the Orchestra, op. 34: IV. Variation 3 (Clarinets): Moderato | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 32-5 | The Young Person's Guide to the Orchestra, op. 34: V. Variation 4 (Bassoons): Allegro alla marcia | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-900.107.459-5 | |
| 32-6 | The Young Person's Guide to the Orchestra, op. 34: VI. Variation 5 (Violins): Brillante, alla polacca | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 32-7 | The Young Person's Guide to the Orchestra, op. 34: VII. Variation 6 (Violas): Meno mosso | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-900.107.459-5 | |
| 32-8 | The Young Person's Guide to the Orchestra, op. 34: VIII. Variation 7 (Cellos) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-900.107.459-5 | |
| 32-9 | The Young Person's Guide to the Orchestra, op. 34: IX. Variation 8 (Double basses): Comminciando lento ma poco a poco accel. al Allegro | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-900.107.459-5 | |
| 32-10 | The Young Person's Guide to the Orchestra, op. 34: X. Variation 9 (Harp): Maestoso | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-900.107.459-5 | |
| 32-11 | The Young Person's Guide to the Orchestra, op. 34: XI. Variation 10 (Horns): L'istesso tempo | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-900.107.459-5 | |
| 32-12 | The Young Person's Guide to the Orchestra, op. 34: XII. Variation 11 (Trumpets): Vivace | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 32-13 | The Young Person's Guide to the Orchestra, op. 34: XIII. Variation 12 (Trombones and bass tuba): Allegro pomposo | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-900.107.459-5 | |
| 32-14 | The Young Person's Guide to the Orchestra, op. 34: XIV. Variation 13 (Percussion): Moderato | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-900.107.459-5 | |
| 32-15 | The Young Person's Guide to the Orchestra, op. 34: XV. Fugue: Allegro moderato | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-900.107.459-5 | |
| 32-16 | Odyssey: Introduction | — | ||
| 32-17 | Odyssey: Part I | — | ||
| 32-18 | Odyssey: Part II | — | ||
| 33-1 | Odyssey: Part III | — | ||
| 33-2 | Odyssey: Part IV | — | ||
| 33-3 | Odyssey: Part V | — | ||
| 34-1 | Enigma Variations: Theme | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-2 | Enigma Variations: I. C.A.E. (the composer's wife) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-3 | Enigma Variations: II. H.D.S-P. (Hew David Steuart-Powell) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-4 | Enigma Variations: III. R.B.T. (Richard Baxter Townshend) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-5 | Enigma Variations: IV. W.M.B. (William Meath Baker) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-6 | Enigma Variations: V. R.P.A. (Richard Penroes Arnold) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-7 | Enigma Variations: VI. Ysobel (Isabel Fitton) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-8 | Enigma Variations: VII. Troyte (Troyte Griffith) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-9 | Enigma Variations: VIII. W.N. (Winifred Norbury) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 34-10 | Enigma Variations: IX. Nimrod (A.J. Jaeger) | City of Birmingham Symphony Orchestra, Simon Rattle | T-010.115.427-1 | |
| 34-11 | Enigma Variations: X. Intermezzo: Dorabella (Dora Penny) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-12 | Enigma Variations: XI. G.R.S. (George Robertson Sinclair) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-13 | Enigma Variations: XII. B.G.N. (Basil G. Nevinson) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-14 | Enigma Variations: XIII. Romanza: *** (Lady Mary Lygon) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-15 | Enigma Variations: XIV. Finale: E.D.U. (the composer) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-16 | Grania and Diarmid: I. Incidental Music | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-17 | Grania and Diarmid: II. Funeral March | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-18 | Falstaff, symphonic study in C minor, op. 68: I. Falstaff and Prince Henry | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-19 | Falstaff, symphonic study in C minor, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-20 | Falstaff, symphonic study in C minor, op. 68: II. Dream Interlude | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-21 | Falstaff, symphonic study in C minor, op. 68: III. Falstaff's march – The return through Gloucestershire | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-22 | Falstaff, symphonic study in C minor, op. 68: III. Interlude: Gloucestershire. Shallow's orchard – The new king – The hurried ride to London | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 34-23 | Falstaff, symphonic study in C minor, op. 68: IV. King Henry V's progress – The repudiation of Falstaff, and his death | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 35-1 | Harmonielehre: Part I | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 35-2 | Harmonielehre: Part II: The Anfortas Wound | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 35-3 | Harmonielehre: Part III: Meister Eckhardt and Quackie | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 35-4 | The Chairman Dances: Foxtrot for Orchestra | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 35-5 | Two Fanfares: 1. Tromba Lontana | Jonathan Holland, Wesley Warren, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 35-6 | Two Fanfares: 2. Short Ride in a Fast Machine | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 36-1 | Drowned Out | — | ||
| 36-2 | Three Screaming Popes | — | ||
| 36-3 | Momentum | — | ||
| 36-4 | Asyla, op. 17: I | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 36-5 | Asyla, op. 17: II | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-010.315.914-3 | |
| 36-6 | Asyla, op. 17: III. Ecstasio | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 36-7 | Asyla, op. 17: IV | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 37-1 | The Miraculous Mandarin, op. 19 (Sz. 73): The Beginning, the Curtain Rises | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 37-2 | The Miraculous Mandarin, op. 19 (Sz. 73): First Seduction Game | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 37-3 | The Miraculous Mandarin, op. 19 (Sz. 73): Second Seduction Game | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 37-4 | The Miraculous Mandarin, op. 19 (Sz. 73): Third Seduction Game, the Mandarin Enters | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 37-5 | The Miraculous Mandarin, op. 19 (Sz. 73): Dance of the Girl | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 37-6 | The Miraculous Mandarin, op. 19 (Sz. 73): The Chase, the Tramps Leap Out | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 37-7 | The Miraculous Mandarin, op. 19 (Sz. 73): Suddenly the Mandarin's Head Appears, They Drag the Mandarin to the Centre of the Floor | City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 37-8 | The Miraculous Mandarin, op. 19 (Sz. 73): The Mandarin Falls to the Floor | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 37-9 | Concerto for Orchestra (Sz. 116): Introduzione (Andante non troppo - Allegro vivace) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 37-10 | Concerto for Orchestra (Sz. 116): Giuoco delle coppie (Allegretto scherzando) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 37-11 | Concerto for Orchestra (Sz. 116): Elegia (Andante non troppo) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 37-12 | Concerto for Orchestra (Sz. 116): Intermezzo interrotto (Allegretto) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 37-13 | Concerto for Orchestra (Sz. 116): Finale (Pesante - Presto) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-1 | Erwartung, op. 17: 1. Szene "Hier hinein? Man sieht den Weg nicht..." | Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-2 | Erwartung, op. 17: 2. Szene "1st das noch der Weg? Hier ist es eben" | Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-3 | Erwartung, op. 17: 3. Szene "Da kommt ein Licht!" | Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-4 | Erwartung, op. 17: 4. Szene "Er ist auch nicht da" | Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-5 | Erwartung, op. 17: 4. Szene "Das Mondlicht...nein, dort" | Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-6 | Erwartung, op. 17: 4. Szene "Was soll ich tun" | Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-7 | Erwartung, op. 17: 4. Szene "Aber seltsam ist dein Auge" | Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-8 | Erwartung, op. 17: 4. Szene "Du siehst wieder dort hin?" | Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-9 | Erwartung, op. 17: 4. Szene "Oh! nicht einmal die Gnade" | Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-10 | Erwartung, op. 17: 4. "Szene Liebster, Liebster, der Morgen kommt" | Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-11 | Variations for Orchestra, op. 31: Introduction & Theme | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-12 | Variations for Orchestra, op. 31: Variation 1 | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-13 | Variations for Orchestra, op. 31: Variation 2 | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-14 | Variations for Orchestra, op. 31: Variation 3 | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-15 | Variations for Orchestra, op. 31: Variation 4 | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-16 | Variations for Orchestra, op. 31: Variation 5 | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-17 | Variations for Orchestra, op. 31: Variation 6 | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-18 | Variations for Orchestra, op. 31: Variation 7 | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-19 | Variations for Orchestra, op. 31: Variation 8 | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-20 | Variations for Orchestra, op. 31: Variation 9 | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 38-21 | Variations for Orchestra, op. 31: Finale | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 39-1 | Stabat Mater, op. 53: I. Stala Matka bolejaca (Stabat Mater dolorosa) | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, John Connell, Florence Quivar, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 39-2 | Stabat Mater, op. 53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret) | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, John Connell, Florence Quivar, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 39-3 | Stabat Mater, op. 53: III. O Matko, zródlo wszechmilosci (Eia Mater, fons amoris) | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, John Connell, Florence Quivar, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 39-4 | Stabat Mater, op. 53: IV. Spraw, niech placze z Toba razem (Fac me tecum pie flere) | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, John Connell, Florence Quivar, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 39-5 | Stabat Mater, op. 53: V. Panno slodka racz mozolem (Virgo virginum praeclare) | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, John Connell, Florence Quivar, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 39-6 | Stabat Mater: VI. Chrystus niech mi bedzie grodem | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, John Connell, Florence Quivar, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 39-7 | Litany to the Virgin Mary, op. 59: I. Dwunastodzwieczna cytaro | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 39-8 | Litany to the Virgin Mary, op. 59: II. Jak krzak skarlaly | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 39-9 | Symphony no. 3 "Song of the Night": I. Moderato assai (O, nie spij, druhu, nocy tej!) | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, Jon Garrison, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 39-10 | Symphony no. 3 "Song of the Night": II. Vivace, scherzando | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, Jon Garrison, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 39-11 | Symphony no. 3 "Song of the Night": III. Largo (Jak cicho. Inni spia...) | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, Jon Garrison, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 40-1 | Symphonie Nr. 22 "Der Philosoph": I. Adagio | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 40-2 | Symphonie Nr. 22 "Der Philosoph": II. Presto | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 40-3 | Symphonie Nr. 22 "Der Philosoph": III. Menuetto & Trio | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 40-4 | Symphonie Nr. 22 "Der Philosoph": IV. Finale (Presto) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 40-5 | Symphonie Nr. 102: I. Largo - Vivace | City of Birmingham Symphony Orchestra, Simon Rattle | T-931.717.545-4 | |
| 40-6 | Symphonie Nr. 102: II. Adagio | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 40-7 | Symphonie Nr. 102: III. Menuet (Allegro) & Trio | City of Birmingham Symphony Orchestra, Simon Rattle | T-909.876.868-4 | |
| 40-8 | Symphonie Nr. 102: IV. Finale (Presto) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 40-9 | Symphonie Nr. 86: I. Adagio - Allegro spiritoso | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 40-10 | Symphonie Nr. 86: II. Capriccio (Largo) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 40-11 | Symphonie Nr. 86: III. Menuet (Allegretto) & Trio | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 40-12 | Symphonie Nr. 86: IV. Finale (Allegro con spirito) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 41-1 | Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - (Tempo I) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 41-2 | Symphony no. 4 in C minor, op. 43: II. Moderato con moto | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 41-3 | Symphony no. 4 in C minor, op. 43: III. Largo - Allegro | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 41-4 | Russian Funeral: Andante alla marcia - Un pochissimo animando - Tempo primo più maestoso | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 42-1 | Das Lied von der Erde: I. Das Trinkled Vom Jammer der Erde | Peter Seiffert, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 42-2 | Das Lied von der Erde: II. Der Einsame Im Herbst | Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 42-3 | Das Lied von der Erde: III. Von der Jugend | Peter Seiffert, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 42-4 | Das Lied von der Erde: IV. Von der Schönheit | Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 42-5 | Das Lied von der Erde: V. Der Trunkene Im Frühling | Peter Seiffert, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 42-6 | Das Lied von der Erde: VI. Der Abschied | Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 43-1 | Symphony no. 7 in E: I. Allegro moderato | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 43-2 | Symphony no. 7 in E: II. Adagio (Sehr feierlich und sehr langsam) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 43-3 | Symphony no. 7 in E: III. Scherzo: Sehr schnell - Trio (Etwas langsamer) - Scherzo da capo | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 43-4 | Symphony no. 7 in E: IV. Finale: Bewegt, doch nicht schnell | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 44-1 | In a Nutshell: I. Arrival Platform Humlet | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 44-2 | In a Nutshell: II. Gay but Wistful | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 44-3 | In a Nutshell: III. Pastoral | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 44-4 | In a Nutshell: IV. The Gum-Suckers March | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 44-5 | Train Music | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 44-6 | Country Gardens | City of Birmingham Symphony Orchestra, Simon Rattle | T-010.435.122-5 | |
| 44-7 | Miroirs: La vallée des cloches (Très lent) | City of Birmingham Symphony Orchestra, Simon Rattle | T-004.019.673-3 | |
| 44-8 | Lincolnshire Posy: I. Lisbon (Sailor's Song) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 44-9 | Lincolnshire Posy: II. Horkstow Grange (The Miser and His Man - A Local Tragedy) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 44-10 | Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 44-11 | Lincolnshire Posy: IV. The Brisk Young Sailor (Who Returned to Wed His True Love) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 44-12 | Lincolnshire Posy: V. Lord Melbourne (War Song) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 44-13 | Lincolnshire Posy: VI. The Lost Lady Found (Dance Song) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 44-14 | Pagodes from Estampes | City of Birmingham Symphony Orchestra, Simon Rattle | T-900.239.002-5 | |
| 44-15 | The Warriors | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 45-1 | Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - recht gemächlich | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 45-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 45-3 | Symphony no. 4 in G major: III. Ruhevoll | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 45-4 | Symphony no. 4 in G major: IV. Sehr behaglich | Amanda Roocroft, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 46-1 | Symphony no. 1 in B-flat minor: I. Allegro assai | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 46-2 | Symphony no. 1 in B-flat minor: II. Presto, con malizia | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 46-3 | Symphony no. 1 in B-flat minor: III. Andante con malinconia | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 46-4 | Symphony no. 1 in B-flat minor: IV. Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 46-5 | Belshazzar's Feast: Thus Spake Isaiah | City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 46-6 | Belshazzar's Feast: Babylon Was a Great City | City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 46-7 | Belshazzar's Feast: Thus in Babylon, the Mighty City | City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 46-8 | Belshazzar's Feast: And in That Same Hour as They Feasted | City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 46-9 | Belshazzar's Feast: Then Sing Aloud to God Our Strength: Lento - Allegro giocoso | City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 46-10 | Belshazzar's Feast: Then Sing Aloud to God Our Strength: Allegro | City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 47-1 | Symphony no. 3 in D minor: I. Kräftig. Entschieden | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 47-2 | Symphony no. 3 in D minor: II. Tempo di Menuetto. Sehr mäßig. Ja nicht eilen! | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 47-3 | Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-902.748.588-7 | |
| 48-1 | Symphony no. 3 in D minor: IV. Sehr langsam | Birgit Remmert, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 48-2 | Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, Des Knaben Wunderhorn | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, Birgit Remmert, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 48-3 | Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 48-4 | Des Knaben Wunderhorn: I. Der Schildwache Nachtlied | Simon Keenlyside, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 48-5 | Des Knaben Wunderhorn: II. Verlor'ne Müh | Simon Keenlyside, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 48-6 | Des Knaben Wunderhorn: III. Wer hat dies Liedlein erdacht | Simon Keenlyside, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 48-7 | Des Knaben Wunderhorn: IV. Wo die schönen Trompeten blasen | Simon Keenlyside, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 48-8 | Des Knaben Wunderhorn: V. Revelge | Simon Keenlyside, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 48-9 | Des Knaben Wunderhorn: VI. Der Tamboursg'sell | Simon Keenlyside, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 48-10 | Des Knaben Wunderhorn: VII. Des Antonius von Padua Fischpredigt | Simon Keenlyside, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 48-11 | Des Knaben Wunderhorn: VIII. Ablösung im Sommer | Simon Keenlyside, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 49-1 | Król Roger: Act I. "Hagios! Hagios!" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 49-2 | Król Roger: Act I. "Boże pobłogosław Panie praodwieczny" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 49-3 | Król Roger: Act I. "Czyś słyszał?" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 49-4 | Król Roger: Act I. "Oto bluźnierca!" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 49-5 | Król Roger: Act I. "Mój Bóg jest piękny jako ja" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 49-6 | Król Roger: Act I. "W jego uśmiechu!" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 49-7 | Król Roger: Act I. "Niech odejdzie Pasterz" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 49-8 | Król Roger: Act II. (Orchestra) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 49-9 | Król Roger: Act II. "Niepokój bladych gwiazd" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 49-10 | Król Roger: Act II. "A ...!...Roksana! Jej śpiew!" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 49-11 | Król Roger: Act II. "Ktoś mglisty przeszedł między strażą!" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 49-12 | Król Roger: Act II. "O przychodzę sam, jako kazałeś, Królu" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 49-13 | Król Roger: Act II. "A ...! Uśpij swój lęk i gniew, Rogerze!" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 49-14 | Król Roger: Act II. "Tajemnych głębin życia żar wszechmocną" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 49-15 | Król Roger: Act II. Dance of the Shepherd's followers | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 49-16 | Król Roger: Act II. Roxana's Entrance. "A...! W radosnym tańcu" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 49-17 | Król Roger: Act II. "Kto śmie mój czar łańcuchem pętać rabów?" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 49-18 | Król Roger: Act II. "Słuchajcie ... W ciszy nocy, słuchajcie" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 49-19 | Król Roger: Appendix (Roxana's Aria With Concert Ending). "A ...!...Roksana! Jej śpiew!" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 50-1 | Król Roger: Act III. (Orchestra) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 50-2 | Król Roger: Act III. "Wokół martwota głazów" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 50-3 | Król Roger: Act III. "Rogerze! Rogerze!" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 50-4 | Król Roger: Act III. "Na sąd, na sąd staw się Królu" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 50-5 | Król Roger: Act III. "Syć ofiarny" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 50-6 | Król Roger: Act III. "Edrisi, już świt!" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 50-7 | Król Roger: Act III. "Słońce! Słońce! Edrisi!" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 50-8 | Symphony no. 4 "Symphonie Concertante", op. 60: I. Moderato - Tempo comodo | Leif Ove Andsnes, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 50-9 | Symphony no. 4 "Symphonie Concertante", op. 60: II. Andante molto sostenuto | Leif Ove Andsnes, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 50-10 | Symphony no. 4 "Symphonie Concertante", op. 60: III. Allegro non troppo, ma agitato ed ansioso | Leif Ove Andsnes, City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-905.950.502-1 | |
| 51-1 | Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": a. Veni, creator spiritus | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 51-2 | Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": b. Imple superna gratia | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 51-3 | Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": c. Infirma nostri corporis | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 51-4 | Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": d. Tempo I (Allegro, etwas hastig) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 51-5 | Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": e. Infirma nostri corporis | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 51-6 | Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": f. Accende lumen sensibus | City of Birmingham Symphony Orchestra, Simon Rattle | T-922.026.708-3 | |
| 51-7 | Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": g. Qui paraclitus diceris | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 51-8 | Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": h. Gloria patri domino | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 51-9 | Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": a. Poco adagio | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 51-10 | Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": b. Più mosso (Allegro moderato) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 51-11 | Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": c. Waldung, sie schwankt heran (Chor und Echo) | City of Birmingham Symphony Orchestra Chorus, London Symphony Chorus, Toronto Children's Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 51-12 | Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": d. Ewiger Wonnebrand (Pater Ecstaticus) | David Wilson-Johnson, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 51-13 | Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) | John Relyea, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 51-14 | Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": f. Gerettet ist das edle Glied (Engel) | City of Birmingham Symphony Orchestra Chorus, London Symphony Chorus, Toronto Children's Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 51-15 | Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": g. Uns bleibt ein Erdenrest (Engel) | City of Birmingham Symphony Orchestra Chorus, London Symphony Chorus, Birgit Remmert, Toronto Children's Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 51-16 | Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": h. Ich spür' soeben (Die jüngeren Engel) | City of Birmingham Symphony Orchestra Chorus, London Symphony Chorus, Toronto Children's Chorus, Jon Villars, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 51-17 | Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": i. Höchste Herrscherin der Welt (Doctor Marianus) | City of Birmingham Symphony Orchestra Chorus, London Symphony Chorus, Toronto Children's Chorus, Jon Villars, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 51-18 | Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": j. Dir, der Unberührbaren (Chor) | City of Birmingham Symphony Orchestra Chorus, London Symphony Chorus, Toronto Children's Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 51-19 | Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": k. Bei der Liebe, die den Füssen (Magna Peccatrix) | Christine Brewer, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 51-20 | Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": l. Neige, neige, du Ohnegleiche (Una Poenitentium) | City of Birmingham Symphony Orchestra Chorus, Soile Isokoski, London Symphony Chorus, Toronto Children's Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 51-21 | Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": m. Er überwächst uns schon (Chor seliger Knaben) | City of Birmingham Symphony Orchestra Chorus, Soile Isokoski, London Symphony Chorus, Toronto Children's Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 51-22 | Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) | Juliane Banse, City of Birmingham Symphony Orchestra Chorus, London Symphony Chorus, Toronto Children's Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 51-23 | Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": o. Blicket auf zum Retterblick (Doctor Marianus und Chor) | City of Birmingham Symphony Orchestra Chorus, London Symphony Chorus, Toronto Children's Chorus, Jon Villars, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 51-24 | Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": p. Alles Vergängliche (Chorus mysticus) | London Symphony Chorus, Juliane Banse, David Wilson-Johnson, City of Birmingham Symphony Orchestra Chorus, Jane Henschel, Soile Isokoski, Christine Brewer, John Relyea, Birgit Remmert, Toronto Children's Chorus, Jon Villars, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 51-25 | Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": q. Alles Vergängliche (Chorus mysticus) | London Symphony Chorus, Juliane Banse, David Wilson-Johnson, City of Birmingham Symphony Orchestra Chorus, Jane Henschel, Soile Isokoski, Christine Brewer, John Relyea, Birgit Remmert, Toronto Children's Chorus, Jon Villars, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 52-1 | Songs of a Fairy-Tale Princess: The Lonely Moon | Iwona Sobotka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 52-2 | Songs of a Fairy-Tale Princess: The Nightingale | Iwona Sobotka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 52-3 | Songs of a Fairy-Tale Princess: Dance | Iwona Sobotka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 52-4 | Harnasie: Tableau I "In the mountain pasture": No. 1. Driving the Sheep | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-913.395.967-8 | |
| 52-5 | Harnasie: Tableau I "In the mountain pasture": No. 2. Mimed Scene (Courtship) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-913.395.967-8 | |
| 52-6 | Harnasie: Tableau I "In the mountain pasture": No. 3. The Tatra Robbers' March | Timothy Robinson, City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-913.395.967-8 | |
| 52-7 | Harnasie: Tableau I "In the mountain pasture": No. 4. Mimed Scene (The Harnaś and the girl) | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-913.395.967-8 | |
| 52-8 | Harnasie: Tableau I "In the mountain pasture": No. 5. The Tatra Robbers' Dance. Finale | City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-913.395.967-8 | |
| 52-9 | Harnasie: Tableau I "In the mountain pasture": No. 6a. The Wedding | City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-913.395.967-8 | |
| 52-10 | Harnasie: Tableau I "In the mountain pasture": No. 6b. Entry of the Bride | City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-913.395.967-8 | |
| 52-11 | Harnasie: Tableau I "In the mountain pasture": No. 6c. Drinking Song | City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-913.395.967-8 | |
| 52-12 | Harnasie: Tableau I "In the mountain pasture": No. 7. The Tatra Highlanders' Dance | Timothy Robinson, City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-913.395.967-8 | |
| 52-13 | Harnasie: Tableau I "In the mountain pasture": No. 8. Raid of the Harnasie. Dance | City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-913.395.967-8 | |
| 52-14 | Harnasie: Tableau I "In the mountain pasture": No. 9. Epilogue | Timothy Robinson, City of Birmingham Symphony Orchestra, Sir Simon Rattle | T-913.395.967-8 | |
| 52-15 | Love Songs of Hafiz: Desires | Katarina Karnéus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 52-16 | Love Songs of Hafiz: The Infatuated East Wind | Katarina Karnéus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 52-17 | Love Songs of Hafiz: Dance | Katarina Karnéus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 52-18 | Love Songs of Hafiz: Pearls of My soul | Katarina Karnéus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 52-19 | Love Songs of Hafiz: Eternal Youth | Katarina Karnéus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 52-20 | Love Songs of Hafiz: Your Voice | Katarina Karnéus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 52-21 | Love Songs of Hafiz: Drinking Song | Katarina Karnéus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 52-22 | Love Songs of Hafiz: Hafiz' Grave | Katarina Karnéus, City of Birmingham Symphony Orchestra, Sir Simon Rattle | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Petrushka: I. Fete populaire de la semaine grasse | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Petrushka: I. Le tour de passe-passe - Danse russe | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Petrushka: II. Chez Petrushka | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Petrushka: III. Chez le maure - Danse de la ballerine | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Petrushka: III. Valse - La ballerine et le maure | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Petrushka: IV. Fete populaire de la semaine grasse | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Petrushka: IV. Danse des nounous | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Petrushka: IV. Paysan et l'ours | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Petrushka: IV. Bohemien et marchand malhonnete | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Petrushka: IV. Danse des cochers et des palefreniers | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Petrushka: IV. Les deguises | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Petrushka: IV. Le rixe - Le maure et Petrushka | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Petrushka: IV. Mort de Petrushka | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Petrushka: IV. Police et l'enchanteur - Vociferation du double de Petrushka | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Ballet "The Firebird": Introduction | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 |
| Ballet "The Firebird": Dance of the Firebird | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Ballet "The Firebird": The princesses' game with the golden apples | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Ballet "The Firebird": Sudden appearance of Ivan Tsarevich | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Ballet "The Firebird": Dance of Kashchey's retinue under Firebird's spell | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Ballet "The Firebird": Lullaby | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Ballet "The Firebird": Disappearance of the palace | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Scherzo à la Russe (for jazz band) | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Scherzo à la Russe | City of Birmingham Symphony Orchestra, Simon Rattle | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
825646100552 is a Universal Product Code (UPC) assigned to Simon Rattle: The CBSO Years by City of Birmingham Symphony Orchestra, Simon Rattle. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 592 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Simon Rattle: The CBSO Years” by City of Birmingham Symphony Orchestra, Simon Rattle is 825646100552. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Warner Classics. This release contains 592 tracks, each with its own ISRC. Tracks include GBAYD8100135, GBAYD8100136, GBAYD8100137.
