UPC · Release
André Previn
Last verified:
The UPC for “The Warner Edition - Complete HMV & Teldec Recordings” by André Previn is 0190295065737. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: Warner Classics. This release contains 920 tracks, each with its own ISRC. Tracks include GBAYC1200089, GBAYC1200090, GBAYC1200091.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Sitar & Orchestra, Part 1: Raga Khamaj | Ravi Shankar, London Symphony Orchestra, André Previn | — | |
| 2 | Concerto for Sitar & Orchestra, Part 2: Raga Sindhi Bhairavi | Ravi Shankar, London Symphony Orchestra, André Previn | — | |
| 3 | Concerto for Sitar & Orchestra, Part 3: Raga Adana | Ravi Shankar, London Symphony Orchestra, André Previn | — | |
| 4 | Concerto for Sitar & Orchestra, Part 4: Raga Manj Khamaj | Ravi Shankar, London Symphony Orchestra, André Previn | — | |
| 5 | Concerto for Sitar and Orchestra (rehearsal): First movement | — | ||
| 6 | Concerto for Sitar and Orchestra (rehearsal): Third movement | — | ||
| 7 | Concerto for Sitar and Orchestra (rehearsal): Fourth movement | — | ||
| 2-1 | Rhapsody in Blue | — | ||
| 2-2 | An American in Paris | — | ||
| 2-3 | Piano Concerto in F major: I. Allegro | — | ||
| 2-4 | Piano Concerto in F major: II. Adagio - Andante con moto | — | ||
| 2-5 | Piano Concerto in F major: III. Allegro agitato | London Symphony Orchestra, André Previn | — | |
| 2-6 | An American in Paris (rehearsal) | — | ||
| 3-1 | Alexander Nevsky, op. 78: I. Russia Under the Mongolian Yoke | London Symphony Orchestra, André Previn | — | |
| 3-2 | Alexander Nevsky, op. 78: II. Song About Alexander Nevsky | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 3-3 | Alexander Nevsky, op. 78: III. The Crusaders in Pskov | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 3-4 | Alexander Nevsky, op. 78: IV. "Arise, Ye Russian People" | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 3-5 | Alexander Nevsky, op. 78: V. The Battle on the Ice | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 3-6 | Alexander Nevsky, op. 78: VI. The Field of the Dead | Anna Reynolds, London Symphony Orchestra, André Previn | — | |
| 3-7 | Alexander Nevsky, op. 78: VII. Alexander's Entry Into Pskov | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 4-1 | Cockaigne (In London Town), Concert Overture, op. 40 | — | ||
| 4-2 | Candide: Overture | London Symphony Orchestra, André Previn | T-903.288.559-9 | |
| 4-3 | Fantasia on "Greensleeves" | London Symphony Orchestra, André Previn | — | |
| 4-4 | Rumanian Rhapsody no. 1 | London Symphony Orchestra, André Previn | — | |
| 5-1 | Belshazzar's Feast: Thus spake Isaiah | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-2 | Belshazzar's Feast: If I forget thee, O Jerusalem | John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-3 | Belshazzar's Feast: By the waters of Babylon | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-4 | Belshazzar's Feast: Babylon was a great city | John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-5 | Belshazzar's Feast: Praise ye the God of Gold | John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-6 | Belshazzar's Feast: Thus in Babylon the mighty city | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-7 | Belshazzar's Feast: And in that same hour, as they feasted | John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-8 | Belshazzar's Feast: Then sing aloud to God our strength | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-9 | Belshazzar's Feast: The trumpeters and pipers are silent | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-10 | Belshazzar's Feast: Then sing aloud to God our strength | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-11 | Improvisations on an Impromptu of Benjamin Britten: I. Lento – Movendo | London Symphony Orchestra, André Previn | — | |
| 5-12 | Improvisations on an Impromptu of Benjamin Britten: II. Vivo – Più animato poco a poco | London Symphony Orchestra, André Previn | — | |
| 5-13 | Improvisations on an Impromptu of Benjamin Britten: III. Moderato | London Symphony Orchestra, André Previn | — | |
| 5-14 | Improvisations on an Impromptu of Benjamin Britten: IV. Scherzando – Giocoso | London Symphony Orchestra, André Previn | — | |
| 6-1 | The Nutcracker, op. 71: Overture | London Symphony Orchestra, André Previn | — | |
| 6-2 | The Nutcracker, op. 71: Act I, Scene I. The Decoration of the Christmas Tree | London Symphony Orchestra, André Previn | — | |
| 6-3 | The Nutcracker, op. 71: Act I: No. 2 March | London Symphony Orchestra, André Previn | — | |
| 6-4 | The Nutcracker, op. 71: Act I, Scene I. Children's Galop and Entry of the Parents | London Symphony Orchestra, André Previn | — | |
| 6-5 | The Nutcracker, op. 71: Act I, Scene I. Arrival of Drosselmeyer | London Symphony Orchestra, André Previn | — | |
| 6-6 | The Nutcracker, op. 71: Act I, Scene I. Grandfather Dance | London Symphony Orchestra, André Previn | — | |
| 6-7 | The Nutcracker, op. 71: Act I, Scene I. Clara and the Nutcracker | London Symphony Orchestra, André Previn | — | |
| 6-8 | The Nutcracker, op. 71: Act I, Scene II. Battle | London Symphony Orchestra, André Previn | — | |
| 6-9 | The Nutcracker, op. 71: Act I, Scene II. In the Pine Forest | London Symphony Orchestra, André Previn | — | |
| 6-10 | The Nutcracker, op. 71: Act I, Scene II. Waltz of the Snowflakes | Ambrosian Singers, London Symphony Orchestra, André Previn | — | |
| 7-1 | The Nutcracker: Act II. Scene II: The Kingdom of Sweets | London Symphony Orchestra, André Previn | — | |
| 7-2 | The Nutcracker: Act II: Scene III: Clara and the Prince | London Symphony Orchestra, André Previn | — | |
| 7-3 | The Nutcracker: Act II: Scene III: Divertissement A: Chocolate (Spanish dance) | London Symphony Orchestra, André Previn | — | |
| 7-4 | The Nutcracker: Act II: Scene III: Divertissement B: Coffee (Arab dance) | London Symphony Orchestra, André Previn | — | |
| 7-5 | The Nutcracker: Act II: Scene III: Divertissement C: Tea (Chinese dance) | London Symphony Orchestra, André Previn | — | |
| 7-6 | The Nutcracker: Act II: Scene III: Divertissement D: Trepak (Russian dance) | London Symphony Orchestra, André Previn | — | |
| 7-7 | The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — | |
| 7-8 | The Nutcracker: Act II: Scene III: Divertissement F: Mother Gigogne | London Symphony Orchestra, André Previn | — | |
| 7-9 | The Nutcracker: Act II: Scene III: Waltz of the Flowers | London Symphony Orchestra, André Previn | — | |
| 7-10 | The Nutcracker: Act II: Scene III: Pas de Deux | London Symphony Orchestra, André Previn | — | |
| 7-11 | The Nutcracker: Act II: Scene III: Pas de Deux: Variation I: Tarantella | London Symphony Orchestra, André Previn | — | |
| 7-12 | The Nutcracker, op. 71: Act II: No. 14 Pas de deux: (b) Variation II (Dance of the Sugar-Plum Fairy) – Coda | London Symphony Orchestra, André Previn | — | |
| 7-13 | The Nutcracker: Act II: Scene III: Final Waltz and Apotheosis | London Symphony Orchestra, André Previn | — | |
| 8-1 | 1812 Overture, op. 49 | London Symphony Orchestra, André Previn | — | |
| 8-2 | Marche Slave, op. 31 | London Symphony Orchestra, André Previn | — | |
| 8-3 | Romeo & Juliet, Fantasy Overture | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 9-1 | Piano Quintet in F minor, op. 34: I. Allegro non troppo | — | ||
| 9-2 | Piano Quintet in F minor, op. 34: II. Andante - Un poco adagio | — | ||
| 9-3 | Piano Quintet in F minor, op. 34: III. Scherzo (Allegro) | Yale String Quartet, André Previn | — | |
| 9-4 | Piano Quintet in F minor, op. 34: IV. Finale (Poco sostenuto - Allegro non troppo - Presto non troppo) | — | ||
| 10-1 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Itzhak Perlman, London Symphony Orchestra, André Previn | — | |
| 10-2 | Violin Concerto in E minor, op. 64: II. Andante | Itzhak Perlman, London Symphony Orchestra, André Previn | T-802.189.778-0 | |
| 10-3 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Itzhak Perlman, London Symphony Orchestra, André Previn | T-031.629.298-4 | |
| 10-4 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel: Allegro moderato - | — | ||
| 10-5 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio - | — | ||
| 10-6 | Violin Concerto no. 1 in G minor, op. 26: III. Finale: Allegro energico | — | ||
| 11-1 | Symphony no. 2 in E minor, op. 27: I. Largo – Allegro moderato | London Symphony Orchestra, André Previn | — | |
| 11-2 | Symphony no. 2 in E minor, op. 27: II. Scherzo. Allegro molto | London Symphony Orchestra, André Previn | — | |
| 11-3 | Symphony no. 2 in E minor, op. 27: III. Adagio | London Symphony Orchestra, André Previn | — | |
| 11-4 | Symphony no. 2 in E minor, op. 27: IV. Finale. Allegro vivace | London Symphony Orchestra, André Previn | — | |
| 12-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 12-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 12-3 | Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro | London Symphony Orchestra, André Previn | — | |
| 12-4 | Symphony no. 5 in C minor, op. 67: IV. Finale (Allegro) | — | ||
| 12-5 | Prometheus, op. 43: Overture | — | ||
| 13-1 | Symphony no. 8 in C minor, op. 65: I. Adagio | — | ||
| 13-2 | Symphony no. 8 in C minor, op. 65: II. Allegretto | — | ||
| 13-3 | Symphony no. 8 in C minor, op. 65: III. Allegro non troppo | — | ||
| 13-4 | Symphony no. 8 in C minor, op. 65: IV. Largo | — | ||
| 13-5 | Symphony no. 8 in C minor, op. 65: V. Allegretto | — | ||
| 14-1 | Symphony no. 2: I. Allegro molto | London Symphony Orchestra, André Previn | — | |
| 14-2 | Symphony no. 2: II. Lento assai | London Symphony Orchestra, André Previn | — | |
| 14-3 | Symphony no. 2: III. Passacaglia: Theme, Variations, Fugato & Coda - Scherzando | London Symphony Orchestra, André Previn | — | |
| 14-4 | Overture: Portsmouth Point | London Symphony Orchestra, André Previn | — | |
| 14-5 | Comedy Overture: Scapino | London Symphony Orchestra, André Previn | — | |
| 14-6 | The Rio Grande | Cristina Ortiz, Jean Temperley, London Madrigal Singers, Christopher Bishop, London Symphony Orchestra, André Previn | — | |
| 15-1 | Peter and the Wolf, op. 67: Presentation of the Characters and Their Musical Motive | — | ||
| 15-2 | Peter and the Wolf, op. 67: Early one morning | — | ||
| 15-3 | Peter and the Wolf, op. 67: “Look out!” shouted Peter | — | ||
| 15-4 | Peter and the Wolf, op. 67: No sooner had Peter gone… | — | ||
| 15-5 | Peter and the Wolf, op. 67: So now, this is how things stood… | — | ||
| 15-6 | Peter and the Wolf, op. 67: Just then… The hunters came out of the woods | — | ||
| 15-7 | Peter and the Wolf, op. 67: Just imagine the triumphant procession | — | ||
| 15-8 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: I. Theme | — | ||
| 15-9 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: II. Woodwind | — | ||
| 15-10 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: III. Brass | — | ||
| 15-11 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: IV. Strings | — | ||
| 15-12 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: V. Percussion | — | ||
| 15-13 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: VI. Full Orchestra | — | ||
| 15-14 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: VII. Flute and Piccolo | — | ||
| 15-15 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: VIII. Oboes | — | ||
| 15-16 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: IX. Clarinets | — | ||
| 15-17 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: X. Bassoons | — | ||
| 15-18 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XI. Violins | — | ||
| 15-19 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XII. Violas | — | ||
| 15-20 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XIII. Cellos | — | ||
| 15-21 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XIV. Double Basses | — | ||
| 15-22 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XV. Harps | — | ||
| 15-23 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XVI. Horns | — | ||
| 15-24 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XVII. Trumpets | — | ||
| 15-25 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XVIII. Trombones and Bass Tuba | — | ||
| 15-26 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XIX. Timpani and the Rest of the Percussion | — | ||
| 15-27 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XX. Fugue | — | ||
| 16-1 | Peter und der Wolf, op. 67: Vorstellung der musikalischen: Themen. Der Vogel (Flöte) - Die Ente (Oboe) - Die Katze (Klarinette) - Großvater (Fagott) - Der Wolf (Hörner) - Peter (Streicher) - Gewehrschüsse (Schlagzeug) | — | ||
| 16-2 | Peter und der Wolf, op. 67: Die Geschichte: Peter auf der Wiese - Der Vogel - Peter und der Vogel - Die Ente - Ente und Vogel… | — | ||
| 16-3 | Peter und der Wolf, op. 67: Der Vogel fliegt auf den Baum - Die Katze überlegt - Großvater kommt aus dem Haus - Peter hat keine Angst - Großvater bringt Peter heim | — | ||
| 16-4 | Peter und der Wolf, op. 67: Der Wolf kommt - Die Katze springt auf den Baum - Die Ente schnattert aufgeregt - Der Wolf fängt die Ente | — | ||
| 16-5 | Peter und der Wolf, op. 67: Die Ente ist gefressen - Katze und Vogel sitzen auf dem Baum… während der Wolf gierig lauert - Peter beobachtet alles und holt ein Seil - Der Vogel ärgert den Wolf - Zornig schnappt der Wolf nach dem Vogel… aber fängt ihn nicht - Peter macht eine Schlinge - Der Wolf ist gefangen… und versucht, sich zu befreien | — | ||
| 16-6 | Peter und der Wolf, op. 67: Gerade da kommen Jäger aus dem Wald und schießen - Peter ruft: „Schießt nicht!” | — | ||
| 16-7 | Peter und der Wolf, op. 67: Triumphzug… Peter und der Vogel sind stolz - Und wenn man ganz genau hinhört… | — | ||
| 16-8 | The Young Person's Guide to the Orchestra, op. 34: Ansprache und Erklärung - Theme A (Großes Orchester) | — | ||
| 16-9 | The Young Person's Guide to the Orchestra, op. 34: Thema B (Holzbläser) | — | ||
| 16-10 | The Young Person's Guide to the Orchestra, op. 34: Thema C (Blechbläser) | — | ||
| 16-11 | The Young Person's Guide to the Orchestra, op. 34: Thema D (Streicher) | — | ||
| 16-12 | The Young Person's Guide to the Orchestra, op. 34: Thema E (Schlagzeug) | — | ||
| 16-13 | The Young Person's Guide to the Orchestra, op. 34: Thema F (Großes Orchester) | — | ||
| 16-14 | The Young Person's Guide to the Orchestra, op. 34: Variation A (Flöte/Piccoloflöte) | — | ||
| 16-15 | The Young Person's Guide to the Orchestra, op. 34: Variation B (Oboe) | — | ||
| 16-16 | The Young Person's Guide to the Orchestra, op. 34: Variation C (Klarinette) | — | ||
| 16-17 | The Young Person's Guide to the Orchestra, op. 34: Variation D (Fagotte) | — | ||
| 16-18 | The Young Person's Guide to the Orchestra, op. 34: Variation E (Violine) | — | ||
| 16-19 | The Young Person's Guide to the Orchestra, op. 34: Variation F (Viola) | — | ||
| 16-20 | The Young Person's Guide to the Orchestra, op. 34: Variation G (Violoncello) | — | ||
| 16-21 | The Young Person's Guide to the Orchestra, op. 34: Variation H (Kontrabaß) | — | ||
| 16-22 | The Young Person's Guide to the Orchestra, op. 34: Variation I (Harfe) | — | ||
| 16-23 | The Young Person's Guide to the Orchestra, op. 34: Variation J (Horn) | — | ||
| 16-24 | The Young Person's Guide to the Orchestra, op. 34: Variation K (Trompete) | — | ||
| 16-25 | The Young Person's Guide to the Orchestra, op. 34: Variation L (Posaune/Tuba) | — | ||
| 16-26 | The Young Person's Guide to the Orchestra, op. 34: Variation M (Schlagzeug) | — | ||
| 16-27 | The Young Person's Guide to the Orchestra, op. 34: Fuge (großes Orchester - Thema in den Blechbläsern) | — | ||
| 17-1 | The Dicky Bird & the Owl | — | ||
| 17-2 | The Trumpeter | — | ||
| 17-3 | Annabelle Lee | — | ||
| 17-4 | The Catch of the Seasons (1904): Cigarette | — | ||
| 17-5 | Tom Bowling | — | ||
| 17-6 | Saved from the Deep | — | ||
| 17-7 | The Lily of Killarney: Act I. “The moon hath raised her lamp above” | — | ||
| 17-8 | Excelsior! | — | ||
| 17-9 | Come into the Garden, Maud | — | ||
| 17-10 | The Arab's Farewell to His Steed | — | ||
| 17-11 | The Lark Now Leaves His Wat'ry Nest | — | ||
| 17-12 | The Death of Nelson | — | ||
| 17-13 | Geneviève de Brabant: Gendarmes' Duet | — | ||
| 18-1 | Romeo and Juliet, op. 64: Act I. Scene I. No. 1 Introduction | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-2 | Romeo and Juliet, op. 64: Act I. Scene I. No. 2 Romeo | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-3 | Romeo and Juliet, op. 64: Act I. Scene I. No. 3 The street awakens | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-4 | Romeo and Juliet, op. 64: Act I. Scene I. No. 4 Morning Dance | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-5 | Romeo and Juliet, op. 64: Act I. Scene I. No. 5 The Quarrel | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-6 | Romeo and Juliet, op. 64: Act I. Scene I. No. 6 The Fight | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-7 | Romeo and Juliet, op. 64: Act I. Scene I. No. 7 The Prince gives his order | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-8 | Romeo and Juliet, op. 64: Act I. Scene I. No. 8 Interlude | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-9 | Romeo and Juliet, op. 64: Act I. Scene II. No. 9 Preparing for the Ball (Juliet and the Nurse) | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-10 | Romeo and Juliet, op. 64: Act I. Scene II. No. 10 Juliet as a young girl | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-11 | Romeo and Juliet, op. 64: Act I. Scene II. No. 11 Arrival of the guests | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-12 | Romeo and Juliet, op. 64: Act I. Scene II. No. 12 Masks | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-13 | Romeo and Juliet, op. 64: Act I. Scene II. No. 13 Dance of the Knights | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-14 | Romeo and Juliet, op. 64: Act I. Scene II. No. 14 Julietʼs variation | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-15 | Romeo and Juliet, op. 64: Act I. Scene II. No. 15 Mercutio | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-16 | Romeo and Juliet, op. 64: Act I. Scene II. No. 16 Madrigal | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-17 | Romeo and Juliet, op. 64: Act I. Scene II. No. 17 Tybalt recognizes Romeo | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-18 | Romeo and Juliet, op. 64: Act I. Scene II. No. 18 Departure of the guests | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-19 | Romeo and Juliet, op. 64: Act I. Scene II. No. 19 Balcony scene | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-20 | Romeo and Juliet, op. 64: Act I. Scene II. No. 20 Romeoʼs variation | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-21 | Romeo and Juliet, op. 64: Act I. Scene II. No. 21 Love Dance | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-22 | Romeo and Juliet, op. 64: Act II. Scene I. No. 22 Folk Dance | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-23 | Romeo and Juliet, op. 64: Act II. Scene I. No. 23 Romeo and Mercutio | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-24 | Romeo and Juliet, op. 64: Act II. Scene I. No. 24 Dance of the five couples | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-25 | Romeo and Juliet, op. 64: Act II. Scene I. No. 25 Dance with the mandolins | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-26 | Romeo and Juliet, op. 64: Act II. Scene I. No. 26 The Nurse | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-1 | Romeo and Juliet, op. 64: Act II. Scene I. No. 27 The Nurse gives Romeo the note from Juliet | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-2 | Romeo and Juliet, op. 64: Act II. Scene II. No. 28 Romeo with Friar Lawrence | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-3 | Romeo and Juliet, op. 64: Act II. Scene II. No. 29 Juliet with Friar Lawrence | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-4 | Romeo and Juliet, op. 64: Act: II. Scene III. No. 30 The people continue to make merry | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-5 | Romeo and Juliet, op. 64: Act II. Scene III. No. 31 Folk Dance | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-6 | Romeo and Juliet, op. 64: Act II. Scene III. No. 32 Tybalt meets Mercutio | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-7 | Romeo and Juliet, op. 64: Act II. Scene III. No. 33 Tybalt and Mercutio fight | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-8 | Romeo and Juliet, op. 64: Act II. Scene III. No. 34 Mercutio dies | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-9 | Romeo and Juliet, op. 64: Act II. Scene III. No. 35 Romeo decides to avenge Mercutioʼs death | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-10 | Romeo and Juliet, op. 64: Act II. Scene III. No. 36 Finale | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-11 | Romeo and Juliet, op. 64: Act III. Scene I. No. 37 Introduction | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-12 | Romeo and Juliet, op. 64: Act III. Scene I. No 38 Romeo and Juliet (Julietʼs bedroom) | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-13 | Romeo and Juliet, op. 64: Act III. Scene I. No. 39 The last farewell | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-14 | Romeo and Juliet, op. 64: Act III. Scene I. No. 40 The Nurse | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-15 | Romeo and Juliet, op. 64: Act III. Scene I. No. 41 Juliet refuses to marry Paris | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-16 | Romeo and Juliet, op. 64: Act III. Scene I. No. 42 Juliet alone | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-17 | Romeo and Juliet, op. 64: Act III. Scene I. No. 43 Interlude | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-18 | Romeo and Juliet, op. 64: Act III. Scene II. No. 44 At Friar Laurenceʼs | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-19 | Romeo and Juliet, op. 64: Act III. Scene II. No. 45 Interlude | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-20 | Romeo and Juliet, op. 64: Act III. Scene III. No. 46 Julietʼs bedroom | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-21 | Romeo and Juliet, op. 64: Act III. Scene III. No. 47 Juliet alone | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-22 | Romeo and Juliet, op. 64: Act III. Scene III. No. 48 Morning Serenade | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-23 | Romeo and Juliet, op. 64: Act III. Scene III. No. 49 Dance of the girls with the lilies | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-24 | Romeo and Juliet, op. 64: Act III. Scene III. No. 50 At Julietʼs bedside | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-25 | Romeo and Juliet, op. 64: Act III. Epilogue. No. 51 Julietʼs funeral | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-26 | Romeo and Juliet, op. 64: Act III. Epilogue. No. 52 Death of Juliet | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 20-1 | Piano Trio in A minor, M. 67: I. Modéré | — | ||
| 20-2 | Piano Trio in A minor, M. 67: II. Pantoum (Assez vif) | — | ||
| 20-3 | Piano Trio in A minor, M. 67: III. Passacaille (Très large) | — | ||
| 20-4 | Piano Trio in A minor, M. 67: IV. Finale (Animé) | — | ||
| 20-5 | Piano Trio no. 2 in E minor, op. 67: I. Andante | — | ||
| 20-6 | Piano Trio no. 2 in E minor, op. 67: II. Allegro non troppo | — | ||
| 20-7 | Piano Trio no. 2 in E minor, op. 67: III. Largo | — | ||
| 20-8 | Piano Trio no. 2 in E minor, op. 67: IV. Allegretto | — | ||
| 21-1 | Piano Concerto no. 17 in G major, K. 453: 1st Movement: Allegro – Cadenza | André Previn, London Symphony Orchestra, Sir Adrian Boult | — | |
| 21-2 | Piano Concerto no. 17 in G major, K. 453: 2nd Movement: Andante – Cadenza | André Previn, London Symphony Orchestra, Sir Adrian Boult | — | |
| 21-3 | Piano Concerto no. 17 in G major, K. 453: 3rd Movement: Allegretto | André Previn, London Symphony Orchestra, Sir Adrian Boult | — | |
| 21-4 | Piano Concerto no. 24 in C minor, K. 491: 1st Movement: Allegro – Cadenza (by Hummel) | André Previn, London Symphony Orchestra, Sir Adrian Boult | — | |
| 21-5 | Piano Concerto no. 24 in C minor, K. 491: 2nd Movement: Larghetto | André Previn, London Symphony Orchestra, Sir Adrian Boult | — | |
| 21-6 | Piano Concerto no. 24 in C minor, K. 491: 3rd Movement: Allegretto – Cadenza (by Previn) | André Previn, London Symphony Orchestra, Sir Adrian Boult | — | |
| 22-1 | The Planets, op. 32: I. Mars, the Bringer of War | London Symphony Orchestra, André Previn | T-923.663.725-5 | |
| 22-2 | The Planets, op. 32: II. Venus, the Bringer of Peace | London Symphony Orchestra, André Previn | — | |
| 22-3 | The Planets, op. 32: III. Mercury, the Winged Messenger | London Symphony Orchestra, André Previn | — | |
| 22-4 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | London Symphony Orchestra, André Previn | — | |
| 22-5 | The Planets, op. 32: V. Saturn, the Bringer of Old Age | London Symphony Orchestra, André Previn | — | |
| 22-6 | The Planets, op. 32: VI. Uranus, the Magician | London Symphony Orchestra, André Previn | — | |
| 22-7 | The Planets, op. 32: VII. Neptune, the Mystic | The Ambrosian Singers, London Symphony Orchestra, André Previn | — | |
| 23-1 | Violin Concerto no. 2, Sz. 112: I. Allegro non troppo | — | ||
| 23-2 | Violin Concerto no. 2, Sz. 112: II. Andante tranquillo | — | ||
| 23-3 | Violin Concerto no. 2, Sz. 112: III. Allegro molto | — | ||
| 24-1 | Sinfonia da Requiem, Op. 20: I. Lachrymosa (Andante ben misurato) | London Symphony Orchestra, André Previn | — | |
| 24-2 | Sinfonia da Requiem, Op. 20: II. Dies Irae (Allegro con fuoco) | London Symphony Orchestra, André Previn | — | |
| 24-3 | Sinfonia da Requiem, Op. 20: III. Requiem aeternam (Andante molto tranquillo) | London Symphony Orchestra, André Previn | — | |
| 24-4 | Four Sea Interludes from Peter Grimes, Op. 33a: I. Dawn (Lento e tranquillo) | London Symphony Orchestra, André Previn | — | |
| 24-5 | Four Sea Interludes from Peter Grimes, Op. 33a: II. Sunday Morning (Allegro spiritoso) | London Symphony Orchestra, André Previn | — | |
| 24-6 | Four Sea Interludes from Peter Grimes, Op. 33a: III. Moonlight (Andante comodo e rubato) | London Symphony Orchestra, André Previn | — | |
| 24-7 | Four Sea Interludes from Peter Grimes, Op. 33a: IV. Storm (Presto con fuoco) | London Symphony Orchestra, André Previn | — | |
| 24-8 | Passacaglia from Peter Grimes, Op. 33b | London Symphony Orchestra, André Previn | — | |
| 25-1 | Symphony no. 6 in B minor, op. 54: I. Largo | London Symphony Orchestra, André Previn | — | |
| 25-2 | Symphony no. 6 in B minor, op. 54: II. Allegro | London Symphony Orchestra, André Previn | — | |
| 25-3 | Symphony no. 6 in B minor, op. 54: III. Presto | London Symphony Orchestra, André Previn | — | |
| 25-4 | Lieutenant Kijé Suite, op. 60: I. The Birth of Kijé | London Symphony Orchestra, André Previn | — | |
| 25-5 | Lieutenant Kijé Suite, op. 60: II. Romance | London Symphony Orchestra, André Previn | — | |
| 25-6 | Lieutenant Kijé Suite, op. 60: III. Wedding of Kijé | London Symphony Orchestra, André Previn | — | |
| 25-7 | Lieutenant Kijé Suite, op. 60: IV. Troika | London Symphony Orchestra, André Previn | — | |
| 25-8 | Lieutenant Kijé Suite, op. 60: V. Burial of Kijé | London Symphony Orchestra, André Previn | — | |
| 26-1 | Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante | London Symphony Orchestra, André Previn | — | |
| 26-2 | Manfred Symphony in B minor, op. 58: II. Vivace con spirito | London Symphony Orchestra, André Previn | — | |
| 26-3 | Manfred Symphony in B minor, op. 58: III. Andante con moto | London Symphony Orchestra, André Previn | — | |
| 26-4 | Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco | London Symphony Orchestra, André Previn | — | |
| 27-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 27-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | London Symphony Orchestra, André Previn | T-314.638.300-4 | |
| 27-3 | Symphony no. 7 in A major, op. 92: III. Presto | London Symphony Orchestra, André Previn | — | |
| 27-4 | Symphony no. 7 in A major, op. 92: IV. Allegro | London Symphony Orchestra, André Previn | — | |
| 28-1 | Symphony no. 5 in B-flat major, op. 100: I. Andante | — | ||
| 28-2 | Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato | — | ||
| 28-3 | Symphony no. 5 in B-flat major, op. 100: III. Adagio | — | ||
| 28-4 | Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso | — | ||
| 29-1 | Sleeping Beauty, op. 66: Introduction (Allegro vivo - Andantino) | London Symphony Orchestra, André Previn | — | |
| 29-2 | Sleeping Beauty, op. 66: Prologue "The Christening": No. 1. March (Moderato) | London Symphony Orchestra, André Previn | — | |
| 29-3 | Sleeping Beauty, op. 66: Prologue "The Christening": No. 2. Dance Scene (Moderato con moto) | London Symphony Orchestra, André Previn | — | |
| 29-4 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Introduction | London Symphony Orchestra, André Previn | — | |
| 29-5 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Adagio | London Symphony Orchestra, André Previn | — | |
| 29-6 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation I. The Fairy of the Crystal Fountain (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 29-7 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation II. The Fairy of the Enchanted Garden (Allegro) | London Symphony Orchestra, André Previn | — | |
| 29-8 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation III. The Fairy of the Woodland Glades (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 29-9 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation IV. The Fairy of the Songbirds (Moderato) | London Symphony Orchestra, André Previn | — | |
| 29-10 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation V. The Fairy of the Golden Vine (Allegro molto vivace) | London Symphony Orchestra, André Previn | — | |
| 29-11 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation VI. The Lilac Fairy (Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 29-12 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Coda (Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 29-13 | Sleeping Beauty, op. 66: Prologue "The Christening": No. 4. Finale | London Symphony Orchestra, André Previn | — | |
| 29-14 | Sleeping Beauty, op. 66: Act I "The Spell": No. 5. Scene (Allegro vivo - Moderato) | London Symphony Orchestra, André Previn | — | |
| 29-15 | Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 29-16 | Sleeping Beauty, op. 66: Act I "The Spell": No. 7. Scene (Andante) | London Symphony Orchestra, André Previn | — | |
| 29-17 | Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Rose Adagio (Andante - Adagio maestoso) | London Symphony Orchestra, André Previn | — | |
| 29-18 | Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Dance of the Maids of Honour and the Pages | London Symphony Orchestra, André Previn | — | |
| 29-19 | Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Aurora's Variation | London Symphony Orchestra, André Previn | — | |
| 29-20 | Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Coda (Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 29-21 | Sleeping Beauty, op. 66: Act I "The Spell": No. 9. Finale | London Symphony Orchestra, André Previn | — | |
| 30-1 | Sleeping Beauty, op. 66: Act II "The Vision": No. 10. Entr'acte and Scene (Allegro con spirito - Un poco più tranquillo) | London Symphony Orchestra, André Previn | — | |
| 30-2 | Sleeping Beauty, op. 66: Act II "The Vision": No. 11. Blind Man's Buff (Allegro vivo) | London Symphony Orchestra, André Previn | — | |
| 30-3 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Scene | London Symphony Orchestra, André Previn | — | |
| 30-4 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Duchesses (Minuet: Moderato con moto) | London Symphony Orchestra, André Previn | — | |
| 30-5 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dance of the Baronesses (Gavotte) | London Symphony Orchestra, André Previn | — | |
| 30-6 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Countesses (Allegro non troppo) | London Symphony Orchestra, André Previn | — | |
| 30-7 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Marchionesses (Allegro non troppo) | London Symphony Orchestra, André Previn | — | |
| 30-8 | Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Scene (Poco più vivo) | London Symphony Orchestra, André Previn | — | |
| 30-9 | Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Dance (Allegro non troppo) | London Symphony Orchestra, André Previn | — | |
| 30-10 | Sleeping Beauty, op. 66: Act II "The Vision": No. 14. Scene: Prince Florimund and the Lilac Fairy | London Symphony Orchestra, André Previn | — | |
| 30-11 | Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Aurora and Florimund (Andante cantabile) | London Symphony Orchestra, André Previn | — | |
| 30-12 | Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Aurora's Variation (Allegro con moto) | London Symphony Orchestra, André Previn | — | |
| 30-13 | Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Coda (Presto) | London Symphony Orchestra, André Previn | — | |
| 30-14 | Sleeping Beauty, op. 66: Act II "The Vision": No. 16. Scene (Allegro agitato) | London Symphony Orchestra, André Previn | — | |
| 30-15 | Sleeping Beauty, op. 66: Act II "The Vision": No. 17. Panorama (Andantino) | London Symphony Orchestra, André Previn | — | |
| 30-16 | Sleeping Beauty, op. 66: Act II "The Vision": No. 18. Entr'acte | London Symphony Orchestra, André Previn | — | |
| 30-17 | Sleeping Beauty, op. 66: Act II "The Vision": No. 19. Symphonic Entr'acte (The Sleep) and Scene (Andante misterioso) | London Symphony Orchestra, André Previn | — | |
| 30-18 | Sleeping Beauty, op. 66: Act II "The Vision": No. 20. Finale: The Awakening (Allegro agitato) | London Symphony Orchestra, André Previn | — | |
| 31-1 | Sleeping Beauty, op. 66: Act III "The Wedding": No. 21. March (Allegro non troppo) | London Symphony Orchestra, André Previn | — | |
| 31-2 | Sleeping Beauty, op. 66: Act III "The Wedding": No. 22. Polonaise: Procession of Fairy-Tale Characters (Allegro moderato e brillante) | London Symphony Orchestra, André Previn | — | |
| 31-3 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Introduction (Allegro non tanto) | London Symphony Orchestra, André Previn | — | |
| 31-4 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation I. The Golden Fairy (Allegro: Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 31-5 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation II. The Silver Fairy (Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 31-6 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation III. The Sapphire Fairy (Vivacissimo) | London Symphony Orchestra, André Previn | — | |
| 31-7 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation IV. The Diamond Fairy (Vivace) | London Symphony Orchestra, André Previn | — | |
| 31-8 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Coda (L'istesso tempo) | London Symphony Orchestra, André Previn | — | |
| 31-9 | Sleeping Beauty, op. 66: Act III "The Wedding": No. 24. Pas de caractère: Puss-in-Boots and the White Cat (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 31-10 | Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Introduction (Adagio) | London Symphony Orchestra, André Previn | — | |
| 31-11 | Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Variation I. Cinderella and Prince Charming (Allegro: Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 31-12 | Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Variation II. The Bluebird and Princess Florine (Andantino) | London Symphony Orchestra, André Previn | — | |
| 31-13 | Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Coda (Presto) | London Symphony Orchestra, André Previn | — | |
| 31-14 | Sleeping Beauty: Act Three "The Wedding": No. 26. Pas de caractère: Red Riding Hood and the Wolf (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 31-15 | Sleeping Beauty: Act Three "The Wedding": No. 26. Pas de caractère: Cinderella and Prince Charming (Allegro agitato - Tempo di valse - Vivace assai) | London Symphony Orchestra, André Previn | — | |
| 31-16 | Sleeping Beauty: Act Three "The Wedding": No. 27. Pas Berrichon | London Symphony Orchestra, André Previn | — | |
| 31-17 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Entrée (Allegretto - Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 31-18 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Adagio (Andante non troppo) | London Symphony Orchestra, André Previn | — | |
| 31-19 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Variation I. Florimund (Vivace - Prestissimo) | London Symphony Orchestra, André Previn | — | |
| 31-20 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Variation II. Aurora (Andantino) | London Symphony Orchestra, André Previn | — | |
| 31-21 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Coda (Allegro vivace) | London Symphony Orchestra, André Previn | — | |
| 31-22 | Sleeping Beauty: Act Three "The Wedding": No. 29. Sarabande | London Symphony Orchestra, André Previn | — | |
| 31-23 | Sleeping Beauty: Act Three "The Wedding": No. 30. Finale and Apotheosis: Finale (Allegro brillante: Tempo di mazurka) - | London Symphony Orchestra, André Previn | — | |
| 31-24 | Sleeping Beauty: Act Three "The Wedding": No. 30. Finale and Apotheosis: Apotheosis (Andante molto maestoso) | London Symphony Orchestra, André Previn | — | |
| 32-1 | Le Corsaire, Overture, op. 21, H. 101 | — | ||
| 32-2 | Béatrice et Bénédict, H. 138: Overture | — | ||
| 32-3 | Le Carnaval romain, op. 9 | London Symphony Orchestra, André Previn | T-306.482.090-8 | |
| 32-4 | Benvenuto Cellini, op. 23, H. 76: Overture | — | ||
| 32-5 | Les Francs-juges, op. 3, H. 23a: Overture | — | ||
| 33-1 | The Wandering Scholar, op. 50: “When boughs are green in April” (Louis, Alison) | — | ||
| 33-2 | The Wandering Scholar, op. 50: “Ho there, old dog” (Louis, Alison) | — | ||
| 33-3 | The Wandering Scholar, op. 50: “The most beautiful piece” (Alison, Philippe) | — | ||
| 33-4 | The Wandering Scholar, op. 50: “The time, then, was well chosen” (Philippe, Alison) | — | ||
| 33-5 | The Wandering Scholar, op. 50: “Someone is coming!” (Alison, Philippe, Pierre) | — | ||
| 33-6 | The Wandering Scholar, op. 50: “Before that I was twenty” (Pierre, Philippe) | — | ||
| 33-7 | The Wandering Scholar, op. 50: “So learned a clerk” (Alison, Philippe, Pierre) | — | ||
| 33-8 | The Wandering Scholar, op. 50: “Heigho, a pretty knave!” (Alison, Philippe) | — | ||
| 33-9 | The Wandering Scholar, op. 50: “He'll lie all day in the sun” (Louis, Pierre, Alison) | — | ||
| 33-10 | The Wandering Scholar, op. 50: “As I was walking” (Pierre, Louis, Alison) | — | ||
| 33-11 | The Wandering Scholar, op. 50: “Monster! Villain!” (Louis, Pierre, Alison) | — | ||
| 33-12 | The Perfect Fool, op. 39: I. Andante | London Symphony Orchestra, André Previn | T-106.677.158-0 | |
| 33-13 | The Perfect Fool, op. 39: II. Dance of Spirits of Earth: Moderato-Andante | London Symphony Orchestra, André Previn | — | |
| 33-14 | The Perfect Fool, op. 39: III. Dance of Spirits of Water: Allegretto | London Symphony Orchestra, André Previn | — | |
| 33-15 | The Perfect Fool, op. 39: IV. Dance of Spirits of Fire: Allegro moderato | London Symphony Orchestra, André Previn | — | |
| 33-16 | Egdon Heath-Homage to Hardy, op. 47 | London Symphony Orchestra, André Previn | — | |
| 34-1 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-2 | Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-3 | Carmina Burana: I. Primo Vere: Veris leta facies | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-4 | Carmina Burana: I. Primo Vere: Omnia Sol temperat | Thomas Allen, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-5 | Carmina Burana: I. Primo Vere: Ecce gratum | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-6 | Carmina Burana: Uf dem Anger: Tanz | London Symphony Orchestra, André Previn | T-306.378.550-8 | |
| 34-7 | Carmina Burana: Uf dem Anger: Floret Silva | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-8 | Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-9 | Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-10 | Carmina Burana: Uf dem Anger: Were Diu werlt alle min | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-11 | Carmina Burana: II. In Taberna: Estuans interius | Thomas Allen, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-12 | Carmina Burana: II. In Taberna: Olim lacus colueram | Gerald English, London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-13 | Carmina Burana: II. In Taberna: Ego sum abbas | Thomas Allen, London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-14 | Carmina Burana: II. In Taberna: In taberna quando sumus | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-15 | Carmina Burana: III. Cour d’Amour: Amor volat undique | Sheila Armstrong, St. Clement Danes School Boys' Choir, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-16 | Carmina Burana: III. Cour d’Amour: Dies, nox et omnia | Thomas Allen, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-17 | Carmina Burana: III. Cour d’Amour: Stetit puella | Sheila Armstrong, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-18 | Carmina Burana: III. Cour d’Amour: Circa mea pectora | Thomas Allen, London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-19 | Carmina Burana: III. Cour d’Amour: Si puer cum puellula | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-20 | Carmina Burana: III. Cour d’Amour: Veni, veni, venias | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-21 | Carmina Burana: III. Cour d’Amour: In trutina | Sheila Armstrong, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-22 | Carmina Burana: III. Cour d’Amour: Tempus est iocundum | Thomas Allen, Sheila Armstrong, London Symphony Orchestra Chorus, St. Clement Danes School Boys' Choir, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-23 | Carmina Burana: III. Cour d’Amour: Dulcissime | Sheila Armstrong, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-24 | Carmina Burana: Blanziflor et Helena: Ave formosissima | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 35-1 | The Rag-Time Dance | — | ||
| 35-2 | The Easy Winners | — | ||
| 35-3 | Bethena (A Concert Waltz) | — | ||
| 35-4 | Magnetic Rag | — | ||
| 35-5 | The Strenuous Life (Rag-Time Two-Step) | — | ||
| 35-6 | The Entertainer | Itzhak Perlman, André Previn | T-307.274.394-9 | |
| 35-7 | Elite Syncopations | — | ||
| 35-8 | Solace (A Mexican Serenade) | — | ||
| 35-9 | Pine Apple Rag | — | ||
| 35-10 | Sugar Cane (A Rag-Time classic Two-Step) | — | ||
| 36-1 | The Isle of the Dead, op. 29 | London Symphony Orchestra, André Previn | T-919.677.258-4 | |
| 36-2 | Symphonic Dances, op. 45: I. Non allegro | London Symphony Orchestra, André Previn | — | |
| 36-3 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di Valse) | London Symphony Orchestra, André Previn | — | |
| 36-4 | Symphonic Dances, op. 45: III. Lento assai - Allegro vivace | London Symphony Orchestra, André Previn | — | |
| 37-1 | Vier Letzte Lieder (Four Last Songs), TrV 296: I. Frühling | — | ||
| 37-2 | Vier Letzte Lieder (Four Last Songs), TrV 296: II. September | — | ||
| 37-3 | Vier Letzte Lieder (Four Last Songs), TrV 296: III. Beim Schlafengehen | — | ||
| 37-4 | Vier Letzte Lieder (Four Last Songs), TrV 296: IV. Im Abendrot | — | ||
| 37-5 | Freundliche Vision, op. 48 no. 1 | — | ||
| 37-6 | Morgen, op. 27 no. 4 | — | ||
| 37-7 | Meinem Kinde, op. 37 no. 3 | — | ||
| 37-8 | Befreit, op. 39 no. 4 | — | ||
| 37-9 | Zueignung, op. 10 no. 1 | — | ||
| 38-1 | Signature Tune (André Previn’s Music Night) | London Symphony Orchestra, André Previn | — | |
| 38-2 | Coronation March 1953 "Orb and Sceptre" | London Symphony Orchestra, André Previn | — | |
| 38-3 | The Sorcerer's Apprentice | London Symphony Orchestra, André Previn | T-003.005.584-5 | |
| 38-4 | Adagio in G minor | London Symphony Orchestra, André Previn | T-921.189.587-3 | |
| 38-5 | Hansel and Gretel: Overture | London Symphony Orchestra, André Previn | — | |
| 38-6 | La Valse – Choreographic Poem | London Symphony Orchestra, André Previn | T-305.194.234-4 | |
| 38-7 | Slavonic Dance no. 9, op. 72 no. 1 | London Symphony Orchestra, André Previn | — | |
| 38-8 | Jennie, Lady Randolph Churchill (TV series theme music) | — | ||
| 39-1 | Symphony no. 1 in D minor, op. 13: I. Grave | London Symphony Orchestra, André Previn | — | |
| 39-2 | Symphony no. 1 in D minor, op. 13: II. Allegro animato | London Symphony Orchestra, André Previn | — | |
| 39-3 | Symphony no. 1 in D minor, op. 13: III. Larghetto | London Symphony Orchestra, André Previn | — | |
| 39-4 | Symphony no. 1 in D minor, op. 13: IV. Allegro con fuoco | London Symphony Orchestra, André Previn | T-902.755.223-4 | |
| 40-1 | Flow Gently, Deva | — | ||
| 40-2 | The Lute Player | — | ||
| 40-3 | My Snowy-Breasted Pearl | — | ||
| 40-4 | Pansy Faces | — | ||
| 40-5 | Once Again | — | ||
| 40-6 | The Diver | — | ||
| 40-7 | Listen to the Convent Bells | — | ||
| 40-8 | Watchman, What of the Night? | — | ||
| 40-9 | Home! Sweet Home! | — | ||
| 40-10 | Creep-Mouse | — | ||
| 40-11 | Yes! Let Me Like a Soldier Fall | — | ||
| 40-12 | Will-o'-the-Wisp | — | ||
| 40-13 | I'll Sing Thee Songs of Araby | — | ||
| 40-14 | The Wee Cooper o'Fife | — | ||
| 41-1 | Symphony fantastique, op. 14: I. Rêveries - Passions | — | ||
| 41-2 | Symphonie fantastique, op. 14: II. Un bal | London Symphony Orchestra, André Previn | T-922.067.243-5 | |
| 41-3 | Symphony fantastique, op. 14: III. Scènes aux champs | — | ||
| 41-4 | Symphonie fantastique, op. 14: IV. Marche au supplice | London Symphony Orchestra, André Previn | — | |
| 41-5 | Symphony fantastique, op. 14: V. Songe d'une nuit de sabbat | — | ||
| 42-1 | The Bells, op. 35: I. Allegro ma non tanto | Robert Tear, London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 42-2 | The Bells, op. 35: II. Lento | Sheila Armstrong, London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 42-3 | The Bells, op. 35: III. Presto | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 42-4 | The Bells, op. 35: IV. Lento lugubre | John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 43-1 | Concerto for Two Pianos in E-flat major, K. 365: I. Allegro | — | ||
| 43-2 | Concerto for Two Pianos in E-flat major, K. 365: II. Andante | — | ||
| 43-3 | Concerto for Two Pianos, K. 365: III. Rondo, allegro | André Previn, Radu Lupu, London Symphony Orchestra | — | |
| 43-4 | Piano Concerto no. 20 in D minor, K. 466: I. Allegro (Cadenza Beethoven) | — | ||
| 43-5 | Piano Concerto no. 20 in D minor, K. 466: II. Romance | — | ||
| 43-6 | Concerto for Piano no. 20 in D minor, K. 466: III. Rondo (Allegro assai) (cadenza by Previn) | André Previn, London Symphony Orchestra | — | |
| 44-1 | Symphony no. 88 In G major (“Letter V”): 1st Movement: Adagio – Allegro | London Symphony Orchestra, André Previn | — | |
| 44-2 | Symphony no. 88 In G major (“Letter V”): 2nd Movement: Largo | London Symphony Orchestra, André Previn | — | |
| 44-3 | Symphony no. 88 In G major (“Letter V”): 3rd Movement: Menuetto (Allegretto) | London Symphony Orchestra, André Previn | — | |
| 44-4 | Symphony no. 88 In G major (“Letter V”): 4th Movement: Finale (Allegro con spirito) | London Symphony Orchestra, André Previn | — | |
| 44-5 | Symphony no. 96 In D major (”The Miracle”): 1st Movement: Adagio – Allegro | London Symphony Orchestra, André Previn | — | |
| 44-6 | Symphony no. 96 In D major (”The Miracle”): 2nd Movement: Andante | London Symphony Orchestra, André Previn | — | |
| 44-7 | Symphony no. 96 In D major (”The Miracle”): 3rd Movement: Menuetto (Allegro) | London Symphony Orchestra, André Previn | — | |
| 44-8 | Symphony no. 96 In D major (”The Miracle”): 4th Movement: Finale (Vivace) | London Symphony Orchestra, André Previn | — | |
| 45-1 | Piano Concerto no. 1 in B-flat minor, op. 23: 1st Movement: Allegro non troppo e molto maestoso – Allegro con spirito | Horacio Gutierrez, London Symphony Orchestra, André Previn | — | |
| 45-2 | Piano Concerto no. 1 in B-flat minor, op. 23: 2nd Movement: Andantino semplice – Prestissimo – Tempo I | Horacio Gutierrez, London Symphony Orchestra, André Previn | — | |
| 45-3 | Piano Concerto no. 1 in B-flat minor, op. 23: 3rd Movement: Allegro con fuoco | Horacio Gutierrez, London Symphony Orchestra, André Previn | — | |
| 45-4 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — | |
| 45-5 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — | |
| 45-6 | Piano Concerto no. 1 in E-flat major, S. 124: III. Allegretto vivace – Allegro animato | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — | |
| 45-7 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — | |
| 46-1 | Swan Lake: Act One. Introduction (Moderato assai) | London Symphony Orchestra, André Previn | — | |
| 46-2 | Swan Lake: Act One. No. 1. Scene (Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 46-3 | Swan Lake: Act One. No. 2. Waltz (Tempo di valse) | London Symphony Orchestra, André Previn | T-106.673.991-9 | |
| 46-4 | Swan Lake: Act One. No. 3. Scene (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 46-5 | Swan Lake: Act One. No. 4. Pas de trois: I. Intrada (Allegro) | London Symphony Orchestra, André Previn | — | |
| 46-6 | Swan Lake: Act One. No. 4. Pas de trois: II. Andante sostenuto | London Symphony Orchestra, André Previn | — | |
| 46-7 | Swan Lake: Act One. No. 4. Pas de trois: III. Allegro semplice - Presto | London Symphony Orchestra, André Previn | — | |
| 46-8 | Swan Lake: Act One. No. 4. Pas de trois: IV. Moderato | London Symphony Orchestra, André Previn | — | |
| 46-9 | Swan Lake: Act One. No. 4. Pas de trois: V. Allegro | London Symphony Orchestra, André Previn | — | |
| 46-10 | Swan Lake: Act One. No. 4. Pas de trois: VI. Coda (Allegro vivace) | London Symphony Orchestra, André Previn | — | |
| 46-11 | Swan Lake: Act One. No. 5. Pas de deux: I. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 46-12 | Swan Lake: Act One. No. 5. Pas de deux: II. Andante - Allegro - Molto più mosso | Ida Haendel, London Symphony Orchestra, André Previn | — | |
| 46-13 | Swan Lake: Act One. No. 5. Pas de deux: III. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 46-14 | Swan Lake: Act One. No. 5. Pas de deux: IV. Coda (Allegro molto vivace) | London Symphony Orchestra, André Previn | — | |
| 46-15 | Swan Lake: Act One. No. 6. Pas d'action (Andantino quasi moderato - Allegro) | London Symphony Orchestra, André Previn | — | |
| 46-16 | Swan Lake: Act One. No. 7. Subject | London Symphony Orchestra, André Previn | — | |
| 46-17 | Swan Lake: Act One. No. 8. Dance with Goblets (Tempo di polacca) | London Symphony Orchestra, André Previn | — | |
| 46-18 | Swan Lake, op. 20: Act I. No. 9. Finale | London Symphony Orchestra, André Previn | — | |
| 46-19 | Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — | |
| 46-20 | Swan Lake Op. 20: Act 2: No. 11 Scene | London Symphony Orchestra, André Previn | — | |
| 46-21 | Swan Lake, op. 20: Act II, no. 12. Scene (Allegro) | London Symphony Orchestra, André Previn | — | |
| 46-22 | Swan Lake: Act Two. No. 13. Dances of the Swans: I. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 46-23 | Swan Lake: Act Two. No. 13. Dances of the Swans: II. Moderato assai - Molto più mosso | London Symphony Orchestra, André Previn | — | |
| 46-24 | Swan Lake: Act Two. No. 13. Dances of the Swans: III. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 46-25 | Swan Lake, op. 20, Act II: No. 13. Danse des cygnes: IV. Allegro moderato | London Symphony Orchestra, André Previn | — | |
| 46-26 | Swan Lake: Act Two. No. 13. Dances of the Swans: V. Andante - Andante non troppo - Allegro | Douglas Cummings, Ida Haendel, London Symphony Orchestra, André Previn | — | |
| 46-27 | Swan Lake: Act Two. No. 13. Dances of the Swans: VI. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 46-28 | Swan Lake: Act Two. No. 13. Dances of the Swans: VII. Coda (Allegro vivace) | London Symphony Orchestra, André Previn | — | |
| 46-29 | Swan Lake, op. 20: Act II, no. 14. Scene (Moderato) | London Symphony Orchestra, André Previn | T-900.146.663-3 | |
| 47-1 | Swan Lake: Act III. No. 15 Scène | London Symphony Orchestra, André Previn | — | |
| 47-2 | Swan Lake: Act III. No. 16 Danse du Corps de Ballet et des Nains | London Symphony Orchestra, André Previn | — | |
| 47-3 | Swan Lake: Act III. No. 17 Sortie des invités / Valse | London Symphony Orchestra, André Previn | — | |
| 47-4 | Swan Lake, op. 20: Act III, no. 18. Scene (Allegro - Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 47-5 | Swan Lake: Act Three. No. 19. Pas de six: Intrada | London Symphony Orchestra, André Previn | — | |
| 47-6 | Swan Lake: Act Three. No. 19. Pas de six: Variation I (Allegro) | London Symphony Orchestra, André Previn | — | |
| 47-7 | Swan Lake: Act Three. No. 19. Pas de six: Variation II (Andante con moto) | London Symphony Orchestra, André Previn | — | |
| 47-8 | Swan Lake: Act Three. No. 19. Pas de six: Variation III (Moderato) | London Symphony Orchestra, André Previn | — | |
| 47-9 | Swan Lake: Act Three. No. 19. Pas de six: Variation IV (Allegro) | London Symphony Orchestra, André Previn | — | |
| 47-10 | Swan Lake: Act Three. No. 19. Pas de six: Variation V (Moderato - Allegro semplice) | London Symphony Orchestra, André Previn | — | |
| 47-11 | Swan Lake: Act Three. No. 19. Pas de six: Coda (Allegro molto) | London Symphony Orchestra, André Previn | — | |
| 47-12 | Swan Lake: Act Three. Pas de deux [additional number]: Introduction (Moderato - Andante) | Ida Haendel, London Symphony Orchestra, André Previn | — | |
| 47-13 | Swan Lake: Act Three. Pas de deux [additional number]: Variation I (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 47-14 | Swan Lake: Act Three. Pas de deux [additional number]: Variation II (Allegro) | London Symphony Orchestra, André Previn | — | |
| 47-15 | Swan Lake: Act Three. Pas de deux [additional number]: Coda (Allegro molto vivace) | London Symphony Orchestra, André Previn | — | |
| 47-16 | Swan Lake, op. 20: Act III, no. 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace) | London Symphony Orchestra, André Previn | — | |
| 47-17 | Swan Lake, op. 20: Act III. Russian Dance (Cadenza - Andante semplice - Allegro vivo) [additional number] | Ida Haendel, London Symphony Orchestra, André Previn | — | |
| 47-18 | Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Allegro non troppo: tempo di Bolero) | London Symphony Orchestra, André Previn | — | |
| 47-19 | Swan Lake, op. 20: Act III, no. 22. Neopolitan Dance (Allegro moderato - Andantino quasi moderato) | London Symphony Orchestra, André Previn | — | |
| 47-20 | Swan Lake, op. 20: Act III, no. 23. Mazurka | London Symphony Orchestra, André Previn | — | |
| 47-21 | Swan Lake, op. 20: Act III, no. 24. Scene (Allegro - Valse - Allegro vivo) | London Symphony Orchestra, André Previn | — | |
| 47-22 | Swan Lake: Act IV. No. 25 Entr'acte | London Symphony Orchestra, André Previn | — | |
| 47-23 | Swan Lake: Act IV. No. 26 Scène | London Symphony Orchestra, André Previn | — | |
| 47-24 | Swan Lake: Act IV. No. 27 Danse des petits cygnes | London Symphony Orchestra, André Previn | — | |
| 47-25 | Swan Lake, op. 20: Act IV, no. 28. Scene (Allegro agitato - Allegro vivace) | London Symphony Orchestra, André Previn | — | |
| 47-26 | Swan Lake, op. 20: Act IV, no. 29. Finale (Andante - Allegro agitato - Alla breve - Moderato e maestoso) | London Symphony Orchestra, André Previn | — | |
| 48-1 | Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato - Allegro | London Symphony Orchestra, André Previn | — | |
| 48-2 | Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo - Allegro vivace - Tempo come prima | London Symphony Orchestra, André Previn | — | |
| 48-3 | Symphony no. 3 in A minor, op. 44: III. Allegro - Allegro vivace | London Symphony Orchestra, André Previn | — | |
| 48-4 | Aleko: Intermezzo | London Symphony Orchestra, André Previn | — | |
| 48-5 | Aleko: Women’s Dance | London Symphony Orchestra, André Previn | — | |
| 49-1 | A Midsummer Night's Dream, op. 21: Overture | London Symphony Orchestra, André Previn | — | |
| 49-2 | A Midsummer Night's Dream, op. 61: Scherzo | London Symphony Orchestra, André Previn | — | |
| 49-3 | A Midsummer Night’s Dream, op. 61: II. “Over hill, over dale” | London Symphony Orchestra, André Previn | — | |
| 49-4 | A Midsummer Night’s Dream, op. 61: III. “Ye spotted snakes” | London Symphony Orchestra, André Previn | — | |
| 49-5 | A Midsummer Night’s Dream, op. 61: IV. The Spells | London Symphony Orchestra, André Previn | — | |
| 49-6 | A Midsummer Night’s Dream, op. 61: V. Entr’acte (Hermia Seeks Lysander and entry of the Rude Mechanicals) | London Symphony Orchestra, André Previn | — | |
| 49-7 | A Midsummer Night’s Dream, op. 61: VI. “What hempen homespuns” | London Symphony Orchestra, André Previn | — | |
| 49-8 | A Midsummer Night’s Dream, op. 61: VII. Nocturne | London Symphony Orchestra, André Previn | — | |
| 49-9 | A Midsummer Night’s Dream, op. 61: VIII. The Removal of the Spells | London Symphony Orchestra, André Previn | — | |
| 49-10 | A Midsummer Night’s Dream, op. 61: IX. Wedding March (after Act 4) | London Symphony Orchestra, André Previn | T-928.635.469-6 | |
| 49-11 | A Midsummer Night’s Dream, op. 61: X. Fanfare and Funeral March | London Symphony Orchestra, André Previn | — | |
| 49-12 | A Midsummer Night’s Dream, op. 61: XI. Bergomask | London Symphony Orchestra, André Previn | — | |
| 49-13 | A Midsummer Night’s Dream, op. 61: XII. Wedding March (reprise) | London Symphony Orchestra, André Previn | — | |
| 49-14 | A Midsummer Night’s Dream, op. 61: XIII. Finale. "Through the house" | London Symphony Orchestra, André Previn | — | |
| 50-1 | Russlan and Ludmilla: Overture | London Symphony Orchestra, André Previn | T-909.762.448-1 | |
| 50-2 | Adagio for Strings | London Symphony Orchestra, André Previn | T-070.000.199-5 | |
| 50-3 | Suite no. 2 from El sombrero de tres picos: Danza de los vecinos | London Symphony Orchestra, André Previn | — | |
| 50-4 | Suite no. 2 from El sombrero de tres picos: Danza del molinero | London Symphony Orchestra, André Previn | — | |
| 50-5 | Suite no. 2 from El sombrero de tres picos: Danza final | London Symphony Orchestra, André Previn | — | |
| 50-6 | Prélude à l'après-midi d'un faune | William Bennett, London Symphony Orchestra, André Previn | — | |
| 50-7 | The Banks of Green Willow | London Symphony Orchestra, André Previn | — | |
| 50-8 | Emperor Waltz, op. 437 | London Symphony Orchestra, André Previn | — | |
| 51-1 | Violin Concerto no. 1 in A minor, op. 28: I. Allegro moderato | — | ||
| 51-2 | Violin Concerto no. 1 in A minor, op. 28: II. Andante | — | ||
| 51-3 | Violin Concerto no. 1 in A minor, op. 28: III. Moderato - Allegretto | — | ||
| 51-4 | Zigeunerweisen, op. 20 | Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn | T-921.161.772-0 | |
| 52-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | — | ||
| 52-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante ma rubato | — | ||
| 52-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | — | ||
| 52-4 | Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato | — | ||
| 53-1 | Symphony no. 5 in D minor, op. 47: I. Moderato - Allegro non troppo | — | ||
| 53-2 | Symphony no. 5 in D minor, op. 47: II. Allegretto | — | ||
| 53-3 | Symphony no. 5 in D minor, op. 47: III. Largo | — | ||
| 53-4 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | — | ||
| 54-1 | Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - Tempo I | — | ||
| 54-2 | Symphony no. 4 in C minor, op. 43: II. Moderato con moto | — | ||
| 54-3 | Symphony no. 4 in C minor, op. 43: III. Largo - Allegro | — | ||
| 55-1 | Concerto in G minor, FP 93 for Organ, Strings and Timpani: I. Andante - Allegro giocoso | — | ||
| 55-2 | Concerto in G minor, FP 93 for Organ, Strings and Timpani: II. Andante moderato | — | ||
| 55-3 | Concerto in G minor, FP 93 for Organ, Strings and Timpani: III. Tempo allegro, molto agitato | — | ||
| 55-4 | Concerto in G minor, FP 93 for Organ, Strings and Timpani: IV. Très calme - Lent | — | ||
| 55-5 | Concerto in G minor, FP 93 for Organ, Strings and Timpani: V. Tempo de l'allegro initial | — | ||
| 55-6 | Concerto in G minor, FP 93 for Organ, Strings and Timpani: VI. Tempo de l'introduction - Largo | — | ||
| 55-7 | Concert champêtre, FP 49 for Harpsichord and Orchestra: I. Allegro molto - Adagio - Allegro molto | — | ||
| 55-8 | Concert champêtre, FP 49 for Harpsichord and Orchestra: II. Andante (Mouvement de sicilienne) | — | ||
| 55-9 | Concert champêtre, FP 49 for Harpsichord and Orchestra: III. Finale (Presto) | — | ||
| 56-1 | Concierto de Aranjuez, for Guitar and Orchestra: I. Allegro con spirito | — | ||
| 56-2 | Concierto de Aranjuez, for Guitar and Orchestra: II. Adagio | — | ||
| 56-3 | Concierto de Aranjuez, for Guitar and Orchestra: III. Allegro gentile | — | ||
| 56-4 | Fantasía para un gentilhombre, for Guitar and Small Orchestra: I. Villano y ricercare (Adagietto - Andante moderato) | — | ||
| 56-5 | Fantasía para un gentilhombre, for Guitar and Small Orchestra: II. Españoleta y Fanfare de la Caballería de Nápoles (Adagio - Allegretto - Adagio) | — | ||
| 56-6 | Fantasía para un gentilhombre, for Guitar and Small Orchestra: III. Danza de la Hachas (Allegro con brio) | — | ||
| 56-7 | Fantasía para un gentilhombre, for Guitar and Small Orchestra: IV. Canario | — | ||
| 57-1 | Phydilé | — | ||
| 57-2 | La Vie antérieure | — | ||
| 57-3 | Le Manoir de Rosemonde | — | ||
| 57-4 | Au pays où se fait la guerre | — | ||
| 57-5 | L'Invitation au voyage | — | ||
| 57-6 | Poème de l'amour et de la mer, op. 19: I. La Fleur des eaux (Calme) | — | ||
| 57-7 | Poème de l'amour et de la mer, op. 19: II. Interlude (Lent et triste) | — | ||
| 57-8 | Poème de l'amour et de la mer, op. 19: III. La Mort de l'amour (Vif et joyeux - Sombre et solennel - Lent et triste) | — | ||
| 58-1 | Turangalîla-Symphonie: I. Introduction | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 58-2 | Turangalîla-Symphonie: II. Chant d'amour I | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 58-3 | Turangalîla-Symphonie: III. Turangalîla I | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 58-4 | Turangalîla-Symphonie: IV. Chant d'amour II | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 58-5 | Turangalîla-Symphonie: V. Joie du sang des étoiles | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 58-6 | Turangalîla-Symphonie: VI. Jardin du sommeil d'amour | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 58-7 | Turangalîla-Symphonie: VII. Turangalîla II | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 58-8 | Turangalîla-Symphonie: VIII. Développement de l'amour | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 58-9 | Turangalîla-Symphonie: IX. Turangalîla III | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 58-10 | Turangalîla-Symphonie: X. Final | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 59-1 | Cello Concerto in B minor, op. 104: I. Allegro | — | ||
| 59-2 | Cello Concerto in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 59-3 | Cello Concerto in B minor, op. 104: III. Finale (Allegro moderato) | — | ||
| 59-4 | Rondo in G minor, for Cello and Orchestra, op. 94 | — | ||
| 60-1 | Vier Ernste Gesänge (Four Serious Songs), op. 121: I. Denn es geht dem Menschen | — | ||
| 60-2 | Vier Ernste Gesänge (Four Serious Songs), op. 121: II. Ich wandte mich un sahe an alle | — | ||
| 60-3 | Vier Ernste Gesänge (Four Serious Songs), op. 121: III. O Tod, wie bitter bist du | — | ||
| 60-4 | Vier Ernste Gesänge (Four Serious Songs), op. 121: IV. Wenn ich mit Menschen | — | ||
| 60-5 | Ständchen, op. 106 no. 1 | Dame Janet Baker, André Previn | — | |
| 60-6 | Auf dem Kirchhofe, op. 105 no. 4 | — | ||
| 60-7 | Gestillte Sehnsucht, op. 91 no. 1 | — | ||
| 60-8 | Geistliches Wiegenlied, op. 91 no. 2 | — | ||
| 60-9 | Therese, op. 86 no. 1 | Dame Janet Baker, André Previn | — | |
| 60-10 | Wie melodien zieth es mir, op. 105 no. 1 | — | ||
| 60-11 | Sappische Ode, op. 94 no. 4 | — | ||
| 60-12 | Der Jäger, op. 95 no. 4 | — | ||
| 60-13 | Regenlied, WoO 23 | Dame Janet Baker, André Previn | T-322.186.552-3 | |
| 60-14 | Vergebliches Ständchen, op. 84 no. 4 | — | ||
| 61-1 | Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro | London Symphony Orchestra, André Previn | — | |
| 61-2 | Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto | London Symphony Orchestra, André Previn | — | |
| 61-3 | Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotte (Non troppo allegro) | London Symphony Orchestra, André Previn | — | |
| 61-4 | Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale (Molto vivace) | London Symphony Orchestra, André Previn | — | |
| 61-5 | Symphony no. 7 in C-sharp minor, op. 131: I. Moderato | Сергей Сергеевич Прокофьев | — | |
| 61-6 | Symphony no. 7 in C-sharp minor, op. 131: II. Allegretto | London Symphony Orchestra, André Previn | — | |
| 61-7 | Symphony no. 7 in C-sharp minor, op. 131: III. Andante expressivo | London Symphony Orchestra, André Previn | — | |
| 61-8 | Symphony no. 7 in C-sharp minor, op. 131: IV. Vivace | London Symphony Orchestra, André Previn | — | |
| 62-1 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio cantabile - Vivace assai | — | ||
| 62-2 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante | — | ||
| 62-3 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuetto (Allegro molto - Trio) | — | ||
| 62-4 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Allegro di molto | Pittsburgh Symphony Orchestra, André Previn | — | |
| 62-5 | Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio - Allegro | — | ||
| 62-6 | Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante | — | ||
| 62-7 | Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuetto (Trio) | — | ||
| 62-8 | Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale (Spiritoso) | — | ||
| 63-1 | Symphony no. 4 in G major: I. Bedächtig, Nicht eilen | — | ||
| 63-2 | Symphony no. 4 in G major: II. In gemächliger Bewegung. Ohne hast | — | ||
| 63-3 | Symphony no. 4 in G major: III. Ruhevoll (Poco adagio) | — | ||
| 63-4 | Symphony no. 4 in G major: IV. Sehr behaglich: “Wir genießen die himmlischen Freuden” | — | ||
| 64-1 | A Spring Symphony, op. 44: Part One. I. Introduction: Shine Out | London Symphony Orchestra, André Previn | — | |
| 64-2 | A Spring Symphony, op. 44: Part One. II. The Merry Cuckoo | London Symphony Orchestra, André Previn | — | |
| 64-3 | A Spring Symphony, op. 44: Part One. III. Spring, the Sweet Spring | London Symphony Orchestra, André Previn | — | |
| 64-4 | A Spring Symphony, op. 44: Part One. IV. The Driving Boy | London Symphony Orchestra, André Previn | — | |
| 64-5 | A Spring Symphony, op. 44: Part One. V. The Morning Star | London Symphony Orchestra, André Previn | — | |
| 64-6 | A Spring Symphony, op. 44: Part Two. I. Welcome, Maids of Honour | London Symphony Orchestra, André Previn | — | |
| 64-7 | A Spring Symphony, op. 44: Part Two. II. Waters Above! | London Symphony Orchestra, André Previn | — | |
| 64-8 | A Spring Symphony, op. 44: Part Two. III. Out on the Lawn I Lie in Bed | London Symphony Orchestra, André Previn | — | |
| 64-9 | A Spring Symphony, op. 44: Part Three. I. When Will My May Come | London Symphony Orchestra, André Previn | — | |
| 64-10 | A Spring Symphony, op. 44: Part Three. II. Fair and Fair | London Symphony Orchestra, André Previn | — | |
| 64-11 | A Spring Symphony, op. 44: Part Three. III. Sound the Flute! | London Symphony Orchestra, André Previn | — | |
| 64-12 | A Spring Symphony, op. 44: Part Four. Finale: London, to Thee I Do Present | London Symphony Orchestra, André Previn | — | |
| 65-1 | Symphony no. 4 in A, op. 90 "Italian": 1. Allegro vivace | London Symphony Orchestra, André Previn | — | |
| 65-2 | Symphony no. 4 in A, op. 90 "Italian": Andante con moto | London Symphony Orchestra, André Previn | — | |
| 65-3 | Symphony no. 4 in A, op. 90 "Italian": Con moto moderato | London Symphony Orchestra, André Previn | — | |
| 65-4 | Symphony no. 4 in A, op. 90 "Italian": Saltarello (Presto) | London Symphony Orchestra, André Previn | — | |
| 65-5 | The Hebrides, op. 96: Overture | London Symphony Orchestra, André Previn | — | |
| 65-6 | Overture “Ruy Blas”, op. 95 | London Symphony Orchestra, André Previn | — | |
| 65-7 | A Midsummer Night's Dream, op. 21: Overture | London Symphony Orchestra, André Previn | — | |
| 66-1 | Boléro | London Symphony Orchestra, André Previn | T-003.006.377-4 | |
| 66-2 | Suite no. 2 de Daphnis et Chloé, M. 57b: I. Lever du jour | London Symphony Orchestra, André Previn | — | |
| 66-3 | Suite no. 2 de Daphnis et Chloé, M. 57b: II. Pantomime | Peter Lloyd, London Symphony Orchestra, André Previn | — | |
| 66-4 | Suite no. 2 de Daphnis et Chloé, M. 57b: III. Danse générale | London Symphony Orchestra, André Previn | — | |
| 66-5 | Pavane Pour Une Infante Defunte | London Symphony Orchestra, André Previn | T-003.013.767-7 | |
| 67-1 | Variations on an Original Theme ‘Enigma’, op. 36: Theme (Andante) | London Symphony Orchestra, André Previn | — | |
| 67-2 | Variations on an Original Theme ‘Enigma’, op. 36: I. C.A.E. (The Composer’s Wife) [L’istesso Tempo] | London Symphony Orchestra, André Previn | — | |
| 67-3 | Variations on an Original Theme ‘Enigma’, op. 36: II. H.D.S.-P. (Hew David Steuart-Powell) [Allegro] | London Symphony Orchestra, André Previn | — | |
| 67-4 | Variations on an Original Theme ‘Enigma’, op. 36: III. R.B.T. (Richard Baxter Townshend) [Allegretto] | London Symphony Orchestra, André Previn | — | |
| 67-5 | Variations on an Original Theme ‘Enigma’, op. 36: IV. W.M.B. (William Meath Baker) [Allegro di Molto] | London Symphony Orchestra, André Previn | T-318.676.528-2 | |
| 67-6 | Variations on an Original Theme ‘Enigma’, op. 36: V. R.P.A. (Richard Penrose Arnold) [Presto] | London Symphony Orchestra, André Previn | — | |
| 67-7 | Variations on an Original Theme ‘Enigma’, op. 36: VI. Ysobel (Isabel Fitton) [Andantino] | London Symphony Orchestra, André Previn | — | |
| 67-8 | Variations on an Original Theme ‘Enigma’, op. 36: VII. Troyte (Troyte Griffith) [Presto] | London Symphony Orchestra, André Previn | — | |
| 67-9 | Variations on an Original Theme ‘Enigma’, op. 36: VIII. W.N. (Winifred Norbury) [Allegretto] | London Symphony Orchestra, André Previn | — | |
| 67-10 | Variations on an Original Theme ‘Enigma’, op. 36: IX. Nimrod (A. J. Jaeger) [Moderato] | London Symphony Orchestra, André Previn | T-010.115.427-1 | |
| 67-11 | Variations on an Original Theme ‘Enigma’, op. 36: X. Intermezzo: Dorabella (Dora Penny) [Allegretto] | London Symphony Orchestra, André Previn | — | |
| 67-12 | Variations on an Original Theme ‘Enigma’, op. 36: XI. G.R.S. (George Robertson Sinclair) [Allegro di Molto] | London Symphony Orchestra, André Previn | — | |
| 67-13 | Variations on an Original Theme ‘Enigma’, op. 36: XII. B.G.N. (Basil G. Nevinson) [Andante] | London Symphony Orchestra, André Previn | — | |
| 67-14 | Variations on an Original Theme ‘Enigma’, op. 36: XIII. Romanza: * * * [Lady Mary Lygon] (Moderato) | London Symphony Orchestra, André Previn | — | |
| 67-15 | Variations on an Original Theme ‘Enigma’, op. 36: XIV. Finale - E.D.U. (The Composer) [Allegro] | London Symphony Orchestra, André Previn | — | |
| 67-16 | The Wasps – Aristophanic Suite: Overture | London Symphony Orchestra, André Previn | — | |
| 67-17 | Fantasia on a Theme by Thomas Tallis | London Symphony Orchestra, André Previn | — | |
| 68-1 | Piano Trio no. 1 in D minor, op. 49: I. Molto allegro ed agitato | — | ||
| 68-2 | Piano Trio no. 1 in D minor, op. 49: II. Andante con moto tranquillo | — | ||
| 68-3 | Piano Trio no. 1 in D minor, op. 49: III. Scherzo (Leggiero e vivace) | — | ||
| 68-4 | Piano Trio no. 1 in D minor, op. 49: IV. Saltarello (Allegro assai appassionato) | — | ||
| 68-5 | Piano Trio no. 1 in D minor, op. 63: I. Mit Energie und Leidenschaft | — | ||
| 68-6 | Piano Trio no. 1 in D minor, op. 63: II. Lebhaft, doch nicht zu rasch | — | ||
| 68-7 | Piano Trio no. 1 in D minor, op. 63: III. Langsam, mit inniger Empfindung | — | ||
| 68-8 | Piano Trio no. 1 in D minor, op. 63: IV. Mit Feuer | — | ||
| 69-1 | Symphony no. 1 in E-flat major, op. 26 “Rustic Wedding”: I. Hochzeitmarsch (Variationen. Moderato molto) | — | ||
| 69-2 | Symphony no. 1 in E-flat major, op. 26 “Rustic Wedding”: II. Brautlied (Intermezzo. Allegretto) | — | ||
| 69-3 | Symphony no. 1 in E-flat major, op. 26 “Rustic Wedding”: III. Serenade (Scherzo. Allegro moderato scherzando) | — | ||
| 69-4 | Symphony no. 1 in E-flat major, op. 26 “Rustic Wedding”: IV. Im Garten (Andante) | — | ||
| 69-5 | Symphony no. 1 in E-flat major, op. 26 “Rustic Wedding”: V. Tanz (Finale. Allegro molto) | — | ||
| 70-1 | Violin Concerto in D minor, op. 47: I. Allegro moderato | — | ||
| 70-2 | Violin Concerto in D minor, op. 47: II. Adagio di molto | — | ||
| 70-3 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn | — | |
| 70-4 | Suite for Violin and Orchestra, op. 10: I. Presto | — | ||
| 70-5 | Suite for Violin and Orchestra, op. 10: II. Adagio | — | ||
| 70-6 | Suite for Violin and Orchestra, op. 10: III. Tempo giusto | — | ||
| 71-1 | Images for Orchestra, CD 118a: I. Gigues | — | ||
| 71-2 | Images for Orchestra, CD 118a: II. Iberia: 1. Par les rues et par les chemins | — | ||
| 71-3 | Images for Orchestra, CD 118a: II. Iberia: 2. Les Parfums de la nuit | — | ||
| 71-4 | Images pour orchestre: No. 2. Iberia: c) Le matin d’un jour de fête | London Symphony Orchestra, André Previn | — | |
| 71-5 | Images for Orchestra, CD 118a: III. Rondes de printemps | — | ||
| 71-6 | Prélude à l’après-midi d’un faune | Peter Lloyd, London Symphony Orchestra, André Previn | T-900.160.316-3 | |
| 72-1 | Symphony no. 13 in B-flat minor, op. 113 “Babi Yar”: I. Babi Yar | — | ||
| 72-2 | Symphony no. 13 in B-flat minor, op. 113 “Babi Yar”: II. Humor | — | ||
| 72-3 | Symphony no. 13 in B-flat minor, op. 113 “Babi Yar”: III. In the Store | — | ||
| 72-4 | Symphony no. 13 in B-flat minor, op. 113 “Babi Yar”: IV. Fears | — | ||
| 72-5 | Symphony no. 13 in B-flat minor, op. 113 “Babi Yar”: V. A Career | — | ||
| 73-1 | Don Juan, op. 20 | — | ||
| 73-2 | Till Eulenspiegels lustige Streiche, op. 28 | — | ||
| 73-3 | Tod und Verklärung, op. 24 | — | ||
| 74-1 | Grande Messe des morts (Requiem), op. 5 H. 75: I. Requiem et Kyrie - Introitus | — | ||
| 74-2 | Grande Messe des morts (Requiem), op. 5 H. 75: II. Dies irae - Prosa | — | ||
| 74-3 | Grande Messe des morts (Requiem), op. 5 H. 75: III. Quid sum miser | — | ||
| 74-4 | Grande Messe des morts (Requiem), op. 5 H. 75: IV. Rex tremendae majestatis | — | ||
| 74-5 | Grande Messe des morts (Requiem), op. 5 H. 75: V. Quaerens me | — | ||
| 75-1 | Grande Messe des morts (Requiem), op. 5 H. 75: VI. Lacrymosa | — | ||
| 75-2 | Grande Messe des morts (Requiem), op. 5 H. 75: VII. Offertorium | — | ||
| 75-3 | Grande Messe des morts (Requiem), op. 5 H. 75: VIII. Hostias | — | ||
| 75-4 | Grande Messe des morts (Requiem), op. 5 H. 75: IX. Sanctus | — | ||
| 75-5 | Grande Messe des morts (Requiem), op. 5 H. 75: X. Agnus Dei | — | ||
| 76-1 | Violin Concerto in D major, op. 35: I. Moderato nobile | — | ||
| 76-2 | Violin Concerto in D, op. 35: II. Romance | Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn | — | |
| 76-3 | Violin Concerto in D major, op. 35: III. Finale (Allegro assai vivace) | — | ||
| 76-4 | Violin Concerto in E minor: I. Allegro molto - Andante espressivo | — | ||
| 76-5 | Violin Concerto in E minor: II. Adagio | — | ||
| 76-6 | Violin Concerto in E minor: III. Cadenza - Allegro subito | — | ||
| 77-1 | Look at Him Go | — | ||
| 77-2 | Little Face | — | ||
| 77-3 | Who Reads Reviews | Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn | — | |
| 77-4 | Night Thoughts | — | ||
| 77-5 | A Different Kind of Blues | — | ||
| 77-6 | Chocolate Apricot | — | ||
| 77-7 | The Five of Us | — | ||
| 77-8 | Make Up Your Mind | — | ||
| 78-1 | Porgy and Bess | London Symphony Orchestra, André Previn | T-070.166.337-7 | |
| 78-2 | Second Rhapsody | Cristina Ortiz, London Symphony Orchestra, André Previn | — | |
| 78-3 | Cuban Overture | London Symphony Orchestra, André Previn | T-010.086.407-0 | |
| 79-1 | It's a Breeze | — | ||
| 79-2 | Rain in My Head | — | ||
| 79-3 | Catgut Your Tongue | — | ||
| 79-4 | It's About Time | — | ||
| 79-5 | Quiet Diddling | — | ||
| 79-6 | A Tune for Heather | — | ||
| 79-7 | Bowing and Scraping | — | ||
| 79-8 | The Red Bar | — | ||
| 80-1 | Daphnis et Chloé: Part I: Introduction | London Symphony Chorus, London Symphony Orchestra, André Previn | T-004.014.574-1 | |
| 80-2 | Daphnis et Chloé: Part I: Danse religieuse | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 80-3 | Daphnis et Chloé: Part I: Scene | London Symphony Orchestra, André Previn | — | |
| 80-4 | Daphnis et Chloé: Part I: Danse generale | London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-5 | Daphnis et Chloé: Part I: Scene | London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-6 | Daphnis et Chloé: Part I: Danse grotesque de Dorcon | London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-7 | Daphnis et Chloé: Part I: Danse legere et gracieuse de Daphnis | London Symphony Chorus, London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-9 | Daphnis et Chloé: Part I: Nocturne | London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-10 | Daphnis et Chloé: Part I: Danse lente et mysterieuse des nymphes | London Symphony Chorus, London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-11 | Daphnis et Chloé: Part I: Interlude | London Symphony Chorus, London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-12 | Daphnis et Chloé: Part II: Introduction | London Symphony Chorus, London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-13 | Daphnis et Chloé: Part II: Danse guerriere | London Symphony Chorus, London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-14 | Daphnis et Chloé: Part II: Danse suppliante de Chloe | London Symphony Chorus, London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-15 | Daphnis et Chloé: Part III: Introduction | London Symphony Chorus, London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-16 | Daphnis et Chloé: Part III: Lever du jour | London Symphony Chorus, London Symphony Orchestra, André Previn | T-932.274.849-2 | |
| 80-17 | Daphnis et Chloé: Part III: Pantomime | London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-18 | Daphnis et Chloé: Part III: Danse generale / Bacchanale | London Symphony Chorus, London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 81-1 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part One: The House. Introduction (L'Enfant, Maman) | — | ||
| 81-2 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part One: The House. « Votre serviteur humble, bergère » (La Bergère, le Fauteuil, l'horloge comtoise, l'Enfant, Chorus) | — | ||
| 81-3 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part One: The House. « How's your mug? » (La Théière, la Tasse chinoise, l'Enfant, le Feu, Chorus) | — | ||
| 81-4 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part One: The House. « Oui, c'est elle, ta princesse enchantée » (La Princesse, l'Enfant) | — | ||
| 81-5 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part One: The House. « Deux robinets coulent dans un réservoir » (Le Petit vieillard, l'Enfant, les Chats) | — | ||
| 81-6 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part Two: The Garden. Musique d'insectes, de rainettes / « Ah ! Quelle joie de te retrouver, jardin » (Chorus, l'Enfant, l'Arbre, la Libellule, le Rossignol, les Rainettes, la Chauve-souris) | — | ||
| 81-7 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part Two: The Garden. « Sauve-toi, sotte ! Et la cage ? La cage ? » (L'Écureuil, la Rainette, l'Enfant) | — | ||
| 81-8 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part Two: The Garden. « Ah ! C'est l'enfant au couteau ! » (Chorus, l'Enfant) | — | ||
| 82-1 | Symphony no. 10 in E minor, op. 93: I. Moderato | — | ||
| 82-2 | Symphony no. 10 in E minor, op. 93: II. Allegro | — | ||
| 82-3 | Symphony no. 10 in E minor, op. 93: III. Allegretto - Largo - Più mosso | — | ||
| 82-4 | Symphony no. 10 in E minor, op. 93: IV. Andante - Allegro - l'istesso tempo | — | ||
| 83-1 | Eine Alpensinfonie (Alpine Symphony), op. 64: I. Nacht - (Night) | — | ||
| 83-2 | Eine Alpensinfonie (Alpine Symphony), op. 64: II. Sonnenaufgang - (Sunrise) | — | ||
| 83-3 | Eine Alpensinfonie (Alpine Symphony), op. 64: III. Der Anstieg - (The Ascent) | — | ||
| 83-4 | Eine Alpensinfonie (Alpine Symphony), op. 64: IV. Der Eintritt in der Wald - (Entering the Forest) | — | ||
| 83-5 | Eine Alpensinfonie (Alpine Symphony), op. 64: V. Wanderung neben dem Bache - (Wandering by the Brook) | — | ||
| 83-6 | Eine Alpensinfonie (Alpine Symphony), op. 64: VI. Am Wasserfall - (Waterfall) | — | ||
| 83-7 | Eine Alpensinfonie (Alpine Symphony), op. 64: VII. Erscheinung - (Apparition) | — | ||
| 83-8 | Eine Alpensinfonie (Alpine Symphony), op. 64: VIII. Auf blumige Wiesen - (In Flowery Meadows) | — | ||
| 83-9 | Eine Alpensinfonie (Alpine Symphony), op. 64: IX. Auf der Alm - (On the Alpine Pasture) | — | ||
| 83-10 | Eine Alpensinfonie (Alpine Symphony), op. 64: X. Durch Dickicht und Gestrüpp auf Irrwegen - (Through Thicket and Undergrowth on the Wrong Path) | — | ||
| 83-11 | Eine Alpensinfonie (Alpine Symphony), op. 64: XI. Auf dem Gletscher - (On the Glacier) | — | ||
| 83-12 | Eine Alpensinfonie (Alpine Symphony), op. 64: XII. Gerfahrvolle Augenblicke - (Dangerous Moments) | — | ||
| 83-13 | Eine Alpensinfonie (Alpine Symphony), op. 64: XIII. Auf dem Gipfel - (On the Summit) | — | ||
| 83-14 | Eine Alpensinfonie (Alpine Symphony), op. 64: XIV. Vision - (Vision) | — | ||
| 83-15 | Eine Alpensinfonie (Alpine Symphony), op. 64: XV. Nebel steigen auf - (Mists Rise Up) | — | ||
| 83-16 | Eine Alpensinfonie (Alpine Symphony), op. 64: XVI. Die Sonne verdüstert sich allmählich - (The Sun Grows Dark) | — | ||
| 83-17 | Eine Alpensinfonie (Alpine Symphony), op. 64: XVII. Elegie - (Elegy) | — | ||
| 83-18 | Eine Alpensinfonie (Alpine Symphony), op. 64: XVIII. Stille vor dem Sturm - (Calm Before the Storm) | — | ||
| 83-19 | Eine Alpensinfonie (Alpine Symphony), op. 64: XIX. Gewitter und Sturm - (Thunderstorm) | — | ||
| 83-20 | Eine Alpensinfonie (Alpine Symphony), op. 64: XX. Sonnenuntergang - (Descent) | — | ||
| 83-21 | Eine Alpensinfonie (Alpine Symphony), op. 64: XXI. Ausklang - (Sunset) | — | ||
| 83-22 | Eine Alpensinfonie (Alpine Symphony), op. 64: XXII. Nacht (Night) | — | ||
| 84-1 | Cinderella, op. 87, Act I: No. l Introduction (Andante dolce) | London Symphony Orchestra, André Previn | — | |
| 84-2 | Cinderella, op. 87, Act I: No. 2 Pas de châle (Allegretto) | London Symphony Orchestra, André Previn | — | |
| 84-3 | Cinderella, op. 87, Act I: No. 3 Cinderella (Andante dolce) | London Symphony Orchestra, André Previn | — | |
| 84-4 | Cinderella, op. 87, Act I: No. 4 The Father (Andantino) | London Symphony Orchestra, André Previn | — | |
| 84-5 | Cinderella, op. 87, Act I: No. 5 The Beggar-woman Fairy (Adagio) | London Symphony Orchestra, André Previn | — | |
| 84-6 | Cinderella, op. 87, Act I: No. 6 The Sisterʼs New Clothes (Vivo) | London Symphony Orchestra, André Previn | — | |
| 84-7 | Cinderella, op. 87, Act I: No. 7 The Dancing Lesson (Allegretto) | London Symphony Orchestra, André Previn | — | |
| 84-8 | Cinderella, op. 87, Act I: No. 8 Departure for the Ball (Vivo) | London Symphony Orchestra, André Previn | — | |
| 84-9 | Cinderella, op. 87, Act I: No. 9 Cinderella Dreams of the Ball (Andante dolce) | London Symphony Orchestra, André Previn | — | |
| 84-10 | Cinderella, op. 87, Act I: No. 10 Gavotte (Allegretto) | London Symphony Orchestra, André Previn | — | |
| 84-11 | Cinderella, op. 87, Act I: No. 11 The Beggar-woman returns (Adagio) | London Symphony Orchestra, André Previn | — | |
| 84-12 | Cinderella, op. 87, Act I: No. 12 The Sleeping Fairy (Presto) | London Symphony Orchestra, André Previn | — | |
| 84-13 | Cinderella, op. 87, Act I: No. 13 The Summer Fairy (Andantino sognando) | London Symphony Orchestra, André Previn | — | |
| 84-14 | Cinderella, op. 87, Act I: No. 14 Grasshoppers and Dragonflies (Vivace con brio) | London Symphony Orchestra, André Previn | — | |
| 84-15 | Cinderella, op. 87, Act I: No. 15 The Autumn Fairy (Allegretto moderato) | London Symphony Orchestra, André Previn | — | |
| 84-16 | Cinderella, op. 87, Act I: No. 16 The Winter Fairy (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 84-17 | Cinderella, op. 87, Act I: No. 17 Interrupted departure (Vivo) | London Symphony Orchestra, André Previn | — | |
| 84-18 | Cinderella, op. 87, Act I: No. 18 Clock Scene (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 84-19 | Cinderella, op. 87, Act I: No. 19 Cinderellaʼs departure for the Ball (Allegro espressivo) | London Symphony Orchestra, André Previn | — | |
| 84-20 | Cinderella, op. 87, Act II: No. 20 Court dance (Andante grazioso) | London Symphony Orchestra, André Previn | — | |
| 84-21 | Cinderella, op. 87, Act II: No. 21 Passepied (Allegretto) | London Symphony Orchestra, André Previn | — | |
| 84-22 | Cinderella, op. 87, Act II: No. 22 Cavalierʼs dance (Bourrée; Allegro pesante) | London Symphony Orchestra, André Previn | — | |
| 84-23 | Cinderella, op. 87, Act II: No. 23 Skinnyʼs variation (Allegretto) | London Symphony Orchestra, André Previn | — | |
| 84-24 | Cinderella, op. 87, Act II: No. 24 Dumpyʼs variation (Allegretto capriccioso) | London Symphony Orchestra, André Previn | — | |
| 84-25 | Cinderella, op. 87, Act II: No. 25 Court dance (Andante grazioso) | London Symphony Orchestra, André Previn | — | |
| 84-26 | Cinderella, op. 87, Act II: No. 26 Mazurka and Entry of the Prince (Allegro) | London Symphony Orchestra, André Previn | — | |
| 84-27 | Cinderella, op. 87, Act II: No. 27 Dance of the Princeʼs Companions (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 84-28 | Cinderella, op. 87, Act II: No. 28 Mazurka (Allegro ma non troppo) | London Symphony Orchestra, André Previn | — | |
| 84-29 | Cinderella, op. 87, Act II: No. 29 Cinderellaʼs Arrival at the Ball (Allegro Andante) | London Symphony Orchestra, André Previn | — | |
| 84-30 | Cinderella, op. 87, Act II: No. 30 Grand Waltz (Allegretto) | London Symphony Orchestra, André Previn | — | |
| 85-1 | Cinderella, op. 87, Act II: No. 31 Promenade (Allegro tranquillo) | London Symphony Orchestra, André Previn | — | |
| 85-2 | Cinderella, op. 87, Act II: No. 32 Cinderellaʼs variation (Allegro grazioso) | London Symphony Orchestra, André Previn | — | |
| 85-3 | Cinderella, op. 87, Act II: No. 33 The Princeʼs variation (Andante con brio) | London Symphony Orchestra, André Previn | — | |
| 85-4 | Cinderella, op. 87, Act II: No. 34 The Guests take refreshment (Moderato) | London Symphony Orchestra, André Previn | — | |
| 85-5 | Cinderella, op. 87, Act II: No. 35 Duet of the Sisters with their Oranges (Allegro con brio) | London Symphony Orchestra, André Previn | — | |
| 85-6 | Cinderella, op. 87, Act II: No. 36 Pas de deux: The Prince and Cinderella (Adagio) | London Symphony Orchestra, André Previn | — | |
| 85-7 | Cinderella, op. 87, Act II: No. 37 Waltz-Coda (Allegro espressivo) | London Symphony Orchestra, André Previn | — | |
| 85-8 | Cinderella, op. 87, Act II: No. 38 Midnight (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 85-9 | Cinderella, op. 87, Act III: No. 39 The Prince and the Shoemakers (Allegro scherzando) | London Symphony Orchestra, André Previn | — | |
| 85-10 | Cinderella, op. 87, Act III: No. 40 First galop (Presto) | London Symphony Orchestra, André Previn | — | |
| 85-11 | Cinderella, op. 87, Act III: No. 41 Temptation (Moderato — Allegretto) | London Symphony Orchestra, André Previn | — | |
| 85-12 | Cinderella, op. 87, Act III: No. 42 Second galop (Presto) | London Symphony Orchestra, André Previn | — | |
| 85-13 | Cinderella, op. 87, Act III: No. 43 Orientalia (Andante dolce) | London Symphony Orchestra, André Previn | — | |
| 85-14 | Cinderella, op. 87, Act III: No. 44 Third galop (Allegro marcato) | London Symphony Orchestra, André Previn | — | |
| 85-15 | Cinderella, op. 87, Act III: No. 45 Cinderella awakes (Andante dolce) | London Symphony Orchestra, André Previn | — | |
| 85-16 | Cinderella, op. 87, Act III: No. 46 The Morning after the Ball (Allegretto capriccioso — Moderato — Vivo) | London Symphony Orchestra, André Previn | — | |
| 85-17 | Cinderella, op. 87, Act III: No. 47 The Princeʼs visit (Vivace) | London Symphony Orchestra, André Previn | — | |
| 85-18 | Cinderella, op. 87, Act III: No. 48 The Prince finds Cinderella (Adagio passionato) | London Symphony Orchestra, André Previn | T-329.459.968-7 | |
| 85-19 | Cinderella, op. 87, Act III: No. 49 Slow Waltz (Adagio) | London Symphony Orchestra, André Previn | — | |
| 85-20 | Cinderella, op. 87, Act III: No. 50 Amoroso (Andante dolcissimo) | London Symphony Orchestra, André Previn | — | |
| 86-1 | La Mer, CD 111: I. De l'aube à midi sur la mer | — | ||
| 86-2 | La Mer: Jeux de vagues | London Symphony Orchestra, André Previn | T-072.126.470-5 | |
| 86-3 | La Mer, CD 111: III. Dialogue du vent et de la mer | — | ||
| 86-4 | Nocturnes: Nuages | London Symphony Orchestra, André Previn | — | |
| 86-5 | Nocturnes: Fêtes | London Symphony Orchestra, André Previn | — | |
| 86-6 | Nocturnes: Sirènes | The Ambrosian Singers, London Symphony Orchestra, André Previn | — | |
| 87-1 | Vorrei spiegarvi, oh Dio, K. 418 | Kathleen Battle, Royal Philharmonic Orchestra, André Previn | T-924.224.904-3 | |
| 87-2 | Exsultate Jubilate, K. 165 | Kathleen Battle, Royal Philharmonic Orchestra, André Previn | — | |
| 87-3 | L'amerò, sarò costante from Il rè pastore, K. 208 | Kathleen Battle, Royal Philharmonic Orchestra, André Previn | T-801.376.595-3 | |
| 87-4 | Basta, vincesti… Ah, non lasciarmi, K. 486a | Kathleen Battle, Royal Philharmonic Orchestra, André Previn | — | |
| 87-5 | Un moto di gioia, K. 579 | Kathleen Battle, Royal Philharmonic Orchestra, André Previn | — | |
| 87-6 | Ch'io mi scordi te... Non temer, amato Bene, K. 490 | Kathleen Battle, Royal Philharmonic Orchestra, André Previn | — | |
| 87-7 | Misera! Dove son?… Ah! Non son io che parlo, K. 369 | Kathleen Battle, Royal Philharmonic Orchestra, André Previn | — | |
| 88-1 | Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto | — | ||
| 88-2 | Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando | — | ||
| 88-3 | Piano Concerto no. 2 in G minor, op. 22: III. Presto | — | ||
| 88-4 | Piano Concerto no. 4 in C minor, op. 44: I. Allegro moderato - Andante | — | ||
| 88-5 | Piano Concerto no. 4 in C minor, op. 44: II. Allegro vivace - Andante - Allegro | — | ||
| 89-1 | Valses nobles et sentimentales, M. 61: I. Modéré | — | ||
| 89-2 | Valses nobles et sentimentales: II. Assez lent | Royal Philharmonic Orchestra, André Previn | T-003.017.935-1 | |
| 89-3 | Valses nobles et sentimentales, M. 61: III. Modéré | — | ||
| 89-4 | Valses nobles et sentimentales, M. 61: IV. Assez animé | — | ||
| 89-5 | Valses nobles et sentimentales, M. 61: V. Presque lent, dans un sentiment intime | — | ||
| 89-6 | Valses nobles et sentimentales, M. 61: VI. Assez vif | — | ||
| 89-7 | Valses nobles et sentimentales, M. 61: VII. Moins vif | — | ||
| 89-8 | Valses nobles et sentimentales, M. 61: VIII. Epilogue (Lent) | — | ||
| 89-9 | Le Tombeau de Couperin, M. 68a: I. Prélude | — | ||
| 89-10 | Le Tombeau de Couperin, M. 68a: II. Forlane | — | ||
| 89-11 | Le Tombeau de Couperin, M. 68a: III. Menuet | — | ||
| 89-12 | Le Tombeau de Couperin: 4. Regaudon. Assez vif | Royal Philharmonic Orchestra, André Previn | T-305.199.226-4 | |
| 89-13 | Miroirs, M. 43 no. 4: Alborada del gracioso | — | ||
| 89-14 | Rapsodie espagnole, M. 54: I. Prélude à la nuit | — | ||
| 89-15 | Rapsodie espagnole, M. 54: II. Malagueña | — | ||
| 89-16 | Rapsodie espagnole, M. 54: III. Habanera | — | ||
| 89-17 | Rapsodie espagnole, M. 54: IV. Feria | — | ||
| 89-18 | Pavane pour une infante défunte, M. 19 | — | ||
| 90-1 | The Nutcracker: Miniature Overture | Royal Philharmonic Orchestra, André Previn | — | |
| 90-2 | The Nutcracker: Act 1: No. 1: The Decoration of the Christmas Tree | Royal Philharmonic Orchestra, André Previn | — | |
| 90-3 | The Nutcracker: Act 1: No. 2: March | Royal Philharmonic Orchestra, André Previn | — | |
| 90-4 | The Nutcracker: Act 1: No. 3: Children’s Galop and Entry of the Parents | Royal Philharmonic Orchestra, André Previn | — | |
| 90-5 | The Nutcracker: Act 1: No. 4: Arrival of Drosselmayer | Royal Philharmonic Orchestra, André Previn | — | |
| 90-6 | The Nutcracker: Act 1: No. 5: Grandfather Dance | Royal Philharmonic Orchestra, André Previn | — | |
| 90-7 | The Nutcracker: Act 1: No. 6: Scena (Clara and the Nutcracker) | Royal Philharmonic Orchestra, André Previn | — | |
| 90-8 | The Nutcracker: Act 1: No. 7: Scena (Battle) | Royal Philharmonic Orchestra, André Previn | — | |
| 90-9 | The Nutcracker: Act 1: No. 8: Scena (In the pine-forest) | Royal Philharmonic Orchestra, André Previn | — | |
| 90-10 | The Nutcracker: Act 1: No. 9: Waltz of the Snowflakes | Royal Philharmonic Orchestra, André Previn | — | |
| 91-1 | The Nutcracker: Act 2: No. 10: Scena - The Kingdom of Sweets | Royal Philharmonic Orchestra, André Previn | — | |
| 91-2 | The Nutcracker: Act 2: No. 11: Scena (Clara and the Prince) | Royal Philharmonic Orchestra, André Previn | — | |
| 91-3 | The Nutcracker, op. 71 no. 12, Act II: Divertissement: Chocolate (Spanish Dance) | Royal Philharmonic Orchestra, André Previn | — | |
| 91-4 | The Nutcracker, op. 71 no. 12, Act II: Divertissement: Coffee (Arab Dance) | Royal Philharmonic Orchestra, André Previn | — | |
| 91-5 | The Nutcracker, op. 71 no. 12, Act II: Divertissement: Tea (Chinese Dance) | Royal Philharmonic Orchestra, André Previn | — | |
| 91-6 | The Nutcracker, op. 71 no. 12, Act II: Divertissement: Trepak (Russian Dance) | Royal Philharmonic Orchestra, André Previn | — | |
| 91-7 | The Nutcracker, op. 71 no. 12, Act II: Divertissement: Flutes | Royal Philharmonic Orchestra, André Previn | — | |
| 91-8 | The Nutcracker: Act 2: No. 12: Divertissement: (f) Mother Gigogne | Royal Philharmonic Orchestra, André Previn | — | |
| 91-9 | The Nutcracker: Act 2: No. 13: Waltz Of The Flowers | Royal Philharmonic Orchestra, André Previn | T-918.336.772-8 | |
| 91-10 | The Nutcracker: Act 2: No. 14: Pas de deux | Royal Philharmonic Orchestra, André Previn | — | |
| 91-11 | The Nutcracker: Act 2: No. 14: Pas de deux: (a) Variation I - Tarantella | Royal Philharmonic Orchestra, André Previn | — | |
| 91-12 | The Nutcracker, op. 71 no. 12, Act II: Divertissement: Variation II (Sugar-Plum Fairy) | Royal Philharmonic Orchestra, André Previn | — | |
| 91-13 | The Nutcracker: Act 2: No. 14: Pas de deux (coda) | Royal Philharmonic Orchestra, André Previn | — | |
| 91-14 | The Nutcracker: Act 2: No. 15: Final Waltz and Apotheosis | Royal Philharmonic Orchestra, André Previn | — | |
| 92-1 | Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” | — | ||
| 92-2 | Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” | — | ||
| 92-3 | Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” | — | ||
| 92-4 | Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen, Herr Zebaoth!” | — | ||
| 92-5 | Ein deutsches Requiem op. 45: V Ihr habt nun Traurigkeit | Royal Philharmonic Orchestra, André Previn | — | |
| 92-6 | Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” | — | ||
| 92-7 | Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben” | — | ||
| 93-1 | Piano Concerto no. 3 in E-flat major, op. 29: I. Moderato assai - Più mosso (Allegro maestoso) | — | ||
| 93-2 | Piano Concerto no. 3 in E-flat major, op. 29: II. Andante | — | ||
| 93-3 | Piano Concerto no. 3 in E-flat major, op. 29: III. Allegro non troppo | — | ||
| 93-4 | Piano Concerto no. 5 in F major, op. 103 “L'Egyptien”: I. Allegro animato | — | ||
| 93-5 | Piano Concerto no. 5 in F major, op. 103 “L'Egyptien”: II. Andante - Allegretto tranquillo quasi andantino | — | ||
| 93-6 | Piano Concerto no. 5 in F major, op. 103 “L'Egyptien”: III. Molto allegro | — | ||
| 95-1 | Piano Concerto no. 1 in D major, op. 17: I. Andante - Allegro assai | — | ||
| 95-2 | Piano Concerto no. 1 in D major, op. 17: II. Andante sostenuto quasi adagio | — | ||
| 95-3 | Piano Concerto no. 1 in D major, op. 17: III. Allegro con fuoco | — | ||
| 95-4 | Wedding Cake, Caprice-valse, op. 76 | — | ||
| 95-5 | Rhapsodie d'Auvergne, op. 73 | — | ||
| 95-6 | Allegro appassionato, op. 70 | — | ||
| 95-7 | Africa, Fantaisie, op. 89 | — | ||
| 96-1 | Introduction and Overview | — | ||
| 96-2 | BBC Television Series | — | ||
| 96-3 | Background preceding career as conductor, and early conducting career | — | ||
| 96-4 | Appointment as Principal Conductor of the London Symphony Orchestra | — | ||
| 96-5 | Qualities and achievement as Principal Conductor of the London Symphony Orchestra | — | ||
| 96-6 | Classical and Jazz Pianist | — | ||
| 96-7 | Composer for Theatre and Television Drama | — | ||
| 96-8 | Breadth of Orchestral Repertoire | — | ||
| 96-9 | Public Following, Personality, Legacy, and Conclusion | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 |
| Daphnis et Chloé: Part I: Scene | London Symphony Orchestra, André Previn | T-004.014.578-5 |
| Swan Lake, op. 20: Act III, no. 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace) | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act III. Russian Dance (Cadenza - Andante semplice - Allegro vivo) [additional number] | Ida Haendel, London Symphony Orchestra, André Previn | — |
| Swan Lake: Act One. No. 2. Waltz (Tempo di valse) | London Symphony Orchestra, André Previn | — |
| Swan Lake: Act One. No. 3. Scene (Allegro moderato) | London Symphony Orchestra, André Previn | — |
| Swan Lake: Act One. No. 6. Pas d'action (Andantino quasi moderato - Allegro) | London Symphony Orchestra, André Previn | — |
| Swan Lake: Act One. No. 7. Subject | London Symphony Orchestra, André Previn | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
0190295065737 is a Universal Product Code (UPC) assigned to The Warner Edition - Complete HMV & Teldec Recordings by André Previn. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 920 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Warner Edition - Complete HMV & Teldec Recordings” by André Previn is 0190295065737. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: Warner Classics. This release contains 920 tracks, each with its own ISRC. Tracks include GBAYC1200089, GBAYC1200090, GBAYC1200091.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Sitar & Orchestra, Part 1: Raga Khamaj | Ravi Shankar, London Symphony Orchestra, André Previn | — | |
| 2 | Concerto for Sitar & Orchestra, Part 2: Raga Sindhi Bhairavi | Ravi Shankar, London Symphony Orchestra, André Previn | — | |
| 3 | Concerto for Sitar & Orchestra, Part 3: Raga Adana | Ravi Shankar, London Symphony Orchestra, André Previn | — | |
| 4 | Concerto for Sitar & Orchestra, Part 4: Raga Manj Khamaj | Ravi Shankar, London Symphony Orchestra, André Previn | — | |
| 5 | Concerto for Sitar and Orchestra (rehearsal): First movement | — | ||
| 6 | Concerto for Sitar and Orchestra (rehearsal): Third movement | — | ||
| 7 | Concerto for Sitar and Orchestra (rehearsal): Fourth movement | — | ||
| 2-1 | Rhapsody in Blue | — | ||
| 2-2 | An American in Paris | — | ||
| 2-3 | Piano Concerto in F major: I. Allegro | — | ||
| 2-4 | Piano Concerto in F major: II. Adagio - Andante con moto | — | ||
| 2-5 | Piano Concerto in F major: III. Allegro agitato | London Symphony Orchestra, André Previn | — | |
| 2-6 | An American in Paris (rehearsal) | — | ||
| 3-1 | Alexander Nevsky, op. 78: I. Russia Under the Mongolian Yoke | London Symphony Orchestra, André Previn | — | |
| 3-2 | Alexander Nevsky, op. 78: II. Song About Alexander Nevsky | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 3-3 | Alexander Nevsky, op. 78: III. The Crusaders in Pskov | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 3-4 | Alexander Nevsky, op. 78: IV. "Arise, Ye Russian People" | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 3-5 | Alexander Nevsky, op. 78: V. The Battle on the Ice | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 3-6 | Alexander Nevsky, op. 78: VI. The Field of the Dead | Anna Reynolds, London Symphony Orchestra, André Previn | — | |
| 3-7 | Alexander Nevsky, op. 78: VII. Alexander's Entry Into Pskov | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 4-1 | Cockaigne (In London Town), Concert Overture, op. 40 | — | ||
| 4-2 | Candide: Overture | London Symphony Orchestra, André Previn | T-903.288.559-9 | |
| 4-3 | Fantasia on "Greensleeves" | London Symphony Orchestra, André Previn | — | |
| 4-4 | Rumanian Rhapsody no. 1 | London Symphony Orchestra, André Previn | — | |
| 5-1 | Belshazzar's Feast: Thus spake Isaiah | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-2 | Belshazzar's Feast: If I forget thee, O Jerusalem | John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-3 | Belshazzar's Feast: By the waters of Babylon | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-4 | Belshazzar's Feast: Babylon was a great city | John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-5 | Belshazzar's Feast: Praise ye the God of Gold | John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-6 | Belshazzar's Feast: Thus in Babylon the mighty city | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-7 | Belshazzar's Feast: And in that same hour, as they feasted | John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-8 | Belshazzar's Feast: Then sing aloud to God our strength | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-9 | Belshazzar's Feast: The trumpeters and pipers are silent | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-10 | Belshazzar's Feast: Then sing aloud to God our strength | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 5-11 | Improvisations on an Impromptu of Benjamin Britten: I. Lento – Movendo | London Symphony Orchestra, André Previn | — | |
| 5-12 | Improvisations on an Impromptu of Benjamin Britten: II. Vivo – Più animato poco a poco | London Symphony Orchestra, André Previn | — | |
| 5-13 | Improvisations on an Impromptu of Benjamin Britten: III. Moderato | London Symphony Orchestra, André Previn | — | |
| 5-14 | Improvisations on an Impromptu of Benjamin Britten: IV. Scherzando – Giocoso | London Symphony Orchestra, André Previn | — | |
| 6-1 | The Nutcracker, op. 71: Overture | London Symphony Orchestra, André Previn | — | |
| 6-2 | The Nutcracker, op. 71: Act I, Scene I. The Decoration of the Christmas Tree | London Symphony Orchestra, André Previn | — | |
| 6-3 | The Nutcracker, op. 71: Act I: No. 2 March | London Symphony Orchestra, André Previn | — | |
| 6-4 | The Nutcracker, op. 71: Act I, Scene I. Children's Galop and Entry of the Parents | London Symphony Orchestra, André Previn | — | |
| 6-5 | The Nutcracker, op. 71: Act I, Scene I. Arrival of Drosselmeyer | London Symphony Orchestra, André Previn | — | |
| 6-6 | The Nutcracker, op. 71: Act I, Scene I. Grandfather Dance | London Symphony Orchestra, André Previn | — | |
| 6-7 | The Nutcracker, op. 71: Act I, Scene I. Clara and the Nutcracker | London Symphony Orchestra, André Previn | — | |
| 6-8 | The Nutcracker, op. 71: Act I, Scene II. Battle | London Symphony Orchestra, André Previn | — | |
| 6-9 | The Nutcracker, op. 71: Act I, Scene II. In the Pine Forest | London Symphony Orchestra, André Previn | — | |
| 6-10 | The Nutcracker, op. 71: Act I, Scene II. Waltz of the Snowflakes | Ambrosian Singers, London Symphony Orchestra, André Previn | — | |
| 7-1 | The Nutcracker: Act II. Scene II: The Kingdom of Sweets | London Symphony Orchestra, André Previn | — | |
| 7-2 | The Nutcracker: Act II: Scene III: Clara and the Prince | London Symphony Orchestra, André Previn | — | |
| 7-3 | The Nutcracker: Act II: Scene III: Divertissement A: Chocolate (Spanish dance) | London Symphony Orchestra, André Previn | — | |
| 7-4 | The Nutcracker: Act II: Scene III: Divertissement B: Coffee (Arab dance) | London Symphony Orchestra, André Previn | — | |
| 7-5 | The Nutcracker: Act II: Scene III: Divertissement C: Tea (Chinese dance) | London Symphony Orchestra, André Previn | — | |
| 7-6 | The Nutcracker: Act II: Scene III: Divertissement D: Trepak (Russian dance) | London Symphony Orchestra, André Previn | — | |
| 7-7 | The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — | |
| 7-8 | The Nutcracker: Act II: Scene III: Divertissement F: Mother Gigogne | London Symphony Orchestra, André Previn | — | |
| 7-9 | The Nutcracker: Act II: Scene III: Waltz of the Flowers | London Symphony Orchestra, André Previn | — | |
| 7-10 | The Nutcracker: Act II: Scene III: Pas de Deux | London Symphony Orchestra, André Previn | — | |
| 7-11 | The Nutcracker: Act II: Scene III: Pas de Deux: Variation I: Tarantella | London Symphony Orchestra, André Previn | — | |
| 7-12 | The Nutcracker, op. 71: Act II: No. 14 Pas de deux: (b) Variation II (Dance of the Sugar-Plum Fairy) – Coda | London Symphony Orchestra, André Previn | — | |
| 7-13 | The Nutcracker: Act II: Scene III: Final Waltz and Apotheosis | London Symphony Orchestra, André Previn | — | |
| 8-1 | 1812 Overture, op. 49 | London Symphony Orchestra, André Previn | — | |
| 8-2 | Marche Slave, op. 31 | London Symphony Orchestra, André Previn | — | |
| 8-3 | Romeo & Juliet, Fantasy Overture | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 9-1 | Piano Quintet in F minor, op. 34: I. Allegro non troppo | — | ||
| 9-2 | Piano Quintet in F minor, op. 34: II. Andante - Un poco adagio | — | ||
| 9-3 | Piano Quintet in F minor, op. 34: III. Scherzo (Allegro) | Yale String Quartet, André Previn | — | |
| 9-4 | Piano Quintet in F minor, op. 34: IV. Finale (Poco sostenuto - Allegro non troppo - Presto non troppo) | — | ||
| 10-1 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Itzhak Perlman, London Symphony Orchestra, André Previn | — | |
| 10-2 | Violin Concerto in E minor, op. 64: II. Andante | Itzhak Perlman, London Symphony Orchestra, André Previn | T-802.189.778-0 | |
| 10-3 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Itzhak Perlman, London Symphony Orchestra, André Previn | T-031.629.298-4 | |
| 10-4 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel: Allegro moderato - | — | ||
| 10-5 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio - | — | ||
| 10-6 | Violin Concerto no. 1 in G minor, op. 26: III. Finale: Allegro energico | — | ||
| 11-1 | Symphony no. 2 in E minor, op. 27: I. Largo – Allegro moderato | London Symphony Orchestra, André Previn | — | |
| 11-2 | Symphony no. 2 in E minor, op. 27: II. Scherzo. Allegro molto | London Symphony Orchestra, André Previn | — | |
| 11-3 | Symphony no. 2 in E minor, op. 27: III. Adagio | London Symphony Orchestra, André Previn | — | |
| 11-4 | Symphony no. 2 in E minor, op. 27: IV. Finale. Allegro vivace | London Symphony Orchestra, André Previn | — | |
| 12-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 12-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 12-3 | Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro | London Symphony Orchestra, André Previn | — | |
| 12-4 | Symphony no. 5 in C minor, op. 67: IV. Finale (Allegro) | — | ||
| 12-5 | Prometheus, op. 43: Overture | — | ||
| 13-1 | Symphony no. 8 in C minor, op. 65: I. Adagio | — | ||
| 13-2 | Symphony no. 8 in C minor, op. 65: II. Allegretto | — | ||
| 13-3 | Symphony no. 8 in C minor, op. 65: III. Allegro non troppo | — | ||
| 13-4 | Symphony no. 8 in C minor, op. 65: IV. Largo | — | ||
| 13-5 | Symphony no. 8 in C minor, op. 65: V. Allegretto | — | ||
| 14-1 | Symphony no. 2: I. Allegro molto | London Symphony Orchestra, André Previn | — | |
| 14-2 | Symphony no. 2: II. Lento assai | London Symphony Orchestra, André Previn | — | |
| 14-3 | Symphony no. 2: III. Passacaglia: Theme, Variations, Fugato & Coda - Scherzando | London Symphony Orchestra, André Previn | — | |
| 14-4 | Overture: Portsmouth Point | London Symphony Orchestra, André Previn | — | |
| 14-5 | Comedy Overture: Scapino | London Symphony Orchestra, André Previn | — | |
| 14-6 | The Rio Grande | Cristina Ortiz, Jean Temperley, London Madrigal Singers, Christopher Bishop, London Symphony Orchestra, André Previn | — | |
| 15-1 | Peter and the Wolf, op. 67: Presentation of the Characters and Their Musical Motive | — | ||
| 15-2 | Peter and the Wolf, op. 67: Early one morning | — | ||
| 15-3 | Peter and the Wolf, op. 67: “Look out!” shouted Peter | — | ||
| 15-4 | Peter and the Wolf, op. 67: No sooner had Peter gone… | — | ||
| 15-5 | Peter and the Wolf, op. 67: So now, this is how things stood… | — | ||
| 15-6 | Peter and the Wolf, op. 67: Just then… The hunters came out of the woods | — | ||
| 15-7 | Peter and the Wolf, op. 67: Just imagine the triumphant procession | — | ||
| 15-8 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: I. Theme | — | ||
| 15-9 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: II. Woodwind | — | ||
| 15-10 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: III. Brass | — | ||
| 15-11 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: IV. Strings | — | ||
| 15-12 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: V. Percussion | — | ||
| 15-13 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: VI. Full Orchestra | — | ||
| 15-14 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: VII. Flute and Piccolo | — | ||
| 15-15 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: VIII. Oboes | — | ||
| 15-16 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: IX. Clarinets | — | ||
| 15-17 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: X. Bassoons | — | ||
| 15-18 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XI. Violins | — | ||
| 15-19 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XII. Violas | — | ||
| 15-20 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XIII. Cellos | — | ||
| 15-21 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XIV. Double Basses | — | ||
| 15-22 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XV. Harps | — | ||
| 15-23 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XVI. Horns | — | ||
| 15-24 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XVII. Trumpets | — | ||
| 15-25 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XVIII. Trombones and Bass Tuba | — | ||
| 15-26 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XIX. Timpani and the Rest of the Percussion | — | ||
| 15-27 | The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XX. Fugue | — | ||
| 16-1 | Peter und der Wolf, op. 67: Vorstellung der musikalischen: Themen. Der Vogel (Flöte) - Die Ente (Oboe) - Die Katze (Klarinette) - Großvater (Fagott) - Der Wolf (Hörner) - Peter (Streicher) - Gewehrschüsse (Schlagzeug) | — | ||
| 16-2 | Peter und der Wolf, op. 67: Die Geschichte: Peter auf der Wiese - Der Vogel - Peter und der Vogel - Die Ente - Ente und Vogel… | — | ||
| 16-3 | Peter und der Wolf, op. 67: Der Vogel fliegt auf den Baum - Die Katze überlegt - Großvater kommt aus dem Haus - Peter hat keine Angst - Großvater bringt Peter heim | — | ||
| 16-4 | Peter und der Wolf, op. 67: Der Wolf kommt - Die Katze springt auf den Baum - Die Ente schnattert aufgeregt - Der Wolf fängt die Ente | — | ||
| 16-5 | Peter und der Wolf, op. 67: Die Ente ist gefressen - Katze und Vogel sitzen auf dem Baum… während der Wolf gierig lauert - Peter beobachtet alles und holt ein Seil - Der Vogel ärgert den Wolf - Zornig schnappt der Wolf nach dem Vogel… aber fängt ihn nicht - Peter macht eine Schlinge - Der Wolf ist gefangen… und versucht, sich zu befreien | — | ||
| 16-6 | Peter und der Wolf, op. 67: Gerade da kommen Jäger aus dem Wald und schießen - Peter ruft: „Schießt nicht!” | — | ||
| 16-7 | Peter und der Wolf, op. 67: Triumphzug… Peter und der Vogel sind stolz - Und wenn man ganz genau hinhört… | — | ||
| 16-8 | The Young Person's Guide to the Orchestra, op. 34: Ansprache und Erklärung - Theme A (Großes Orchester) | — | ||
| 16-9 | The Young Person's Guide to the Orchestra, op. 34: Thema B (Holzbläser) | — | ||
| 16-10 | The Young Person's Guide to the Orchestra, op. 34: Thema C (Blechbläser) | — | ||
| 16-11 | The Young Person's Guide to the Orchestra, op. 34: Thema D (Streicher) | — | ||
| 16-12 | The Young Person's Guide to the Orchestra, op. 34: Thema E (Schlagzeug) | — | ||
| 16-13 | The Young Person's Guide to the Orchestra, op. 34: Thema F (Großes Orchester) | — | ||
| 16-14 | The Young Person's Guide to the Orchestra, op. 34: Variation A (Flöte/Piccoloflöte) | — | ||
| 16-15 | The Young Person's Guide to the Orchestra, op. 34: Variation B (Oboe) | — | ||
| 16-16 | The Young Person's Guide to the Orchestra, op. 34: Variation C (Klarinette) | — | ||
| 16-17 | The Young Person's Guide to the Orchestra, op. 34: Variation D (Fagotte) | — | ||
| 16-18 | The Young Person's Guide to the Orchestra, op. 34: Variation E (Violine) | — | ||
| 16-19 | The Young Person's Guide to the Orchestra, op. 34: Variation F (Viola) | — | ||
| 16-20 | The Young Person's Guide to the Orchestra, op. 34: Variation G (Violoncello) | — | ||
| 16-21 | The Young Person's Guide to the Orchestra, op. 34: Variation H (Kontrabaß) | — | ||
| 16-22 | The Young Person's Guide to the Orchestra, op. 34: Variation I (Harfe) | — | ||
| 16-23 | The Young Person's Guide to the Orchestra, op. 34: Variation J (Horn) | — | ||
| 16-24 | The Young Person's Guide to the Orchestra, op. 34: Variation K (Trompete) | — | ||
| 16-25 | The Young Person's Guide to the Orchestra, op. 34: Variation L (Posaune/Tuba) | — | ||
| 16-26 | The Young Person's Guide to the Orchestra, op. 34: Variation M (Schlagzeug) | — | ||
| 16-27 | The Young Person's Guide to the Orchestra, op. 34: Fuge (großes Orchester - Thema in den Blechbläsern) | — | ||
| 17-1 | The Dicky Bird & the Owl | — | ||
| 17-2 | The Trumpeter | — | ||
| 17-3 | Annabelle Lee | — | ||
| 17-4 | The Catch of the Seasons (1904): Cigarette | — | ||
| 17-5 | Tom Bowling | — | ||
| 17-6 | Saved from the Deep | — | ||
| 17-7 | The Lily of Killarney: Act I. “The moon hath raised her lamp above” | — | ||
| 17-8 | Excelsior! | — | ||
| 17-9 | Come into the Garden, Maud | — | ||
| 17-10 | The Arab's Farewell to His Steed | — | ||
| 17-11 | The Lark Now Leaves His Wat'ry Nest | — | ||
| 17-12 | The Death of Nelson | — | ||
| 17-13 | Geneviève de Brabant: Gendarmes' Duet | — | ||
| 18-1 | Romeo and Juliet, op. 64: Act I. Scene I. No. 1 Introduction | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-2 | Romeo and Juliet, op. 64: Act I. Scene I. No. 2 Romeo | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-3 | Romeo and Juliet, op. 64: Act I. Scene I. No. 3 The street awakens | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-4 | Romeo and Juliet, op. 64: Act I. Scene I. No. 4 Morning Dance | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-5 | Romeo and Juliet, op. 64: Act I. Scene I. No. 5 The Quarrel | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-6 | Romeo and Juliet, op. 64: Act I. Scene I. No. 6 The Fight | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-7 | Romeo and Juliet, op. 64: Act I. Scene I. No. 7 The Prince gives his order | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-8 | Romeo and Juliet, op. 64: Act I. Scene I. No. 8 Interlude | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-9 | Romeo and Juliet, op. 64: Act I. Scene II. No. 9 Preparing for the Ball (Juliet and the Nurse) | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-10 | Romeo and Juliet, op. 64: Act I. Scene II. No. 10 Juliet as a young girl | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-11 | Romeo and Juliet, op. 64: Act I. Scene II. No. 11 Arrival of the guests | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-12 | Romeo and Juliet, op. 64: Act I. Scene II. No. 12 Masks | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-13 | Romeo and Juliet, op. 64: Act I. Scene II. No. 13 Dance of the Knights | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-14 | Romeo and Juliet, op. 64: Act I. Scene II. No. 14 Julietʼs variation | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-15 | Romeo and Juliet, op. 64: Act I. Scene II. No. 15 Mercutio | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-16 | Romeo and Juliet, op. 64: Act I. Scene II. No. 16 Madrigal | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-17 | Romeo and Juliet, op. 64: Act I. Scene II. No. 17 Tybalt recognizes Romeo | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-18 | Romeo and Juliet, op. 64: Act I. Scene II. No. 18 Departure of the guests | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-19 | Romeo and Juliet, op. 64: Act I. Scene II. No. 19 Balcony scene | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-20 | Romeo and Juliet, op. 64: Act I. Scene II. No. 20 Romeoʼs variation | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-21 | Romeo and Juliet, op. 64: Act I. Scene II. No. 21 Love Dance | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-22 | Romeo and Juliet, op. 64: Act II. Scene I. No. 22 Folk Dance | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-23 | Romeo and Juliet, op. 64: Act II. Scene I. No. 23 Romeo and Mercutio | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-24 | Romeo and Juliet, op. 64: Act II. Scene I. No. 24 Dance of the five couples | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-25 | Romeo and Juliet, op. 64: Act II. Scene I. No. 25 Dance with the mandolins | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 18-26 | Romeo and Juliet, op. 64: Act II. Scene I. No. 26 The Nurse | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-1 | Romeo and Juliet, op. 64: Act II. Scene I. No. 27 The Nurse gives Romeo the note from Juliet | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-2 | Romeo and Juliet, op. 64: Act II. Scene II. No. 28 Romeo with Friar Lawrence | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-3 | Romeo and Juliet, op. 64: Act II. Scene II. No. 29 Juliet with Friar Lawrence | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-4 | Romeo and Juliet, op. 64: Act: II. Scene III. No. 30 The people continue to make merry | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-5 | Romeo and Juliet, op. 64: Act II. Scene III. No. 31 Folk Dance | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-6 | Romeo and Juliet, op. 64: Act II. Scene III. No. 32 Tybalt meets Mercutio | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-7 | Romeo and Juliet, op. 64: Act II. Scene III. No. 33 Tybalt and Mercutio fight | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-8 | Romeo and Juliet, op. 64: Act II. Scene III. No. 34 Mercutio dies | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-9 | Romeo and Juliet, op. 64: Act II. Scene III. No. 35 Romeo decides to avenge Mercutioʼs death | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-10 | Romeo and Juliet, op. 64: Act II. Scene III. No. 36 Finale | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-11 | Romeo and Juliet, op. 64: Act III. Scene I. No. 37 Introduction | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-12 | Romeo and Juliet, op. 64: Act III. Scene I. No 38 Romeo and Juliet (Julietʼs bedroom) | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-13 | Romeo and Juliet, op. 64: Act III. Scene I. No. 39 The last farewell | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-14 | Romeo and Juliet, op. 64: Act III. Scene I. No. 40 The Nurse | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-15 | Romeo and Juliet, op. 64: Act III. Scene I. No. 41 Juliet refuses to marry Paris | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-16 | Romeo and Juliet, op. 64: Act III. Scene I. No. 42 Juliet alone | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-17 | Romeo and Juliet, op. 64: Act III. Scene I. No. 43 Interlude | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-18 | Romeo and Juliet, op. 64: Act III. Scene II. No. 44 At Friar Laurenceʼs | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-19 | Romeo and Juliet, op. 64: Act III. Scene II. No. 45 Interlude | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-20 | Romeo and Juliet, op. 64: Act III. Scene III. No. 46 Julietʼs bedroom | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-21 | Romeo and Juliet, op. 64: Act III. Scene III. No. 47 Juliet alone | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-22 | Romeo and Juliet, op. 64: Act III. Scene III. No. 48 Morning Serenade | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-23 | Romeo and Juliet, op. 64: Act III. Scene III. No. 49 Dance of the girls with the lilies | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-24 | Romeo and Juliet, op. 64: Act III. Scene III. No. 50 At Julietʼs bedside | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-25 | Romeo and Juliet, op. 64: Act III. Epilogue. No. 51 Julietʼs funeral | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 19-26 | Romeo and Juliet, op. 64: Act III. Epilogue. No. 52 Death of Juliet | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 20-1 | Piano Trio in A minor, M. 67: I. Modéré | — | ||
| 20-2 | Piano Trio in A minor, M. 67: II. Pantoum (Assez vif) | — | ||
| 20-3 | Piano Trio in A minor, M. 67: III. Passacaille (Très large) | — | ||
| 20-4 | Piano Trio in A minor, M. 67: IV. Finale (Animé) | — | ||
| 20-5 | Piano Trio no. 2 in E minor, op. 67: I. Andante | — | ||
| 20-6 | Piano Trio no. 2 in E minor, op. 67: II. Allegro non troppo | — | ||
| 20-7 | Piano Trio no. 2 in E minor, op. 67: III. Largo | — | ||
| 20-8 | Piano Trio no. 2 in E minor, op. 67: IV. Allegretto | — | ||
| 21-1 | Piano Concerto no. 17 in G major, K. 453: 1st Movement: Allegro – Cadenza | André Previn, London Symphony Orchestra, Sir Adrian Boult | — | |
| 21-2 | Piano Concerto no. 17 in G major, K. 453: 2nd Movement: Andante – Cadenza | André Previn, London Symphony Orchestra, Sir Adrian Boult | — | |
| 21-3 | Piano Concerto no. 17 in G major, K. 453: 3rd Movement: Allegretto | André Previn, London Symphony Orchestra, Sir Adrian Boult | — | |
| 21-4 | Piano Concerto no. 24 in C minor, K. 491: 1st Movement: Allegro – Cadenza (by Hummel) | André Previn, London Symphony Orchestra, Sir Adrian Boult | — | |
| 21-5 | Piano Concerto no. 24 in C minor, K. 491: 2nd Movement: Larghetto | André Previn, London Symphony Orchestra, Sir Adrian Boult | — | |
| 21-6 | Piano Concerto no. 24 in C minor, K. 491: 3rd Movement: Allegretto – Cadenza (by Previn) | André Previn, London Symphony Orchestra, Sir Adrian Boult | — | |
| 22-1 | The Planets, op. 32: I. Mars, the Bringer of War | London Symphony Orchestra, André Previn | T-923.663.725-5 | |
| 22-2 | The Planets, op. 32: II. Venus, the Bringer of Peace | London Symphony Orchestra, André Previn | — | |
| 22-3 | The Planets, op. 32: III. Mercury, the Winged Messenger | London Symphony Orchestra, André Previn | — | |
| 22-4 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | London Symphony Orchestra, André Previn | — | |
| 22-5 | The Planets, op. 32: V. Saturn, the Bringer of Old Age | London Symphony Orchestra, André Previn | — | |
| 22-6 | The Planets, op. 32: VI. Uranus, the Magician | London Symphony Orchestra, André Previn | — | |
| 22-7 | The Planets, op. 32: VII. Neptune, the Mystic | The Ambrosian Singers, London Symphony Orchestra, André Previn | — | |
| 23-1 | Violin Concerto no. 2, Sz. 112: I. Allegro non troppo | — | ||
| 23-2 | Violin Concerto no. 2, Sz. 112: II. Andante tranquillo | — | ||
| 23-3 | Violin Concerto no. 2, Sz. 112: III. Allegro molto | — | ||
| 24-1 | Sinfonia da Requiem, Op. 20: I. Lachrymosa (Andante ben misurato) | London Symphony Orchestra, André Previn | — | |
| 24-2 | Sinfonia da Requiem, Op. 20: II. Dies Irae (Allegro con fuoco) | London Symphony Orchestra, André Previn | — | |
| 24-3 | Sinfonia da Requiem, Op. 20: III. Requiem aeternam (Andante molto tranquillo) | London Symphony Orchestra, André Previn | — | |
| 24-4 | Four Sea Interludes from Peter Grimes, Op. 33a: I. Dawn (Lento e tranquillo) | London Symphony Orchestra, André Previn | — | |
| 24-5 | Four Sea Interludes from Peter Grimes, Op. 33a: II. Sunday Morning (Allegro spiritoso) | London Symphony Orchestra, André Previn | — | |
| 24-6 | Four Sea Interludes from Peter Grimes, Op. 33a: III. Moonlight (Andante comodo e rubato) | London Symphony Orchestra, André Previn | — | |
| 24-7 | Four Sea Interludes from Peter Grimes, Op. 33a: IV. Storm (Presto con fuoco) | London Symphony Orchestra, André Previn | — | |
| 24-8 | Passacaglia from Peter Grimes, Op. 33b | London Symphony Orchestra, André Previn | — | |
| 25-1 | Symphony no. 6 in B minor, op. 54: I. Largo | London Symphony Orchestra, André Previn | — | |
| 25-2 | Symphony no. 6 in B minor, op. 54: II. Allegro | London Symphony Orchestra, André Previn | — | |
| 25-3 | Symphony no. 6 in B minor, op. 54: III. Presto | London Symphony Orchestra, André Previn | — | |
| 25-4 | Lieutenant Kijé Suite, op. 60: I. The Birth of Kijé | London Symphony Orchestra, André Previn | — | |
| 25-5 | Lieutenant Kijé Suite, op. 60: II. Romance | London Symphony Orchestra, André Previn | — | |
| 25-6 | Lieutenant Kijé Suite, op. 60: III. Wedding of Kijé | London Symphony Orchestra, André Previn | — | |
| 25-7 | Lieutenant Kijé Suite, op. 60: IV. Troika | London Symphony Orchestra, André Previn | — | |
| 25-8 | Lieutenant Kijé Suite, op. 60: V. Burial of Kijé | London Symphony Orchestra, André Previn | — | |
| 26-1 | Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante | London Symphony Orchestra, André Previn | — | |
| 26-2 | Manfred Symphony in B minor, op. 58: II. Vivace con spirito | London Symphony Orchestra, André Previn | — | |
| 26-3 | Manfred Symphony in B minor, op. 58: III. Andante con moto | London Symphony Orchestra, André Previn | — | |
| 26-4 | Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco | London Symphony Orchestra, André Previn | — | |
| 27-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 27-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | London Symphony Orchestra, André Previn | T-314.638.300-4 | |
| 27-3 | Symphony no. 7 in A major, op. 92: III. Presto | London Symphony Orchestra, André Previn | — | |
| 27-4 | Symphony no. 7 in A major, op. 92: IV. Allegro | London Symphony Orchestra, André Previn | — | |
| 28-1 | Symphony no. 5 in B-flat major, op. 100: I. Andante | — | ||
| 28-2 | Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato | — | ||
| 28-3 | Symphony no. 5 in B-flat major, op. 100: III. Adagio | — | ||
| 28-4 | Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso | — | ||
| 29-1 | Sleeping Beauty, op. 66: Introduction (Allegro vivo - Andantino) | London Symphony Orchestra, André Previn | — | |
| 29-2 | Sleeping Beauty, op. 66: Prologue "The Christening": No. 1. March (Moderato) | London Symphony Orchestra, André Previn | — | |
| 29-3 | Sleeping Beauty, op. 66: Prologue "The Christening": No. 2. Dance Scene (Moderato con moto) | London Symphony Orchestra, André Previn | — | |
| 29-4 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Introduction | London Symphony Orchestra, André Previn | — | |
| 29-5 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Adagio | London Symphony Orchestra, André Previn | — | |
| 29-6 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation I. The Fairy of the Crystal Fountain (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 29-7 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation II. The Fairy of the Enchanted Garden (Allegro) | London Symphony Orchestra, André Previn | — | |
| 29-8 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation III. The Fairy of the Woodland Glades (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 29-9 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation IV. The Fairy of the Songbirds (Moderato) | London Symphony Orchestra, André Previn | — | |
| 29-10 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation V. The Fairy of the Golden Vine (Allegro molto vivace) | London Symphony Orchestra, André Previn | — | |
| 29-11 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation VI. The Lilac Fairy (Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 29-12 | Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Coda (Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 29-13 | Sleeping Beauty, op. 66: Prologue "The Christening": No. 4. Finale | London Symphony Orchestra, André Previn | — | |
| 29-14 | Sleeping Beauty, op. 66: Act I "The Spell": No. 5. Scene (Allegro vivo - Moderato) | London Symphony Orchestra, André Previn | — | |
| 29-15 | Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 29-16 | Sleeping Beauty, op. 66: Act I "The Spell": No. 7. Scene (Andante) | London Symphony Orchestra, André Previn | — | |
| 29-17 | Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Rose Adagio (Andante - Adagio maestoso) | London Symphony Orchestra, André Previn | — | |
| 29-18 | Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Dance of the Maids of Honour and the Pages | London Symphony Orchestra, André Previn | — | |
| 29-19 | Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Aurora's Variation | London Symphony Orchestra, André Previn | — | |
| 29-20 | Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Coda (Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 29-21 | Sleeping Beauty, op. 66: Act I "The Spell": No. 9. Finale | London Symphony Orchestra, André Previn | — | |
| 30-1 | Sleeping Beauty, op. 66: Act II "The Vision": No. 10. Entr'acte and Scene (Allegro con spirito - Un poco più tranquillo) | London Symphony Orchestra, André Previn | — | |
| 30-2 | Sleeping Beauty, op. 66: Act II "The Vision": No. 11. Blind Man's Buff (Allegro vivo) | London Symphony Orchestra, André Previn | — | |
| 30-3 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Scene | London Symphony Orchestra, André Previn | — | |
| 30-4 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Duchesses (Minuet: Moderato con moto) | London Symphony Orchestra, André Previn | — | |
| 30-5 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dance of the Baronesses (Gavotte) | London Symphony Orchestra, André Previn | — | |
| 30-6 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Countesses (Allegro non troppo) | London Symphony Orchestra, André Previn | — | |
| 30-7 | Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Marchionesses (Allegro non troppo) | London Symphony Orchestra, André Previn | — | |
| 30-8 | Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Scene (Poco più vivo) | London Symphony Orchestra, André Previn | — | |
| 30-9 | Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Dance (Allegro non troppo) | London Symphony Orchestra, André Previn | — | |
| 30-10 | Sleeping Beauty, op. 66: Act II "The Vision": No. 14. Scene: Prince Florimund and the Lilac Fairy | London Symphony Orchestra, André Previn | — | |
| 30-11 | Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Aurora and Florimund (Andante cantabile) | London Symphony Orchestra, André Previn | — | |
| 30-12 | Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Aurora's Variation (Allegro con moto) | London Symphony Orchestra, André Previn | — | |
| 30-13 | Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Coda (Presto) | London Symphony Orchestra, André Previn | — | |
| 30-14 | Sleeping Beauty, op. 66: Act II "The Vision": No. 16. Scene (Allegro agitato) | London Symphony Orchestra, André Previn | — | |
| 30-15 | Sleeping Beauty, op. 66: Act II "The Vision": No. 17. Panorama (Andantino) | London Symphony Orchestra, André Previn | — | |
| 30-16 | Sleeping Beauty, op. 66: Act II "The Vision": No. 18. Entr'acte | London Symphony Orchestra, André Previn | — | |
| 30-17 | Sleeping Beauty, op. 66: Act II "The Vision": No. 19. Symphonic Entr'acte (The Sleep) and Scene (Andante misterioso) | London Symphony Orchestra, André Previn | — | |
| 30-18 | Sleeping Beauty, op. 66: Act II "The Vision": No. 20. Finale: The Awakening (Allegro agitato) | London Symphony Orchestra, André Previn | — | |
| 31-1 | Sleeping Beauty, op. 66: Act III "The Wedding": No. 21. March (Allegro non troppo) | London Symphony Orchestra, André Previn | — | |
| 31-2 | Sleeping Beauty, op. 66: Act III "The Wedding": No. 22. Polonaise: Procession of Fairy-Tale Characters (Allegro moderato e brillante) | London Symphony Orchestra, André Previn | — | |
| 31-3 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Introduction (Allegro non tanto) | London Symphony Orchestra, André Previn | — | |
| 31-4 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation I. The Golden Fairy (Allegro: Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 31-5 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation II. The Silver Fairy (Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 31-6 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation III. The Sapphire Fairy (Vivacissimo) | London Symphony Orchestra, André Previn | — | |
| 31-7 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation IV. The Diamond Fairy (Vivace) | London Symphony Orchestra, André Previn | — | |
| 31-8 | Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Coda (L'istesso tempo) | London Symphony Orchestra, André Previn | — | |
| 31-9 | Sleeping Beauty, op. 66: Act III "The Wedding": No. 24. Pas de caractère: Puss-in-Boots and the White Cat (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 31-10 | Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Introduction (Adagio) | London Symphony Orchestra, André Previn | — | |
| 31-11 | Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Variation I. Cinderella and Prince Charming (Allegro: Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 31-12 | Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Variation II. The Bluebird and Princess Florine (Andantino) | London Symphony Orchestra, André Previn | — | |
| 31-13 | Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Coda (Presto) | London Symphony Orchestra, André Previn | — | |
| 31-14 | Sleeping Beauty: Act Three "The Wedding": No. 26. Pas de caractère: Red Riding Hood and the Wolf (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 31-15 | Sleeping Beauty: Act Three "The Wedding": No. 26. Pas de caractère: Cinderella and Prince Charming (Allegro agitato - Tempo di valse - Vivace assai) | London Symphony Orchestra, André Previn | — | |
| 31-16 | Sleeping Beauty: Act Three "The Wedding": No. 27. Pas Berrichon | London Symphony Orchestra, André Previn | — | |
| 31-17 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Entrée (Allegretto - Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 31-18 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Adagio (Andante non troppo) | London Symphony Orchestra, André Previn | — | |
| 31-19 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Variation I. Florimund (Vivace - Prestissimo) | London Symphony Orchestra, André Previn | — | |
| 31-20 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Variation II. Aurora (Andantino) | London Symphony Orchestra, André Previn | — | |
| 31-21 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Coda (Allegro vivace) | London Symphony Orchestra, André Previn | — | |
| 31-22 | Sleeping Beauty: Act Three "The Wedding": No. 29. Sarabande | London Symphony Orchestra, André Previn | — | |
| 31-23 | Sleeping Beauty: Act Three "The Wedding": No. 30. Finale and Apotheosis: Finale (Allegro brillante: Tempo di mazurka) - | London Symphony Orchestra, André Previn | — | |
| 31-24 | Sleeping Beauty: Act Three "The Wedding": No. 30. Finale and Apotheosis: Apotheosis (Andante molto maestoso) | London Symphony Orchestra, André Previn | — | |
| 32-1 | Le Corsaire, Overture, op. 21, H. 101 | — | ||
| 32-2 | Béatrice et Bénédict, H. 138: Overture | — | ||
| 32-3 | Le Carnaval romain, op. 9 | London Symphony Orchestra, André Previn | T-306.482.090-8 | |
| 32-4 | Benvenuto Cellini, op. 23, H. 76: Overture | — | ||
| 32-5 | Les Francs-juges, op. 3, H. 23a: Overture | — | ||
| 33-1 | The Wandering Scholar, op. 50: “When boughs are green in April” (Louis, Alison) | — | ||
| 33-2 | The Wandering Scholar, op. 50: “Ho there, old dog” (Louis, Alison) | — | ||
| 33-3 | The Wandering Scholar, op. 50: “The most beautiful piece” (Alison, Philippe) | — | ||
| 33-4 | The Wandering Scholar, op. 50: “The time, then, was well chosen” (Philippe, Alison) | — | ||
| 33-5 | The Wandering Scholar, op. 50: “Someone is coming!” (Alison, Philippe, Pierre) | — | ||
| 33-6 | The Wandering Scholar, op. 50: “Before that I was twenty” (Pierre, Philippe) | — | ||
| 33-7 | The Wandering Scholar, op. 50: “So learned a clerk” (Alison, Philippe, Pierre) | — | ||
| 33-8 | The Wandering Scholar, op. 50: “Heigho, a pretty knave!” (Alison, Philippe) | — | ||
| 33-9 | The Wandering Scholar, op. 50: “He'll lie all day in the sun” (Louis, Pierre, Alison) | — | ||
| 33-10 | The Wandering Scholar, op. 50: “As I was walking” (Pierre, Louis, Alison) | — | ||
| 33-11 | The Wandering Scholar, op. 50: “Monster! Villain!” (Louis, Pierre, Alison) | — | ||
| 33-12 | The Perfect Fool, op. 39: I. Andante | London Symphony Orchestra, André Previn | T-106.677.158-0 | |
| 33-13 | The Perfect Fool, op. 39: II. Dance of Spirits of Earth: Moderato-Andante | London Symphony Orchestra, André Previn | — | |
| 33-14 | The Perfect Fool, op. 39: III. Dance of Spirits of Water: Allegretto | London Symphony Orchestra, André Previn | — | |
| 33-15 | The Perfect Fool, op. 39: IV. Dance of Spirits of Fire: Allegro moderato | London Symphony Orchestra, André Previn | — | |
| 33-16 | Egdon Heath-Homage to Hardy, op. 47 | London Symphony Orchestra, André Previn | — | |
| 34-1 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-2 | Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-3 | Carmina Burana: I. Primo Vere: Veris leta facies | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-4 | Carmina Burana: I. Primo Vere: Omnia Sol temperat | Thomas Allen, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-5 | Carmina Burana: I. Primo Vere: Ecce gratum | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-6 | Carmina Burana: Uf dem Anger: Tanz | London Symphony Orchestra, André Previn | T-306.378.550-8 | |
| 34-7 | Carmina Burana: Uf dem Anger: Floret Silva | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-8 | Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-9 | Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-10 | Carmina Burana: Uf dem Anger: Were Diu werlt alle min | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-11 | Carmina Burana: II. In Taberna: Estuans interius | Thomas Allen, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-12 | Carmina Burana: II. In Taberna: Olim lacus colueram | Gerald English, London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-13 | Carmina Burana: II. In Taberna: Ego sum abbas | Thomas Allen, London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-14 | Carmina Burana: II. In Taberna: In taberna quando sumus | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-15 | Carmina Burana: III. Cour d’Amour: Amor volat undique | Sheila Armstrong, St. Clement Danes School Boys' Choir, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-16 | Carmina Burana: III. Cour d’Amour: Dies, nox et omnia | Thomas Allen, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-17 | Carmina Burana: III. Cour d’Amour: Stetit puella | Sheila Armstrong, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-18 | Carmina Burana: III. Cour d’Amour: Circa mea pectora | Thomas Allen, London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-19 | Carmina Burana: III. Cour d’Amour: Si puer cum puellula | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-20 | Carmina Burana: III. Cour d’Amour: Veni, veni, venias | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-21 | Carmina Burana: III. Cour d’Amour: In trutina | Sheila Armstrong, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-22 | Carmina Burana: III. Cour d’Amour: Tempus est iocundum | Thomas Allen, Sheila Armstrong, London Symphony Orchestra Chorus, St. Clement Danes School Boys' Choir, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-23 | Carmina Burana: III. Cour d’Amour: Dulcissime | Sheila Armstrong, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 34-24 | Carmina Burana: Blanziflor et Helena: Ave formosissima | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 35-1 | The Rag-Time Dance | — | ||
| 35-2 | The Easy Winners | — | ||
| 35-3 | Bethena (A Concert Waltz) | — | ||
| 35-4 | Magnetic Rag | — | ||
| 35-5 | The Strenuous Life (Rag-Time Two-Step) | — | ||
| 35-6 | The Entertainer | Itzhak Perlman, André Previn | T-307.274.394-9 | |
| 35-7 | Elite Syncopations | — | ||
| 35-8 | Solace (A Mexican Serenade) | — | ||
| 35-9 | Pine Apple Rag | — | ||
| 35-10 | Sugar Cane (A Rag-Time classic Two-Step) | — | ||
| 36-1 | The Isle of the Dead, op. 29 | London Symphony Orchestra, André Previn | T-919.677.258-4 | |
| 36-2 | Symphonic Dances, op. 45: I. Non allegro | London Symphony Orchestra, André Previn | — | |
| 36-3 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di Valse) | London Symphony Orchestra, André Previn | — | |
| 36-4 | Symphonic Dances, op. 45: III. Lento assai - Allegro vivace | London Symphony Orchestra, André Previn | — | |
| 37-1 | Vier Letzte Lieder (Four Last Songs), TrV 296: I. Frühling | — | ||
| 37-2 | Vier Letzte Lieder (Four Last Songs), TrV 296: II. September | — | ||
| 37-3 | Vier Letzte Lieder (Four Last Songs), TrV 296: III. Beim Schlafengehen | — | ||
| 37-4 | Vier Letzte Lieder (Four Last Songs), TrV 296: IV. Im Abendrot | — | ||
| 37-5 | Freundliche Vision, op. 48 no. 1 | — | ||
| 37-6 | Morgen, op. 27 no. 4 | — | ||
| 37-7 | Meinem Kinde, op. 37 no. 3 | — | ||
| 37-8 | Befreit, op. 39 no. 4 | — | ||
| 37-9 | Zueignung, op. 10 no. 1 | — | ||
| 38-1 | Signature Tune (André Previn’s Music Night) | London Symphony Orchestra, André Previn | — | |
| 38-2 | Coronation March 1953 "Orb and Sceptre" | London Symphony Orchestra, André Previn | — | |
| 38-3 | The Sorcerer's Apprentice | London Symphony Orchestra, André Previn | T-003.005.584-5 | |
| 38-4 | Adagio in G minor | London Symphony Orchestra, André Previn | T-921.189.587-3 | |
| 38-5 | Hansel and Gretel: Overture | London Symphony Orchestra, André Previn | — | |
| 38-6 | La Valse – Choreographic Poem | London Symphony Orchestra, André Previn | T-305.194.234-4 | |
| 38-7 | Slavonic Dance no. 9, op. 72 no. 1 | London Symphony Orchestra, André Previn | — | |
| 38-8 | Jennie, Lady Randolph Churchill (TV series theme music) | — | ||
| 39-1 | Symphony no. 1 in D minor, op. 13: I. Grave | London Symphony Orchestra, André Previn | — | |
| 39-2 | Symphony no. 1 in D minor, op. 13: II. Allegro animato | London Symphony Orchestra, André Previn | — | |
| 39-3 | Symphony no. 1 in D minor, op. 13: III. Larghetto | London Symphony Orchestra, André Previn | — | |
| 39-4 | Symphony no. 1 in D minor, op. 13: IV. Allegro con fuoco | London Symphony Orchestra, André Previn | T-902.755.223-4 | |
| 40-1 | Flow Gently, Deva | — | ||
| 40-2 | The Lute Player | — | ||
| 40-3 | My Snowy-Breasted Pearl | — | ||
| 40-4 | Pansy Faces | — | ||
| 40-5 | Once Again | — | ||
| 40-6 | The Diver | — | ||
| 40-7 | Listen to the Convent Bells | — | ||
| 40-8 | Watchman, What of the Night? | — | ||
| 40-9 | Home! Sweet Home! | — | ||
| 40-10 | Creep-Mouse | — | ||
| 40-11 | Yes! Let Me Like a Soldier Fall | — | ||
| 40-12 | Will-o'-the-Wisp | — | ||
| 40-13 | I'll Sing Thee Songs of Araby | — | ||
| 40-14 | The Wee Cooper o'Fife | — | ||
| 41-1 | Symphony fantastique, op. 14: I. Rêveries - Passions | — | ||
| 41-2 | Symphonie fantastique, op. 14: II. Un bal | London Symphony Orchestra, André Previn | T-922.067.243-5 | |
| 41-3 | Symphony fantastique, op. 14: III. Scènes aux champs | — | ||
| 41-4 | Symphonie fantastique, op. 14: IV. Marche au supplice | London Symphony Orchestra, André Previn | — | |
| 41-5 | Symphony fantastique, op. 14: V. Songe d'une nuit de sabbat | — | ||
| 42-1 | The Bells, op. 35: I. Allegro ma non tanto | Robert Tear, London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 42-2 | The Bells, op. 35: II. Lento | Sheila Armstrong, London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 42-3 | The Bells, op. 35: III. Presto | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 42-4 | The Bells, op. 35: IV. Lento lugubre | John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 43-1 | Concerto for Two Pianos in E-flat major, K. 365: I. Allegro | — | ||
| 43-2 | Concerto for Two Pianos in E-flat major, K. 365: II. Andante | — | ||
| 43-3 | Concerto for Two Pianos, K. 365: III. Rondo, allegro | André Previn, Radu Lupu, London Symphony Orchestra | — | |
| 43-4 | Piano Concerto no. 20 in D minor, K. 466: I. Allegro (Cadenza Beethoven) | — | ||
| 43-5 | Piano Concerto no. 20 in D minor, K. 466: II. Romance | — | ||
| 43-6 | Concerto for Piano no. 20 in D minor, K. 466: III. Rondo (Allegro assai) (cadenza by Previn) | André Previn, London Symphony Orchestra | — | |
| 44-1 | Symphony no. 88 In G major (“Letter V”): 1st Movement: Adagio – Allegro | London Symphony Orchestra, André Previn | — | |
| 44-2 | Symphony no. 88 In G major (“Letter V”): 2nd Movement: Largo | London Symphony Orchestra, André Previn | — | |
| 44-3 | Symphony no. 88 In G major (“Letter V”): 3rd Movement: Menuetto (Allegretto) | London Symphony Orchestra, André Previn | — | |
| 44-4 | Symphony no. 88 In G major (“Letter V”): 4th Movement: Finale (Allegro con spirito) | London Symphony Orchestra, André Previn | — | |
| 44-5 | Symphony no. 96 In D major (”The Miracle”): 1st Movement: Adagio – Allegro | London Symphony Orchestra, André Previn | — | |
| 44-6 | Symphony no. 96 In D major (”The Miracle”): 2nd Movement: Andante | London Symphony Orchestra, André Previn | — | |
| 44-7 | Symphony no. 96 In D major (”The Miracle”): 3rd Movement: Menuetto (Allegro) | London Symphony Orchestra, André Previn | — | |
| 44-8 | Symphony no. 96 In D major (”The Miracle”): 4th Movement: Finale (Vivace) | London Symphony Orchestra, André Previn | — | |
| 45-1 | Piano Concerto no. 1 in B-flat minor, op. 23: 1st Movement: Allegro non troppo e molto maestoso – Allegro con spirito | Horacio Gutierrez, London Symphony Orchestra, André Previn | — | |
| 45-2 | Piano Concerto no. 1 in B-flat minor, op. 23: 2nd Movement: Andantino semplice – Prestissimo – Tempo I | Horacio Gutierrez, London Symphony Orchestra, André Previn | — | |
| 45-3 | Piano Concerto no. 1 in B-flat minor, op. 23: 3rd Movement: Allegro con fuoco | Horacio Gutierrez, London Symphony Orchestra, André Previn | — | |
| 45-4 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — | |
| 45-5 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — | |
| 45-6 | Piano Concerto no. 1 in E-flat major, S. 124: III. Allegretto vivace – Allegro animato | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — | |
| 45-7 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — | |
| 46-1 | Swan Lake: Act One. Introduction (Moderato assai) | London Symphony Orchestra, André Previn | — | |
| 46-2 | Swan Lake: Act One. No. 1. Scene (Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 46-3 | Swan Lake: Act One. No. 2. Waltz (Tempo di valse) | London Symphony Orchestra, André Previn | T-106.673.991-9 | |
| 46-4 | Swan Lake: Act One. No. 3. Scene (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 46-5 | Swan Lake: Act One. No. 4. Pas de trois: I. Intrada (Allegro) | London Symphony Orchestra, André Previn | — | |
| 46-6 | Swan Lake: Act One. No. 4. Pas de trois: II. Andante sostenuto | London Symphony Orchestra, André Previn | — | |
| 46-7 | Swan Lake: Act One. No. 4. Pas de trois: III. Allegro semplice - Presto | London Symphony Orchestra, André Previn | — | |
| 46-8 | Swan Lake: Act One. No. 4. Pas de trois: IV. Moderato | London Symphony Orchestra, André Previn | — | |
| 46-9 | Swan Lake: Act One. No. 4. Pas de trois: V. Allegro | London Symphony Orchestra, André Previn | — | |
| 46-10 | Swan Lake: Act One. No. 4. Pas de trois: VI. Coda (Allegro vivace) | London Symphony Orchestra, André Previn | — | |
| 46-11 | Swan Lake: Act One. No. 5. Pas de deux: I. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 46-12 | Swan Lake: Act One. No. 5. Pas de deux: II. Andante - Allegro - Molto più mosso | Ida Haendel, London Symphony Orchestra, André Previn | — | |
| 46-13 | Swan Lake: Act One. No. 5. Pas de deux: III. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 46-14 | Swan Lake: Act One. No. 5. Pas de deux: IV. Coda (Allegro molto vivace) | London Symphony Orchestra, André Previn | — | |
| 46-15 | Swan Lake: Act One. No. 6. Pas d'action (Andantino quasi moderato - Allegro) | London Symphony Orchestra, André Previn | — | |
| 46-16 | Swan Lake: Act One. No. 7. Subject | London Symphony Orchestra, André Previn | — | |
| 46-17 | Swan Lake: Act One. No. 8. Dance with Goblets (Tempo di polacca) | London Symphony Orchestra, André Previn | — | |
| 46-18 | Swan Lake, op. 20: Act I. No. 9. Finale | London Symphony Orchestra, André Previn | — | |
| 46-19 | Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — | |
| 46-20 | Swan Lake Op. 20: Act 2: No. 11 Scene | London Symphony Orchestra, André Previn | — | |
| 46-21 | Swan Lake, op. 20: Act II, no. 12. Scene (Allegro) | London Symphony Orchestra, André Previn | — | |
| 46-22 | Swan Lake: Act Two. No. 13. Dances of the Swans: I. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 46-23 | Swan Lake: Act Two. No. 13. Dances of the Swans: II. Moderato assai - Molto più mosso | London Symphony Orchestra, André Previn | — | |
| 46-24 | Swan Lake: Act Two. No. 13. Dances of the Swans: III. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 46-25 | Swan Lake, op. 20, Act II: No. 13. Danse des cygnes: IV. Allegro moderato | London Symphony Orchestra, André Previn | — | |
| 46-26 | Swan Lake: Act Two. No. 13. Dances of the Swans: V. Andante - Andante non troppo - Allegro | Douglas Cummings, Ida Haendel, London Symphony Orchestra, André Previn | — | |
| 46-27 | Swan Lake: Act Two. No. 13. Dances of the Swans: VI. Tempo di valse | London Symphony Orchestra, André Previn | — | |
| 46-28 | Swan Lake: Act Two. No. 13. Dances of the Swans: VII. Coda (Allegro vivace) | London Symphony Orchestra, André Previn | — | |
| 46-29 | Swan Lake, op. 20: Act II, no. 14. Scene (Moderato) | London Symphony Orchestra, André Previn | T-900.146.663-3 | |
| 47-1 | Swan Lake: Act III. No. 15 Scène | London Symphony Orchestra, André Previn | — | |
| 47-2 | Swan Lake: Act III. No. 16 Danse du Corps de Ballet et des Nains | London Symphony Orchestra, André Previn | — | |
| 47-3 | Swan Lake: Act III. No. 17 Sortie des invités / Valse | London Symphony Orchestra, André Previn | — | |
| 47-4 | Swan Lake, op. 20: Act III, no. 18. Scene (Allegro - Allegro giusto) | London Symphony Orchestra, André Previn | — | |
| 47-5 | Swan Lake: Act Three. No. 19. Pas de six: Intrada | London Symphony Orchestra, André Previn | — | |
| 47-6 | Swan Lake: Act Three. No. 19. Pas de six: Variation I (Allegro) | London Symphony Orchestra, André Previn | — | |
| 47-7 | Swan Lake: Act Three. No. 19. Pas de six: Variation II (Andante con moto) | London Symphony Orchestra, André Previn | — | |
| 47-8 | Swan Lake: Act Three. No. 19. Pas de six: Variation III (Moderato) | London Symphony Orchestra, André Previn | — | |
| 47-9 | Swan Lake: Act Three. No. 19. Pas de six: Variation IV (Allegro) | London Symphony Orchestra, André Previn | — | |
| 47-10 | Swan Lake: Act Three. No. 19. Pas de six: Variation V (Moderato - Allegro semplice) | London Symphony Orchestra, André Previn | — | |
| 47-11 | Swan Lake: Act Three. No. 19. Pas de six: Coda (Allegro molto) | London Symphony Orchestra, André Previn | — | |
| 47-12 | Swan Lake: Act Three. Pas de deux [additional number]: Introduction (Moderato - Andante) | Ida Haendel, London Symphony Orchestra, André Previn | — | |
| 47-13 | Swan Lake: Act Three. Pas de deux [additional number]: Variation I (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 47-14 | Swan Lake: Act Three. Pas de deux [additional number]: Variation II (Allegro) | London Symphony Orchestra, André Previn | — | |
| 47-15 | Swan Lake: Act Three. Pas de deux [additional number]: Coda (Allegro molto vivace) | London Symphony Orchestra, André Previn | — | |
| 47-16 | Swan Lake, op. 20: Act III, no. 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace) | London Symphony Orchestra, André Previn | — | |
| 47-17 | Swan Lake, op. 20: Act III. Russian Dance (Cadenza - Andante semplice - Allegro vivo) [additional number] | Ida Haendel, London Symphony Orchestra, André Previn | — | |
| 47-18 | Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Allegro non troppo: tempo di Bolero) | London Symphony Orchestra, André Previn | — | |
| 47-19 | Swan Lake, op. 20: Act III, no. 22. Neopolitan Dance (Allegro moderato - Andantino quasi moderato) | London Symphony Orchestra, André Previn | — | |
| 47-20 | Swan Lake, op. 20: Act III, no. 23. Mazurka | London Symphony Orchestra, André Previn | — | |
| 47-21 | Swan Lake, op. 20: Act III, no. 24. Scene (Allegro - Valse - Allegro vivo) | London Symphony Orchestra, André Previn | — | |
| 47-22 | Swan Lake: Act IV. No. 25 Entr'acte | London Symphony Orchestra, André Previn | — | |
| 47-23 | Swan Lake: Act IV. No. 26 Scène | London Symphony Orchestra, André Previn | — | |
| 47-24 | Swan Lake: Act IV. No. 27 Danse des petits cygnes | London Symphony Orchestra, André Previn | — | |
| 47-25 | Swan Lake, op. 20: Act IV, no. 28. Scene (Allegro agitato - Allegro vivace) | London Symphony Orchestra, André Previn | — | |
| 47-26 | Swan Lake, op. 20: Act IV, no. 29. Finale (Andante - Allegro agitato - Alla breve - Moderato e maestoso) | London Symphony Orchestra, André Previn | — | |
| 48-1 | Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato - Allegro | London Symphony Orchestra, André Previn | — | |
| 48-2 | Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo - Allegro vivace - Tempo come prima | London Symphony Orchestra, André Previn | — | |
| 48-3 | Symphony no. 3 in A minor, op. 44: III. Allegro - Allegro vivace | London Symphony Orchestra, André Previn | — | |
| 48-4 | Aleko: Intermezzo | London Symphony Orchestra, André Previn | — | |
| 48-5 | Aleko: Women’s Dance | London Symphony Orchestra, André Previn | — | |
| 49-1 | A Midsummer Night's Dream, op. 21: Overture | London Symphony Orchestra, André Previn | — | |
| 49-2 | A Midsummer Night's Dream, op. 61: Scherzo | London Symphony Orchestra, André Previn | — | |
| 49-3 | A Midsummer Night’s Dream, op. 61: II. “Over hill, over dale” | London Symphony Orchestra, André Previn | — | |
| 49-4 | A Midsummer Night’s Dream, op. 61: III. “Ye spotted snakes” | London Symphony Orchestra, André Previn | — | |
| 49-5 | A Midsummer Night’s Dream, op. 61: IV. The Spells | London Symphony Orchestra, André Previn | — | |
| 49-6 | A Midsummer Night’s Dream, op. 61: V. Entr’acte (Hermia Seeks Lysander and entry of the Rude Mechanicals) | London Symphony Orchestra, André Previn | — | |
| 49-7 | A Midsummer Night’s Dream, op. 61: VI. “What hempen homespuns” | London Symphony Orchestra, André Previn | — | |
| 49-8 | A Midsummer Night’s Dream, op. 61: VII. Nocturne | London Symphony Orchestra, André Previn | — | |
| 49-9 | A Midsummer Night’s Dream, op. 61: VIII. The Removal of the Spells | London Symphony Orchestra, André Previn | — | |
| 49-10 | A Midsummer Night’s Dream, op. 61: IX. Wedding March (after Act 4) | London Symphony Orchestra, André Previn | T-928.635.469-6 | |
| 49-11 | A Midsummer Night’s Dream, op. 61: X. Fanfare and Funeral March | London Symphony Orchestra, André Previn | — | |
| 49-12 | A Midsummer Night’s Dream, op. 61: XI. Bergomask | London Symphony Orchestra, André Previn | — | |
| 49-13 | A Midsummer Night’s Dream, op. 61: XII. Wedding March (reprise) | London Symphony Orchestra, André Previn | — | |
| 49-14 | A Midsummer Night’s Dream, op. 61: XIII. Finale. "Through the house" | London Symphony Orchestra, André Previn | — | |
| 50-1 | Russlan and Ludmilla: Overture | London Symphony Orchestra, André Previn | T-909.762.448-1 | |
| 50-2 | Adagio for Strings | London Symphony Orchestra, André Previn | T-070.000.199-5 | |
| 50-3 | Suite no. 2 from El sombrero de tres picos: Danza de los vecinos | London Symphony Orchestra, André Previn | — | |
| 50-4 | Suite no. 2 from El sombrero de tres picos: Danza del molinero | London Symphony Orchestra, André Previn | — | |
| 50-5 | Suite no. 2 from El sombrero de tres picos: Danza final | London Symphony Orchestra, André Previn | — | |
| 50-6 | Prélude à l'après-midi d'un faune | William Bennett, London Symphony Orchestra, André Previn | — | |
| 50-7 | The Banks of Green Willow | London Symphony Orchestra, André Previn | — | |
| 50-8 | Emperor Waltz, op. 437 | London Symphony Orchestra, André Previn | — | |
| 51-1 | Violin Concerto no. 1 in A minor, op. 28: I. Allegro moderato | — | ||
| 51-2 | Violin Concerto no. 1 in A minor, op. 28: II. Andante | — | ||
| 51-3 | Violin Concerto no. 1 in A minor, op. 28: III. Moderato - Allegretto | — | ||
| 51-4 | Zigeunerweisen, op. 20 | Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn | T-921.161.772-0 | |
| 52-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | — | ||
| 52-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante ma rubato | — | ||
| 52-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | — | ||
| 52-4 | Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato | — | ||
| 53-1 | Symphony no. 5 in D minor, op. 47: I. Moderato - Allegro non troppo | — | ||
| 53-2 | Symphony no. 5 in D minor, op. 47: II. Allegretto | — | ||
| 53-3 | Symphony no. 5 in D minor, op. 47: III. Largo | — | ||
| 53-4 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | — | ||
| 54-1 | Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - Tempo I | — | ||
| 54-2 | Symphony no. 4 in C minor, op. 43: II. Moderato con moto | — | ||
| 54-3 | Symphony no. 4 in C minor, op. 43: III. Largo - Allegro | — | ||
| 55-1 | Concerto in G minor, FP 93 for Organ, Strings and Timpani: I. Andante - Allegro giocoso | — | ||
| 55-2 | Concerto in G minor, FP 93 for Organ, Strings and Timpani: II. Andante moderato | — | ||
| 55-3 | Concerto in G minor, FP 93 for Organ, Strings and Timpani: III. Tempo allegro, molto agitato | — | ||
| 55-4 | Concerto in G minor, FP 93 for Organ, Strings and Timpani: IV. Très calme - Lent | — | ||
| 55-5 | Concerto in G minor, FP 93 for Organ, Strings and Timpani: V. Tempo de l'allegro initial | — | ||
| 55-6 | Concerto in G minor, FP 93 for Organ, Strings and Timpani: VI. Tempo de l'introduction - Largo | — | ||
| 55-7 | Concert champêtre, FP 49 for Harpsichord and Orchestra: I. Allegro molto - Adagio - Allegro molto | — | ||
| 55-8 | Concert champêtre, FP 49 for Harpsichord and Orchestra: II. Andante (Mouvement de sicilienne) | — | ||
| 55-9 | Concert champêtre, FP 49 for Harpsichord and Orchestra: III. Finale (Presto) | — | ||
| 56-1 | Concierto de Aranjuez, for Guitar and Orchestra: I. Allegro con spirito | — | ||
| 56-2 | Concierto de Aranjuez, for Guitar and Orchestra: II. Adagio | — | ||
| 56-3 | Concierto de Aranjuez, for Guitar and Orchestra: III. Allegro gentile | — | ||
| 56-4 | Fantasía para un gentilhombre, for Guitar and Small Orchestra: I. Villano y ricercare (Adagietto - Andante moderato) | — | ||
| 56-5 | Fantasía para un gentilhombre, for Guitar and Small Orchestra: II. Españoleta y Fanfare de la Caballería de Nápoles (Adagio - Allegretto - Adagio) | — | ||
| 56-6 | Fantasía para un gentilhombre, for Guitar and Small Orchestra: III. Danza de la Hachas (Allegro con brio) | — | ||
| 56-7 | Fantasía para un gentilhombre, for Guitar and Small Orchestra: IV. Canario | — | ||
| 57-1 | Phydilé | — | ||
| 57-2 | La Vie antérieure | — | ||
| 57-3 | Le Manoir de Rosemonde | — | ||
| 57-4 | Au pays où se fait la guerre | — | ||
| 57-5 | L'Invitation au voyage | — | ||
| 57-6 | Poème de l'amour et de la mer, op. 19: I. La Fleur des eaux (Calme) | — | ||
| 57-7 | Poème de l'amour et de la mer, op. 19: II. Interlude (Lent et triste) | — | ||
| 57-8 | Poème de l'amour et de la mer, op. 19: III. La Mort de l'amour (Vif et joyeux - Sombre et solennel - Lent et triste) | — | ||
| 58-1 | Turangalîla-Symphonie: I. Introduction | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 58-2 | Turangalîla-Symphonie: II. Chant d'amour I | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 58-3 | Turangalîla-Symphonie: III. Turangalîla I | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 58-4 | Turangalîla-Symphonie: IV. Chant d'amour II | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 58-5 | Turangalîla-Symphonie: V. Joie du sang des étoiles | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 58-6 | Turangalîla-Symphonie: VI. Jardin du sommeil d'amour | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 58-7 | Turangalîla-Symphonie: VII. Turangalîla II | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 58-8 | Turangalîla-Symphonie: VIII. Développement de l'amour | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 58-9 | Turangalîla-Symphonie: IX. Turangalîla III | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 58-10 | Turangalîla-Symphonie: X. Final | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 59-1 | Cello Concerto in B minor, op. 104: I. Allegro | — | ||
| 59-2 | Cello Concerto in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 59-3 | Cello Concerto in B minor, op. 104: III. Finale (Allegro moderato) | — | ||
| 59-4 | Rondo in G minor, for Cello and Orchestra, op. 94 | — | ||
| 60-1 | Vier Ernste Gesänge (Four Serious Songs), op. 121: I. Denn es geht dem Menschen | — | ||
| 60-2 | Vier Ernste Gesänge (Four Serious Songs), op. 121: II. Ich wandte mich un sahe an alle | — | ||
| 60-3 | Vier Ernste Gesänge (Four Serious Songs), op. 121: III. O Tod, wie bitter bist du | — | ||
| 60-4 | Vier Ernste Gesänge (Four Serious Songs), op. 121: IV. Wenn ich mit Menschen | — | ||
| 60-5 | Ständchen, op. 106 no. 1 | Dame Janet Baker, André Previn | — | |
| 60-6 | Auf dem Kirchhofe, op. 105 no. 4 | — | ||
| 60-7 | Gestillte Sehnsucht, op. 91 no. 1 | — | ||
| 60-8 | Geistliches Wiegenlied, op. 91 no. 2 | — | ||
| 60-9 | Therese, op. 86 no. 1 | Dame Janet Baker, André Previn | — | |
| 60-10 | Wie melodien zieth es mir, op. 105 no. 1 | — | ||
| 60-11 | Sappische Ode, op. 94 no. 4 | — | ||
| 60-12 | Der Jäger, op. 95 no. 4 | — | ||
| 60-13 | Regenlied, WoO 23 | Dame Janet Baker, André Previn | T-322.186.552-3 | |
| 60-14 | Vergebliches Ständchen, op. 84 no. 4 | — | ||
| 61-1 | Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro | London Symphony Orchestra, André Previn | — | |
| 61-2 | Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto | London Symphony Orchestra, André Previn | — | |
| 61-3 | Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotte (Non troppo allegro) | London Symphony Orchestra, André Previn | — | |
| 61-4 | Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale (Molto vivace) | London Symphony Orchestra, André Previn | — | |
| 61-5 | Symphony no. 7 in C-sharp minor, op. 131: I. Moderato | Сергей Сергеевич Прокофьев | — | |
| 61-6 | Symphony no. 7 in C-sharp minor, op. 131: II. Allegretto | London Symphony Orchestra, André Previn | — | |
| 61-7 | Symphony no. 7 in C-sharp minor, op. 131: III. Andante expressivo | London Symphony Orchestra, André Previn | — | |
| 61-8 | Symphony no. 7 in C-sharp minor, op. 131: IV. Vivace | London Symphony Orchestra, André Previn | — | |
| 62-1 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio cantabile - Vivace assai | — | ||
| 62-2 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante | — | ||
| 62-3 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuetto (Allegro molto - Trio) | — | ||
| 62-4 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Allegro di molto | Pittsburgh Symphony Orchestra, André Previn | — | |
| 62-5 | Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio - Allegro | — | ||
| 62-6 | Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante | — | ||
| 62-7 | Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuetto (Trio) | — | ||
| 62-8 | Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale (Spiritoso) | — | ||
| 63-1 | Symphony no. 4 in G major: I. Bedächtig, Nicht eilen | — | ||
| 63-2 | Symphony no. 4 in G major: II. In gemächliger Bewegung. Ohne hast | — | ||
| 63-3 | Symphony no. 4 in G major: III. Ruhevoll (Poco adagio) | — | ||
| 63-4 | Symphony no. 4 in G major: IV. Sehr behaglich: “Wir genießen die himmlischen Freuden” | — | ||
| 64-1 | A Spring Symphony, op. 44: Part One. I. Introduction: Shine Out | London Symphony Orchestra, André Previn | — | |
| 64-2 | A Spring Symphony, op. 44: Part One. II. The Merry Cuckoo | London Symphony Orchestra, André Previn | — | |
| 64-3 | A Spring Symphony, op. 44: Part One. III. Spring, the Sweet Spring | London Symphony Orchestra, André Previn | — | |
| 64-4 | A Spring Symphony, op. 44: Part One. IV. The Driving Boy | London Symphony Orchestra, André Previn | — | |
| 64-5 | A Spring Symphony, op. 44: Part One. V. The Morning Star | London Symphony Orchestra, André Previn | — | |
| 64-6 | A Spring Symphony, op. 44: Part Two. I. Welcome, Maids of Honour | London Symphony Orchestra, André Previn | — | |
| 64-7 | A Spring Symphony, op. 44: Part Two. II. Waters Above! | London Symphony Orchestra, André Previn | — | |
| 64-8 | A Spring Symphony, op. 44: Part Two. III. Out on the Lawn I Lie in Bed | London Symphony Orchestra, André Previn | — | |
| 64-9 | A Spring Symphony, op. 44: Part Three. I. When Will My May Come | London Symphony Orchestra, André Previn | — | |
| 64-10 | A Spring Symphony, op. 44: Part Three. II. Fair and Fair | London Symphony Orchestra, André Previn | — | |
| 64-11 | A Spring Symphony, op. 44: Part Three. III. Sound the Flute! | London Symphony Orchestra, André Previn | — | |
| 64-12 | A Spring Symphony, op. 44: Part Four. Finale: London, to Thee I Do Present | London Symphony Orchestra, André Previn | — | |
| 65-1 | Symphony no. 4 in A, op. 90 "Italian": 1. Allegro vivace | London Symphony Orchestra, André Previn | — | |
| 65-2 | Symphony no. 4 in A, op. 90 "Italian": Andante con moto | London Symphony Orchestra, André Previn | — | |
| 65-3 | Symphony no. 4 in A, op. 90 "Italian": Con moto moderato | London Symphony Orchestra, André Previn | — | |
| 65-4 | Symphony no. 4 in A, op. 90 "Italian": Saltarello (Presto) | London Symphony Orchestra, André Previn | — | |
| 65-5 | The Hebrides, op. 96: Overture | London Symphony Orchestra, André Previn | — | |
| 65-6 | Overture “Ruy Blas”, op. 95 | London Symphony Orchestra, André Previn | — | |
| 65-7 | A Midsummer Night's Dream, op. 21: Overture | London Symphony Orchestra, André Previn | — | |
| 66-1 | Boléro | London Symphony Orchestra, André Previn | T-003.006.377-4 | |
| 66-2 | Suite no. 2 de Daphnis et Chloé, M. 57b: I. Lever du jour | London Symphony Orchestra, André Previn | — | |
| 66-3 | Suite no. 2 de Daphnis et Chloé, M. 57b: II. Pantomime | Peter Lloyd, London Symphony Orchestra, André Previn | — | |
| 66-4 | Suite no. 2 de Daphnis et Chloé, M. 57b: III. Danse générale | London Symphony Orchestra, André Previn | — | |
| 66-5 | Pavane Pour Une Infante Defunte | London Symphony Orchestra, André Previn | T-003.013.767-7 | |
| 67-1 | Variations on an Original Theme ‘Enigma’, op. 36: Theme (Andante) | London Symphony Orchestra, André Previn | — | |
| 67-2 | Variations on an Original Theme ‘Enigma’, op. 36: I. C.A.E. (The Composer’s Wife) [L’istesso Tempo] | London Symphony Orchestra, André Previn | — | |
| 67-3 | Variations on an Original Theme ‘Enigma’, op. 36: II. H.D.S.-P. (Hew David Steuart-Powell) [Allegro] | London Symphony Orchestra, André Previn | — | |
| 67-4 | Variations on an Original Theme ‘Enigma’, op. 36: III. R.B.T. (Richard Baxter Townshend) [Allegretto] | London Symphony Orchestra, André Previn | — | |
| 67-5 | Variations on an Original Theme ‘Enigma’, op. 36: IV. W.M.B. (William Meath Baker) [Allegro di Molto] | London Symphony Orchestra, André Previn | T-318.676.528-2 | |
| 67-6 | Variations on an Original Theme ‘Enigma’, op. 36: V. R.P.A. (Richard Penrose Arnold) [Presto] | London Symphony Orchestra, André Previn | — | |
| 67-7 | Variations on an Original Theme ‘Enigma’, op. 36: VI. Ysobel (Isabel Fitton) [Andantino] | London Symphony Orchestra, André Previn | — | |
| 67-8 | Variations on an Original Theme ‘Enigma’, op. 36: VII. Troyte (Troyte Griffith) [Presto] | London Symphony Orchestra, André Previn | — | |
| 67-9 | Variations on an Original Theme ‘Enigma’, op. 36: VIII. W.N. (Winifred Norbury) [Allegretto] | London Symphony Orchestra, André Previn | — | |
| 67-10 | Variations on an Original Theme ‘Enigma’, op. 36: IX. Nimrod (A. J. Jaeger) [Moderato] | London Symphony Orchestra, André Previn | T-010.115.427-1 | |
| 67-11 | Variations on an Original Theme ‘Enigma’, op. 36: X. Intermezzo: Dorabella (Dora Penny) [Allegretto] | London Symphony Orchestra, André Previn | — | |
| 67-12 | Variations on an Original Theme ‘Enigma’, op. 36: XI. G.R.S. (George Robertson Sinclair) [Allegro di Molto] | London Symphony Orchestra, André Previn | — | |
| 67-13 | Variations on an Original Theme ‘Enigma’, op. 36: XII. B.G.N. (Basil G. Nevinson) [Andante] | London Symphony Orchestra, André Previn | — | |
| 67-14 | Variations on an Original Theme ‘Enigma’, op. 36: XIII. Romanza: * * * [Lady Mary Lygon] (Moderato) | London Symphony Orchestra, André Previn | — | |
| 67-15 | Variations on an Original Theme ‘Enigma’, op. 36: XIV. Finale - E.D.U. (The Composer) [Allegro] | London Symphony Orchestra, André Previn | — | |
| 67-16 | The Wasps – Aristophanic Suite: Overture | London Symphony Orchestra, André Previn | — | |
| 67-17 | Fantasia on a Theme by Thomas Tallis | London Symphony Orchestra, André Previn | — | |
| 68-1 | Piano Trio no. 1 in D minor, op. 49: I. Molto allegro ed agitato | — | ||
| 68-2 | Piano Trio no. 1 in D minor, op. 49: II. Andante con moto tranquillo | — | ||
| 68-3 | Piano Trio no. 1 in D minor, op. 49: III. Scherzo (Leggiero e vivace) | — | ||
| 68-4 | Piano Trio no. 1 in D minor, op. 49: IV. Saltarello (Allegro assai appassionato) | — | ||
| 68-5 | Piano Trio no. 1 in D minor, op. 63: I. Mit Energie und Leidenschaft | — | ||
| 68-6 | Piano Trio no. 1 in D minor, op. 63: II. Lebhaft, doch nicht zu rasch | — | ||
| 68-7 | Piano Trio no. 1 in D minor, op. 63: III. Langsam, mit inniger Empfindung | — | ||
| 68-8 | Piano Trio no. 1 in D minor, op. 63: IV. Mit Feuer | — | ||
| 69-1 | Symphony no. 1 in E-flat major, op. 26 “Rustic Wedding”: I. Hochzeitmarsch (Variationen. Moderato molto) | — | ||
| 69-2 | Symphony no. 1 in E-flat major, op. 26 “Rustic Wedding”: II. Brautlied (Intermezzo. Allegretto) | — | ||
| 69-3 | Symphony no. 1 in E-flat major, op. 26 “Rustic Wedding”: III. Serenade (Scherzo. Allegro moderato scherzando) | — | ||
| 69-4 | Symphony no. 1 in E-flat major, op. 26 “Rustic Wedding”: IV. Im Garten (Andante) | — | ||
| 69-5 | Symphony no. 1 in E-flat major, op. 26 “Rustic Wedding”: V. Tanz (Finale. Allegro molto) | — | ||
| 70-1 | Violin Concerto in D minor, op. 47: I. Allegro moderato | — | ||
| 70-2 | Violin Concerto in D minor, op. 47: II. Adagio di molto | — | ||
| 70-3 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn | — | |
| 70-4 | Suite for Violin and Orchestra, op. 10: I. Presto | — | ||
| 70-5 | Suite for Violin and Orchestra, op. 10: II. Adagio | — | ||
| 70-6 | Suite for Violin and Orchestra, op. 10: III. Tempo giusto | — | ||
| 71-1 | Images for Orchestra, CD 118a: I. Gigues | — | ||
| 71-2 | Images for Orchestra, CD 118a: II. Iberia: 1. Par les rues et par les chemins | — | ||
| 71-3 | Images for Orchestra, CD 118a: II. Iberia: 2. Les Parfums de la nuit | — | ||
| 71-4 | Images pour orchestre: No. 2. Iberia: c) Le matin d’un jour de fête | London Symphony Orchestra, André Previn | — | |
| 71-5 | Images for Orchestra, CD 118a: III. Rondes de printemps | — | ||
| 71-6 | Prélude à l’après-midi d’un faune | Peter Lloyd, London Symphony Orchestra, André Previn | T-900.160.316-3 | |
| 72-1 | Symphony no. 13 in B-flat minor, op. 113 “Babi Yar”: I. Babi Yar | — | ||
| 72-2 | Symphony no. 13 in B-flat minor, op. 113 “Babi Yar”: II. Humor | — | ||
| 72-3 | Symphony no. 13 in B-flat minor, op. 113 “Babi Yar”: III. In the Store | — | ||
| 72-4 | Symphony no. 13 in B-flat minor, op. 113 “Babi Yar”: IV. Fears | — | ||
| 72-5 | Symphony no. 13 in B-flat minor, op. 113 “Babi Yar”: V. A Career | — | ||
| 73-1 | Don Juan, op. 20 | — | ||
| 73-2 | Till Eulenspiegels lustige Streiche, op. 28 | — | ||
| 73-3 | Tod und Verklärung, op. 24 | — | ||
| 74-1 | Grande Messe des morts (Requiem), op. 5 H. 75: I. Requiem et Kyrie - Introitus | — | ||
| 74-2 | Grande Messe des morts (Requiem), op. 5 H. 75: II. Dies irae - Prosa | — | ||
| 74-3 | Grande Messe des morts (Requiem), op. 5 H. 75: III. Quid sum miser | — | ||
| 74-4 | Grande Messe des morts (Requiem), op. 5 H. 75: IV. Rex tremendae majestatis | — | ||
| 74-5 | Grande Messe des morts (Requiem), op. 5 H. 75: V. Quaerens me | — | ||
| 75-1 | Grande Messe des morts (Requiem), op. 5 H. 75: VI. Lacrymosa | — | ||
| 75-2 | Grande Messe des morts (Requiem), op. 5 H. 75: VII. Offertorium | — | ||
| 75-3 | Grande Messe des morts (Requiem), op. 5 H. 75: VIII. Hostias | — | ||
| 75-4 | Grande Messe des morts (Requiem), op. 5 H. 75: IX. Sanctus | — | ||
| 75-5 | Grande Messe des morts (Requiem), op. 5 H. 75: X. Agnus Dei | — | ||
| 76-1 | Violin Concerto in D major, op. 35: I. Moderato nobile | — | ||
| 76-2 | Violin Concerto in D, op. 35: II. Romance | Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn | — | |
| 76-3 | Violin Concerto in D major, op. 35: III. Finale (Allegro assai vivace) | — | ||
| 76-4 | Violin Concerto in E minor: I. Allegro molto - Andante espressivo | — | ||
| 76-5 | Violin Concerto in E minor: II. Adagio | — | ||
| 76-6 | Violin Concerto in E minor: III. Cadenza - Allegro subito | — | ||
| 77-1 | Look at Him Go | — | ||
| 77-2 | Little Face | — | ||
| 77-3 | Who Reads Reviews | Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn | — | |
| 77-4 | Night Thoughts | — | ||
| 77-5 | A Different Kind of Blues | — | ||
| 77-6 | Chocolate Apricot | — | ||
| 77-7 | The Five of Us | — | ||
| 77-8 | Make Up Your Mind | — | ||
| 78-1 | Porgy and Bess | London Symphony Orchestra, André Previn | T-070.166.337-7 | |
| 78-2 | Second Rhapsody | Cristina Ortiz, London Symphony Orchestra, André Previn | — | |
| 78-3 | Cuban Overture | London Symphony Orchestra, André Previn | T-010.086.407-0 | |
| 79-1 | It's a Breeze | — | ||
| 79-2 | Rain in My Head | — | ||
| 79-3 | Catgut Your Tongue | — | ||
| 79-4 | It's About Time | — | ||
| 79-5 | Quiet Diddling | — | ||
| 79-6 | A Tune for Heather | — | ||
| 79-7 | Bowing and Scraping | — | ||
| 79-8 | The Red Bar | — | ||
| 80-1 | Daphnis et Chloé: Part I: Introduction | London Symphony Chorus, London Symphony Orchestra, André Previn | T-004.014.574-1 | |
| 80-2 | Daphnis et Chloé: Part I: Danse religieuse | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 80-3 | Daphnis et Chloé: Part I: Scene | London Symphony Orchestra, André Previn | — | |
| 80-4 | Daphnis et Chloé: Part I: Danse generale | London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-5 | Daphnis et Chloé: Part I: Scene | London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-6 | Daphnis et Chloé: Part I: Danse grotesque de Dorcon | London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-7 | Daphnis et Chloé: Part I: Danse legere et gracieuse de Daphnis | London Symphony Chorus, London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-9 | Daphnis et Chloé: Part I: Nocturne | London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-10 | Daphnis et Chloé: Part I: Danse lente et mysterieuse des nymphes | London Symphony Chorus, London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-11 | Daphnis et Chloé: Part I: Interlude | London Symphony Chorus, London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-12 | Daphnis et Chloé: Part II: Introduction | London Symphony Chorus, London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-13 | Daphnis et Chloé: Part II: Danse guerriere | London Symphony Chorus, London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-14 | Daphnis et Chloé: Part II: Danse suppliante de Chloe | London Symphony Chorus, London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-15 | Daphnis et Chloé: Part III: Introduction | London Symphony Chorus, London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-16 | Daphnis et Chloé: Part III: Lever du jour | London Symphony Chorus, London Symphony Orchestra, André Previn | T-932.274.849-2 | |
| 80-17 | Daphnis et Chloé: Part III: Pantomime | London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 80-18 | Daphnis et Chloé: Part III: Danse generale / Bacchanale | London Symphony Chorus, London Symphony Orchestra, André Previn | T-004.014.578-5 | |
| 81-1 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part One: The House. Introduction (L'Enfant, Maman) | — | ||
| 81-2 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part One: The House. « Votre serviteur humble, bergère » (La Bergère, le Fauteuil, l'horloge comtoise, l'Enfant, Chorus) | — | ||
| 81-3 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part One: The House. « How's your mug? » (La Théière, la Tasse chinoise, l'Enfant, le Feu, Chorus) | — | ||
| 81-4 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part One: The House. « Oui, c'est elle, ta princesse enchantée » (La Princesse, l'Enfant) | — | ||
| 81-5 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part One: The House. « Deux robinets coulent dans un réservoir » (Le Petit vieillard, l'Enfant, les Chats) | — | ||
| 81-6 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part Two: The Garden. Musique d'insectes, de rainettes / « Ah ! Quelle joie de te retrouver, jardin » (Chorus, l'Enfant, l'Arbre, la Libellule, le Rossignol, les Rainettes, la Chauve-souris) | — | ||
| 81-7 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part Two: The Garden. « Sauve-toi, sotte ! Et la cage ? La cage ? » (L'Écureuil, la Rainette, l'Enfant) | — | ||
| 81-8 | L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part Two: The Garden. « Ah ! C'est l'enfant au couteau ! » (Chorus, l'Enfant) | — | ||
| 82-1 | Symphony no. 10 in E minor, op. 93: I. Moderato | — | ||
| 82-2 | Symphony no. 10 in E minor, op. 93: II. Allegro | — | ||
| 82-3 | Symphony no. 10 in E minor, op. 93: III. Allegretto - Largo - Più mosso | — | ||
| 82-4 | Symphony no. 10 in E minor, op. 93: IV. Andante - Allegro - l'istesso tempo | — | ||
| 83-1 | Eine Alpensinfonie (Alpine Symphony), op. 64: I. Nacht - (Night) | — | ||
| 83-2 | Eine Alpensinfonie (Alpine Symphony), op. 64: II. Sonnenaufgang - (Sunrise) | — | ||
| 83-3 | Eine Alpensinfonie (Alpine Symphony), op. 64: III. Der Anstieg - (The Ascent) | — | ||
| 83-4 | Eine Alpensinfonie (Alpine Symphony), op. 64: IV. Der Eintritt in der Wald - (Entering the Forest) | — | ||
| 83-5 | Eine Alpensinfonie (Alpine Symphony), op. 64: V. Wanderung neben dem Bache - (Wandering by the Brook) | — | ||
| 83-6 | Eine Alpensinfonie (Alpine Symphony), op. 64: VI. Am Wasserfall - (Waterfall) | — | ||
| 83-7 | Eine Alpensinfonie (Alpine Symphony), op. 64: VII. Erscheinung - (Apparition) | — | ||
| 83-8 | Eine Alpensinfonie (Alpine Symphony), op. 64: VIII. Auf blumige Wiesen - (In Flowery Meadows) | — | ||
| 83-9 | Eine Alpensinfonie (Alpine Symphony), op. 64: IX. Auf der Alm - (On the Alpine Pasture) | — | ||
| 83-10 | Eine Alpensinfonie (Alpine Symphony), op. 64: X. Durch Dickicht und Gestrüpp auf Irrwegen - (Through Thicket and Undergrowth on the Wrong Path) | — | ||
| 83-11 | Eine Alpensinfonie (Alpine Symphony), op. 64: XI. Auf dem Gletscher - (On the Glacier) | — | ||
| 83-12 | Eine Alpensinfonie (Alpine Symphony), op. 64: XII. Gerfahrvolle Augenblicke - (Dangerous Moments) | — | ||
| 83-13 | Eine Alpensinfonie (Alpine Symphony), op. 64: XIII. Auf dem Gipfel - (On the Summit) | — | ||
| 83-14 | Eine Alpensinfonie (Alpine Symphony), op. 64: XIV. Vision - (Vision) | — | ||
| 83-15 | Eine Alpensinfonie (Alpine Symphony), op. 64: XV. Nebel steigen auf - (Mists Rise Up) | — | ||
| 83-16 | Eine Alpensinfonie (Alpine Symphony), op. 64: XVI. Die Sonne verdüstert sich allmählich - (The Sun Grows Dark) | — | ||
| 83-17 | Eine Alpensinfonie (Alpine Symphony), op. 64: XVII. Elegie - (Elegy) | — | ||
| 83-18 | Eine Alpensinfonie (Alpine Symphony), op. 64: XVIII. Stille vor dem Sturm - (Calm Before the Storm) | — | ||
| 83-19 | Eine Alpensinfonie (Alpine Symphony), op. 64: XIX. Gewitter und Sturm - (Thunderstorm) | — | ||
| 83-20 | Eine Alpensinfonie (Alpine Symphony), op. 64: XX. Sonnenuntergang - (Descent) | — | ||
| 83-21 | Eine Alpensinfonie (Alpine Symphony), op. 64: XXI. Ausklang - (Sunset) | — | ||
| 83-22 | Eine Alpensinfonie (Alpine Symphony), op. 64: XXII. Nacht (Night) | — | ||
| 84-1 | Cinderella, op. 87, Act I: No. l Introduction (Andante dolce) | London Symphony Orchestra, André Previn | — | |
| 84-2 | Cinderella, op. 87, Act I: No. 2 Pas de châle (Allegretto) | London Symphony Orchestra, André Previn | — | |
| 84-3 | Cinderella, op. 87, Act I: No. 3 Cinderella (Andante dolce) | London Symphony Orchestra, André Previn | — | |
| 84-4 | Cinderella, op. 87, Act I: No. 4 The Father (Andantino) | London Symphony Orchestra, André Previn | — | |
| 84-5 | Cinderella, op. 87, Act I: No. 5 The Beggar-woman Fairy (Adagio) | London Symphony Orchestra, André Previn | — | |
| 84-6 | Cinderella, op. 87, Act I: No. 6 The Sisterʼs New Clothes (Vivo) | London Symphony Orchestra, André Previn | — | |
| 84-7 | Cinderella, op. 87, Act I: No. 7 The Dancing Lesson (Allegretto) | London Symphony Orchestra, André Previn | — | |
| 84-8 | Cinderella, op. 87, Act I: No. 8 Departure for the Ball (Vivo) | London Symphony Orchestra, André Previn | — | |
| 84-9 | Cinderella, op. 87, Act I: No. 9 Cinderella Dreams of the Ball (Andante dolce) | London Symphony Orchestra, André Previn | — | |
| 84-10 | Cinderella, op. 87, Act I: No. 10 Gavotte (Allegretto) | London Symphony Orchestra, André Previn | — | |
| 84-11 | Cinderella, op. 87, Act I: No. 11 The Beggar-woman returns (Adagio) | London Symphony Orchestra, André Previn | — | |
| 84-12 | Cinderella, op. 87, Act I: No. 12 The Sleeping Fairy (Presto) | London Symphony Orchestra, André Previn | — | |
| 84-13 | Cinderella, op. 87, Act I: No. 13 The Summer Fairy (Andantino sognando) | London Symphony Orchestra, André Previn | — | |
| 84-14 | Cinderella, op. 87, Act I: No. 14 Grasshoppers and Dragonflies (Vivace con brio) | London Symphony Orchestra, André Previn | — | |
| 84-15 | Cinderella, op. 87, Act I: No. 15 The Autumn Fairy (Allegretto moderato) | London Symphony Orchestra, André Previn | — | |
| 84-16 | Cinderella, op. 87, Act I: No. 16 The Winter Fairy (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 84-17 | Cinderella, op. 87, Act I: No. 17 Interrupted departure (Vivo) | London Symphony Orchestra, André Previn | — | |
| 84-18 | Cinderella, op. 87, Act I: No. 18 Clock Scene (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 84-19 | Cinderella, op. 87, Act I: No. 19 Cinderellaʼs departure for the Ball (Allegro espressivo) | London Symphony Orchestra, André Previn | — | |
| 84-20 | Cinderella, op. 87, Act II: No. 20 Court dance (Andante grazioso) | London Symphony Orchestra, André Previn | — | |
| 84-21 | Cinderella, op. 87, Act II: No. 21 Passepied (Allegretto) | London Symphony Orchestra, André Previn | — | |
| 84-22 | Cinderella, op. 87, Act II: No. 22 Cavalierʼs dance (Bourrée; Allegro pesante) | London Symphony Orchestra, André Previn | — | |
| 84-23 | Cinderella, op. 87, Act II: No. 23 Skinnyʼs variation (Allegretto) | London Symphony Orchestra, André Previn | — | |
| 84-24 | Cinderella, op. 87, Act II: No. 24 Dumpyʼs variation (Allegretto capriccioso) | London Symphony Orchestra, André Previn | — | |
| 84-25 | Cinderella, op. 87, Act II: No. 25 Court dance (Andante grazioso) | London Symphony Orchestra, André Previn | — | |
| 84-26 | Cinderella, op. 87, Act II: No. 26 Mazurka and Entry of the Prince (Allegro) | London Symphony Orchestra, André Previn | — | |
| 84-27 | Cinderella, op. 87, Act II: No. 27 Dance of the Princeʼs Companions (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 84-28 | Cinderella, op. 87, Act II: No. 28 Mazurka (Allegro ma non troppo) | London Symphony Orchestra, André Previn | — | |
| 84-29 | Cinderella, op. 87, Act II: No. 29 Cinderellaʼs Arrival at the Ball (Allegro Andante) | London Symphony Orchestra, André Previn | — | |
| 84-30 | Cinderella, op. 87, Act II: No. 30 Grand Waltz (Allegretto) | London Symphony Orchestra, André Previn | — | |
| 85-1 | Cinderella, op. 87, Act II: No. 31 Promenade (Allegro tranquillo) | London Symphony Orchestra, André Previn | — | |
| 85-2 | Cinderella, op. 87, Act II: No. 32 Cinderellaʼs variation (Allegro grazioso) | London Symphony Orchestra, André Previn | — | |
| 85-3 | Cinderella, op. 87, Act II: No. 33 The Princeʼs variation (Andante con brio) | London Symphony Orchestra, André Previn | — | |
| 85-4 | Cinderella, op. 87, Act II: No. 34 The Guests take refreshment (Moderato) | London Symphony Orchestra, André Previn | — | |
| 85-5 | Cinderella, op. 87, Act II: No. 35 Duet of the Sisters with their Oranges (Allegro con brio) | London Symphony Orchestra, André Previn | — | |
| 85-6 | Cinderella, op. 87, Act II: No. 36 Pas de deux: The Prince and Cinderella (Adagio) | London Symphony Orchestra, André Previn | — | |
| 85-7 | Cinderella, op. 87, Act II: No. 37 Waltz-Coda (Allegro espressivo) | London Symphony Orchestra, André Previn | — | |
| 85-8 | Cinderella, op. 87, Act II: No. 38 Midnight (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 85-9 | Cinderella, op. 87, Act III: No. 39 The Prince and the Shoemakers (Allegro scherzando) | London Symphony Orchestra, André Previn | — | |
| 85-10 | Cinderella, op. 87, Act III: No. 40 First galop (Presto) | London Symphony Orchestra, André Previn | — | |
| 85-11 | Cinderella, op. 87, Act III: No. 41 Temptation (Moderato — Allegretto) | London Symphony Orchestra, André Previn | — | |
| 85-12 | Cinderella, op. 87, Act III: No. 42 Second galop (Presto) | London Symphony Orchestra, André Previn | — | |
| 85-13 | Cinderella, op. 87, Act III: No. 43 Orientalia (Andante dolce) | London Symphony Orchestra, André Previn | — | |
| 85-14 | Cinderella, op. 87, Act III: No. 44 Third galop (Allegro marcato) | London Symphony Orchestra, André Previn | — | |
| 85-15 | Cinderella, op. 87, Act III: No. 45 Cinderella awakes (Andante dolce) | London Symphony Orchestra, André Previn | — | |
| 85-16 | Cinderella, op. 87, Act III: No. 46 The Morning after the Ball (Allegretto capriccioso — Moderato — Vivo) | London Symphony Orchestra, André Previn | — | |
| 85-17 | Cinderella, op. 87, Act III: No. 47 The Princeʼs visit (Vivace) | London Symphony Orchestra, André Previn | — | |
| 85-18 | Cinderella, op. 87, Act III: No. 48 The Prince finds Cinderella (Adagio passionato) | London Symphony Orchestra, André Previn | T-329.459.968-7 | |
| 85-19 | Cinderella, op. 87, Act III: No. 49 Slow Waltz (Adagio) | London Symphony Orchestra, André Previn | — | |
| 85-20 | Cinderella, op. 87, Act III: No. 50 Amoroso (Andante dolcissimo) | London Symphony Orchestra, André Previn | — | |
| 86-1 | La Mer, CD 111: I. De l'aube à midi sur la mer | — | ||
| 86-2 | La Mer: Jeux de vagues | London Symphony Orchestra, André Previn | T-072.126.470-5 | |
| 86-3 | La Mer, CD 111: III. Dialogue du vent et de la mer | — | ||
| 86-4 | Nocturnes: Nuages | London Symphony Orchestra, André Previn | — | |
| 86-5 | Nocturnes: Fêtes | London Symphony Orchestra, André Previn | — | |
| 86-6 | Nocturnes: Sirènes | The Ambrosian Singers, London Symphony Orchestra, André Previn | — | |
| 87-1 | Vorrei spiegarvi, oh Dio, K. 418 | Kathleen Battle, Royal Philharmonic Orchestra, André Previn | T-924.224.904-3 | |
| 87-2 | Exsultate Jubilate, K. 165 | Kathleen Battle, Royal Philharmonic Orchestra, André Previn | — | |
| 87-3 | L'amerò, sarò costante from Il rè pastore, K. 208 | Kathleen Battle, Royal Philharmonic Orchestra, André Previn | T-801.376.595-3 | |
| 87-4 | Basta, vincesti… Ah, non lasciarmi, K. 486a | Kathleen Battle, Royal Philharmonic Orchestra, André Previn | — | |
| 87-5 | Un moto di gioia, K. 579 | Kathleen Battle, Royal Philharmonic Orchestra, André Previn | — | |
| 87-6 | Ch'io mi scordi te... Non temer, amato Bene, K. 490 | Kathleen Battle, Royal Philharmonic Orchestra, André Previn | — | |
| 87-7 | Misera! Dove son?… Ah! Non son io che parlo, K. 369 | Kathleen Battle, Royal Philharmonic Orchestra, André Previn | — | |
| 88-1 | Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto | — | ||
| 88-2 | Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando | — | ||
| 88-3 | Piano Concerto no. 2 in G minor, op. 22: III. Presto | — | ||
| 88-4 | Piano Concerto no. 4 in C minor, op. 44: I. Allegro moderato - Andante | — | ||
| 88-5 | Piano Concerto no. 4 in C minor, op. 44: II. Allegro vivace - Andante - Allegro | — | ||
| 89-1 | Valses nobles et sentimentales, M. 61: I. Modéré | — | ||
| 89-2 | Valses nobles et sentimentales: II. Assez lent | Royal Philharmonic Orchestra, André Previn | T-003.017.935-1 | |
| 89-3 | Valses nobles et sentimentales, M. 61: III. Modéré | — | ||
| 89-4 | Valses nobles et sentimentales, M. 61: IV. Assez animé | — | ||
| 89-5 | Valses nobles et sentimentales, M. 61: V. Presque lent, dans un sentiment intime | — | ||
| 89-6 | Valses nobles et sentimentales, M. 61: VI. Assez vif | — | ||
| 89-7 | Valses nobles et sentimentales, M. 61: VII. Moins vif | — | ||
| 89-8 | Valses nobles et sentimentales, M. 61: VIII. Epilogue (Lent) | — | ||
| 89-9 | Le Tombeau de Couperin, M. 68a: I. Prélude | — | ||
| 89-10 | Le Tombeau de Couperin, M. 68a: II. Forlane | — | ||
| 89-11 | Le Tombeau de Couperin, M. 68a: III. Menuet | — | ||
| 89-12 | Le Tombeau de Couperin: 4. Regaudon. Assez vif | Royal Philharmonic Orchestra, André Previn | T-305.199.226-4 | |
| 89-13 | Miroirs, M. 43 no. 4: Alborada del gracioso | — | ||
| 89-14 | Rapsodie espagnole, M. 54: I. Prélude à la nuit | — | ||
| 89-15 | Rapsodie espagnole, M. 54: II. Malagueña | — | ||
| 89-16 | Rapsodie espagnole, M. 54: III. Habanera | — | ||
| 89-17 | Rapsodie espagnole, M. 54: IV. Feria | — | ||
| 89-18 | Pavane pour une infante défunte, M. 19 | — | ||
| 90-1 | The Nutcracker: Miniature Overture | Royal Philharmonic Orchestra, André Previn | — | |
| 90-2 | The Nutcracker: Act 1: No. 1: The Decoration of the Christmas Tree | Royal Philharmonic Orchestra, André Previn | — | |
| 90-3 | The Nutcracker: Act 1: No. 2: March | Royal Philharmonic Orchestra, André Previn | — | |
| 90-4 | The Nutcracker: Act 1: No. 3: Children’s Galop and Entry of the Parents | Royal Philharmonic Orchestra, André Previn | — | |
| 90-5 | The Nutcracker: Act 1: No. 4: Arrival of Drosselmayer | Royal Philharmonic Orchestra, André Previn | — | |
| 90-6 | The Nutcracker: Act 1: No. 5: Grandfather Dance | Royal Philharmonic Orchestra, André Previn | — | |
| 90-7 | The Nutcracker: Act 1: No. 6: Scena (Clara and the Nutcracker) | Royal Philharmonic Orchestra, André Previn | — | |
| 90-8 | The Nutcracker: Act 1: No. 7: Scena (Battle) | Royal Philharmonic Orchestra, André Previn | — | |
| 90-9 | The Nutcracker: Act 1: No. 8: Scena (In the pine-forest) | Royal Philharmonic Orchestra, André Previn | — | |
| 90-10 | The Nutcracker: Act 1: No. 9: Waltz of the Snowflakes | Royal Philharmonic Orchestra, André Previn | — | |
| 91-1 | The Nutcracker: Act 2: No. 10: Scena - The Kingdom of Sweets | Royal Philharmonic Orchestra, André Previn | — | |
| 91-2 | The Nutcracker: Act 2: No. 11: Scena (Clara and the Prince) | Royal Philharmonic Orchestra, André Previn | — | |
| 91-3 | The Nutcracker, op. 71 no. 12, Act II: Divertissement: Chocolate (Spanish Dance) | Royal Philharmonic Orchestra, André Previn | — | |
| 91-4 | The Nutcracker, op. 71 no. 12, Act II: Divertissement: Coffee (Arab Dance) | Royal Philharmonic Orchestra, André Previn | — | |
| 91-5 | The Nutcracker, op. 71 no. 12, Act II: Divertissement: Tea (Chinese Dance) | Royal Philharmonic Orchestra, André Previn | — | |
| 91-6 | The Nutcracker, op. 71 no. 12, Act II: Divertissement: Trepak (Russian Dance) | Royal Philharmonic Orchestra, André Previn | — | |
| 91-7 | The Nutcracker, op. 71 no. 12, Act II: Divertissement: Flutes | Royal Philharmonic Orchestra, André Previn | — | |
| 91-8 | The Nutcracker: Act 2: No. 12: Divertissement: (f) Mother Gigogne | Royal Philharmonic Orchestra, André Previn | — | |
| 91-9 | The Nutcracker: Act 2: No. 13: Waltz Of The Flowers | Royal Philharmonic Orchestra, André Previn | T-918.336.772-8 | |
| 91-10 | The Nutcracker: Act 2: No. 14: Pas de deux | Royal Philharmonic Orchestra, André Previn | — | |
| 91-11 | The Nutcracker: Act 2: No. 14: Pas de deux: (a) Variation I - Tarantella | Royal Philharmonic Orchestra, André Previn | — | |
| 91-12 | The Nutcracker, op. 71 no. 12, Act II: Divertissement: Variation II (Sugar-Plum Fairy) | Royal Philharmonic Orchestra, André Previn | — | |
| 91-13 | The Nutcracker: Act 2: No. 14: Pas de deux (coda) | Royal Philharmonic Orchestra, André Previn | — | |
| 91-14 | The Nutcracker: Act 2: No. 15: Final Waltz and Apotheosis | Royal Philharmonic Orchestra, André Previn | — | |
| 92-1 | Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” | — | ||
| 92-2 | Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” | — | ||
| 92-3 | Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” | — | ||
| 92-4 | Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen, Herr Zebaoth!” | — | ||
| 92-5 | Ein deutsches Requiem op. 45: V Ihr habt nun Traurigkeit | Royal Philharmonic Orchestra, André Previn | — | |
| 92-6 | Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” | — | ||
| 92-7 | Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben” | — | ||
| 93-1 | Piano Concerto no. 3 in E-flat major, op. 29: I. Moderato assai - Più mosso (Allegro maestoso) | — | ||
| 93-2 | Piano Concerto no. 3 in E-flat major, op. 29: II. Andante | — | ||
| 93-3 | Piano Concerto no. 3 in E-flat major, op. 29: III. Allegro non troppo | — | ||
| 93-4 | Piano Concerto no. 5 in F major, op. 103 “L'Egyptien”: I. Allegro animato | — | ||
| 93-5 | Piano Concerto no. 5 in F major, op. 103 “L'Egyptien”: II. Andante - Allegretto tranquillo quasi andantino | — | ||
| 93-6 | Piano Concerto no. 5 in F major, op. 103 “L'Egyptien”: III. Molto allegro | — | ||
| 95-1 | Piano Concerto no. 1 in D major, op. 17: I. Andante - Allegro assai | — | ||
| 95-2 | Piano Concerto no. 1 in D major, op. 17: II. Andante sostenuto quasi adagio | — | ||
| 95-3 | Piano Concerto no. 1 in D major, op. 17: III. Allegro con fuoco | — | ||
| 95-4 | Wedding Cake, Caprice-valse, op. 76 | — | ||
| 95-5 | Rhapsodie d'Auvergne, op. 73 | — | ||
| 95-6 | Allegro appassionato, op. 70 | — | ||
| 95-7 | Africa, Fantaisie, op. 89 | — | ||
| 96-1 | Introduction and Overview | — | ||
| 96-2 | BBC Television Series | — | ||
| 96-3 | Background preceding career as conductor, and early conducting career | — | ||
| 96-4 | Appointment as Principal Conductor of the London Symphony Orchestra | — | ||
| 96-5 | Qualities and achievement as Principal Conductor of the London Symphony Orchestra | — | ||
| 96-6 | Classical and Jazz Pianist | — | ||
| 96-7 | Composer for Theatre and Television Drama | — | ||
| 96-8 | Breadth of Orchestral Repertoire | — | ||
| 96-9 | Public Following, Personality, Legacy, and Conclusion | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 |
| Daphnis et Chloé: Part I: Scene | London Symphony Orchestra, André Previn | T-004.014.578-5 |
| Swan Lake, op. 20: Act III, no. 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace) | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act III. Russian Dance (Cadenza - Andante semplice - Allegro vivo) [additional number] | Ida Haendel, London Symphony Orchestra, André Previn | — |
| Swan Lake: Act One. No. 2. Waltz (Tempo di valse) | London Symphony Orchestra, André Previn | — |
| Swan Lake: Act One. No. 3. Scene (Allegro moderato) | London Symphony Orchestra, André Previn | — |
| Swan Lake: Act One. No. 6. Pas d'action (Andantino quasi moderato - Allegro) | London Symphony Orchestra, André Previn | — |
| Swan Lake: Act One. No. 7. Subject | London Symphony Orchestra, André Previn | — |
